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EAI Brings Martin Audio MLA To Singapore

As its global reputation continues to accelerate, the penetration of Martin Audio’s award-winning MLA multi-cellular loudspeaker into new territories increases unabated.

This is no better illustrated than in the Far East, where Singapore-based EXPO AV-INSYNC PTE (EAI) has just significantly boosted an inventory that also includes a Martin Audio W8LM Mini Line Array by purchasing the country’s first MLA System 36 from local distributors Swee Lee.

EAI Managing Director, Gerard Rodrigues, said he was proud to be the country’s first investor in the groundbreaking system. Speaking of the acquisition, he said, “We wanted a larger format, steerable array system to add on to our inventory and it needed to represent a significant upgrade. The other main reason is that the next four upcoming gigs are all rider specific.”

He says the latest purchase continues a rich legacy that began with the older Martin Audio Wavefront W3/WS2 range. “We wanted to be the first company to own MLA, but in any case, after a year’s worth of research for a new line array, this system came out top in terms of sound quality, output, ease of use and what engineers wanted most.”

EAI had first heard about the MLA system back in late 2012. “We deliberated this to ensure we had concert and corporate clients who would love it and specify it for their events. And although we had not heard it live at the time, I can’t remember the last time Martin Audio built a bad box, whether loudspeakers or line arrays.”

Rodrigues and his Technical Director Desmond Zuzarte quickly discovered that MLA’s ease of use, the output it delivers from just a 12” enclosure, and the steerability and tailored control for each different venue made this a unique proposition.

“Chris Pyne, [Martin Audio APAC Technical & Training Support] gave us the added assurance that of the three brands we were reviewing this was by far the best. We then met Simon Bull (Martin Audio Director of Sales) and Andy Duffield (APAC Account Manager) — and the rest was history.”

After intensive training in late July, hosted by their venue partners Singapore Expo & Max Atria and conducted by Pyne, the system will debut later this summer at the Singapore Expo Hall 1 in front of 6,000 people for a talent show.

Martin Audio's Chris Pyne Conducts MLA Seminar

Summing up, Rodrigues, says, “Our sound engineers are just very excited about this acquisition. From a sales point of view, the MLA speaks for itself. Aside from its output, the other big advantage is its weight — here in Singapore, we needed a system that could deliver huge sound output, while maintaining a certain weight load restriction in many venues.

“Looking at how the system is selling in Japan alone, it is a choice of all concert organizers and technical directors for large scale events.”

Gerard Rodrigues says he is looking forward with relish to promoting MLA as the first system in Singapore and will be inviting key clients and concert organizers to hear it.

Meanwhile, the adventure is just beginning as EAI are already in talks with Swee Lee about adding an MLA Compact system.

Photos: The Expo AV team; Martin Audio’s Chris Pyne conducts MLA seminar

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

ISI Supports Sammy Hagar With Martin Audio W8LC System

St. Louis––Ironman Sound Industries recently supported a sold-out Sammy Hagar concert in the Maryland Heights Verizon Wireless Amphitheatre with a Martin Audio W8LC speaker system.

According to ISI President Bob Horner who served as Production Manager for the ISI team during the show, “Hagar was doing a five week tour with ten dates including smaller venues and sheds and they were only carrying stage gear and video, so we supplied them with racks and stacks and a full lighting package.

“For the PA, we had our Martin Audio rig with 32 W8LCs for the main hang, 24 W8LMs for outfill, 4 W8LMDs for frontfill and 24 WSX subs. We’d played the venue before,” Bob adds, “so there were no major challenges besides making sure everything was hung correctly and properly EQ’d.”

The show, billed as A Journey Through the History of Rock, featured Hagar perennials from the Montrose, Van Halen and Chickenfoot eras along with Zeppelin covers such as “Good Times Bad Times,” “When the Levee Breaks,” “Whole Lotta Love” and “Rock and Roll.” Fittingly, Sammy was supported by Michael Anthony on bass, Jason Bonham on drums and guitarist Vic Johnson from Waboritas.

Asked about the concert, Horner says, “It was one of the best shows I saw this year. St. Louis is an FM friendly town so Sammy is a pretty big deal and he really put his heart and soul into each song. I loved the sound for the show, Sammy’s FOH engineer Tony Luna, who’s mixed KISS and Aerosmith among others, was super happy with the system, and Jerry Harvey of JH Audio who used to mix Van Halen, thought the rig sounded great as well.

“We really appreciate the Martin Audio system because it’s solid, sounds great, and is really reliable. It definitely helps us get a lot of work because we’re known for the Martin Audio system in St. Louis. A lot of the current stories are about MLA, which is awesome,” Bob continues, “because the impact MLA is having really helps make more people aware of Martin Audio and the W8LC system.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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Middle Atlantic Debuts Low Profile, Safety Certified Display Solutions

Fairfield, NJ––The new FlexView™ Series from Middle Atlantic provides AV integrators with display solutions that offer unmatched strength, mounting flexibility, aesthetics and user friendliness. A collection of display stands and carts ideal for corporate, hospitality and education environments, FlexView models feature a slim profile, contemporary design aesthetic and safety certification, offering hallmark Middle Atlantic strength and durability.

FlexView solutions feature the lowest profile display mount in the industry as well as a smaller base for unimpeded, up close display interaction. In addition, it enables mounting of larger displays than competitively-priced solutions currently available in the market, including most 90” screens with VESA 800 mounting or smaller.

Models are available with electric or manual display height adjustment for options in ergonomics and flexibility. FlexView solutions are also available in stationary or mobile configurations with rugged casters that provide long-lasting use and seamless maneuverability, even when wheeling over door thresholds.

FlexView options enable integrators to do more within a slim profile with features like the Lever Lock™ system for small component mounting and a locking easy-access door for quick maintenance. All carts and stands are integrator and end-user friendly with storage where it’s needed and useful options and accessories to provide more flexibility in customizing the solution to the application.

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

Delicate Teams With Martin Audio MLA For Latin Radio Concert

Delicate Productions recently provided a Martin Audio MLA system for the Reventon Super Estrella 2014 concert at the Staples Arena in Los Angeles.

Put on by L.A.’s leading Latin FM radio station La Super Estrella 107.1, the show featured an impressive lineup of artists including La Santa Cecilia, La Union, Fobia, Roco Pachukote, Bunbury, La Ley, Caifanes and Victimas for a capacity crowd of over 18,000.

Asked about the show, Delicate Production Manager Meegan Holmes explained, “Our challenge with any concert style event in an arena is integrating our PA hangs with the lighting truss and the flown LED elements. We worked closely with the LED vendor Global Trends to ensure the best positioning of the PA versus the LED wall. The walls were all solid, so our concern was areas of the audience that would be affected in terms of being able to hear the audio. We took care to lay out our PA points so we could get past the LED but still not block the view of the screen.

“Staples Center is taller than the average arena,” Meegan continued. “The back wall has decorative metal above the top level of seating. The MLA’s versatility and output control enabled us to get to the last row without hitting that highly reflective metal.”

The system Delicate rigged for the show included 28 Martin Audio MLA and 4 MLD (downfill) for the main hangs; 16 MLA Compact for outer fills; 16 MLA Mini under 4 MSX power plant/subwoofers for sidefills, and 12 MLX subs. Other elements included Avid Profile consoles for Front of House, a DiGiCo SD11 as production console and a Yamaha DME matrix for system control.

In addition to Holmes, the Delicate crew was made up of Brennan Houser (System Engineer), Craig Robertson and Tony Luna (FOH Technicians), George Squiers and Mark Ramos (Monitor Technicians), and Russ Cunningham and Billy Flores (Stage Technicians).

Asked about reactions to the sound system, Meegan explained, “Each band in the show seemed a little louder than the previous and the PA kept up without issue. All eight engineers had fun mixing on the system, which resulted in great sounding shows. They all commented on how they were able to get so much power from so few MLX subs and how efficient they are.

“Our client came to me after the show amazed at how the rig sounded the same everywhere, how smooth and even the MLA sounds.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Slamhammer and Martin Audio Step Up At All-Star Game Concert

Minneapolis, MN––The Target All-Star Concert was held at the TCF Bank Stadium on the University of Minnesota campus a few days before the 2014 Major League Baseball All-Star game.

Slamhammer Productions provided audio, staging and video for the sold-out show that featured Grammy Award winner Imagine Dragons and local hip-hop phenomenon Atmosphere playing to an enthusiastic crowd of over 30,000.

To get the depth and impact of coverage required, Slamhammer set up a Martin Audio loudspeaker system consisting of 16 W8LCs a side for the main hangs; 10 (stage right) and 14 W8LCs a side as outfill; a hang of 2 W8LMDs as center downfill; 4 W8LMs across the front lip of the stage for additional front fill, and 40 WSX subs ground-stacked in front of the stage. Two delay towers with 12 W8LM speakers each were set up 175 feet back in the audience.

Even though Slamhammer had done three smaller shows at TCF Bank Stadium, there were still particular challenges given the size and high profile nature of the event.

According to company President Peter Skujins, “We were faced with long throws of over 400 feet and were limited in terms of rigging capacity. The mobile stage we were using is a beautiful structure with a huge total capacity, but you eat that up pretty quick with multiple hangs weighing over 6400 lbs on the roof. We were also concerned about having a major sightline problem with the delay towers because it was a seated house.

“Fortunately, these all turned out to be non-issues because the W8LM is a very compact box and the Martin Audio system did what it’s supposed to do. It sounded great and everyone was really happy with the coverage and audio quality, including our client Major League Baseball who called the concert ‘a huge success.’”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Martin Audio Appoints New Managing Director

Luke Ireland

Martin Audio has appointed Luke Ireland as its new Managing Director, effective immediately.

An experienced business leader for a number of global businesses with a passion for technology and music, Ireland’s mission will be to lead Martin Audio and ensure its success in the future by developing reliable business structure and scalable process capabilities to increase the velocity of innovation and reliability of supply.

With a Masters in Business Administration and a 24-year career spanning multiple sectors of technology, IT and media, Luke is well versed in product development, manufacturing excellence, sales and marketing. He believes that building exceptional client relationships is the only way to achieve success.

On his appointment, Ireland remarked, “Excited would be an understatement. Martin Audio has enjoyed a period of great success that I witnessed first hand at this year’s Glastonbury Festival. They have tremendously exciting products that make a real difference to this industry. Having the opportunity to join such a business and lead it to achieve its true potential is very motivating.”

Simon Bull, International Sales Director, added “All my fellow directors were very impressed with Luke’s energy and vision for the company, and we were unanimous in his selection from a distinguished line up. We look forward to working with Luke to set Martin Audio on a very bright future, and I know he will hit the ground running.”

Summing up, Mark Graham, CEO of Loud Technologies, said, “I am very pleased to announce the appointment of Luke Ireland to the Position of Managing Director, Martin Audio. Luke brings a compelling package of experience and dynamic leadership that will contribute powerfully to Martin Audio’s continued success and make it an ever more reliable business partner.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Martin Audio MLA Continues Hyde Park Sound Evolution At BST

Proving last year that London’s controversial Hyde Park festival site could be uniquely protected from noise leakage into the surrounding neighborhood by deploying Martin Audio’s award-winning MLA technology, promoters AEG Live adopted a similar solution for this year’s Barclaycard presents British Summer Time Hyde Park festival—but with significant enhancements.

While Capital Sound again deployed MLA and MLA Compact to guarantee coherent site coverage, Martin Audio’s R&D Director Jason Baird, was determined that new optimizations would enable them to eke out as much as an additional 3dB at front-of-house without increasing offsite pollution.

As a result, 102dB(A) was achieved for McBusted, with 73dB(A) recorded offsite, comfortably within the maximum allowable of 75dB(A), while both Tom Jones (during his louder numbers) and Black Sabbath nudged 103dB(A).

Baird explained that the journey to accomplish this had begun three months earlier; with the concept tested and proven on the Glastonbury Festival delay rig the week before.

“We conducted the propagation tests based on what we learned last time around,” he said. One of the key offsite measurement points identified by both Westminster Council and acoustics specialists Vanguardia at Hyde Park was on top of flats in Mayfair’s nearby Upper Brook Street. “When I visited the property last year, I was able to look at the complete spectrum of the signal,” says Baird. “You could hear there was only LF and low mid that was contributing to the A-weighted measurements and we realized that if we could reduce that frequency band we could have a better differential.”

And so his R&D team set to work on the optimization routines across the full frequency range to improve the differential between on- and off-site levels without extending latency––and this trial optimization will in time feature in new data firmware. While Baird maintains that testing will remain ongoing he says the success at Glastonbury gave him the confidence to deploy it on additional arrays in Hyde Park including house left side hang and the two delays nearest to Park Lane.

He describes these early tests and the additional increase of around 2-3dB in max FOH levels over the previous year as “encouraging and significant”.

Capital Sound’s Technical Manager and Systems Designer, Ian Colville, confirmed, “It all worked well and there were no issues with the three arrays we used the new optimization algorithm on.”

His site design replicated last year’s when the stage was reoriented through 30° to point it away from sensitive offsite areas, and included 10 delay towers (in two rings of four plus one ring of two). However, there was one exception. “We dropped a delay position [in Ring 3] which didn’t need to be there because the design of the back of the field changed,” he said.

For the main PA, Capital deployed two hangs of 16 x MLA and 1 x MLD Downfill per side, with 12 x MLA and 1 x MLD Downfill for the sidefills. The sub array consisted of 21 x MLX in a broadside cardioid array, with a further 11 enclosures back facing.

The three delay rings comprised between seven and nine MLA element hangs (supported by MLD Downfill and MLX subs). Ring 3 featured eight MLA Compacts. These were set at distances from the stage of 295, 524 and 688 ft. (for the MLA Compacts). Distance from FOH to stage was 165 ft.

Capital and Martin Audio deployed a team of technical heavyweights, including Chris Pyne, who handles Martin Audio product support for SE Asia and has worked closely with Capital since piloting Kylie Minogue’s mix in the 1990s; Capital had Dave Roden babysitting consoles and the accomplished Toby Donovan once again acting as system engineer while Martin Connolly was the account manager.

With FOH engineers no longer worrying about trading offsite noise pollution with audience sound levels, it meant they could really focus on the mix they wanted and at the same time appreciate the musicality of the system.

One visiting sound engineer Chris Madden (working with Little Mix), had nothing but positive comments. “I used the Martin MLA system about two years ago with Jessie J and I enjoyed it then,” he said. “But I think it was even better this time. It’s a very interesting and remarkable piece of equipment …I didn’t EQ it at all at BST and it sounded great.”

Matteo Cifelli, FOH engineer for Tom Jones, who performed on the final Sunday, was equally effusive. “I was very happy with the results we achieved, the mix immediately sounded just as it was conceived,” he says. “This is the sign of a good cabinet, and also of a well tuned system.”

“I was very pleased with the purity and musicality of the cabinet. I also appreciated the consistency in frequency response at different levels. The sound image was among the best I have ever heard on a large system. Even mixing off center, I could hear all the reverbs and details of my mix clearly and the presence and sweetness on the vocals was great, in your face and never harsh.”

( left to right): Martin Audio’s Jason Baird and Chris Pyne; Capital Sound’s Ian Colville

Summing up Jason Baird says, “What FOH engineers want at festivals is plenty of headroom and not to worry about offsite restrictions. Having reduced the low mid and LF spectrum this year, we’ve been able to further ensure this, and that means the power, depth and definition of the system can also really shine too.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Music Students Step Up To CAD Headphones


Understanding the need for professional equipment when learning how to play and record musical instruments and vocals, CAD Audio recently donated a number of MH510 studio headphones to music students in Cincinnati, Ohio.

Aaron O’Keefe, a private music instructor and owner/co-owner of the Loveland, Maineville and Lebanon music academies, describes how his students got involved with CAD.

“Carmen Mark ‘Squiggy’ DiGiacomo of the MAD Consulting Group contacted us about the manufacturer’s tent at the Rock On The Range Festival in Columbus where music product and audio manufacturers demonstrate their products. CAD Audio was one of those companies and they were good enough to donate a number of their professional headphones to our music school programs.”

Aaron’s students typically range from age six to 16 and he personally teaches piano, guitar, voice, drums, bass, double bass, vibraphone, mandolin and ukulele, to name a few. “We’ll usually take a song like ‘Heart Shaped Box’ by Nirvana or ‘Sober’ by Tool,” he explains. “I’ll teach the song individually to my drum, guitar, bass player and voice students, we’ll put them together in a band, rehearse the song, then actually record and videotape the final performance.

“These CAD headphones are going to be used in countless studio recordings, Aaron continues, “because too often, the kids have cheap, walkman-style phones that don’t do the job. The Sessions MH510s are perfect for the studio because they have a closed-back design and there isn’t any bleed through into the microphones, which is really important. Plus the audio quality is exceptional. We’re using them extensively for tracking and overdubs, which is great because they’ll eventually appear in our videos. They’re the best headphones we’ve ever used.”

Knowing that his students’ version of Tool’s “46 and 2” bit.ly/1rbMKFv on YouTube has had well over six million, four hundred thousand views to this point, appearing in their videos has added significance for supporting manufacturers such as Zildjian, Jackson, ESP, Dunlop, Kramer and CAD Audio.

Describing the adventure of taking young music students to a night out at Rock on the Range, Aaron concludes, “Guns ‘N’ Roses was headlining and the kids got to meet members of Killswitch Engage, Asking Alexandria and Matt Pinfield of MTV.

“Taking eight kids to a Metal show was a little stressful because I had a nine, ten and a few fifteen year olds and I didn’t have any other chaperones which was crazy. But it worked out fine, the kids got equipment, met their heroes and the nine year old, Eva, called it ‘the best trip ever.’”

For more information about CAD Audio, please call 800.762.9266 or visit www.cadaudio.com.

MPR System Brings Series Surge Protection to Vertical Power Strips


Fairfield, NJ–– Middle Atlantic is expanding its Modular Power Raceway system to include surge protection capabilities with two exclusive benefits. The introduction of Series Protection™ modules for the MPR Series marks the industry’s first vertical power strip to offer series type non-degrading surge protection and its first fully configurable power solution to do the same.

The new Series Protection™ modules will also provide series type surge protection to all cascading modules in each circuit. A patent-pending technology, Series Protection™ is the fastest-responding series type surge suppression currently available.

The Modular Power Raceway system allows integrators to configure their own ETL-listed vertical power solution using off-the-shelf parts. Integrators now have the option of incorporating reliable surge protection into their custom power design. When installed as the first circuit within the power strip, these modules will extend that series type surge protection to all connected units that follow. In addition, the module sits on top of raceway channel, which allows circuit wiring between modules and unimpeded connection to the termination.

The new MPR modules join the Middle Atlantic family of rackmount and RackLink™ power products leveraging Series Protection™ technology. Modules are available in 15 or 20 amp configurations with outlet options being controlled or on when connected.

For technical specifications and in-depth information about Middle Atlantic Products, please see click to www.middleatlantic.com, or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

Martin Audio MLA™ Breaks Record At Glastonbury

Martin Audio’s groundbreaking Multi-Cellular Loudspeaker Array (MLA) system has made Glastonbury history by delivering the highest sound levels to the audience without exceeding noise pollution levels beyond the perimeter.

Making its Glastonbury debut, the system deployed on the Pyramid Stage was impressive in every respect, employing cabinets from the entire MLA™ range of loudspeakers. This comprised a total of 72 MLA for the main hangs, eight MLA Compact for stereo infill at the pit barrier and four delay positions of 14 MLA each. The latest addition to the range, the MLA Mini was also featured, providing stereo infill behind the FOH control structure and onstage coverage of artists’ guest viewing platforms. A massive broadside array of 38 MLX stretched across the entire width of the stage to provide sub-bass support to the entire system.

The company’s unique MLA technology enables very fine control of how each array covers its designated audience area. Their own amplifier and DSP channel, a total of six in each MLA independently control acoustic cells housed within each cabinet. This control allowed RG Jones system engineer Mark Edwards to specify exactly what SPL and frequency response was required across the audience, with the intelligent software automatically controlling the array to produce that result. This amounted to just a 6dB drop off over the 985 ft. long audience area, with incredibly even frequency response.

“We used our proprietary computer software to figure out how to drive each cell in each array to direct sound just at the audience, and then cut it off sharply just beyond the audience to dramatically reduce noise pollution,” says Martin Audio’s R&D Director Jason Baird. “As a result, headliners including Arcade Fire and Metallica could play at 104-105dBA – this is the first time such high levels have been achieved in the history of Glastonbury as noise limits are really strict.”

More than 150,000 fans listened to headline acts Metallica, Arcade Fire, and Kasabian, as well as The 1975, Elbow, Rudimental, Nitin Sawhney, and Dolly Parton, mixed on the MLA system.

Having persuaded the festival production in 2007 that RG Jones Sound Engineering was the right company to run audio services on the Pyramid Stage, Simon Honywill said, “I believed that MLA was the right system for the Pyramid since I first heard its extraordinary fidelity and learned about its unique abilities. Having used it at the past two Glastonbury Abbey shows, it was natural to suggest to Dick Tee and his team that it should take its rightful place on this iconic stage. I think it has more than proved itself here – I spent a considerable amount of time out in the audience and have never heard the field covered so well. And people in the crowd were openly complimentary about the volume and clarity too.”

There was also effervescent praise from the stream of FOH engineers over the weekend.

One of the biggest draws of the weekend was Metallica, engineered by Mick Hughes: “MLA is a new system to me, a new experience. I was surprised how easy it was to get the mix I wanted out of it. When I first used it I thought ‘whoa’ there’s some serious horsepower here. It just sounded really alive; I wouldn’t shy away from using it again.”

One of the most enigmatic performances was from Lana Del Ray, engineered by Max Bisgrove: “In half a song, I could get out what I needed from the MLA system. Great clarity, great power, it’s by far my favorite Glastonbury mixing experience so far.”

Dave McEwan, FOH sound engineer for Nitin Sawhney, remarked: “Glastonbury was the first time I’ve used the big MLA, and I’m really impressed – great imaging, 3D, even 4D sound. You can dive in and enjoy, it’s another sort of PA! I’m hoping to use this at the Royal Albert Hall for Nitin in September. I love it; it’s a great product, a super sounding system, lush and hi-fi, with lots of depth.”

The 1975’s engineer, Jamie McLuckie, adds: “At some festivals you have to tweak the bottom end, but MLA was nice and easy. The system sounded fat, with nice clarity and nice high end too. I couldn’t really fault it.”

For John Carroll, MD of RG Jones Sound Engineering, Glastonbury has been the affirmation of what he’s known for some time: “Martin Audio’s MLA is the next generation and there’s nothing out there to match it. Our continued support from Martin Audio is second to none.”

Summing up, Jason Baird says: “It was my career highlight back in 2008 working on our very first Glastonbury, but with MLA this year, it’s been topped. To see the massive audiences in complete unison front to back enjoying the performances, combined with the constant stream of smiling faces at FOH, it’s been the showcase for everything that Martin Audio and MLA stands for.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

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