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Archive by Lisa Young

Full Compass Systems to Hold Expo, Yamaha NUAGE System Demonstration

BUENA PARK, Calif.—Full Compass Systems will host a manufacturers’ Expo on Tuesday, March 25, 2014 from 5:00 pm – 7:00 pm. Yamaha Commercial Audio Systems, Inc. will be on hand to demonstrate the company’s new NUAGE DAW System.

NUAGE is the first truly networkable recording system consisting of hardware work surface components, sleek interface, comprehensive visual feedback, networkable audio interface units, and a software-based digital audio workstation. The Yamaha control surface features a combination of fader and main control units allowing for various system configurations, and the core of NUAGE is Steinberg’s award winning Nuendo digital audio workstation software. Coupled with the power of Dante, this advanced production system provides mix engineers a truly synergistic studio solution.

After the expo, from 7:00 – 8:30 pm, there will be a presentation by Alex Buono, renowned Director of Photography for the Saturday Night Live Film Unit, who will demonstrate various products and share tips and tricks of the trade. The Full Compass Expo will be held at The Pilot House at Discovery World,
500 N. Harbor Drive, Milwaukee, WI.

To see all manufacturers exhibiting and to register visit www.fullcompass.com/alexbuono/#register. Seating is limited.

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Yamaha CL Award IF Product Design Award

BUENA PARK, Calif.–The Yamaha CL Series Digital Mixing Consoles has been awarded an IF Product Design Award at the iF Design Awards 2014 held in Germany it was announced today by Yamaha Corporation Japan. Since 1953, the prestigious, international IF Design Awards have been hosted by the IF Industries Forum Design e.V. in Hannover, Germany and celebrate outstanding industrial product design.

The awards are comprised of four categories: product design, communications design, material design, and packaging design. The IF Product Design Award received by the Yamaha CL Series is awarded not only for creativity and innovation in design but from an overall viewpoint including functional aspects such as ease of use, quality, and environmental friendliness. Over 4,615 products from 55 countries around the world were entered for this year’s IF Design Awards.

“The CL Series has made great strides in sound quality, ease of use, functionality, and reliability meeting the needs of both artists and sound engineers,” states Laurence Italia, Vice President/General Manager, Yamaha Commercial Audio Systems, Inc. “We congratulate our design colleagues in Japan and celebrate this award with all of our dedicated CL Series customers.”

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Wirebox Media Adds Yamaha CL5 to Production and Rental Inventory

BUENA PARK, Calif.—Wirebox Media (Smyrna, Georgia) has added a Yamaha CL5 Digital Audio Console to augment its existing Yamaha digital console line along with the NEXO systems already in inventory. “We selected the CL5 primarily because our operators are already familiar with the Yamaha interface, design, and software but we also take into account the renowned reliability and stability of the Yamaha digital platforms,” states Tim Harrigan, Owner, Wirebox Media.

In addition to the CL5, Wirebox added Rio3224-D and 1608-D input/output boxes. “Integrated with the recommended Cisco switches, we have a redundant network with 500’ of fiber, says Harrigan. The Dante redundant fiber network was a key factor in the purchase. The system was flawless on its first outing for Ted Turner’s 75th birthday party hosted by Jay Leno. As a requirement, all equipment selected for the show was backed up with redundancy, from microphones to generators, which made the CL5 system the obvious choice.”

“The console surface is stellar, Harrigan notes, who was sound designer and mix engineer for the Turner event. The custom layers enabled me to work fast and layout the console exactly as I needed, which is key to event like this with so many elements involved.” Harrigan used the iPad interface to tweak the video mix; on the show network they had the video department 350’ feet down the hall in another ballroom. The second Rio (1608-D) was placed in the video room which supplied them multiple record feeds and playback inputs. The audio team had their own in-ear mixes on the CL5 Aux busses for communications with Harrigan that enabled them to also relocate with the video department to make necessary changes.

For more information on Wirebox Media, visit www.wireboxmedia.com.

For more information on the Yamaha CL Series, visit www.yamahaca.com.

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PHOTO ID: Wirebox CL5 In Action At Ted Turner Bash

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Yamaha R Remote App For Rio Line

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced today the launch of R Remote software. R Remote joins the Yamaha R Series input/output rack units, which since their inception, have made significant advancements in audio, creating natural sound quality, Dante audio networking, and system flexibility. The new Windows™- based PC standalone application, R Remote enables remote control of R Series Rio3224-D, Rio1608-D, and Ri8-D rack unit head amplifiers directly from a computer.

With R Remote, a live recording system can be created with just R Series I/O racks and a computer running Nuendo Live or similar DAW software. Combined with the I/O racks, R Remote can be used with consoles that up until now have not been able to support remote head amp control, such as the 02R96 or 01V96i. For this application, however, a Dante-MY16-AUD expansion card must be installed in the console. The end user will also be able to operate a stand-alone R Series Dante infrastructure independently from a console.

“There is great potential for advanced systems that provide enhanced portability and expandability,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “The development of R Remote is another example of listening to recommendations from our customers in order to provide them with even more advanced system possibilities.”

Yamaha R Remote will be available today, free of charge, via download at www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

BUENA PARK, Calif.—Housed in the renovated, historic Fenway Theater in Boston, the Berklee Performance Center is the Berklee College of Music’s flagship performance space seating more then 1,200 and counted among Boston’s most prestigious concert halls. Parsons Audio (Wellesley, MA) recently added two new Yamaha CL5 Digital Audio Consoles in the performance center for use by student and faculty productions as well as national entertainment.

Berklee has had a long relationship with Yamaha Commercial Audio Systems consoles dating back to 1976 beginning with the Yamaha PM1000, 3K, PM4K, PM1D, PM5D, DM2K, and now the CL Series. A CL5 is positioned at front of house with a second based in Studio BPC located in an area above the theater.

“The BPC looked upon the new CL as the PM1D successor, states Rick Scott, Sales Director, Parsons Audio LLC. Among features that were appealing to the technical team were the networking capabilities of this generation of Yamaha consoles along with its Rupert Neve plug-ins within the Premium Rack and integration with Nuendo Live.” Parsons Audio has provided customer support of the school’s Yamaha consoles since the very beginning.

“We had the Yamaha PM1D for eight years, and wanted to make sure we could stay up-to-date with current, commercially available (and currently supported) technology, states Ed Libeartore, A1 at BPC. We also really wanted to have something with remote iPad control, so we could mix monitors on stage from the FOH console.”

Liberatore said he immediately loved the sound of the preamps and the processing, and quickly became accustomed to having the controls accessible from the touch screen. “Handing an iPad off to a student assistant has been working amazingly well. It lets me concentrate on the house mix and seems to make the performers more comfortable knowing that there is somebody who can listen to the same monitor speaker with them and build a custom mix right on the spot with exactly what they need without ever having to shout to me, standing 50 feet away.”

Studio BPC, which regularly multitrack records many of the performance center concerts, is a teaching lab for live performance location recording classes. The studio is fed from a separate split off the on-stage mic snake box, but also receives a feed from the house Dante network for additional options. “I am really happy with our decision on going with the CL5 console for our live recording studio, states Alejandro Rodriguez, Associate Professor, Music Production and Engineering, Berklee College of Music. The Dante Network is key in the success of our new BPC Studio, and we use Nuendo Live linked to the CL5 as one of our two multi-track systems capable of recording up to 64 channels, receiving independently the outputs of our 64 Grace mic preamps.”

For more information on the Berklee Performance Center, visit www.berklee.edu.

For more information on Parsons Audio, visit www.paudio.com.

For more information on the Yamaha CL Digital Console, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Muzeek World Upgrades Tavern with Yamaha CL5 Digital Console

BUENA PARK, Calif.—The Belly Up Tavern is a live music venue, located in Solana Beach, California. We have all types of music almost every night bringing the best in new, up-and-coming artists as well as established legends in genres ranging from alternative rock, rock, reggae, and hip-hop to blues, folk, jazz, Latin & more!

Seating approximately 600, The Belly Up Tavern recently upgraded from analog to digital at the monitor position with a Yamaha CL5 and Rio 3224-D and Rio 1608-D purchased from Muzeek World in San Juan Capistrano, CA. The company also provided a new Antari F-3 lighting system and fog machines.

“Yamaha products are built like tanks, and the sound quality of the new CL is amazing,” states John Sardari of Muzeek World. “The features on the CL are more than what anyone needs, and the learning curve is quick, but most of all, the Yamaha service to get something exchanged or repaired is the quickest out of all manufacturers.”

The CL5 has been getting a lot of use at the tavern. “We just shot our second season of Live At The Belly Up for KPBS in San Diego and used the CL5 and the Nuendo Live function to multi-track the show, states Damian DeRobbio, Belly Up Tavern Production Manager. Nuendo Live has been flawless, easy to use, and really sounds great. We are now using it to record bands live and release them on our web site (www.bellyupmusic.com). The CL5 that we purchased is actually used for monitor applications, yet because it is so compact, we have also used it for FOH when bands are carrying their own monitor console and are considering a second one for FOH. We love the ease of use and the fact that any engineer can jump on and operate it.”

DeRobbio said he really likes being able to use the iPad to dial in mixes. “The power in this little console is amazing! Not to mention how great it looks in the dark! I would highly recommend this console to anyone, touring or not. You can’t go wrong with the CL series.”

For more information on the Belly Up Tavern, visit www.bellyup.com.

For more information on Museek World, visit www.muzeekworld.com.

For more information on Yamaha CL Digital Audio Consoles, visit www.yamahaca.com.

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PHOTO ID: Yamaha CL5 – Donavon Frankenreiter Show

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Arsenio Audio Staff (Fist) Pumped About Yamaha CL Digital Consoles

BUENA PARK, Calif.—The Arsenio Hall Show premiered in September 2013 and features a mix of comedy, music and celebrity guests, adding a new perspective to the late-night scene. Hosted by comedian and actor Arsenio Hall, the daily, one-hour nationally syndicated late-night talk show is anchored by the Tribune Broadcasting Station Group and produced by CBS Television Distribution.

Peter Baird is the sound system designer as well as the music mixer for The Arsenio Hall Show and together with the production mixer, house and monitor engineers, chose five Yamaha CL Digital Audio Consoles and six Rio3224-D input/output boxes to kick off the season. Two CL5s and one CL3 are used at front of house with two CL5s at the monitor mix position.

“When production mixer Ish Garcia asked me to come in as the show’s music mixer, we spent some time together strategizing about what an ideal system would look like, states Baird. We knew the show would be very music-heavy and wanted the system requirements to check four main boxes: 1) 160 inputs available to split between the house band, guest artists, and production, 2) tight integration and future-proofing, 3) stability and reasonable immunity from buzzes, hums, and grounding issues, and 4) incontestably great sound.”

Baird said he did a lot of research and was surprised to find that most major professional audio manufacturers still think in terms of single consoles with local input/output resources rather than integrated, networked systems. “It’s true that some manufacturers have implemented various modes of moving audio around including MADI and EtherSound, but only Yamaha had really perfected the relationship between separate console operators using shared resources. And, the more I read about Dante, the more I thought a large Dante network might be the best answer for us.”

Garcia and Baird have been through the audio selection process before, having been the mixing team on Lopez Tonight and, explains Baird, “in a project like The Arsenio Hall Show, the audio team needs to be able to move inputs and outputs around quickly and flexibly to deal with whatever the production team might throw at us. For example, we need to be able to quickly integrate any number of players suddenly showing up to sit in with the house band, while at the same time keeping the whole system as simple and understandable as possible for the operators. Yamaha’s incremental approach to console operations and CentraLogic™ meant that our FOH and Monitor Mixers, James Young and Greg Keslake, were already largely familiar with the console surface conventions from the very first day.”

Baird added that the economics of networked audio are not insignificant. “Traditionally a show like The Arsenio Hall Show would have at least three 56 pair of three-way transformer splitters with all of the associated interconnect copper between them, and in some cases, hundreds and hundreds of feet. Those 504 outputs (3 x 56 x 3) would feed separate consoles, with each output requiring a separate head amp. As mixers, we know that the best-sounding consoles are the ones with the best head amps, and a console with 64 top-drawer head amps costs more money than one with 64 mediocre head amps. But a networked system only needs one really great head amp per channel no matter how many consoles it’s connected to! With the CL series having only 8 head amps on board, Yamaha was able to spend time and money making the console as ergonomically correct as possible rather than trying to re-engineer head amp design to fit a small footprint. Also, in the case of Dante, local interconnects are on Cat 6 cable, with point-to-point connections on fiber, a monumental savings over the same capabilities in copper. And to clarify, the head amps in the Rio3224-D input/output box are spectacular! They are clear and detailed, yet with great body, warmth, and musicality; a great foundation for a system in a critical installation like The Arsenio Hall Show.”

Monitor Engineer, Greg Keslake says he’s a big fan of Yamaha digital consoles having been introduced to digital over 15 years ago with the Yamaha 01V, and since that time, has extensively used all of the larger format consoles. “We are using Dante exclusively for FOH, Monitors and Music Production, and I am even using a Dante MY16 Card in my house monitor console for high level returns from production.”

Keslake said for monitors he’s using one CL5 dedicated to the house band and one dedicated to the guest bands. “The house band is using the new Aviom 360′s, and I am sending the band each a mixture of direct outs, mixes and matrices. This has given them the comfort of being able to adjust the instruments of their choice very quickly but hasn’t limited my ability to supplement their mixes as needed. The Yamaha CL has also made it extremely easy to swap around what channels I send the house band based on weekly sit-in artists via Dante patching.”

On the guest band console, Keslake has dedicated mixes 1-16 as stereo in-ears, 17-24 as wedges, matrix’s 1-7 are effects sends, and matrix 8 is a drum sub mix. “The dedicated mixes have allowed me to have a very good starting point for almost any guest band with very little information. I have found the ability to map my own channels to custom fader banks immensely valuable specifically on the CL5 guest band console. I am using the C5 and C6 banks to map my daily used mixes enabling me to bounce around very quickly between them. I was also extremely impressed with the addition of the Premium Rack in the CL Series.”

With an audience of 201, James Young, front of house engineer is using a CL3 for the house band with six stems to the CL5 production console: left, right, sub, two vocal stems, lead and BGV, and a ‘guest’ stem for when someone sits in with the house band. Guest bands land in a separate CL5 with a similar 6 stem set up. “The Dante network has been very stable, and the Yamaha CL consoles are very easy to set up and use with classic Yamaha reliability. I also appreciate the extra DCA’s, effects rack, and custom fader banks.”

For more information on The Arsenio Hall Show, visit www.arseniohall.com.

For more information on Yamaha CL Digital Audio Consoles, visit www.yamahaca.com.

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PHOTO ID: Left to right: Greg Keslake, Peter Baird, James Young

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Trade IN, Trade UP Program Announced by Yamaha

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced a Trade IN, Trade UP program that will take place January 8 – March 31, 2014. This program is available to all customers who own a Yamaha M7CL-48 (this configuration only) Digital Mixing Console. The trade-in console must be in acceptable* condition. Upon proof of condition and return, the customer will receive a $15,000 credit toward the purchase of a new Yamaha CL5 Digital Mixing Console. This promotion is on a first-come, first serve basis, while supplies last.

“This limited time program will provide end users with the opportunity to own a new Yamaha CL5 console that they may not have had the budget to purchase,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “The trade UP to a CL5 will fulfill many of the features and benefits engineers have been asking for in an affordable package.”

End users should contact their preferred Authorized Yamaha Commercial Audio Systems, Inc. (YCAS) Dealer for more details. A complete listing of YCAS Dealers, Terms and Conditions as well as all other pertinent information can be found by visiting www.yamahaca.com/cltradeup.

*Yamaha has the sole right to determine if your M7CL-48 console is in an acceptable condition to participate in the program. If it is determined to be unacceptable, they will contact you to arrange its return to you.

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Yamaha MTX New Firmware and Software Enables AEC and Dugan MY Card Compatibility

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced Version 1.2 firmware and application software for the MTX Series Matrix Processor, the core product of the Commercial Installation Solutions (CIS) product line. MTX v1.2 now makes the processor compatible with the MY4-AEC acoustic echo cancellation card required for distance conferencing and the Dugan-MY16 auto mixing capability card.

The Yamaha CIS Series, launched in 2012, includes the VXC Series Ceiling Speakers, VXS Series Surface Mount Speakers, XMV Series Multi-channel Power Amplifiers, and the MTX Series Matrix Processors specifically designed for the commercial installation solutions market. Now with MTX v1.2, there is an even more comprehensive range of flexibility that will meet the demands of installed applications.

The new software enables compatibility with the two MY cards that was previously only available for use primarily with Yamaha’s DME Series Digital Mixing Engines. The MY4-AEC card eliminates unwanted acoustic echo that is caused by secondary signals of speaker output or reflections from room surfaces that are common in teleconferencing applications. The card is equipped with a noise reduction function that removes steady-state background noise caused by air conditioning components, projector fans, etc. Once the card is installed in the processor, parameter settings can be controlled using the AEC window in the MTX Editor program.

The Dugan-MY16 card, developed by Dan Dugan Sound Design, automatically optimizes the gain distribution of multiple faders simultaneously, allowing sound engineers to focus on their mix rather than keeping track of mic levels. Auto mixing parameters can be set using dedicated software that works in conjunction with the MTX Editor and is available via free download at www.dandugan.com.

“Ever since we launched the Yamaha CIS Series, we have received very strong, positive reactions from the installed sound market regarding its DSP power and the scalability the series provides when configuring a sound solution using amplifiers and speakers,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “MTX v1.2 is based on a number of requests from our customers regarding certain functionality and capabilities that are relevant to their applications. So, by adding compatibility with the MY cards, integrators will be able to address an even wider variety of installed sound applications and offer powerful functionality similar to the DME (Digital Mixing Engine) but at a lower cost to customers using the MTX5-D processor.”

Lopez also said that with the recent addition of the Wireless Digital Controller App for Android available free of charge at the Google Play Store, the MTX Series continues to bring extraordinary value to the Yamaha Commercial installation Solutions product line.

Yamaha MTX v1.2 will be released in mid-January and can be downloaded free of charge by visiting www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

River Oaks Retires Analog Console, Upgrades to Yamaha CL5 Digital

BUENA PARK, Calif.—The 600-seat River Oaks Community Church, in Goshen, Indiana, holds contemporary worship services, and on any given Sunday, serves 1,200 of its congregation. With a rotating pool of 25 musicians, a standard worship service consists of 5-10 members on stage. The church recently retired its aged analog console and upgraded to a new Yamaha CL5 digital audio console and Rio 3224-D and 1608-D input/output boxes, purchased from Mid-America Sound in Greenfield, Indiana.

“We had an analog console for about ten years that outlived its welcome”, states Tim Blaum, Program Director at the church and who installed the CL. “We realized we needed to have additional control and mixing space.”

Blaum notes that on occasion, the church had to rent a Yamaha M7CL for outdoor gigs or other special services when they needed a little extra control. “We have a volunteer team that is comfortable in the analog environment using a full bank of physical faders because it’s what we’ve been used to, but we knew it was time to upgrade to digital. Several industry professionals recommended we investigate the new Yamaha CL Series since it has several added benefits. After weighing our options, we heeded their advice and decided to go with the CL5 because of its power and features.”

Prior to the new CL’s arrival, volunteers viewed online tutorial videos, having been familiar with the M7CL. “Yamaha digital consoles have always been strong and reliable, and with the CL’s price point, the console will give us room to grow and expand our worship ministry,” Blaum says. “Talented musicians with years of training and skill lead our ministry, and our production team is eager to help them sound the best they can with our new desk.” The church is currently using the Dante network locally due to its pre-existing snake structure.

Blaum also said the front of house location is an elevated mezzanine, which makes mixing difficult. “We are living by the console’s iPad App; our engineers stay on ground level during rehearsals and worship to make sure our mix is perfect. The labeling on the CL was a major enhancement, but we really love just about every feature it has since we came directly from the analog world. The console sounds great, and since its installation, we’ve had numerous compliments about our mix greatly improving. No doubt, this is an exciting step forward for us.”

For more information on River Oaks Community Church, visit www.riveroaks.org.

For more information on Mid-America Sound, visit www.midamericasound.com.

For more information on the Yamaha CL Digital Audio Console, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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