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Astana State Auditorium Goes Big with Renkus-Heinz

Astana, Kazakhstan – June 2014… Designated as the country’s official capital in 1997, Astana is Kazakhstan’s second largest city, and the world’s second coldest capital. Despite its less than balmy climes, Astana has experienced a boom in development in recent years, with millions invested in parks, government buildings, and cultural centers.

One of the most impressive of the city’s newest structures is Astana State Auditorium, a striking structure designed by renowned architects Studio Nicoletti that has been labeled the “Flower of the Steppe” for its petal-like walls that enclose an indoor plaza that is home to restaurants, shops, exhibition halls, two cinemas, and a 3500 seat auditorium that is one of the largest of its kind in the world.

The auditorium’s interior is as dramatic as the building itself. The room’s unique fan shaped wood ceiling panels create a flexible acoustic signature that can accommodate a wide variety of events, from classical music to rock, pop, cinema, and spoken word. As Alessandro Baroni of A&T Media explains, the project was not without its challenges.

“The most important consideration was to achieve a consistent sound coverage across the entire auditorium,” says Baroni. “It’s a very unique design, with multiple levels of seating and an upper balcony that wraps around behind the stage area. The sound system needed to be flexible to adapt to a wide range of performnce material and a wide range of seating configurations.”

The system comprises a main array of 16 Renkus-Heinz PN102LR line array loudspeakers, along with a secondary array of five more PN102LR boxes to cover the upper balcony behind the stage. A center cluster of nine PN212 subwoofers provides ample low frequency reinforcement, and four ST9 cabinets cover lateral fill. The very front rows are covered by seven SGGX42 boxes mounted on the lip of the stage. For even more versatility, the main array can be hoisted up into the ceiling when not in use, and a second complete system comprising 12 IC Live ICL-R digitally steered column arrays on custom brackets can be put into play.

“The Renkus-Heinz systems were a good choice for this project, because the beam steering and built in DSP enabled us to configure the system to cover all the seating, at multiple levels and locations,” Baroni concludes.

A pair of Yamaha M7CL-48 consoles are installed at Front of House and stageside Monitor positions. And four Symetrix Solus 8 units handle system DSP.  Everything is connected via a network of Ethersound, RHAON, and CobraNet.

Video is equally versatile, implementing a dual stack of two Christie Roadie HD+30K DLP projectors for an exceptionally brilliant and high definition picture. “We ran into several challenges,” Baroni reports. “We had too much heat buildup in the rack with two projectors, so we had to work out how to insulate the rack to keep it cool and keep the fan noise down. And we had to design a mounting system that was steady enough to hold the machines so the two images would stay perfectly aligned, pixel-by-pixel, to not lose image quality and definition.” Four Sony BRC3000 HD cams cover the room, with a Panasonic AV-hs400 video console at the helm. There’s even an interpretation system that can provide subtitles in eight different languages.

Not surprisingly, the project also included some logistical challenges. “Of course, it was a challenge to be working in Astana, 6000 km (3700 miles) away from our headquarters in Italy,” says Baroni. “And the winter climate was very severe. And with such a big project, the scheduling and coordinating of different phases and crews is always a bit difficult. But we worked it all out in the end, and the result is nothing short of fantastic.”

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A version of this article appears in the June 2014 issue of mondo*dr

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Canvas Church Brings Active Integration into their New Home

Irvine, CA – June 2014…. As the old saying goes, sometimes you have to break away to come back home. The faithful who founded Canvas Church know that story well. The founders of Canvas, a small group of self-described “entrepreneurial misfits,” broke away from Irvine Presbyterian in 2011 to form a different kind of church: a church “for people who don’t like church.”

The original congregation has more than tripled in size since then and recently relocated to a larger home. The new digs are, not surprisingly, a bit unconventional, occupying a warehouse space in a relatively nondescript industrial park. The inside, however, is warm and welcoming, and the cozy sanctuary is outfitted with a powerful audio system centered on the new PreSonus® StudioLive™ AI Active Integration™ line of mixers and loudspeakers.

“We do a sort of post-contemporary service, and we’ve typically got anywhere between four and nine musicians up on the stage,” explains Norman Gordon, the parishioner who specified the system and can typically be found running front-of-house. “It’s a full band: bass, drums, guitars, keyboards, and a few vocalists. There’s a lot of stuff going on.”

Gordon recommended the new PreSonus StudioLive 32.4.2AI console, along with StudioLive 328AI full-range speakers and a StudioLive 18sAI subwoofer as the main front-of-house system. “The AI series really had everything we needed,” he explains. “We had a 24-channel analog console we’d been using, and even though we really didn’t need the extra channels right away, we went for the 32-channel mixer because it was the first console released in the AI line.”

For Gordon, it begins with the sound. “Having been an analog guy most of my life, I really love that warm, English, analog sound. It’s something I wouldn’t have expected with digital. I have to say, though, I was really, really pleasantly surprised at how warm and open the console sounded.”

Of course, the StudioLive’s digital features are also well utilized. “We use the snapshot scene memory for a lot of stuff: mute scenes, mix scenes. It allows us to get to things very quickly. And having all that DSP horsepower, with compression and EQ and everything, really enables us to do a lot of very cool stuff.”

Every service gets recorded, Gordon adds. “We use Capture™ software to record the individual tracks in real time, and then we import them into Studio One® for mixing.”

A pair of StudioLive 328AI Active Integration monitors completes the package, with an 18sAI subwoofer for low-frequency reinforcement. “While we were waiting for the speakers to arrive, we had a couple of different loaner systems in here,” Gordon recounts. “It didn’t sound bad, but when we installed the StudioLive speakers and fired them up for the first time, the difference in clarity was just amazing. Articulation is really, really important to me — the ability to understand both the singing and the spoken word. And the StudioLive monitors sounded great right out of the box. They’ve got a really smooth response.”

Gordon reports that the entire congregation has been happy with the new system. “You know what they say about the soundman — if you don’t get any complaints, it means you’re doing your job.”

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About PreSonus

Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

 

Wuhu Shimao Riviera Garden Theatre Gets the Renkus-Heinz Treatment

Wuhu City, Anhui Province, China – June 2014…Covering nearly 11 km (7 mi) along the Southeast bank of the Yangtze River, the Wuhu Shimao Riviera Garden has added a new landmark to the city’s skyline. The project combines luxury residential buildings, an international five-star hotel complex, and a host of other amenities including the new Riverside Cultural Square Cultural Arts Center.

The Cultural Arts Center’s crown jewel is the Riviera Garden Theatre, a 1200-seat auditorium that includes a main floor and balcony, as well as 64 luxury seats in the balcony VIP area and a convertible orchestra pit. Created by the Zhejiang Institute of Architectural Design, the multi-purpose venue boasts a wide and varied range of performances and programs, from opera and theater to spoken word and cinema.

With a high-profile and a diverse agenda, the sound system design for the venue needed to encompass both exquisite performance and versatility. Consulting firm Institute of Acoustics of Tongii University worked with the Shanghai branch of contractors Beijing Sebang Huayi Stage Technology Co., Ltd, to create a system based around Renkus-Heinz PNX and STX Series loudspeakers.

The main system is comprised of left, right, and center clusters of three PNX151T loudspeakers covering medium and long throw, with STX7 cabinets handling left and right house coverage. Low frequency reinforcement is provided by a pair of DRS18-2B direct radiating subwoofers. Onstage monitoring is courtesy of four TRX121T two-way complex conic systems. A Yamaha M7CL 48-channel digital console is installed at Front of House. The system is powered by QSC amplification, with a pair of Biamp processors handling system processing.

CAH/Tico of Hong Kong and Beijing provided the equipment for the project. As CAH’s JY Hui explains, the project presented a few challenges. “The theater’s design did not create the most perfect acoustical environment,” says Hui. “Fortunately, we were able to work with the consultants to create EASE predictions and determine the optimal system design well in advance. We also encountered some logistical problems, because the architects did not reserve enough space to install the speakers. Of course, this added to the challenge.”

Since the theater’s opening, Hui reports that the system has received high praise from staff and audience alike. “The client has exceptionally high standards, which makes us even more pleased with the results of the system,” he says. “We felt confident that the Renkus-Heinz technology was a great fit for this application, and we are proud to say it has met and even exceeded our expectations.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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Tech Works Keeps Things Running Smoothly at Intermountain Dixie Med’s River Road Clinics

St George, UT- June 2014… As anyone who’s ever spent any time at a busy outpatient clinic knows, things can get a bit chaotic. With dozens, if not hundreds of patients being seen to on any given day, communications between staff and physicians can easily get sidetracked.

Dixie Medical Center’s River Road Campus is just such a busy facility, with several independent clinics handling everything from Urgent Care and Family Practice to Radiology, Internal Medicine, and Lab Work. The clinics recently underwent an expansion and renovation project, installing not only new medical equipment, but a new Light Call communications system from Yorba Linda, CA-based Tech Works. As Dennis Savage of Marshall Industries in Salt Lake City, the company behind the design and installation of the systems, explains, the Light Call system is a simple yet highly effective means of streamlining communication within the clinical environment.

“Even though this is a typical multi-physician facility, the communications system is a bit different in a lot of respects,” says Savage. “It’s far more efficient, and more direct, and that makes a tremendous difference.”

The system itself is fairly simple in its operation. When a patient is assigned a room, the intake staff brings the patient and their chart to an examining room. They push a button on a station, which illuminates a light and sounds a tone in one of the doctors’ offices. The lights and buttons are color-coded, letting the staff of that particular physician know they are needed.

“One of the major differences between the Tech Works system and others we’ve tried is that most other systems rely on verbal notifications,” says Savage. “If you rely on voice communication, there’s always a chance that person will not hear the room number clearly, or that they’ll be called away for something else and overlook it, or that the person trying to relay the message won’t find them. The nice thing about the Tech Works system is that the light remains live until someone deactivates it. It’s essentially a fail-safe.”

The system was also chosen for its flexibility, adds Savage. “Because we have several clinics, each with its own diverse set of requirements, it was significant that we were able to essentially configure one basic system to do four completely different things for us. In our Radiology clinic, for example, we added another four-button switch, giving staff the capability to call for different techs, to call for a chart, an x-ray, or a number of other things. In our Urgent Care facility, we added emergency call buttons in each room. We’ve been able to essentially customize the system to create four completely different systems.”

The River Road Clinic continues to be one of the area’s busiest, and remains one of the best in patient satisfaction, thanks in no small part to great communication between doctors, staff, and patients. “Everybody involved in the care chain is informed and updated about any patient’s status, in any room, at any given time,” says Savage. “The Tech Works system has really helped the staff provide the high quality of care they’re known for.”

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Tech Works is a US-based manufacturer of high-quality, highly specialized communications systems for the healthcare, security, corrections, and education industries. Based in Yorba Linda, California, Tech Works was founded in 1984 with the goal of creating powerful communications solutions for the most demanding environments. Our products are designed to meet the unique challenges of our customers, in applications where clear communication can be critical.

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Renkus-Heinz Welcomes You to Las Vegas

Las Vegas, NV | May, 2014…  When you get off the plane in Las Vegas for the upcoming InfoComm Convention and head downstairs to pick up your bags, one of the first things you’ll notice is how easy it was to hear every announcement. Crisp and clear, even above the din of stadium sized video walls blasting trailers and ads at a non-stop clip. Renkus-Heinz ICONYX IC16-R digitally steered array loudspeakers are there to greet you, covering every corner of McCarran Airport’s massive arrivals baggage claim area.

At the InfoComm show, Renkus-Heinz will be easy to find. Stop by booth C11116 for a first look at ICONYX Gen 5, the next generation of Iconyx. Also on display will be the new VARIA-I installed series, as well as the exciting new RH Series, and the completely redesigned RHAON2 networking protocol.

Better yet, visit demo room N113 and hear them for yourself. Renkus-Heinz Sr. Vice President Ralph Heinz and Sr. Loudspeaker Engineer Paul Peace will be presenting the new ICONYX Gen 5, the fifth generation of digitally steered products, along with IC Live Fixed Install Gen5, VARIA-I Install, IC2, and RH Series.

This year will also mark the 23rd annual Renkus-Heinz Consultants’ Breakfast. This year’s event will feature presentations by AFMG co-founder Stefan Feistel, InfoComm’s Sr. Market Research Analyst Matt Robins, and our own Paul Peace, Sr. Loudspeaker Engineer. The invitation-only event will be held on Thursday, June 19 at 7:00AM. Seating is limited, so please RSVP to marketing@renkus-heinz.com if you’d like to attend.

On the show floor, Renkus-Heinz gear will also be in use at several other locations, including the Technologies for Worship Pavilion and the Audio Technica booth. And while you’re in town, pay a visit to the iconic Gilley’s Saloon and Honky Tonk on the Strip at Treasure Island for a listen to their Renkus-Heinz line array in action.

No matter what your plans during your stay in Vegas, Renkus-Heinz is proud to welcome you, loud and clear.

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Remembering PreSonus CTO Bob Tudor

Baton Rouge, LA – May 23, 2014...PreSonus sadly announced today the passing of Bob Tudor, the company’s widely admired, respected, and beloved Chief Technology Officer.

A legend in the pro audio/MI industry, Tudor followed a long and winding road to PreSonus. A child prodigy, he studied piano with Arthur Rubinstein protégé and Julliard fellow Josephine Bacher. Tudor later studied electrical engineering at the prestigious Rensselaer Polytechnic Institute but switched to the Berklee College of Music, where he studied film scoring, jazz, and music production. He cofounded Boston’s Metropolis recording studio and recorded such well-known acts as Peter Wolf/J.Geils Band, Extreme, Aime Mann, New Kids on the Block, and Bobby Brown. He also played keyboards and acoustic piano on numerous records as a studio musician and remixed “Cradle of Love” for Billy Idol.

Fascinated with how gear worked, Bob eventually combined his passions for music and engineering, creating a long list of companies, products, and technologies. As one of the pioneers at Mackie Designs, he created the company’s line of digital mixers, hard-disk recorders, and control surfaces. After leaving Mackie, he founded SaneWave, where he developed products for a wide assortment of pro audio manufacturers.

Overall, Tudor and the SaneWave team had designed more than 100 products, including such hits as the TASCAM US-2400 Control Surface and X-48 Hard Disk Multitrack Audio Recorder, Electro-Voice DC-1 Speaker Processor, M-Audio ProjectMix, and Lexicon MX-500 FX Processor. He did additional projects for QSC, Samson, Shure, Alesis, Gibson, Fender, and many others. One of SaneWave’s best clients was PreSonus, for which he helped define and design the FaderPort and the StudioLive digital-mixer line. That led to his decision to join the company full time in 2008. His products have garnered five TEC Awards, five MIPA Awards, and numerous other awards. As Tudor put it, “I enjoy developing disruptive products”—that is, innovative products that can potentially shake up and energize the market.

As Chief Technology Officer, Tudor oversaw all PreSonus advanced development activities and evaluated and implemented emerging technologies that have been utilized in many of the companies most successful products. Along with PreSonus CSO Jim Odom, he developed the strategic direction of the company’s innovative products and technologies.

Said Jim Mack, PreSonus CEO, “Anyone who has ever had the pleasure of working with Bob, or even interacting with him at events or trade shows, was likely touched by his energy, enthusiasm, and passion for technology—and specifically, technology that allowed people to make better music. He was always fascinated with what could be done and was never really deterred by challenges or technical hurdles. He not only made things that no one else could see or do possible, he made them look easy. We have not only lost a truly amazing engineer but a very dear friend to so many people in this industry.”

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Renkus-Heinz Names Benum Nordic as Swedish Distributor

Solna, Sweden – May 2014… Renkus-Heinz has announced the appointment of Benum Nordic AS as the company’s distributor in Sweden.

One of the largest pro audio and MI distributors in Scandinavia, the Benum Group was founded in Oslo in 1971. Benum Nordic AS was established in 2007 to provide service to customers in Denmark and Sweden.

“We are quite pleased to welcome Benum Nordic as our distributor in Sweden,” remarked Rik Kirby, VP of Sales and Marketing for Renkus-Heinz. “Benum has long represented Renkus-Heinz in Scandinavia, and their familiarity with and reputation in Sweden is second to none.”

Benum Group AS Managing Director Jørgen Christensen added, “Renkus-Heinz is one of the world’s most respected pro audio manufacturers, and a foremost authority on digital beam steering technology. We are proud to represent the company across Sweden.”

(Photo: L-R – Håkan Sjöö, Renkus-Heinz European Sales Manager; Jørgen Christensen, Managing Director; Mats Mattson, Product Manager)

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About Renkus-Heinz

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Terminal One at Spain’s Valencia Airport Sounds the All Clear with ICONYX

Valencia, Spain – May 2014… Designing and installing a sound reinforcement system for an airport terminal can be one of the most challenging assignments an installed sound company can take on. Typically large, high ceiling structures with lots of glass and reflective fixtures, these buildings are designed primarily for efficient distribution of passengers as opposed to sound waves. Particularly at peak travel times, the high levels of ambient noise can easily mask vital announcements such as departure times and gate information.

With this in mind, airport officials in Valencia, Spain approached Madrid-based installed sound company Ruybesa, an engineering and projects company specializing in turnkey solutions for installed sound environments, regarding designing and installing a new sound reinforcement system in Terminal 1 of the Valencia airport.

The Valencia airport is one of Spain’s busiest, with over 500,000 travellers passing through the terminal in 2013. Terminal 1 is the airport’s main terminal, handling the bulk of passenger traffic in and out of Valencia. The terminal spans three floors, with 60 desks and four aerobridges to access its 14 boarding gates.

“The project involved covering the sound of a large space that normally has a high background noise during peak times,” explained Diego Velázquez, sales and marketing manager for LDA Audio Tech, PA/VA manufacturer and Renkus-Heinz partner in Spain. “To address the noise problems, the Renkus-Heinz ICONYX IC7 loudspeakers were chosen.”

The Renkus Heinz ICONYX IC7 mechanically steerable line array systems employ the same triple-tweeter technology and fully natural sound reproduction as their digitally steered brethren. The IC7’s fixed acoustical beam is ideal for side fill, front fill, and short throw applications – such as airport terminals – that don’t demand programmable control. Internal passive electronics control the frequency and phase response of each driver, working together to create a uniform 30-degree beam.

“There are three IC7 ICONYX Systems installed in Terminal 1 at about 10m high and with a separation between them of 25m,” said Velázquez. “The IC7s are aimed face down to the lobby, pointing directly to the area with the highest influx of people.”

The results have pleased Valencia airport officials. “The ICONYX systems provide even sound pressure levels and the high intelligibility that is vital for delivering important information to the public, “ said Velázquez. “Flight announcements are clear, and passengers have the assurance that they can understand the message despite the background noise.”

ICONYX loudspeakers are a popular choice for sound contractors who install loudspeaker systems in airport terminals – particularly where there is a need to focus sound reproduction in specific areas to help overcome ambient noise.

Velázquez concludes, “The ICONYX systems not only deliver crystal clear audio, they also cover the large areas with fewer source points, simplifying the installation and maintenance of the entire PA system.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Free PreSonus SL Room Control Unlocks the Full Power of StudioLive AI-series Loudspeakers

Baton Rouge, Louisiana, May 2014… PreSonus® is now shipping free SL Room Control, a powerful and easy-to-use system-control and performance-monitoring software for StudioLive™ AI Active Integration™ loudspeakers. The software runs under Mac OS X 10.7 and later, Windows 7 or 8, and iOS 7 and later for Apple iPad 2 or later.

Tightly integrated with StudioLive AI-series speakers, SL Room Control gives you the equivalent control of a rack-mount loudspeaker-management system and more, and it works wirelessly or over a wired (Ethernet) local area network, so you can use it from anywhere that you can access the network.

SL Room Control provides access to a suite of advanced editing controls for customizing each StudioLive AI-series speaker on the network to compensate for room anomalies, create delay systems, eliminate feedback, and more. These features include a 500 ms alignment delay (in 0.1 ms increments); 8-band parametric EQ; 8 notch filters (0.72 of 1 half-step) for surgical frequency removal; input-level control to limit the maximum output of the speaker; mute; and solo.

The software also lets you remotely select any of four DSP contours that customize the loudspeaker for normal operation, playing low-bitrate MP3s, floor-monitor operation, or extended low-frequency boost for the StudioLive 18sAI subwoofer. This lets you to optimize each speaker for its application without needing access to the back panel. You can also remote control the 100 Hz highpass filter on each full-range model and the polarity reverse on the 18sAI subwoofer.

With SL Room Control, you can edit, save, recall, and share speaker-setup parameters, as well as set custom labels and comments for each speaker. Save complete snapshots of every speaker setting and copy-and-paste speaker settings quickly and easily between loudspeakers.

You can also group speakers in order to manage specific parts of the system, then save all settings for the entire system in a single preset. Create settings for each individual speaker, for groups of speakers, and for the entire system in your venue.

The software enables you to remotely monitor key performance indicators in real time for each StudioLive AI speaker on the network, including spotting thermal problems, driver over-excursion, and signal levels that are too hot for the converters so you can correct them before disaster strikes.

StudioLive AI loudspeakers are ready to network out of the box, so you need only add a Mac, PC, or iPad (or a combination of those); a wireless router; and SL Room Control. A Network Wizard makes setting up SL Room Control easy.

SL Room Control for Mac OS X and Windows is free to registered StudioLive AI-series loudspeaker owners and can be downloaded from the customer’s online My PreSonus account.  SL Room Control for iPad is a free download from the Apple App Store.

For more information, please visit www.presonus.com/products/SL-Room-Control.

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Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

Wu-Jin’s New Phoenix Valley Cultural Center Spreads its Wings with Renkus-Heinz

Changzhou City, Jiangsu Province, China – May, 2014 – On a busy thoroughfare in Changzhou’s Wujin District, the aptly named Phoenix Valley Cultural Center stretches its wings over more than 156,000 square feet. The vast complex is the largest and most modern of its kind, an urban nexus that is home to four cinemas, sports and dance halls, art galleries and an early childhood education center, as well as a retail hub, children’s playgrounds, and a public square with canals and gardens.

The complex’s crown jewel is The Grand Theater. Seating just over 1,000 across two floors, the Grand Theater shifts the typical theater paradigm into something just as unique as it is state-of-the-art. The venue’s classic stage can host a wide range of events, from musical to theatrical, and 17 projectors can transform the stage, as well as the walls of the auditorium, into an Omni-Max style theater.

Audio for the Theater needed to be equally versatile, able to accommodate a variety of events, from drama, live shows and TV to meetings, conferences and multi-media reporting. The main system, designed by prominent consulting firm Shanghai LeDian Audio Equipment Co., Ltd., comprises left,  right, and center hangs of 14 Renkus-Heinz STLA/9 line array loudspeakers in all. Eight SGX41 four-inch loudspeakers are mounted on the orchestra rail for front fill, with six TRX81 boxes providing rear fill, and four DRS18-2B subwoofers adding low end reinforcement. Onstage monitoring is handled by a combination of PNX151T, TRX121/9, and CF81 cabinets.

For cinema presentations, a surround system is installed comprising 20 TRX81/12 boxes, along with three STX7/64 cabinets mounted up top for sound effects. Onstage effects are provided by a single STX5M2 loudspeaker and STX5 subwoofer.

Adjacent to the Grand Theater is The Small Theater, a 200+ seat auditorium designed for meetings, multimedia conferences, runway shows, small performances and other cultural activities. Shanghai LeDian selected left and right arrays of three Renkus-Heinz STX4 cabinets as the Small Theater’s main system, with four CFX81 boxes for front fill and a pair of DRS18-2B subs.

For Shanghai LeDan Audio Equipment Co.,. Ltd., the addition of one of China’s most prominent new cultural centers to the company’s portfolio is a prestigious one, to be sure. And for the Phoenix Valley Cultural Center, LeDan’s selection of Renkus-Heinz loudspeaker systems assures that the venue will continue to deliver the finest in audio quality, no matter what type of performance is on the program.

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A version of this article appeared in Pro Audio Asia, May 2014

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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