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New PreSonus Headquarters and Research Facility To Arise in Baton Rouge

Baton Rouge, Louisiana, August 2012… On August 22, 2012, PreSonus Audio Electronics, Inc., hosted a groundbreaking ceremony for its new high-tech headquarters and research facility. Louisiana Governor Bobby Jindal led the list of guests of honor, attending in recognition of PreSonus’ contributions to the state and local economy.

A leading manufacturer of digital and analog hardware and integrated software systems for the professional audio market, PreSonus has expanded from 49 employees in 2009 to more than 130 employees worldwide, including the 80 full-time employees who are overflowing its current offices on Florida Boulevard.  According to PreSonus CEO Jim Mack, PreSonus has grown its revenues by more than 50% last year and is slated to enter new product categories to continue its growth.

Designed by local architects Ritter Maher, LLC, and developed by Moniotte Investments, the new 44,000-square-foot building—located at 19151 Highland Road—will cost approximately $8.3 million including land and development.  Completion is expected in the late summer of 2013. It will easily accommodate at least 125 employees—crucial because PreSonus is continuing to grow and hire—and offers many amenities that are not available in the company’s current space.

Among the unique features of this building will be a specialized high-tech recording studio/R&D space that is being custom-designed for PreSonus’ engineering and testing teams by the award-winning Walters-Storyk Design Group of Highland, New York. The 2,500-square-foot, state-of-the-art studio will feature a control room, a 500-square-foot live-sound room, two isolation rooms, a video-production suite, five test labs as well as a separate 1,500-square-foot live-sound room.

PreSonus’ rapid growth, local hiring, and emphasis on digital engineering qualified it for LED Digital Interactive Media and Software Development tax-credits. This program supports the creation of quality digital-engineering jobs that stay in the Baton Rouge community. Historically, companies like PreSonus have usually located on the East or West Coast. However, the tax-credit program has helped make it possible for PreSonus to grow and prosper in its home city, investing these funds in new engineering staff and in research and development. Many of the new hires are highly skilled digital-hardware and software engineers residing in the Baton Rouge area.

Much of the engineering team graduated from the LSU Engineering Department, and the company was recently named to the LSU 100 Fastest Growing Tiger Businesses. PreSonus also is working with LSU in an effort to develop local design talent through the university’s outstanding engineering programs and internships.

August 22 marks the beginning of the next stage of PreSonus’ growth and its continuing contributions to high-tech employment in Baton Rouge. Look for much more to come from this vibrant company.

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Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording software, hardware, and related accessories. PreSonus software, microphone preamps, signal processors, digital audio interfaces, mixers, control surfaces and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

 

Community Revitalizes Sound in Revamped Pennsylvania Convention Center

Philadelphia, PA – July 2012… The recently completed expansion of the Pennsylvania Convention Center (PCC) in downtown Philadelphia is, to date, the largest public works project in Pennsylvania history. The Convention Center, first opened in 1993, was expanded by four full city blocks as part of a 20-year plan to renew Philadelphia’s downtown City Center District, a once-struggling area that has seen tremendous economic growth in the two decades since the revitalization efforts began.

The expansion has earned PCC a ranking as one of the ten largest convention properties in the country. It now spans a massive 2.3 million square feet – 20 acres in the heart of downtown Philadelphia – and features two large ballrooms and seven exhibit halls, ample space to hold two major conventions and several smaller events simultaneously.

“One of the important elements of the expansion project was the installation of a professional quality audio system that would deliver evenly distributed, clear and natural sounding music and speech reproduction throughout these large spaces,” explained Larry McIntyre, senior consultant at Acentech, the award-winning acoustics, audiovisual, and vibration consulting firm who designed PCC’s new audio system.

The sound system, installed by the Philadelphia offices of AVI-SPL, is used not just for delivering music and general announcements, but also to deliver emergency voice notifications. This makes system integrity a critical aspect.

As McIntyre explains: “We incorporated Community’s CLOUD12 Loudspeakers into the system design because of their reputation for outstanding quality and sound reproduction. The fact that they are locally produced was an added benefit.”

Acentech’s audiovisual consultants designed a highly flexible network-based digital audio system utilizing more than 400 Community CLOUD Series 1266, 1266T, and 1299T loudspeakers. Audio distributionthroughout the expansion is provided via a CobraNet-basednetwork that also interfaces with the main building’s analog audio system. Biamp AudiaFusion amplification powers the expansion system.

“We designed the sound system with various controllable zones which we kept small so that any zone failure wouldn’t prevent delivery of the emergency voice notification,” reports McIntyre. “Each zone consists of an amplifier output circuit, wiring and an assortment of Community CLOUD Loudspeakers. Each amplifier is also monitored and fully redundant.”

“AVI-SPL is honored to have played such a critical role in the largest public works project in Pennsylvania history,” added Tom Kelley, AVI-SPL’s General Manager. “Working with valued partners like Community and Biamp Systems, our team implemented a multifaceted audio system that delivers music, general announcements, and emergency notifications, all while maintaining complete system integrity.”

“We’re very pleased with the end result. The system provides the control and monitoring we need with great sound quality,” McIntyre says.

Apparently, the project has made its intended impact on the local economy. Convention bookings and attendance have increased more than 25% since the completion of the convention center’s expansion.

 

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 Community Professional Loudspeakers is a manufacturer and supplier of professional audio equipment.  Since 1968, Community has led the pro-audio industry with technological innovations which have become industry standards. Today, Community offers over 150 professional loudspeaker products, including installed loudspeaker systems, weather-resistant outdoor loudspeaker systems, ceiling loudspeakers, high level voice paging systems, and portable entertainment systems.  Visit www.communitypro.com for more information. 

Landmark Kansas City Venue Gets the Full Renkus-Heinz Treatment

Kansas City, MO – July 2012…  The Kauffman Center for the Performing Arts is the centerpiece of Kansas City’s downtown revival. The futuristic 285,000-square-foot, $413 million project links the city’s downtown center with its landmark Crossroads Arts and Power & Light Districts, and is home to the Kansas City Symphony, Kansas City Ballet, and the Lyric Opera of Kansas City.

The two performance spaces – Muriel Kauffman Theatre and Helzberg Hall – were designed by renowned architect Moshe Safdie. Both were created using ultra-modern, sound-isolating building-within-a-building construction; a foundation, walls, and roof surrounded by fully independent foundation, walls, and roof.

The 1600-seat Helzberg Hall, home to the Kansas City Symphony, offers seating in a semi-circular “vineyard-style” configuration that surrounds more than 270 degrees of the massive 2700-square-foot stage, placing no seat more than 100 feet away.

Consultants Engineering Harmonics, whose team included Senior Consultant Martin Van Dijk, Associate Consultant Roer Gans, and designer Russ Noble, worked with Nagata Acoustics to design the sound system, which was installed by Clair Brothers. With the venue’s acoustics primarily designed for symphonic sound, the hall essentially called for dual systems – one for music, the other for voice intelligibility.

The main performance system is centered around Renkus-Heinz ST-Series reference point arrays, with left and right clusters of ST4, augmented by ST-2M cabinets. Rear and side fills are amply covered with ST2-R and ST2-MR boxes, while TRX62H compact systems provide over balcony fills. A dozen PNX112 Subswoofers are built into the stage lip, while 72 Iconyx SSL drivers are built into a custom baffle inside the balcony for additional coverage.

The innovative voice reinforcement system utilizes three Iconyx IC16-5 digitally steered arrays. The three columns are arranged in a 360-degree configuration, with each column covering a 120-degree pattern. The “voice stick” is concealed in the ceiling, descending from its soffit inside the 100,000-lb acoustical reflector canopy above the stage.

The massive, seven-story glass enclosed lobby was also treated to Iconyx systems to help with spoken word intelligibility, with three more Ic16-R arrays concealed behind a metal grille.

“The Iconyx definitely helped to focus the sound in a very challenging environment,” says Ciair Brothers Project Manager Dustin Goen. “I don’t see how it could have been done with any other kind of loudspeakers.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

Famed Kentucky Eatery Gets New Sound with Community

Georgetown, KY, July 2012….  Galvin’s Restaurant is one of Georgetown’s most popular watering holes, with a busting restaurant and a crowd of friendly regulars who gather to shoot the breeze and watch their team, the Southeastern Conference University of Kentucky Wildcats.

Like most busy establishments, there are those who come to watch the game, and others who want to hang out with friends. And as often happens, the banter of those enjoying each others’ company can make it hard for others to hear the game.

“They had four small wall-mounted loudspeakers, and when things got busy the ambient noise made it hard for people to hear,” explains Curtis Cox of Nicholasville, KY-based Curtis Cox Music. “Some customers would ask for it to be turned up, and others would complain that it was too loud.”

The room’s acoustics precluded simply adding more or louder speakers. “The building is rather old,” says Cox. “On one side the ceiling is plaster, and on the opposite side the ceiling is painted metal. We knew if we put speakers in the wall, we’d end up with sound bouncing all over the place. And running additional wiring through the walls would be a challenge due to the age of the building.”

Cox’s solution was to focus the sound downward using a distributed system of Community DP6 pendant loudspeakers. Eighteen of the pendant loudspeakers are suspended from the open-beam ceiling – three over the bar and the rest covering a pair of tables each. “We ran each speaker to a custom-designed control box, with a 35W auto transformer on each speaker,” Cox explains. “Now the restaurant manager can adjust each individual speaker’s level to suit the customers’ taste.” Crown CDi amplification powers the system, with an Alesis 8-channel line mixer providing inputs from various audio sources.

“We’ve used Community loudspeakers on a number of projects over the years, and have always had great results,” says Cox. “We were confident that the DP6 would be a great solution, and it has proven to be just that. We’re very impressed with the sound and performance.”

 

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Community Professional Loudspeakers is a manufacturer and supplier of professional audio equipment.  Since 1968, Community has led the pro-audio industry with technological innovations which have become industry standards. Today, Community offers over 150 professional loudspeaker products, including installed loudspeaker systems, weather-resistant outdoor loudspeaker systems, ceiling loudspeakers, high level voice paging systems, and portable entertainment systems.  

Visit www.communitypro.com for more information. 

Continental Air Show Productions Pumps Star Spangled Sailabration with Community

Baltimore, MD, July 2012…  On the morning of September 14, 1814, Major George Armistead signaled the American victory in the war of 1812 by raising the first American flag over Fort McHenry. The incident inspired poet Francis Scott Key to write the Star Spangled Banner, which would eventually be declared this country’s national anthem.

On June 13, the city of Baltimore kicked off a three-year national commemoration of the events of 1812 with the Star Spangled Sailabration, a seven-day festival of concerts, celebrations, fireworks, an international parade of ships, and a rousing air show featuring the Blue Angels.

To provide audio support for the Blue Angels air show, Continental Air Show Productions selected a dozen Community R.5HPT loudspeakers. As CASP’s Dave Olmstead of observes, the Community R-Series is unequalled in power, coverage, and intelligibility. “Obviously, the biggest challenge in providing sound for a Blue Angels air show is competing with the ambient noise of the jets themselves,” he says. “The Community R-Series has been our first choice for our shows over the years, because it’s the only loudspeaker that can provide the levels we need, for the very large coverage areas we have to address, and do it with an exceptionally high degree of intelligibility.” And they’re rugged enough to withstand CASP’s grueling schedule of back-to-back shows, from Maine to Spokane and back again.

“Fort McHenry is where Francis Scott Key wrote the Star Spangled Banner,” Olmstead adds. “So to be able to hear the song performed at this historical site with the clarity that our Community R-Series speakers provide was extremely moving, not only for CASP, but for the thousands in attendance.”

 

For more info on Continental Air Show Productions, visitwww.continentalairshows.com

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Community Professional Loudspeakers is a manufacturer and supplier of professional audio equipment.  Since 1968, Community has led the pro-audio industry with technological innovations which have become industry standards. Today, Community offers over 150 professional loudspeaker products, including installed loudspeaker systems, weather-resistant outdoor loudspeaker systems, ceiling loudspeakers, high level voice paging systems, and portable entertainment systems.  Visit www.communitypro.com for more information. 


RH Signature Series Wins Best Of Show at InfoComm 2012

Las Vegas, NV, June 2012…. At InfoComm 2012, Renkus-Heinz introduced their newest product, the Ralph Heinz Signature Series loudspeakers. This versatile new line of loudspeakers received an overwhelming response from attendees and media alike, and was recognized with the coveted Best Of Show award by ProSound News and ProAudio Review.

The RH Signature Series features a range of two- and three-way enclosures designed for professional audio applications including the theater and touring markets. The RH Series includes six-inch, eight-inch, and ten-inch two-way models, as well as twelve-inch and fifteen-inch three-way models.

All models feature a dual wedge angle design, integral multi-angle pole, screw thread points, and multiple rigging and mounting options including Yoke Mount, Wall Mount, and U-Bracket hardware. Both self-powered and passive models are available.

“The RH Series has been a true labor of love for Ralph Heinz and the rest of the engineering team, and we are proud of the results,” said Rik Kirby, Renkus-Heinz VP of Sales and Marketing. “Needless to say, we are thrilled with the response it has received as this show, and of course, we are truly honored to receive such a prestigious award.”

The Ralph Heinz Signature Series will be available during the fourth quarter of 2012.

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Iconyx Gives Initiatives of Change a Clear Hearing

Caux, Switzerland – June 2012… Above the clear waters of Lake Geneva, in the small village resort of Caux overlooking Montreux, the locally-nicknamed ‘Cinderella’s Castle’ hosts an annual series of conferences hosted by CAUX-Initiatives of Change.

An independent officially recognized Swiss foundation, the body works to promote peace, prevent conflicts, build trust and encourage intercultural dialogue and ethical conduct in business. CAUX-Initiatives of Change is a member of Initiatives of Change International, an NGO in special consultative status with the Economic and Social Council (ECOSOC) of the United Nations and participatory status at the Council of Europe.

Their summer seminars in Caux draw people from all over the world, in what was until 1946 the grand Caux-Palace Hotel. A magnificent and peaceful setting, but one whose acoustic legacy has proved a major downside for its current use.

British sound designer Terry Nelson, whose Switzerland-based company Studio Equipment was hired to improve speech intelligibility in the main conference area, explains: “The main salon of the hotel, where the conferences are held, has high ceilings and a wonderful cupola in the centre, with pseudo-art deco plasterwork. The effect of all this is almost infinite flutter echoes, and the area under the cupola works like a whispering gallery. It’s basically a very difficult environment to deliver clear speech to up to 450 people.”

To make the acoustics more complex still, the central area and stage are flanked by a glass conservatory-style wing overlooking the gardens to stage right, and a corridor to stage left.

In a classic scenario, he says, “They’d had a PA installed, with perfectly good quality loudspeakers that were unfortunately totally the wrong choice for the highly reflective environment. People despaired about understanding conversations and presentations. They’d also installed an 8-channel multiple translation system, and many people turned to using that system’s headphones in an effort to understand what was being said.”

The conference’s British technical director Brian Thirlaway initially contacted an audio company in Zurich, which in turn recommended Studio Equipment. Says Nelson: “We did a site visit and from the outset it was obvious that we needed a highly directional system to tame the multiple reflections.” Further discussions revealed that while speech would be the primary use, subtle sound reinforcement for small groups or solo instruments was also required.

Nelson recommended Renkus-Heinz Iconyx’s digital beam steering capabilities to direct sound away from the walls and cupola. The main system consists of two IC16-R arrays, controlled by RHAON software over CobraNet via a remote Ethernet port, along with two CF Series subwoofers.

The slim arrays fit perfectly either side of a mock proscenium arch and are run via analogue audio lines from an existing DDA Q Series console, with control via Ethernet from a Renkus-Heinz IC-RC1 RHAON remote preset control that allows simple user switching between preset modes. The console also feeds two Iconyx IC7 arrays (via groups), which cover the conservatory and corridor areas.

Says Nelson: “Having looked at the room, I did an initial set-up with Renkus-Heinz’s BeamWare II beam alignment software. With the rear wall around 30 metres from the stage, I set up the IC16s so that five separate horizontal beams covered the audience area evenly from front to back.”

“One of the best comments we had,” says Nelson, “was that the general secretary of the organisation was very pleased, saying that for the first time you could understand every word without using the interpreter system headphones, even right at the back or under the cupola.

“From our point of view, when we were doing the first commissioning, one of my colleagues stood right under the cupola, where the sound comes at you from all directions.

“It takes a lot to impress him and he said he couldn’t hear a single echo, just some natural room reverb.

“The whole team was there at the time and it was a case of ‘problem solved’. As a final touch, Renkus-Heinz delivered the Iconyx arrays in a finish that precisely matches the white decor.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Renkus-Heinz Unveils New Products at InfoComm 2012

Las Vegas, NV, June 2012…. The Renkus-Heinz booth and demo room were buzzing with activity throughout the three days of InfoComm 2012, with visitors and customers making the company’s newest products a must-see at the show.

One of the biggest hits at the show was the introduction of the new Ralph Heinz Signature Series loudspeaker line. The RH Signature Series, which includes both self-powered and passive models with a dual wedge angle design and multiple rigging and mounting options, was recognized with ProSound Network’s prestigious Best Of Show award.

Also making a splash was the new Varia series, an innovative modular design that can be configured as a vertical line array, point source horizontal array, or ground stacked. Varia’s flexible design makes it an excellent choice for a wide range of permanent or touring applications.

In addition to a busy booth and fully-packed demo room, Renkus-Heinz carried on a time-honored tradition by hosting their 21st annual Consultants’ Breakfast. For more than two decades, attendees have been getting up early to attend this invitation-only event. This year they were treated to presentations by Lee Minich, President of Lab X Technolgies, Gerald Katz, P.C., and Renkus-Heinz Senior VP Ralph Heinz.

Guests at the Consultants’ Breakfast were also entered into a drawing to win a pair of free iPads. The winning entries were Russel O’Toole, Principal Consultant at R&M Consulting in Romeoville, IL, and Brenda Brown, Principal at SynAudCon in Greenville, IN.

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Community Provides Loud and Clear Flood Warning for Venice

Venice, Italy, June 2012...  While it’s well known that the city of Venice’s transport infrastructure relies heavily on its canals, not many people are aware of the sometimes tenuous relationship Mother Nature has on this arrangement. The canals, which carry thousands of gondolas, launches, barges and water buses daily, are subject to tidal conditions and therefore constantly changing.

High tide levels mean reduced headroom under bridges, and the city’s transportation often needs to be re-routed. When pavements and other pedestrian areas disappear under water, raised walkways may need to be erected. The city’s population and its large number of commuters are used to these changes, but accurate, timely information about the tides is important to keep daily life on track.

To that end, a powerful audio system based around Community R-Series loudspeakers has been installed as part of a flood warning system for the city of Venice. Located in fifteen bell-towers in central Venice and at a further fifteen locations on outlying islands, the loudspeakers play a series of alert and musical tones that inform residents of the coming tidal levels, so that they can plan accordingly. The system, supplied by Prase Engineering, was specified by audio consultant Ing. Umberto Nicolao and installed by Verona-based S.T.A.S.

The loudspeaker system is one of many ways the city of Venice’s Previsioni E Segnalazioni Maree (Tidal Forecasting and Signalling Centre) is utilizing technology to keep city residents and working commuters informed. (The city also maintains a website, a toll-free phone line, touchscreen information kiosks, and even a smartphone app.) An old siren-based audio system had also been used for many years but it was increasingly less reliable, due to mechanical deterioration, and it could only broadcast one alert signal. The new multi-tone audio system uses a specially designed version of Community’s R.5 loudspeaker, designed precisely for the power, frequency response and dispersion required. Size was also critical in being able to deliver and mount the loudspeakers in some of the ancient towers where they were to be deployed. And of course, Community’s legendary weather resistance was also a factor in selecting the R-Series.

This new approach to a centuries-old challenge was a custom project for city planners, as well as the system designers, installers and for Community. Its implementation has already made a tremendous impact on the daily flow of traffic around this busy city, improving the lives of commuters and residents alike.

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Community Professional Loudspeakers is a manufacturer and supplier of professional audio equipment.  Since 1968, Community has led the pro-audio industry with technological innovations which have become industry standards. Today, Community offers over 150 professional loudspeaker products, including installed loudspeaker systems, weather-resistant outdoor loudspeaker systems, ceiling loudspeakers, high level voice paging systems, and portable entertainment systems.  

Visit www.communitypro.com for more information. 


StudioLive Breathes Life into LifeWay Summer Camps

United States, June, 2012…  Summer camp is a ritual for kids and teens all across the U.S., and LifeWay Christian Resources is a familiar name for many of them. LifeWay hosts a wide range of multi-day summer camps at colleges and retreat centers throughout the nation, from recreation and Bible study for younger kids to workshops and mission-based camps for teens and young adults. As Josh Webb, LifeWay’s resident engineer and tech guru, explains, live music is a big part of the experience.

“There’s a lot of activities during the day, from team building to community service,” says Webb. “Then, in the evenings, there’s music. It’s usually a four- to six-piece band: full drum kit, bass, guitars, keyboards, and of course, vocals.”

For Webb, who coordinates sound and lighting for most of the camps, that means an ongoing routine that keeps him busy through the summer. “We’ll typically rent a facility for a few weeks during the summer, set up audio, lighting, and all that stuff; then we’ll load up the truck and move to another location,” he says.

Needless to say, it’s a big job keeping track of so many locations and crews, and LifeWay recently streamlined the process with the purchase of more than 30 StudioLive™ 24.4.2 digital consoles.

“Previously we had a whole bunch of different analog consoles,” says Webb. “We’d truck in our analog consoles, racks of gear, and cabling, and put it all together. Replacing them all with StudioLive consoles has been great on so many levels.”

The StudioLive’s fully integrated effects have really changed the equation, Webb reports.

“The PreSonus console is pretty much the heart of the audio system for us. We’ve literally got three or four warehouse palettes of compressors, limiters, and other outboard gear that we just don’t need anymore because everything’s built into the desk. It’s really lightened the load for the travel teams and has made setup and teardown a breeze.”

The StudioLive’s ease of use is another major asset. “It’s basically set up like an analog console, even though everything’s digital under the hood,” says Webb. “So the learning curve is almost nonexistent. They don’t have to run through pages and pages of menus – everything is accessible via the Fat Channel.”

Webb says they’ve only just begun to tap into the potential of the StudioLive’s capabilities. “We’ve got MacBooks® or iMacs® with every console, so we can do live recording via Capture™,” he says. “We’re using some of the tracks for a virtual sound check, especially in places where we’ve got multiple performances in the same place. It’s great for training people as well: We can have our newer engineers play back a multitrack recording and experiment with different dynamics and effects without the pressure and risk of doing it during a live show.”

“Eventually we’ll be implementing iPad® control and QMix™ for the monitor mix,” he adds. “This first year, we’re just starting with iPad control for a few teams, just to get our feet wet. Basically, we’re telling our more tech-savvy people that if they already have an iPad, they can go ahead and check out the remote-mixing capability. The information will trickle down to the rest of the teams throughout the summer.”

With so many different crews to coordinate, having everyone on the same console is more than just a convenience, he adds. “It’s a great thing for me, in particular, since I’m the guy who has to troubleshoot the setups. The consistency of knowing that every setup is now using a StudioLive console makes my life that much easier.” Webb is presently putting together a knowledgebase, to enable the entire team of engineers to share notes and get the most out of the StudioLive.

“In the past, we’ve been relatively old school as far as the audio is concerned,” Webb concludes. “But we’ve always tried to push ourselves forward and find ways to do things better, faster, and more efficiently. And the StudioLive consoles have been a huge step forward.”

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Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording software, hardware, and related accessories. PreSonus software, microphone preamps, signal processors, digital audio interfaces, mixers, control surfaces and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

 

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