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Archive by Lisa Young

His Heart Is In New York: H.S. Concert Hall Gets ‘Thumbs Up’ From Tony Bennett

BUENA PARK, Calif.—In 1999, singer Tony Bennett and his wife Susan Benedetto, then a public school teacher, were inspired to start a public high school for young artists and envisioned a school that would integrate the arts with rigorous academics, require a commitment to community service, and help students cultivate a lifelong love of, and dedication to, their artistic passions and crafts.

With assistance from the New York City Department of Education and the not-for-profit Exploring the Arts (ETA) who assisted in raising the necessary funds required, the Frank Sinatra School of the Arts (named for Bennett’s long-time friend) opened in 2001 at a temporary space. In 2009, the school moved to its permanent home on the Kaufman Astoria Studios complex, in Astoria, Queens. Ennead Architects LLP (New York City, formerly Polshek Architects) designed the school, under lead architect Susan Rodriguez.

The Tony Bennett Concert Hall is a state-of-the-art performance 800-seat venue built specifically for use by the students. Tom Young, long-time front of house engineer for Mr. Bennett, was brought in at his bequest to specify the theatre’s sound system. “The original audio design by David Harvey (Harvey, Marshall, Berling Associates) and myself was initially a typical value-engineered system required by any New York City school but with our added mission of creating a good sounding space,” says Young. After Young took the Bennett’s to hear a demo of the Yamaha Active Field Control (AFC) system, they all agreed, that AFC would be a key component of the concert hall. Active Field Control is a reverberation enhancement system that adjusts and enhances the acoustic characteristics of a facility while preserving natural characteristics.

The theatre’s AFC system is a hybrid AFC3/LAP3 system with both the standard AFC3 system utilizing a new AFC-FIR card for processing and the enhanced option of using a dedicated FIR processing computer with the LAP3 external computer. System 1 is used for reverberation enhancement in the house and under balcony areas. System 2 is designed for reverberation enhancement/energy exchange on the stage adding a sense of spaciousness to the normally “dead” sounding stage area, aiding performers to hear others on the stage.

The main loudspeaker system in the concert hall is based around a NEXO GEO S12 line array, NXAMP4X4 amplifiers equipped with EtherSound cards connected to the existing EtherSound network; four Yamaha DSR115 self-powered Yamaha speakers for stage fills/monitors, and a Yamaha M7CL-48ES digital audio console.

In a joint statement the Bennett’s said: “Putting the finest sound system in the Tony Bennett Concert Hall at Frank Sinatra School of the Arts has turned it into one of the best sounding halls in the United States. How fortunate we are that both Tom’s team and Yamaha were able to create this for the public school children of New York City.”

For more information on Yamaha and NEXO products, visit www.yamahaca.com.

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Photo ID: Cheri Walsh, Director of Exploring the Arts, Larry Italia, VP/GM Yamaha Commercial Audio Systems, Tony Bennett and his wife Susan, and Tom Young

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Canadian Duo Uses Yamaha CL Digital Console On International Tour

BUENA PARK, Calif.—Tegan and Sara’s 13-year career has seen them build an avid global following of fans and fellow musicians alike. Born in Calgary, Alberta, the Quinn sisters’ unique ability to bridge the pop and indie worlds has allowed their music to cross all traditional boundaries of genres, from being covered by The White Stripes to collaborating with superstar DJs such as Tiesto and David Guetta. Having sold nearly 1 million albums and touring with acts from The Killers to Neil Young, Tegan and Sara are on the road in support of their 7th studio album – “Heartthrob”.

A Yamaha CL3 digital audio console with two Rio3224-D racks has been provided by Gearforce of Coquitlam, BC, Canada for front of house mixing by Scottie Baldwin. Robert Nevalainen, President of Gearforce said that it became obvious early on that the CL line represented a leap forward in audio quality. “Yamaha managed to retain the Centralogic interface that so many engineers love, and the company has such market penetration, that it just made sense.”

“The CL Series sounds amazing; a perfect blend of the sonic purity and coloration add up to the most musical console on the market,” states Baldwin. “I’ve found the Dante networking to be not only simple to set up, but incredibly reliable as well. The simple setup of the Dante network gets me where I need to be: into the music. Baldwin says he makes extensive use of the console’s Premium Rack; specifically, the Neve compressors and EQ’s as well as the multi-band compressors.

Baldwin has been a Yamaha end user engineer from the first days of Yamaha digital consoles. In 2002, the Yamaha PM1D was the first large-scale digital console he used for a Prince tour. He’s used Yamaha consoles exclusively since. “The thought behind where an engineer’s hands and eyes will be during a show are most impressive, Baldwin adds, completely intuitive to live mixing, that allows maximum capability to focus on the most important element of all: the music.”

For more information on Gearforce, visit www.gearforce.com.

For more information on the Yamaha CL, visit www.yamahaca.com.

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PHOTO ID: Scottie Baldwin at Yamaha CL3

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

SE Systems Uses New NEXO STM System and Yamaha CL5s at MerleFest

BUENA PARK, Calif.—Held the last weekend of April in Wilkesboro, N.C., this year’s MerleFest included a roster of longtime roots artists like Leon Russell, The Charlie Daniels Band, Avett Brothers, Del McCoury Band, Donna the Buffalo, Jim Lauderdale, Michael Martin Murphey, Peter Rowan, Jerry Douglas, Sam Bush, and the Nitty Gritty Dirt Band. As locals know, the festival is named for famed guitarist Doc Watson’s late son, Merle, a gifted musician in his own right. Doc passed away in May 2012, so this is the first year he hasn’t graced the stage himself.

For the past 26 years, SE Systems of Greensboro, N.C. has provided audio production for MerleFest, and this year included a new NEXO STM rig shared and alternating between the main Watson Stage and the side Cabin Stage. The system consisted of 15 M46/B112 per side for mains, 16 S118 subs in cardioid mode per side, two M46 for front fills, and a three-stack of M46/B112s were used for out fills in the VIP area. A Yamaha DME64 digital mixing engine functioned as a converter from analog to Dante that was networked to all NXAMPs. 20 NEXO 45 N-12 line monitors were also used on the main stage.

“The NEXO STM system was very musical and even horizontally and vertically, states Chris West, front of house engineer at the Watson Stage. “The mix sounded the same on the ground and at FOH. The throw was incredible; we hardly used the delays.”

“The NEXO STM system sounded natural, even at high volume,” states Haley Miller, monitor engineer at the Watson Stage. “When dealing with acoustic music, the environment plays a large part, so a natural sounding system is always a plus. On stage it was quiet, and sometimes we couldn’t tell if the PA was on; the system allowed great isolation from stage to FOH with no bleed.”

Four new Yamaha CL5 digital audio consoles with Rio 3224 input/output boxes all connected with Dante were used on the Americana Stage for mains and monitors and at the Dance Stage for mains and monitors. “The overall impression was they sounded great,” states Myron Surber, Sales Associate, SE Systems. “The preamps were warm and the Premium Rack was a real plus with delays on the input channels and the additional 1/3 octave EQs.”

“The Yamaha CL5 is a great improvement on previous Yamaha consoles having mixed on both the PM5D and M7CL in festival situations,” states Josh Berneking, who mixed front of house for all the acts on the Americana Stage. “The CL5 is much better in that situation. The new premium rack plug-ins, especially the Rupert Neve EQ and Compressor, sound great. I also like the increased naming and labeling capabilities; and color-coding my channels was a huge help at the festival. I also found that it was similar enough in navigation to the M7s that guest engineers walking up to the consoles having no experience were able to jump right in on the desk and mix on the fly with very little help from me. The Dante network and stage boxes worked great; they were very easy to patch on, and setup. We were also able to connect my talkback mic to the monitor console through Dante.” Jeff Neubauer mixed monitors on the Americana Stage.

“The console sounded great and was sonically very clean,” states Todd Dupree who mixed monitors on the Dance Stage. “We had two Rio boxes on our stage; they are great devices, well made, and solid. The indicator lights for signal, peaking, 48v, and the Ping feature worked great in the frantic festival setting.” John Adair mixed front of house at Dance Stage.

For more information on SE Systems, visit www.sesystems.com.

For more information on NEXO and Yamaha products, visit www.yamahaca.com.

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Photo ID: L to R SE Systems Chris West, Yamaha’s Joe Rimstidt, Doug Staab and Mark Rush, and SE Systems Thomas Dameron. Avett Brothers are on stage.

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Gand Moves and Takes On Fifth GEO T System

BUENA PARK, Calif.—Gand Concert Sound (GCS) has moved to new digs in Elk Grove Village, Illinois. After 18 years at their Glenview stronghold, GCS has relocated to a new warehouse that quadruples their space, doubles their docks, and adds a rail spur.

“We have been busting at the seams for the last few years and started looking for more space closer to O’Hare International Airport,” states Gary Gand, President. “Real estate being in a slump allowed us to scale up square footage without taking on more financially.”

The new Gand space features a 25’ ceiling allowing full size rigs to be flown for testing, and the layout allows for a concert-sized stage to be erected for full rehearsals of touring shows.
“We can now turn trucks around in a matter of hours without having to play Rubik’s Cube with the gear,” says VP Tim Swan. “GCS intends to expand their backline presence and may team up with other production vendors, all under one roof.”

In the timeliness of the move to the larger space, the company, also known as ‘the NEXO guys’, just took delivery of another 28-box NEXO GEO T speaker system, bringing their inventory up to five arena-sized rigs. The company already owns quite a stash of NEXO GEO S12, S8, Alpha, and PS series speakers and 4X4 NXAmps, making them one of the largest NEXO houses in the USA. GCS began their stable of GEO T systems with the first concert rig in the USA used at the Georgia Dome in Atlanta in 2003.

For more information on Gand Concert Sound, visit www.gandconcertsound.com.

For more information on NEXO products, visit www.yamahaca.com.

-END-

Photo ID: L to R: GCS Nick Dahl, Austin Swan, Tim Swan, Gary Gand, and Adam Rosenthal toast fifth NEXO GEO T System

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Gary Allan
Tour Stop: Yamaha and NEXO All the Way

LANCASTER, Penn.—The place was the American Music Venue in Lancaster, PA. on a late day in March. Country artist Gary Allan
performed in support of his latest CD “Set You Free”. Bauder Audio (Horsham, PA) provided a NEXO GEO S12 line array for the date with support from Tom Hogle, Bauder systems engineer and Sean Gary, A2 for Gary Allan. 24 NEXO GEO S12s over eight RS18 Ray Subs were all powered and processed with NXAMP4X4 amplifiers.

“Besides the fact that the GEO S12 sounds great, it is easy to set up which makes for a quick load in,” states Hogle. “NEXO continues to manufacturer studio monitors for large venues!” remarked Chris “Sully” Sullivan after mixing front of house for the show.

Tucked behind the NEXO arrays, Jason Spence specified a Yamaha PM5000 console for the entire Gary Allan tour, provided by Sound Image of Nashville. “We had options and, in fact, listened to other consoles, notes Spence. However, after listening to the 5K, Gary and the band chose to go analog. The production requirements did not necessitate a digital mixer so we went with the PM5000.”

For more information on the NEXO GEO S12 and Yamaha consoles, visit www.yamahaca.com.

-END-

PHOTO ID: Left: Bauder’s Tom Hogle Right: Sully

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

NEXO GEO S12 Boosts Sound in College Concert Hall

BUENA PARK, Calif.—Built originally as a private high school located in a residential neighborhood of Montreal, the school has transitioned to College Regina Assumpta, recently designing a 705-seat concert hall as part of the revitalization of the college. “An interesting feature of this project is that the concert hall is found inside a courtyard,” states Guy Desmarteaux, main designer and consultant, GO multimedia inc. “This offers the advantage of having the sound of city noise insulated. Specialized in music and dance education, the school now has a powerful tool for development and improvement.”

The Director of the College, Pierre Carle, was on a mission to make the venue a place where the sound quality could compete with the best concert halls. The team of GO professionals listened to the requirements and combining their knowledge, Carle, accompanied by the Director of the Equipment Christophe Bancilhon, and Eric Brunet, responsible for the audio-visual, worked in obtaining the desired result.

Desmarteaux was assisted by Julie Quenneville, architect and scenograph, with Simon Lemieux, Éric Berteau and Pascal Malenfant Tremblay as the consultant team from GO multimédia inc. The architectural firm for the project was Architectes Gagné & Villeneuve. Electrical and structural engineers collaborated with great ease, and always in the interest of the client, to create a professional level concert hall. “From the beginning of the project, the architects and engineers were happy to work with us to achieve a unique space,” says Desmarteaux. “The design was a team effort. The shape, volume, and parameters of the hall were the results of our discussions and proposals.”

“Technologically, it seemed normal and unequivocal to install digital,” notes Desmarteaux. “The scale of the challenge was mainly in the integration of clusters of speakers; quite a challenge to integrate the main sound system in a non-apparent way at higher proscenium.” The main PA consists of four NEXO GEO S1230, eight NEXO GEO S1210, and two RS18 Ray Subs. Three NEXO NXAMP4x4 amplifiers, allowing an active configuration, power the entire system. A set of loudspeakers provides the surround sound reproduction as well as front fills. All signal processing is accomplished using a digital controller with several adjustable settings via a control and management system using a touchpad. Solotech, Montreal, completed the system installation under the supervision of Charles Cadieux and Gilles Côté.

The clusters are installed with a charge differential between the top and bottom speakers. An important physical exercise was necessary in order to integrate them so as to sonically cover the entire audience. NEXO NS-1 software that determines the methods of possible hanging was suggesting that it was an off-standard or impossible installation. Michel Trépanier and his team at Yamaha assisted in facilitating the integration of the clusters. The optimal positioning of the cardioid subwoofers was determined after several tests and measures to match the acoustic phase and frequency response. “The sound image is an important factor not to be neglected,” adds Desmarteaux.

During the concert hall’s construction, interest was raised from internationally known conductor Yannick Nézet-Séguin. Once the project was completed, the venue’s acoustics charmed him, and a three-year agreement was signed between the College and the Montreal Metropolitan Orchestra, conducted by Nézet-Séguin, for the concert hall to be used as their practice space.

For more information on Collège Regina Assumpta, visit http://www.reginaassumpta.qc.ca.

For more information on GO multimedia inc. visit www.gomultimedia.net.

For more information on NEXO products, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Yamaha StageMix 4.0 Now Available

BUENA PARK, Calif.—Initially launched in 2010 the Yamaha M7CL StageMix application for the iPad allowed wireless remote control of M7CL mixing parameters for the first time. The combination of the iPad interface and StageMix concept turned out to be very successful, providing unprecedented monitor setup, freedom and flexibility. Versions for the Yamaha LS9 and CL Series soon followed.

Yamaha Commercial Audio Systems, Inc. has announced the latest updates available in StageMix Version 4. Version 4 includes new Dynamics Parameter Editing, Output Port Delay Editing, Output Port Levels (Gain/Attenuation), PEQ Copy and Paste, Phantom Power Switching, Mix Send Pre/Post Switching, HPF Slope Parameter (CL V1.5 only), Retina Display Support, and other enhancements.

“StageMix Version 4 will work seamlessly with Yamaha CL, M7CL, and LS9 Series Consoles and bring our end users more convenience and efficiency in setting up for live sound events,” states Kevin Kimmel, Systems Application Engineer, Yamaha Commercial Audio Systems, Inc.

Yamaha StageMix Version 4 is scheduled for release in May of 2013, and will be available from the Apple iTunes Store as a free upgrade. For more information on StageMix Version 4, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

ACIR Professional Assists Masters of Illusion Live at The Basie Theatre

EGG HARBOR TOWNSHIP, New Jersey—Whether in Las Vegas or on television, magic has never been hotter. There are more television specials and series involving magic than ever before, and now the hit television show, Masters of Illusion: Impossible Magic, is out of the box and into live theatre. Masters of Illusion: Live is one of the greatest magical touring shows in history, bringing the art of stage illusions live in real time to audiences full of magic fans.

In a recent stop at the Count Basie Theatre in Red Bank, New Jersey, ACIR Professional (Egg Harbor Township) provided engineer Stephen Bonamassa with a Yamaha CL5 and two Rio3224-D input/output racks for use at front of house.

“My work consists of 90% corporate work and about 10% music and entertainment work,” states Bonamassa. “I will say that the CL5 sounds better than other digital Yamaha boards I have used. Features like the touch screen made patching and routing a whole lot easier. I also liked being able to color code input and output channels on the surface.” Bonamassa said another cool feature was being able to assign the right-most bank of eight faders to different presets on the fly. “Having the same option, but different presets, available on the center eight is cool as well. The functionality of the graphic EQ’s on the center eight faders, and the way the input layers flip on the console, independent of what you have punched up on the center and right set of faders are also some helpful features.”

In addition to the CL5, ACIR brought in an entire audio production system including 14 d&b Audiotechnik Q1 Line Array Speakers, two Q Subs, D12 amps’ four Yamaha T3n amplifiers; and Shure SM58s and ULXS4 wireless systems.

For more information on ACIR Professional, visit www.acirpro.com.

For more information on the Yamaha CL Digital Console, visit www.yamahaca.com.

-END-

Annual Telethon to Aid Poverty Stricken Uses Yamaha CL5 Consoles

BUENA PARK, Calif.—An annual telethon broadcast by the Canadian Broadcasting Corporation’s French Public Television Network enlisted the services of L’Audi-C Sonorisation of Trois-Rivieres, Canada for the live to broadcast 54th telecast of the Noel du Pauvre fundraiser to aid poverty stricken, and held at the Salle J.Antonio Thompson Theater in Trois- Rivières.

Under the direction of company président, Daniel Hardy, L’Audi-C Sonorisation brought in three Yamaha CL5 digital audio consoles, one each for monitors mixed by Patrice Gagnon, front of house mixed by Nicolas Ouimet, and for the stereo mix sent to the CBC mobile TV truck mixing by engineer Daniel Savoie. Two Rio-3224D input/output boxes were used, fully redundant, using the Dante network at front of house. The CL5 at the monitor position was used for “Master Gain Recall” using only the physical outputs of the Rio rack and sent to the stage monitors as well as in-ear monitors. “This set up allowed us to have the same sound quality on stage as in the house,” states Paul Ricard, systems engineer, L’Audi-C Sonorisation.

Ricard said that once soundcheck was complete, they were using the CL’s gain compensation in order to have the best ratio signal to gain without changing the monitor sends. “Each console engineer could use their own digital gain for trimming every input as needed, which worked very well and is essential for this type of system set up. The creation of a multicast group on the network allowed us to issue a single source to multiple receivers.”

For more information on L’Audi-C Sonorisation, visit www.laudi-c.com.

For more information on Yamaha CL consoles, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Sun Shines Bright on Ft. Pierce Theatre with Yamaha CL5

BUENA PARK, Calif.— Listed on the National Register of Historic Places, the Sunrise Theatre in Fort Pierce opened its doors in 1923 as the largest theatre on Florida’s East Coast. Sixty years later, the theatre closed its doors due to the decline of the downtown area and refusal to convert to multi-screen operation. In 1988, the Main Street Fort Pierce Association was established and began its effort to save the historic theatre, and in 1997, the St. Lucie Preservation Association, Inc purchased it. By 2006, the theatre had been completely renovated to its original splendor and is now owned and operated by the City of Fort Pierce. The 1,236-seat theatre hosts’ national Broadway touring companies, concerts and comedy acts, and ballet and opera companies with full orchestras.

This year, the Sunrise Theatre upgraded its front of house console to digital by installing a Yamaha CL5 Digital Audio Console with Rio3224-D and Rio1608-D input/output boxes. Incoming engineers for Tony Bennett, Ziggy Marley, The Alan Parsons Project Live, and Hotel California have already gotten their hands on the theatre’s new console.

“John Wilkes, our executive director, announced in front an audience that we had two donors from our board of directors that wanted to donate money for a new FOH console,” states Eric Hatcher, front of house engineer. “I found out about that at the same time the audience did. It was very shocking and yet exciting at the same time. I was given the go ahead to research new boards within a specific budget and looked at a Yamaha PM5D, Avid Profile, Soundcraft Vi6, and several others. A visiting engineer told me about the CL Series, so I researched that as well. As I began to look into it, I immediately fell in love with the CL, and the rest is history. The demo I was given after the fact, was icing on the cake!”

Hatcher said he went on various online forums, and he and the theatre’s technical director, Marty Petlock, spoke with some of the engineers that were coming through to see if they were agreeable to use the CL even though his (Hatcher’s) decision had already been made that the CL console was what he wanted. “It sounds absolutely wonderful! I am an analog man but this was one of the few digital consoles out right now that really impressed me, especially with the updated VCMs and effects, iPad control, and, the Premium Rack.”

Hatcher says he is running Dante networking in redundant mode. “I’ve also hooked my computer up to the CL to use Nuendo Live—purely awesome! This was one of the best decisions I’ve ever made, thanks to our executives and donors.”

The theatre complex is also home to a 220-seat Black Box theatre, a state-of-the-art venue offering a variety of national, regional, local programming, completely outfitted with Yamaha products.

For more information on the Sunrise Theatre, visit www.sunrisetheatre.com.

For more information on the Yamaha CL, visit www.yamahaca.com.

-END-

PHOTO ID: Eric Hatcher

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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