A virtual press conference from Sound & Video Contractor

Archive by MusicMarcom

BASSBOSS Creates Custom DJ System for Red Bull and LANAI Rooftop Lounge

New booth as a centerpiece featuring awesome audio power, visual elegance and a very small footprint

Austin, TX (May 13, 2014)
– An elegant venue for dancing, relaxing and socializing, LANAI Rooftop Lounge in the heart of Austin, TX has great views, comfy couches, stylish décor and a diverse crowd that dances the night away to electronic and dance music. Their previous sound system and DJ booth took up far too much space and looked cluttered, without providing quality audio reproduction. LANAI and sponsoring partner Red Bull requested a custom design solution from BASSBOSS designer David Lee, who created a sound system in a DJ booth centerpiece that captures the aesthetic and offers sound that cleanly covers the entire room. The booth requires a very small footprint, leaving more room for customers and decor.

BASSBOSS_DJBOOTH_Cropped

“The list of technical details that went into making this project sound great and perform ideally for the space is even longer than the extensive list of aesthetic touches that were applied to make it beautiful,” said Lee. The BASSBOSS DJ booth/sound system incorporates a 12,000 W sound system into an elegantly crafted structure that serves as a platform not only for DJ equipment but also as a visual element that focuses attention. The main system components consist of a pair of 21-inch woofers, four 10-inch midrange drivers and two 1.4-inch exit compression drivers on iso-phasic waveguides. Also included is a DJ monitoring system that features dual 8-inch woofers and 1-inch exit compression drivers on tractrix waveguides. On the main system, a 3400 W amplifier module powers each of the 21-inch woofers. The midrange drivers are powered with 750 W each, or 1500 W per side, and the tweeters each have over 500 W available. For the monitors, each side has a 2 channel 700 W amplifier. Four discrete digital signal processors provide crossover, time alignment, equalization and limiter functions.

According to Lesliann Nemeth, LANAI’s Creative Director, the sound is now ideal for the space: “Since it is a custom-built system, we were able to have it set within the parameters of our outdoor music permit, which was a big issue for us before. It is amazing the level of sound we can get being that it is concentrated within the booth.”

BASSBOSS_DJBOOTH1
more

Hal Leonard publishes Music 4.0: A Survival Guide for Making Music in the Internet Age

Everything you knew about the music business has changed again!

Montclair, NJ (May 7, 2014) – Music 4.0: A Survival Guide for Making Music in the Internet Age is a completely updated version of the best-selling Music 3.0, by Bobby Owsinski. With the addition of fresh interviews from several of today’s successful music industry innovators, Owsinski reveals new and proven pathways to success in the modern music world. Music 4.0 is for the musician overwhelmed by the seemingly never-ending options of the fast evolving Internet, and along with some new high- and low-tech tips for inexpensive marketing and promotion, the book answers the following questions, and more:

- How are streaming music royalties determined and why is your payout less than you expected?
- Why is streaming music considered the savior of the music business by many industry insiders?
- How is money being made from YouTube and how you can benefit from its current “Wild West” mentality?
- Who are your customers and fans and how can you reach them?
- What are the most up-to-date ways of marketing your music in this new world?
- Who are the new industry players and why would they want to talk to you?
- What’s your brand and how do you develop it?
- How are Facebook, Twitter, and YouTube best used as marketing tools specifically for your music?
- What are the new technologies being introduced that will influence how you sell and market your work?

Included in this new edition is a chapter about the new economics of streaming music, which includes information that simply can’t be found in one place anywhere else. Music 4.0 is an aggregation of concepts about the new music business in the Internet age and the information is organized and presented in a way everyone can understand.

Also available is Owsinski’s Social Media Promotions for Musicians – The Manual for Marketing Yourself, Your Band, and Your Music Online. This book focuses on promoting your work via social networks and how to communicate with your fans and clients in the right way in various channels. The book reveals insider tips and tricks that will help to gain more fans and followers, increase views, and grow ticket and merchandise sales.

About the author
Producer/engineer BOBBY OWSINSKI is one of the best-selling authors in the music recording industry, with 23 books that are now staples in audio recording, music, and music business programs in colleges around the world, including The Music Producer’s Handbook, The Touring Musician’s Handbook, How to Make Your Band Sound Great, and many others. He is also a contributor to Forbes, writing on the new music business. His popular blogs have nearly 5 million visits, and he’s appeared on CNN and ABC News as a music branding and audio expert. More information at bobbyowsinski.blogspot.com and bobbyowsinski.com. He lives in Los Angeles.

For more information, please visit http://www.halleonardbooks.com – Hal Leonard Books – An Imprint of Hal Leonard

Music 4.0
$24.99 (US)
Inventory #HL 00122318
ISBN: 9781480355149 Width: 8.5″, length: 11.0″
296 pages

Social Media Promotion for Musicians
$29.95 (US)
Inventory #HL 00126957
ISBN: 9781480387355
Width: 8.5″, length: 11.0″
304 pages

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: New Products, News |

Sony Purchases New Consoles from Location Sound Corp.

Pro Audio Dealer Helps Sony Picture Studios Revamp Its Culver City Facilities


North Hollywood, CA (May 7, 2014)Location Sound completed their largest Q1 sale to Sony Picture Studio’s Culver City, CA, which is undergoing a revamp of its production facility. Sony’s purchase of eight live sound consoles—five Soundcraft Vi4s, one Soundcraft Vi6, and two Yamaha CL5s— will be used for audience sound reinforcement as well as recording of production dialog.

Sony’s choice of Soundcraft Vi4 and Vi6 consoles carries forward some continuity as the company had employed earlier analog models of Soundcraft Series FIVE consoles. Aside from the consoles’ smaller footprint and extensive modern features, upgrading to the latest digital models allows them to tap into the extensive fiber optic and Dante network that is instlled between stages and studios in the complex.

Val Asuncion, Location Sound’s Assistant Sales Manager, has been working with the Sony revamp project since November 2013. “The consoles are part of Sony’s production sound packages that are rented for various shows produced on the Sony lot, as well as other lots around Southern California. Since they were familiar with the sound and ergonomics of Soundcraft consoles, the Vi Series seemed a perfect fit”, Val said. Soundcraft’s Tom Der points out the long-standing relationship Location Sound has with Sony “made them the natural go-to vendor” for the deal.

Sony also had specific integration requirements for the Yamaha consoles used on the stage where Jeopardy and Wheel of Fortune were taped. For this reason, Jonathan Peirson, Yamaha’s District Manager, brought in twoYamaha CL5s and Rio stageboxes, a system that offered the best solution for integrating with the existing infrastructure. Since the consoles will be used in portable applications on stages with frequent changes, its ease of use, size, and features—such as scene memory and networking capabilities—played heavily into the buying decision.

“Location Sound has been on the forefront of showing products that work on a Dante network. And having recently become a Yamaha CL dealer, we partnered with them to show these capabilities on the consoles. It turned out to be perfect timing as Sony was looking to upgrade to consoles that would support a Dante network”, said Peirson.

David A. Panfili, Location Sound’s CEO says “Sony’s complex system integration requirements also serve to reinforce our commitment to aligning ourselves with technologies that advance and enhance our clients’ sound recording capabilities.”

About Location Sound Corporation
Location Sound opened its doors in January of 1977 with a mission to be the one-stop facility for production sound mixers for all their sales, rental, and equipment service needs. More than 37 years later, the client roster now also includes production companies, broadcast companies, law enforcement and private security firms, universities, houses of worship, government agencies, and more. Location Sound is known for its excellent customer service and unparalleled depth of inventory: No matter the industry, Location Sound remains committed to providing sound professionals the equipment they need for their critical recording needs, while delivering unmatched support services before and after the sale.

Blend Partners with Music Marcom

blend_logo_cropped

Music collaboration network taps proven PR agency to amplify awareness

more

Mixerman Updates Zen and the Art of Mixing

Hal Leonard publishes Rev 2 of popular mixing tome featuring new experiences, revelations, and updated gear section
more

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: New Products |

EASWEST Offers Limited Time Spring Savings

Save on Complete Composers Collection 2 and more for one week only

Hollywood – April 24, 2014 – EASTWEST, the industry leader in virtual instruments for over 25 years, is offering additional spring savings on their popular Complete Composers Collection 2 virtual instrument bundle as well as other select EASTWEST/QUANTUM LEAP virtual instruments for one week only.

EW_spring_specials

Perfect for music, film, TV, and videogame scoring, the Complete Composers Collection 2 can be customized by choosing from 20 award-winning virtual instruments that cover virtually every musical genre. Customers can save an additional $175 (200 Euros for European customers) on the downloadable version of the CCC2 and pay no tax, no shipping, and have immediate access t the product. Alternatively, customers can opt for the CCC2 PRO to be shipped to them pre-installed on a 2TB plug ad play hard drive and save an additional 10% for up to 70% off the total price. Final prices can vary depending on selections.

EASWEST is also offering 50% off of select EASTWEST/QUANTUM LEAP virtual instruments for one week only. Most of these collections are available for immediate download.

For more product information, promotion rules and requirements, and to order, please visit http://www.soundsonline.com/Spring-Offers or http://www.soundsonline-europe.com/EU-Spring-Offers for European customers.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Company Announcements, News |

Audiofile Releases Triumph 2.3

Major update to professional audio editor and post-production tool includes integration of Final Cut Pro X technologies

Minneapolis – April 2, 2014 Audiofile, a leading music technology company, today announced the latest major update to Triumph, their acclaimed audio editor and post-production tool for Mac.

Currently featured as a “Best New App” and “Great App for Final Cut Pro” on the Mac App Store, Triumph 2.3 now supports Final Cut Pro X XML import and export complete with video preview, placing it among the App Store’s most powerful audio editors for sound designers, video editors and filmmakers. 

Triumph_Screenshot

“Triumph 2.3 represents a significant step forward for Final Cut Pro X integration,” according to Matthew Foust, Audiofile Managing Partner and co-founder. “With this release we’ve made it even easier for filmmakers the world over to create sound for their films that is as beautiful and polished as the their visuals.” 

In addition to bridging the gap between sound design and Final Cut Pro X, Triumph 2.3 introduces iCloud support, adding to its already rich list integrated Mac technologies. With the inclusion of iCloud support, users are now able to share Triumph projects across all of their personal or studio machines and iOS devices.

“Support for the latest Apple technologies isn’t just a box we check,” says Ev Olcott, Senior Software Architect and co-founder. “Apple technology—from iCloud to Applescript and nearly everything in between—is quite literally at the core of what we do and it has been since the beginning.”

Triumph_Tools

Triumph has been completely rebranded when Creative Director Joseph Kuefler joined the Audiofile team.

Triumph 2.3 is only the latest in a planned roadmap of major updates, all in an effort to further distinguishes it as the flagship Audiofile app for Mac.

For more information about Triumph, visit http://www.audiofile-engineering.com/triumph/ 

 

About Audiofile
Audiofile is a boutique technology company building apps that power the worlds musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2004, Audiofile is among the most innovative and experienced audio software developers for Mac OS X and the iPhone with a long history of industry-firsts to their name.

Learn more about Audiofile’s entire range of music apps for Mac and iOS at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter, @weareaudiofile.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Audiofile Releases Fidelia 1.5

A major update to the popular high definition music player for OSX

Audiofile, a leading music technology company, today announced an update to Fidelia, the acclaimed premium music player for Mac. Fidelia 1.5 introduces AirPlay, support for Notification Center, Improvements to FHX™, significant improvements to reliability and performance, as well as an updated interface and branding.

“The sophisticated music lover will always be looking for the best listening experience,” says Matthew Foust, Audiofile Managing Partner and co-founder. “Fidelia offers what many digital music players can’t: support for the highest quality formats. But it’s not enough to simply support the best formats. Fidelia also provides users with tools that allow them to control nearly every parameter of the sonic experience.”

Fidelia 1.5 also introduces an updated design for Fidelia Remote for iOS. Fidelia Remote for iOS turns your iPhone or iPod touch into a full-featured remote control for the Fidelia music player. Browse your Fidelia library and playlists, adjust playback volume and navigate between or within tracks from as far away as your wireless network allows.

Fidelia 1.5 is the first in a series planned set of updates.
For more information about Fidelia, visit http://www.audiofile-engineering.com/fidelia/.

Pricing & Availability
Fidelia 1.5 is available on the Mac App Store starting at $19.99 or at audiofile-engineering.com.

About Audiofile
Audiofile is a boutique technology company building apps that power the world’s musicians and audio engineers. Founded by Ev Olcott and Matthew Foust in 2004, Audiofile is among the most innovative and experienced audio software developers for Mac OS X and the iPhone with a long history of industry-firsts to their name. Learn more about Audiofile’s entire range of music apps for Mac and iOS at www.audiofile-engineering.com, www.facebook.com/audiofileeng and on Twitter, @weareaudiofile.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: New Products, News |

iZotope Releases Audio Repair with RX 3: Tools, Tips and Techniques

Online Guide Details Strategies for Overcoming Common Audio Repair Problems

Cambridge, MA – November 5, 2013 – iZotope Inc., a leading audio technology company, announced the release of its new digital guide entitled Audio Repair with RX 3: Tools, Tips, and Techniques. The reference guide, available free of charge in the iTunes store and through iZotope’s website, provides invaluable information for audio editors repairing or restoring audio.

Audio Repair with RX 3 outlines the most common types of audio problems in recordings and covers the fundamental concepts of audio repair, while providing helpful tips from professionals for salvaging previously unusable audio. Geared toward helping users approach audio restoration based on their specific goals, readers can navigate through a wealth of tips and techniques from professionals including Emmy award-winning sound mixer Bill Jackson, Pro Tools Expert deputy editor Mike Thornton, and others.

For RX 3 users, audio repair techniques using iZotope’s new RX 3 audio restoration software are also included as subtopics throughout the guide.

Key Features:
Through the 100+ pages of the guide, readers are provided with valuable information on how to:

- Identify the basics of audio repair and restoration, and understand the tools of the trade.
- Learn the use of a spectrogram to identify audio problems.
- Expand efficiency in denoising, including reducing broadband noise, hum and tonal noise, and dialog denoising.
- Removing intermittent noises and gaps, clicks and pops, clipping, and reverb.
- Learn techniques of efficiently exporting and delivering audio.
- Discover tips from award-winning industry leaders, including timesaving advice and guidance through specific modules and plug-ins.

For more information about “Audio Repair with RX 3”, visit www.izotope.com.
For more information about iZotope RX 3, visit http://www.izotope.com/rx.

Pricing and Links to Download
Audio Repair with RX 3: Tools, Tips and Techniques, is free of charge, and is accessible through PDF by clicking here.
The eBook version can be downloaded via iTunes for iPhone and iPad by clicking here.
Users can also download follow-along audio examples here from the iZotope website.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®.
For more information on iZotope products, please visit www.izotope.com.

Media Contact

Music Marcom
Martina McConnon
e: martina@musicmarcom.com
v: 610-577-4982

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: New Products, News, Product Applications |

Engineering Emmy® awarded to iZotope RX® Audio Repair Technology

iZotope Inc., Cambridge, MA (October 2, 2013) - iZotope Inc., a leading audio technology company, has been honored by the National Academy for Television Arts and Sciences with an Emmy Award for Outstanding Achievement in Engineering Development for RX Audio Repair Technology. The Engineering Emmy is presented to an individual, company or organization for engineering developments so significant that they materially affect the transmission, recording or reception of television.

“We are incredibly proud to be recognized by the Academy for the development of iZotope RX,” says Mark Ethier, CEO of iZotope, Inc. “iZotope’s customers have helped shape RX into what is today—their feedback has been invaluable as we’ve refined RX’s workflows and strengthened its processing power. We are excited to be recognized as a game-changer in the television and broadcast industries and are sincerely humbled by this award. ”

For audio professionals in the television industry, RX is now the standard for rescuing audio from the cutting room floor. With remedies for noise, clipping, hum, buzz, crackles, unwanted reverb and more, iZotope’s RX visual audio repair technology is the fastest, easiest way to repair and restore audio. RX makes it possible to clean up dialogue that has been spoiled by weather conditions, microphone issues, equipment buzz, and sudden noises like dog barks, sirens and much more.

A highlight of RX is its powerful spectrogram, which exposes details that are hidden in a standard audio waveform. By revealing a rich visual display of audio frequency over time, RX allows engineers to detect and isolate problems with innovative selection tools. In addition, RX features intelligent, cutting-edge modules that are carefully designed to tackle specific audio problems. Whether used as a standalone software application, or as plug-ins within industry standard editors, RX integrates seamlessly with any post production workflow. To meet the modern demands of a fast-paced production schedule, post production studios worldwide use RX to transform troubled recordings into professional grade, broadcast ready audio.

RX Audio Repair Technology will be honored among YouTube, Aspera, Digital Dailies, and Lightcraft Technology on October 23, 2013 at the Lowes Hollywood Hotel.

To learn more about RX Audio Repair Technology, visit: www.izotope.com/rx.

About the 65th Primetime Emmy Engineering Awards
The 65th Primetime Emmy Engineering Awards are overseen by chair Wendy Aylsworth, SVP of Technology, Warner Bros. Committee members are Stuart Bass, A.C.E., Picture Editors Governor, Academy of Television Arts & Sciences; Chris Cookson, President, Sony Pictures Technologies; Kevin Hamburger, Sr. Supervising Producer, THE TALK; Eileen Horta, Sound Editing Governor, Academy of Television Arts & Sciences; David Jensen, Partner, Monitor; Geoff Katz, Vice President, Watchwith; Frank Morrone, C.A.S., Sound Governor, Academy of Television Arts & Sciences; John D. O’Brien, Video Control/Consultant “The Big Bang Theory”; Mark Scott Spatny, VP Digital Effects, Stargate Studios; Barry Zegel, Senior Vice President and General Manager, CBS Television City. Learn more about the 65th Primetime Emmy Engineering Awards: http://www.emmys.com/news/press-releases/winners-announced-65th-primetime-emmy-engineering-awards

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. For more information on iZotope products, please visit www.izotope.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

September 2014
M T W T F S S
« Aug    
1234567
891011121314
15161718192021
22232425262728
2930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication