A virtual press conference from Sound & Video Contractor

Archive by Heather Davis

ASHLY RATED THE TOP AUDIO ENTRÉE AT CHEF ROB’S CARIBBEAN CAFÉ

SANDY SPRINGS, GEORGIA – MAY 2013: Located in Sandy Springs, Georgia, Chef Rob’s Caribbean Café has been a culinary destination for Atlantans since 2006. The restaurant’s success inspired Chef Rob to open a sister establishment next door, Chef Rob’s Upscale Lounge. Of course, the lounge would need an authoritative sound reinforcement system and a high-end video system, and because the two establishments share staff, customers, and a wall, it was also an excellent time to update the café’s audio and video system. Local A/V integration firm T. Magee, Inc. designed and installed a new value-engineered sound and video system based on Ashly Audio processing, amplification, and user control that gives both establishments access to the same source material and yet provides each establishment with independent source selection and volume control.

Todd Magee, the eponymous owner of T. Magee, Inc., spent decades behind a live mixing console before concentrating his attention on the more geographically-rooted profession of A/V integration. Nevertheless, he continues to tour the world (though less occasionally now) and has worked with seventeen Grammy-winning artists, including Gladys Knight, OutKast, and Loretta Lynn. To be sure, Magee knows what it takes to make audio sound great. “Chef Rob’s Caribbean Café used to use a home-grown stereo receiver with long loudspeaker runs,” he explained. “They wanted to upgrade that to a commercial system and to tie it into the video system. On the lounge side, they wanted access to all the same music and video inputs that they had on the café side, plus inputs for a DJ.”

Stereo inputs to the system include a DMX Pandora receiver, two satellite receivers, and three floor boxes on the lounge side. Each floor box includes stereo XLR inputs, stereo ?-inch inputs, and stereo RCA inputs. An Ashly ne24.24M modular processor, configured with twelve inputs and eight outputs, provides input processing, matrixing, and loudspeaker equalization and delay. Because it is so easy to add inputs or outputs to the ne24.24M, Magee will soon add four more inputs to accommodate the lounge’s recent request for a few handheld wireless microphones.

Five Ashly KLR 2000 amplifiers, three on the lounge side and two on the café side, power the system. High fidelity Australian Monitor loudspeakers and SoundTube subwoofers complete the system. “One unique aspect of this installation is the rack system we used,” said Magee. “There are four racks recessed into an area near the entranceway. It’s an elegant, out-of-the-way place to put them, and when we need access, they pull out and rotate 90-degrees. Very cool.”

He continued, “I’ve been an Ashly fan for years. I first worked with Ashly’s analog crossovers, GQX series equalizers, and compressors in live audio. Now their digital equipment reflects the same commitment to quality that I heard so many years ago. The sound quality is comparable to units from other manufacturers that cost twice as much. The IP-based control and communication is also very nice.” A pair of Ashly neWR-5 wall remote controls provide all of the system management required – source selection and volume control.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

PLEASE STOP BY AND SEE US AT INFOCOMM BOOTH #335

SYMETRIX ANNOUNCES AN INTERACTIVE AUDIO CONFERENCING CALL-IN DEMONSTRATION

SEATTLE, WASHINGTON – JUNE 2013: Symetrix announces an interactive call-in demonstration of the SymNet 4 Channel Acoustic Echo Cancellation (AEC) Input Option Card, for installation in both SymNet Edge and Radius AEC DSPs. The SymNet audio conferencing demonstration is fully automated, originating from a conference room at Symetrix headquarters. The demo is available 24/7/365 by calling 1-425-640-3331.

During the demonstration, the caller’s voice is played live from an array of loudspeakers, picked up by an array of microphones, recorded, and routed back to the caller first with AEC bypassed, and then with AEC engaged. In this way, the caller experiences firsthand the effect of three audio conferencing subsystems: acoustic echo cancellation, automatic gain control, and noise cancellation. Additionally, DTMF tones are decoded within the context of the demonstration allowing the caller to repeat, skip, or fast forward using their phone’s keypad.

“The Symetrix AEC Demo room is unique,” said Ryan Curtright, senior technical sales engineer. “This is the only fully-automated conference room in the world where a customer can call in 24/7/365 from any phone and hear AEC, AGC, and noise cancellation in a real world scenario. The caller even has the ability to repeat sections by hitting a few digits on their phone, so they can hear a particular feature a second time without having to hang up and redial. This is an incredible sales tool for our reps, integrators, and anyone else who wants to experience the benefits of a SymNet conferencing system. This is also a fantastic remote-end for our partners who are commissioning systems and need an always-available remote system to test phone audio levels and functionality of the local room.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

STOP BY AND SEE US AT INFOCOMM BOOTH #922

2013 API VISIONARY SCHOLARSHIPS AWARDED

JESSUP, MARYLAND – JUNE 2013: API has once again presented its annual Visionary Scholarship to several students in different academic institutions. The scholarships are available to those who are currently enrolled in audio engineering programs equipped with an API Vision, Legacy Plus or 1608 console.

To qualify, applicants must submit a comprehensive questionnaire and essay and are encouraged to include a recording they have engineered or produced. After much deliberation, API decided on four deserving winners. API would like to thank all students who applied and wish all applicants success in their future audio engineering and production endeavors.

THE WINNERS OF THE 2013 API VISIONARY SCHOLARSHIPS ARE:

Robert Bisel – University of Michigan, Ann Arbor
Carlie “Myles” Everett – Clive Davis School of Recording at the Tisch School of the Arts
Irving Gadoury – University of Massachusetts, Lowell
Zachary Lizzio – University of Michigan, Ann Arbor

Congratulations and best wishes from API!

For a complete list of eligible schools and more information about the Visionary Scholarship and how to apply, please visit http://www.apiaudio.com/schol_info.html

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

RF VENUE PARTNERS WITH REVOLABS® TO PROVIDE REMOTE ANTENNA EXTENSION SYSTEM

ASHLAND, MASSACHUSETTS – JUNE 2013: Under a new co-marketing agreement, RF Venue will offer Revolabs® dealers and installers its new directional Remote Antenna Extension System, designed for use with Revolabs’ Executive HD wireless microphone systems.

The wall mounted antenna features 9 dB of gain and a directional pattern, which improves RF signal level and coverage area for installed systems, giving system integrators and designers greater flexibility in locating wireless equipment racks and overcoming RF signal loss over coaxial cables. The Remote Antenna Extension System also features four high-quality coaxial cable leads terminated with N-type connectors and a high-quality eggshell white enclosure, which may be painted to match the color of any interior. The Antenna Extension System is also available bundled with plenum-rated low-loss coaxial cables in lengths of 25, 50, and 100 feet with custom lengths and cable types available.

“We are excited to be partnering with Revolabs to provide this important piece in the wireless signal chain,” commented RF Venue CEO Chris Regan. “The 1.9 GHz frequency band has numerous advantages, such as freedom from interference, but signal attenuation from walls, in between floors, and long coaxial cable runs can make locating equipment a challenge. Our Remote Antenna Extension system for Revolabs overcomes these issues and gives system designers and installers much greater flexibility to integrate the system with the client’s facility.”

“More and more system design consultants and integrators are locating audio/visual equipment racks in dedicated IT equipment rooms, which neatly consolidates a facility’s equipment but poses challenges for wireless signal distribution,” commented Revolabs CTO Tim Root. “The RF Venue Remote Antenna Extension System is a turnkey platform for Revolabs Executive HD products that will greatly facilitate integration and improve system performance in multi-room applications.”

The Remote Antenna Extension System is available directly from RF Venue and qualified dealers may apply at www.RFvenue.com and place orders with the company.

ABOUT RF VENUE RF Venue manufactures wireless audio equipment including remote antennas, RF distribution equipment, and cable assemblies. The company’s primary antenna products include the interference mitigating RF Spotlight, the lightweight foldable helical antenna CP Beam, and the polarization diversity antenna dubbed Diversity Fin. For more information visit: www.RFvenue.com

STOP BY AND SEE US AT RF VENUE INFOCOMM BOOTH #1075 OR REVOLABS BOOTH #2181

ASHLY TAKES OFF AT THE MEMPHIS AIRPORT

MEMPHIS, TENNESSEE – MAY 2013: Elvis Presley, Johnny Cash, Jerry Lee Lewis, Carl Perkins, Roy Orbison, Otis Redding, Isaac Hayes, and B.B. King are just a few of the world’s great musicians who got their start in the very musical city of Memphis, Tennessee. In honor of that heritage and in recognition of the fact that future stars are currently establishing themselves in this city, the Memphis International Airport decided to brand its recently-constructed, $122 million, seven-level parking structure with music playback to cover its 4,000 economy parking spaces and 2,500 rental car spaces. With characteristic reliability and rock-steady performance, thirteen Ashly ne8250.70 eight-channel amplifiers power the new sound system.

McClure Engineering of St. Louis, Missouri designed the sound system, and Audio Communications of Memphis installed it. “Memphis is known for its deep musical traditions,” said Walt Wilhelm III, owner of Audio Communications. “This is where Elvis launched his career. This is the home of Stax Records. The airport authorities wanted to celebrate that heritage and to emphasize that Memphis is a contemporary music hotspot. They mostly play music from active local musicians.” Added David Bick, systems engineer with McClure Engineering, “They wanted to create an atmosphere for the airport, and the parking garage is often the point of entry and exit. They wanted the parking garage to have a signature.”

Bick continued, “I specified the Ashly ne8250.70 amplifiers because they’re quiet, reliable, and a tremendous value. I know it can happen every now and again, but I have yet to experience a single Ashly failure. The fact that Ashly amps are so quiet wouldn’t be a huge factor in a parking garage, but it is in all the auditoriums and theaters where we place Ashly amps.”

Inputs to the system include a Denon CD changer with an iPod dock. Those feed a BSS Blu-series processor, which in turn outputs to the rack of thirteen Ashly ne8250.70 amplifiers. A total of 742 One Systems 103IM-70 loudspeakers dot the ceilings of the seven-story structure, providing coverage of approximately ten cars per speaker. In addition there are 38 One Systems 108IM-70 speakers and 12 TIC Gs3 in ground speakers located in the pedestrian plaza.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

PLEASE STOP BY AND SEE US AT INFOCOMM BOOTH #335

dB AUDIO AND VIDEO INTEGRATES A/V AT FORWARD-THINKING HALL COUNTY SCHOOLS

ATLANTA, GEORGIA – MAY 2013: Exceptional by any standard, the Academies of Discovery and the Da Vinci Academy are pioneering schools in Hall County, just northeast of Atlanta, Georgia. The Academies of Discovery is dedicated to multi-cultural and language education, whereas the Da Vinci Academy is dedicated to the arts, technology, and science. The schools occupy opposite sides of the same building and share a common area between them. A/V integration firm dB Audio & Video also of Gainesville recently helped the schools update their educational technologies. The classrooms now possess innovative instructor and student computer displays, and the common area now possesses theatrical, musical, and distributed audio, broadcast video, control/automations, a video wall, and multifunctional tabletop connectivity for various laptop and wireless tablet usage. Each component of the renovation has a specific purpose, yet all function within an integrated whole.

At first glance, each classroom looks like any other classroom. However, a closer inspection reveals a 65-inch Samsung ME65B with touch screen overlay and two “input stations,” one for the student and one at the teacher’s desk. These inputs go to the FSR CB-22 ceiling box with both a Pocket Navigator VGA with audio switching device, as well as a HDMI switcher. From these devices, a user can display laptop content and annotate over, save, and recall any document or video from the school’s server.

The commons area is a unique combination of black-box theater, corporate presentation center, and public transportation hub. Its most obvious attraction is a huge video wall composed of Samsung’s ultra-thin bezel UD55A HDTV monitors. This video wall content is fed from multiple input locations around the wall via the Crestron DM-MD8x8 Digital Media matrix switcher. These inputs include multiple HDMI and VGA with audio inputs, as well as the school’s Safari streaming media systems, a Samsung BD-E5700 Blu-ray player, and a mixed camera feed from a Panasonic TV Studio. All the resources are controlled from a Crestron Pro2 via a TPS-6X dockable wireless touch panel. Audio resources include a Tascam CD-200i CD player and iPod dock, two wired microphone inputs, and two Sennheiser wireless microphone systems. A 64-channel Allen & Heath GLD digital mixer comes on line in theatrical mode.

The commons area audio speaker system consists of a single Danley SH-100B full-range loudspeaker for the main content, two Danley SH-100 loudspeakers for fill, and a single Danley TH-112 subwoofer. The unparalleled performance of the Danley boxes delivers tremendous gain before feedback (a must in black box theater performances), as well as unmatched frequency response and phase coherency. The net effect is increased intelligibility in the vocal range and heart-pounding low end. The speaker system is driven by a complement of Crown amplifiers and Bi-Amp Nexia CS DSP. In the theatrical mode, the commons area uses the Allen & Health GLD-80 digital mixer with full automation and scene recall. The ZED mixer and Genelec monitors are used in the TV production studio with their own mix of all the audio inputs and sources.

The all-LED Elation EAR495 theatrical lighting system provides for numerous scenes of display as well as colors, while delivering the school’s request for low power consumption efficiency. Included in this “green” initiative project are also two Design Spot 250P moving lights for programmed lighting effects, as well as spot light positioning for the talent anywhere on the floor. Two options for controlling these LED lights are from either a simple DMX Operator192 light board or a more involved computer-based CompuLive program.

The school’s full HD broadcast television studio rivals many higher education facilities. Primarily a Panasonic project, this system touts two AG-AC160 studio HDSDI cameras and two AW-HE50SN pan/tilt/zoom cameras with AW-RP50 controller connected via a router to the AWHS50 sub-compact HDSDI live switcher with multi-viewer output. An AJA KI-PRO-Ro provides digital file recording on Apple ProRes 422 format, allowing students to shoot nearly any program, presentation, or theatrical performance, stream it live to the school’s Safari system, and then edit for archival or streaming later. A Clear-Com MS-232 two-channel communications system allows the producer to communicate with the video camera operators and the audio production team. The audio production team uses an Allen & Heath ZED22FX mixing console and two Genelec 8030a studio monitors.

“This has been an incredibly challenging project,” stated Neil Philpott, dB Audio & Video’s Systems Advisor for the entire project. “We spent countless hours discussing the project with Aaron Turpin, Hall County’s technology director, working through construction and infrastructure issues, and determining exactly what functionality would be required to meet the vision of the schools’ and county Administrators’ expectations. All in all, this was a project that raises the bar, not only for dB as a company, but also for the entire state. I believe this is the blueprint for many schools to come.”

ABOUT dB AUDIO AND VIDEO dB Audio and Video is a Gainesville, Georgia-based design/build technologies integrator specializing in audio and acoustics, broadcast and presentation video, digital signage, and control automation for houses of worship, schools, sports arenas, government and military. For more information visit: www.dbaudioandvideo.com

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

SEE DANLEY AT INFOCOMM BOOTH #143 • COME TO HEAR THE OS80 IN DEMO ROOM W203B

CARVER SPORTS COMPLEX HITS A TRIPLE: ASHLY PROCESSING, ASHLY AMPLIFICATION, AND ASHLY USER CONTROL

NEOSHO, MISSOURI – MAY 2013: Neosho, Missouri serves as the western gateway to the Ozark Mountains. Recently, the Neosho R-5 School District initiated a multi-phase plan to convert an open field adjacent to Carver Elementary School into a sports complex with two baseball/softball diamonds and a soccer field. Lance Brummett at Warren Smith & Associates, Consulting Engineer P.C. (Tulsa, Oklahoma) designed the electrical infrastructure for what will be known as the Carver Sports Complex. Nate Pugh, project supervisor and Vince Hightower, installation foreman of Total Electronics Contracting (Joplin, Missouri) oversaw its installation. In order to provide the district with reliable, affordable sound reinforcement for the sports complex, Ashly Audio processing, amplification, and user control forms its core.

“Although they only have the first softball field completed, we have already installed the audio systems that will cover both ball fields,” said Pugh. A pair of Community R.5 loudspeakers covers each field (four loudspeakers total) from atop a concessions stand that resides between the two fields. A single Ashly KLR-2000, rated at 1000W on each of two channels, powers the system, one channel per field. An Ashly ne24.24M processor handles all of the input management, signal processing and routing logic for both fields. Because it has a modular I/O design, the ne24.24M is perfectly tailored to the complex’s needs. Twelve inputs collect six identical sources from each field, and four outputs feed the amplifier with two spares.

“This was my first experience using the Ashly ne24.24M processor,” said Hightower. “After just an hour with it at the shop, I felt completely comfortable and ready to take it to the field. It went in easily and without a hiccup. The fact that it’s modular is nice; we were able to give them what they needed without wasting a lot of untapped potential. The Ashly KLR-2000 is a great sounding amp. It’s nice and clean and promises to deliver reliable sound for a long time to come.”

A pair of Ashly FR-8 Network 8-Channel Remote Faders provide simple, intuitive user control of source volume and muting, as well as output volume for each field. Because the FR-8 connects to the ne24.24M with just a simple Ethernet jack, installation was a snap. Input sources are identical for each field and include a tuner, a Marantz CD/iPod player, an ElectroVoice wireless microphone, a Shure wired announcer microphone, and an additional microphone jack. Furman sequencing provides power to the system in a Middle Atlantic rack.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #335

SYMETRIX PROMOTES HOCK THANG TO REGIONAL SALES MANAGER ASIA/PACIFIC

SEATTLE, WASHINGTON – MAY 2013: Spurred by Symetrix’ increasing global presence and the rise of a robust Asian market, former Symetrix Technical Sales Engineer Hock Thang has been promoted to the newly-created position of Regional Sales Manager – Asia / Pacific. Based in Singapore, Thang’s mastery of the Symetrix product line – including Jupiter app based turn-key DSP, Solus standalone fixed I/O DSP, as well as Edge and Radius Dante network audio DSP – has been winning Symetrix converts throughout the region.

“Since 2006, Hock has been an invaluable resource for Symetrix in Asia,” said Mark Ullrich, Symetrix international sales manager. “From his home base in Singapore, Hock has been providing trainings and superior support to the Asia-Pacific Symetrix distributor network. He will continue with this fully but will now also add new focus on strategic sales activities, territory management, and increased connection and support for our distribution partners.”

“I’m privileged to work with such a great team at Symetrix,” said Hock Thang. “Together with our extremely committed distribution partners I look forward to growing Symetrix further in my new role. As our products evolve and become more sophisticated and competitive, we must have the presence and sales infrastructure in place to support it. With the recent release of SymNet Radius AEC Dante network audio DSP, for example, I’ll be focusing heavily on growing the awareness of our full range of conferencing solutions. I look forward to working even more closely with distributors, consultants, and end-users alike, to continue to install superior Symetrix DSP products in the Asia-Pacific region.”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

JAY RUSTON, AN ESTABLISHED CHANNELSTRIP USER, ADDS METRIC HALO’S PRODUCTION BUNDLE PLUG-IN COLLECTION TO HIS UPDATED RIG

SAFETY HARBOR, FLORIDA – MAY 2013: Apart from being a seriously nice guy, veteran engineer and producer Jay Ruston is a monster talent behind a mixing console, be it physical or virtual. He’s been at it for twenty years and recently leveraged his seasoned perspective and sonic-smashing tricks to mix Anthrax’s return-to-form masterpiece Worship Music and Steel Panther’s much-lauded mocurockery Balls Out. Ruston took to Metric Halo’s ChannelStrip plug-in for those efforts, citing its musical sound and useful presets as part of what made those works so effective.

Even more recently, Ruston relented to the rising tide of incoming Pro Tools sessions that were incompatible with his “if-it-ain’t-broke-don’t-fix-it version” 7.4 and upgraded to 10. Associated with that giant leap and given Pro Tools 10’s move to AAX, he had to reconsider his plug-in pallet. “I was pleased with the results I was getting with Metric Halo’s ChannelStrip, and I saw that the company was now selling a Production Bundle of plug-ins,” he said. “I needed a de-esser, a multi-band compressor, an enhancer, and more. Coming from the same minds that made ChannelStrip, I figured the Production Bundle would be a good bet.” As it turns out, it was.

The upgrade to Pro Tools 10 was happening just as Ruston was finishing the mixes for the debut album from The Winery Dogs, a super group composed of Richie Kotzen (Mr. Big, Poison), Billy Sheehan (Mr. Big, David Lee Roth, Steve Vai), and Mike Portnoy (Dream Theater). He held on to the 7.4 mixes in order to give them one more tweak with the new system and the new Metric Halo plug-ins. “The vocals were critical, and after doing some basic equalization and compression with ChannelStrip, I used the Production Bundle’s Multiband Dynamics to smooth out the top end and upper midrange,” he said. “I’ve always used multiband compressors, and Metric Halo’s version is very effective. In addition, I cleaned up some sibilance with Metric Halo’s Precision DeEsser, and I’ve since found that it works just as well with female vocalists.”

Ruston used Metric Halo’s HaloVerb on Portnoy’s otherworldly drum tracks. “All of these Metric Halo plug-ins are so easy to use,” he said. “HaloVerb has only a handful of well-labeled knobs, and it immediately sounds good using any of the presets. I dialed in the sound using the presets as a starting point.” Those statements about HaloVerb generalized: “The Production Bundle is simple to look at and understand. The parameters are sensibly labeled with meaningful descriptions like ‘release’, ‘attack’, ‘Q’, and so on; none of those weird parameter names I find in other manufacturers’ plug-ins.” Despite the fact that The Winery Dogs recorded the album in Kotzen’s house, Ruston couldn’t be happier with the way the final mixes sound.

Of course, well-labeled parameters would only be appreciated on a plug-in that sounded fantastic, and Ruston described the Production Bundle by way of ChannelStrip. “ChannelStrip is so useable because it sounds so musical and pleasant,” he said. “I can slide the EQ curves around and it all sounds good. It’s just a matter of finding the most effective position given the track and everything else that’s happening in the mix. It can go from extremely broad and smooth to extremely tight and clinical, depending on what I need. All of the Metric Halo plug-ins share that same sonic quality – smooth, musical, and yet precise. They do what they’re supposed to do, like a piece of high-quality analog equipment. In that way, they’re also speedy, which is important because I like to work as quickly as possible.”

Ruston also used Multiband Dynamics, Precision DeEsser, HaloVerb, and, of course, ChannelStrip for the drums and vocals on Steel Panther’s follow-up to Balls Out. In addition, he’s had a chance to try out some of the other goodies in the Production Bundle. “The Character plug-in is versatile and sounds, to me, like tape emulation,” he said. “I can use it on bass, which adds some nice grind and really lets it tear. That’s especially useful with Steel Panther because they don’t always lay a rhythm guitar underneath a solo. Another trick I found was putting the snare and kick on a separate bus, compressing with ChannelStrip, and adding Character for drive. Then I mix that back in with the clean tracks to get a really punchy sound.” In addition, Ruston uses TransientControl to dial in percussive attack where needed.

“I know that a lot of mix engineers are anti-preset,” said Ruston. “Not me. I want the maker to show me what a plug-in was designed to do. I want to learn all the secret weapons and tricks that they built into it. The Metric Halo presets are totally usable. I can use the presets for a particular task or I can fire through them and listen for something that catches my ear. Either way, I usually dial things in from there.”

Ruston is excited to use the new Metric Halo Production Bundle on a live DVD for Anthrax that was recorded in Santiago, Chile. Previously, he had to rent rooms to do surround work, but now his system is set up for surround. “For the first time, I’ll be able to use all of my own stuff on a surround recording,” he said. “It’s gonna be great!”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

BOX HILL INSTITUTE CHOOSES API 1608 FOR STUDIO R

MELBOURNE, AUSTRALIA – MAY 2013: When the Box Hill Institute’s Centre for Creative Industries console needed replacing, they looked no further than the API 1608. The 32-channel console can be found in Studio R of the Institute’s Whitehorse campus in Melbourne, Australia. Here, students use the console to earn degrees in Applied Music, specializing in audio production courses that teach both analog and digital recording techniques.

Adam Quaife, former freelance engineer and producer, who is now a lecturer in audio production, heard of API in past professional experiences with other respected engineers and producers. “We searched for a new console that would give our students the very best experience of what analog audio could offer.” he said. The obvious choice was the API 1608.

The API 1608 was chosen for its quality of sound, level of control and solid build, as well as the reliability and timelessness of API’s products. “We are very happy with our choice of an API 1608. The sound of the console and the 550A EQ is awesome. The whole thing feels and functions like a high-quality studio instrument,” said Quaife. The department also uses other API products such as the 2500 stereo bus compressor, 5500 dual equalizer and the A2D mic pre amplifier.

“Box Hill institute has long been regarded as a great institution to study creative arts, audio production and music,” said Quaife. “Our students immediately appreciate the flexibility and quality of sound that this console brings to their productions.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

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