A virtual press conference from Sound & Video Contractor

Archive by Hummingbird Media

Sennheiser’s RF Wireless Sound Academy Seminar Comes to New York City August 6th

New York City — July 19, 2012 — Audio specialist Sennheiser announced that it will be offering its highly regarded RF Wireless Sound Academy Seminar in New York City on Monday, August 6th in mid-town Manhattan. The seminar costs $199 and includes continental breakfast, full lunch, workshop materials, and a $50 rebate coupon good for Sennheiser and Neumann products. Participants who complete the seminar will earn 6 RU CTS credits.

This single-day workshop is designed to teach attendees how to plan for trouble-free operation of multi-channel wireless microphones and wireless personal monitoring systems in even the toughest environments. Topics will include:

- RF theory plus practical tips and tricks to maximize reliability

- Reserving TV channels for events on the new FCC spectrum database system

- Best practices for system planning and frequency coordination

- Working with wireless monitoring systems

- New developments in digital RF systems

The event will feature several experts in the field including host and presenter Joe Ciaudelli and special guest Volker Schmitt: the RF engineer who spearheaded the creation of Sennheiser’s most successful and innovative products, including the popular evolution wired, evolution wireless, MKH, MKE, and 3000 and 5000 series.

Other highly qualified guest speakers include Uwe Sattler and Ben Escobedo of Sennheiser, Broadway RF and audio engineer, Andrew Funk and Henry Cohen, president and senior RF engineer at Production Radio – an RF engineering, consulting and event services firm serving entertainment, production and corporate clients. Following are details on the event and how to register:

- Where: Musicians Union Local 802, 322 W 48th St., New York City

- When: Monday, August 6th 2012 between 9:00 a.m. and 4:30 p.m.

- Cost/registration: $199 per participant (register before July 27th and receive a $20 discount). Complete registration details, bios of guest speakers and more information at http://www.sennheiserusa.com/RFseminar.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Events, Microphones, News, Training |

At Skaggs Place Studio in Nashville, Ricky Skaggs Depends on Neumann KH 120 Monitors to ‘Tell the Truth’

Nashville, TN – July 12, 2012: Once again, multiple GRAMMY winner and Christian artist Ricky Skaggs has been hard at work with “the boys” — his longtime band Kentucky Thunder, which have been playing bluegrass music alongside him for over 15 years. Each time Skaggs and his band enter the studio — usually at his own “Skaggs Place Studio” — the resulting music pays homage to the early trailblazers of bluegrass music, while forging entirely new paths within the seemingly timeless genre.

As an artist, Skaggs is wholly committed to authenticity and detail in his recordings. He is an avid collector of vintage microphones and esoteric gear, and constantly in pursuit of the latest sonic building blocks that will help make his recordings stand the test of time. The latest addition to his studio? The new Neumann KH 120 studio monitors. We chatted with Ricky to learn more about his recent projects, and why it’s important to have a loudspeaker that tells the truth…..

What have you been up to lately?
“Me and the boys [Kentucky Thunder] have gotten together and will be putting out a bluegrass record — the first one since Honoring the Fathers, which we recorded several years ago. We’ve cut two days of tracks, about six songs on which we are now working on overdubs. In the coming weeks, we will be doing more tracks, as well as singing and overdubs. For this record, which will have a lot of variety, I’ve brought in Gordon Kennedy [producer] for moral support. I really wanted him involved because I didn’t want it to be just another bluegrass record. Gordon is able to bring some input and creativity that I wouldn’t necessarily think to bring to the project. Beyond this, I’ve been working on a live CD of Bruce Hornsby and myself. Last time we toured, we did a lot of live recordings on the road and we’ve been going through those live shows and hope to get a record out soon.”

Tell us about your first experiences with the Neumann KH 120 monitors
“When I found out that Neumann was doing monitors, I knew they wouldn’t do anything unless it was excellent — because they have never done anything outside of excellence. If it was Neumann, it was going to be great. I first heard the KH 120s out at Winter NAMM and I was just blown away. I really loved what I was hearing. There is something in the midrange that highlights the acoustic instruments and strings, and the highs are not too bright or harsh. Finally, I just can’t believe how small they are and how great they sound.”

How about the low end?
“Typically it is a little bit harder to define the low end, but everything translates great through the KH 120s. In general, I was really impressed and surprised with their performance given their small size, and could not believe that that such clarity in the low end could be achieved without a subwoofer. The low end of my mixes sound tighter now — and in bluegrass, this is important on instruments like the upright bass and the acoustic guitar. We know that when we get to the mastering facility, that the entire low end will be nice and tight.

Why is the crossover important and how does the KH 120 perform in this regard?
“For any instrument that occupies the midrange, you’ve got to have crossovers that are extremely quick, smooth and transparent. The crossover on the Neumanns is very smooth and you can really hear this on acoustic guitars and mandolins. This is exactly what I hear from the KH 120s, and highlights the thing that I love most about them: the midrange. My instruments sound like I know they should.”

Why have the KH 120s earned a place at Skaggs Place Studio?
“I want the safety net of having a great monitor system — it takes the guesswork out of recording and mixing, and you can be more confident in what you are putting down to tape. I know the low end is there, as well as the mids and the highs. Nothing is falsified and it is the real thing. I don’t like cutting any corners — especially in the recording studio. Once you cut something and put it out, it is out there forever. As an artist, I want to make sure that the recording represented the best that I could be at that moment in time.”

You are no stranger to Neumann. Tell us about your collection of Neumann microphones

“My history with Neumann goes back a long way, and to me, the company’s microphones represent the gold standard. I have a U 47 that was once used by folks like Dolly Parton, George Jones and Johnny Cash. I also have two U 69s, which we use on everything including the piano on the recent Bruce Hornsby recording. I bought some KM 64s years ago that had been owned by a traveling gospel band, The Happy Goodman Family. My Neumann KM 66, an early version of the KM 86, is our all-time favorite guitar mic. I also use and appreciate the newer Neumann microphone models such as the TLM 102, TLM 103 and of course the M 149 and U 87.”

Photo captions:
1. Ricky Skaggs, pictured alongside the Neumann KH 120 monitor
2. The Neumann KH 120 monitors are the latest edition to Nashville’s Skaggs Place Studio

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Corporate AV, Houses of Worship |

Sennheiser’s Mentorship Program Immerses Students in Top Flight Broadcast Environments, Courtesy of HBO and Fox Sports

Old Lyme, CT, July 11, 2012– Since 2009, when audio specialist Sennheiser launched its Mentorship Program to help encourage the next generation of audio engineers to enter the field of televised sports, the company has initiated collaborations among a variety of higher education institutions and professional broadcast networks. For its most recent mentorship program, Sennheiser selected students Zachary Templin, from the New England Institute of Art in Boston, and Shawn Brewer, from the Conservatory of Recording Arts and Sciences near Phoenix, to participate in covering the Mayweather vs. Cotto fight by HBO Boxing and NASCAR’s Coca-Cola 600 race by FOX Sports, respectively.

According to Randy Flick, senior audio mixer, HBO Boxing, immersing a student for several days in the setup and broadcast of a major sports event provides an experience that simply cannot be provided by the majority of audio schools. “You’ve got to have a grasp of all the technology in your head before you can even think about getting into a show,” says Flick. “Zach proved to be a great asset, and my senior RF guy, Lloyd Jacobsen, was very impressed with him.”

Templin got hands-on experience with two set-ups for the broadcast, one for the weigh-in and another for the fight, and was also introduced to the importance of the communications systems. “Randy placed an emphasis on covering the intercom system, which was the biggest mystery to me and is the backbone of any broadcast,” recalls Templin. “The A2s — Lloyd, Shep and Paul — covered RF, PLs, and IFBs with me, and taught me how to make sure they are set correctly for each different position.”

Broadcast Talent for Hire
For Jason Cohen, director of live events, HBO Sports, Sennheiser’s Mentorship Program serves to increase the talent pool in the industry. “But, altruistically,” observes Cohen, “it allows us to use the power and the tools that we have and give these young, aspiring, career-minded audio technicians the experience and learning that many of us were not fortunate enough to have when we were younger.”

“This is an initiative that is really on the shoulders of Sennheiser,” Cohen adds. “Sennheiser has to research and interview and weed through the potential candidates; they have to put their name behind the person; and they pay for their expenses and their time. We do the easy part — we just let them in our door!”

Fred Aldous, audio consultant and senior mixer for FOX Sports, notes that there is a big difference between the typical training a student receives at an audio school and an event such as the Coca-Cola 600. The long-distance race, one of the most-watched on the NASCAR calendar, was broadcast from Charlotte, NC last May. “It’s a bit overwhelming when students emerge from the nice, protected environment of a recording studio into this hostile live environment on the road,” says Aldous. “I don’t think even people in the industry know or understand what it takes to put together a show of this magnitude.”

The many benefits of giving back
Aldous says he became involved with the Mentorship Program because he believes in giving back. “When I was younger, I would have liked to have had somebody to spend a weekend with, and get an idea of what happens behind the scenes. That’s why I do it; I want to give somebody the opportunity to get a head start on a possible career.”

The race broadcast was done in conjunction with NASCAR, conducted onsite from Game Creek Video’s FX truck. During his three days on-site at the racetrack, Brewer was introduced to the main audio production room as well as the track effects and competitor communications submix positions, head-end patchbays, announce booth, track effect microphone setups and communications systems. “It was really valuable to be able to get into an actual broadcast event and see what kind of equipment they’re using, how fast everything moved and what actually goes into running a race of that caliber,” says Brewer.

What particularly struck him, Brewer says, was the change in tempo of the calls Aldous had to listen to from the producer, a director and associate director from the practice sessions and qualifying, on SPEED, to the race, which was broadcast on FOX. “During qualifying it was kind of laid back; there weren’t as many calls coming through. But when the actual race started it was a mile-a-minute. They were moving just as fast as the cars were!”

Photo captions:
1) Fred Aldous, A1 and senior mixer for FOX Sports, pictured alongside the Conservatory of Recording Arts and Sciences student Shawn Brewer.

2) Zachary Templin of New England Institute of Art participated in covering the Mayweather vs. Cotto fight by HBO Boxing.

3) Randy Flick, senior audio mixer, HBO Boxing, pictured alongside student Zachary Templin of New England Institute of Art.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Events, Large Venue, News, Training |

Renowned Psy-Trance Group Infected Mushroom Takes Music to the Next Level with SmithsonMartin Emulator

HOLLYWOOD, June 28, 2012— Multi-touch software developer SmithsonMartin Inc., announced that renowned Israeli trance band Infected Mushroom is using Emulator DVS to enhance the stage performance of the band’s current world tour.

Infected Mushroom has been pushing the edge of electronic psychedelic trance music since the duo emerged on the electronic music scene with its ground-breaking 1999 album, The Gathering. Known for its combination of analogue and digital instruments and vocals in the evolving psy-trance sub-genre, the group recently turned to SmithsonMartin’s Emulator DVS to makes its live show more technically and visually stunning.

The Emulator DVS, which was introduced in November 2011 as the next generation of DJ systems, provides a multi-touch MIDI control interface on a huge transparent screen to artists. For electronic artists, the software and technology offers the ability to customize the multi-touch layout of the screen so it fits to the artist, rather than forcing the artist to conform to it.

“In the beginning, we thought it might just look cool, but it’s actually useful,” said Erez Eisen, one-half of Infected Mushroom. “This is obviously the only product that does and looks something like that.”

With a futuristic stage design by Vita Motus supported by 3D visuals by another company using Emulator, V-Squared Labs, Infected Mushroom found Emulator DVS fit right into the atmosphere they were trying to create while also offering a unique control experience provided by no other system. Reliable and flexible in its design and application delivery, Emulator Modular has transformed electronic music and provided Infected Mushroom with a system that has prompted spectacular reviews from audience members and critics alike.

“It’s open. You can do whatever you need. If you need the basic stuff for DJ-ing, it has presets ready, which is great. If you want to go beyond that and do crazy controlling, you design your own interface. It’s simple with drag-and-drop,” said Eisen, who is planning on adding two more Emulator DVS units to his repertoire for studio recording purposes.

WATCH FULL INTERVIEW HERE: http://youtu.be/jvgGPfXeLGA

In the future, Infected Mushroom plans to expand on its use of the Emulator DVS platform for modular synths and to continue using it to enhance the futuristic multimedia atmosphere of its live shows.

“It’s not just beauty. It’s a really, really powerful tool,” Eisen said. “I learned the tool in two days while I was doing other things. I don’t know how I didn’t have it before.”

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: AV Control Systems |

K-array Ensures Graduation Message to San Diego Bernardo Heights Middle School Students is Heard Loud and Clear

San Diego, Calif. – June 28, 2012 — The K-array KR400S ultra-light powered speaker system provided a clear and superb listening experience for faculty, staff, students, friends and family at the San Diego Bernardo Heights Middle School graduation ceremony in mid-June.

Paul Svenson, owner of San Diego-based audio/video specialist PSAudioVideo, consulted with Sennheiser Area Sales Manager John R. Borja to outfit the outdoor ceremony with a single KR400S speaker, as well as Sennheiser ew 100 G3 wireless transmitters and receivers. Svenson ran the microphones directly into a PreSonus digital mixer, which was then connected to the K-array KR 400S.

“In previous years, people on the periphery of the 1,200-person crowd complained about not being able to hear very well, but this year, we received compliments,” said Svenson, who has been the school’s trusted provider of audio solutions for more than a half-dozen graduations in recent years. “I believe this was due to the effective sound dispersion characteristics of the K-array KR400S.”

Svenson adopted the KR400S after using a pair of the speakers to provide audio for an indoor concert for 3,000 people. The compact speakers were able to deliver so much power that Svenson immediately added them to his audio toolbox and now uses them for indoor and outdoor events.

For the graduation, Svenson set up only one KR400S, which he says provided more than enough coverage for entire area — including the 80-foot wide stage, the gallery of graduates, seating for family and friends, and standing room. Svenson said the KR400S not only provided high-quality sound to the entire graduation ceremony, but could also be heard across the parking lot to the local high school.

The KR400s cast a wide dispersion without any appreciable drop-off, giving Svenson a long throw to hit the very back row of people and the standing room only section, which he has not been able to achieve with other speakers.

In addition to the speeches given by graduates and faculty, the graduates and their families were also treated to the vocal harmonies of the school’s 250-singer choir, for which Svenson used three ew 100 G3 Sennheiser wireless microphones on the soloists, among other microphones.

“The K-array KR400S has surprised me time and again for its ability to throw long distances while still maintaining a consistently high sound quality,” Svenson said. “The choir leader was also very impressed with the speaker’s ability to cast a wide dispersion while retaining the sharpness needed in a vocalist microphone.”

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Education, Loudspeakers |

SmithsonMartin Inc. Appoints Josh Davis as Canadian Sales Manager

Toronto, June 20, 2012 —Mississauga, Ontario based SmithsonMartin Inc. has announced the appointment of Josh Davis to the position of Canadian Sales Manager. In his new role, Davis will be responsible for all Canadian sales activities for SmithsonMartin, reporting directly to CEO Alan Smithson.

A graduate of Fanshaw Colleges Music Industry & Audio Program and aspiring Electronic Dance Music producer, Davis has quickly become an expert with leading software tools such as Ableton, ProTools and other DAW platforms. “Josh has an uncanny ability to learn software rapidly, but more importantly, can impart that knowledge to our customers,” commented SmithsonMartin CEO, Alan Smithson.

Among his first responsibilities was attending the Music Industry Association of Canada / Professional Audio & Lighting (MIAC/PAL), recently held in his native Mississauga, Ontario.

“Josh is a musician first and sales person second,” Smithson continued. “His easy-going nature was one of they key reasons we hired him. He tries to help our customers rather than simply sell them. This makes our customers feel like part of the Emulator family,” continued Smithson.

SmithsonMartin is the market leader in touch interface control systems for Video, Lighting, DJ and Recording Studio software.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: AV Control Systems, News |

Sennheiser Appoints Andrew Kornstein as House of Worship Market Development Manager

Old Lyme, CT – June 15, 2012: Audio specialist Sennheiser [InfoComm 2012 booth C9736] announced that Andrew Kornstein has been appointed to the position of House of Worship Market Development Manager, effective immediately. In his new position, Kornstein will be responsible for identifying and driving opportunity for Sennheiser in the U.S.-based HOW (House of Worship) market. He will report directly to Dawn Birr, Vice President Sales & Marketing, Integrated Systems, Sennheiser.

Kornstein, who brings eight years of HOW A/V experience to his new role at Sennheiser, has applied his expertise at a broad range of worship environments, including mega-churches. As Worship Market Development Manager, he will be tasked with raising awareness of Sennheiser’s product line within the HOW market as well as engaging churches and worship facilities to help them find Sennheiser products to improve their overall ministry and worship experience.

“Andrew comes to us with several years of HOW audio and business experience. We are pleased to have him join the Sennheiser team,” Birr commented. “I believe our HOW end-user customers will find Andrew to be both very capable and personable. Additionally, he brings incredible enthusiasm to his role, which I believe our customers will find inspiring.”

Kornstein, who will be based out of Kansas City, MO, has been using Sennheiser products in HOW environments for many years and is very familiar with the entire product line. “I believe in Sennheiser products,” stated Kornstein. “They have always been my preferred product of choice in both microphone and wireless applications, and I have firsthand experience of their quality and performance in many different worship scenarios.

“I am very interested in not only raising awareness of Sennheiser in the entire church market, but also in helping communicate how Sennheiser solutions can improve the overall worship experience,” he continued.

Caption:
Andrew Kornstein, House of Worship Market Development Manager, Sennheiser

Italian loudspeaker manufacturer K-array introduces new Redline, Kobra, Python and KMT Series at InfoComm 2012

Las Vegas – June 14, 2012: Audio specialist Sennheiser [InfoComm 2012 booth C9736] announces several new product lines from its distributed brand K-array. Manufactured and designed in Italy, K-array loudspeaker solutions are quickly becoming top choices of integrators and contractors for their space-saving designs and remarkable sound and performance. K-array’s newest additions to its portfolio of professional, high-quality loudspeakers include the Python and KMT Series for professional and install applications, the KB1R portable speaker solution, and new Redline and Kobra Series models.

New additions to K-array’s Redline Series of portable, self-powered speaker systems
The new Redline Series models — KR102, KR202 and KR402 – feature exciting updates to both the mid-hi line-array elements and powered subwoofers. The system now offers variable beam functionality and improved hardware and accessories. Each system features two channels of class D amplification housed in the subwoofer. The rear panel provides input for a balanced line signal, balanced microphone signal with phantom power and digital signals in AES/EBU protocol. An integrated touch screen provides intuitive managing and editing of powerful DSP controlling. Each system includes the following:

KR102 ($7,999.95) – Includes a pair of KMT12 (12”) subs each with 2 channels of 1,000 W matched to a KK 102 with (16) 2” neodymium speaker elements.

KR202 ($11,499.95) – Includes a pair of KMT18 (18”) subs each with 2 channels of 1,000 W matched to two KK102 mid-high arrays. A coupling assembly allows the speakers to be mounted side-by-side for narrow to wide coverage. (Shipping fall 2012)

KR402 ($15,499.95)- Includes a pair of KMT21 (21”) subs each with 2 channels of 2,000 W matched to two KP102 mid-high arrays. A coupling assembly allows the speakers to be mounted side-by-side for narrow to wide coverage.

KK52 and KK102 added to K-array’s Kobra Series of compact, powerful, passive speakers
The new K-array Kobra Series now offer variable beam functionality with 2-inch drivers housed in an elegant and sturdy stainless steel chassis. The 50-cm. KK52 ($1,249.95) and 100-cm. KK102 ($2,229.95) are compatible with a variety of rigging accessories for vertical and horizontal line-array configurations to satisfy many different venue requirements during temporary and permanent installations. Integrating one of the Redline series powered subwoofers (KMT12, KMT18, KMT21), or KA series amplifiers, with specific presets for the KK52 or KK102, ensures excellent coverage of the entire musical frequency range. Both systems are available in black or white.

Introducing the K-array Python Series: powerful and ultra-compact passive speaker solutions

The all new K-array Python Series features 3-inch drivers with variable beam functionality housed in an elegant and sturdy stainless steel chassis. The 50-cm. KP52 ($1,499.95) and 100-cm. KP102 ($2,599.95) provide excellent vocal intelligibility and response down to 150 Hz. Both are compatible with K-array KA series installed amplifiers and KMT series subwoofers. They are available in black or white and are ideal for theaters, clubs, houses of worship and more.

Announcing the K-array KMT multi-task subwoofer series
The new KMT multi-task subwoofer series features class D amplifiers, with a dedicated amplifying channel that supports varying speaker configurations, including single mid-high modules (K-array Kobra and Python series), multiple line arrays, or the passive version of an additional bass module. The rear panel provides input for a balanced line signal, a balanced microphone signal with phantom power, digital signals in AES/EBU protocol and on an XLR for ease of cabling. An integrated touch screen provides intuitive managing and editing of powerful DSP controlling. The line comprises the following:

KMT12 ($2,399.95)- Redline series “multi-task” powered 12” subwoofer with integrated DSP, touch panel and powered output (also to be available as a passive version in fall 2012, $1,299.95)

KMT18($2,699.95) – Redline series “multi-task” powered 18” subwoofer with integrated DSP, touch panel and powered output (also to be available as a passive version, $1,599.95, both expected to ship fall 2012)

KMT21($4,199.95) – Redline series “multi-task” powered 21” subwoofer with integrated DSP, touch panel and powered output (also to be available as a passive version in fall 2012, $2,449.95)

During InfoComm, K-array will also preview its upcoming additions to the KMT subwoofer series. It will also show the KB1R powered speaker, ideal as an extension to the KB1 portable speaker system. These new products are expected to ship this fall. K-array will be demoing these and other products during exhibit hours at InfoComm in Audio Demo Room N119 (Sennheiser).

Software module for media control of Sennheiser ADN conference system

Las Vegas, June 13, 2012– A software module for media control is now available free of charge for Sennheiser’s [InfoComm 2012 booth C9736] highly successful Audio Distribution Network (ADN) conference system: ‘ADN Crestron Module’ provides easy and individual control solutions.

The ‘ADN Crestron Module’ for Sennheiser’s conference system is easy to use and highly practical due to its modular principle. Users can benefit from all the features offered by ADN, from controlling the volume of the delegates’ units to setting up an entire conference. Customers are able to design the program individually according to their preferences and requirements.

Sennheiser developed the software module in collaboration with control technology experts Crestron. The new software module is available free of charge to all authorized Crestron dealers, integrators and partners, and can be downloaded here.

Sennheiser unveils first AVB microphone

Las Vegas, June 13, 2012 – Sennheiser [InfoComm 2012 booth C9736] has chosen the InfoComm show to unveil its first microphone that employs groundbreaking Audio Video Bridging (AVB) technology. The audio specialist is one of the first companies to use this technology in a product, proving that the AVB networking standard is no longer a distant dream.

As a technology leader, Sennheiser has always had a decisive influence on designing the audio world. With the development of the first AVB microphone, the family-owned company is showcasing the application of the new networking standard at this year’s InfoComm in Las Vegas. “We are convinced that AVB will play a major role in the future,” said Sennheiser product manager Kai Tossing. “That’s why we are especially pleased to be able to present the first Sennheiser microphone with AVB technology at this year’s show.”

New technology meets proven audio quality
Sennheiser’s AVB microphone was developed as part of a study. At the moment, it is still a prototype and will not be available in this form as a product in the market. Nevetheless, as the successful outcome of a product study, it proves that Sennheiser’s renowned audio quality can be transmitted into a digital Ethernet network without problems. The microphone also demonstrates that AVB technology already functions as a network technology for tomorrow.

Visitors can experience the Sennheiser AVB microphone in action on the stage in the AVnu Pavillon. More examples can be found at the Sennheiser booth.

Advancing the AV industry with AVB
Sennheiser is a member of the AVnu Alliance, an industry forum dedicated to the advancement of professional-quality audio video. Its key objective is to establish Audio Video Bridging (AVB) as a standard technology for A/V applications such as microphones, loudspeakers, laptops, beamers and many other devices.

Visit Sennheiser at the InfoComm show in the Audio Pavilion, Booth C9736, or in the AVnu Pavilion.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

September 2014
M T W T F S S
« Aug    
1234567
891011121314
15161718192021
22232425262728
2930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication