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Archive by ignite strategic communications

Sergio Castillo Joins Bexel Team

Industry Veteran will be based in Mexico City

BURBANKBexel, a unit of the Vitec Group’s Services Division and a leading worldwide provider of broadcast services and solutions, has hired Sergio Castillo as a strategic account manager of the Latin America region. The new addition to the team reflects the company’s growing imprint in Latin America’s broadcast industry.

Castillo, who will be based in Mexico City, brings 30 years of broadcast industry experience to his new role at Bexel.

“We are proud to add Sergio to our expanding roster,” says Bexel Vice President of Global Sales Greg Bragg. “As we develop more opportunities and expand relationships with partners in the Latin America region, having someone with Sergio’s knowledge and experience not only will serve us well, but also our customers.”

Castillo began his career at JVC Professional in Los Angeles. After 10 years, he joined Avid and relocated to Argentina to work as a field sales engineer, later moving to Mexico City where he held senior roles such as regional sales manager and strategic account manager. Most recently, he served as regional sales manager for Quantum, where he developed business throughout the Latin America region.

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Hollywood Post Alliance(r) Opens Official Call For Entries for the 2014 HPA Awards

The Best in Post Production Spotlighted in 9th Annual Award Gala

(Hollywood, CA) The Call for Entries has been announced for the 2014 HPA(r) Awards by the Hollywood Post Alliance(r). The HPA Awards will take place on the evening of November 6, 2014 at the Skirball Cultural Center in Los Angeles, CA.

The HPA(r) Awards recognize the achievements of the individuals and companies that have contributed to creative excellence and groundbreaking technologies within the post production industry and are considered the standard bearer for excellence and innovation.

The HPA Awards invite entries in the following competitive categories:

* Outstanding Color Grading-Feature Film
* Outstanding Color Grading-Television
* Outstanding Color Grading-Commercial
* Outstanding Editing-Feature Film
* Outstanding Editing-Television
* Outstanding Editing-Commercial
* Outstanding Sound-Feature Film
* Outstanding Sound-Television
* Outstanding Sound-Commercial
* Outstanding Visual Effects-Feature Film
* Outstanding Visual Effects-Television
* Outstanding Visual Effects-Commercial
* Engineering Excellence Award
* HPA Judges Award for Creativity and Innovation in Post Production

The period of eligibility for the HPA Awards is September 4, 2013 through September 2, 2014. To be considered eligible, work must have debuted domestically and/or internationally during this period. Entrants need not be members of the Hollywood Post Alliance or working in the U.S. to submit work for consideration. Lists of previous years’ winners can be found by visiting www.hpaawards.net.

Complete rules, guidelines and entry information are available at: www.hpaawards.net.

Submissions for the creative categories will be accepted May 16, 2014 through July 11, 2014 and Early Bird Entries (reduced fee for the creative categories) will be accepted through June 6, 2014. Submissions for the Engineering Excellence Award and the Creativity and Innovation Award will be accepted May 16, 2014 through June 20, 2014. Entrants for the Engineering Excellence Award will be invited to present at a special HPA judging event in early August.

Contact Alicia Rock at 213.614.0860 or write to arock@hpaonline.com for information about sponsorship opportunities for the 2014 HPA Awards show. For more information about the HPA Awards, visit www.hpaawards.net or call 213.614.0860.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content.

About the HPA(r) Awards
The HPA Awards were created to foster awareness of post production, promote creative and technical excellence, recognize the achievements of post production talent, and build involvement in the Hollywood Post Alliance.

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Media Contact:
ignite strategic communications
p: 818.980.3473
Christine Purse, chris@ignite.bz or
Mimi Rossi, mimi@ignite.bz

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DAS Announces Lineup of Experts and Case Studies from a Variety of Professions

Multi-Industry Experts Look at the Lifecycle of Assets from Production Through Rights Management

Los Angeles, CA – AMIA continues to add to an incomparable lineup of experts set to present at its acclaimed Digital Asset Symposium (DAS). DAS will be held on May 15 & 16, 2014 at the Linwood Dunn Theater in Hollywood, CA.

DAS is a unique approach that brings together experts from a broad range of institutions and disciplines at the corner where theory and real world experience meet. Understanding that each phase of the digital life cycle impacts the next, DAS explores the different systems used by a variety of practitioners dealing with similar digital challenges. The lineup includes leading experts and focused case studies from studios, entertainment, religious education, production, curation, law and law enforcement. DAS unfolds in an atmosphere of insightful discussions of current projects and the lessons learned along the way. Additional presenters and case studies are being announced weekly.

Law Enforcement Case Study: A Conversation About Authentication
In partnership with LEVA

Jim Hoerricks, Senior Forensic Video Analyst for the Los Angeles Police Department
Law enforcement agencies face incredible challenges as they manage an avalanche of data, video, images, records and nowhere is the need for authentication more important. Jim Hoerricks is a nationally recognized expert in audio, video and image analyst, instructor and best-selling author. Jim will explore the difficulties challenges faced by law enforcement agencies in authenticating and managing massive amounts of digital media within strict legal policies.

Do You Understand Your Digital Liability?
Adam Grant, Apert, Barr & Grant, APLC

Grant, an expert in mobile app law as well as online and digital privacy, will discuss current issues regarding information gathering and privacy case law. He will explore what people need to be aware of now, based on what is coming up in the future, and how to best prepare. The future being whatever case law is currently in litigation or pending.

Archive and Preservation Case Study: Building an Archive-Centric DAM
Rabbi Elkanah Shmotkin, Executive Director for Jewish Educational Media

For the past several years, J.E.M. has been working to build an access system for their archive of video and audio content that could handle all of their metadata needs, as well as be actively used in their research and production environments. The Rabbi will discuss the systems purpose, different file formats used, metadata searching, ability to playback, get user permissions and how the new system dramatically cut down their research and production time.

Law Enforcement: A Case Study in the Challenges Digital Evidence Management
Laura Futrell, Forensic Consultant and DNA Analyst for Santa Clara Police Department

Laura Futrell explores real world issues in dealing with digital forensic evidence, from downloading video interviews, storing mass amounts of crime scene photos, working with the internal IT department and the challenges of online sharing of evidence with the District Attorney.

Miramax: A Keynote Case Study on Digital Rights Management
Denise Evans, Vice President of IT at Miramax and Thomas Coleman, CTO of Film Track

This keynote case study will focus on how after Disney sold Miramax in 2010, an asset management system was developed for their sales team to easily access, gather and track rights to every film in the Disney catalog. Presented with Film Track.

A Conversation About Curation in Digital Archive Management
Tyler Leshney, Executive VP of Corporate Strategy and Development

Leshney will focus on ‘Information Curation’ solutions that are both strategic and indispensible in providing staffing resources, cost management tools, technology platforms and even storage facilities which allow people to solve problems that few vendors are able to address. He will address how to manage the information in digital format, digitize your print assets, tagging and metadata ready to make your digital information more accessible.

Sessions and case studies announced earlier include:

* Flexibility, Inventiveness and Creativity: A Case Study in Data Centric Storytelling
Jacob Rosenberg (Bandito Bros) and Tom Vice (nextLAB)

* Where Has All the Content Gone?
Tom Coughlin in partnership with Creative Storage, Entertainment Storage Alliance

* Digital Rights: Navigating Copyright in a Digital World
Eric J. Schwartz (partner, Mitchell Silberberg & Knupp)

Registration is now open for DAS. Tickets are available at www.DAS2014.org. The two day event includes all panels, case studies, and two cocktail receptions.

Industry partners include; American Cinema Editors, Creative Storage Alliance, Law Enforcement Video Association, Media & Entertainment Services Alliance, Iron Mountain Entertainment Services, Deluxe, LAC Group, Reflex Technologies and Digital Cinema Society.

For further information, visit www.DAS2014.org.

About DAS
DAS addresses the full life cycle of the media asset – from content creation to rights management to assuring asset preservation – with speakers and case studies that address what works in the real world. Each part of the life cycle impacts the next and DAS is the only place where everyone is part of the conversation – content creators, post-production, systems designers, archives, asset managers – where commercial meets nonprofit and corporate meets public.

About AMIA
As the world’s largest international association of professional media archivists, AMIA is uniquely poised to bring together a broad range of experts. Members represent film studios, corporate and national archives, historical societies, labs, post production, universities, footage libraries and more. Because of this diverse membership, AMIA provides an opportunity to interact with every facet of the field and a single forum to address the best ways to preserve our media assets.

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Media Contact:
Chris Purse or Stacey Humphrey
ignite strategic communications
818.980.3473
chris@ignite.bz; stacey@ignite.bz

Bexel Open House to Include Gently-Used Gear from Sochi Games

Event on April 24 will Feature Video and Audio Production Equipment for Purchase or Lease

BURBANK, CA – Bexel’s Technical Sales & Solutions (TSS) division will host an Open House this Thursday, April 24, from 2-8 p.m., showcasing its Gold Line of pristine, one-time use broadcast video and audio equipment. Much of the gear, which will be on display in a new showroom at Bexel’s Burbank headquarters (2701 North Ontario Street, Burbank, CA 91504), was recently used to cover worldwide sporting events in Sochi, Russia. Available for purchase or lease, Bexel’s Gold Line includes a plethora of equipment from camera systems, lenses, accessories and support, to video and audio converters, audio monitoring, speakers, wireless intercom, solid state recorders, microphones, P2 camcorders, and more.

Leading product specialists from Bexel, AJA, Lectrosonics, Panasonic, JVC, TSL, Shure, LAWO, Livestream, and more will also be on hand at the Open House to answer questions.

The Gold Line of equipment comes with a Bexel Gold 30-day service warranty, plus the remaining manufacturer’s warranty.* Each piece of gear has been expertly inspected by Bexel engineers and certified to meet the company’s rigorous standards, ensuring every detail of the components has been tested and is in mint, like-new condition. The company will also provide complimentary technical consultation and support or training to the new owners of all Gold Line products.

Bexel TSS offers the latest new and pre-owned professional products with top-of-the-line manufacturers, such as Panasonic, Clear-Com, Fujinon, Canon, Litepanels, Sony, Evertz, and many more. The division represents over 200 product lines. Bexel TSS also offers its own line of intercom and audio products made in house under the Bexel ASG brand.

To RSVP for the event, which will also include a raffle and refreshments, call 818-565-4300 or email JoyceBente@bexel.com. For more information, visit Bexel TSS at http://www.bexel.com/bexel-tss/.

(* Warranties may differ, depending on when equipment was purchased by Bexel.)

About Bexel TSS

Bexel Technical Sales & Solutions (TSS), a business segment of Bexel Broadcast Services, a Vitec Group Brand, has offered the latest new and pre-owned professional broadcast video and audio products since 1991. Over the years, Bexel TSS has expanded to include exclusive dealerships with top-of-the-line manufacturers, such as Panasonic, Lectrosonics, Clear-Com, Fujinon, Sony, AJA, Evertz, Livestream, and many more. As part of the Vitec Group of companies, Bexel has access to a wide range of industry standard product lines including Anton/Bauer, Vinten, Litepanels, Sachtler and Petrol Bags. Bexel TSS also offers its own line of intercom and audio products made in house under the Bexel ASG brand. Bexel’s specialists offer product training and support before and after the sale, as well as in-house equipment maintenance and repair. In an effort to supply the broadcast industry with unequaled service and product solutions at exceptional prices, Bexel TSS represents over 200 product lines.

For more information about Bexel, visit www.bexel.com, or follow them on Facebook, Twitter and Instagram.

About the Vitec Group
Capture the moment™

For over 100 years, through every innovation in photography, film and digital image-making, Vitec businesses have developed a powerful portfolio of brand and products that have enabled some of the most amazing moments to be captured under some of the most challenging conditions. Vitec is an international Group principally serving customers in the broadcast photographic and military aerospace and government (MAG) markets. Vitec is based on strong, well-known premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Videocom, Imaging and Services. Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Imaging designs, manufactures and distributes equipment and accessories for photography, video and events. Services provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production and film crews. More information can be found at www.vitecgroup.com.

Media Contacts:

ignite strategic communications

818.980.3473

Lisa Muldowney: lisa@ignite.bz / direct 760.212.4130

Sally Christgau: sally@ignite.bz / direct 415.238.2254

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Litepanels Celebrates the Revolutionary 1×1 Panel with a Worldwide Anniversary Sale

(Chatsworth, Calif.) – Litepanels®, a Vitec Group brand and premier provider of LED lighting for the broadcast and production industries, is celebrating the anniversary of the company’s signature 1×1 panels. In honor of the fixture that started it all and revolutionized LED lighting for the motion picture, television, and video industries, Litepanels is offering specially reduced pricing on both 1×1 fixtures and kits for a limited time only.

The 1×1 Mono Daylight Spot and Flood, the 1×1 Mono Tungsten Flood, the 1×1 Bi-Color, the 1×1 Bi-Focus, all of the 1×1 LS models, and the company’s complete line of 1×1 LS Kits are included in the sale, which runs through June 7, 2014. List prices have been reduced by up to 45 percent on individual fixtures and kits.

“The Litepanels 1×1 has been used on thousands of sets and shoots worldwide since hitting the marketplace,” notes Chris Marchitelli, vice president of global marketing for Litepanels. “Our unique design has been copied and imitated by many, but the 1×1′s quality and performance have never been duplicated. This promotion is a great opportunity for people to add an innovative product to their collection at an incredibly affordable price.”

“Litepanels now offers more than 30 different LED fixtures, including 9 LED Fresnel models, an extensive range that was almost unimaginable when we first launched our 1×1 fixtures into the studio and broadcast market,” says Pat Grosswendt, Co-Founder of Litepanels. “Our original 1×1 line included a flood 50 degree panel and a spot 30 degree panel, with technical innovations that gave lighting directors an unmatched level of lighting control. Since their launch, the 1×1 fixtures have been dubbed the most versatile production lights ever built, providing pure, luminous and soft directional output. We’re very proud of what we’ve accomplished and very excited about our plans for the future. This special promotion is our way of saying ‘thank you’ to the customers who have been with us along the way.”

For more detailed information on the Litepanels 12th Anniversary Sale, please visit www.store.litepanels.com.

Please note that promotional pricing applies to in-stock inventory only, and supplies are limited.

About Litepanels

Litepanels, a Vitec Group brand, was founded in 2001 by five professional gaffers and engineers who saw the future and pioneered LED (light emitting diode) lighting for motion pictures, television, and the audio-visual industry. Their Emmy® award-winning technology has now been used on thousands of productions worldwide and is trusted by the world’s leading broadcast organizations. Litepanels continues to expand its suite of flicker free, color accurate, fully-dimmable soft lights that talent and lighting directors admire. These environmentally friendly fixtures can pay for themselves with power savings and long life, setting a new standard in professional lighting. More information can be found at www.Litepanels.com

About the Vitec Group

Capture the moment™

For over 100 years, through every innovation in photography, film and digital image-making, Vitec businesses have developed a powerful portfolio of brand and products that have enabled some of the most amazing moments to be captured under some of the most challenging conditions. Vitec is an international Group principally serving customers in the broadcast photographic and military aerospace and government (MAG) markets. Vitec is based on strong, well-known premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Videocom, Imaging and Services. Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Imaging designs, manufactures and distributes equipment and accessories for photography, video and events. Services provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production and film crews. More information can be found at www.vitecgroup.com.

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DAS Unveils Initial Lineup of Experts and Case Studies from Real World Digital Asset Projects

Multi-Industry experts look at the lifecycle of assets from Production Through Rights Management

(Los Angeles, CA) – AMIA has announced the preliminary lineup for its popular Digital Asset Symposium (DAS). DAS will be held on May 15 & 16, 2014 at the Linwood Dunn Theater in Hollywood, CA.

“Since the beginning, DAS has been the place where projects, problems, and solutions are discussed within a real world framework. This year’s event continues that and will engage an even greater diversity of experts and industries. We want the entire community of technical and creative users to share what they are working on, the lessons learned, what challenges they’re facing now and what might be around the corner,” noted Tom Regal, the DAS program chair.

An early peek at the lineup includes compelling experts and speakers. Additional presenters and case studies are being announced weekly.

Flexibility, Inventiveness and Creativity: A Case Study in Data Centric Storytelling
Jacob Rosenberg (Bandito Bros) and Tom Vice (nextLAB)
This keynote case study will focus on new production strategies in the modern era of gigabytes and terabytes and file based cameras that are empowering to the creative teams and daunting to those that have to track and manage these assets.

Digital Rights: Navigating Copyright in a Digital World
Eric J. Schwartz (partner, Mitchell Silberberg & Knupp)
Schwartz will discuss current U.S. copyright law including a review of recent cases and issues such as asset copying, mass digitization, fair use, and preservation and access of audiovisual materials. Schwartz is one the most highly regarded experts in this field, bringing invaluable insight from more than 25 years of experience as a copyright attorney providing counseling on U.S. and foreign copyright laws – including rights, ownership and enforcement issues – relating to new technology rights, social media, and management matters.

Where Has All the Content Gone?
In partnership with Creative Storage, Entertainment Storage Alliance
The preservation of digital content requires the right digital storage technologies, the right practices and a commitment to a long-term storage objective. Tom Coughlin – noted expert and founder of Creative Storage Conference – will explore trends in content creation and storage, conversion of content, a survey of available and future archiving technologies and their trade-offs and provide guidance on the best way to bring valuable digital and analog content into the future.

Laura Rooney, AMIA managing director, notes, “We believe bringing together a diversity of knowledge leads to new solutions to shared challenges. New media assets are being created at a speed that grows exponentially, in almost every industry, every day. Everyone is dealing with similar challenges and we can learn a lot from each other, but only if we’re in the same place. DAS is where those discussions happen – where experts in each stage of the digital life cycle put aside theory and share real world experience.”

Registration is now open for DAS. Tickets are available at www.DAS2014.org. The two day event includes all panels, case studies, and two cocktail receptions.

Industry partners include; American Cinema Editors, Creative Storage Alliance, Law Enforcement Video Association, Media & Entertainment Services Alliance, Iron Mountain Entertainment Services, Deluxe, LAC Group, and Reflex Technologies.

For further information, visit www.DAS2014.org.

About DAS
DAS addresses the full life cycle of the media asset – from content creation to rights management to assuring asset preservation – with speakers and case studies that address what works in the real world. Each part of the life cycle impacts the next and DAS is the only place where everyone is part of the conversation – content creators, post-production, systems designers, archives, asset managers – where commercial meets nonprofit and corporate meets public.

About AMIA
As the world’s largest international association of professional media archivists, AMIA is uniquely poised to bring together a broad range of experts. Members represent film studios, corporate and national archives, historical societies, labs, post production, universities, footage libraries and more. Because of this diverse membership, AMIA provides an opportunity to interact with every facet of the field and a single forum to address the best ways to preserve our media assets.

# # #

Media Contact:
Chris Purse or Stacey Humphrey
ignite strategic communications
818.980.3473
chris@ignite.bz; stacey@ignite.bz

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Vitec Videocom Announces Intention to Acquire Autocue


(Bury St Edmunds, UK) – As part of an ongoing strategic program to deliver improved service, support and experience to its customers worldwide, along with innovative products, Vitec Videocom, a division of the Vitec Group plc, has reached a conditional agreement to acquire Autocue.

Autocue, established in 1955 and a provider of a broad range of teleprompting hardware and software products, will complement Vitec Videocom’s portfolio of products for the broadcast, pro-videography, corporate and public sectors. The acquisition will help to ensure that customers receive a broader range of technologies and solutions that address the entire spectrum of requirements for studio and outside broadcast applications in terms of size and functionality.

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About Vitec Videocom
Vitec Videocom brings together some of the most respected, most innovative and most sought-after brands in the industry: Anton/Bauer, Autoscript, Camera Corps, Litepanels, OConnor, Petrol Bags, Sachtler, Vinten and Vinten Radamec. It acts as an endorsing brand for these market-leading broadcast, film and pro video products, encouraging multi-brand system sales and simplifying the way that customers worldwide do business.

Vitec Videocom is an operating division within the Vitec Group, an international business serving customers in the broadcast, photographic and military aerospace and government markets. Vitec is based on strong, well known, premium brands on which its customers rely on worldwide.

Digital Vision’s Bifrost Archive Bridge Provides Streamlined Workflow for Film Preservation

- Unique solution provides a cost-effective and efficient workflow through automation-

NAB 2014, Stand Sl6026 / Chairman’s Suite, Renaissance Hotel

(London, UK) At NAB 2014 Digital Vision will present Bifrost Archive Bridge, a unique solution that enables archive owners to preserve and restore their precious assets by creating high quality digital media through streamlining processes and automation. Bifrost workflow presentations will be available by prior appointment during NAB 2014, at Digital Vision’s suite at the Renaissance Hotel, adjacent to the LVCC.

Kelvin Bolah, President, Digital Vision, said, “Protecting and preserving assets can be a incredibly expensive and time-consuming process, in the face of which many are overwhelmed and defer the undertaking. Bifrost is a truly revolutionary process because it combines technical efficiencies, relatively low investment and unbelievable speed.”

The Bifrost Archive Bridge is suitable for archives of any size, comprising various workflow components that can be utilised either as a complete end-to-end solution or integrated into existing infrastructures depending on individual requirements.

Bifrost includes an extensive web-based logging and reporting infrastructure developed by Digital Vision, which allows progress to be remotely monitored and analysed. Features include:

* Logging and cataloguing
* Film scanning
* Audio synchronisation
* Automated restoration compatible with Thor hardware acceleration
* Media Management and delivery

Rob Wall, Market Manager, Workflows and Media Managements, Digital Vision, said, “Taking the first steps to protect valuable assets can be a daunting prospect. Bifrost Archive Bridge takes away that fear.”

About Digital Vision
Digital Vision is the supplier of the world’s best colour grading, restoration and film scanning solutions for the broadcast, film, commercial and archive industries. Founded in 1988 in Stockholm, Sweden, Digital Vision has offices in London, Los Angeles, New Zealand, and Linköping in Sweden. Digital Vision’s Emmy award winning technology and products include Nucoda and Phoenix colour grading, finishing, mastering and restoration solutions that are used to create much of the worlds’ high profile television, film and commercials media broadcast and distributed today. In addition to the Nucoda and Phoenix ranges, Golden Eye film scanners and the Bifrost Archive Bridge solution provide innovative tools to create the industry recognized highest quality in scanning, film digitisation, preservation and archiving.

In April 2011, Digital Vision acquired Image Systems and is now a division of the Image Systems group of companies.
For more information, visit www.digitalvision.se
All trademarks used herein, whether recognised or not, are the properties of their respective companies.

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Digital Vision Marketing Contact:
Patrick Morgan | patrick.morgan@digitalvision.se | Tel: +44 (0) 20 7734 8282 | Mobile +44 (0) 7917674711

Digital Vision PR Contacts:

EMEA/APAC
Dawn Egerton, Bubble & Squeak | dawn@bubblesqueak.co.uk | Tel: +44 (0)7887 627764

USA
Chris Purse, Ignite | chris@ignite.bz | Tel: +1 818 980 3473

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Digital Vision Brings Latest Post Production, Restoration and Archive Solutions to NAB 2014

- First look at Golden Eye 4 film scanner, Bifrost Archive Bridge and latest versions of Nucoda and Phoenix -

NAB 2014, Stand SL6026 / Chairman’s Suite, Renaissance Hotel

(London, UK) – Once again Digital Vision invites NAB visitors to its Demo Lounge at the Renaissance Hotel, adjacent to the LVCC, where it will present a range of products for post production, restoration, archive and broadcast.
Visitors can get a first look at the new Golden Eye 4 film scanner for restoration and archive, which incorporates many new features and enhancements that have been requested by users of Golden Eye 3. In addition Digital Vision will present the Bifrost Archive Bridge that provides streamlined archive workflow tools, enables archive owners to preserve and restore their precious film assets.

Digital Vision will demonstrate the latest 2014 versions of the Nucoda colour grading suite and the Phoenix range of film restoration tools. Also on show will be realtime 4K image processing using THOR hardware and distributed automated processing using Loki.

Kelvin Bolah, President, Digital Vision, said, “Our Market Managers and R&D team have been working hard to develop tools that enable our customers to preserve, restore and create beautiful images while maintaining quality. We have some exciting products to share that will undoubtedly be the best at what they do. At NAB we look forward to introducing new and existing clients to our growing product portfolio.”

The Digital Vision Demo Lounge at the Renaissance provides a respite from the noise and bustle of the show floor, allowing guests to sit down, enjoy some refreshments and have a proper discussion with Digital Vision’s knowledgeable team about their requirements. To book a demo or meeting at the Demo Lounge, please contact Patrick Morgan patrick.morgan@digitalvision.se or visit Digital Vision’s reception stand on the show floor at SL6026.

About Digital Vision
Digital Vision is the supplier of the world’s best colour grading, restoration and film scanning solutions for the broadcast, film, commercial and archive industries. Founded in 1988 in Stockholm, Sweden, Digital Vision has offices in London, Los Angeles, New Zealand, and Linköping in Sweden. Digital Vision’s Emmy award winning technology and products include Nucoda and Phoenix colour grading, finishing, mastering and restoration solutions that are used to create much of the worlds’ high profile television, film and commercials media broadcast and distributed today. In addition to the Nucoda and Phoenix ranges, Golden Eye film scanners and the Bifrost Archive Bridge solution provide innovative tools to create the industry recognised highest quality in scanning, film digitisation, preservation and archiving.

In April 2011, Digital Vision acquired Image Systems and is now a division of the Image Systems group of companies. For more information, visit www.digitalvision.se.

All trademarks used herein, whether recognized or not, are the properties of their respective companies.

# # #

Digital Vision Marketing Contact:
Patrick Morgan | patrick.morgan@digitalvision.se | Tel: +44 (0) 20 7734 8282 | Mobile +44 (0) 7917674711

Digital Vision PR Contacts:
EMEA/APAC
Dawn Egerton, Bubble & Squeak | dawn@bubblesqueak.co.uk | Tel: +44 (0)7887 627764

USA
Chris Purse, Ignite | chris@ignite.bz | Tel: +1 818 980 3473

Bexel and Riedel Communications Take Flight with Collaborative Offering

Bexel’s Falcon Sportscaster Unit to Feature New Riedel AVB Interface

Bexel Used Sales: NAB Booth #N1205
Riedel Communications: NAB Booth #C4937

(LAS VEGAS, NV) – Bexel, a unit of the Vitec Group‘s Services Division and a leading worldwide provider of broadcast services and solutions, announced a new, collaborative offering with Riedel Communications at NAB 2014. Bexel’s Falcon Sportscaster Unit will now feature an AVB (audio-video bridge) interface, developed by Riedel. The optional AVB capability provides direct digital network connectivity to the announcer in the most advanced media network architecture available.

The Falcon is able to satisfy all of the demands of professional sportscasters and audio operators with its unique, interchangeable nature. The unit’s inherent flexibility can accommodate a variety of interface connectivity solutions to meet a customer’s specific needs, and now broadcasters will be able to utilize the state-of-the-art Riedel AVB interface, as the Falcon is not bound to a singular solution for connectivity.

“With Riedel, we are working with a partner company that is dynamic, resourceful and innovative,” said Andrew McHaddad, chief audio engineer, Bexel. “This collaboration is a perfect fit for everyone involved, but especially for our customers. We pride ourselves on being a leader in the sportscaster equipment market with our Falcon platform. Working with a technology-driven company like Riedel strengthens our offerings and improves users’ experiences.”

Riedel, a provider of pioneering real-time video, audio, data and communications networks, approached Bexel about partnering on an AVB interface for the Falcon.

“It has been very rewarding to work with Bexel on this new AVB application,” said Christian Diehl, product manager for Riedel Communications. “We are very interested in furthering the usage of AVB globally, and this single-cable option for the Falcon is a perfect application for it.”

The new Riedel AVB option allows a single CAT-5 cable to connect to an AVB network carrying all five audio signals: broadcast microphone, Talk-Back #1, Talk-Back #2, IFB left, IFB right and power. All audio signals exist on the network as data, with all AD/DA conversions occurring within the Falcon unit. Powered through the network connection, this version provides the highest density of capability in the smallest footprint available in the marketplace.

“Riedel is a leader in technological innovations, and our new AVB interface brings their exciting work into the sportscaster equipment market,” concluded McHaddad. “It has been a rewarding experience working with the team from Riedel, and we are already looking forward to further collaborations.”

To see the new Riedel AVB interface for Bexel’s Falcon Sportscaster Unit, visit the Bexel TSS Booth (Stand #N1205) or the Riedel Communications Booth (Stand #C4937) at NAB 2014, April 7-10, in Las Vegas.

About Riedel
Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro-audio, event, sports, theater and security applications. The company also provides rental services for radio and intercom systems, event IT solutions as well as fiber-based and wireless audio & video transmission systems that can be easily scaled to events of any size anywhere in the world. Founded in 1987, the company now employs more than 400 people at 11 locations in Europe, Asia, Australia and the Americas. For more information, visit www.riedel.net.

About Bexel
Bexel is the pre-eminent worldwide provider of broadcast services including video and audio equipment rentals, fiber services, new audio sales, used equipment sales, and repairs/maintenance. Bexel provides brilliantly designed and flawlessly executed systems and solutions to all customers – including producers of the biggest and most important televised events in the world. For more information, visit www.bexel.com, and follow them on Facebook and Twitter.

About the Vitec Group
Capture the moment(tm)

For over 100 years, through every innovation in photography, film and digital image-making, Vitec businesses have developed a powerful portfolio of brand and products that have enabled some of the most amazing moments to be captured under some of the most challenging conditions. Vitec is an international Group principally serving customers in the broadcast photographic and military aerospace and government (MAG) markets. Vitec is based on strong, well-known premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Videocom, Imaging and Services. Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Imaging designs, manufactures and distributes equipment and accessories for photography, video and events. Services provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production and film crews. More information can be found at www.vitecgroup.com.

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