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Moog Announces Discontinuation of Little Phatty Analog Synthesizer

ASHEVILLE, NC – September 9, 2013Moog Music today announced the discontinuation of the Little Phatty Stage II analog synthesizer. Moog plans to continue building a limited quantity of units at their factory in downtown Asheville while parts and materials last, which is not expected to be more than two months. The Little Phatty was released in 2006 as a tribute to the life and legacy of Moog Music founder and synthesizer pioneer, Bob Moog. Following the passing of Dr. Moog, The Little Phatty was the first Moog synthesizer designed by Moog Music’s Chief Engineer, Cyril Lance.

“After Bob’s passing, we faced the immense challenge of creating a new synthesizer that would embody the values that we all treasured in Bob,” Lance recalls. “We worked around the clock to develop an instrument that was founded on his continually forward-looking view of synthesis.”

Over the course of its seven-year production run, the Little Phatty has gone through three incantations including The Tribute, Stage I, and Stage II editions. During that time, the Little Phatty has become one of the best selling professional analog synthesizers in history. Its sonic impact on modern music can be heard on thousands of records, and its signature swooped-back silhouette can be seen in top recording facilities around the world as well as on the stages of internationally touring musical acts such as Rush, Jack White, Queens of The Stone Age, No Doubt, Bernie Worrell and the hit shows American Idol, Nashville and Portlandia.

“The Little Phatty represented a key foundational element in what would become the future of Moog Music,” said Michael Adams, Moog Music President & CEO. “It was the synthesizer that proved to the world that Moog Music would continue to create market leading, forward-thinking synthesizers. The fact that the Little Phatty remains an industry standard instrument for artists and producers to this day, is a testament to its design.”

The Little Phatty Stage II is still available in limited quantities at stocking dealers in standard and custom colors while supplies last. For pricing and availability, please visit www.moogmusic.com/dealers.

Mini Documentary and Promotional Incentives

Moog Music released a mini-doc entitled Moog Lives. Play On.: The Making of the Little Phatty today which can be viewed on the Moog website. In the video, Moog Music President Mike Adams, Chief Engineer Cyril Lance, and Product Development Specialist Steve Dunnington recall how the Little Phatty came to life, the challenges that were faced when Dr. Moog fell ill, and how they were eventually overcome to create this one of a kind instrument.

As a thank you to existing Little Phatty owners, Moog Music is offering a free Little Phatty Gig Bag (an $80 value) with the purchase of the Little Phatty CV Output Modification. The modification adds one gate and four CV outputs to the Little Phatty for those desiring greater expressive flexibility. Moog Music is also offering a free percussion and legacy preset pack for Phatty owners available via down-load on its website.

The Phatty family of synthesizers lives on through the new Sub Phatty analog synthesizer and the Slim Phatty desktop synthesizer. For more information on the Phatty family of analog synthesizers go to: www.moogmusic.com/products/Phattys

Links:
• Video Link: http://www.moogmusic.com/content/moog-lives-play-making-little-phatty
• Free Percussion and Legacy Preset Pack Link: http://www.moogmusic.com/content/percussion-legacy-presets
• CV Out Modification: http://www.moogmusic.com/products/phattys/little-phatty-cv-out-modification
• Moog Music website: http://www.moogmusic.com/
• Moog Music on Twitter: http://www.Twitter.com/MoogMusicInc/
• Moog Music on Facebook: http://www.Facebook.com/MoogMusicInc/

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About Moog Music:

Moog Music synthesizers and other electronic musical instruments are designed and lovingly handcrafted in the Moog factory in downtown Asheville, N.C. Moog Music and its customers carry on the legacy of Dr. Robert Moog, inventor of the Moog synthesizer and Founder of Moog Music Inc.

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iZotope at IBC: New RX 3, Complete Audio Repair Suite, to Debut at CPUG SuperMeet on September 15

September 4, 2013 · Amsterdam, NetherlandsiZotope, Inc., a leading audio technology company, will be showcasing the new RX 3 audio repair suite at the CPUG Amsterdam SuperMeet during IBC on September 15th. In addition to personalized demos at the iZotope demonstration stand, Post Production Specialist Mike Thornton will conduct a 20-minute main stage presentation Rescue Bad Audio from the Cutting Room Floor.

Using real-world examples, Thornton will show how RX 3 can resolve common audio problems in post-production and broadcast applications, highlighting features like the new real-time Dialogue Denoiser, the revolutionary new Dereverb module, and RX 3’s powerful spectral audio editor.

Presentation Details:
• WHAT: iZotope RX 3 product demonstrations and main stage presentation during CPUG SuperMeet
• WHO: Presented by iZotope and Post Production Specialist Mike Thornton
• WHERE: CPUG SuperMeet, Grand Hotel Krasnapolsky, Amsterdam, Netherlands
• WHEN: Sunday, September 15th, from 19:00- 23:00 CEST, with product demonstrations starting at 16:00

iZotope RX 3 is an industry-leading audio repair solution for audio engineers, post produc-tion professionals, broadcasters, podcasters, archivists, forensic specialists, videographers and more. Work up to six times faster than before thanks to processing enhancements and a redesigned user interface. Remove or reduce reverb, clean up dialogue on the fly, recall session details with the new RX Document format, and much more with the new RX 3.

For more information on RX 3 and RX 3 Advanced, please visit: http://www.izotope.com/rx3.

About iZotope, Inc.

iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony.

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Antelope Audio Goes Atomic on Rihanna’s Internationally Acclaimed “Diamonds World Tour”, Bringing Unmatched Sonic Depth and Clarity

Santa Monica, CA, September 5, 2013 – Rihanna’s “Diamonds World Tour” is making its mark as one of this year’s most successful tours to date. According to a mid-year chart by Pollstar, it already ranks as the 11th largest grossing worldwide tour, having generated more than $50 million in ticket sales to date. Already well into its U.S. leg, “Diamonds World Tour” features several performances in North America, Europe, Asia, Africa and Australia. At the core of the production system is Antelope Audio, whose products facilitate clocking for the entire rig, including playback for synchronization, lighting, MIDI, sound effects and vocals.

“This is the best sounding tour I’ve ever been a part of and we’ve been running really hard,” says Demetrius Henry, playback engineer for the Diamonds World Tour. “We didn’t think we could get our playback rig to sound any better, but the Orion32 interface has taken things to another level —the difference was like night and day.” Currently, the tour is running two Antelope Audio Orion32s and a 10M atomic clock on playback, in addition to a Trinity | 10M combination at front of house (FOH). The Trinity | 10M combination, which is a favored selection among the world’s top mastering engineers, serves as the primary clocking duo for the entire production.

In addition to playback and FOH, there are two Antelope Audio Zodiac+ converters being used in conjunction with the keyboard rig on stage, providing artifact free, high-resolution audio for the duration of each performance. Kenny Scharetts, keyboard technician for the Diamonds World Tour, appreciates the piece of mind that comes with using the Zodiacs: “We have the Zodiacs racked up directly beneath the keyboards and they are so compact and rock solid. When I turn them on, I know they are going to be there for me — it is a dream to have this kind of stability and reliability.”

Since the beginning of the tour, which is now about half way through the North American dates, the Orion32, Trinity | 10M and Zodiac units have been performing flawlessly. Before hitting the road, the production crew put all of the equipment through its paces with several rehearsals, including two full dress rehearsals in Buffalo with a full P.A. before hitting the road. “Every department was able to get a full testing of their gear to make sure it was show ready,” says Kyle Hamilton, FOH engineer, Diamonds World Tour. “From the beginning, the Antelope gear has been running smoothly.” Sonically, it has taken the sound quality to the next level, according to Hamilton: “For me, the Trinity | 10M combo has given me an audio image full of depth and clarity, unlike anything I’ve ever experienced. The mix has always been clear, but now it has an extra sheen, sort of like what you might find on a nicely waxed car.”

The tour is massive in both musical content and technical scope. With a runtime of 97 minutes and a total of 36 songs, including interludes, the production team is running about 115 inputs in total. With such an extensive rig, the production team decided to take a holistic approach and clock the entire rig using Antelope, in addition to using its premium quality converters across nearly every part of the audio system. “Sonic changes don’t just occur at the console,” observes Hamilton. “It also has to do with the converters that are used throughout the system, in addition to the clocking. Also, it would not make any sense to have just one aspect of the system clocked — clocking the entire rig with Antelope gives us a consistently high quality result.”

On the Diamonds World Tour, the production team is focused on not just quality, but efficiency too. “Rack space is a precious commodity out here on the road — it’s like real estate: you only have so much land.” says Henry. “The fact that we are able to fit 32 channels of I/O on the Orion32 is a dream come true.” At playback, two Antelope Orion32s and a 10M are run through a pair of Apple MacBook Pros, which Henry says are lightning fast.

With a rock solid production team and reliable, great sounding equipment in place, FOH engineer Kyle Hamilton couldn’t be happier with the results they are achieving night after night. “It is immensely satisfying for us to be setting new standards in the quality of our live sound productions,” he says. “Every time we plug in another Antelope device, everything goes up a notch.”

About Antelope Audio

Antelope Audio is the brainchild of Igor Levin who has more than 20 years’ experience and a number of innovations in digital audio and synchronization technology. The company is widely acknowledged as the leading manufacturer of audio master clocks.

In 2009 Antelope Audio launched its product line of high-resolution USB D/A converters, being among the pioneers designing a 384 kHz DAC. Antelope’s DACs employ their renowned 64-bit clocking and jitter management technologies and custom-designed circuits, achieving unprecedented precision and sound clarity.

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All brands and trade names are the property of their respective owners.

Photo captions:
1. Rihanna onstage at The Staples Center in Brooklyn, NY during the Diamonds World Tour.
2. The playback rig for the Diamonds World Tour includes two Antelope Audio Orion32 interfaces and a 10M atomic clock.
3. At front of house on Rihanna’s Diamonds World Tour, an Antelope Audio Trinity | 10M handles clocking for the overall production.
4. An Antelope Audio Zodiac converter sits beneath the keyboard rig onstage during Rihanna’s Diamonds World Tour.

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Sennheiser Digital 9000 Wireless System Takes Center Court at Elite U.S. Tennis Tournament, Delivering Flawless Wireless Performance

New York, NY – August 28, 2013 – The U.S. Open is the final major Grand Slam tennis tournament of 2013, with a purse of $34 million and over 700,000 fans expected to attend between now and Monday, September 9th. In addition to drawing international tennis stars such as #5 ranked Roger Federer, #1 ranked Serena Williams and Grand Slam defending champion Andy Murray, this year’s tournament began with a special appearance by First Lady of the United States, Michelle Obama, who spoke during the 18th annual Arthur Ashe Kids’ Day.

Audio Inc., provided the audio infrastructure, which includes eight channels of Sennheiser Digital 9000 wireless, (12) channels of evolution 300 series wireless and six channels of evolution 300 series in-ear monitors (IEMs). “The Sennheiser Digital 9000 was selected for its robust construction, audio quality, and the ability to provide us with frequencies that are not available in the analog world,” commented Mike Sinclair, VP at Audio, Inc.

The new Sennheiser Digital 9000 system, which features uncompressed audio, artifact free wireless performance and superb dynamics in a package that is easy to set up and operate, was used during Arthur Ashe Kids’ Day, which occurred on Saturday afternoon and was broadcast to millions of Americans by CBS Sports.

Ms. Obama, who was introduced by tennis champion Serena Williams, spoke through a Sennheiser ME 34 and an ME 35 wired back-electret condenser microphones, situated on an MZH goosneck at the podium. Her message, which was delivered in crisp and detailed audio, helped mobilize her “Let’s Move” campaign directed at youths.

In addition to the First Lady, Arthur Ashe Kids’ Day also featured performances by The Wanted, and Coco Jones — who donned a Sennheiser HSP 4 headworn wireless microphone.

The Sennheiser Digital 9000 system was at the core of the audio infrastructure on Monday night’s opening ceremonies, supplying flawless wireless audio as dignitaries including New York City Mayor Michael Bloomberg and 39-time Grand Slam winner Billie Jean King delivered opening remarks. The evening also featured a moving rendition of The Star-Spangled Banner, as performed by 11-year old Frenie Acoba — star of Broadway’s hit musical Matilda.

“Considering the importance of this live broadcast event and the difficult RF conditions in New York City, the Sennheiser Digital 9000 series really shined and was the professional system that put everybody at ease,” Sinclair observed. “The quality and reliability of the wireless audio, as well as the overall flexibility of the system, was absolutely spectacular.”

“The built-in spectrum analyzer on the Digital 9000 helped our techs consistently monitor RF signals as they came on line, keeping the audio clean and interference free for the duration of the event,” he added.

“We are grateful to Audio, Inc. for selecting Sennheiser to be part of this extremely high profile sporting event, which is of international significance,” commented Brian Walker, market development, Sennheiser. “With over 700 microphone channels being used at the venue, Audio, Inc. needed a flexible and robust wireless microphone system that could meet not only the demands of the environment, but deliver flawless, unsurpassed audio quality.”

During soundchecks, which occurred throughout the day and evening on Friday, the Digital 9000 system proved to be extremely easy to manage sonically: “The EQ on the consoles were set absolutely flat, and the voices sounded perfect through the P.A. speakers,” he says. “With analog wireless, there is usually a fair amount of EQ adjusting required to get a good sound.”

In addition to the Opening Ceremonies, Arthur Ashe Kids’ Day and for general announcements, the Sennheiser Digital 9000 wireless system will also be used during the closing ceremonies of the U.S. Open, scheduled to occur in two weeks.

About Sennheiser

Sennheiser is a world-leading manufacturer of microphones, headsets and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

Photo captions:
1) Main Stage in Arthur Ashe Stadium for the Arthur Ashe Kids’ Day on August 24th.
2) Audio Inc. provided the audio infrastructure, which included eight channels of Sennheiser Digital 9000 wireless, (12) channels of evolution 300 series wireless and six channels of evolution 300 series in-ear monitors (IEMs).
3) Coco Jones sang through a Sennheiser HSP 4 headworn microphone during her concert performance at Arthur Ashe Kids’ Day.
4) Rehearsals for Arthur Ashe Kids Day, during which Sennheiser Digital 9000 performed flawlessly despite a very demanding RF environment.

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Sennheiser Delivers Unplugged Studio Performances During The Newport Folk Festival®, Bringing an Additional, Intimate Stage to Newport

Newport, RI – August 19, 2013 – Audio specialist Sennheiser once again created a truly unique performance environment at the Sennheiser Sound Lounge at the Paste Ruins during this year’s Newport Folk Festival®. In cooperation with Paste Magazine, Sennheiser hosted performances by Amanda Palmer, The Milk Carton Kids, Justin Townes Earle, Langhorne Slim and many others over the course of the nationally renowned three-day festival.

Sennheiser recorded and broadcast the performances to thousands of attending fans between Friday, June 26th and Sunday, June 28th using state of the art quality microphones, wireless systems and headphones from Sennheiser and an array of studio microphones from its German subsidiary, Neumann. Videos of the performances will be posted and shared on Sennheiser’s social outlets, including Facebook [www.facebook.com/SennheiserUSA] and YouTube [www.youtube.com/sennheiserusa] over the coming days and weeks. Watch for updates and more information on Sennheiser’s Twitter page [www.twitter.com/SennheiserUSA].

“We don’t just participate in events in the traditional and often static way,” said Stefanie Rei-chert, strategic marketing, Sennheiser. “We always look to create added value and deliver a deep and meaningful sound experience that only Sennheiser can deliver. We managed to do exactly that in Newport, and in the process we made several new friends who will not forget these special performances for a long while.”

Premium Technology Delivers Unique Experience, Adding Value to Newport

This is the second year in a row that Sennheiser and Paste Magazine have collaborated on these performances at Newport. The company’s proprietary wireless technology, paired with the historic and alluring atmosphere of the Fort Adams Ruins, evoke an atypical musical experience that fans cannot experience anywhere else. Many of the artists performed in an unplugged fashion, so audiences could experience the music in its most natural and pure form; for many attendees, this was a highlight of the festival.

“It was a privilege to once again welcome Sennheiser to the Newport Folk Festival®,” com-mented Jay Sweet, producer of the Newport Folk Festival®. “For the second year in a row, the inclusion of the Sennheiser Sound Lounge at the Paste Ruins truly enhanced the festival expe-rience for all guests and musicians alike. And, thanks to the quality footage, even those who could not attend can experience the unique sounds, sights and vibe that make the Newport Folk Festival® unlike any other festival, or place, on earth.”

Nick Purdy, publisher of Paste, added: “At Paste we love to show more than we love to tell – matching Newport Folk’s stellar lineup to Sennheiser’s headphones give us a chance to give music fans an experience they’ll never forget.”

As music fans such as those attending Newport become more sophisticated in their own musi-cal tastes, they are also becoming more demanding in how they listen to music. Sennheiser is able to deliver an authentic, high quality listening experience through the use of Sennheiser and Neumann microphones, as well as through its unmatched wireless and headphone expertise. The result is a listening experience worthy of both the most discriminating fan’s passion for mu-sic, and the artist’s unrelenting craftsmanship.

Fans who were not able to attend the festival in person will soon be able to experience the music through high-definition video and the very same microphone feeds that were used during the actual performances.

About Sennheiser

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless trans-mission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Con-necticut. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engi-neering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Photo captions:
1. Amanda Palmer performs at the Sennheiser Lounge at the Paste Ruins at the The Newport Folk Festival®, 2013.
2. Fans wearing Sennheiser headphones enjoyed intimate performances by their favorite artists at the Sennheiser Lounge at the Paste Ruins at the The Newport Folk Festival®.
3. The Lone Bellow performs at the Sennheiser Lounge at the Paste Ruins at The Newport Folk Festival®, 2013.

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For The Walking Dead Voice Actors Dave Fennoy and Cissy Jones, Neumann TLM 103 and U 87 Microphones Help Keep it Real

Old Lyme, Conn., – August 13, 2013- Dave Fennoy and Cissy Jones are both experienced voice actors with several successful gaming titles under their belts. A typical voice session for any other gaming title might involve recording a few greeting lines, some attack lines, taunting lines as well as various grunts and groans. But The Walking Dead — an episodic adventure series based on the successful comic book series of the same name — is based more on character relationships and dialog. This allowed Fennoy and Jones, both of whom use Neumann microphones for their voice work, much more latitude to develop their characters.

Fennoy did the voice work for lead character Lee Everett. Jones, meanwhile, did the voice work for no less than five characters including Katjaa (who appeared in episodes one through three), Jolene (episode two), and Brie (episode 4). Both Fennoy and Jones were thrilled at the amount of dialog in the game, as well as the deep interaction among the characters.

Fennoy, who relies on his Neumann TLM 103 large diaphragm condenser microphone in the studio, says he was immediately taken by the script of The Walking Dead: “On my first day in the studio looking at the script, I realized this was like no other game that I voiced before,” he recalls. “I have played two headed dragons, creatures that drop bombs from the sky, warriors, wizards and every other kind of creature. But Lee Everett was just an average, normal guy and very close to me. I didn’t have to come up with any crazy voices.”

Fennoy uses the Neumann TLM 103 mic inside his Whisper Room isolation booth at home, recording to his iMac running Pro Tools in conjunction with a Digidesign Digi 002 interface. “For accuracy and sound, you can’t beat Neumann,” he says. “This is the microphone that everything else is compared to.”

Cissy Jones: Raising the Level of Performance with Neumann

Cissy Jones also appreciated the deep characters within the script of The Walking Dead: “I am so happy to have had an opportunity to be part of this amazing game because it involved real people,” she says. “It is unlike anything I’ve ever done before and there was so much character development involved.”

During the production of The Walking Dead, Jones also gravitated towards Neumann — in this case, to the classic U87 large diaphragm condenser. “I have a deeper voice and all of that richness gets picked up accurately with the U87,” she says. “For animiation and video games, this is the best microphone to use if you want to capture all the detail and nuances in the recording.” Jones uses her U87 with a MacBook Pro running Adobe Audition, in conjunction with a Cakewalk two channel USB interface.

Jones agrees with Fennoy that the script afforded much more emotional breadth in the studio: “It’s conversation,” she observes. “You actually get a chance to know the characters and it’s not just battle cries. I’ve been in sessions where it is four hours of screaming, different ways of dying, or being the buxom blonde. That just wasn’t the case here and there was so much more depth.”

For Jones, audio occupies a foundational role in any gaming production, providing an irreplaceable emotional connection: “People play games to escape or experience another character in a different world,” she says. “If the audio is poor, you are taken out of that world, and it’s like watching a movie that is badly dubbed. Having audio that is spot on, on the other hand, provides the realism that people crave. Neumann helps me deliver this.”

With Season Two already in production, and with this summer’s recent release of ’400 Days,’ an episode that featured all new characters and helped bridged the gap between Season One and Season Two, The Walking Dead has already won more than 80 ‘Game of the Year’ awards around the world, and has been recognized in top industry and entertainment publications.

About Neumann

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Captions:
1) Dave Fennoy with a Neumann U87.
2) The Walking Dead character page.
3) Cissy Jones, pictured alongside engineer Jory Prum.

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Sennheiser and House of Blues Renew Agreement

Old Lyme, CT, August 12, 2013 – Audio specialist Sennheiser and the House of Blues, the iconic chain of high-quality performance venues, announced that they have renewed their alliance. Sennheiser will continue to support the House of Blues with premium microphones and wireless solutions at each of its 13 locations across the United States.

Since the two companies began collaborating over five years ago, the House of Blues has experienced increased level of audio quality, flexibility and durability within its audio equipment arsenal at each of its locations. Currently, the House of Blues is using a full line of wired evolution microphones, evolution wireless G3 microphone systems and evolution wireless G3 monitoring systems at each of its venues.

Kristy Jo Winkler, relations manager, Americas, Global Sales of Sennheiser, commented: “We are pleased to continue our longstanding relationship with the House of Blues. By supporting each of its venues in so many different ways, Sennheiser is helping contribute to the unique brand the House of Blues has established. Each of their locations has a reputation as a great performance environment to hear the hottest acts in live music with the best engineering talent and the best microphones and wireless equipment available.”

“The relationship between House of Blues and Sennheiser is truly harmonious,” says Dan Schartoff, VP production, House of Blues. “There is shared passion for providing the best quality of sound and overall audio experience. Indeed, Sennheiser’s microphones have been part of many amazing and historic shows at our venues.”

An evolution of premium sound

Pierre Rochman, production manager of House of Blues – Anaheim, says that the Sennheiser evolution microphone series continues to deliver – especially when it comes to reliability. “We are doing 200 shows and events in a year at each location easily,” he says. “Yesterday we ran seven bands on the bill, today we’re going to run five and tomorrow we’re going to run six – it’s relentless and punishing. The evolution hard-wired microphones really stand up to the abuse. And in the rare case where we need a repair, Sennheiser has been very fast and responsive.”

The House of Blues, which has served as a host to A-list touring acts as well emerging artists, also appreciates the sonic flexibility and predictability of the evolution microphones. “Even though we host artists at a national level who already own Sennheiser equipment, we also host a ton of emerging artists who do not have a mic package of any kind,” states Rochman. “With our Sennheiser microphone package, we are able to introduce these artists and their engineers to high-quality audio. Whereas they might go on a stage and see a competitor’s product elsewhere, they come in here, get in front of an e 835 or e 935 wired microphone and experience great sound and great rejection. They remember these experiences and carry them throughout their career.”

Sonic flexibility and predictability

Each of the 13 House of Blues locations has an equipment package consisting of Sennheiser’s evolution series wired microphones, its renowned evolution wireless systems as well as an array of professional headphones and classic legacy mics such as the MD 421-II. This equipment provides its performance spaces large and small with the ultimate in sonic flexibility. “With so many artists coming in and out on each of our different stages, we need to be able to quickly recognize what each artist is trying to accomplish and reproduce that sonically,” Rochman notes. “I usually have about 15 minutes to get up at front of house and make that happen, and the Sennheiser evolution microphones give us plenty of latitude to do that — no matter what the genre the performance is in.”

Rochman is particularly fond of the e 906, which he says is now the ‘go-to’ microphone for amplifiers. “The e 906 gives us a much broader frequency response, and the filter switching makes it more flexible than other mics if I have to cut or boost, depending on the signal I’m getting out of the amplifier.”

As a premiere national live performance venue, the House of Blues takes a great deal of pride in the sound quality it offers at each of its locations, something they work hard at maintaining each day. “Many of our engineers would never work here unless we were able to offer quality equipment, like Sennheiser,” Rochman concludes. “We’ve got engineers that are touring with A-list acts, but this is their ‘home’ because we have great microphones, a great sounding PA and of course because we book great artists into the rooms. We appreciate the Sennheiser relationship so we can continue to service the artists to create the best possible show.”

About House of Blues

Founded in 1992, each of the thirteen House of Blues locations features state-of-the-art sound and lighting technology in one-of-a-kind custom designed environments aimed to bring fans as close as possible to the artists. Every location’s restaurant and bar is adorned with signature, original folk-art – part of the world’s largest collection – combined with the House of Blues legendary hospitality and tantalizing cuisine.

About Sennheiser

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. In 2012 the family company, which was founded in 1945, achieved a turnover of around 584 million euros. Sennheiser employs more than 2,300 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).

You can find all the latest information on Sennheiser by visiting our website at www.sennheiser.com.

Photo captions:
1: Exterior photo of the House of Blues – Dallas, Texas

2: Pierre Rochman, production manager of House of Blues – Anaheim, with his Sennheiser wireless microphones

Photos courtesy of House of Blues Entertainment

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Sennheiser’s RF Wireless Sound Academy Seminar Comes to New York City August 13th

New York City — August 5, 2013 — Audio specialist Sennheiser announced that it will be offering its highly regarded RF Wireless Sound Academy Seminar in New York City on Monday, August 13th in mid-town Manhattan. The seminar costs $199 and includes continental breakfast, full lunch, workshop materials, and a $50 rebate coupon good towards Sennheiser and Neumann products. Participants who complete the seminar will earn 6 RU CTS credits.

This single-day workshop is designed to teach attendees how to plan for trouble-free operation of multi-channel wireless microphones and wireless personal monitoring systems in even the toughest environments. Topics will include:

• Tips and tricks to maximize reliability
• Reserving TV channels for events on the new FCC spectrum database system
• Best practices for system planning and frequency coordination
• Working with wireless monitoring systems
• New developments in digital RF systems

The event will feature experts in the field including host and presenter Joe Ciaudelli, Uwe Sattler of Sennheiser, Broadway RF and audio engineer, Andrew Funk and Henry Cohen, senior RF engineer at CP Communications specializing in FCC compliance. Following are details on the event and how to register:

• Where: Musicians Union Local 802, 322 W 48th St., New York City
• When: Tuesday, August 13th 2013 between 9:30 a.m. and 5:00 p.m.
• Cost/registration: $199 per participant. Complete registration details, bios of guest speakers and more information at http://www.sennheiserusa.com/RFseminar.

Sennheiser
Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the scientific and engineering award of the academy of motion picture arts and sciences. For more information, please visit www.sennheiserusa.com.

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Sennheiser Brings Stunning Sound, Sensational Style to the Newport Folk Festival®: Introducing The New Momentum On-Ear

Newport, RI, July 24, 2013: Audio specialist Sennheiser announced that it will debut the new Momentum On-Ear Headphone during the Newport Folk Festival® this weekend, between Friday July 26th and Sunday, July 28th at the Sennheiser Sound Lounge at the Paste Ruins. Available in blue, pink, green and ivory, the Momentum On Ear ($229.95) will be available for purchase starting Friday at Newport.

The Momentum On-Ear is the expansion of Sennheiser’s new line of lifestyle headphones. The Momentum series was initially launched in the fall of last year and has since marked a new approach to quality design in the headphone market.

The headphone stands out for its minimalist design and high quality of materials and workmanship. Featuring uncompromising, detailed sound and a frequency range of 16 to 22,000 Hz, the Momentum On-Ear delivers the ultimate combination of sound and style. The Newport Folk Festival®, which has hosted generations of fans who crave music that is both authentic and innovative, is the perfect environment for music lovers to experience the Momentum On-Ear.

Perfection in every detail

Thanks to their closed, on-ear design, the Momentum On-Ear headphones isolate the listener from external noise to ensure a great listening experience on the move – even in noisy urban environments. The headphones feature a single-sided detachable cable with convenient in-line remote and microphone for Apple iDevices, for easy control of music playback and to make and receive calls on the go.

For more information on the Momentum On-Ear, please visit www.sennheiserusa.com/momentum-on-ear.

About Sennheiser

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Connecticut. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

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Sennheiser Brings Exclusive Listening Experience to the Newport Folk Festival® with Live Recording Sessions at ‘Sennheiser Sound Lounge at the Paste Ruins’

Newport, RI – July 22, 2013 – Audio specialist Sennheiser will be a major supporter of The Newport Folk Festival® for the second year in a row, partnering with Paste Magazine to host live recording sessions with today’s most authentic and trailblazing music artists. Between Friday, July 26th and Sunday, July 28th, the Sennheiser Sound Lounge at the Paste Ruins will be in full swing, capturing live recordings sessions by dozens of creative and prolific musicians.

Last year, the ruins proved to be an enormous draw at the festival, as fans listened to intimate recording sets by artists such as Of Monsters and Men, Blitzen Trapper, Deer Tick, Rodriguez and many others, using Sennheiser’s premium wireless headphone technology. The performances, which occured inside a centuries-old grotto within the fortress that graces the Fort Adams State Park, were captured using Sennheiser and Neumann microphones and broadcast to each fan using Sennheiser’s industry renowned RF technology.

This year, in addition to the Sennheiser Sound Lounge at the Paste Ruins, Sennheiser will also provide its wireless headphone technology at the Museum Stage, one of Newport’s more intimate venues. Those waiting outside the small-capacity venue will still be able to listen to intimate artist performances by wearing Sennheiser wireless headphones.

Newport and Sennheiser: Carrying on a Spirit of Heritage and Innovation

The Newport Folk Festival® is utterly unique in its legacy among American music festivals. It is where Bob Dylan changed the course of rock ‘n’ roll when he plugged in and ‘went electric’ on July 25, 1965, and is where Johnny Cash introduced Kris Kristofferson to the world stage. It is also where The Pixies — creators of the blueprint for alternative rock — went acoustic in 2005. Today’s Newport Folk Festival® is more relevant to music fans than ever. In the last four years alone, the average age of attending fans has dropped by 8.5 years among its nearly 30,000 annual attendees, and this year’s festival sold out in just five days.

“It is not difficult to draw parallels between Sennheiser and The Newport Folk Festival®,” commented Stefanie Reichert strategic marketing communication, Sennheiser. “These are two brands that have been around for decades, yet both remain at the top of their games and find themselves at the pinnacle of reinvention. Sennheiser has stayed true to its rich heritage in audio technology without becoming distracted by short-term fashion trends, while Newport continues to reinvent itself for legions of incoming generations of music fans.”

With musical content and back to back recording sessions curated by Paste Magazine, Sennheiser will once again post entire artist performances on the Sennheiser website for fans to watch in the days and weeks following the festival.

“Newport has always followed its own path and carved its own identity,” commented Jay Sweet, producer of The Newport Folk Festival®. “We have an extremely loyal fanbase of tastemakers who crave both authenticity and ‘off-the-beaten-path’ cultural experiences. At today’s festival, it would not be unusual to see My Morning Jacket’s Jim James woodshedding with John Prine, Andrew Bird sitting in for an impromptu set with Emmylou Harris, or even Beck rubbing shoulders with Ramblin’ Jack Elliott. It is a place where the new and old become reacquainted and reinvented for the incoming generations.”

Both Newport and Sennheiser cater to a growing audience of consumers who seek substance and authenticity. Indeed, Sennheiser has chosen The Newport Folk Festival® as the location to launch one of its highly anticipated new consumer products, introducing premium sound quality to many thousands of music fans.

About Sennheiser

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Connecticut. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

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