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KLOS Radio Personality Uncle Joe Benson Helps House Research Institute Get the Word out on Healthy Hearing to NAMM Attendees

Los Angeles – January 9, 2012 — As part of its 2012 NAMM Winter Show activities, the House Research Institute (HRI) [NAMM booth 1292, Hall E] will host special guest Uncle Joe Benson of Los Angeles’ KLOS radio on Saturday, January 21st from 11:00 a.m. to 1:00 p.m. at the Anaheim Convention Center. The popular radio announcer and entertainer will be on hand to greet booth attendees while discussing the importance of maintaining healthy hearing and hearing loss protection.

Since 1980, Uncle Joe’s voice has been heard by millions of listeners across Southern California, and his “Off The Record” music/interview program is syndicated on over 90 stations nationwide. As a radio personality on KLOS, his broadcasts reach nearly three million people across southern California.

KLOS has been serving the greater Los Angeles area for over 40 years, and has also made a positive impact through its continued community outreach efforts. The station still owns the Guinness Book of World Records for the largest blood drive in the country and was presented the Crystal Award for its exemplary community service.

“Healthy hearing is a topic that deserves much broader attention — especially within the music community,” commented Uncle Joe. “This year at NAMM, we are happy to help put the spotlight on the topic of noise induced hearing loss (NIHL) to educate folks not only on how fragile our hearing is, but also on the measures we can take to protect it and preserve it.”

Noise-induced hearing loss (NIHL) is usually painless, progressive, permanent, and completely preventable. It happens when a person is exposed for too long of a time to sound pressure levels of 85 decibels or more, resulting in damage to the sensorineural (“hair”) cells of the inner ear. It can be the result of exposing your ears to a sudden, intense impulse noise like an explosion or gunfire or extended or repeated exposure to loud machinery and recreational activities, such as loud music and video.

According to the National Institute on Deafness and Other Communication Disorders (NIDCD), 36 million American adults report some degree of hearing loss; an estimated 26 million of them between the ages of 20 and 69 have a high-frequency hearing loss caused by too much exposure to loud sound.

Antelope Audio to Demonstrate its Zodiac Line of High End Digital-to-Analog Converters (DACs) at T.H.E. Show Home Entertainment Convention in Las Vegas

Las Vegas, January 9th, 2012 — Antelope Audio will demonstrate its audiophile-grade digital to analog converters (DACs) at T.H.E. Show in Las Vegas between Tuesday, January 10th and Friday, January 6th at The Flamingo Hotel, room 4044.

Antelope Audio’s high-end Zodiac D/A converters (DACs) are based on the company’s proprietary clocking and conversion technologies developed for world’s top mastering professionals and sound engineers in the music, film and television industries. Antelope brings to audiophiles’ home environment the highest audio quality available only at the leading and most technically demanding sound studios around the globe.

During T.H.E. Show, music lovers will have the opportunity to experience the pristine sound quality of all three models – Zodiac, Zodiac+ and Zodiac Gold. All of them utilize Antelope’s famous Oven Controlled Clock and Acoustically Focused Clocking as well as the custom USB chip, which allows audio streaming of up to 384 kHz.

Morten Lindberg the founder of Lindberg Lyd and the music label 2L, and several times Grammy Award nominee says “The Zodiac Gold is now our preferred DAC for proof listening of our 352.8kHz/24bit stereo master files.”

“The best way to experience Antelope Audio is to listen to our products first hand,” explained Marcel James, director of sales for Antelope Audio. “At T.H.E. Show, we will be reaching a very focused contingent of discerning audiophiles, who are keen to take the home listening experience to the next level. With our unique clocking and conversion technology, they can achieve that goal.”

Zodiac DACs: Unprecedented detail and clarity

The Antelope Audio Zodiacs help audiophile consumers and home listeners experience a new level of detail, sound clarity and warmth. Featuring a plug and play interface that connects seamlessly to a Mac, PC or just about any other digital media source, the Zodiacs deliver up to 384 kHz resolution audio, dramatically improving the listening experience on both loudspeakers and headphones. Antelope’s proprietary clocking technology, which is shielded from other electronic components to maintain a consistent temperature, is at the core of the Antelope sound and results in astounding accuracy, dynamics and stereo placement of the audio.

The Zodiacs are also particularly attractive to audio consumers who use headphones, being designed for precise monitoring with a wide range of headphone impedance. Ultra linear, dual stage headphone amplifiers, which are controlled by a dedicated volume knob, deliver smooth sound at both high and low levels.

To learn more about T.H.E. Show or to register, please visit http://www.theshowlasvegas.com.

High-end sound without cables: Sennheiser presents RS 220 digital wireless headphones

Old Lyme, Conn., January 9, 2012 – High-end audio fans attach great importance to loss-free transmission of the sound signal between the source and the ears. In the past, wireless audio transmission has come up against its limits. Now however, audio specialist Sennheiser is opening up a new class of wireless listening with the new RS 220 wireless headphones. The digital wireless headphones have a full, detailed sound while offering total freedom of movement.

Headphone development is driven by the challenge of reproducing sound that is as lifelike and direct as possible. Up until now, cabled headphones had a far better audio quality than wireless headphones. But now, the RS 220 from Sennheiser is setting new standards. “With these digital wireless headphones, we have succeeded for the first time in combining wireless music enjoyment with high-end quality,” said Maurice Quarré, Director Product Lifecycle Management at Sennheiser Consumer Electronics, describing the new RS 220.

Superior wireless listening pleasure
Many years of experience in the field of wireless transmission and audio technology have gone into the development of the new digital headphones. Dynamic transducers with powerful neodymium magnets ensure clear, lifelike audio reproduction with a frequency response of 19 to 21,000 hertz. The maximum sound pressure level of the open, circumaural headphones is 106 decibels. In the RS 220, the transmitter sends the audio signals to the headphones without compression via a stable 2.4 GHz connection using the so-called Direct Sequence Spread Spectrum (DSSS) technique. “This is a frequency spreading process in which the output signal is spread to a width of 22 MHz by means of a specified bit sequence. If interference occurs at one point within this frequency range, the output signal experiences no interference as the data is transmitted with redundancy, in other words several times. As a result, only a minimal and inaudible part of the whole information is affected and the overall sound quality is not influenced,” explained Axel Grell, Senior Acoustical Engineer at Sennheiser. The headphones have a range of up to 100 metres without the need for the transmitter and receiver to be in the same room. A further advantage of the transmission process is the low latency and thus minimum delay of the audio signal.

Choice of several connection possibilities

The sound quality of a set of headphones is decisively dependent, among other things, on the connection between the audio source and the headphones. As the data between the transmitter and receiver is transmitted wirelessly in the RS 220, the feeding of the data from the audio source to the transmitter is particularly important. For this reason, the headphone system has an analogue, a coaxial digital and an optical digital input. Discerning users can decide themselves on the type and quality of the audio signal being fed in. Sensor buttons on the transmitter or directly on the headphones enable users to switch back and forth between the sources.

Lifelike sound experience
An important means of creating a musical effect is the transition between quiet and loud passages, as can be heard for example in Ravel’s Bolero. Conventional digital data transmission sometimes reduces this dynamic range, as an optimum signal volume for the entire data package is often assigned to the information when the analogue signal is converted into a digital data package. To preserve the original dynamics of a piece of music, the RS 220 completely dispenses with the automatic level control function. The data of the digital sources is transmitted unchanged, and the user can manually adjust the reference volume for the analogue inputs. As a result, the system comes very close to the audiophile ideal: a lifelike sound experience.

Maximum comfort
Operating the RS 220 is extremely easy. An on/off switch, controls for selecting the audio source and tracks, as well as a volume control are directly integrated into the headphones. There is also a control to individually adjust the volume balance between right and left. Setting up the wireless headphones for the first time is equally easy. Simply connect the transmitter to the audio or video device using the chosen connector, put on the headphones and switch on. The headphones come with rechargeable batteries that guarantee up to eight hours of listening enjoyment and which can be conveniently recharged while still in the headphones. As an added feature, the transmitter can also be used to supply a second optional set of headphones – for shared listening pleasure. The RS 220 will be available in late January and carries a street price of $599.95.

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Related Topics: CES Newslink, Tradeshow News |

Neumann Launches Active Studio Subwoofers: the KH 810 and KH 870

Old Lyme, Conn. – January 3, 2012 - Following the successful launch of the Neumann KH 120 two-way active nearfield monitor last fall, Neumann proudly announces the launch of two new active subwoofers: the KH 810 and KH 870.

Over the past few years, numerous developments in transmission technologies have increased the demands placed on professional monitoring systems. As a result, modern production facilities now require high-quality monitoring systems that can accurately reproduce any signal, including the latest 7.1 discrete high definition formats. The KH 810 and KH 870 both feature Neumann’s 7.1 High Definition Bass Manager™ technology, which complements high-definition video with the most accurate sound reproduction possible.

The KH 810: At the Heart of a Modern Monitoring System
The KH 810 is far more than a simple subwoofer; it serves as the heart of a modern monitoring system. The comprehensive 7.1 High Definition Bass Management™ system meets the latest demands of the industry and perfectly complements the Neumann KH 120 nearfield two-way monitor. It can be used either as a subwoofer dedicated to reproducing the LFE channel, or as a means of providing low frequency extension with an increased maximum SPL. With the KH 810, it is now possible to assemble flexible monitoring systems for studios of different sizes, with a smooth, uniform response that ranges from below 20 Hz to above 20 kHz.

The integrated 7.1 High Definition Bass Manager™ is compatible with all formats, from mono to the latest 7.1 high definition systems such as Blu-ray. Eight electronically balanced analog XLR inputs ensure flexible interconnectivity for modern studios. Four-mode LFE channel processing guarantees maximum compatibility across all formats, while 4th order crossovers and flexible acoustic controls allow for seamless system integration. A built-in volume control permits centralized system adjustment of replay levels, independent of the source. The electronics can be located remotely to reduce cabling, and to allow the cabinet to be mounted flush to a wall.

State-of-the-art amplifier technologies and acoustic components have been used to ensure maximum accuracy of sound reproduction. A robust 10-inch driver, solid cabinet, and carefully designed ports guarantee tight, articulate, distortion-free low frequency reproduction down to 18 Hz; even at high playback levels. By using sum output, Plane Wave Bass Array™ (PWBA™) techniques can acoustically improve lateral consistency in the listening area and further increase low frequency linearity. The flexibility of the system is further enhanced by an extensive range of accessories.

The combination of KH 120 and KH 810 is ideal for tracking, mixing and mastering in music, broadcasting, project and post-production studios. The KH 810 ($1,999) and the KH 870 ($3,199) are available from select retailers.

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Antelope Audio Names Vintage King Audio “Dealer of the Year” for its Pro Audio Category

Santa Monica, Calif., December 19, 2011 — Antelope Audio has named Ferndale, Michigan-based Vintage King Audio its 2011 Dealer of the Year, Pro Audio. Vintage King was recognized for its outstanding sales performance, customer support and overall product knowledge of Antelope Audio’s master clocks and digital to analog converts (DACs).

“We are pleased to present Vintage King with our Dealer of the Year award in the Professional Audio category,” commented Marcel James, Director of Sales for Antelope Audio. “Since its founding in 1988, Vintage King has been an essential resource for the pro audio community, serving the market with not only the best products but also an incredibly knowledgeable staff. In 2011, they have done a fantastic job with Antelope Audio’s products — particularly with our Trinity and 10M clocks.”

“We are proud to have won Antelope Audio’s Dealer of the Year award,” said Jeffrey Ehrenberg, West Coast Sales Manager for Vintage King Audio. “Our goal is to supply our customers with the best audio gear in the world, and we believe that Antelope Audio’s Trinity/10M combination is the best word clock in the world. I let people audition this unit, and it kind of sold itself. I have had Grammy award-winning engineers say that it has made a remarkable difference, making their mixes more lifelike.”

Trinity/10M: A winning combination and category-leading features
Antelope Audio’s Trinity features sophisticated varispeed functionality, the ability to simultaneously generate up to three separate word clock signals of sampling rates up to 384Khz, as well as three discrete HD video signals and standard definition video. The Trinity also features 64-bit Acoustically Focused Clocking, which allows for even greater detail and frequency response. By adding the Isochrone 10M Atomic Clock, users can attain an even more accurate clocking reference, ‘supercharging’ the already outstanding qualities of the Trinity.

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Antelope Audio Names Sound Science Dealer of the Year in its Consumer Audio Category

Santa Monica, Calif., December 19, 2011 — Professional and audiophile gear manufacturer Antelope Audio named Castle Rock, Colorado-based Sound Science its 2011 Dealer of the Year for outstanding sales performance, customer support and overall product knowledge of its product line of digital to analog converters (DACs).

“We are pleased to recognize Sound Science as Dealer of the Year in the Consumer Audio category,” commented Marcel James, Director of Sales for Antelope Audio. “In 2011, Sound Science delivered very impressive sales results on our Zodiac product line, while introducing many music lovers to the Antelope Audio brand. We are thrilled to have Sound Science carrying our products and we are pleased to be playing an important part in their business”

“It is a great honor to be recognized by Antelope Audio in this way,” commented Neal Van Berg, owner of Sound Science. “When I first listened to the Zodiac, I was taken aback. The Zodiac is more musical than other DACs on the market and is also very competitively priced. It is an easy sale and it sounds great.”

Unprecedented detail for listeners

The Antelope Audio Zodiac DACs help music affectionados experience a new level of detail, sound clarity and warmth. Featuring a plug and play interface that connects seamlessly to a Mac, PC or just about any other digital media source, Zodiac DACs deliver up to 384kHz resolution audio, dramatically improving the listening experience on both loudspeakers and headphones. Antelope’s proprietary clocking technology, which is shielded from other electronic components to maintain a consistent temperature, is at the core of the Antelope sound and results in astounding accuracy, dynamics and stereo placement of the audio.

Zodiac DACs are particularly attractive also to audio consumers who use headphones, being designed for precise monitoring with a wide range of headphone impedance. Ultra linear, dual stage headphone amplifiers, which are controlled by a dedicated volume knob deliver smooth sound at both high and low levels.

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In Tune Launches New e-Publication for Musicians

WHITE PLAINS, NY – December 14, 2011 - Music education content provider In Tune Partners today launched the premiere issue of Woofer, a multimedia publication about the music industry for musicians, music industry executives and knowledgeable fans. Woofer takes full advantage of its digital format, offering over 100 pages of content infused with audio clips, video examples, and animations. The publication is available for viewing exclusively on iPads and computers. The issue carries a cost of $2.99 and can be purchased at woofermag.com or via the app store.

Woofer’s distribution model is as unique as its content. It’s being marketed primarily by a dozen “affiliates;” companies who have agreed to promote the publication to their 3.5 million constituents via social media, e-mail, and other customer communications. Affiliates will offer these constituents a $1.00 discount coupon code. Participating affiliates are ASCAP, Broadjam.com, D’Addario & Co., Disc Makers, DW Drums, The Epiphone Guitar Company, Guitar Center’s Harmony Central, Ibanez, iStandard.com, Nimbit, Notion Music, and PickTheBand.com.

Woofer is intended to help musicians, those working in the music industries, and fans address the latest challenges and opportunities in the music business. It highlights events, recommends music and musical acts, comments on music-lifestyle issues, and profiles music creation and business issues, in addition to drawing together insights and information provided by experienced journalists, top artists, educators and others working in the field. Some launch issue features include:

– “Under Deconstruction” in which One Republic’s studio engineer diagrams how one of the band’s new tracks was produced, and a video-based story called “Play My Song,” in which singer/songwriter Mat Kearney demonstrates how he performs his latest hit.

– “DIY or Die,” a column in which one emerging jazz artist helps another self-release a debut album.

– “The Barking Dog,” an at-large rant by Jeffrey Rabhan, Chair of New York University’s Clive Davis Institute of Recorded Music at the Tisch School of the Arts, about Justin Timberlake’s MySpace investment.

– “I Want To Be A Musician,” a comic video by Lev Yilmaz, and a short fiction piece by Anne Isaaks.

The premiere issue’s cover story discusses the recent wave of band and artist comebacks and how legacy acts are working to stay relevant in a new and changing music environment.

Woofer’s editorial team is headed by Mike Levine (Electronic Musician) Emile Menasché (In Tune Monthly), and Mac Randall (Music Alive!, Teaching Music) and its business team is headed by In Tune Partners CEO Irwin Kornfeld (Billboard Music Group), and In Tune V.P., Publisher Angelo Biasi (United Entertainment Media).

Woofer will begin monthly frequency in March of 2012 and add affiliates, doubling the publication’s promotional outreach. Annual subscriptions will be offered for the base price of $29.95.

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Sennheiser Sound Academy to Host Two-Day Live Production Workshop in Anaheim, Featuring Robert Scovill, Kevin Madigan, Marty Garcia and Raphael Alkins

ANAHEIM, Calif. – December 12, 2011- Audio specialist Sennheiser announced that the Sennheiser Live Production Sound Academy (LPSA) will once again be held this year in Anaheim and will take place prior to the NAMM show. Due to the overwhelming success of last year’s event, the live sound workshop has been extended to two days and will take place at the Anaheim Marriott.

The workshop will cover the skills needed to successfully engineer both large and small live productions — including required elements for planning, configuring and operating a large-scale P.A. system. The course content is designed for a wide range of attendees including venue engineers, musicians, promoters, production managers, employees of audio manufacturers,, service providers, students interested in sound and acoustics, or anyone else interested in live production.

Learn from a “Who’s Who” in Live Sound
Once again, Sennheiser will feature special guest instructor Robert Scovill — an industry veteran who has mixed over 3,000 events during his 30-year live sound and recording career. Sennheiser is also pleased to add Kevin Madigan (Crosby, Stills & Nash, The Smashing Pumpkins, Lucinda Williams), Marty Garcia (U2, Kelly Clarkson, Shakira, Zac Brown) and Raphael Alkins aka Raffie (Ricky Martin, Lionel Richie, Kenny G) to its esteemed list of guest presenters. Sennheiser’s own cast of audio veterans, including Chris Spahr, Kent Margraves, Eric Reese and Joe Ciaudelli, will also be on hand.

Event details:

When: Tuesday, January 17 and Wednesday, January 18, 9:00 a.m. to 5:00 p.m.

Where: Anaheim Marriott, 700 W. Convention Way, Anaheim, Calif.

Cost: $299 per day or $498 for both days. Registration rate includes a continental breakfast, lunch and workshop materials and a special group dinner on Tuesday, January 17. Register by December 30 for $50 discount; call 860-434-9190, ext. 141 for student and group discounts or for more information on the workshop.

Antelope Audio Introduces a 384 kHz A/D & D/A Converter, Master Clock and Monitoring Controller – All in a Two Space Rack Unit Called Eclipse 384

Santa Monica, Calif., December 7, 2011 — Antelope Audio announces the launch of ?Eclipse 384 – the first of its kind multifunctional audio device that provides 384 kHz A/D and D/A conversion clocked by Antelope’s renowned 64-bit technology and a powerful and flexible monitoring control.

Eclipse 384 was unveiled during the Audio Engineering Society (AES) convention in New York last October, where it received the accolade “Best of Show” and subsequently “Gear of the Year” from two highly regarded industry publications.

“The philosophy behind Eclipse 384 is Aristotle’s dictum: ‘The whole is greater than the sum of its parts‘,” commented Igor Levin, CEO and founder of Antelope Audio. “The device is a technological fusion of our best and most prominent innovations, such as the 64-bit Acoustically Focused Clocking (AFC) and the Oven-controlled oscillator, high resolution USB streaming, and next generation conversion and power supply circuits.”

Inside the Eclipse 384

The Eclipse comprises 384 kHz A/D & D/A converters clocked by two independent 64-bit DSP Trinity-level clocks. The fully integrated monitor controller employs 0.05 dB accurate gold-plated relay attenuators and provides speaker switching, bass management and cue mix functions with integrated talkback. The Eclipse also includes two dedicated headphone amplifiers and a custom USB interface, as well as two large peak meters on the front panel. The advanced software control panel compatible with both Mac & PC, allows five nameable presets for easy recall of favorite setups.

The unique dual-domain clocking system enables analog-based, more natural sounding sample rate conversion. The integrated patching/routing capabilities make monitoring of either analog or digital sources extremely simple, avoiding jitter, distortion and cabling noise. By eliminating the many input and output stages and the various power supplies, that would be present in separate devices, the noise floor can be substantially reduced and the audio quality significantly improved.

“The 2U-box easily substitutes and outperforms an equivalent combination of five separate high-end products. It is targeted towards audio engineers who crave superb sound quality and maximum efficiency,” Levin added. “ By simply pushing a preset button, a user is able to completely reconfigure dozens of settings. This beats running around the studio and turning a gazillion knobs on multiple devices.”

The Eclipse is also well-suited to live environments. Master clocks are becoming more and more popular for use with digital consoles and recording equipment at concerts and live events. By using the Eclipse 384, a live sound engineer is able to provide sync reference for up to four different devices, while using the main D/A for backing material, the A/D with multiple digital outs feeding redundant recording systems, and monitor DAC to check the recording post A/D conversion.

Currently Antelope Audio is accepting pre-orders for Eclipse 384, which is expected to ship during the first quarter of 2012; however the first pre-ordered units will arrive in studios before the end of 2011.

Eclipse 384 features
Clocking

– 64-bit DSP Trinity-level clocking
– Oven-controlled oscillator
– Factory calibrated to better than +/- 0.001 ppm stability
– Two independent sample rates
– Varispeed capability of +/- 200 cents
– 10M atomic clock input

Conversion

– 384 kHz A/D & D/A converters
– A/D with Dynamic Range of 124dB
– D/A with Dynamic Range of 129dB
– Burr-Brown D/A conversion chip
– Two bypassable A/D inserts
– Custom USB 2.0 chip streaming up to 480 Mbits

Monitoring

– Three sets of switchable monitor outs
– Second dedicated monitor D/A
– Bass management with LFE output
– Precise input and output peak meters
– Talkback and cue mix functions
– Relay volume attenuator matched to 0.05 dB

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The Sing Off Takes to the Stage with a Live Finale and 100 Sennheiser Wireless Microphones as The Pentatonix Rise to the Top

Pentatonix, seen here singing into Sennheiser SKM 5200 wireless transmitters with MD 5235 capsules, took top honors in season 3’s The Sing Off.

Old Lyme, Conn. – November 30, 2011 – On Monday night, NBC presented the “Live Finale: Top 3 Finalists” of its hit show The Sing Off featuring not only the final three group contestants, but over 100 Sennheiser microphones on stage. The Pentatonix were elected champions of season 3, and music mixer Randy Faustino was on hand to ensure the audio quality was outstanding until the very end.

Faustino, a multiple Emmy award-winning music mixer and CEO/President of Creative Sound Solutions, has been responsible for mixing not only The Sing Off, but other top national prime time programs including The Voice, American Idol and others. Whether he is faced with a live broadcast or an in-studio production, Faustino depends on Sennheiser transmitters and capsules to achieve a great sound. For “Live Finale: Top 3 Finalists” he used over 100 Sennheiser SKM 5200-II transmitters, each coupled with Sennheiser MD 5235 capsules.

Faustino prefers the MD 5235 capsules because of its clear sound and versatility: “It seems to work for everybody, and I never seem to have a hard time getting a great sound,” he says. “Sometimes I have people eating the microphone, other times I have performers more than a foot off the mic — it has to perform equally well in both scenarios.”

Since each performance is a ‘once in a lifetime’ career opportunity for the contenders, Faustino needs to ensure that the mix is the best it can be for whichever group approaches the mic. He says that the Sennheiser MD 5235 mic capsule helps facilitate this: “The technology has to be plug and play,” he says. “I get that one shot at putting a live mix together, and then you have to move on. I have very little EQ on those mics, and they sound fantastic across a range of vocal types — that is the beautiful part of these MD 5235 capsules.”

“You have to have a good, clear sounding capsule so you can pick out the voices and have them defined in the track,” observes Thom Salisbury, Western Regional Sales Manager for Sennheiser. “On a program like The Sing Off, you not only have a variety of frequencies coming into the vocal track, but also tonal and volume differences. The MD 5235 is very sensitive and has a very smooth frequency response — I believe this is why it is our most popular capsule for television and touring.”

Predictable and reliable RF performance
In the case of a live programming scenario such as “Live Finale: Top 3 Finalists” where audio is being broadcast to millions of television viewers, the audio quality needs to be synchronous with solid and reliable RF performance. In the middle of Los Angeles — one of the most difficult RF environments in the world — the challenge can be daunting, especially considering the massive lighting rig and number of microphones operating on the stage at the same time.

Dave Bellamy of Las Vegas-based Soundtronics Wireless was in charge of ensuring that the RF for Monday evening’s performance — and indeed the entire preceding season — was flawless. “In a show like this, ‘pretty good’ isn’t going to get you there,” Bellamy observes. “This is a very demanding and exacting business, and in an extremely overcrowded RF environment, Sennheiser gives me predictable reliability.” Bellamy used Soundtronics’ Phoenix system antenna system in combination with dozens of Sennheiser EM 3732-II wireless receivers to ensure that the audio was free of any RF interference.

How does mixer Randy Faustino manage to stay cool in such a technically challenging and intense production environment? “I have to stay two steps ahead of everything, but I feel secure in the fact that Sennheiser always works. We’ve never had a failure and have always had great product support from Thom Salisbury if we ever need anything.”

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Related Topics: Events, Large Venue, Microphones |

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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