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Classic St. Louis Church Trades 12 For 1 with Iconyx

Florrisant, MO – March 2014… One of the first settlements in what would become the State of Missouri, Florrisant was founded in the 18th century by French settlers. Until the late 19th century, French was the village’s predominant language — except for a small population of German settlers in the southern part of town. Seeking a church that spoke their language, in 1866 a handful of those German families founded the Church of the Sacred Heart of Jesus.

The church’s grand old Gothic style sanctuary has been a landmark on Jefferson Street since 1893. The 600 seat hall was designed in the spirit of the great cathedrals, with soaring walls, stone floors, high arched ceilings, and ornate stained glass windows. It’s a lush, reverberant setting for choir and organ, but problematic for spoken word intelligibility.

“Although it’s not a large room, its acoustical character is very much like that of a cathedral,” explains Gary Haselhorst, President of Valley Park, MO-based Cignal Systems. “Their issues are similar to that of a cathedral, on a smaller scale — it’s a very reverberant space, and intelligibility suffers.” The church’s previous sound system, with 12 pillar-mounted cabinets, only added to the cacophony.

Cignal removed the existing speakers and replaced them with a single Iconyx digitally steered line array column from Renkus-Heinz. “We had recently used the Iconyx in the St. Louis Basilica, and when the monsignors heard how well it worked in the cathedral, they knew there was hope for theirs as well.”

A single IC24-R-II column is mounted on a front pillar, just left of the altar. “We were able to achieve very uniform coverage with just one speaker,” says Haselhorst. “We ordered the cabinet painted to match the brickwork, and the Monsignor’s sister painted some marbled accents on it. It blends in almost invisibly with the architecture.”

Haselhorst reports the system has solved the room’s intelligibility problems and more. “They run the praise band through the Iconyx as well, and it sounds great,” he says. “We took out twelve speakers and replaced them with one Iconyx. They’re very pleased.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Long Beach Arena’s Pacific Ballroom is Covered by Renkus-Heinz

Long Beach, CA – February 2014…Covered on the outside by one of the world’s largest murals, “Planet Ocean,” The Long Beach Arena is an unmistakable part of the city’s skyline. Built in the early 1960s as part of the greater Long Beach Convention Center, the Arena is also an unrivaled cornerstone of entertainment in Southern California, hosting events ranging from the first NHL game in 1967 and the 1984 Olympic volleyball tournaments, to acts as diverse as Cirque Du Soleil, Iron Maiden, Run-D.M.C and Disney on Ice.

The Arena’s Pacific Ballroom, along with the rest of the Convention Center, has recently reopened after a massive series of renovations. The Ballroom’s new state-of-the-art audio, lighting, and curtaining system — the largest ceiling grid in the country — has been recognized by Venues Today magazine with an Ops and Tech Award. The system has helped to transform the Arena into even more of a multi-functional venue, enabling the 46,000 sq. foot, 200 foot long elliptical floor to be partitioned for use without the surrounding arena seating, and arranged in a wide range of configurations.

But while the curtain does wonders to partition and conceal the arena seating and frame the flat floor, it does little for the acoustics of the space. Indeed, the Arena’s vast acoustics presented a challenge in finding a sound system flexible enough to meet the demands of its wide-ranging roster of events.

Working with architectural firm John Fisher & Associates, engineering firm JR Clancy, and installers Pro Sound, Burbank, CA-based Electronsonic created an audio system to address the Arena’s diverse needs. The system, which mounts on a moveable ceiling grid, comprises left and right hangs of ten Renkus-Heinz IC2 digitally steerable array cabinets per side. Each array is augmented by eight IC118S subwoofers for low frequency power and punch. As Electrosonics Andy Batwinas explains, it’s a concept that has never really been implemented on this scale.

“The grid itself can lower to 30 feet for smaller events, and raise up to 70 feet for games and larger events,” says Batwinas. A series of connection points allow the speaker arrays to move around the grid depending on the desired configuration. Once in place, the IC2 arrays’ digitally steered beam technology enables them to be configured to cover only the areas needed, steering sound away from the hall’s reflective outer areas. The grid can also lowered and removed for events like a Cirque Du Soleil show, providing full access to the 75-foot ceiling, and the IC2 arrays can be removed from the grid and ground stacked as well.

“The IC2 delivers such even sound pressure level from front to back,” Batwinas says. “When we did the demo, it was set up at the far end of the arena and shot down the long way. You could walk the whole space, cover the floor, and keep it a solid 98 db SPL from one side to the other.”

The system is networked using RHAON control, enabling the Arena’s technical crew to implement preset coverage configurations for different event needs, and making quick changeovers possible with the press of a button.

“The IC2 steered beam technology made it a vastly superior alternative to a standard line array system,” Batwinas observes. “With the IC2 you can aim the sound down to the floor so it’s not bouncing off the architecture.”

Based on the success of the IC2 system, a Renkus-Heinz system of 18 VARIA modular point source arrays and 12 VA15S subwoofers was added to cover the Arena’s 19,000 square foot Lobby area and 29,000 square foot concourse. The VARIA’s modular design and variable dispersion patterns enable the systems to be custom configured for the area’s different ballrooms, theaters, halls, and atrium. Additionally, 16 CFX81 loudspeakers were installed in the ceiling of the Arena’s lobby for added foreground coverage.

The Long Beach Arena’s grand re-opening on November 20, 2013 met with rave reviews, and the Ballroom boasts a full calendar and an exciting 2014.

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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Related Topics: Large Venue, Line Array, Loudspeakers, News |

Sochi Olympics Sound Better with Renkus-Heinz

Sochi, Russia – February 2014… The Sochi Olympics have gone to the history books, and as is always the case, the brief few days the games are held belies the immense time and effort preparing for them. In Sochi, a dozen new world-class venues have been erected for the games, and outfitted with high-performance audio, video, and lighting systems.

Avallon, Ltd of Moscow designed and installed multiple Renkus-Heinz systems in no fewer than five Olympic venues. The most prominent project was the Arena Isberg, home to the figure skating and short track competitions. As Avallon President Sergey Vashchenko explains, it was also the most challenging.

“Since music is such an important part of the performance, figure skating competitions have some of the most stringent sound requirements,” says Vashchenko. “Even after working with the building’s designers to reduce the reverb time from 7.5 to 3.2 seconds, we still knew we need to create a system with great performance and tight pattern control, to keep the reflections under control.”

The audience seating is covered by eight each Renkus-Heinz CEM61 and CEM62 high power CoEntrant mid-high modules, with eight CE-3TLO subs covering low frequency reinforcement. The systems are hung around a central Media-LCD display. Ten CT7M TRAP boxes provide music to the skaters on the ice.

“During the EASE acoustic modeling phase, we looked at a number of options, including more traditional line arrays,” says Vashchenko. “But we were not happy with the difference in sound quality between the audience and the ice. Moreover, there was some concern that a line array might block the sightlines for some of the upper-level seating. The optimal solution was to mount all the speakers on the video screen frameworks, and the Renkus-Heinz CEM and CT series speakers offered coverage patterns that suited this arrangement very well.”

Power and signal processing for the systems is covered by Dynacord DSA-series multichannel amplifiers and P64 matrix processors. Amps and DSP are located within the signage frameworks, to reduce cable runs and assure low impedance. Audio signal is fed via fiber from the Stage Tec Auratux 16-T2Z digital console. “We assembled the entire system within the framework while it was on the ground, which made things a bit easier,” says Vashchenko.

Acoustical measurements were carried out by consultant Yury Indlin of ADI in Irkutsk. Vashchenko designed the system, with installation and commissioning by Avallon’s Vladislav Azarov.

“During the competition, sound levels are limited to 85-87dB,” says Vashchenko. “But during testing we were able to achieve levels of 103dB, with even coverage across the entire facility.”

At the Arena Fischt, home of the Olympics Opening and Closing ceremonies, Avallon installed six Iconyx IC7-II mechanically steered array systems in the VIP lobby, as well as a pair of PNX-82 two-way Complex Conic loudspeakers in the Press Center. And the Training Centers for Hockey and Figure Skating are both outfitted with multiple TRX151 two-way systems.

“It was a great pleasure to work with the Renkus-Heinz system,” remarked Vladislav Azarov. “I’ve heard many good things about their patented wave guides, but this was my first experience using their products on a large-scale project, and it was awesome. I’ve had so many great comments about the sound quality, from the athletes, from the spectators, and even from the heads of the Olympic Committee.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Cairo’s St. Therese Basilica Gets Mackie HDA

Cairo, Egypt , February 2014…With more than 22 million inhabitants, the city of Cairo is rich in history and culture. In a region renowned as the birthplace of most of today’s religions, the sprawling metropolis on the banks of the Nile River is dotted with mosques, cathedrals, and houses of worship large and small.

The Basilica of Saint Therese of the Child Jesus is one of the more remarkable Catholic churches in the region. Named for one of the church’s early French missionaries, the Basilica is a massive Byzantine style structure adorned with Arabic-Egyptian ornamentation. Constructed in 1939, it served for many years as a stopover for missionaries on their way to the East. Today, it attracts a great number of visitors, many of them foreign tourists.

As with many of the grand basilicas, the room’s acoustics have long been a challenge. Soaring walls, marble floors, wooden pews, and a massive 80-foot (25 meter) high dome ringed with windows are just the beginning of a highly reflective environment that makes intelligibility nearly impossible. The walls of the church are decorated with an ornate mosaic which, while beautiful to behold, only adds to the reflectivity of the space.

Egyptian audio distributors Al Fanny Trading were called in to help solve the Basilica’s sonic challenges, and installed a system based around four of Mackie’s HDA two-way arrayable powered loudspeakers. As Al Fanny’s Rami Saad explains, the church’s previous system was simply not up to the task.

“They had a system of ten speakers installed on the columns, but the sound quality was very poor,” Saad says. “People could not understand the sermon, and the balance between the choir and the spoken word was very poor.”

Saad says the HDA system was selected not just for its power, but for its pattern control. “It was no problem to find speakers that were loud, or speakers with good sound quality,” he explains. “The challenge was to find speakers that could direct the sound toward the people, not toward the walls. The HDA speakers did exactly that, and very well.”

The choir area has been equipped with several SRM450v2 loudspeakers for monitoring. “The choir are standing higher on a platform, and the sound coming out of the main speakers didn’t really provide them with enough coverage,” says Saad. “The SRM speakers are a great solution.”

As the final piece to the sound system, Al Fanny installed a Mackie Onyx 24.4-Bus console. “The Onyx console sounds wonderful — very clean and clear,” says Saad. “The system has made a big difference for them already, and everyone is very pleased.”

 

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Renkus-Heinz Will Be at Pro Light + Sound — Will You?

Frankfurt, Germany — February 2014… Pro Light + Sound, held in tandem with Frankfurt Musikmesse, is one of the year’s largest trade shows for the professional audio, video, music, and media industries. Covering literally acres of aisles within the sprawling Frankfurt Messehalle complex, it’s pretty much impossible to see it all, even in four days’ time.

But if you’re planning on attending this year’s Musikmesse, don’t forget to add a visit to Renkus-Heinz to your must-see list. The leader in digitally steered loudspeaker technology will be displaying their full line of Iconyx steerable line array systems, the world’s most popular and highly acclaimed solution. Full IC Live and IC Live Dual systems will be on display, as well as IC2, and all configurations of third-generation Iconyx IC-R-II systems with triple tweeter technology.

Also on display will be the award winning VARIA line of modular point source array loudspeakers, as well as our exciting new RH Series loudspeakers, and a preview of RHAON2, the new Renkus-Heinz Audio Operation Network — redesigned and rebuilt from the ground up.

As the world’s most experienced manufacturer of digitally steered products, Renkus-Heinz will be offering a quick yet highly effective demonstration of the power of digital beam steering. In less than a minute, you will hear what Iconyx can do for you.

After the demo, register to win an iPad Mini. A winner will be drawn at random at the end of the show. You do not need to be present to win.

Come by Hall 8, Stand M40, and meet with the Renkus-Heinz staff, including VP Sales & Marketing Rik Kirby, VP International Sales Karl Brunvoll, Marketing Manager Margie Ulm, European Sales Manager Håkan Sjöö, and Middle East Sales Manager Norbert Bau, along with representatives from various worldwide distributors. See you in Frankfurt!

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

Landmark Oakland Church Gets VARIA

Oakland, CA – February 2014… Bishop Carl Smith is on a mission, and he’s unapologetic. The members of New Birth Church are encouraged not only to attend church, but to become the church by actively working to improve the quality of the lives of those they touch.

Housed in a mid-19th century Catholic Cathedral, New Birth’s 500-seat sanctuary was an acoustically challenged environment when Concord, CA-based Premier Media Integration, Inc., was brought in to design and install new audio, video, and lighting systems and acoustical treatment. Graham Cooper, President of PMI, contacted Rocky Giannetta, Principal of Layer 8 Inc., to assess the room’s acoustics and assist with systems design.

With Giannetta’s acoustical measurements documenting a reverb time of 3.8 seconds, Layer 8 created an EASE model and designed acoustical treatment and loudspeaker system that PMI would install. While the acoustical treatment reduced reverb to around 1.6 seconds, the environment was still challenging enough to demand an audio system that could keep reflections to a minimum.

“The church has beautiful stained glass throughout the structure,” adds Graham Cooper “Our job was to find places to put the panels that would be aesthetically and architecturally acceptable. Padded chairs, carpet, and, of course, people, also help.”

With reverb down to an almost reasonable level, Giannetta specified the new VARIA line array system from Renkus-Heinz. “We knew that despite our best efforts, the room was not going to be acoustically ideal, and we needed to maximize control of the energy,” he explains. “Typical line arrays would only provide the right directivity in one plane. The client wanted a line array system that would provide the output and headroom for the sound they create, and VARIA fit the bill perfectly.”

The system is comprised of six VARIA VAX101 cabinets per side, with three 7-degree boxes on top and three 15-degree boxes underneath. “With the VARIA’s variable pattern control, we were able to configure coverage from 60 degrees on top to 120 degrees on the bottom,” says Giannetta. Two VAX115S subwoofers per side, along with four DRS18-2 subs on the floor, provide low end reinforcement. The system is powered by Lab.gruppen amplification.

“We’ve been using Renkus-Heinz products on a number of projects, and the clients have always been happy with the results,” says Cooper. “The VARIA system does a great job of focusing the sound on the congregation and keeping it off the walls and reflective surfaces, and the speakers integrate nicely with the room’s architecture. Bishop Smith was emphatic about maintaining the building’s aesthetics, and the VARIA system looks great.”

Giannetta agrees, “the VARIA system was an ideal choice for this project.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Renkus-Heinz Appoints Aragon as New Rep

Orange County, CA- February 2014…Renkus-Heinz has announced the appointment of Jack Aragon Marketing and Sales (J.A.M.S.) as the company’s new representatives for the Rockies.

Established in 2009, J.A.M.S. is run by industry veteran Jack Aragon, and specializes in Professional Audio, Commercial Audio, and Musical Instruments. J.A.M.S. will represent Renkus-Heinz in Arizona, Colorado, New Mexico, Utah, and Wyoming, as well as southeast Idaho, eastern Montana, and El Paso, Texas.

“We are very pleased to welcome Jack and the J.A.M.S. team to Renkus-Heinz,” remarked Rik Kirby, Renkus-Heinz VP of Sales and Marketing. “They’ve got a great reputation and a stellar track record, and we’re looking forward to having them on board.”

“Renkus-Heinz is a legendary brand that has always represented the highest quality in performance and innovation,” added Aragon. “We are honored to be working with a great brand and a great group of people.”

Jack Aragon may be reached via email at jack@j-a-m-s.com, or by phone at 303-872-3456. Visit their website at www.j-a-m-s.com.

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

High-Tech Meets Elegance at Iceland’s Hippest Bowling Lanes

Reykjavik, Iceland | January, 2014 – When a bowling alley houses 22 lanes plus a VIP/private party area, a sports bar, cafe, and restaurant, live DJs, and more than 50 screens to showcase all the best in live sports and entertainment, it’s clear that this is not just another blue collar beer-and-peanuts joint. Keiluhöllin Egilshöll, is a noteworthy blend of both high-tech and elegant design, boasting one of Iceland’s largest AV installations to date and being named Bowlers Journal’s “Best New Lounge/Restaurant.”

Inside this 30,000 sq. foot venue, club-like LED lighting pours over the lanes and neon bowling balls, with sleek, softly lit lounges with plush couches tucked away behind. LCD screens hover over the lanes and line the dimly lit brick walls of the bar and cafe. The restaurant, meanwhile, is free of screens, filling the space with decorative lighting and rustic stone walls.

Despite the venue’s singular elegance, it still presents all the acoustical challenges associated with any bowling alley — hard, reverberant surfaces, ever-changing audio material, and of course, the inevitable din of the game itself. Reykjavik-based AV designers ETOS designed and installed the high-end sound and video systems for this uniquely diverse venue. As ETOS General Manager Jakob Kristinsson explains, the audio system had to not only transmit intelligible announcements over the din of a cacophonous bowling alley, but also deliver full spectrum sound and hefty bass for music and live DJs – hence the decision to go with the power, pattern control, and full-range performance of the Renkus-Heinz CF/CFX series.

Across the six zones covering the 22 lanes and VIP area, ETOS installed 12 CFX151 cabinets, with six CFX18S subwoofers for low end reinforcement. Featuring a two-inch extended range titanium HF driver, and a 15-inch heavy duty woofer that can handle up to 700W, the CFX151s powerfully deliver the full spectrum performance required in the main bowling area. The built-in crossover also includes EQ and high-frequency protection, ideal for the dynamic changes in audio and occupancy levels.

Augmenting the primary setup, six CFX121 cabinets in three zones cover the restaurant area, with four more CF121 units across the four zones covering the sports bar and cafe. Audio networking is courtesy of two Peavey MediaMatrix Nion n6 systems.

The video component of this AV installation is extensive as well, including more than 45 LCD displays and 15 projectors from Philips, LG, and Panasonic. Rounding out the impressive look and sound of Keiluhöllin Egilshöll is a full Crestron controlled LED and lighting system, including five wireless control pads.

The installation’s intense schedule compressed about 800 hours into an eight week span to complete the entire project, from design to doors opening. Since then, ETOS reports the system has been performing flawlessly, blending the best in design with the best in technology.

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems

Join Renkus-Heinz at NAMM 2014

Anaheim, CA – January, 2014… The New Year is off and running, and Renkus-Heinz will kick off 2014 with the upcoming NAMM show in Anaheim, January 23-26, 2014. We will be in our usual spot in the Anaheim Convention Center, Hall A, Booth 6420, and would be delighted to have you drop by for a visit.

Renkus-Heinz will also be part of the CMT NAMM Canadian Reception, providing a full IC2 steered beam line array system to the event. The Reception, hosted by Norris-Whitney Communications, will be held on Thursday, January 23rd from 8:00 PM until Midnight, in the Plaza Ballroom of the Sheraton Park Hotel, 1855 South Harbor Boulevard in Anaheim.

A short drive away, The Gaslamp Bar and Restaurant in Long Beach will host surf rock legend Gary Hoey on Saturday, January 25. The club’s VARIA line array has helped to make it one of the premiere music venues in Southern California, and this show is a great opportunity to hear the system at its high energy best. Doors open at 7:00 PM, with guests Damage, Unit 287, and Dunluce. The club is guaranteed to fill up early.

So come by the booth, view the IC2 and Iconyx displays, and visit with Renkus-Heinz staff. Drop by the Sheraton and attend the CMT NAMM Reception. Or come over to the Gaslamp and catch a great night of Southern California surf rock. Whatever you decide, we’ll see you at NAMM.

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

William Kentridge’s Soundscapes Come Clean with PreSonus

tumblr_musesiMeAL1r064gzo4_1280 copyJohannesburg, South Africa – January 2014…  Acclaimed South African-born artist William Kentridge has a well-deserved reputation for the unusual. His work spans the audio and visual spectrum, from drawings and prints to operas and charcoal drawn animations. In his latest installation, “The Refusal of Time,” Kentridge fuses sculpture with digital video and complex, multi-layered soundscapes to create a multimedia work that is both powerful and compelling.

The viewer is immersed with five video screens covering three walls, running separate but interwoven program material accompanied by a multi-channel music and sound sculpture. There is a sculpture of a man holding a big megaphone, as well as a giant wooden, breathing elephant in the middle of the room, making reference to Charles Dickens’ Industrial Revolution. The soundtrack includes music composed by Philip Miller, as well as spoken word, including Kentridge’s own voice from the megaphone, and of course, the elephant’s breathing. The end result is a clearly unique and intricate audio/visual installation.

2-2013-06-10 309 copyThe man charged with the logistics of running this complex and unusual setup is engineer/sound designer Gavan Eckhart. With an installation requiring sophisticated mixing and matrixing and powerful signal processing, Eckhart chose the PreSonus AudioBox 1818VSL as the central audio hub.

A four-channel bed of music forms the sonic foundation, blending samples of African languages and chants atop Miller’s orchestral array of trumpet, trombone, tuba, grand piano, and various percussion. The quadraphonic surround mix is sent, via four of the AudioBox 1818VSL’s outputs, to four JBL Eon powered monitors.

On top of this mix is Kentridge’s spoken-word soundscape: the man with the megaphone. Here, Eckhart had to think of a creative way to achieve just the right metallic, low-fi sound. “The megaphones are a big component of the whole piece,” he says. “I came up with the idea to just grab some car speakers and mount them in tin cones on tripods and see if it worked. Fortunately, it did. That low-quality rattle and hum those cones produce is actually part of the beauty of the piece.” Four more outputs from the AudioBox 1818VSL feed the car speakers via a four-channel amplifier.

1-2013-06-10 325 copyThe installation includes a total of seven Mac minis: five running video playout, a sixth running the audio, and one more as master controller. With most of the installations residing in large warehouse spaces, it’s easy to imagine the potential for things to degenerate into a muddy-sounding cacophony. But Eckhart says the AudioBox 1818VSL is more than up to the task.

“The AudioBox 1818VSL gives me enough matrixing and discrete outputs to route all the individual signals,” he says. “But more than that, it has a nice, well-defined sound that really allows me to get a good separation between the beautiful musical backdrop and the spoken word with these distorted car speakers.”

The AudioBox 1818VSL’s onboard signal processing helps to further define and refine the mix, says Eckhart. “I find that the EQs are very useful for shaping the sound and achieving separation. If it’s a very bass-heavy room, I can just roll off a bit of lows or bring a bit of sparkle to the speakers instead of having to remix and re-export it. It lessens the processing demands on the computer and gives me a tremendous amount of control to create a clear and well-defined soundscape.”

Since its debut at the Dokumenta 13 festival in Kassel, Kentridge’s “The Refusal of Time” has been installed at numerous museums worldwide, including Rome, Paris, and Eindhoven, with new installations scheduled in Germany, Japan, Australia, and the United States.

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About PreSonus 

Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

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