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Sennheiser & Shanghai Concert Hall Collaborate Long-Term Naming Ceremony of Sennheiser Shanghai Concert Hall

Shanghai, PRC, March 25, 2014: Sennheiser Group and the Shanghai Concert Hall have agreed to terms that officially renames the Shanghai Concert Hall, “Sennheiser Shanghai Concert Hall”, effective March 10, 2014. This is the first time in Sennheiser’s history that a performance centre has been named after the company and signals a new beginning for Sennheiser Group. This prestigious event also introduces the formation of Sennheiser-owned record label, Sennheiser Media. Sennheiser Media is a subsidiary of Sennheiser. Famed Chinese musical prodigy, A-Bu is the label’s first signing and Sennheiser is pleased to launch A Bu’s first album at this event.

Sennheiser and the prestigious Shanghai Concert Hall have had a longstanding relationship in China. Through the renaming of the Shanghai Concert Hall, both Sennheiser and officials from the Shanghai Concert Hall will sign a contract that renames this historical concert hall that includes the opening of an official Sennheiser music store within the venue to sell different variety of headphones. The Sennheiser Shanghai Concert Hall was the first professional concert hall in China and aims to become a new platform to promote the development of arts in music in Shanghai and for the rest of China.

In this cooperation, Sennheiser will install a full set of top theatre and sound equipment, as well as design a state of the art centralized audio recording control system. Sennheiser will provide some of their most popular & sophisticated products such as 9000 series microphones. The world-renowned 9000 series wireless microphone is another favorite microphone among international artists and it was no surprise when it won “Outstanding Technical Achievement for Wireless Technology” at the 29th TEC. Italian loudspeaker company K-array will also be used as part of the installation.

Daniel Sennheiser, CEO of Sennheiser and Marc Vincent, President of Sennheiser, Greater China and Zhang Zhe, President of Shanghai Grand Theatre Arts Center and Zhang Ming, General Manager of Shanghai Concert Hall will officiate the renaming ceremony. Daniel Sennheiser is very impressed by the infrastructure and the growth of the Chinese musical instruments market. “This collaboration is an important milestone in our continuous pursuit of perfection and it’s a privilege to be here in China,” said Daniel Sennheiser, CEO of Sennheiser electronic GmbH & Co. KG.

The Shanghai Concert Hall has traditionally hosted a wide range of musical events including jazz and classical performances, and the acoustics created by Sennheiser will be second to none. A team has been set up to maintain the equipment, the concert hall’s high audio standards set by Sennheiser and ensure all performances are supported fully. Sennheiser will also provide regular workshops for the technical team at the concert hall. “It is with pride and honor that Sennheiser joins forces with the prestigious Shanghai Concert Hall to promote the music and sound culture in China.” said Marc Vincent, President, Sennheiser Greater China.

This cooperation also ensures audiences that the Shanghai Concert Hall will provide more charity events and free showcases to promote music and the artssuch as “Lunch Time Concert” and “Weekly Radio Concert”, to name a few. Shanghai Concert Hall officials also confirm that ticket prices will be maintained and managed appropriately to benefit the general public.

Mr. Zhang Zhe, President of Shanghai Grand Theatre Arts Center explained further, ‘We are glad that Shanghai Concert Hall and Sennheiser can reach this incredible cooperation. This year is the beginning of the second decade following our relocation to this venue. To join hands with Sennheiser, the world’s leading audio brand, it in itself provides a lot of possibility for future development for the concert hall. We believe that this cooperation will bring about a huge impact on the development of music culture in Shanghai.”

Sennheiser Recording Facility:

Parts of the plans include a commitment to set up a professional, world-class recording studio inside the Shanghai Concert Hall, scheduled for completion in 2015. This part of the concert hall will ensure future live performances in HIFI levels can be recorded. Once the facility is ready, the Sennheiser Shanghai Concert Hall will introduce a new project called “Young Talent Inspires“ to help young up and coming artists to record an album and promote it through Sennheiser’s global sales network.
“Sennheiser has supported many art and music related events in China, such as the MIDI Music Festival, Storm Music Festival, Shanghai JZ Festival and other notable events. This title sponsorship is the first cooperation between a public institution and a business organization in China and it is going to be a great one,” said a representative from the Shanghai Concert Hall.

Introducing Sennheiser Media:

Sennheiser has created its own music label, Sennheiser Media to record and promote local Chinese and international artists. Sennheiser has named A Bu as their first recording artist under this label. A Bu will perform at the official naming ceremony as will Violinist, Tobias Preisig & Pianist, Marc Mean, respectively.

About Shanghai Concert Hall:

The Shanghai Concert Hall is one of China’s heritage architecture buildings. Originally named the Nanjing Theater, it was designed by a Chinese architect and completed in March 1930.The Philadelphia Chamber Orchestra, Juilliard Quartet, violinist Isaac Stern, pianist Alicia de Larrocha and Chinese symphony orchestras all once performed there. “The Spring of Shanghai” festival also began at the concert hall. In December 2002, the restoration project started and by July 8, 2003, the Hall was moved 66.46 meters southeastward with its foundation uplifted 3.38 meters. It reopened on September 30, 2004 and continues to be one of Shanghai’s most important landmarks.

About Sennheiser:

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. In 2012 the family company, which was founded in 1945, achieved a turnover of around 584 million euros. Sennheiser employs more than 2,300 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Swtizerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).

You can find all the latest informationby visiting website at www.sennheiserusa.com and www.shanghaiconcerthall.org.

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Kenneth Copeland Ministries Reaches Millions of People Around the World with Sennheiser and Neumann

Sennheiser 2000 Series Wireless System and Neumann KK 204 Capsules Play an Integral Role in KCM’s Mobile Worship Team, With Live Broadcasts from Around the U.S.

Newark, TX, March 18, 2014: Kenneth Copeland Ministries has been an important contributor in the Christian community since 1967, reaching over 60 million people through its various faith-based outreach activities. In addition to the KCM broadcasts, which reach an international audience of over 100 countries, the Ministry regularly provides humanitarian and disaster assistance through its KCM Relief Fund, which recently helped provide Haiti with $2.7 million of medical supplies and 7,000 pounds of antibiotics. KCM broadcasts its meetings from various arenas, conferences centers and ballrooms around the country using Sennheiser wireless equipment combined with microphone capsules from Neumann.

KCM’s mobile set up includes (4) Sennheiser EM 2050 dual channel receivers and (8) Sennheiser SKM 2000 handheld transmitters, each coupled with Neumann KK 204 cardioid capsules. “We have a very small rig, but it sounds great and saves us a lot of time,” explains Jesus ‘CHUY” Esquivel, Event Tech Coordinator/Audio Engineer for Kenneth Copeland Ministries. “We reviewed top of the line microphones from other manufacturers and the Sennheiser / Neumann combination was so clear, it was like night and day compared to all the others.”

The recently acquired system covers all the needs of the KCM worship team. The switch to Sennheiser was made after the production team faced quality and reliability issues while using products from other manufacturers: “Very often, we had trouble with RF while using other systems Esquivel reports.”With our new Sennheiser equipment, we have overcome all of these difficulties.”

In addition to the rock-solid reliability of the 2000 series wireless system, Esquivel says overall ease of use was a big differentiator: “Setting up frequencies on the EM 2050 is fast and easy,” he says. “Now, our system set up takes between 15 to 20 minutes, whereas before it took almost two hours to scan and set up with other systems. This is important because we have other things to do.”

Esquivel and his team appreciate Sennheiser’s Wireless System Manager (WSM) software, which comes bundled with the EM 2050 system and provides unparalleled access to its wireless set up via remote control. “It is very useful, especially to monitor frequencies,” says Esquivel. “Having the ability to adjust frequencies, monitor battery levels and mutes is very reassuring in both rehearsals and live performance.”

Stepping Up to Neumann
Since the music in each worship service is unique and includes a variety of vocalists, it was important for KCM to choose a microphone capsule that could deliver consistently outstanding performance. “Each of our singers is totally different,” says Esquivel. “And with the Neumann KK 204 capsules, they can perform as they like without feeling limited. If there is part of a song that is quiet, the capsule is open enough to capture every nuance to develop the sound that we need.”

The KK 204 microphone capsule is specifically designed for the Sennheiser SKM 2000 handheld transmitter. Each capsule delivers a full, transparent and naturally warm sound, and a single polar pattern design enables a uniform response across the entire frequency range. This contributes to the KK 204′s excellent gain before feedback performance. “There is something about the combination of the SKM 2000 transmitter and KK 204 capsule that makes the sound,” Esquivel continues. “It is so crisp and bright and you can hear every breath a performer takes. It is also very natural — the way the voice comes out is the way the microphone captures it.”

While relatively compact, KCM’s acquisition of Sennheiser and Neumann equipment has taken its performances to the next level. “Music plays a very important role in our ministry outreach” concludes Esquivel. “We have been very pleased with how the system from Sennheiser has been working and it has made a measurable difference in the quality of our worship services.”

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Connecticut. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

Captions:

1) Kenneth Copeland Ministries has been an important contributor in the Christian community since 1967, reaching over 60 million people through its various faith-based outreach activities.
2) The Neumann KK 204 microphone capsule is specifically designed for the Sennheiser SKM 2000 handheld transmitter.
3) Jesus ‘CHUY” Esquivel, Event Tech Coordinator/Audio Engineer for Kenneth Copeland Ministries, standing beside KCM’s rack of Sennheiser EM 2050 dual channel receivers.
4) The Neumann KK 204 capsule delivers a full, transparent and naturally warm sound, and a single polar pattern design enables a uniform response across the entire frequency range.

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Neumann Digital Microphones Shine in Digital Surround Recording of Landmark Organ Recital at Denver’s St. John’s Cathedral

Neumann Digital Microphones and KH 120 Monitors Used to Capture Performance on W.W. Kimball Organ, Following Recent $2 Million Restoration

Denver, CO, March 17, 2014: Last month, Julliard scholar and organist extraordinaire Michael Hey took the seat at the Platt Rogers pipe organ located in the narthex of Denver’s St. John’s Cathedral. The formidable instrument, a one of a kind W.W. Kimball that was built to specification almost a century ago, recently completed a painstaking 3-1/2 year, $2.5 million renovation to bring it as close as possible to its original splendor. The landmark performance on February 14th was recorded in high-resolution surround using a variety of well-placed Neumann digital microphones positioned throughout the venue.

To capture the complete sonic depth of such an instrument, St. John Cathedral’s Music Administrator, Alberto Gutierrez, turned to veteran recording engineer Mike Pappas, owner of Denver-based Pappas Consulting LLC. Pappas, who has worked extensively with The Colorado Symphony Orchestra, The Aspen Music Festival and others in the past, recorded the recital in 88.2kHz resolution/24-bit digital audio.

“I’ve worked with Alberto for several years with the Colorado Symphony, and he told me about the gargantuan restoration of this magnificent organ and Mr. Hey’s upcoming recital,” said Pappas. “I’d been eager to capture such an organ for a number of years and this was the perfect chance to make an audiophile grade recording using my collection of Neumann digital mics.”

An Instrument Suited for Digital:

The Platt Rogers organ is the largest intact American cathedral organ currently in use that was built before World War II. It has 96 ranks, 5,961 pipes and is powered by an enormous 25 horsepower motor. With such a large organ, which was being played in a very large cathedral with 60′ cielings and a 3-1/2 second reverb time, one of the primary goals was to capture the entirety of the instrument’s massive dynamic range: “An organ of this size can generate frequencies as low as 11 Hz, so I had to choose the right microphones to accommodate this,” explains Pappas.

Pappas deployed left, center and right microphone arrays, positioned equal distances apart by about 9′, placed 21′ high, and 20′ away from the organ. He chose the Neumann KM 133 D digital microphones, which he says are are his ‘go-to’ microphones for symphony work and which use the legendary Neumann M50 titanium capsule and diaphragm. Pappas appreciates this microphone’s flat low frequency response and omni-directional pattern.

“Back in 1938 when they built the organ, they weren’t too concerned with being able to record at 138 dB of dynamic range,” says Pappas. “This organ is capable of generating 11 Hz notes. Using the Neumann KM 133 Ds, we were able to get a very smooth response while accurately capturing every nuance in these lower frequenicies.” For the two rear channels, Pappas opted for a mid-side pair arrangement, using the Neumann KM 184 D for the mid and the KM 120 D — which has a figure-of-eight capsule pattern — for the side. The entire recording was monitored on location using several Sennheiser headphones including an HD 600 and HD 800 open aire models.

Trailblazing with Neumann Digital Microphones:

The signal flow for the digital microphones was simple: each microphone was connected to the Neumann Digital Microphone interface — which also served as the clocking device for the entire recording system — and then was output via AES/EBU to a RME ADI 6432 converter. This outputs a MADI signal, which was then sent into Pappas’ Apple MacBook Pro running Logic X.

Simplicity is a key reason why Pappas was initially drawn to Neumann digital microphone technology: “For remote recording, using digital microphones means I have a lot less gear.” he explains. “At one point, we had 40 channels of preamps running into A to D converters, but now I am down to just 8 channels of digital — this greatly simplifies my set up.” He also realizes several advantages in audio quality. “Nothing else can give me comparable resolution, dynamic range or signal to noise ratio. Conventional signal chains include mic preamplifiers and A to D converters, and these can impart subtle colorations onto what you are trying to record. For us doing symphony work, all we want to hear is the microphone capsule.”

Neumann KH 120: Revealing the Essence of a Unique Instrument:

Following the recording, which took place on a Thursday evening, the recording stems were transported to the Colorado Symphony Hall, where Pappas has a 5.1 mix set up featuring Neumann KH 120 monitors and a Neumann KH 810 subwoofer. “The first thing we listened for was the left-right-center stereo channels to confirm all our mic placements,” recalls Pappas. “Once we knew we had that right, we added the rear channels to the mix to provide ambience.”

Pappas favors the KH 120s because of their revealing quality and dynamic response. “They are just spectacular,” he says. “What you hear is what you actually get on the mix, and it all translates. There are never any nasty surprises.” “The integration of the KH 810 subwoofer has been spectacular,” he adds. “It doesn’t call attention to itself, yet fills in exactly what you want. We never worry about how much low end is going into the mix.”

The exquisite recording of the Platt Rogers Pipe Organ is being prepared for a summer release on Chesky Records. To learn more about Neumann digital microphones, please visit http://www.neumann.com.

About Neumann:

Georg Neumann GmbH, with its headquarters in Berlin, Germany, is well-known as one of the world’s leading manufacturers of microphones. The company, which was established in 1928, has a long track record of world-leading product designs and has been recognized with a string of international awards for its technology innovations. From 2010, Neumann offers this expertise in electro-acoustic transducer technologies to the studio monitoring market, and will provide optimum solutions to its customers in the areas of TV and radio broadcasting, recording, and audio productions. Neumann is now the perfect partner for both the input and the output of the audio signal path. Neumann has manufacturing facilities in Germany (microphones) and Ireland (loudspeakers), and is represented in over 50 countries worldwide by Sennheiser subsidiaries, as well as by long-term trading partners. Georg Neumann GmbH is a Sennheiser Group company.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Photo captions:
1) Michael Hey sits at the Platt Rogers pipe organ at Denver’s St. John’s Cathedral.

2) Neumann KM 133Ds capture the Platt Rogers pipe organ at Denver’s St. John’s Cathedral.

Photographs provided by Mike Pappas

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Antelope Audio Announces Zen Studio, the First Portable Audio Interface with 20 Analog Inputs, 12 Mic Preamps and DSP effects

Zen Studio, featuring 38 simultaneous input and 32 output channels in a sleek, easy to carry ergonomic box, to be first seen at Musikmesse, hall 5.1, booth C60

Frankfurt, Germany, March 12, 2014: Leading professional audio gear manufacturer Antelope Audio introduces Zen Studio, a professional, portable audio interface with the most competitive analog and digital connectivity. The 12 world-class mic pres, Antelope’s signature clocking, the on-board DSP effects with multiple monitor mixers and the proprietary low-latency USB connectivity make Zen a world-class mobile recording system, that can fit easily inside a backpack or gear bag. Zen Studio is designed to meet the needs of the modern day producer or engineer on-the-go, as well as location sound engineers, sound designers, independent bands and musicians in search of greater sound quality and flexibility.

Supreme sound:
Antelope Audio Acoustically Focused Clocking guarantees the most authentic analog sounding A/D & D/A conversion on the market. Antelope’s clocking and conversion along with the custom USB technology implemented in Zen are identical to the ones in the top-selling 32-channel Orion interface which is a centerpiece in the playback rigs for artists such as Rihanna, Jay-Z and Justin Timberlake, and inside the mixing and mastering studios of engineers like Eric Sarafin (aka Mixerman), Brian Vibberts, Howie Wienberg or electronic music producers like Robert Babicz and Dusty Kid.

Power and flexibility:
In addition to proven sound quality, Zen Studio offers an extremely powerful DSP, based on a custom FPGA device with massive parallel processing capabilities. The proprietary FPGA makes the DSP chip in Zen Studio eight times more powerful than the ones used in similar devices. This allows fast and easy simultaneous processing of multiple effects, enhancing the workflow like no other device on the market.

Unique versatility:
All audio I/O is available simultaneously for a total of 38 possible input and 32 output channels, plus 24 simultaneous I/O channels via custom USB. Users can create up to four independent zero-latency mixes assignable to any outputs, including the two independent headphone outputs and monitor outputs. The unit is fully controllable using an intuitive desktop application on both PC and Mac, offering flexible signal routing and DSP-based effects alongside custom presets.

Zen Studio is a versatile stand-alone device as well as a perfect companion to Orion32. Zen was born out of the need for a studio-quality portable solution that can easily be taken with you, while your main interface remains in the rack. Zen Studio is based on proven technologies used in Orion32. Whereas the rack-mountable Orion32 stands out with its MADI connectivity and unmatched channel count available over USB, Zen Studio delivers a breakthrough number of mic pres and DI instrument inputs for a mobile-sized interface, along with exceptional monitoring and tracking DSP capabilities to be used on-the-go.

Zen studio is planned to start shipping by the end of Q2 2014 with a prospected price of $2,495.

Connectivity:

• 12 Class A mic preamps, with phantom power
• 8 mic/line inputs
• 4 mic/line/instrument inputs
• 2 Independently assignable headphone outputs
• 2 DSUB-25 connector (8 channels I/O)
• 1 Stereo monitor out
• 4 ADAT connectors (up to 16 channels I/O)
• 2 SPDIF RCA connectors (I/O)
• 2 Inserts over TRS
• 2 Word Clock BNC connectors (I/O)
• 1 Low-latency high-bandwidth USB 2.0

About Antelope Audio:

Antelope Audio is a leading manufacturer of master clocks, A/D & D/A converters and the pioneer in the adoption of Atomic clock generators.

The company utilizes Igor Levin’s more than 20 years’ experience in digital audio to develop professional and consumer high-end products with the signature Antelope Audio sound. The company employs proprietary clocking and jitter management technologies as well as custom-designed circuits to provide both professional audio engineers and music aficionados with unprecedented musicality, sound stage and clarity.

Antelope is the first to design a 32-channel AD/DA USB audio interface and extremely precise master clock in only 1U. Orion32 is a breakthrough technology, offering both studio and live-recording audio engineers great productivity and flexibility.

The company’s customers include many Grammy award-winning sound engineers and some of the most renowned recording, mastering and post-production facilities around the globe.

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GeerFab Acoustics Chosen by NAMM to Provide Acoustic Treatment for Technical Excellence and Creativity (TEC) Awards

Custom MultiZorber Solution Brings Sonic Consistency and Even FrequencyResponse During Winter NAMM Week, Including 29th Annual TEC Awards

Anaheim, Calif. – March 11, 2014 – GeerFab Acoustics announced its was chosen by NAMM, the National Association of Music Merchants, to provide temporary acoustic treatment to the Anaheim Hilton’s Pacific Ballroom during the 2014 NAMM Show held in Anaheim, CA be-tween January 23 and 26th. The Pacific Ballroom is host to many key activities during the NAMM Show, including important industry events such as the TEC Awards, the Breakfast of Champions, the NAMM Best in Show Awards and others.

This year, the 2014 NAMM Show drew no less than 96,129 industry registrants, making it one of the most important global music industry events. For the fourth year in a row, the Pacific Ball-room, which has a capacity of roughly 1,200, was chosen as the host venue for the TEC Awards. While the space worked for conference events and seminars, the room presented massive acous-tic challenges for a high profile award show featuring live music and attended by the music indus-try’s elite sound engineers, producers and audio product manufacturers.

“The pre-treated room was a sonic mess,” recalls Eric Geer, president and founder of GeerFab Acoustics. “The overabundance of reflective surfaces and a parabolic concave structure that spanned the entire perimeter created a chaotic and uncontrollable acoustic environment.This was marked by out of control mid and high frequencies and excessive bass build up. During the TEC Awards, the room posed enormous intelligibility issues for performing artists, mix engineers and of course the audience.”

“The biggest acoustic problem was the parabolic concave surface which was about 4′ high and several feet deep. This structure disrupted the response of the room, essentially functioning as a slingshot that rocketed unwanted frequencies directly back to the audience,” Geer continued.

Last summer at a NAMM executive meeting, the acoustics of the room became a primary agenda item. “We knew we had to increase the audio intelligibility in The Pacific Ballroom,” says Pete Johnston, supervising producer & technical director of special events at NAMM. “When it came to the TEC Awards, it was an issue of credibility since we were giving out awards to sound engi-neers, producers and product manufacturers. We wanted to get it right and there was no room for compromise.”

Soon after the summer meeting and after consulting with several high profile acoustic designers, NAMM contacted Eric Geer of GeerFab Acoustics to implement an all-encompassing solution that would yield greater sonic accuracy and intelligibility for events held in the Pacific Ballroom during the entire 2014 NAMM Show, especially the 29th Annual TEC Awards.

On the weekend before NAMM week, GeerFab and Freeman, the convention services company that has been supporting NAMM since the 1960s, proceeded to install a temporary, re-usable solution consisting of (200) custom GeerFab MultiZorber panels, each measuring approximately 4′ x 9-1/2′ and consisting of lightweight, acoustically absorbent substrate material wrapped in a black fabric. These panels were strategically mounted on rigging points throughout the venue, suspended approximately a foot off the wall around the entire upper perimeter of the room, which measures roughly 30,000 square feet with a 21’ ceiling. The panels effectively concealed the concave surfaces while creating more even acoustic dispersion across the entire frequency range while also acting as a gigantic, continuous bass trap.

In addition to the room perimeter, Geer also installed a ‘acoustic hat’ above the stage, consisting of (40) 4′ x 8′ MultiZorber panels. This effectively reduced stage noise and eliminated unwanted reflections from drums, amplifiers and other instruments — enhancing overall monitoring accuracy while reducing the potential for on-stage feedback. With the “hat”, the entire installation com-prised over 8,000 square feet of MultiZorbers.

“Before the room was treated by GeerFab, it sounded horrible. There is a section of the wall that has the effect of a parabolic dish,” commented Scott Rodgers, front of house engineer for the TEC Awards. “After the MultiZorber panels were installed, it made a huge difference and the sound of the whole room tightened up significantly.”

“We ran the PA system between 98 and 105 dB and the sound was remarkably clear,” he contin-ued. “I didn’t have to touch the EQ to correct the room and by the end of the evening I had abso-lutely no ear fatigue.”

Now that the MultiZorber solution was successfully implemented in the Pacific Ballroom for the 29th Annual TEC Awards, Johnston says they are now considering a similar solution to provide acoustic treatment during Summer NAMM 2014. “We love the fact that the MultiZorbers are reus-able,” says Johnston. “Bringing great audio to our events increases the credibility of our brand while enhancing the overall experience of those attending our events.”

About NAMM:

The National Association of Music Merchants (NAMM) is the not-for-profit association with a mis-sion to strengthen the $17 billion music products industry and promote the pleasures and benefits of making music. NAMM’s activities and programs are designed to promote music making to peo-ple of all ages. NAMM is comprised of approximately 9,000 Member companies located in more than 87 countries. For more information about NAMM or the proven benefits of making music, interested parties can visit www.namm.org, call 800.767.NAMM (6266) or follow the organization on Facebook, Twitter and YouTube.

About GeerFab Acoustics:

GeerFab Acoustics manufactures and implements acoustic solutions for a wide range of clients in entertainment, restaurant, hospitality, healthcare and other industries. The company provides complete custom design and installation services and is the manufacturer of the innovative prod-uct line RoomZorbers, which includes the MultiZorber The company is based in Milwaukee, WI and was founded by Eric Geer. To learn more, visit www.geerfab.com.

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Sennheiser launches new training offensive – more RF Experts to support customer projects in future

Old Lyme, CT, March 11, 2014: The Sennheiser Sound Academy has begun a new RF Expert course. From February to September 2014, 23 wireless professionals from the worldwide Sennheiser organisation will be further trained to become RF experts, supporting their customers in the planning and execution of large events involving wireless technology. The first on-site training session took place from 24 to 28 February in Wedemark.

Extensive wireless microphone systems with several dozens of channels are now a matter of course at cultural and sports events, TV shows and large concert tours. At the same time, the complexity of the production environment is constantly increasing: in addition to the microphones for the artists and presenters, more and more channels are required for production staff to communicate and control the equipment as well as for the media reporting on an event. To make matters worse, the frequency spectrum that is available for wireless microphones is shrinking.

It is precisely these situations that are the specialist field of RF experts, who know how to make use of all technical possibilities to make complex projects with wireless systems a success. “Therefore, the course teaches extensive knowledge of the theory and practice of wireless microphone systems and antenna installations,” explained Kirsten Wessendorf, Manager Sennheiser Sound Academy. “Also, the production team at big events is very international, with many different groups of professionals working together. For that reason, intercultural training is a fixed part of the expert course.”

The 23 participants in the course come from 14 countries and, following the on-site week at the company’s headquarters, they will continue to be coached by experienced local tutors in their region. Two further on-site training sessions will round off the RF Expert training programme before it finishes in September. One of the successful projects involving RF experts who have already completed the course was, for example, the last Eurovision Song Contest.

Visit Sennheiser at prolight+sound in Hall 8, Stand A 70.

The Sennheiser Group, with its headquarters in Wedemark near Hanover, Germany, is one of the world’s leading manufacturers of microphones, headphones and wireless transmission systems. In 2012 the family company, which was founded in 1945, achieved a turnover of around 584 million euros. Sennheiser employs more than 2,300 people worldwide, and has manufacturing plants in Germany, Ireland and the USA. The company is represented worldwide by subsidiaries in France, Great Britain, Belgium, the Netherlands, Switzerland and Liechtenstein, Germany, Denmark (Nordic), Russia, Hong Kong, India, Singapore, Japan, China, Australia and New Zealand, Canada, Mexico and the USA, as well as by long-term trading partners in many other countries. Also part of the Sennheiser Group are Georg Neumann GmbH, Berlin (studio microphones and monitor loudspeakers), and the joint venture Sennheiser Communications A/S (headsets for PCs, offices and call centres).

You can find all the latest information on Sennheiser by visiting our website at www.sennheiserusa.com.

Captions:
1: 23 Sennheiser participants from 14 countries have enrolled in the RF Expert course

2: One of the focal points of the training programme is the Digital 9000 wireless microphone system

3: The RF Expert course offers extensive knowledge of the theory and practice of RF wireless transmission and also includes intercultural training

(Photo credit: Karsten Koch)

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Attention Music Lovers and Content Creators: Sennheiser Announces Spring Rebate on Select Headphones, Microphones and Wireless Systems

From Now Until April 30th, Customers Can Attain Bonus Savings of Up to $100 On Select Wireless Systems and Up to $50 on Select Headphones and Microphones

Old Lyme, CT, March 10, 2014: Just in time for spring, audio specialist Sennheiser announced a new rebate promotion in which consumers get up to $100 cash back on select wireless systems and $50 cash back on select microphones and headphones purchased at an authorized Sennheiser dealer. Customers can learn more and take advantage of the promotion by visiting http://en-us.sennheiser.com/rebate.

Rebates are valid on select Sennheiser HD series headphones; evolution, MD and MK series microphones; and XSW and EW series wireless systems purchased from an authorized U.S. Sennheiser dealer between now and April 30th, 2014. Following are rebate values for the various products that are included:

Headphones:

• HD 280 PRO: $10
• HD 380 PRO: $20
• HD6 MIX: $30
• HD7 DJ: $30
• HD8 DJ: $40
• HD 600: $40
• HD 650: $50

Microphones:

• e 604: $10
• e 609: $10
• e 835: $10
• e 602-II: $20
• e 614: $20
• e 935: $20
• THREE PACK e 835: $20
• THREE PACK e 604: $30
• MK 4: $30
• MD 421-II: $40
• e 914: $40
• e 965: $50

Wireless Systems:

• XSW 12: $40
• XSW 35: $40
• XSW 72: $40
• EW 112P G3: $50
• EW 122P G3: $50
• EW 135P G3: $50
• EW 100 ENG: $75
• EW 300 IEM: $75
• EW 300-2 IEM: $100

To receive a rebate on eligible products, customers will need to mail the following to Sennheiser following their purchase (postmarked no later than May 31, 2014):

• A completed rebate form, which can be downloaded from the Sennheiser website at: http://en-us.sennheiser.com/rebate.
• The original UPC and EAN code, cut from the box (no photocopies will be accepted)
• A copy of the sales receipt, dated between March 1, 2014 and April 30, 2014, from an authorized Sennheiser dealer for a product listed above.

All rebates must be postmarked no later than May 31, 2014. For more information, please visit http://www.sennheiserusa.com.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Connecticut. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

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Attention Music Lovers and Content Creators: Sennheiser Announces Spring Rebate on Select Headphones, Microphones and Wireless Systems

From Now Until April 30th, Customers Can Attain Bonus Savings of Up to $100 On Select Wireless Systems and Up to $50 on Select Headphones and Microphones

Old Lyme, CT, March 10, 2014: Just in time for spring, audio specialist Sennheiser announced a new rebate promotion in which consumers get up to $100 cash back on select wireless systems and $50 cash back on select microphones and headphones purchased at an authorized Sennheiser dealer. Customers can learn more and take advantage of the promotion by visiting http://en-us.sennheiser.com/rebate.

Rebates are valid on select Sennheiser HD series headphones; evolution, MD and MK series microphones; and XSW and EW series wireless systems purchased from an authorized U.S. Sennheiser dealer between now and April 30th, 2014. Following are rebate values for the various products that are included:

Headphones:

• HD 280 PRO: $10
• HD 380 PRO: $20
• HD6 MIX: $30
• HD7 DJ: $30
• HD8 DJ: $40
• HD 600: $40
• HD 650: $50

Microphones:

• e 604: $10
• e 609: $10
• e 835: $10
• e 602-II: $20
• e 614: $20
• e 935: $20
• THREE PACK e 835: $20
• THREE PACK e 604: $30
• MK 4: $30
• MD 421-II: $40
• e 914: $40
• e 965: $50

Wireless Systems:

• XSW 12: $40
• XSW 35: $40
• XSW 72: $40
• EW 112P G3: $50
• EW 122P G3: $50
• EW 135P G3: $50
• EW 100 ENG: $75
• EW 300 IEM: $75
• EW 300-2 IEM: $100

To receive a rebate on eligible products, customers will need to mail the following to Sennheiser following their purchase (postmarked no later than May 31, 2014):

• A completed rebate form, which can be downloaded from the Sennheiser website at: http://en-us.sennheiser.com/rebate.
• The original UPC and EAN code, cut from the box (no photocopies will be accepted)
• A copy of the sales receipt, dated between March 1, 2014 and April 30, 2014, from an authorized Sennheiser dealer for a product listed above.

All rebates must be postmarked no later than May 31, 2014. For more information, please visit http://www.sennheiserusa.com.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Connecticut. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

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Dallas’ First United Methodist Church Looks to K-array Loudspeakers for System Redesign, Citing Impressive ‘Performance to Size Ratio’

K-array Speaker Installation at Historic Dallas Church Increases Intelligibility Without Detracting From Classic Interior of Landmark Architectural Design

Dallas, TX, March 3, 2014: Audio specialist Sennheiser announced that First United Methodist Church (FirstChurch), a landmark of downtown Dallas for over 165 years, recently replaced its sound reinforcement system with K-array Installation series components. The new system, which consists of (10) custom color KP102 line array elements, (2) KK52 line array elements, (2) KMT18P passive subwoofers, (4) KA40 amplifiers and (12) custom color K-array KT22 Tornado 2-inch point source compact speakers, was designed by Dallas-based Wrightson, Johnson, Haddon & Williams, Inc. (WJHW) and installed by Electro Acoustics, Inc. of Fort Worth.

With a rich music program, congregational activities and two worship services each Sunday for roughly 1,000 congregants, FirstChurch sought to replace its existing sound system with a more current, innovative solution that could deliver greater intelligibility for both music and the spoken word. The K-array’s small footprint and no-compromise audio quality made it perfectly suited for the system redesign.

Jim Burdette of WJHW handled the overall project design, which had to be sensitive to both the architectural and acoustic requirements of the interior structure: “This was a large, high ceiling space with challenging acoustics,” he says. “The existing cluster was quite a ways up and was not able to deliver the pattern control or throw that we can now achieve with modern technology. So we looked at options and eventually decided on K-array.”

Since FirstChurch is a historic and an architecturally ornate structure, getting the aesthetics just right was of paramount importance as was the overall sound quality. “Part of the criteria and design directive was to move towards a low-profile column array like the K-array,” Burdette says. “We also wanted to have greater control over the sound dispersion while reducing any gain before feedback issues.” Burdette arranged to have the K-array KP102 line arrays brought in for a scaled demo at the church. “In use, we just loved the concept — the performance to size ratio was very impressive,” recalls Chris Jordan, president of Electro Acoustics.”

The installation itself involved a split array of the KP102s: an upper module consisting of three units, and a lower module of one unit. They were mounted at the proscenium line on the front face of the wall, with the lower array positioned approximately 6′ off the main floor directed at the main floor, and the upper array positioned approximately 21′ off the main floor and pointed towards the church’s balcony. “The precision of the KP102s afforded us the ability to throw deep into the room while staying close to structure and unobtrusive,” Burdette explains. “As well, we were able to position the speakers so they could disappear among the moldings.

In addition to the primary line array speakers for the main seating areas, Burdette also specified (12) KT22 point source compact speakers to reinforce audio directly beneath the balcony. “There were some old conventional style speakers there that they were going to reuse, but I recommended switching to the K-arrays because it was much less visually intrusive,” Burdette says. “From an audio perspective, this increases intelligibility for congregants seated under the balcony.”

In the choir loft, a pair of K-array KK52 line array speakers was mounted. “The choir wanted a little more presence and even coverage,” explains Chris Jordan. “That made it perfect, and now the choir members could not be more delighted.” The overall system was rounded out with a pair of K-array KMT18P ultra-light subwoofers, which were mounted into existing soffits within the structure: “The client didn’t want us to cut into any of the existing structure, so we found old speaker cutouts in the proscenium walls,” says Burdette. “We opened these back up, put grille cloth in front of them and mounted them. This turned out really well for the architecture.”

Since completing the installation, feedback has been resoundingly favorable among the congregation. “The church likes how the new loudspeaker system is performing,” reports Burdette. “Both speech intelligibility and music clarity have increased, and the K-array solution played an integral role in achieving this.”

Wrightson, Johnson, Haddon & Williams:

Wrightson, Johnson, Haddon & Williams, Inc. is a consulting firm offering state-of-the-art design services in sound systems, audio visual, scoreboard & video displays, broadcast provisions & video production, acoustics & noise control, theatre planning, lighting & rigging, distributed TV & satellite, video surveillance & access control, and tel/data structured cabling. Our strengths lie in the combined talents of principals and employees, our diverse technical and business skills, and experience accrued over the years from hundreds of successfully completed projects.

K-array:

The incredibly thin and lightweight K-array loudspeakers are manufactured in Italy and distributed in the U.S. and Canada exclusively by Sennheiser. Despite their small size, K-array speakers deliver impressive power and sound quality for small, medium and large-scale applications, including touring, special events, installed sound and broadcast. For more information, please visit www.k-array.com.

Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences. For more information, please visit www.sennheiserusa.com.

Captions:
1. The K-array KP102 line array elements were mounted at the proscenium line at the front of the sanctuary.
2. K-array KT22 Tornado 2-inch point source compact speakers were placed underneath the balcony, providing enhanced audio intelligibility.
3. The K-array system was unobtrusive to the overall aesthetics and architectural splendor of FUMC.

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Sennheiser’s K-Array Anakonda Loudspeaker Brings Extraordinary Sound and Flexibility to Musical Instrument Museum (MIM) Music Theater

Anakonda is the Perfect Front-Fill Solution for 300-Seat Music Theater That Features Diverse Artistic Performances and Exquisite Acoustics

Phoenix, AZ, February 26, 2014: Phoenix’ Musical Instrument Museum (MIM) is home to nearly 15,000 instruments and objects from all over the world, providing a unique museum experience for guests of all ages. The museum features an exquisite, 300-seat music theater that features performances from a diverse range of artists — including well known, nationally touring musical acts as well as traditional and eclectic acts from every corner of the globe. Designed and constructed as an intimate, world-class concert hall offering comfortable seating and state of the art acoustics, the theater hosted 193 concerts last year and recently was the first venue in Arizona to install the new K-array Anakonda speaker solution from Sennheiser.

The K-array Anakonda speaker system was installed directly across the edge of the stage as a front fill solution, providing greater definition and sonic clarity to the first several rows. The new installation helps the theater deliver an unparalleled listening experience for all its patrons no matter where they are seated, ensuring even sound dispersion and intelligibility.

“Our former front fills were point source, mounted just below the stage,” comments Ted Greenbaum, music theater manager. “There wasn’t even coverage and these were in the more expensive seats. So when Jerry Delgado of Sennheiser brought the Anakonda in for us to test, it was phenomenal.” “Our main PA system is built into the shell and each side is pretty far away from the center of the audience and in the first couple of rows intelligibility and imaging is an issue,” explains Jim Zick, technical manager for the Theater. “When Sennheiser brought in the Anakonda, which sounded great and was aesthetically attractive, I thought it would be a perfect solution to set this up right across the front of the stage.”

Six Anakonda loudspeakers were daisy chained at the edge of the stage and powered by a single K-array KA40 amplifier complete with DSP control. The system made its debut one evening as renowned country singer/songwriter Suzy Bogguss sang for 300 enthralled fans. “It was phenomenal,” Greenbaum recalls. “After that night, we got several emails from audience members saying it was the best sound they ever heard. Before, the front fill was lacking and the Anakonda really came through as a great solution — it was the final piece to the puzzle.”

Anakonda: Astounding intelligibility, flexibility:

In addition to theaters, the Anakonda is a perfect solution for a range of indoor or outdoors installations. Since each speaker element is bendable, the Anakonda can be wrapped around poles, columns, or mounted to curved or otherwise uneven surfaces. Speakers are available in 6′ lengths, and up to 16 combined elements can be linked and powered from a KA40 amplifier using the Anakonda’s integrated NL4 connectors. The speaker’s dedicated presets support a variety of configurations, including both standalone and combination use with K-array KMT Series subwoofers.

The Anakonda, which is priced at $859.95, is available exclusively in the U.S. through authorized Sennheiser dealers.

About Sennheiser:

Sennheiser is a world-leading manufacturer of microphones, headphones and wireless transmission systems. Established in 1945 in Wedemark, Germany, Sennheiser is now a global brand represented in 60 countries around the world with U.S. headquarters in Old Lyme, Conn. Sennheiser’s pioneering excellence in technology has rewarded the company with numerous awards and accolades including an Emmy, a Grammy, and the Scientific and Engineering Award of the Academy of Motion Picture Arts and Sciences.

You can find all the latest information on Sennheiser by visiting our website at http://www.sennheiserusa.com.

Photo captions:

1) The K-array Anakonda solution was installed at the Musical Instrument Museum theater as a solution to provide increased intelligibility.

2) Six K-array Anakondas were daisy chained at the front edge of the stage, providing a great sounding and aesthetically attractive solution.

3) From the rear of the theater, the Anakonda is barely visible on the front part of the stage.

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