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Archive by Brainstorm Media

Delicate Productions Supports Train Tour With Martin Audio MLA

Train is just wrapping up their sold-out “California 37” tour on the heels of their sixth studio album of the same name that has already produced the certified platinum single “Drive By” (#10 on Billboard’s Hot 100), and “50 Ways to Say Goodbye.”

Based in San Francisco, Train consists of a core trio comprising Pat Monahan (vocals), Jimmy Stafford (guitar) and Scott Underwood (drums). Over the years, the band has produced successful albums such as their eponymous debut Train with hits including “Free” and “Meet Virginia;” Drops of Jupiter, which yielded the Grammy award winning single “Drops of Jupiter (Tell Me);” My Private Nation with their third Top 20 hit “Calling All Angels” and Save Me San Francisco in 2009 with the catchy, ukulele-based “Hey Soul Sister,” a quintuple platinum hit and Grammy Award winner.

The California 37 tour started in Canada and has ranged throughout North America in a variety of venues including amphitheatres, arenas and theaters. Delicate Productions of Camarillo and San Francisco, who has already successfully deployed Martin Audio’s award-winning MLA (Multi-cellular Loudspeaker Array) system with Selena Gomez, relied on a system for the tour that consisted of 11 MLA and one MLD (downfill) enclosures per side and 12 MLX subs. These were supplemented with 16 Martin Audio W8LC and six W8LM cabinets for side and front fill.

Commenting on MLA, Delicate president Jason Alt said, “The tour is going well, everything has gone very successfully with the MLA system. The only show where we had to add more boxes was Red Rocks where we went to 16 MLA per side instead of the usual setup because of the size of the venue.”

Asked if the different type of venues provided a challenge in terms of getting the control and coverage Delicate needed, Alt responded, “Not at all. The MLA system actually performs really well on every level in every kind of venue that Train has played. All of the reports we’ve gotten back from our crew about reactions to the system from the band and their engineers have been extremely positive.”

Delicate also used Digico SD10 consoles for House and Monitors along with Martin Audio 5.2 amplifiers and Sennheiser G3 IEM personal monitor systems. The tour crew included Train’s FOH engineer Rob Thomas and Monitor engineer Rob Greene, along with system engineer Phil Reynolds and system techs Kenny Kaiser and Russ Cunningham.

Expanding his comments, Alt added, “MLA is a really good solution, especially its small truck footprint that gives you a definite transportation advantage for tours that need every square inch of space they can get. The technology has really given us an edge because it is such a distinctive product in terms of its capabilities and flexibility. We feel MLA gives us a bit of an edge when we’re bidding on new projects.

“Clients are starting to be very aware that the flexibility of the box and its controllability and rejection capability is what a lot of artists are looking for. With MLA, there’s not a lot of energy on the stage, which makes it better for performers and improves the audience’s listening experience.

“And the MLA owners’ network in the United States has been a real asset as well,” Alt concludes. “We’ve all been able to work together sharing resources, equipment and technical information, something which has proved to be a major benefit for every one of us.”

For more about Delicate Productions please click to www.delicate.com

For more about Martin Audio, please click to www.martin-audio.com.

About MLA™ (Multi-cellular Loudspeaker Array)
The result of many years of intensive R&D, MLA’s methodology replaces trial-and-error array design with intelligent numerical optimization of the array’s output based on a highly accurate acoustic model. The multi-cellular format has six individual cells in each enclosure, each with its own DSP and amplification.

With up to 24 enclosures, each MLA array has up to 144 cells — too great a number to optimize manually, or by ear. Instead, Martin Audio’s proprietary Display2™ system design software automatically calculates FIR DSP filters for each cell and a redundant-ring audio network (U-NET™) downloads the settings into each array enclosure. Martin Audio’s VU-NET™ software provides real-time control and monitoring of the system.

MLA delivers a frequency response and SPL consistency never before achievable; a very high system output (140dB peak, per cabinet @1m); Automatic optimization of the array, both physically (splay angles) and electronically (DSP); Computer control and monitoring of the entire system, and total control of sound system balance for engineers and sound technicians.

MLA is fully integrated, with Class D amplification, DSP and U-NET digital audio
network built into each enclosure. MLA complete systems are ready-to-use, with MLA, MLD and MLX enclosures, flying hardware, software, cabling and training all supplied. Everything needed is included. All ancillary items — from tablet PC and Merlin™ controller to network interconnects and mains distro — are also included in the complete system package. This ensures full compatibility worldwide, down to cabling and accessories.

Additional features include 90° x 7.5° dispersion; a compact size (1136mm wide x 372mm high x 675mm deep), one-box-fits-all (festivals to theaters) application range and a global voltage, power factor corrected power supply.

MLA’s compact size and very high output allows it to be shipped using smaller trucks, offering considerable savings and reduced carbon footprint. The system also includes the MLX powered, flyable subwoofer capable of an unprecedented measured peak output of 150dB @ 1m; MLD downfill cabinet, and Merlin 4-in/10-out system controller and network hub. Audio input is via analog, AES3 or U-NET.

By adopting these principles and system components MLA is optimized for every member of the audience — from a 2,000 capacity theater, to a 20,000-seat arena, to a 100,000-person festival site. It will deliver the engineer’s exact mix to every seat (up to over 150 meters) with precision, exceptional power and clarity.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Martin Audio Names Spennacchio Eastern Regional Sales Manager

Waterloo, ONT––Martin Audio has announced the appointment of Sam Spennacchio as Eastern Regional Sales Manager for North America.

An audio industry veteran with over twenty years of experience in sales and management, Spennacchio will be responsible for all Martin Audio sales east of the Mississippi. His responsibilities include managing the company’s independent rep force and developing strategic goals and opportunities to increase sales and market share.

Spennacchio has held sales management positions at SPL Integrated Solutions and the Sterling Sales Group. He has also represented manufacturers and distributors such as CT Audio Marketing, Klark-Teknik and Crest Audio.

Asked about Spennacchio’s appointment, Rob Hofkamp, Sales Director for Martin Audio North America said, “Sam’s expertise and impressive track record in pro audio is a major asset for our team. He has been successful at every stage of his career and we look forward to the contribution that his unmatched people skills, experience and knowledge of the technology will bring to Martin Audio’s expanding sales effort in North America.”

Spennacchio added, “”I am thrilled to be joining the team at Martin Audio. Besides an impressive history, the company’s recent innovations have enabled them to introduce new products with industry-leading advancements in loudspeaker technology. I am also glad to be working with Rob Hofkamp whom I have known and respected for a long time.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Clearwing Teams With Martin Audio MLA At Summerfest

Guinness World Records-certified as “The World’s Largest Music Festival,” Summerfest was held at the 75-acre Henry Maier Festival Park along the lakefront in Milwaukee, Wisconsin. The massive event lasted 11 days, included 17 stages, the 23,000-capacity Marcus Amphitheater and over 700 bands that drew close to a million fans.

For over 16 years, Clearwing Productions has handled the challenge of coordinating sound, light, staging and logistics for the festival with the quality, professionalism and attention to detail they’re known for.

Making its debut at the Summerfest Miller Lite Oasis Stage was the Martin Audio MLA (Multi-cellular Loudspeaker Array) 36 that consists of 11 MLA and one MLD downfill cabinet per side along with 12 MLX subwoofers.

The lineup at the Oasis stage included an eclectic mix of artists such as the popular new alternative band Fun., Kool & The Gang, Joe Walsh, Ziggy Marley, The Roots, Cake, Sublime with Rome, Atmosphere, Paul Oakenfold, Robyn, plus Rodney Atkins and Garry Allan from the Country Throwdown Tour.

Designing a loudspeaker system that could provide exceptional sound quality and coverage for all those types of music without spillage onto adjacent stages played a large role in determining MLA as the system of choice.

Asked about the setup, MLA Support Specialist Jim Jorgensen says, “We went with 12 MLA per side rolling out at 63 Hz to keep as much low end in the main array as possible and used the subs as more of an effect. One of the goals of this particular event was to maintain the coverage in a specific area, which MLA is really designed for.

“In terms of the low end response,” continues Jorgensen, “Ziggy Marley’s “engineer first brought up the system without the subs on and he was happy. When he added in subs, the ear-to-ear grin on his face was priceless”

According to Jorgensen, “One of the main things that people experienced using MLA was that the PA never got in their way. They didn’t have to spend hours tuning it. No one turned it on and thought it wasn’t going to work or we needed to change anything to get the sound and coverage we were looking for.”

In terms of MLA’s exceptional control, the crew used a daytime setting that covered up to just behind the mix position with -4 halfway through the picnic tables and a “hard avoid” behind that to keep the volume at manageable levels for those walking past the stage.

The MLA night setting went all the way up to nearly four feet in front of the buildings with a “hard avoid” past the restaurants in the back of the seating area so that festival goers could dance while standing in line but be heard when ordering their food. The MLX subs were stacked two high, three wide on the stage and delayed outside to inside to narrow the sub bass spillage and contain it to the area.

Reactions from FOH engineers to MLA for the different bands were “uniformly positive,” says Jorgensen. Robyn’s engineer said it “was pokey in all the right places,” which in Scottish audio speak means it stood out where it was supposed to. fun.’s engineer said it was the biggest sounding PA he’d ever worked with in that “he kept pushing and pushing it, and it just kept getting bigger.”

“Clearwing’s Steve Harvey (systems engineer-north stages) who had previous experience with Martin Audio’s W8LC arrays quickly understood how MLA worked and was able to explain the system to other people while becoming an advocate,” adds Jim. “He’s quite sharp and has great ears, so he got it right away.”

Working in tandem with MLA were 12 Martin Audio LE2100 stage monitors and Wavefront enclosures for sidefill along with a Digico SD10 for FOH and a Yamaha PM5D for monitors, all provided by Clearwing.

In fact, “Most of the stages on the grounds had Martin Audio wedges and fill speakers,” Jorgensen concluded. “People were also talking about how well Zac Brown covered the Marcus Amphitheater with MLA during his show to a sold out crowd. It is impressive to see that MLA can go from a tradtional midwestern sized festival stage all the way to a full scale summer concert shed with the same coherence and coverage abilities. Basically, people throughout the event commented on the whole run as to how MLA was dynamic, it flexed and grooved, and adapted to the style of music coming out of it.”

For more about Martin Audio, please click to www.martin-audio.com.

Photo credit: Paul Weber

About MLA™ (Multi-cellular Loudspeaker Array)
The result of many years of intensive R&D, MLA’s methodology replaces trial-and-error array design with intelligent numerical optimization of the array’s output based on a highly accurate acoustic model. The multi-cellular format has six individual cells in each enclosure, each with its own DSP and amplification.

With up to 24 enclosures, each MLA array has up to 144 cells — too great a number to optimize manually, or by ear. Instead, Martin Audio’s proprietary Display2™ system design software automatically calculates FIR DSP filters for each cell and a redundant-ring audio network (U-NET™) downloads the settings into each array enclosure. Martin Audio’s VU-NET™ software provides real-time control and monitoring of the system.

MLA delivers a frequency response and SPL consistency never before achievable; a very high system output (140dB peak, per cabinet @1m); Automatic optimization of the array, both physically (splay angles) and electronically (DSP); Computer control and monitoring of the entire system, and total control of sound system balance for engineers and sound technicians.

MLA is fully integrated, with Class D amplification, DSP and U-NET digital audio
network built into each enclosure. MLA complete systems are ready-to-use, with MLA, MLD and MLX enclosures, flying hardware, software, cabling and training all supplied. Everything needed is included. All ancillary items — from tablet PC and Merlin™ controller to network interconnects and mains distro — are also included in the complete system package. This ensures full compatibility worldwide, down to cabling and accessories.

Additional features include 90° x 7.5° dispersion; a compact size (1136mm wide x 372mm high x 675mm deep), one-box-fits-all (festivals to theaters) application range and a global voltage, power factor corrected power supply.

MLA’s compact size and very high output allows it to be shipped using smaller trucks, offering considerable savings and reduced carbon footprint. The system also includes the MLX powered, flyable subwoofer capable of an unprecedented measured peak output of 150dB @ 1m; MLD downfill cabinet, and Merlin 4-in/10-out system controller and network hub. Audio input is via analog, AES3 or U-NET.

By adopting these principles and system components MLA is optimized for every member of the audience — from a 2,000 capacity theater, to a 20,000-seat arena, to a 100,000-person festival site. It will deliver the engineer’s exact mix to every seat (up to over 150 meters) with precision, exceptional power and clarity.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

MHA Audio Acquires Martin Audio MLA™ System

Waterloo, ONT––MHA Audio of Hagerstown, MD, an award-winning sound reinforcement and live event production company in the northeastern US, recently joined ranks with other leading audio providers who have acquired the breakthrough Martin Audio MLA Multi-cellular Loudspeaker Array system.

MHA Audio provides professional sound systems and production management services regularly for leading local promoters and event companies such as IMP Productions, Live Nation, Merriweather Post Pavilion, Pier Six Pavilion Partners, and Showcall Inc.

As part of its dynamic growth, MHA Audio has purchased the MLA System 36 (24 MLA enclosures and 12 MLX subwoofers) to fulfill the company’s busy schedule of live events. MHA recently provided their new MLA rig for the annual Capital Jazz Festival at Merriweather Post Pavilion along with shows by Maroon Five, Katy Perry, Fiona Apple, Drive by Truckers & Lucinda Williams, AVICII, Kaskade, Queensryche, Luke Bryan and other leading artists.

Commenting on the MLA acquisition, Mike Scarfe said, “MHA Audio is excited to offer the MLA System to our clients. The MLA’s ability to create a uniform response through the listening area, control coverage, and its unparalleled sonic quality sets a new standard of excellence in professional audio far beyond anything that is currently available. In addition, there are considerable cost savings with transportation. This entire MLA system, which is capable of covering most outdoor shed style venues, will fit in one 26 ft. box truck.

Martin Audio Director of North American Operations Rob Hofkamp added, “Having known Mike for over 20 years, I am thrilled to welcome him and his team at MHA to the MLA family. The combination of MLA technology and MHA’s ability to provide an uncompromising level of quality in production and support for their clients will definitely raise the bar for excellence in live audio production.”

For more about Martin Audio, please click to www.martin-audio.com.

MHA Team (left to right) Dave Collela, John Lee, Dave Rittenhouse, Bruce Nelms, Mike Scarfe (owner)

About MLA™ (Multi-cellular Loudspeaker Array)
The result of many years of intensive R&D, MLA’s methodology replaces trial-and-error array design with intelligent numerical optimization of the array’s output based on a highly accurate acoustic model. The multi-cellular format has six individual cells in each enclosure, each with its own DSP and amplification.

With up to 24 enclosures, each MLA array has up to 144 cells — too great a number to optimize manually, or by ear. Instead, Martin Audio’s proprietary Display2™ system design software automatically calculates FIR DSP filters for each cell and a redundant-ring audio network (U-NET™) downloads the settings into each array enclosure. Martin Audio’s VU-NET™ software provides real-time control and monitoring of the system.

MLA delivers a frequency response and SPL consistency never before achievable; a very high system output (140dB peak, per cabinet @1m); Automatic optimization of the array, both physically (splay angles) and electronically (DSP); Computer control and monitoring of the entire system, and total control of sound system balance for engineers and sound technicians.

MLA is fully integrated, with Class D amplification, DSP and U-NET digital audio network built into each enclosure. MLA complete systems are ready-to-use, with MLA, MLD and MLX enclosures, flying hardware, software, cabling and training all supplied. Everything needed is included. All ancillary items — from tablet PC and Merlin™ controller to network interconnects and mains distro — are also included in the complete system package. This ensures full compatibility worldwide, down to cabling and accessories.

Additional features include 90° x 7.5° dispersion; a compact size (1136mm wide x 372mm high x 675mm deep), one-box-fits-all (festivals to theaters) application range and a global voltage, power factor corrected power supply.

MLA’s compact size and very high output allows it to be shipped using smaller trucks, offering considerable savings and reduced carbon footprint. The system also includes the MLX powered, flyable subwoofer capable of an unprecedented measured peak output of 150dB @ 1m; MLD downfill cabinet, and Merlin 4-in/10-out system controller and network hub. Audio input is via analog, AES3 or U-NET.

By adopting these principles and system components MLA is optimized for every member of the audience — from a 2,000 capacity theater, to a 20,000-seat arena, to a 100,000-person festival site. It will deliver the engineer’s exact mix to every seat (up to over 150 meters) with precision, exceptional power and clarity.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Capital Sound Joins Martin Audio MLA Community

  • Martin Audio MD, Anthony Taylor (left) with Capital Sound MD, Keith Davis

    After an intensive market evaluation of well over a year, leading British rental company Capital Sound has made a significant investment in Martin Audio’s award-winning Multi-cellular Loudspeaker Array (MLA).

    Confirming the purchase of a large arena system (and complementary MLX subs), Capital Sound general manager Paul Timmins stated that the inventory upgrade is designed to future proof the company—who number Take That, The Killers and Stereophonics among their regular accounts—for the foreseeable future.

    Speaking of the purchase, he explained, “In the modern era it is no longer a case of buying a system simply because we’ve been associated with the same brand for 25 years. We reviewed and demoed every major market system, but in the end it was vital that we backed ‘second generation’ technology. And however good the other systems were, only the MLA offered us this, with the right size and weight package.”

    Technical manager, Ian Colville, agreed, “From a technical standpoint MLA quite simply is the next generation. Unlike line arrays, MLA calculates and controls each individual transducer throughout the array to create a uniform sound field across the length and breadth of the audience area. Parameters that have traditionally been difficult to predict and control—SPL variation, frequency response and coverage cut-off—can be accurately defined in the prediction software and re-calculated, if necessary, ‘on the fly’.”

    He added that having spoken to technicians and engineers that had used MLA extensively the verdict so far had been unanimous: “MLA is very accurate, very responsive and very very loud!”

    Sheer power was one criterion that Capital Sound had examined closely during the review period. Conclusive proof that this was a stadium system was provided in a shoot out against the Martin Audio Longbow system outdoors at Silverstone. Having been the first company in the world to use MLA (beta-testing with Enter Shikari at HMV Hammersmith Apollo in 2010), Capital Sound was able to assess its coverage and cut-off parameters during last summer’s outdoor season (at LED Festival), its speech and intelligibility on a comedy show at O2 Arena, and its ability to deliver high octane sound in smaller venues (with Whitesnake).

    Other factors also played a part in the decision-making, continued Timmins. The arrival of Andy Davies, mirroring the appointment of Jim Jorgensen at Martin Audio in the States, provided the company with real application support in the touring sector, while Capital Sound felt confident that a global community of users was rapidly building. “We are aware of the sales that have taken place in the States and Pacific Rim and are confident that this is becoming a fully global system, which will be recognized and used by rental companies around the world.”

    The final factor that drove the purchase was simple touring economics; with the fully powered and processed system not only eliminating the need for separate amp racks, but also, in many cases, delay speakers, truck space becomes more efficient.

    Said Martin Audio sales director, Simon Bull, “As one of our longest-serving partners, we are delighted that Capital Sound have joined our growing community of MLA users. The fact that they carried out such an exhaustive review of other market leaders’ systems before reaching their decision makes the sale all the sweeter.”

    Capital Sound has already earmarked the new MLA system for a major global arena tour, beginning this fall.

    Photo caption Martin Audio MD, Anthony Taylor (left) with Capital Sound MD, Keith Davis

    For more about Martin Audio, please click to www.martin-audio.com.

    About MLA™ (Multi-cellular Loudspeaker Array)
    The result of many years of intensive R&D, MLA’s methodology replaces trial-and-error array design with intelligent numerical optimization of the array’s output based on a highly accurate acoustic model. The multi-cellular format has six individual cells in each enclosure, each with its own DSP and amplification.

    With up to 24 enclosures, each MLA array has up to 144 cells — too great a number to optimize manually, or by ear. Instead, Martin Audio’s proprietary Display2™ system design software automatically calculates FIR DSP filters for each cell and a redundant-ring audio network (U-NET™) downloads the settings into each array enclosure. Martin Audio’s VU-NET™ software provides real-time control and monitoring of the system.

    MLA delivers a frequency response and SPL consistency never before achievable; a very high system output (140dB peak, per cabinet @1m); Automatic optimization of the array, both physically (splay angles) and electronically (DSP); Computer control and monitoring of the entire system, and total control of sound system balance for engineers and sound technicians.

    MLA is fully integrated, with Class D amplification, DSP and U-NET digital audio
    network built into each enclosure. MLA complete systems are ready-to-use, with MLA, MLD and MLX enclosures, flying hardware, software, cabling and training all supplied. Everything needed is included. All ancillary items — from tablet PC and Merlin™ controller to network interconnects and mains distro — are also included in the complete system package. This ensures full compatibility worldwide, down to cabling and accessories.

    Additional features include 90° x 7.5° dispersion; a compact size (1136mm wide x 372mm high x 675mm deep), one-box-fits-all (festivals to theaters) application range and a global voltage, power factor corrected power supply.

    MLA’s compact size and very high output allows it to be shipped using smaller trucks, offering considerable savings and reduced carbon footprint. The system also includes the MLX powered, flyable subwoofer capable of an unprecedented measured peak output of 150dB @ 1m; MLD downfill cabinet, and Merlin 4-in/10-out system controller and network hub. Audio input is via analog, AES3 or U-NET.

    By adopting these principles and system components MLA is optimized for every member of the audience — from a 2,000 capacity theater, to a 20,000-seat arena, to a 100,000-person festival site. It will deliver the engineer’s exact mix to every seat (up to over 150 meters) with precision, exceptional power and clarity.

    About Martin Audio®
    Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

  • Middle Atlantic Names Vergano VP of Human Resources

    Fairfield, NJ––Middle Atlantic Products has appointed Peter Vergano as Vice President of Human Resources, reporting to President Mike Baker. In this newly created post, Vergano will oversee all elements of HR as the company continues to grow since joining the Legrand North America organization.

    Vergano joins Middle Atlantic after nearly seven years at Samsung Electronics, most recently as a Senior HR Business Partner Leader in the company’s Ridgefield Park facilities. He graduated from West Virginia University with a BS in Business Administration and also earned an MBA from Centenary College.

    Asked about Vergano’s appointment, Mike Baker stated, “We are entering a new phase of very aggressive growth and opportunity for Middle Atlantic. Our continued investment in people, both those who are already here and the new positions we are creating, will ultimately determine our long-term success. Peter’s hiring reflects our commitment to grow our business to more fully support our customers with application-specific products befitting any size project or budget.”

    The company has recently appointed several key personnel to sustain this commitment, including two new Regional Sales Managers, a Power Products Application Engineer, and a Furniture Design Engineer.

    For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

    CAD Audio Ships UHF WX100 Series Wireless

    Solon, OH––CAD Audio is now shipping its installation-grade UHF WX100 Wireless Series system.

    The UHF WX100 offers simple and intuitive operation along with exceptionally reliable wireless connectivity in the most congested RF environments and exceptional audio bandwidth.

    In addition to enhanced connectivity, the WX100 features a familiar control scheme that facilitates problem-free operation by non-professional users. The transmitters are designed with straightforward form factors that make it easy to identify various features, operate on/off switches, change and recharge batteries.

    These designs along with an array of useful accessories make the WX100 a perfect solution for A/V suites, flexible meeting spaces or any situation that requires easy to use, certain-connectivity wireless that doesn’t require a long learning curve.

    Basic system components include the WX160 gooseneck desk stand transmitter and WX100 receiver, the handheld WX150 microphone and the WX155 body pack which can be used with the CAD 301 cardioid lavalier mic or CAD 302 headworn microphone for additional flexibility. The WX100 is supplied with a joining plate and rack ears for easy installation.

    Asked about the WX100, CAD Executive Director of New Business Development Glenn Roop said, “Based on the high level of interest at InfoComm and positive reaction from our customers, we fully expect the WX100 Series to surpass our expectations in terms of sales and market penetration. The system’s outstanding RF performance, audio quality and ease of use make it a strong contender in the installation wireless market.”

    For more information about CAD Audio, call 800.762.9266 or visit www.cadaudio.com.

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    Related Topics: InfoComm Newslink, Microphones, News |

    Credenza Racks Line Expanded with Deeper Options and New Mounts

    Fairfield, NJ–– Middle Atlantic Products is expanding its offering of C5 Series Credenza Racks to include a variety of new sizes and monitor mounting options. Providing more flexibility to meet the needs of a wider variety of applications, the line expansion includes the addition of deeper models, extender kits and single and dual monitor mounts.

    Deeper version Credenza racks provide an additional 4” of useable depth to accommodate deeper components including Middle Atlantic UPS systems with expansion batteries. A different option for accommodating deeper equipment is available for standard size Credenza Racks: new Depth Extender Kits are field-installable and add nearly 3” to the frame’s useable depth while staying within the overall depth of the wood surface.

    Enhancing its usability for conference room applications, new Single and Dual Monitor Mounts are now available for attaching one or two larger monitors directly to the Credenza Rack. This useful alternative to wall mounting monitors can be further equipped with new camera shelves for videoconferencing systems.

    Credenza Racks are designed with a steel frame that ships quickly from stock and a separate outer covering that can be tailored to the customer’s specifications. They are integrated with quiet, energy-saving thermostatically controlled fans that automatically run when needed.

    For more information about Credenza Racks and Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

    Manchester’s Dry Live Upgrades With Martin Audio H3H+

    Manchester’s iconic Dry Bar, a landmark of the city’s trendy Northern Quarter since 1989, recently underwent an interior upgrade in the bar and its newly refurbished basement music venue Dry Live. Situated below the bar, the venue has been completely refurbished with a black and grey interior and a brand new Martin Audio sound system.

    Tasked with equipping the new Dry Live, local audio specialists Masons and their system design engineer Jack Jennings chose a Martin Audio Blackline H3H+ horn-loaded solution as the best fit for the applications.

    The basement space had previously been split into several small rooms but the floor had opened out into one large venue so the downstairs space could be used for both live music and club events served by a single sound system.

    The venue operators had stipulated that they wanted the audience to be able to get as close to the front of the stage as possible, while still having the desired system—“one that can offer all the punch and growl that you’d ever need”—a sound suited for both band and club events. Unfortunately, faced with ceiling height restrictions, the drop-height excluded the use of arrays or standard ‘portrait’ profile speakers.

    This presented Jennings with a problem. Conventional floor-standing stacks on either side of the stage would be impractical if they needed dismantling, storing and reassembling for certain events. “The system needed to have no permanent footprint on the floor and be flown as high as possible, out of the way when not in use,” he said.

    Thus with the intended mixed use of the venue, requiring dynamic and even coverage for a number of different scenarios, Jack Jennings knew the low-profile H3H+ midrange would deliver high-quality instrument and vocal reproduction.

    “The Martin Audio H3H+ full-range 3-way speaker fit the bill perfectly,” he said. “Its horizontal format, high power handling, high output levels and 70º x 40º dispersion characteristics all leant themselves to this install.”

    Jennings specified four H3H+ enclosures lined up across the front of the stage area. The central two are mounted tight against the ceiling and tilted slightly down to achieve nearfield audience coverage, while the outer two are mounted slightly forward and below, on steel joists either side of the stage.

    The crisp high-frequency output needed to be matched by powerful sub-bass and give club promoters the sense of aural immersion they desire, despite operating as a stage-focused system rather than a traditional dance floor surround.

    This is provided by four Martin Audio WS218X double 18” direct-radiating subs, two each on either side of the stage, fitted with castors so they can be easily removed when required and wheeled into a storage area.

    The entire system is powered from just a 4U rack — containing a dedicated Martin Audio DX1.5 2 in 6 out digital controller and three Martin Audio MA switch-mode amplifiers.

    “This elegant set-up provides huge amounts of power and reliability and allows the venue to operate the system without fear of any technical issues,” concludes Jennings.

    On top of a new sound system and new look, Dry Live has also welcomed a new lighting system for both bands and club events––courtesy of Masons. Since receiving the huge Martin Audio sound system, Dry Live has played host to some of Manchester and beyond’s finest musical talent in terms of bands, DJs and promoters and is working its way up as one of Manchester’s most sought after clubs of 2012.

    For more about Martin Audio, please click to www.martin-audio.com.

    About Martin Audio®
    Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

    Sigmet Corporation Named Middle Atlantic Commercial AV Rep Of The Year

    Fairfield, NJ––The Commercial AV Rep of the Year Award was won by Sigmet Corporation at the Middle Atlantic sales meeting held prior to InfoComm 2012.

    Sigmet Corporation represents Middle Atlantic Products for the Commercial AV market in Southern New Jersey, Eastern Pennsylvania, Delaware, Virginia, Maryland and the District of Columbia.

    Commenting on the award, Middle Atlantic Regional Sales Director Bill Poling said, “Sigmet has staff strategically positioned in the Middle Atlantic States who are poised to provide the best and fastest service possible, which makes them a key asset for our sales effort. They’ve also worked hard to identify and successfully manage a number of large projects in their territory.”

    Photo caption (left to right): Bill Poling, Middle Atlantic Regional Sales Director; Sam Helms, Ed Portko, Kelly Ireton, Bob Reuther, Lou Farthing, Richard A. “Kip” Kipphorn and John Strand from Sigmet Corporation; Brandon Ivey, Middle Atlantic Regional Sales Manager.

    For more about Sigmet Corporation, please click to www.sigmetcorp.com.

    For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

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