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Archive by Heather Davis

Major OEMs Announce AV Networking World 2014 – Earn Four CTS InfoComm RU credits about Audio Over IP Networking

LAS VEGAS, NEVADA: Twenty of the leading manufacturers in the A/V industry announced the speaker lineup for the AV Networking World (AVNW) educational seminar and training workshop to be held on June 17, 2014 in Las Vegas. This year’s highly-anticipated event is co-sponsored by Atlas Sound, Attero Tech, Audinate, BSS Audio, Bosch, Bose, Focusrite Rednet, IED, Lab.gruppen, Lake, Lectrosonics, Peavey Commercial Audio, Powersoft, PreSonus, Stewart Audio, Shure, Symetrix, TC Group, Studio Technologies, and Yamaha Commercial Audio.

AVNW includes more hands-on interactive workshops than previous years with more presentations on actual use cases by the A/V system owners, corporate industry design consultants, and A/V installation contractors. Participants to AVNW may also earn four CTS InfoComm RU credits. Topics include:

Live Demonstrations and Workshops
• SMAART Acoustical Measurement Analysis simplified with Dante.
Jamie Anderson, Rational Acoustics
• Live Interactive Dante Installation Workshop with audience participation
• Manufacturers Interoperability Demonstration

Panels and Presentations
• Microsoft Production Studios A/V Network Enhancement: John Ball, Microsoft
• Audio system upgrade to the San Jose Convention Center: Mark Berlo-ICS Corporate Installations Systems
• Fred W Smith National Library: Jim Hogan, IES Commercial
• Corporate Conference Center: Klas Dalbjorn, TC Group
• House of Worship Installations: Kevin Potts, Coherant Designs; Tim Bailey-Communication Engineering Inc.; Mark Cooke, Sun Grove Church; Gordon Moore, Rio Rancho United Methodist
• Performing Arts Centers and Theaters Upgrade to the Axis Theatre at Planet Hollywood Casino: Michael Cusick, SAVI
• New Audio System at The Cube at Virginia Tech University: Dennis Blount, ARUP Consulting
• Installation Systems: High Performance audio networks: Focusrite, Ted White
• A glimpse of the future Dante Networked World with Audinate’s new Dante Via™:
Aidan Williams, Audinate

Due to the space limitation, pre-registration is highly advised. Lunch will be provided during the day with cocktails served following the seminars. The event will be held at the Renaissance Las Vegas Hotel, 3400 Paradise Rd., Las Vegas, NV 89169.

Special Giveaways: All attendees will receive five free Dante Virtual Soundcards for participating in the conference ($149.95 value). Additional giveaway drawings for A/V equipment will be held throughout the day, valued at over $7,500.

For registration, please visit: www.audinate.com/webmail/AVNW_June_2014/Symetrix_AVNW_June_2014_STD_schedule.html

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C9416

ATC TWEAKS ITS ENTRY-LEVEL PASSIVE NEAR-FIELD MONITOR AND RAISES IT TO A NEW STANDARD OF PERFECTION

LAS VEGAS, NEVADA – JUNE 2014: TransAudio Group, U.S. distributors for ATC UK, introduces the ATC SCM20PSL MkII near-field reference monitor. The passive ATC SCM20PSL MkII improves upon the previous ATC six-inch two-way passive and is ATC’s smallest and least expensive monitor in the ATC Professional line up. Built to the same exacting standards as its active Pro Range siblings, the SCM20PSL MkII is ideal for those already using passives but seeking a new level of resolution in a compact passive package. They are ideally suited for critical near-field applications or smaller rooms.

“ATC is well-known for designing and building studio monitors that are unflinchingly truthful and that help engineers deliver mixes that translate everywhere,” said Brad Lunde, president of TransAudio Group. “ATC founder, Billy Woodman, and his team of R&D engineers never tire in the pursuit of perfection, and our request for a smaller monitor has led them to develop the SCM20PSL Pro MkII.”

The ATC SCM20PSL MkII is based around the ATC 6.5-inch “Super Linear” LF driver with integrated midrange, utilizing the same ATC developed SL technology used in our larger nine-, twelve- and fifteen-inch based monitors. The SCM20PSL MkII is the first professional product to incorporate ATC’s brand new in-house built ATC Dual Suspension 25mm tweeter. Five years in development, the new ATC Tweeter offers lower distortion, higher output and greater reliability. A newly ATC designed/built passive Crossover has been incorporated combining second and third order features to offer improved imaging and precision, comparing favorably to our active designs. Exceptionally neutral output extends across the audible spectrum and within an all-new cabinet design, minimizing size and weight. “Given the excellence of previous designs, these advantages lead to a substantive improvement in passive speaker technology,” concluded Lunde.

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

NEW JERSEY STUDIO ADDS THE BOX

MIDDLETOWN, NEW JERSEY – JUNE 2014: Studio owner and musician Greg Padrusch, better known as LEK, has just commissioned THE BOX by API for his northern New Jersey studio. This becomes the latest sale from Calistro Music, API’s distributor in the tri-state area.

Since purchasing THE BOX, LEK has kept busy reconstructing his studio. Throughout that process, he has still managed to immerse himself in some of THE BOX’s recording features. Soon, his studio will feature state-of-the-art acoustics in its new building, creating the ideal surroundings for mixing.

Early this summer, LEK is also planning on releasing new original singles.

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

THE FREQ ZONE ADDS API’s THE BOX

JACKSONVILLE, FLORIDA – JUNE 2014: The final steps are being taken in constructing a brand new recording studio in Jacksonville –The Freq Zone. Studio owner Nathan Hamiel lives a double life as a sound engineer and computer security analyst. To fit the needs of his new recording and mixing space, Hamiel has commissioned THE BOX to provide the rich, classic sound it achieves in an all-inclusive small-format package.

“I love THE BOX. It provides the sonic character of a large format console in a smaller footprint,” shares Hamiel, who was guided through the decision process by Craig Calistro of Calistro Music. “The sound is everything you’d expect from API – big and punchy. I also like the fact I can have it be the centerpiece and augment it with outboard gear of my choice, creating my own personal sound.”

The studio is undergoing its final preparations, including a new mix/master/production room, as well as a custom desk, which will be completed in June.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

COOL PONY MEDIA USES THE BOX TO CREATE MUSIC “HAND-DIPPED IN API SECRET SAUCE”

COLLEYVILLE, TEXAS: Located outside Dallas, Cool Pony Media is a record label and artist development company that works with various music genres, as well as score-to-picture work. Brothers and co-founders, Mark and Mike Stitts, recently did a massive upgrade in part of their studio, with help and guidance from API. The team now uses THE BOX console on a daily basis for writing, tracking, creating stems, and mixing.

“We’re amazed,” shares Mark. “We have quite a bit of other API outboard gear, EQ’s, compressors, channel strips, and summing. THE BOX integrates seamlessly. I often wonder – mustn’t there be elves inside creating some kind of magic here?”

The duo was looking to upgrade their composing room when they first heard about the new small-format console from API. “It was really a no-brainer. The sound and flexibility of a full-fledged API console, with that footprint? We must be dreaming, right? BOOM! This thing is a complete home run!”

The brothers have been creating and recording professionally since the 1980s, and say that not much has changed other than the technology. Their careers have included production work for labels, children’s albums, independent artists, and beyond. The experience they’ve had so far with THE BOX stacks up well with their previous experience with the brand. “We’ve always been API fans. The sound is just so fantastic and unique. I remember the first time we ran audio through anything API. It was so dramatic. The punch, depth, clarity, presence – it was almost like removing wool blankets from in front of the speakers. THE BOX is more of the same.”

Cool Pony purchased the gear earlier this year, and appreciated the support they received during commissioning. “The packaging was impeccable, and the support is off the chain. These guys really are the Apple of the recording console industry. We couldn’t recommend API or THE BOX more highly.”

Designed for home and professional studios of all sizes, THE BOX delivers the classic sound that API is known for, and handles all the functions needed for production not provided by most DAWs. “All the releases from Cool Pony Media are hand-dipped in API secret sauce. It’s very much the Swiss Army knife of audio production. Really, THE BOX is the kind of piece you wonder how you ever lived without.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTIONS) (top) Mark Stitts with THE BOX console at Cool Pony Media; (bottom) Mike Stitts with the large array of API modules at Cool Pony Media.

LATEST ALBUM FROM JAMES HOUSE RECORDED WITH API’s THE BOX

NASHVILLE, TENNESSEE – MAY 2014: With a resurgence of his country music hits from the 1990s, singer/songwriter/producer James House is keeping busy with a new album which was just released, and a sold-out sixteen-show tour throughout the UK. While recording tracks for Broken Glass/Twisted Steel, James wanted to achieve the classic “API sound” from the comfort of his home studio in Nashville – Dream On Studios. To attain the specific sound he had in mind, James rented API’s THE BOX from Blackbird Rentals for the summing of the album’s final mixes.

The project began at Ben’s Studio in Nashville, where each of the tracks was recorded on two-inch tape through a classic API 3232 console. The tape was then sent to James’ home studio, where he recorded the vocals, guitar overdubs, and mixing. While he was at Ben’s Studio, James heard tracks that were cut for an early demonstration of THE BOX. “It sounded like classic, warm API,” recalls James. “I’m a big fan of API in the first place, which is one of the reasons why we cut at Ben’s Studio.”

Noting the design and layout of THE BOX, James appreciates how the small-format console is portable, yet creates a classic API sound. “Without it, I would have had to rent a studio with an API console to sum the record. With THE BOX, I was able to rent it for two or three days and take my time summing and getting all the versions of the mixes. The size and design fills a gap between tracking in a commercial studio and in a smaller home studio.”

James recalls that the sixteen summing channels were a key factor that drew him to the console, as well as the overall quality and clarity it helped him achieve. “I just A/B’d the record with one of my earlier records, and it has a punch and presence that I love.” The first single off the album, titled “Every Time It Rains,” has already earned airtime on top country stations, and the song’s presence is growing with the release of its music video.

“I knew THE BOX was a smart idea,” said James. “The mixes gelled exactly like we hoped they would.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.
www.apiaudio.com

APG Electric Builds State-of-the-Art Conference Room for New Engineering Division Using a Symetrix SymNet Radius AEC Processor

CLEARWATER, FLORIDA – MAY 2014: Based in Clearwater, Florida and founded in 1984, APG Electric has grown from its humble beginnings into one of the Sunshine State’s leading contractors, with 250+ employees and annual sales in excess of $40 million. As the industry has advanced, APG has added in-house expertise that it formerly subcontracted, including an Audio/Visual division that joined the firm two years ago. As part of that process, APG Electric recently added a new engineering department and a new 22-room extension to house it. Included within the new office space is a state-of-the-art conference room, which will serve as a showcase for clients who are considering their conference room options and as a means to discuss and approve changes between the office-based and the field-based staff. To ensure that audio performance and voice intelligibility is excellent, APG Electric put a Symetrix SymNet Radius AEC Dante networked audio processor at the heart of the new conference room.

“Our goal was to build in the latest and greatest technology,” said James Wagoner, technology programmer at APG Electric. “We wanted to include all of the features that our clients might like to include so that they can make intelligent choices about what they want. I’ve installed literally hundreds of Symetrix SymNet audio DSP, and they’ve always been reliable and easy to configure. The very few times where I ever had an issue, Symetrix was right on top of it. Based on that experience and relationship, I specified the SymNet Radius AEC on faith. I’m very pleased with its performance and it makes our teleconferencing audio transparent and effortlessly intelligible.”

“The conference room really has two purposes,” said Larry Stephen, technology account manager at APG Electric. “First, we want to make our clients aware of the technology solutions that are available to support their communication needs. Including high-quality Symetrix audio processing is part of that. Second, we want to close the loop between on-site decisions and the approval they require from office-based staff. Formerly, this required driving back to the office, holding a meeting, marking up documents, getting approvals, and then driving back to the client and/or the site. With the conferencing system, those decisions, mark-ups, and approvals can all be made in real-time, with the client present. We can transfer files, print in the field, and have everybody sign off on a decision as it’s made. The conferencing features of this room save hours and days. It simplifies logistics.”

The Symetrix SymNet Radius AEC includes eight AEC (acoustic echo cancellation) inputs, four auxiliary inputs, eight outputs, and an expansion slot for any SymNet I/O card. Critically, it includes sophisticated AEC and related processing algorithms that deliver crystal clear audio to both sides of a remote conversation. The SymNet Radius AEC is easily expandable and networkable using the Dante Network protocol over Ethernet. An AMX DVX system controls all of the conferencing room’s functionality, including calls, video, audio, and lighting. Two Teamboard 90-inch interactive whiteboard also serve as projection screens for Panasonic short-throw projectors. Video is handled by a LifeSize ICON system using its UVC platform. The conference table includes pop-up boxes for connectivity and a collection of Shure boundary microphones for clear capture of discussions in the room. ElectroVoice Evid in-ceiling speakers provide output.

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C9416

RELIABLE, SPACE-SAVING ASHLY AMPLIFIERS DELIVER AT LIBERTY HIGH SCHOOL

O’FALLON, MISSOURI – MAY 2014: Located forty miles west of St. Louis, St. Charles County is the fastest growing county in Missouri and ranks among the fastest growing counties in the nation. The Wentzville School District is responsible for public education in the area, and with space in its two high schools reaching maximum capacity, the district drafted plans to build a third high school. Now finished, Liberty High School has reliable technology in the classroom, sports facilities, and for extracurricular activities, including a comprehensive sound system that uses space-saving and dependable multi-channel Ashly amplifiers.

St. Louis-based McClure Engineering designed Liberty High School’s sound and A/V systems, and local A/V integrator TSI Global installed it. The system includes a paging service for the common areas of the school, along with more muscular systems for music playback in the gym and on the football field. Modest Biamp DSP and Crestron control systems provide minimal processing and intuitive user control. The real challenge at Liberty High School was ensuring that the system would operate uninterrupted, day-in and day-out. Because space was at a premium, Dave Bick, McClure’s acoustical and systems engineer specified Ashly ne-Series multi-channel amplifiers to power Renkus-Heinz loudspeakers.

In just twelve total rack spaces, the Liberty High School sound system fits thirty amplifier channels: three 8-channel Ashly ne8250s and three 2-channel Ashly ne2400s. “Ashly is always my go-to amp,” said Bick. “Ashly amps are quiet and dependable. Out-of-box failures are extremely limited. The power delivery and options are also very flexible, with 8-ohm and 70-volt variants available in a range of channel counts and power outputs. Despite that, they’re very cost competitive, and the service I get from Ashly is excellent. Due to the fast pace at which products can change or be updated in the A/V industry, I often like to verify things before I commit to them in a design, for which I need a quick, company confirmation. Unlike a lot of other manufacturers, it’s easy to get a knowledgeable human on the line at Ashly in just moments.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C11308

THE BOX MIXES IN NORWEGIAN HOME STUDIOS THROUGH KAN LYD

SKIEN, NORWAY: Operating out of the home of sound engineer Kjetil Arvesen Nesheim, Kan Lyd is a growing professional project studio for mixing and overdubs. While recording and mixing full productions, Kjetil often travels with his studio gear to record throughout multiple locations. To create the sounds of a big studio through smaller recording spaces, Kan Lyd has commissioned API’s THE BOX console to accommodate the needs of recording artist clients with worldwide audiences.

Kjetil had dreamed of owning a high-end console for years, and was inspired to make an API purchase after listening to vintage American vinyl recordings. He specifically cited Fleetwood Mac’s album Rumors, which was recorded through an API console in 1977. Kjetil contacted API’s Norwegian distributor Prolyd to find a system that would integrate seamlessly with the rest of his gear, and fit the needs of Kan Lyd.

“As soon as I saw the ad for THE BOX, I knew it was the right console for me,” recalls Kjetil. “After I started using it, my mixing became faster and easier, and made my mixes sound more three-dimensional. All instruments blend together perfectly. It sounds bigger, wider, and clearer all at the same time.” Kjetil also appreciates the versatility of THE BOX, and it’s optimization for the digital era. “The idea of having twenty channels of summing in mix-down, built-in preamps, EQs and compressors was very intriguing.”

For mixing purposes, Kjetil had two additional 550B EQs installed. “The first four channels of THE BOX are dedicated to drums: a 550A for kick and snare, and a 550B for toms. I’ve got the compressor strapped to the mix bus at all times. Doing it this way gives me the best of two worlds. It sounds more expensive now.”

On top of working on a voiceover project for a digital guide, the latest album for Christian rock musician Arvid Pettersen is being mixed at Kan Lyd. Kjetil comments that THE BOX has improved his work flow in comparison to his past recording projects. “This is my first experience with API gear, and I love it.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

ASHLY GEAR SCORES AT FINLAND HOCKEY ARENA

HEINOLA, FINLAND: Although the hockey arena in Heinola, Finland seats 1,600, attendance commonly swells to nearly 3,000 as hockey fans crowd through its doors. Until recently, however, fans strained to hear announcements and cringed at the sound of anemic music coming from the arena’s aged ceiling speakers. That all changed when Finnish A/V integration firm Noretron Communication Ltd. replaced the system with full-fidelity FBT loudspeakers and Ashly Audio processing, amplification, and user control. Shortly after the overhaul, Heinola hosted the Women’s Hockey World Championship to rave reviews.

“The previous system was very old and functioning poorly,” said Timo Kunnas, owner of Noretron Communication Ltd. “Using an Ashly back-end and FBT Shadow loudspeakers, we composed a plan that would give them the control and performance they desperately needed. Part of the challenge was meeting their budget and yet still providing excellent coverage in an acoustically-poor environment.” Noretron, a distributor for both Ashly and FBT in Finland, designed the system, installed the rack, and performed the system tuning at commissioning. Local electrical installation firm Electrowise Ltd. handled all of the cabling and the loudspeaker installation.

“Ashly builds reliable and great-sounding gear and sells it at a price that is very competitive,” said Kunnas. “The Ashly ne24.24M modular processor, Ashly KLR-Series amplifiers, and RD-8C remote fader control would give the arena everything they needed. And for us, it’s all very easy to set up and program.”

Because it has a modular I/O count, Kunnas was able to order an Ashly ne24.24M with twelve inputs and eight outputs to accommodate four microphones, two stereo RCA input jacks, a radio output, and a CD player output. The eight outputs feed four dual-channel Ashly KLR-3200 amplifiers, which in turn power nine FBT Shadow loudspeakers, four for the central cluster and five for delays. User control consists of three redundant Ashly RD-8C remote fader panels that provide individual volume control of each input, plus overall volume control. The three redundant locations allow user control from anywhere that staff may need to make adjustments.

“The client is very happy with the sound quality, speech intelligibility, and ease of use, all thanks to Ashly,” concluded Kunnas.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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