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iZotope Releases RX™ 3: A Complete Audio Repair Suite

Built for the Toughest Audio Repair Tasks in Music, Post Production, and more

IBC, Amsterdam, Netherlands, (September 12, 2013) - iZotope Inc., a leading audio technology company, has released the much-anticipated update to its spectral audio editing and repair suite, RX. RX 3 and RX 3 Advanced provide audio professionals with a completely redesigned user interface, the ability to reduce or remove reverb, clean up dialogue in realtime, and new features for post production, music production, mastering, and more.

“Anytime you put a microphone on a sound and record it—whether it’s a vocal, an acoustic guitar, or a snare drum – you’re going to pick up a variety of unwanted noises. These user experiences are what RX is built on,” explains Alex Westner, Director of Product Management at iZotope, Inc. “RX 3 now provides even more features to help enhance audio for all musical applications, from simple podcast recording to professional mastering.”

Key Features: What’s New in RX 3 Advanced?
- Remove or reduce reverb from audio using the new Dereverb module.
- Clean up dialogue in real time with the new Dialogue Denoiser.
- Monitor your audio and loudness compliance using Insight™, iZotope’s comprehensive metering suite, now included with RX 3 Advanced.
- Advanced features and settings for Declip, Declick, Time & Pitch, Channel Operations and more.

What’s New in RX 3?
- Work up to six times faster than before in the RX 3 standalone application, thanks to intelligent DSP and optimized multicore processing.
- Time-saving features like a completely redesigned user interface, the new RX Document format and multi-file workflow.
- Addition of audio recording and monitoring, SRC™ sample rate conversion, waveform statistics, and more.
- Overall enhancements to Denoise and Declip modules, parametric EQ, drawing and selection tools, MBIT+™ dither, and more.

Used everywhere from Hollywood post production studios to leading sound editing facilities, iZotope RX 3 transforms troubled recordings into professional-grade material with remedies for noise, clipping, hum, buzz, crackles, and more. With an intuitive spectral editor and 10+ intelligent modules, RX 3 enables you to fix troubled audio with unprecedented power and precision.

For more information on RX 3 and RX 3 Advanced, visit www.izotope.com/rx.

Compatibility
RX 3 works as a standalone application, or as a suite of plug-ins for use in a host, including many popular DAWs and NLEs. Supported plug-in formats include AAX for Pro Tools 11, RTAS, Audio Suite, VST & VST 3, and Audio Unit.

Pricing and Availability
RX 3 and RX 3 Advanced are available now.
Through September 27, 2013, get RX 3 for $249 (Reg. $349/ €285) MSRP or get RX 3 Advanced for $749 (Reg. $1199 / €919) MSRP.
RX 2 or RX 2 Advanced users who purchased after July 1, 2013 will receive a free upgrade to RX 3. Users of previous RX versions can log in to their iZotope accounts at www.izotope.com/myaccount for upgrade information and special upgrade pricing.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. For more information on iZotope products, please visit www.izotope.com.


Media Contact:
Music Marcom
Martina McConnon
v: 610-577-4982
e: martina@musicmarcom.com
www.musicmarcom.com

Emmy Award Winner Felipe Borrero Is A Winner At Location Sound

Industry veteran walks away with a PSC PowerStar LiFE Power Distribution System valued at $1,835

North Hollywood, CA (September 10, 2013) –Location Sound’s Most Awesome 50 Days of Audio Gear Giveaways Ever (at http://www.locationsound.com/most-awesome-audio-gear-giveaway) has been running since July and continues to make audio professionals very happy. The most recent winner is Felipe Borrero who has won a PSC PowerStar LiFE Power Distribution System.

“Flip” Borrero has enjoyed a very successful career as a professional sound mixer: He has been in the business for over 40 years and worked on countless movies and television shows. He was nominated for a CAS Award for outstanding achievement in Sound Mixing, and in 1999 won a Primetime Emmy Award for Outstanding Sound Mixing for The Rat Pack (1998).

Borrero currently works on the TV show Enlisted that will air on the FOX Network on October 18, 2013. He was going to buy the PSC PowerStar LiFE Power Distribution System when he found out that his boom operator had just won a microphone, one of the many prizes of the Location Sound giveaway. “This actually works!”, he thought. “It’s not like the lottery where millions of people enter. Because only audio professionals enter this contest, the odds are much greater to actually win something. I entered 3 times and then I won!”

This prize couldn’t have come at a better time. Borrero had actually retired from his job 10 years ago and he had sold his equipment at that point, worth over $100,000, for pennies on the dollar. In 2009, he decided to come back to the industry and to mixing sound but he didn’t want to re-invest in his own equipment. Winning the prize at the LSC giveaway was a more than welcome surprise.

Borrero has been renting equipment at Location Sound for over 30 years. “I’m probably one of their first customers. I used to shop with them even before there was a West Coast location. Now, I go to their North Hollywood store all the time”, he said. “The customer service is like doing business with friends. They have respect for what I do, and they bend over backwards to help me. I remember that when one of my machines broke down, the Location Sound staff opened the store in the middle of the night for me, they got me a machine, and I was off and running the next day.”

Registration for Location Sound’s giveaway will continue at http://www.locationsound.com/most-awesome-audio-gear-giveaway until September 24, 2013, with new prizes and new winners every day. Website visitors can enter to win many high-priced and high-quality items such as Sound Devices’ 664 Field Mixer/Recorder, Lectrosonics’ UCR411/UM400A Wireless UHF System, and many others. A complete prize list is accessible at http://www.locationsound.com/most-awesome-audio-gear-giveaway-prize-list

Customers can enter up to three times a day. Bonus entries are made possible if a customer, AFTER completing the entry form, uses the Twitter “share” button to tweet the giveaway (must have Twitter account to do this). With this option, one person can potentially have up to 6 entries each day. Once a customer wins, however, they will no longer be eligible for the other prizes. The giveaway is open to all legal residents of the United States, 18 years of age or older, excluding residents of Florida, New York, Puerto Rico and all other U.S. territories. For complete Official Rules, go to http://www.locationsound.com/most-awesome-audio-gear-giveaway-official-rules.

About Location Sound Corporation
Location Sound Corp. opened its doors in January of 1977 with a mission to be the one-stop facility for production sound mixers for all their sales, rental, and equipment service needs. More than 36 years later, the client roster now also includes production companies, broadcast companies, law enforcement and private security firms, universities, houses of worship, government agencies, and more. Location Sound is known for its excellent customer service and unparalleled depth of inventory: No matter the industry, Location Sound will get anyone the sound equipment for their critical sound recording needs, while providing unmatched support services before and after the sale. For more information, please visit www.locationsound.com
Media Contact:
Music Marcom
www.musicmarcom.com

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Hal Leonard Publishes 2nd Volume of Power Tools for Studio One 2

Second volume of the most comprehensive book about PreSonus’ powerful Studio One 2

Montclair, NJ (September 9, 2013) – Hal Leonard Books, the musician’s best source of books on the music business, audio technology, instrument history, and more, has released the second volume of the book on Studio One 2, Power Tools for Studio One 2, by Studio One maven Larry the O. Both volumes are the only comprehensive references to Studio One, containing a substantial amount of material not documented anywhere, including in the user manual.

Whereas Power Tools for Studio One 2, Volume 1 orients readers to the program and teaches them how to record, play, and edit audio and MIDI, Volume 2 takes users deeper into advanced applications such as working with loops and video as well as the all-important processes of music production, mixing, mastering, and sharing their work with the world. Volume 2 explores each topic in comprehensive detail, exposing every aspect of subjects like plug-ins, automation, and the use of control surfaces.

The transparent integration of mixing, mastering, and sharing is fundamental to Studio One 2’s amazing production power. In this valuable resource, Studio One expert Larry the O demonstrates how to jump from a mastering session back to a mix to make changes, which are then instantly updated in the mastering session; how to export masters to an audio file, to a DDP file that can be sent to a professional mastering house, or to a set of compressed files for digital downloading; and how to upload directly from Studio One 2 to online services, such as SoundCloud.

This new volume discusses important features released since the first volume was written, such as the new Macros feature and Nimbit, the PreSonus acquired e-commerce technology that makes selling music, merchandise and tickets to gigs and events easy and convenient. The author includes several helpful appendices that address troubleshooting common problems users encounter. The included DVD-ROM shows in easy-to-grasp videos how to create Musicloop and Audioloop files, how to use Studio One’s metering capabilities, how to integrate external processors with Pipeline, how to use the Project page, “true stem mixing”, as well as song and project integration. Volume 2 also details the program’s unique capacity to allow users to trade tricks through PreSonus Exchange. Thanks to author’s friendly tone and entertaining writing style, this informative book is far from dry and makes an interesting and easy-to-follow read.

Volume 1 received lots of industry accolades:

“This book is the ‘straight line’ between booting the program and creating a project. While it’s suitable for those getting started with Studio One Pro, there are plenty of tips, shortcuts, and workflow ideas that existing users will find helpful as well.” – Craig Anderton

“This has got to be the most comprehensive book in learning everything from the basics to advanced techniques in Studio One. Larry the O takes you all the way. Highly recommended for beginners or pros.” – Rick Naqvi, Vice President, Sales, PreSonus

“Power Tools for Studio One 2 does a fantastic job of getting you up and running in Studio One 2 and guiding you into some of the more complex functions that aren’t covered in the application’s documentation.” – Pro Audio Review

“Larry the O has decades of experience educating readers about music technology, and his friendly tone adds to the book’s ‘here’s some cool stuff I bet you didn’t know’ nature. And there is stuff you won’t know in here… this book promises (and delivers) information about Studio One 2 that even PreSonus doesn’t document anywhere.” – Mike Metlay, editor, Recording magazine

About the Author
Larry the O has spent more than 30 years as a music and audio professional in nearly every aspect of the industry. As a musician, sound designer, composer, engineer, producer, and writer, Larry has amassed credits in film, TV, video games, articles and reviews in magazines such as Mix and Electronic Musician, and technical authoring for top audio-industry companies. His audio services company, Toys in the Attic, is based in Vallejo, California.

Please contact Martina McConnon at Music Marcom for interviews with the author, high-resolution pictures, reprint excerpts, and review copies of the book!
Martina@musicmarcom.com or call 610-577-4982

Power Tools for Studio One 2, volume 2
Hal Leonard Books $39.99 (US)
Inventory #HL 00110295
ISBN: 9781476874685
Width: 7.25″ Length: 9.0″ 335 pages, DVD ROM with video lessons included
More information at www.halleonardbooks.com and www.onstageandbackstage.wordpress.com

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Berklee College of Music Partners with iZotope

Berklee chooses iZotope software for audio production facilities

Boston, MA (August 21, 2013)- Berklee College of Music, a leading educator in contemporary music and audio technology, has chosen iZotope, a research-driven audio technology company, to outfit its lab and studio facilities with industry leading software products. In addition, iZotope will partner with Berklee for educational events and training opportunities.

iZotope’s award-winning products Ozone® 5, RX® 2, Alloy® 2, Iris®, Nectar®,Trash® 2, and Stutter Edit® are now available in audio technology facilities accessible to both Electronic Production & Design and Music Production & Engineering major programs. Designed with numerous audio production workflows in mind, these iZotope tools will aid students in their sound design, composition, mixing and mastering activities at the Boston, Massachusetts campus.

“Berklee is a leading educator in both music and audio technology and iZotope has a long standing history of supporting its software tools with additional educational materials such as the Mastering with Ozone and RX Audio Repair guides,” says Scott Simon, Business Development Manager at iZotope, Inc. “It’s exciting to work with an organization whose attention and connection to technology aligns well with our own. To be able to offer our tools to such a diverse group of students is a wonderful opportunity that speaks to our own educational initiatives in audio.”

“Since its founding, Berklee College of Music’s mission has been to help students excel in music as a sustainable career,” says Anthony Marvuglio, Assistant VP for Academic Technology at Berklee College of Music. “We’re happy that iZotope is helping students and teachers at Berklee further their education in music technology fields through award winning software and educational initiatives.”

For more information about Berklee College of Music’s degree programs, visit: http://www.berklee.edu/majors For more information about Berklee College of Music, visit: www.berklee.edu or visit http://www.berklee.edu/about/mission-and-philosophy
For more information about iZotope, please visit: www.izotope.com

About iZotope
iZotope is a research-driven audio technology company based in Boston, Massachusetts. Its award-winning products and audio technologies are in use by millions of people in over fifty countries, from consumers to musicians to major film, TV, and radio studios. Some of the diverse clients include musical giants like BT, Depeche Mode, and RZA of WuTang Clan; radio stations like Boston’s iconic WGBH; and TV programming like CBS’s Survivor, the Discovery Channel’s Deadliest Catch, the World Cup broadcast, and the GRAMMY awards. Through an extensive licensing program, iZotope technology is also directly integrated into products made by industry leaders such as Adobe, Avid, and Sony; video games from companies like Harmonix and Ubisoft; as well as a growing number of mobile phone applications. For more information on iZotope products, visit www.izotope.com

About Berklee College of Music
Berklee College of Music was founded on the revolutionary principle that the best way to prepare students for careers in music is through the study and practice of contemporary music. For more than 65 years, the college has evolved to reflect the state of the art of music and the music business, leading the way with the world’s first baccalaureate studies in jazz, rock, electric guitar, film scoring, songwriting, turntables, electronic production, and more than a dozen other genres and fields of study. Berklee serves distance learners worldwide through its award-winning online extension school, Berklee Online. The college’s national after school music program for underserved teens, the Berklee City Music Network, is in 30 cities and counting. A new campus in Spain, Berklee in Valencia, began hosting the college’s first graduate programs in the fall of 2012. With a diverse and talented student body representing nearly 100 countries, and alumni and faculty that have collectively won more than 270 GRAMMYs and Latin GRAMMYs, Berkleeis the world’s premier learning lab for the music of today – and tomorrow.

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EASTWEST Announces SSL/EW FX Suite for PLAY4

Experience the precision and tonal characteristics of SSL console products, complete with EQ & Dynamics, Transient Shaper, Stereo Compressor, and EW Reverb Expansion

Hollywood, CA (August 16, 2013) – EASTWEST has teamed up with legendary studio console maker Solid State Logic to present the SSL/EW FX Suite, a collection of professional audio processing tools for use inside the EASTWEST PLAY 4 software. The SSL audio processing tools provide the superior precision, advanced feature set and legendary tonal characteristics of SSL console products. These tools allow musicians to achieve professional compositions that sound like a record.

The foundations of the SSL collection are adaptations of two SSL console classics. The EQ & Dynamics Channel plug-in provides an EQ & Dynamics processing solution with all the power, precision, flexibility and signature tone of an SSL console channel strip. The legendary Stereo Compressor gives users the classic SSL stereo compressor that brings power and punch to the music without compromising clarity. The Transient Shaper is a ‘task specific’, carefully selected and crafted processing tool to get outstanding drum and percussion sounds quickly and easily.

The EASTWEST Reverb, an expansion of the Reverb in the Player view, is also included. It adds some features that are not part of the Player Reverb, as well as many additional reverbs:
- A high-pass and low pass filter set, with 2 handles on the graph for modifying the filters visually
- A mono button
- 726 additional reverb presets that are not available on the Player page Reverb
- A selection of ‘true stereo’ reverbs that are added only when this FX package is installed.

With the SSL/EW FX Suite, users can save their custom instruments in the Browser menu for recall at any time, with the added convenience of being able to change any parameter in real time. These SSL audio processing tools are identical to those found in the SSL Duende Native Plug-in suite, for a fraction of the price, limited only to their use within the PLAY 4 software.

For complete product information and details, please visit http://www.soundsonline.com/SSL-EW-FX

Pricing & Availability

The SSL/EW FX Suite is included free for use with each new release after the introduction of PLAY 4. Previously released PLAY collections require an upgrade that can be downloaded at http://www.soundsonline.com/SSL-EW-FX for $99 / €79 (only one upgrade is required for all PLAY releases).

About EASTWEST
EASTWEST (www.soundsonline.com) has been dedicated to perpetual innovation and uncompromising quality of Sample Libraries and Virtual Instruments for 25 years, setting the industry standard as the most critically acclaimed soundware developer. More about EASTWEST at soundsonline.com and soundsonline-forums.com, on Facebook and Twitter.

Media Contact:
Music Marcom
Martina McConnon
e: martina@musicmarcom.com
v: 610-577-4982
www.musicmarcom.com

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BASSMAXX Launches New SSP215 Profundo Subwoofer

New SSP215 Profundo Subwoofer Delivers Output Comparable to Many Double 18” Subs from a Compact Double-15” Cabinet

Austin, TX (August 13, 2013) – BASSMAXX announces their new SSP215 Profundo Subwoofer, adual 15” loudspeaker powered by a 4000W amplifier with comprehensive onboard DSP. Thanks to its low height of only 17.5”, this extremely powerful sub can be placed under low stages and ceilings, and in tight corners where larger boxes won’t fit. Its largest dimension is 48” wide, which, when turned on end, makes the box an excellent stack platform for getting top boxes above the heads of the audience. The depth is a mere 22.5”, allowing it to be placed in front of stages with minimal loss of audience area and making the SSP215 a perfect truck-pack size for both 90” and 96” trucks. It’s also an outrageous drum monitor sub that minimizes space but maximizes impact.

At about half the size of the average double 18” subwoofer, the SSP215 is ideal for the mobile professional who needs substantial bass output but has limited transport space. For installations in lounges or restaurants where sound quality is a priority and space is limited, the SSP215 will comfortably take the place of double 18” boxes without loss of output or diminished frequency range while taking significantly less floor space.

The SSP215 easily competes with most double 18? subwoofers on the market, providing equal or better output with significantly less size and weight. The SSP215 is tuned low, providing linear response down to 35Hz (±3 dB) for use as a real subwoofer, with long-excursion, low distortion 15” woofers, and, thanks to the lower mass of the 15” cones, it delivers a tight, punchy sound as well as the deep, rolling bass.

The included amplifier provides 2400W to the on-board woofers. In addition, the amplifier can power a second matching cabinet, providing a total of 4000W. The SSP215 is a 4800W program rated double 15. The woofers have 4” voice coils and a power handling rating of 1200W rms and 2400W program each. The DSP features 96­­­Khz, 24 bit processing, and provides high-pass and low-pass filtering, limiting and time alignment functions. Controls include an input attenuator and mute button. Touring options include a 4-wheel transport cart with locking casters and covers for one, two or three cabinets on a cart. Installation versions are available with 16 x 3/8” threaded flypoints, and the included amplification and processing package can be ordered in a 2-space rack chassis.

All BASSMAXX products come with the BASSMAXX “Sound Defense” warranty that covers failed drivers, including burned voice coils, for two years. If a voice coil, or any other part, fails within the warranty period, replacement parts will be provided without charge.

Highlights:
- Half the size of the SSP218 boxes
- High SPL output beats most double 18” subs
- Deep bass output comparable to double 18” subs
- Convenient shape for lifting and loading
- Truck pack dimensions for touring
- Very low profile for under stages or low ceilings

Pricing & Availability
The SSP215 Profundo Subwoofer is $5148.00 MSRP.
When sold as a powered-passive combination of two subs as the PowerBASS Pair they are $3905.00 each MSRP. Further information available at www.bassmaxx.com or by calling toll-free (855) 822-7770.

About BASSMAXX
Since 1999, BASSMAXX has designed and delivered powerful and efficient sound systems to the live sound and high-end club market. Applying a ruthless practicality to uncompromising standards of quality and reliability has yielded a product line that is both exotic in performance and accessible in price. BASSMAXX is based in Austin, TX. More info at www.bassmaxx.com

Media contact:
Music Marcom
Martina McConnon
e: martina@musicmarcom.com
v: 610-577-4982
www.musicmarcom.com

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iZotope Announces RX 3 and RX 3 Advanced

The fastest, easiest way to repair and restore audio

iZotope Inc., Cambridge, MA (August 7, 2013)- iZotope Inc., a research-driven audio technology company, has announced an update to its flagship audio repair suite,RX®. Ideal for audio engineers, post production professionals, broadcasters, podcasters, archivists, forensic specialists, videographers and more, the new RX 3 rescues troubled audio to save it from the cutting room floor.

From cutting-edge tools and enhanced workflows to a redesigned user interface, RX 3 fixes audio problems with unprecedented power and precision.

Highlighted features:
- Work up to six times faster thanks to under-the-hood processing enhancements and a redesigned user interface.
- Remove or reduce reverb from audio using the new Dereverb module in RX 3 Advanced.
- Clean up dialogue on the fly with RX 3 Advanced’s all-new real-time Dialogue Denoiser
- Use both your eyes and your ears to identify and fix problems within a spectral audio editor.
- Never lose an edit again with the unlimited Undo history, saved automatically with audio data into the new RX document format.

Pricing
Customers who purchased RX 2 after July 1, 2013 will receive a free upgrade to RX 3 upon release. Customers who purchased RX 2 Advanced after July 1, 2013 will receive a free upgrade to RX 3 Advanced upon release.
Special upgrade pricing will be available for all previous RX customers upon release.

Availability
Sign up today and be among the first to hear when RX 3 and RX 3 Advanced become available by visiting: http://www.izotope.com/rx3

Compatibility
Both RX 3 and RX 3 Advanced can be used as a standalone audio editor, or as plug-ins in your favorite host. Supported plug-in formats include 64-bit AAX (Pro Tools 11), RTAS/AudioSuite (Pro Tools 7.4-10), VST, VST 3, and Audio Unit.

About iZotope
iZotope is a research-driven audio technology company based in Boston, Massachusetts. Its award-winning products and audio technologies are in use by millions of people in over fifty countries, from consumers to musicians to major film, TV, and radio studios. Some of the diverse clients include musical giants like BT, Depeche Mode, and RZA of WuTang Clan; radio stations like Boston’s iconic WGBH; and TV programming like CBS’s Survivor, the Discovery Channel’s Deadliest Catch, the World Cup broadcast, and the GRAMMY awards. Through an extensive licensing program, iZotope technology is also directly integrated into products made by industry-leaders such as Adobe, Avid, and Sony; video games from companies like Harmonix and Ubisoft; as well as a growing number of mobile phone applications.For more information on iZotope products, visit www.izotope.com.

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iZ Announces New High-Efficiency Power Supply For iZ RADAR 6 And ADA II

New high-efficiency power supply makes for a quieter recording experience

New Westminster, BC, Canada (July 30, 2013)
iZ Technology, long-time innovator of music and audio products, has announced the development of a new power supply for its prestigious hard disk multi-track recorder, RADAR 6, and its standalone converter, ADA II. This new environmentally friendly development reduces thermal energy waste enabling a quieter, cooler, and more reliable recording experience for the user. In the words of iZ Technology founder Barry Henderson, “The new power supply enables RADAR 6 to run quieter than ever before. It’s lower temperature operation eliminates the need for a chassis fan altogether. With fewer mechanical parts and cooler operation, RADAR and ADA are now even more robust.”

RADAR has long been the recording platform that offers the highest sound quality on the market. Built with world-class converters, Adrenaline DR technology, dual digital/analog power supplies, near-zero jitter, and near-zero latency up to 192 kHz, RADAR systems transcend the digital barriers of sonic quality. With the addition of the new high-efficiency power supply, RADAR 6 and ADA II continue to raise the bar on performance and reliability.

Product Availability:
Current RADAR 6 and ADA II users can upgrade to a new quieter recording environment.
Please either call or email for details: 1-800-776-1356 or support@izcorp.com.
RADAR and ADA systems start at $6,500 USD
For pricing visit izcorp.com/purchase/price-a-radar or izcorp.com/purchase/price-an-ada.

About iZ Technology Corporation
iZ Technology Corporation, a Canadian owned and operated company, has been creating industry-defining music and audio products for close to 25 years. iZ Technology’s mission is to help customers realize their goals by delivering excellence and innovation in recording products of the highest quality.Their renowned RADAR line of multi-tracking audio recorders and unparalleled ADA A/D & D/A audio converters have enabled thousands of customers to do exactly that. iZ Technology is internationally known for its uncompromising commitment to faster tracking, pure sound quality, rock solid product reliability, and industry-leading technical support. Follow iZ on Twitter @izcorp and like iZ on Facebook.

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BASSMAXX Launches DiaMon DJ112: Huge Sound, Tiny Box

Self-powered monitor with amazing size to output ratio and unique design

Austin, TX (July 26, 2013)BASSMAXX proudly announces the availability of their new, very compact and very loud DiaMon DJ112. The DiaMon DJ112 gives venues more options for speaker placement without compromising on sound. It also provides mobile DJs big system volume while keeping setup time and effort to a bare minimum.

The DiaMon DJ112 is fully self-contained and needs nothing more than power and signal to be ready to play. Despite its small size, it has the output to keep up with several subwoofers. For portable applications, it’s intended to be mounted on a pole-stand above one or more of the BASSMAXX Profundo Series subwoofers. Used with a subwoofer system, the DiaMon is a powerful main speaker, capable of remarkable clarity at very high sound levels.

An example of their extraordinary size to output ratio came when world-famous DJ Andy C. was presented with them as his monitors. On seeing their size, his comment “That’s not going to do, mate!” was quickly followed by amazement at their volume. “What have you put in those things? I don’t think we need the mains!”

The DiaMon DJ112 is a high-output, self-powered, bi-amped, co-axial monitor that features a neodymium magnet 700W 12” woofer; a 3″ voice coil, a 1.4” exit compression driver; and a 1500W amplifier with an integrated digital signal processor. The compression driver plays through the center of the woofer, making it a true point-source cabinet. Both the woofer and tweeter coils share the same magnetic structure to keep size and weight to a minimum, and the cabinet is barely bigger than the 12″ woofer. The 1500-watt class D Powersoft amplifier features built-in digital signal processing that provides crossover functions as well as a full complement of protections, limiters and equalizers that ensure accurate, consistent, and reliable operation.

An impressive example of how the DiaMon integrates elegantly into a venue’s décor while simultaneously creating an intense dance sound system can be found at AMPED in Austin, TX. AMPED, an upscale, two-story dance and live music club on Austin’s famed Sixth Street features a full BASSMAXX system install with four DiaMon DJ112s for the dance floor mains, paired with two BASSMAXX SSP218 Profundo Subwoofers. With a limited amount of space upstairs and a roof that opens to the sky, this set-up enables the club to minimize obstruction of the view while maximizing sound quality and quantity.

Not only are the size and the sound quality compelling, but the DiaMon DJ112’s unique design makes the monitor a talking point for both DJs and their audience. The angle-cut corner allows it to be placed on a table and used as a DJ monitor without pole-mounting. An adjustable wall-mount bracket is also available. Gregory Selph, Operating Partner at TREEHOUSE Miami was the first to put the DiaMon DJ112 to the test as a DJ monitor. “It’s an ultra forward design that you just don’t see in any other clubs…” he reports. “The DJs, especially the European DJs – they love it – I love it. Looks aside, if they didn’t take the beatings our system took each night then it wouldn’t matter how great they look. We have put our new DiaMon DJ112 monitors through a pretty tortuous three months test drive, and again – no disappointments.” DJ Luke Hunter experienced the performance of the DiaMonDJ12 first hand while performing at Treehouse Miami, and raved “I’m completely blown away!”

Features:
• Stunning Output-to-Size and Weight Ratio
• Elegant and Unique Design and Grill
• Bi-Amped Self-Powered with Built-In DSP
• 1500W Digital Class D Amplifier
• Point Source Co-Axial Loudspeaker Offers:
– Superior Coherence
– Excellent Off-Axis Response
– Reduction of Feedback
• Pole-Mount, Wall-Mount and Tabletop placement options

The DiaMon DJ112 is $2,953 MSRP. Further information at www.bassmaxx.com or by calling toll-free (855) 822-7770.

About BASSMAXX
Since 1999, BASSMAXX has designed and delivered powerful and efficient sound systems to the live sound and high-end club market. Applying a ruthless practicality to uncompromising standards of quality and reliability has yielded a product line that is both exotic in performance and accessible in price. BASSMAXX is based in Austin, TX. More information at www.bassmaxx.com

Media contact:

Music Marcom
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Location Sound Giveaway In Full Swing: First Winner Received A Lectrosonics UCR411A Digital Hybrid Wireless System

North Hollywood, CA (July 25, 2013) – Location Sound’s Most Awesome 50 Days of Audio Gear Giveaways Ever (at http://www.locationsound.com/most-awesome-audio-gear-giveaway) is now in full swing, and the first winner, Ramsey Mellette, a location audio mixer in Los Angeles, CA, walked away last July 15 with a Lectrosonics 411A Digital Hybrid Wireless System and a big grin on his face.

Mellette was ecstatic when he learned that his entry, one of over thousands of initial entries from film and sound professionals all over the nation, was selected for the first prize to be given away. He doesn’t normally enter contests, but the prospect of possibly winning a Lectrosonics UCR411A Receiver and UM400A Transmitter was so compelling that he decided to give it a try.

Mr. Mellette, who holds a Masters’ Degree from USC and studied sound under Emmy-award winner David Bondelevitch and legendary Production Mixer Jim Webb, has just finalized 6 months mixing on Spike TV’s “Auction Hunters,” Season 4. His next project is the show “Tabloid” for Discovery ID. Tabloid is a show based on tabloid stories and interviews of people who were part of crazy events. The stories are then re-enacted, and Mellette will be in charge of all the sound of the re-enactment portion. He says: “I will use the 411A every day. The 411A is the top of the line. Every mixer in LA would agree, it’s the industry standard. It’s just the best one out there.” He already owns three previous model Lectrosonics 201 Systems. “They are outstanding, but they don’t have the filtering and other capabilities that the 411A has. I’ll continue to use them, but the 411A is my Number 1,” he explains with a smile.

Location Sound is Mr. Mellette’s go-to store. “When I first started out in my career, I mostly rented gear or worked on shows that had their own gear, but in 2007, I decided to take the plunge and I bought my first Sound Devices 442 at Location Sound along with a couple of Sennheiser G2s and other things to get started.” That’s when he really started to get into the gear-game. Mellette has been building his equipment inventory as he went along, and Location Sound is where he shops. “Location Sound has a lot to offer. Most of all, the sales and rental staff are great, and everyone there is very cool. I feel a real camaraderie as soon as I walk in the door. As I need certain things for my job, I go to Location Sound often once or twice a week, and it feels as if I’m meeting a bunch of friends.” He also finds that the inventory depth at Location Sound surpasses that of other stores, “They have everything. I have never been in a situation where they couldn’t help me. They offer really good deals too, and they’ve always taken care of me. Their rental equipment is very reliable. I have never rented anything that had a problem. All their gear is really solid. I can’t say enough good things about them.”

Location Sound’s giveaway will continue at http://www.locationsound.com/most-awesome-audio-gear-giveaway until September 23, 2013, with new prizes and new winners every day. For the following weeks, the website visitors can enter to win many high-priced and high-quality items such as Sound Devices 664, PSC PowerStar Life, Shure VP 82, Sennheiser MKE600, Sanken CS-3E, Denecke TS-3EL, Ikan VX7i-s monitor and many others. A complete prize list is accessible at http://www.locationsound.com/most-awesome-audio-gear-giveaway-prize-list

Customers can enter up to three times a day. Bonus entries are made possible if a customer, AFTER completing the entry form, uses the Twitter “share” button to tweet the giveaway (must have Twitter account to do this). With this option, one person can potentially have up to 6 entries each day. Once a customer wins, however, they will no longer be eligible for the other prizes.

The giveaway is open to all legal residents of the United States, 18 years of age or older, excluding residents of Florida, New York, Puerto Rico and all other U.S. territories. For the complete Official Rules, go to http://www.locationsound.com/most-awesome-audio-gear-giveaway-official-rules.

About Location Sound Corporation
Location Sound opened its doors in January of 1977 with a mission to be the one-stop facility for production sound mixers for all their sales, rental, and equipment service needs. More than 36 years later, the client roster now also includes production companies, broadcast companies, law enforcement and private security firms, universities, houses of worship, government agencies, and more. Location Sound is known for its excellent customer service and unparalleled depth of inventory: No matter the industry, Location Sound remains committed to providing sound professionals the equipment they need for their critical recording needs, while delivering unmatched support services before and after the sale.

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