A virtual press conference from Sound & Video Contractor

Archive by Heather Davis

UNIVERSITY OF MINNESOTA GOLDEN GOPHERS ENJOY NEW LOCKER ROOM SOUND SYSTEM WITH SYMETRIX JUPITER 4 APP BASED TURN-KEY DSP

MINNEAPOLIS, MINNESOTA – JUNE 2013: Four years ago, the University of Minnesota’s Golden Gophers men’s football team moved into the TCF Bank Stadium, a brand new, on-campus football stadium that seats 51,000. Around the same time, the completion of a new athletic facility, the Gibson-Nagurski Football Complex, provided a new home for the team, its coaches, and its support staff. After a few years settling in, the team requested improvements to the audio playback system in the complex’ locker room, where the players often hang out between classes and practices. Alpha Video & Audio of nearby Edina, Minnesota designed and installed a cost-effective, new system centered on the powerful, but easy to use, Symetrix Jupiter 4 app based turn-key DSP.

“The school was revamping the locker room and wanted the improvements completed in time for recruiting season,” said Darren Whitten, account representative for Alpha Video Sports and Entertainment. “The existing flat panels and the sound system were underperforming, in part because the system had no subwoofers and in part because the players had blown some of the components by driving it too hard. Also, the system regularly disturbed the coaches and other personnel in the adjoining offices. So they wanted a system that sounded better but that was also limited so that no one nearby would be disturbed.”

The new audio system starts with two iPod docks, a DirecTV input, and a cable input. Those feed the four inputs on the Symetrix Jupiter 4 DSP, which uses the freely-downloaded “Sound Reinforcement 5” app to provide modest input conditioning, hard limiting to keep the volume in check, and user control. Three Lab.gruppen E4:2 amplifiers and three Lab.gruppen E12:2 amplifiers power a distributed array of Tannoy Di8 DC full-range loudspeakers and Tannoy VS10 BP subwoofers. Flat screen TVs deliver clear visual content throughout the locker room.

A Symetrix ARC-2e wall panel remote located in the locker room gives the players intuitive control of the input source and volume. A second ARC-2e located in the coach’s office gives him override control of the system. When they installed the system, Alpha Video & Audio tested various volume selections and dialed in the limiting so that no one would be disturbed by the players’ music. However, the university’s A/V staff expressed interest in being able to make adjustments on their own. “The Symetrix Jupiter 4 DSP is very easy to set up and very easy to adjust,” said Brad Horbal of Bormann Marketing, Inc., the local Symetrix rep. “I knew the school A/V staff would be able to get into the program and make adjustments without a problem.”

Now that the men’s football team has a clean, updated sound system for its locker room, other University of Minnesota teams, including volleyball, gymnastics, and hockey, are contacting Alpha Video & Audio to get updated systems of their own!

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

ASHLY AUDIO PROCESSING AND AMPLIFICATION MAXIMIZE VALUE FOR NEW CHRIST BAPTIST CHURCH SANCTUARY

RALEIGH, NORTH CAROLINA – JUNE 2013: Christ Baptist Church in Raleigh, North Carolina branched off of nearby Providence Baptist Church. For many years, Christ Baptist used a converted office building as their worship center until funds could be raised to build a sanctuary that would serve the needs of the fledgling church for decades to come. That time arrived recently, and now Christ Baptist Church has a 1,200-seat sanctuary with a 150-seat choir. A/V integration firm Provision Audio/Video Services of Rolesville, North Carolina designed and installed a first-rate sound reinforcement system for the new sanctuary, relying on Ashly Audio amplifiers and processing, along with a custom Ashly GUI to give the church reliable, high-performance audio for the long haul.

“Christ Baptist Church is a very traditional Baptist church,” said John Linden, managing owner of Provision AVS. “Their music is primarily orchestral and choral with a sixteen voice organ. The church wanted an appropriate acoustic space to support their worship style.” A digital snake from the stage feeds a DiGiCo SD9 digital console at FOH. The main sound reinforcement system is comprised of a pair of Renkus Heinz ICLive-Dual steerable column arrays. Two Danley TH-212 subwoofers provide deep low-end support while simultaneously delivering “tight low-end that punches,” in the words of Linden. A pair of Ashly KLR-3200 dual-channel amplifiers, each running in bridged mono mode, power the subwoofers.

“We went with Ashly amplification based on its sound quality and value,” said Linden. “They have a low-noise floor and clean output. Ashly’s great range of options and formats, including big, beefy amps like the KLR-3200 allowed us to order the power we need. On Ashly’s ne Amplifiers, we can add DSP as needed and specify the input configuration. The ne Series includes networking capability. It’s like having a huge menu of options, and we can pick exactly the right combination of features so as to maximize system performance at the minimum cost. Reliability is also a factor. In the many years we’ve been using them, we’ve had very few problems. In fact, we have never had an Ashly amp fail.”

Two Ashly ne8800 Protea DSPs provide all of the necessary processing for the main system. To complement the formats on the upstream devices, one is outfitted with standard analog inputs, whereas the other is outfitted with AES/EBU digital inputs. One ne8800 handles all of the processing requirements for the main system, including the subwoofers. The other handles all of the processing requirements for the floor monitors and satellite systems. “The sound quality on the Ashly processors is impeccable; they’re very musical,” said Linden. “They’re easy to program and operate and are a remarkable value for the church.” In addition to input control at the DiGiCo console, the FOH operator can remotely control the Ashly DSP via multiple pages of intuitive, custom GUIs that determine the operation of the main system and the various systems that support it.

Four K-array KV50 miniature column loudspeakers powered by an Ashly ne800 amplifier provide front- and side-fill for the main system. Thirty-three 70-volt SoundTube SM31 loudspeakers cover the choir loft. An Ashly ne8250.70pe not only provides power, its optional on-board DSP allowed Provision to custom tailor the frequency and dynamic response across eight separate zones in the choir loft. Similarly, an Ashly ne4250.70pe amplifier with optional DSP controls an overflow system in the adjoining Fellowship Hall. Finally, a pair of Ashly KLR-2000 amplifiers powers the smaller systems in the adjacent choir room and the gathering hall.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

API 1608 VENTURES INTO THE CANADIAN NORTH

QUEBEC, CANADA – JUNE 2013: When singer-songwriter Florent Vollant updated his studio, it was a 32-channel API 1608 console that found its home in an interesting place in the far north. Established in 1997, Vollant’s Studio Makusham is located in Mani-Utenam, Quebec, Canada, a part of the Innu Reserve, where over 3,000 indigenous people reside.

Florent Vollant’s music history runs deep. He has released three albums in his Innu-language and is well-known in the Inuit community. His Christmas album, Nipaiamianan, received a blessing from Pope John Paul II and the Juno Award for Aboriginal Recording of the Year in 2001. Throughout the years, Studio Makusham was very interested in API gear and finally, in December 2012, they made a major upgrade to the facility, acquiring an automated 1608 console through API’s dealer Studio Economik in Montréal.

“The Makusham home – it is the traditional dance, this is a gathering, a feast, a celebration of the rhythms Teuaikan. I am pleased to invite you to this place of creation to live an experience of freedom, sharing, exchange and respect for the music of the world,” said Vollant of Studio Makusham.

The first endeavor on the console was Vollant’s upcoming album, but the 1608 has also lent its capabilities to Quebec recording artists such as Richard Seguin and many others. “The sound is very pleasant and surprising and the build quality is undeniable,” said Volant. “Thanks to Marc-Andre at Studio Economik for consulting on the deal. We are extremely happy customers!”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

ASHLY RATED THE TOP AUDIO ENTRÉE AT CHEF ROB’S CARIBBEAN CAFÉ

SANDY SPRINGS, GEORGIA – MAY 2013: Located in Sandy Springs, Georgia, Chef Rob’s Caribbean Café has been a culinary destination for Atlantans since 2006. The restaurant’s success inspired Chef Rob to open a sister establishment next door, Chef Rob’s Upscale Lounge. Of course, the lounge would need an authoritative sound reinforcement system and a high-end video system, and because the two establishments share staff, customers, and a wall, it was also an excellent time to update the café’s audio and video system. Local A/V integration firm T. Magee, Inc. designed and installed a new value-engineered sound and video system based on Ashly Audio processing, amplification, and user control that gives both establishments access to the same source material and yet provides each establishment with independent source selection and volume control.

Todd Magee, the eponymous owner of T. Magee, Inc., spent decades behind a live mixing console before concentrating his attention on the more geographically-rooted profession of A/V integration. Nevertheless, he continues to tour the world (though less occasionally now) and has worked with seventeen Grammy-winning artists, including Gladys Knight, OutKast, and Loretta Lynn. To be sure, Magee knows what it takes to make audio sound great. “Chef Rob’s Caribbean Café used to use a home-grown stereo receiver with long loudspeaker runs,” he explained. “They wanted to upgrade that to a commercial system and to tie it into the video system. On the lounge side, they wanted access to all the same music and video inputs that they had on the café side, plus inputs for a DJ.”

Stereo inputs to the system include a DMX Pandora receiver, two satellite receivers, and three floor boxes on the lounge side. Each floor box includes stereo XLR inputs, stereo ?-inch inputs, and stereo RCA inputs. An Ashly ne24.24M modular processor, configured with twelve inputs and eight outputs, provides input processing, matrixing, and loudspeaker equalization and delay. Because it is so easy to add inputs or outputs to the ne24.24M, Magee will soon add four more inputs to accommodate the lounge’s recent request for a few handheld wireless microphones.

Five Ashly KLR 2000 amplifiers, three on the lounge side and two on the café side, power the system. High fidelity Australian Monitor loudspeakers and SoundTube subwoofers complete the system. “One unique aspect of this installation is the rack system we used,” said Magee. “There are four racks recessed into an area near the entranceway. It’s an elegant, out-of-the-way place to put them, and when we need access, they pull out and rotate 90-degrees. Very cool.”

He continued, “I’ve been an Ashly fan for years. I first worked with Ashly’s analog crossovers, GQX series equalizers, and compressors in live audio. Now their digital equipment reflects the same commitment to quality that I heard so many years ago. The sound quality is comparable to units from other manufacturers that cost twice as much. The IP-based control and communication is also very nice.” A pair of Ashly neWR-5 wall remote controls provide all of the system management required – source selection and volume control.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

PLEASE STOP BY AND SEE US AT INFOCOMM BOOTH #335

SYMETRIX ANNOUNCES AN INTERACTIVE AUDIO CONFERENCING CALL-IN DEMONSTRATION

SEATTLE, WASHINGTON – JUNE 2013: Symetrix announces an interactive call-in demonstration of the SymNet 4 Channel Acoustic Echo Cancellation (AEC) Input Option Card, for installation in both SymNet Edge and Radius AEC DSPs. The SymNet audio conferencing demonstration is fully automated, originating from a conference room at Symetrix headquarters. The demo is available 24/7/365 by calling 1-425-640-3331.

During the demonstration, the caller’s voice is played live from an array of loudspeakers, picked up by an array of microphones, recorded, and routed back to the caller first with AEC bypassed, and then with AEC engaged. In this way, the caller experiences firsthand the effect of three audio conferencing subsystems: acoustic echo cancellation, automatic gain control, and noise cancellation. Additionally, DTMF tones are decoded within the context of the demonstration allowing the caller to repeat, skip, or fast forward using their phone’s keypad.

“The Symetrix AEC Demo room is unique,” said Ryan Curtright, senior technical sales engineer. “This is the only fully-automated conference room in the world where a customer can call in 24/7/365 from any phone and hear AEC, AGC, and noise cancellation in a real world scenario. The caller even has the ability to repeat sections by hitting a few digits on their phone, so they can hear a particular feature a second time without having to hang up and redial. This is an incredible sales tool for our reps, integrators, and anyone else who wants to experience the benefits of a SymNet conferencing system. This is also a fantastic remote-end for our partners who are commissioning systems and need an always-available remote system to test phone audio levels and functionality of the local room.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

STOP BY AND SEE US AT INFOCOMM BOOTH #922

2013 API VISIONARY SCHOLARSHIPS AWARDED

JESSUP, MARYLAND – JUNE 2013: API has once again presented its annual Visionary Scholarship to several students in different academic institutions. The scholarships are available to those who are currently enrolled in audio engineering programs equipped with an API Vision, Legacy Plus or 1608 console.

To qualify, applicants must submit a comprehensive questionnaire and essay and are encouraged to include a recording they have engineered or produced. After much deliberation, API decided on four deserving winners. API would like to thank all students who applied and wish all applicants success in their future audio engineering and production endeavors.

THE WINNERS OF THE 2013 API VISIONARY SCHOLARSHIPS ARE:

Robert Bisel – University of Michigan, Ann Arbor
Carlie “Myles” Everett – Clive Davis School of Recording at the Tisch School of the Arts
Irving Gadoury – University of Massachusetts, Lowell
Zachary Lizzio – University of Michigan, Ann Arbor

Congratulations and best wishes from API!

For a complete list of eligible schools and more information about the Visionary Scholarship and how to apply, please visit http://www.apiaudio.com/schol_info.html

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

RF VENUE PARTNERS WITH REVOLABS® TO PROVIDE REMOTE ANTENNA EXTENSION SYSTEM

ASHLAND, MASSACHUSETTS – JUNE 2013: Under a new co-marketing agreement, RF Venue will offer Revolabs® dealers and installers its new directional Remote Antenna Extension System, designed for use with Revolabs’ Executive HD wireless microphone systems.

The wall mounted antenna features 9 dB of gain and a directional pattern, which improves RF signal level and coverage area for installed systems, giving system integrators and designers greater flexibility in locating wireless equipment racks and overcoming RF signal loss over coaxial cables. The Remote Antenna Extension System also features four high-quality coaxial cable leads terminated with N-type connectors and a high-quality eggshell white enclosure, which may be painted to match the color of any interior. The Antenna Extension System is also available bundled with plenum-rated low-loss coaxial cables in lengths of 25, 50, and 100 feet with custom lengths and cable types available.

“We are excited to be partnering with Revolabs to provide this important piece in the wireless signal chain,” commented RF Venue CEO Chris Regan. “The 1.9 GHz frequency band has numerous advantages, such as freedom from interference, but signal attenuation from walls, in between floors, and long coaxial cable runs can make locating equipment a challenge. Our Remote Antenna Extension system for Revolabs overcomes these issues and gives system designers and installers much greater flexibility to integrate the system with the client’s facility.”

“More and more system design consultants and integrators are locating audio/visual equipment racks in dedicated IT equipment rooms, which neatly consolidates a facility’s equipment but poses challenges for wireless signal distribution,” commented Revolabs CTO Tim Root. “The RF Venue Remote Antenna Extension System is a turnkey platform for Revolabs Executive HD products that will greatly facilitate integration and improve system performance in multi-room applications.”

The Remote Antenna Extension System is available directly from RF Venue and qualified dealers may apply at www.RFvenue.com and place orders with the company.

ABOUT RF VENUE RF Venue manufactures wireless audio equipment including remote antennas, RF distribution equipment, and cable assemblies. The company’s primary antenna products include the interference mitigating RF Spotlight, the lightweight foldable helical antenna CP Beam, and the polarization diversity antenna dubbed Diversity Fin. For more information visit: www.RFvenue.com

STOP BY AND SEE US AT RF VENUE INFOCOMM BOOTH #1075 OR REVOLABS BOOTH #2181

ASHLY TAKES OFF AT THE MEMPHIS AIRPORT

MEMPHIS, TENNESSEE – MAY 2013: Elvis Presley, Johnny Cash, Jerry Lee Lewis, Carl Perkins, Roy Orbison, Otis Redding, Isaac Hayes, and B.B. King are just a few of the world’s great musicians who got their start in the very musical city of Memphis, Tennessee. In honor of that heritage and in recognition of the fact that future stars are currently establishing themselves in this city, the Memphis International Airport decided to brand its recently-constructed, $122 million, seven-level parking structure with music playback to cover its 4,000 economy parking spaces and 2,500 rental car spaces. With characteristic reliability and rock-steady performance, thirteen Ashly ne8250.70 eight-channel amplifiers power the new sound system.

McClure Engineering of St. Louis, Missouri designed the sound system, and Audio Communications of Memphis installed it. “Memphis is known for its deep musical traditions,” said Walt Wilhelm III, owner of Audio Communications. “This is where Elvis launched his career. This is the home of Stax Records. The airport authorities wanted to celebrate that heritage and to emphasize that Memphis is a contemporary music hotspot. They mostly play music from active local musicians.” Added David Bick, systems engineer with McClure Engineering, “They wanted to create an atmosphere for the airport, and the parking garage is often the point of entry and exit. They wanted the parking garage to have a signature.”

Bick continued, “I specified the Ashly ne8250.70 amplifiers because they’re quiet, reliable, and a tremendous value. I know it can happen every now and again, but I have yet to experience a single Ashly failure. The fact that Ashly amps are so quiet wouldn’t be a huge factor in a parking garage, but it is in all the auditoriums and theaters where we place Ashly amps.”

Inputs to the system include a Denon CD changer with an iPod dock. Those feed a BSS Blu-series processor, which in turn outputs to the rack of thirteen Ashly ne8250.70 amplifiers. A total of 742 One Systems 103IM-70 loudspeakers dot the ceilings of the seven-story structure, providing coverage of approximately ten cars per speaker. In addition there are 38 One Systems 108IM-70 speakers and 12 TIC Gs3 in ground speakers located in the pedestrian plaza.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

PLEASE STOP BY AND SEE US AT INFOCOMM BOOTH #335

dB AUDIO AND VIDEO INTEGRATES A/V AT FORWARD-THINKING HALL COUNTY SCHOOLS

ATLANTA, GEORGIA – MAY 2013: Exceptional by any standard, the Academies of Discovery and the Da Vinci Academy are pioneering schools in Hall County, just northeast of Atlanta, Georgia. The Academies of Discovery is dedicated to multi-cultural and language education, whereas the Da Vinci Academy is dedicated to the arts, technology, and science. The schools occupy opposite sides of the same building and share a common area between them. A/V integration firm dB Audio & Video also of Gainesville recently helped the schools update their educational technologies. The classrooms now possess innovative instructor and student computer displays, and the common area now possesses theatrical, musical, and distributed audio, broadcast video, control/automations, a video wall, and multifunctional tabletop connectivity for various laptop and wireless tablet usage. Each component of the renovation has a specific purpose, yet all function within an integrated whole.

At first glance, each classroom looks like any other classroom. However, a closer inspection reveals a 65-inch Samsung ME65B with touch screen overlay and two “input stations,” one for the student and one at the teacher’s desk. These inputs go to the FSR CB-22 ceiling box with both a Pocket Navigator VGA with audio switching device, as well as a HDMI switcher. From these devices, a user can display laptop content and annotate over, save, and recall any document or video from the school’s server.

The commons area is a unique combination of black-box theater, corporate presentation center, and public transportation hub. Its most obvious attraction is a huge video wall composed of Samsung’s ultra-thin bezel UD55A HDTV monitors. This video wall content is fed from multiple input locations around the wall via the Crestron DM-MD8x8 Digital Media matrix switcher. These inputs include multiple HDMI and VGA with audio inputs, as well as the school’s Safari streaming media systems, a Samsung BD-E5700 Blu-ray player, and a mixed camera feed from a Panasonic TV Studio. All the resources are controlled from a Crestron Pro2 via a TPS-6X dockable wireless touch panel. Audio resources include a Tascam CD-200i CD player and iPod dock, two wired microphone inputs, and two Sennheiser wireless microphone systems. A 64-channel Allen & Heath GLD digital mixer comes on line in theatrical mode.

The commons area audio speaker system consists of a single Danley SH-100B full-range loudspeaker for the main content, two Danley SH-100 loudspeakers for fill, and a single Danley TH-112 subwoofer. The unparalleled performance of the Danley boxes delivers tremendous gain before feedback (a must in black box theater performances), as well as unmatched frequency response and phase coherency. The net effect is increased intelligibility in the vocal range and heart-pounding low end. The speaker system is driven by a complement of Crown amplifiers and Bi-Amp Nexia CS DSP. In the theatrical mode, the commons area uses the Allen & Health GLD-80 digital mixer with full automation and scene recall. The ZED mixer and Genelec monitors are used in the TV production studio with their own mix of all the audio inputs and sources.

The all-LED Elation EAR495 theatrical lighting system provides for numerous scenes of display as well as colors, while delivering the school’s request for low power consumption efficiency. Included in this “green” initiative project are also two Design Spot 250P moving lights for programmed lighting effects, as well as spot light positioning for the talent anywhere on the floor. Two options for controlling these LED lights are from either a simple DMX Operator192 light board or a more involved computer-based CompuLive program.

The school’s full HD broadcast television studio rivals many higher education facilities. Primarily a Panasonic project, this system touts two AG-AC160 studio HDSDI cameras and two AW-HE50SN pan/tilt/zoom cameras with AW-RP50 controller connected via a router to the AWHS50 sub-compact HDSDI live switcher with multi-viewer output. An AJA KI-PRO-Ro provides digital file recording on Apple ProRes 422 format, allowing students to shoot nearly any program, presentation, or theatrical performance, stream it live to the school’s Safari system, and then edit for archival or streaming later. A Clear-Com MS-232 two-channel communications system allows the producer to communicate with the video camera operators and the audio production team. The audio production team uses an Allen & Heath ZED22FX mixing console and two Genelec 8030a studio monitors.

“This has been an incredibly challenging project,” stated Neil Philpott, dB Audio & Video’s Systems Advisor for the entire project. “We spent countless hours discussing the project with Aaron Turpin, Hall County’s technology director, working through construction and infrastructure issues, and determining exactly what functionality would be required to meet the vision of the schools’ and county Administrators’ expectations. All in all, this was a project that raises the bar, not only for dB as a company, but also for the entire state. I believe this is the blueprint for many schools to come.”

ABOUT dB AUDIO AND VIDEO dB Audio and Video is a Gainesville, Georgia-based design/build technologies integrator specializing in audio and acoustics, broadcast and presentation video, digital signage, and control automation for houses of worship, schools, sports arenas, government and military. For more information visit: www.dbaudioandvideo.com

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

SEE DANLEY AT INFOCOMM BOOTH #143 • COME TO HEAR THE OS80 IN DEMO ROOM W203B

CARVER SPORTS COMPLEX HITS A TRIPLE: ASHLY PROCESSING, ASHLY AMPLIFICATION, AND ASHLY USER CONTROL

NEOSHO, MISSOURI – MAY 2013: Neosho, Missouri serves as the western gateway to the Ozark Mountains. Recently, the Neosho R-5 School District initiated a multi-phase plan to convert an open field adjacent to Carver Elementary School into a sports complex with two baseball/softball diamonds and a soccer field. Lance Brummett at Warren Smith & Associates, Consulting Engineer P.C. (Tulsa, Oklahoma) designed the electrical infrastructure for what will be known as the Carver Sports Complex. Nate Pugh, project supervisor and Vince Hightower, installation foreman of Total Electronics Contracting (Joplin, Missouri) oversaw its installation. In order to provide the district with reliable, affordable sound reinforcement for the sports complex, Ashly Audio processing, amplification, and user control forms its core.

“Although they only have the first softball field completed, we have already installed the audio systems that will cover both ball fields,” said Pugh. A pair of Community R.5 loudspeakers covers each field (four loudspeakers total) from atop a concessions stand that resides between the two fields. A single Ashly KLR-2000, rated at 1000W on each of two channels, powers the system, one channel per field. An Ashly ne24.24M processor handles all of the input management, signal processing and routing logic for both fields. Because it has a modular I/O design, the ne24.24M is perfectly tailored to the complex’s needs. Twelve inputs collect six identical sources from each field, and four outputs feed the amplifier with two spares.

“This was my first experience using the Ashly ne24.24M processor,” said Hightower. “After just an hour with it at the shop, I felt completely comfortable and ready to take it to the field. It went in easily and without a hiccup. The fact that it’s modular is nice; we were able to give them what they needed without wasting a lot of untapped potential. The Ashly KLR-2000 is a great sounding amp. It’s nice and clean and promises to deliver reliable sound for a long time to come.”

A pair of Ashly FR-8 Network 8-Channel Remote Faders provide simple, intuitive user control of source volume and muting, as well as output volume for each field. Because the FR-8 connects to the ne24.24M with just a simple Ethernet jack, installation was a snap. Input sources are identical for each field and include a tuner, a Marantz CD/iPod player, an ElectroVoice wireless microphone, a Shure wired announcer microphone, and an additional microphone jack. Furman sequencing provides power to the system in a Middle Atlantic rack.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #335

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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