A virtual press conference from Sound & Video Contractor

Archive by Hummingbird Media

Antelope Audio Names Vintage King Audio “Dealer of the Year” for its Pro Audio Category

Santa Monica, Calif., December 19, 2011 — Antelope Audio has named Ferndale, Michigan-based Vintage King Audio its 2011 Dealer of the Year, Pro Audio. Vintage King was recognized for its outstanding sales performance, customer support and overall product knowledge of Antelope Audio’s master clocks and digital to analog converts (DACs).

“We are pleased to present Vintage King with our Dealer of the Year award in the Professional Audio category,” commented Marcel James, Director of Sales for Antelope Audio. “Since its founding in 1988, Vintage King has been an essential resource for the pro audio community, serving the market with not only the best products but also an incredibly knowledgeable staff. In 2011, they have done a fantastic job with Antelope Audio’s products — particularly with our Trinity and 10M clocks.”

“We are proud to have won Antelope Audio’s Dealer of the Year award,” said Jeffrey Ehrenberg, West Coast Sales Manager for Vintage King Audio. “Our goal is to supply our customers with the best audio gear in the world, and we believe that Antelope Audio’s Trinity/10M combination is the best word clock in the world. I let people audition this unit, and it kind of sold itself. I have had Grammy award-winning engineers say that it has made a remarkable difference, making their mixes more lifelike.”

Trinity/10M: A winning combination and category-leading features
Antelope Audio’s Trinity features sophisticated varispeed functionality, the ability to simultaneously generate up to three separate word clock signals of sampling rates up to 384Khz, as well as three discrete HD video signals and standard definition video. The Trinity also features 64-bit Acoustically Focused Clocking, which allows for even greater detail and frequency response. By adding the Isochrone 10M Atomic Clock, users can attain an even more accurate clocking reference, ‘supercharging’ the already outstanding qualities of the Trinity.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Audio Playback, News |

Antelope Audio Names Sound Science Dealer of the Year in its Consumer Audio Category

Santa Monica, Calif., December 19, 2011 — Professional and audiophile gear manufacturer Antelope Audio named Castle Rock, Colorado-based Sound Science its 2011 Dealer of the Year for outstanding sales performance, customer support and overall product knowledge of its product line of digital to analog converters (DACs).

“We are pleased to recognize Sound Science as Dealer of the Year in the Consumer Audio category,” commented Marcel James, Director of Sales for Antelope Audio. “In 2011, Sound Science delivered very impressive sales results on our Zodiac product line, while introducing many music lovers to the Antelope Audio brand. We are thrilled to have Sound Science carrying our products and we are pleased to be playing an important part in their business”

“It is a great honor to be recognized by Antelope Audio in this way,” commented Neal Van Berg, owner of Sound Science. “When I first listened to the Zodiac, I was taken aback. The Zodiac is more musical than other DACs on the market and is also very competitively priced. It is an easy sale and it sounds great.”

Unprecedented detail for listeners

The Antelope Audio Zodiac DACs help music affectionados experience a new level of detail, sound clarity and warmth. Featuring a plug and play interface that connects seamlessly to a Mac, PC or just about any other digital media source, Zodiac DACs deliver up to 384kHz resolution audio, dramatically improving the listening experience on both loudspeakers and headphones. Antelope’s proprietary clocking technology, which is shielded from other electronic components to maintain a consistent temperature, is at the core of the Antelope sound and results in astounding accuracy, dynamics and stereo placement of the audio.

Zodiac DACs are particularly attractive also to audio consumers who use headphones, being designed for precise monitoring with a wide range of headphone impedance. Ultra linear, dual stage headphone amplifiers, which are controlled by a dedicated volume knob deliver smooth sound at both high and low levels.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Audio Playback, News |

In Tune Launches New e-Publication for Musicians

WHITE PLAINS, NY – December 14, 2011 - Music education content provider In Tune Partners today launched the premiere issue of Woofer, a multimedia publication about the music industry for musicians, music industry executives and knowledgeable fans. Woofer takes full advantage of its digital format, offering over 100 pages of content infused with audio clips, video examples, and animations. The publication is available for viewing exclusively on iPads and computers. The issue carries a cost of $2.99 and can be purchased at woofermag.com or via the app store.

Woofer’s distribution model is as unique as its content. It’s being marketed primarily by a dozen “affiliates;” companies who have agreed to promote the publication to their 3.5 million constituents via social media, e-mail, and other customer communications. Affiliates will offer these constituents a $1.00 discount coupon code. Participating affiliates are ASCAP, Broadjam.com, D’Addario & Co., Disc Makers, DW Drums, The Epiphone Guitar Company, Guitar Center’s Harmony Central, Ibanez, iStandard.com, Nimbit, Notion Music, and PickTheBand.com.

Woofer is intended to help musicians, those working in the music industries, and fans address the latest challenges and opportunities in the music business. It highlights events, recommends music and musical acts, comments on music-lifestyle issues, and profiles music creation and business issues, in addition to drawing together insights and information provided by experienced journalists, top artists, educators and others working in the field. Some launch issue features include:

– “Under Deconstruction” in which One Republic’s studio engineer diagrams how one of the band’s new tracks was produced, and a video-based story called “Play My Song,” in which singer/songwriter Mat Kearney demonstrates how he performs his latest hit.

– “DIY or Die,” a column in which one emerging jazz artist helps another self-release a debut album.

– “The Barking Dog,” an at-large rant by Jeffrey Rabhan, Chair of New York University’s Clive Davis Institute of Recorded Music at the Tisch School of the Arts, about Justin Timberlake’s MySpace investment.

– “I Want To Be A Musician,” a comic video by Lev Yilmaz, and a short fiction piece by Anne Isaaks.

The premiere issue’s cover story discusses the recent wave of band and artist comebacks and how legacy acts are working to stay relevant in a new and changing music environment.

Woofer’s editorial team is headed by Mike Levine (Electronic Musician) Emile Menasché (In Tune Monthly), and Mac Randall (Music Alive!, Teaching Music) and its business team is headed by In Tune Partners CEO Irwin Kornfeld (Billboard Music Group), and In Tune V.P., Publisher Angelo Biasi (United Entertainment Media).

Woofer will begin monthly frequency in March of 2012 and add affiliates, doubling the publication’s promotional outreach. Annual subscriptions will be offered for the base price of $29.95.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Company Announcements, News |

Sennheiser Sound Academy to Host Two-Day Live Production Workshop in Anaheim, Featuring Robert Scovill, Kevin Madigan, Marty Garcia and Raphael Alkins

ANAHEIM, Calif. – December 12, 2011- Audio specialist Sennheiser announced that the Sennheiser Live Production Sound Academy (LPSA) will once again be held this year in Anaheim and will take place prior to the NAMM show. Due to the overwhelming success of last year’s event, the live sound workshop has been extended to two days and will take place at the Anaheim Marriott.

The workshop will cover the skills needed to successfully engineer both large and small live productions — including required elements for planning, configuring and operating a large-scale P.A. system. The course content is designed for a wide range of attendees including venue engineers, musicians, promoters, production managers, employees of audio manufacturers,, service providers, students interested in sound and acoustics, or anyone else interested in live production.

Learn from a “Who’s Who” in Live Sound
Once again, Sennheiser will feature special guest instructor Robert Scovill — an industry veteran who has mixed over 3,000 events during his 30-year live sound and recording career. Sennheiser is also pleased to add Kevin Madigan (Crosby, Stills & Nash, The Smashing Pumpkins, Lucinda Williams), Marty Garcia (U2, Kelly Clarkson, Shakira, Zac Brown) and Raphael Alkins aka Raffie (Ricky Martin, Lionel Richie, Kenny G) to its esteemed list of guest presenters. Sennheiser’s own cast of audio veterans, including Chris Spahr, Kent Margraves, Eric Reese and Joe Ciaudelli, will also be on hand.

Event details:

When: Tuesday, January 17 and Wednesday, January 18, 9:00 a.m. to 5:00 p.m.

Where: Anaheim Marriott, 700 W. Convention Way, Anaheim, Calif.

Cost: $299 per day or $498 for both days. Registration rate includes a continental breakfast, lunch and workshop materials and a special group dinner on Tuesday, January 17. Register by December 30 for $50 discount; call 860-434-9190, ext. 141 for student and group discounts or for more information on the workshop.

Antelope Audio Introduces a 384 kHz A/D & D/A Converter, Master Clock and Monitoring Controller – All in a Two Space Rack Unit Called Eclipse 384

Santa Monica, Calif., December 7, 2011 — Antelope Audio announces the launch of ?Eclipse 384 – the first of its kind multifunctional audio device that provides 384 kHz A/D and D/A conversion clocked by Antelope’s renowned 64-bit technology and a powerful and flexible monitoring control.

Eclipse 384 was unveiled during the Audio Engineering Society (AES) convention in New York last October, where it received the accolade “Best of Show” and subsequently “Gear of the Year” from two highly regarded industry publications.

“The philosophy behind Eclipse 384 is Aristotle’s dictum: ‘The whole is greater than the sum of its parts‘,” commented Igor Levin, CEO and founder of Antelope Audio. “The device is a technological fusion of our best and most prominent innovations, such as the 64-bit Acoustically Focused Clocking (AFC) and the Oven-controlled oscillator, high resolution USB streaming, and next generation conversion and power supply circuits.”

Inside the Eclipse 384

The Eclipse comprises 384 kHz A/D & D/A converters clocked by two independent 64-bit DSP Trinity-level clocks. The fully integrated monitor controller employs 0.05 dB accurate gold-plated relay attenuators and provides speaker switching, bass management and cue mix functions with integrated talkback. The Eclipse also includes two dedicated headphone amplifiers and a custom USB interface, as well as two large peak meters on the front panel. The advanced software control panel compatible with both Mac & PC, allows five nameable presets for easy recall of favorite setups.

The unique dual-domain clocking system enables analog-based, more natural sounding sample rate conversion. The integrated patching/routing capabilities make monitoring of either analog or digital sources extremely simple, avoiding jitter, distortion and cabling noise. By eliminating the many input and output stages and the various power supplies, that would be present in separate devices, the noise floor can be substantially reduced and the audio quality significantly improved.

“The 2U-box easily substitutes and outperforms an equivalent combination of five separate high-end products. It is targeted towards audio engineers who crave superb sound quality and maximum efficiency,” Levin added. “ By simply pushing a preset button, a user is able to completely reconfigure dozens of settings. This beats running around the studio and turning a gazillion knobs on multiple devices.”

The Eclipse is also well-suited to live environments. Master clocks are becoming more and more popular for use with digital consoles and recording equipment at concerts and live events. By using the Eclipse 384, a live sound engineer is able to provide sync reference for up to four different devices, while using the main D/A for backing material, the A/D with multiple digital outs feeding redundant recording systems, and monitor DAC to check the recording post A/D conversion.

Currently Antelope Audio is accepting pre-orders for Eclipse 384, which is expected to ship during the first quarter of 2012; however the first pre-ordered units will arrive in studios before the end of 2011.

Eclipse 384 features
Clocking

– 64-bit DSP Trinity-level clocking
– Oven-controlled oscillator
– Factory calibrated to better than +/- 0.001 ppm stability
– Two independent sample rates
– Varispeed capability of +/- 200 cents
– 10M atomic clock input

Conversion

– 384 kHz A/D & D/A converters
– A/D with Dynamic Range of 124dB
– D/A with Dynamic Range of 129dB
– Burr-Brown D/A conversion chip
– Two bypassable A/D inserts
– Custom USB 2.0 chip streaming up to 480 Mbits

Monitoring

– Three sets of switchable monitor outs
– Second dedicated monitor D/A
– Bass management with LFE output
– Precise input and output peak meters
– Talkback and cue mix functions
– Relay volume attenuator matched to 0.05 dB

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

The Sing Off Takes to the Stage with a Live Finale and 100 Sennheiser Wireless Microphones as The Pentatonix Rise to the Top

Pentatonix, seen here singing into Sennheiser SKM 5200 wireless transmitters with MD 5235 capsules, took top honors in season 3’s The Sing Off.

Old Lyme, Conn. – November 30, 2011 – On Monday night, NBC presented the “Live Finale: Top 3 Finalists” of its hit show The Sing Off featuring not only the final three group contestants, but over 100 Sennheiser microphones on stage. The Pentatonix were elected champions of season 3, and music mixer Randy Faustino was on hand to ensure the audio quality was outstanding until the very end.

Faustino, a multiple Emmy award-winning music mixer and CEO/President of Creative Sound Solutions, has been responsible for mixing not only The Sing Off, but other top national prime time programs including The Voice, American Idol and others. Whether he is faced with a live broadcast or an in-studio production, Faustino depends on Sennheiser transmitters and capsules to achieve a great sound. For “Live Finale: Top 3 Finalists” he used over 100 Sennheiser SKM 5200-II transmitters, each coupled with Sennheiser MD 5235 capsules.

Faustino prefers the MD 5235 capsules because of its clear sound and versatility: “It seems to work for everybody, and I never seem to have a hard time getting a great sound,” he says. “Sometimes I have people eating the microphone, other times I have performers more than a foot off the mic — it has to perform equally well in both scenarios.”

Since each performance is a ‘once in a lifetime’ career opportunity for the contenders, Faustino needs to ensure that the mix is the best it can be for whichever group approaches the mic. He says that the Sennheiser MD 5235 mic capsule helps facilitate this: “The technology has to be plug and play,” he says. “I get that one shot at putting a live mix together, and then you have to move on. I have very little EQ on those mics, and they sound fantastic across a range of vocal types — that is the beautiful part of these MD 5235 capsules.”

“You have to have a good, clear sounding capsule so you can pick out the voices and have them defined in the track,” observes Thom Salisbury, Western Regional Sales Manager for Sennheiser. “On a program like The Sing Off, you not only have a variety of frequencies coming into the vocal track, but also tonal and volume differences. The MD 5235 is very sensitive and has a very smooth frequency response — I believe this is why it is our most popular capsule for television and touring.”

Predictable and reliable RF performance
In the case of a live programming scenario such as “Live Finale: Top 3 Finalists” where audio is being broadcast to millions of television viewers, the audio quality needs to be synchronous with solid and reliable RF performance. In the middle of Los Angeles — one of the most difficult RF environments in the world — the challenge can be daunting, especially considering the massive lighting rig and number of microphones operating on the stage at the same time.

Dave Bellamy of Las Vegas-based Soundtronics Wireless was in charge of ensuring that the RF for Monday evening’s performance — and indeed the entire preceding season — was flawless. “In a show like this, ‘pretty good’ isn’t going to get you there,” Bellamy observes. “This is a very demanding and exacting business, and in an extremely overcrowded RF environment, Sennheiser gives me predictable reliability.” Bellamy used Soundtronics’ Phoenix system antenna system in combination with dozens of Sennheiser EM 3732-II wireless receivers to ensure that the audio was free of any RF interference.

How does mixer Randy Faustino manage to stay cool in such a technically challenging and intense production environment? “I have to stay two steps ahead of everything, but I feel secure in the fact that Sennheiser always works. We’ve never had a failure and have always had great product support from Thom Salisbury if we ever need anything.”

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Events, Large Venue, Microphones |

Antelope Audio Brings Back Popular OCXmas, Offering Special Discounts on its OCX Master Clock and Zodiac Digital to Analog Converter

Santa Monica, Calif., November 21, 2011 — Antelope Audio announced the return of its OCXmas special this holiday season, by offering substantial discounts on its most accessible products including the Isochrone OCX master clock and the Zodiac digital to analog converter (DAC). Beginning on Black Friday and running through December 31st, authorized Antelope Audio dealers will be offering the Isochrone OCX at $1,095 — a $300 discount from its regular street price of $1,395, and the Zodiac at $1,295 — a $400 discount from the price of $1,695.

“If you are a project studio owner or a live sound engineer who has ever wanted to improve the clocking and conversion performance, there has never been a better time to acquire an Antelope Audio product,” commented Marcel James, Director of Sales for Antelope Audio USA. “Our OCX is the clock that started it all and is used by thousands of studios around the world. Our Zodiac, meanwhile, will appeal to those looking to attain the core functions of conversion, clocking and monitoring in a single, elegant solution.”

Antelope Audio OCX
Since its introduction to the market in 2004, the Antelope Audio Isochrone OCX has redefined the standard for clocking in the professional studio. It was quickly embraced by notable engineers and mastering professionals including Michael Brauer, Emily Lazar and many others. The OCX is the perfect complement to pro audio converters in the studio or for a digital live console. By acquiring an OCX at the special discounted rates, users can upgrade the clocking capabilities of their project studio or live sound rig and achieve greater detail and clarity in their mixes.

Antelope Audio Zodiac
Antelope Audio’s Zodiac D/A converter represents a groundbreaking addition to any project studio or DAW set up. It employs proprietary 64-bit clocking technology used in Antelope Audio’s Trinity master clocks. By taking advantage of the Zodiac Holiday Special, consumers can access mastering quality converting at a fraction of the cost of other high-end products on the market today. Studio owners will appreciate not only the ease of set up and elegant design of the Zodiac, but moreover its stability and performance providing sampling rate of up to 192 kHz.

OCX Features

Oven Controlled Discrete Transistor Crystal
Atomic clock input resolves to Rubidium clock for perfect stability
Sample Rates 32-192 kHz
Factory calibrated to better than +/- 0.02PPM accuracy via Atomic Clock
Outputs multiple, divisible sample rates
8 Word Clock outputs
2 AES/EBU outputs
2 S/PDIF output

Zodiac Features:

Custom USB chip streams audio up to 192kHz
Antelope Oven Clock for supreme stability
64-bit Acoustically Focused Clocking (AFC)
129dB Dynamic Range
Ultra Linear, Dual Stage Headphone Amps
PC/Mac Software Control Panel
Accurate Level Display for Main Volume

Dealers participating in OCXmas include audioMidi.com, Sweetwater.com, VintageKing in the U.S., Studio Economik in Canada and Audio Gate International in Mexico. To learn more about the Antelope OCXmas, or for complete product information, please visit one of Antelope Audio’s authorized dealers or manufacturer’s website.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Audio Playback |

Antelope Audiophile Special Brings Holiday Cheer to the Audiophile Community with Discount on its Zodiac Digital to Analog Converter (DAC)

Santa Monica, Calif., November 21, 2011 — Pioneering audio company Antelope Audio announced its Antelope Audiophile Special — a unique holiday price drop on its world-renowned, audiophile-grade Zodiac digital to analog converter (DAC). From now until December 31st, authorized U.S.-based Antelope Audio dealers will be offering the Zodiac at $1,295 — a $400 discount from its regular street price of $1,695.

Antelope Audio’s Zodiac D/A converter represents a groundbreaking addition to any listening set up. It contains the exact clocking technology used by top mastering professionals and engineers in the music, film and television industries. With the latest holiday discount, the Zodiac represents the most affordable entry point to help music afficiaonados hear the music as it was intended by top professionals such as Bernie Grundman of Bernie Grundman Mastering and Ward Hake, vice president of music at 20th Century Fox’s TV Music division.

“With our Antelope Audiophile Special, we are helping audio consumers access the exact same conversion and clocking technology used by the most prominent industry professionals in the world at a fraction of the cost,” commented Marcel James, Director of Sales for Antelope Audio USA. “The Zodiac is an ideal solution for a home listening environment and the ‘missing link’ in helping any system achieve optimal performance.”

Unprecedented detail and clarity
The Antelope Audio Zodiac helps audiophile consumers experience a new level of detail, sound clarity and warmth. Featuring a plug and play interface that connects seamlessly to a Mac, PC or just about any other digital media source, the Zodiac delivers 192kHz resolution audio, dramatically improving the listening experience on both loudspeakers and headphones. Antelope’s proprietary clocking technology, which is shielded from other electronic components to maintain a consistent temperature, is at the core of the Antelope sound and results in astounding accuracy, dynamics and stereo placement of the audio.

The Zodiac is particularly attractive also to audio consumers who use headphones being designed for precise monitoring with a wide range of headphone impedance. Ultra linear, dual stage headphone amplifiers, which are controlled by a dedicated volume knob, deliver smooth sound at both high and low levels.

Features:

– Custom USB chip streams audio up to 192kHz
– Antelope Oven Clock for supreme stability
– 64-bit Acoustically Focused Clocking (AFC)
– 129dB Dynamic Range
– Ultra Linear, Dual Stage Headphone Amps
– PC/Mac Software Control Panel
– Accurate Level Display for Main Volume

Dealers participating in the Antelope Audiophile Special include audioMIDI.com, Soundsciencecat.com, Sweetwater and Vintage King. To learn more about the Antelope Audiophile special, or for complete product information, please visit one of Antelope Audio’s authorized dealers or manufacturer’s website.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Audio Playback |

Sennheiser Delivers Flawless RF Performance During CMA Awards

Blake Shelton performs with his Sennheiser SKM 2000 transmitter, coupled with an MMD 935-1 capsule

Old Lyme, Conn. – November 15, 2011 – During the 45th annual Country Music Association Awards, audio specialist Sennheiser delivered another evening of rock solid audio and flawless RF performance courtesy of its EM 3732-II receivers, SKM 2000 and SKM 5200 transmitters and its ew 300 G3 IEM series monitoring system. The following Sennheiser users also won awards and performed live onstage using Sennheiser transmitters and capsules:

Blake Shelton: Top Male Vocalist
(Sennheiser SKM 2000 coupled with an MMD 953-1 capsule)
Miranda Lambert: Top Female Vocalist
– (Sennheiser SKM 2000 couple with an MMD 935-1 capsule)
Sugarland: Vocal Duo of the Year
(Sennheiser SKM 5200-II coupled with an MD 5235 capsule)
Lady Antebellum: Vocal Group of the Year
(Sennheiser SKM 5200-II coupled with an MD 5235 capsule)
more

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Events, Microphones |

Sennheiser Announces InfoComm Certified Technology Specialist (CTS®) Accreditation for its Educational Sound Academy Programs

Old Lyme, Conn. – November 14, 2011 – Audio specialist Sennheiser announced that several of its Sennheiser Sound Academy programs now qualify for InfoComm
Certified Technology Specialist (CTS®) renewal units (RU). Individuals that hold an
InfoComm CTS certification (including CTS, CTS-D and CTS-I) are required to earn RU credits periodically in order to keep their certification current. Sennheiser has partnered with InfoComm’s RU provider program in order to reinforce its standing commitment to the continuing education of CTS professionals in the industry.


Sennheiser RF Sound Academy

Sennheiser’s popular RF Sound Academy seminar now offers six (6) RU credits for individuals that successfully complete the course. RF Sound Academy is a comprehensive, one-day course covering many subjects pertaining to the use of wireless radio frequency microphones. Frequency coordination, antennas and distribution systems, system planning, wireless monitoring and the impact of FCC regulations on users of wireless microphones are among the topics included in this wide-ranging course, which is suitable for beginners to experienced professionals. RF Sound Academy training programs are conducted by Joe Ciaudelli (director of advanced projects and educational services, Sennheiser) and Dave Missall (national market development manager, Sennheiser).


Installed Sound Academy

Sennheiser’s Installed Sound Academy offers 7.5 RU credits for participants that successfully complete the program. Taught by Sennheiser National Market Development Managers Kent Margraves and Eric Reese, the Installed Sound Academy covers sound reinforcement, microphone theory and applications, wireless personal monitor systems, RF wireless systems and troubleshooting logic. The course is suitable for designers, consultants, project managers, worship leaders, system operators and technicians and anyone involved in the selection or purchase of audio products and systems.

Audio for Video and Film

Sennheiser’s Audio for Video and Film Sound Academy seminar, which is also led by Dave Missall, is a valuable resource for those who routinely work with video and would like to enhance their knowledge of how to integrate audio into their workflow. The Audio for Video and Film Sound Academy now offers six (6) InfoComm CTS® RU credits for participants who successfully complete the program. Among the topics covered in the seminar are microphone basics, microphone pickup patterns, boom techniques, shotgun microphones, tips and tricks to eliminate unwanted noises in recordings, and much more. The course also includes a mock scene in which participants practice mic placement and record and playback the results.

For more information on any of Sennheiser’s Sound Academy programs or to register, visit http://www.sennheiserusa.com/soundacademy.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

October 2014
M T W T F S S
« Sep    
 12345
6789101112
13141516171819
20212223242526
2728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication