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Archive by Lisa Muldowney

HPA Awards Creative Category Early Bird Entry Fees Ends June 14

Engineering Excellence, Creativity and Innovation Deadlines Also Approaching

(Hollywood, CA) The Hollywood Post Alliance has announced that several important deadlines are approaching for the 8th Annual HPA Awards Call for Entries. Early Bird pricing, which will end June 14, 2013, provides reduced entry fees for the Creative Categories. The Creative Categories cover feature film, television and commercials and include Outstanding Color Grading, Editing and Sound, as well as an expanded Visual Effects category, which replaces the Compositing categories. Regular, non-discounted entry fees will apply for these categories from June 15 through the final Creative Category entry deadline of July 12, 2013. The final entry deadlines for the HPA Engineering Excellence Award and the HPA Judges Award for Creativity and Innovation are also nearing.

In addition to the Creative Categories, there are two awards that draw attention to other areas of post production with upcoming deadlines – The Engineering Excellence Award, which spotlights the companies and individuals bringing technical and creative ingenuity to the real world of post production while raising the profile of breakthrough technologies within the industry; and The HPA Judges Award for Creativity and Innovation in Post Production, which was conceived to recognize companies and individuals who have made significant achievements and pushed the envelope forward in post production, whether in creative storytelling and/or technical innovation. Valid entries should demonstrate new approaches in tools, workflows or ideas from a technical, creative or efficiency perspective. Both Engineering Excellence and the Creativity and Innovation Award are accepting submissions through June 21, 2013.

The period of eligibility for the HPA Awards Creative Categories is September 11, 2012 through September 3, 2013. To be considered eligible, work must have debuted domestically and or internationally during this period. Entrants need not be members of the Hollywood Post Alliance or working in the U.S. to submit work for consideration. The HPA Awards will take place November 7, 2013 at the Skirball Cultural Center in Los Angeles.

Attracting attention for the companies and individuals who work creatively and technically to bring vision to reality, the awards are the standard by which creative and technical excellence in the art, science and craft of post production is measured.

Contact Eileen Kramer at 213-614-0860 or write to ekramer@hpaonline.com for information about sponsorship opportunities for the 2013 HPA Awards show. For more information about the HPA Awards, visit www.hpaawards.net, write to info@hpaawards.net or call 213.614.0860.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content.

About the HPA(r) Awards
The HPA Awards were created to foster awareness of post production, promote creative and technical excellence, recognize the achievements of post production talent, and build involvement in the Hollywood Post Alliance.

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Media Contact:
ignite strategic communications
p: 818.980.3473
Christine Purse, chris@ignite.bz or
Mimi Rossi, mimi@ignite.bz

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American Society of Cinematographers Elects New Officers

Richard Crudo Named President

(LOS ANGELES, CA) – The Board of Governors of the American Society of Cinematographers (ASC) has held its annual election to appoint its new slate of officers. Richard Crudo will serve as president, along with Vice Presidents Owen Roizman, Kees Van Oostrum and Lowell Peterson; Treasurer Victor J. Kemper; Secretary Fred Goodich; and Sergeant-at-Arms Isidore Mankofsky.

The members of the Board, elected in May by the organization’s active membership, include: Curtis Clark, Dean Cundey, George Spiro Dibie, Richard Edlund, Fred Elmes, Francis Kenny, Matthew Leonetti, Stephen Lighthill, Michael O’Shea, Rodney Taylor and Haskell Wexler. Alternate Board members consist of Kenneth Zunder, Steven Fierberg, Karl Walter Lindenlaub, and Sol Negrin.

“I am honored to have another opportunity to serve this great organization,” says Crudo, who previously served three terms as ASC president from 2003 through 2005. “Our 94-year history makes us the longest standing group in the motion picture industry. As always, we will be aggressively promoting our art and craft, as well as the related interests of cinematographers everywhere.”

The ASC carries out its mission of inspiring the next generation of filmmakers through many industry events and initiatives, such as its Student Heritage Awards, Breakfast Club seminars, panel discussions by their Education and Outreach committee, the burgeoning Friends of the ASC membership level, and the org’s ongoing collaborations with other industry associations vital to the image-making process.

“I want to thank Stephen Lighthill for his hard work and dedication during the past term,” Crudo adds. “We operate in an astonishingly fast-moving world, and I look forward to working with him and the other Board members as we expand our efforts on all fronts, from pre-visualization through post-production and image delivery.”

Crudo is also a member of the Academy of Motion Picture Arts and Sciences, serving as an Academy Governor and Chairman of the Cinematographers Branch. In addition, he has chaired and co-chaired the ASC Awards for several years throughout the past decade.

Born and raised in Brooklyn, New York, Crudo began his film career as an assistant cameraman. As a director of photography, he has shot a wide range of feature, television and commercial productions. Among his feature credits are Federal Hill, American Buffalo, American Pie, Music From Another Room, Outside Providence, Down To Earth, Out Cold, Grind, Brooklyn Rules, and My Sexiest Year. He has also directed several independent films, and currently shares cinematography duties with Francis Kenny, ASC on the popular FX Channel series Justified.

ASC was founded in 1919. There are 330-plus active members today who have national roots in some 20 countries. There are also 150 associate members from ancillary segments of the industry.

For additional information about the ASC, visit www.theasc.com, or join ASC on Facebook at http://www.facebook.com/the.ASC and American Cinematographer magazine fan page at http://www.facebook.com/AmericanCinematographer.

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(Photos available on request)

Media Contacts:
ignite strategic communications
Sally Christgau / Lisa Muldowney
sally@ignite.bz / lisa@ignite.bz
818.980.3473

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Kodak Goes Behind-the-Scenes With Acclaimed Cinematographers at Cine Gear Expo

Eric Alan Edwards, Giles Nuttgens and Rachel Morrison Headline Panels

LOS ANGELES, CA – Kodak will host two discussions with acclaimed cinematographers at this year’s Cine Gear Expo on the Paramount Lot in Los Angeles. On Friday, May 31, at 5:15 p.m., Kodak will sit down with award-winning cinematographer Giles Nuttgens, BSC for a conversation in the Paramount Theater. On Saturday, June 1, at 11:45 a.m., the “Sundance in Summer” panel will feature Eric Alan Edwards (Lovelace) and Rachel Morrison (Fruitvale Station) in The Sherry Lansing Theater.

In a candid conversation, Nuttgens will reveal the thinking behind his extensive body of work — including the imagery, technology, career choices, and his collaborations. The seminar will offer a glimpse into the mind of one of today’s more innovative artists.

Nuttgens shot the recently released What Maisie Knew with the directing team Scott McGehee and David Siegel, and Midnight’s Children, based on the best-selling Salman Rushdie novel. Nuttgens’ extensive feature resume also includes Mehta’s elemental trilogy Fire, Earth and Water, which received a 2007 Oscar(r) nomination for Best Foreign Language Film and earned Nuttgens the 2006 GENIE Award for Best Cinematography. Nuttgens first worked with McGehee and Siegel on The Deep End, a film which earned him the 2001 Sundance Film Festival Award for Best Cinematography, and a nomination in the same category at the 2002 Independent Spirit Awards. His next films include the upcoming features Young Ones and God Help the Girl.

Both Edwards and Morrison recently had movies that were stand outs at the Sundance Film Festival. This panel conversation will delve into their creative and budgetary considerations made prior to and during production. The cinematographers will also give the audience behind-the-scenes insight on the collaborations with their directors – Ryan Coogler who took his first turn at the helm on Fruitvale Station; and the dual visionary team on Lovelace comprised of Oscar(r)-winning director Rob Epstein and Emmy(r)-nominated Jeffrey Friedman, both with documentary backgrounds.

Edwards’ film Lovelace is the story of adult film legend Linda Lovelace, who starred in the 1972 film Deep Throat. The film will hit cinema screens in August. Edwards received an Indie Spirit Award nomination for My Own Private Idaho, and has an eclectic list of credits including Gus Van Sant’s Even Cowgirls Get the Blues, Judd Apatow’s Knocked Up, David Dobkin’s The Change-Up, and the upcoming Delivery Man from director Ken Scott.

Morrison lensed Fruitvale Station, which was the winner of both the Audience Award and Grand Jury Prize at the 2013 Sundance Film Festival. Based on real events, the film follows Oscar Grant on the final day of 2008, and his untimely death New Year’s Day at the hands of a transit police officer in Oakland, Calif. The film will be released by The Weinstein Co. on July 26. Morrison’s credits include Palo Alto, CA; and the upcoming thriller The Harvest, among others. Morrison will receive the Kodak Vision Award at the 2013 Women in Film Crystal + Lucy Awards(r) on June 12.
The panel is free with admission to Cine Gear Expo. Advanced registration for the Expo can be done at www.cinegearexpo.com. The website also includes directions and additional information.

To learn more about Kodak, visit www.kodak.com/go/motion, or follow Kodak on Facebook at http://www.facebook.com/KodakMotionPictureFilm and Twitter (@Kodak_ShootFilm).

(Participants subject to availability.)

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About Kodak’s Entertainment Imaging Business
Kodak’s Entertainment Imaging business is the world leader in providing motion picture film and imaging products, services, and technology for the professional motion picture and exhibition industries. For more information, visit www.kodak.com/go/motion. Follow us on Facebook (facebook.com/KodakMotionPictureFilm), Twitter (@Kodak_ShootFilm), and YouTube (youtube.com/KodakShootFilm).

Media Contacts:
Sally Christgau / Lisa Muldowney
ignite strategic communications
415.238.2254 / 760.212.4130
sally@ignite.bz / lisa@ignite.bz

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Nathan Dubin and Jeff Levy of Margarita Mix Win Telly Awards


(HOLLYWOOD, CA) – Mixers Nathan Dubin and Jeff Levy of Margarita Mix, a FotoKem company specializing in audio post services for commercials and advertising media, have each won a 2013 Telly Award in the Sound/Sound Design category of the 34th annual competition. Dubin earned a Silver Telly for his work on Universal Studios’ Halloween Horror Nights “Gates” spot for David & Goliath. Levy took the Bronze Telly for G-Net’s “Borderlands 2.”

The Telly Awards honor the very best film and video productions, groundbreaking online video content, and outstanding local, regional, and cable TV commercials and programs. For over 30 years, the Telly Awards have been known for honoring the most worthy projects in film, television, corporate and advertising. This year, the competition drew over 13,000 entries. The judging and oversight committee is comprised of top industry professionals who are all past winners of Silver Telly Awards.

Every year, the Universal Studios(r) theme park is transformed into the award-winning Halloween Horror Nights(r) for a month just prior to Halloween. During that time, spine-chilling street experiences, haunted houses and live shows fill the park. The TV commercial for Halloween Horror Nights builds suspense for the holiday event, and plays on the theme and tagline: Once You’re Inside There is No Way Out. The :30 spot opens on a group of young friends in a dark, ominous alley. They look up to see another friend barreling towards them, sheer panic on his face, as a stampede of zombies pursue him. Even though they turn and run to escape the zombies, their safe haven behind a gate proves ineffective, as more creatures appear on the other side.

Dubin says, “The creative goal was to make the spot as scary as legally possible.” He achieved that by playing with dynamics – the difference between loud and quiet moments, the hallmark of a good horror mix. “In a post-calm world, there are still opportunities to make a great sounding mix if you pick and choose your moments to swing for the fences, balanced with some quiet spots.”

“Borderlands 2″ is an extended live-action trailer for the popular video game, and features a never-ending barrage of action besieging a remote location. As an epic battle ensues, mayhem envelops those trying to survive. Players fight across the whole of Pandora to stop Jack – the brilliant, charismatic, and utterly despicable CEO of the Hyperion Corporation – from awakening an ancient alien evil known only as “the Warrior.”

Levy’s task was to create the sounds of an alien world, and a battle between the four heroes and evil forces attacking them. The live action was shot MOS. Utilizing some sounds from the game as inspiration, Levy created this world literally from the ground up, starting with backgrounds and footsteps all the way through the guns, explosions and sounds for each character’s unique fighting abilities, as well as vehicles, flying weapons and alien creatures. “This was really a pleasure to work on because these characters are so visually exciting, and (director) David Moodie and (producer) Lindsey Kohon gave me a lot of freedom to create and add to the sounds from the game.”

Dubin and Levy are part of an award-winning mixing team at Margarita Mix, which includes Paul Hurtubise and Jimmy Hite, to name a few.

FotoKem’s Senior Vice President Rand Gladden comments, “We are very proud of the award-winning talent and cutting-edge services that Margarita Mix has been providing for over 30 years to the commercial production and advertising industries. Nathan and Jeff are part of dedicated team focused on helping the creative community do great work. We will continue to make the necessary investments to offer the best tools and experts that foster the community’s creativity and usher their projects through the post pipeline in the most efficient ways.”

About Margarita Mix
Margarita Mix, a FotoKem company, is an award-winning studio with exceptional in-house talent and expertise that provides audio services for commercials, branded entertainment, digital media, video games, radio, promos, and trailers. In addition to state-of-the-art mixing rooms, the facility offers sound supervision services, sound effects creation, 5.1 mixing, 3D mixing, sound design, voice over, ADR, ISDN, and a variety of recording capabilities. Margarita Mix is located in Hollywood and Santa Monica. SPY, another FotoKem company, shares space at the Santa Monica location, which augments Margarita Mix’s audio solutions with a full range of VFX, CGI and picture finishing services under one roof. For more information, visit www.margmix.com, or follow them on Facebook.

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Media Contacts:
Lisa Muldowney / Chris Purse
ignite strategic communications
818.980.3473
lisa@ignite.bz / chris@ignite.bz

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Bexel Expands 4K and HD Camera Solutions

Company to Showcase New Offerings and Equipment Sales at Cine Gear Expo

Bexel Cine Gear Expo Booth # 98C

(BURBANK, CA) – Bexel, a unit of the Vitec Group’s Services Division and a leading worldwide provider of broadcast services and solutions, has expanded its selection of camera solutions with the purchase of four Sony F55 cameras, a compatible selection of PL-mount Fujinon Cabrio Lenses, as well as 10 Canon EOS C300 cameras. The new camera packages will be on display at Cine Gear Expo (Booth #98C), which runs May 31 through June 1 in Los Angeles.

“The investment in these acquisition formats expands the broad base of Bexel’s available camera packages, and ramps up our turnkey solutions featuring leading products from the chief manufacturers in the industry,” says Bexel CTO Tom Dickinson. “We have been following the market quite closely, as we always do at Bexel, and know that this is the right time to jump into an extended offering that includes a series of PL-mount cameras.”

The Sony F55 cameras will play a crucial role in Bexel’s new 4K solutions, and their capabilities for providing camera packages that augment any major sporting event or live production, while also providing clients with an outstanding HD source for various broadcast television projects and other high-end programs. Bexel will offer a full suite of accessories with the camera, including the AXS-R5 RAW recorder, which enables incredibly precise 16-bit linear RAW in both 2K and 4K.

To complement their new Sony F55 cameras, Bexel has acquired eight Fujinon PL 19-90mm Cabrio lenses (ZK4.7×19) and PL 85-300mm Cabrio lenses (ZK3.5×85). These premier PL-mount lenses provide a film-like look, and are easily scalable to enable full 4K production.
The Cabrio lenses feature a detachable servo drive unit, making it suitable for use as a standard PL lens or an ENG-style lens. Bexel anticipates that the ability to extract sharp, crisp, high-resolution 4K images from a zoom will be especially desirable for live sports broadcasts.

The Canon EOS C300 with the EF-mount provides users with the ability to give a project a variety of looks, as it delivers an effective and cost efficient cinema-style look that is ideal for reality programming, field acquisition, and the enhancing of high-end video production. The Canon’s Super 35mm CMOS Sensor, DIGIC DV III Image Processor and XF Codec augment reality show productions at a very cost effective price point.

Dickinson adds, “We’re very pleased to be expanding the range of our camera lines. The Sony F55 is going to give our clients great shots that look like film, and the ability to be more creative. And on the 4K side of the spectrum, particularly when paired with the Fujinon PL Cabrio lenses, the F55 provides a larger image for 4K production. We also have a whole range of customers who will benefit from the flexibility and affordability the EF-mount Canon EOS C300s offer in augmenting a variety of video productions.”

Also at Cine Gear, Bexel’s Technical Sales & Solutions division (Bexel TSS) will be promoting its portfolio of new and pre-owned gear. Bexel TSS is the leading dealer of professional broadcast equipment sales, boasting a multi-million dollar standing inventory of the latest audio, video and fiber equipment. Bexel TSS recently became a premier reseller of DiGiCo’s broadcast digital audio consoles, and will showcasing the DiGiCo SD 11 at the booth. The company is planning a summer sale at its Burbank headquarters on June 7. Expo attendees can preview a selection of gear that will be available for purchase, as well as inquire about other equipment sales and rental needs.

“Having everything under one roof makes Bexel the go-to resource for rentals and sales,” notes Joyce Bente, director of sales for Bexel TSS. “We are thrilled to be able to provide more resources to our customers, including increased support and the ability to leverage all our products to meet their demands.”

About Bexel
Bexel is the pre-eminent worldwide provider of broadcast services including video and audio equipment rentals, fiber services, new audio sales, used equipment sales, and repairs/maintenance. Bexel provides brilliantly designed and flawlessly executed systems and solutions to all customers – including producers of the biggest and most important televised events in the world. For more information, visit www.bexel.com, and follow Bexel on Facebook (https://www.facebook.com/BexelBroadcast) and Twitter (@Bexel).

About the Vitec Group
Capture the moment(tm)

For over 100 years, through every innovation in photography, film and digital image-making, Vitec businesses have developed a powerful portfolio of brand and products that have enabled some of the most amazing moments to be captured under some of the most challenging conditions. Vitec is an international Group principally serving customers in the broadcast photographic and military aerospace and government (MAG) markets. Vitec is based on strong, well-known premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Videocom, Imaging and Services. Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Imaging designs, manufactures and distributes equipment and accessories for photography, video and events. Services provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production and film crews. More information can be found at www.vitecgroup.com.

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Media Contacts:
ignite strategic communications
Lisa Muldowney – 760.212.4130 / lisa@ignite.bz
Sally Christgau – 415.238.2254 / sally@ignite.bz

The Hollywood Post Alliance(r) Opens 2013 HPA Awards Call For Entries

Honors Celebrate Excellence in Post and Feature Expanded VFX Categories


(Hollywood, CA) The Hollywood Post Alliance(r) announces the opening of the Call for Entries for the 8th Annual HPA(r) Awards, which will take place on the evening of November 7th, 2013 at the Skirball Cultural Center in Los Angeles, CA. Considered the standard bearer for excellence and innovation, the HPA(r) Awards recognize the achievements of the individuals and companies that have contributed to groundbreaking technologies and creative excellence within the post production industry.

The HPA Awards invite entries in the following competitive categories:

* Outstanding Color Grading-Feature Film
* Outstanding Color Grading-Television
* Outstanding Color Grading-Commercial
* Outstanding Editing-Feature Film
* Outstanding Editing-Television
* Outstanding Editing-Commercial
* Outstanding Sound-Feature Film
* Outstanding Sound-Television
* Outstanding Sound-Commercial
* Outstanding Visual Effects-Feature Film
* Outstanding Visual Effects-Television
* Outstanding Visual Effects-Commercial
* Engineering Excellence Award
* HPA Judges Award for Creativity and Innovation in Post Production

The period of eligibility for the HPA Awards is September 11, 2012 through September 3, 2013. To be considered eligible, work must have debuted domestically and or internationally during this period. Entrants need not be members of the Hollywood Post Alliance or working in the U.S. to submit work for consideration. Lists of previous years’ winners can be found by visiting www.hpaawards.net.

A notable difference in the 2013 competition is expansion in the visual effects categories, which have become more encompassing, focused on a broader section of the visual effects pipeline.

Complete rules, guidelines and entry information are available at: www.hpaawards.net. Submissions for the creative categories will be accepted May 15, 2013 through July 12, 2013 and Early Bird Entries (reduced fee for the creative categories) will be accepted through June 14, 2013. Submissions for the Engineering Excellence Award and the Creativity and Innovation Award will be accepted May 15, 2013 through June 21, 2013. Entrants for the Engineering Excellence Award will be invited to present at a special HPA judging event in early August.

Contact Eileen Kramer at 213-614-0860 or write to ekramer@hpaonline.com for information about sponsorship opportunities for the 2013 HPA Awards show. For more information about the HPA Awards, visit www.hpaawards.net or call 213.614.0860.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content.

About the HPA(r) Awards
The HPA Awards were created to foster awareness of post production, promote creative and technical excellence, recognize the achievements of post production talent, and build involvement in the Hollywood Post Alliance.

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Media Contact:
ignite strategic communications
p: 818.980.3473
Christine Purse, chris@ignite.bz or
Mimi Rossi, mimi@ignite.bz

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American Cinema Editors Announces Debut of EditFest London

Popular Event Heads to the U.K. for the First Time with World-Class Line-Up of Editors

(Universal City, CA) On 29 June, 2013, American Cinema Editors (ACE) will present the London debut of its popular event, EditFest. After five years in Los Angeles and New York, EditFest London will take place on Saturday, the 29th of June, marking the first time the event has traveled outside of the U.S. An impressive roster of top editors is scheduled to share their experiences with attendees for a full day at the Ray Dolby Screening Room in Soho.

ACE launched EditFest in 2008 in Los Angeles, in response to a need to put the industry’s top editors in conversation with other editors and post-production professionals. By popular demand, EditFestNY was added to its agenda in 2010. Considered the premier editing event of the summer in the U.S., the move to London is part of ACE’s efforts to provide programming and activities for a global audience. Designed for professional as well as aspiring editors, post production team members, content creators, production execs, and those who love the art and craft of editing, EditFest is a rare opportunity to hear the most compelling artists talk about their work and interact with them in an intimate theater setting. An impressive array of BAFTA, Oscar(r) and Emmy(r) winners and nominees are scheduled to be part of EditFest London.

ACE President, Alan Heim, A.C.E., stated, “ACE is thrilled to put these talented editors in front of and in touch with audiences in London. For the past 5 years, in Los Angeles and New York City, we have seen that there is a thirst among the editing community to meet, connect, and hear from their colleagues. We have had many requests over the years to bring EditFest to London and it’s exciting to finally make the vision a reality. We are looking forward to engaging with the editing community in the UK.”

The agenda for the 29 June event features interactive, face-to-face dialogue, Q&A sessions and includes:

Small Screen, Big Picture – Panel with Television Editors
Featuring Frances Parker, A.C.E.* (Game of Thrones), Alexandra Mackie, A.C.E.* (Downton Abbey) and Oral Norrie Ottey, A.C.E.*, (Generation Kill).

From Dailies to Delivery – Editing Features
Mick Audsley, (Harry Potter and the Goblet of Fire) will moderate a panel featuring Chris Dickens, A.C.E.* (Slumdog Millionaire), Tracy Granger, A.C.E. (Still Life), John Wilson, A.C.E. (Billy Elliott) and Eddie Hamilton, A.C.E. (Kick-Ass 1 & 2).

Closing Dialogue
ACE is honored to present an in-depth conversation with the legendary Anne V. Coates, A.C.E.* (Lawrence of Arabia, The Elephant Man, Erin Brockovich) moderated by Tom Rolf, A.C.E.* (Taxi Driver, The Right Stuff, War Games)

In every city where it unfolds, EditFest includes social events. In London, EditFest ends with a closing night cocktail reception, followed by an after-party led by Art of the Guillotine’s http://www.aotg.com Gordon Burkell.

To make this week even more of a not-to-be missed event for editors, EditFest London is collaborating with the Third Annual London SuperMeet. SuperMeets are annual events held in San Francisco, Las Vegas, Amsterdam, London and Boston. The London SuperMeet is set for Friday evening, 28 June in the Great Hall at the Kensington Conference & Event Centre. SuperMeet attendees will receive a discount for EditFest.

Tickets for EditFest are available online at www.editfest.com for £200/$299. For further information, email amercinema@earthlink.net or call +1818.777.2900.
*Denotes BAFTA, Oscar(r), Emmy(r), ACE Eddie nomination or win

About ACE
AMERICAN CINEMA EDITORS (ACE) is an honorary society of motion picture editors founded in 1950. Film editors are voted into membership on the basis of their professional achievements, their dedication to the education of others and their commitment to the craft of editing.

The objectives and purposes of the AMERICAN CINEMA EDITORS are to advance the art and science of the editing profession; to increase the entertainment value of motion pictures by attaining artistic pre-eminence and scientific achievement in the creative art of editing; to bring into close alliance those editors who desire to advance the prestige and dignity of the editing profession.

ACE produces several annual events including EditFest (a weekend editing festival in the summer), Invisible Art/Visible Artists (annual panel of Oscar(r) nominated editors), and the ACE Eddie Awards, now in its 63rd year, recognizing outstanding editing in ten categories of film, television and documentaries. The organization publishes a quarterly magazine, CinemaEditor, highlighting the art, craft and business of editing and editors.

About ACE EditFest
Launched in Los Angeles in 2008 to put the leading film editors in touch and in communication with editors and those who work with editors and editing enthusiasts, EditFest expanded to New York in 2010 and London in 2013. EditFest presents panels, conversations and social interaction with some of the most influential editors working in film and television. The highly anticipated annual event, which sells out each year, has plans to expand to additional cities in the future.

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Media contacts:

For EditFest:
Christine Purse
ignite strategic communications
c: +1.323.806.9696 | o: +1.818.980.3473
chris@ignite.bz
skype@cpurse

For ACE:
Lea Yardum
Perception PR
c: +1.323-606-2080 | o: +1.323.956.2817
lea.yardum@gmail.com

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Bexel Launches 4K Solution with Evertz Dreamcatcher

Purchase Adds Cutting-Edge Slow-Motion Replay Technology for Sports and Live Broadcasts

(BURBANK, CA) – Bexel, a unit of the Vitec Group‘s Services Division and a leading worldwide provider of broadcast services and solutions, has purchased two Dreamcatcher systems from Evertz, a leading global manufacturer of broadcast equipment. The acquisition serves as a cornerstone for Bexel’s new 4K solutions, which provide turnkey packages that will be available to augment any major sporting event or live production broadcast.

Dreamcatcher represents the next generation in slow-motion replay technology and offers real-world 4K benefits. The product provides enhanced storytelling capabilities by allowing a production team to capture an event from all angles, without ever missing a moment of action. When 4K cameras are used, Dreamcatcher’s zoom capability lets broadcasters zero in on the action and extract an HD image from a larger 4K frame. This high resolution zoom ability allows broadcasters to enhance the narrative and definitive coverage of close calls at sporting events. When used in conjunction with Evertz’ patent-pending tracking feature, the 4K zoom functionality enables a totally unique replay experience. Dreamcatcher’s proprietary Mosaic function synchronizes multiple angles that can be played out with the press of a single button, allowing a captured event to be shown from brand new perspectives.

Tom Dickinson, CTO of Bexel, comments, “Bexel is a leader in building server systems for a myriad of sporting events, and the addition of Dreamcatcher is a natural expansion of our offerings – and it’s ready for 4K now. Dreamcatcher will be available to our customers as part of a customized solution that will deliver an elegant, streamlined 4K package that can be integrated into a sports production easily, and play a key role in providing 4K replay for live events. Dreamcatcher is a great storytelling tool that employs state-of-the-art technology to allow broadcasters to use 4K to its fullest extent on an HD production.”

Evertz’ Joe Cirincione, VP Sales-U.S. Sports and Entertainment, who has been on over a dozen shoots including the Super Bowl and Daytona 500, says, “Dreamcatcher allows an audience to experience an event like never before, and we know that it will make a perfect addition to Bexel’s offerings. We have enjoyed a long and successful relationship with Bexel, and we are very pleased they have chosen Dreamcatcher.”

“We engage many Evertz products in our systems and solutions,” concludes Dickinson. “This is a logical expansion for Bexel and the Dreamcatcher’s features augment the sports experience in exciting new ways, and for live content replay and multi-screen output for award shows as well as other live events. We’re thrilled to add this to our fleet of solutions.”

About Bexel
Bexel is the pre-eminent worldwide provider of broadcast services including video and audio equipment rentals, fiber services, new audio sales, used equipment sales, and repairs/maintenance. Bexel provides brilliantly designed and flawlessly executed systems and solutions to all customers – including producers of the biggest and most important televised events in the world. For more information, visit www.bexel.com, and follow them on Facebook and Twitter.

About the Vitec Group
Capture the moment(tm)

For over 100 years, through every innovation in photography, film and digital image-making, Vitec businesses have developed a powerful portfolio of brand and products that have enabled some of the most amazing moments to be captured under some of the most challenging conditions. Vitec is an international Group principally serving customers in the broadcast photographic and military aerospace and government (MAG) markets. Vitec is based on strong, well-known premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Videocom, Imaging and Services. Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Imaging designs, manufactures and distributes equipment and accessories for photography, video and events. Services provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production and film crews. More information can be found at www.vitecgroup.com.

About Evertz
Evertz is a leading global manufacturer of broadcast equipment and solutions that deliver content to television sets, on-demand services, WebTV, IPTV, and mobile devices. Evertz has expertise in delivering complete end-to-end broadcast solutions for all aspects of broadcast production including content creation, content distribution and content delivery. Evertz delivers cutting edge hardware and software solutions for television broadcast, telcos, satellite, cable TV, and IPTV providers. For more information, visit www.evertz.com.

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Media Contacts:
ignite strategic communications
Lisa Muldowney – 760.212.4130 / lisa@ignite.bz
Sally Christgau – 415.238.2254 / sally@ignite.bz

PGA TOUR Entertainment Relies on Xytech

MediaPulse Supports Multi-Faceted Entertainment Sports Group


(Mission Hills, CA) Xytech, the global leader in facility management software for the broadcast and media services industries, announced that PGA TOUR Entertainment has chosen MediaPulse to support its wide range of services, which include commercial production, live event coverage, creative services, and licensed golf footage.

PGA TOUR Entertainment, headquartered in St. Augustine, FL, is a world-class, innovative entertainment company and the full service content production arm of the PGA TOUR. Established in 1985, the Emmy(r) Award winning company has produced countless television series and specials for broadcast, cable and digital platforms. PGA TOUR Entertainment's 32,000 square foot facility offers North Florida's premier high definition edit facilities, state-of-the-art graphics, animation, audio sound design, and satellite and fiber transmission facilities. After a careful review of available solutions by PGA TOUR Entertainment, MediaPulse was chosen to support operations across an extensive roster of schedules, deliverables, facilities and project management.

David Dukes, Senior Director of Technical Operations for PGA TOUR Entertainment saw MediaPulse as a strong solution to their multi-faceted needs. "Sports entertainment organizations are uniquely focused on so many areas these days. Commercial and long form programming, live events, broadcast, and digital media are now all part of the mix for us. We found MediaPulse to be a perfect fit for our need to manage production staff, project schedules and reporting."

Greg Dolan, COO of Xytech, said, "PGA TOUR Entertainment is at the top of the list of the great organizations we have had the pleasure of working with in the past year. It's been a wonderful experience putting MediaPulse in place for this terrific group of professionals. We designed our platform to support just the sort of work they are delivering."

About Xytech
Xytech Systems Corporation(tm) is the leading global provider of facility management software for today's media and broadcast companies. Leveraging a 25-year history of innovation and market expertise, Xytech brings unparalleled proficiency to its customers with flexible, transparent and evolutionary solutions that set the standard for successfully managing the continuous business realignments that define today's marketplace. Xytech's collaborative MediaPulse platform and suite of solutions enable craft workflow and asset management systems to work seamlessly with the company's renowned planning, scheduling and financial management tools. Xytech has over 450 software deployments in more than 20 countries around the world and is headquartered in Mission Hills, California, with regional offices in New York and London.

For more information, please visit or call +1.818.698.4900 (US) or +44 (0)20.7903.5170 (UK).

About PGA TOUR Entertainment
PGA TOUR Entertainment is a world class, innovative entertainment company and the full service content production arm of the PGA TOUR. Established in 1985, the Emmy Award winning company has produced countless television series and specials for broadcast, cable and digital platforms. Their 32,000 square foot facility offers North Florida's premier high definition edit facilities, state-of-the-art graphics, animation, audio sound design, and satellite and fiber transmission facilities.

For more information, please visit www.pgatourentertainment.com or call (904)940-7000

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Media Contact for Xytech:
Christine Purse
ignite strategic communications
818.980.3473 (office)
323.806.9696 (cell)
chris@ignite.bz

Xytech’s MediaPulse Digital Order Integrates with Sony’s Media Backbone System

NAB 2013 – Booth # SL2427

(Mission Hills, CA) Xytech, the global leader in facility management software for the broadcast and media services industries, is announcing complete integration of its MediaPulse Digital Order with Sony’s Media Backbone system. This comprehensive approach to end-to-end facility management will be demonstrated during NAB 2013, in Las Vegas, NV, April 8th through April 12th, in Sony’s NAB Booth #C11001.

The announcement heralds a combination of technologies that allows clients to plan, orchestrate, streamline and manage complex workflows, bridging manual and automated steps as part of a holistic facility management solution. Now all the disparate activities of a broadcast facility – resource management, asset management, crewing, and job costing – are tied together to give clients a real-time understanding of all tasks as well as the cost implications for each decision.

Today’s announcement is meaningful to media companies that require real-time integrations to monitor events along the digital supply chain in broadcast and post production environments, enabling them to compete in a complex environment. MediaPulse supports SOA and transactionalizes events so facility staff can manage related business processing, resource scheduling, and media asset cataloging within its Digital Order structure. The value proposition for clients lies in the complete meshing of order entry, resource management, operational execution, and financial systems.

“Sony’s Media Backbone Solutions family is designed to support the widest range of complementary products and technologies,” said Wayne Zuchowski, Marketing Manager for Media Backbone Solutions at Sony Electronics. “The compatibility with MediaPulse extends the workflow management potential to a much broader audience. We are proud to be collaborating with Xytech on this new solution.”

Greg Dolan, COO of Xytech, commented on the new solution, “Previously, only highly customized solutions were available, with price tags and timelines that were no longer tolerable to the broadcast community. At Xytech, we are providing truly productized solutions. We are thrilled to be working with Sony and excited to show off our efforts at NAB 2013″

About Xytech
Xytech Systems Corporation(tm) is the leading global provider of facility management software for today’s media and broadcast companies. Leveraging a 25-year history of innovation and market expertise, Xytech brings unparalleled proficiency to its customers with flexible, transparent and evolutionary solutions that set the standard for successfully managing the continuous business realignments that define today’s marketplace. Xytech’s collaborative MediaPulse platform and suite of solutions enable craft workflow and asset management systems to work seamlessly with the company’s renowned planning, scheduling and financial management tools. Xytech has over 450 software deployments in more than 20 countries around the world and is headquartered in Mission Hills, California, with regional offices in New York and London.

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Media Contact:
Chris Purse, 818.908.3473
ignite strategic communications
chris@ignite.bz or mimi@ignite.bz

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