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Archive by Brad Gibson

Genelec Announces 8010 Active Monitor: the Smallest Member of the 8000 Series

Genelec, the world’s pioneer in active monitoring, announces the 8010 Active Monitor, the smallest member of the acclaimed 8000 product range. The 8000 Series is widely used in the high-end professional audio, mastering, post-production and broadcast market sectors around the world. Its professional heritage is reflected in the compact-sized 8010. Suitable for professional work in small studios, it offers accurate monitoring capability with ease of installation. The outstanding sound quality makes the 8010 ideal for small studios and OB vans, and a perfect companion for portable recording devices and other mobile production work.

Featuring a balanced XLR input, 3-inch bass driver, 3/4-inch tweeter and efficient Class D power amplifiers – one for each driver – 8010 produces more sound pressure level than might be expected from a monitor of this size. The Intelligent Signal Sensing ISS circuitry saves energy by automatically putting the monitor to sleep when the audio signal has been absent for a period of time. Once a signal is detected again, the monitor wakes up automatically. This circuitry can be bypassed when the automatic standby function is not desired.

A full range of versatile accessories is available for the 8010, which cover all mounting needs. For example, an elegant L-shaped table stand can be used to optimize monitor orientation toward the listening position and to minimize undesired sound reflections. Thanks to its exceptional sound quality, small size and universal power supply, 8010 is the perfect monitor companion for music production professionals on the move.

The 8010 Active Monitor will be available early 2014 at a U.S. MSRP of $440.00 each.

For more information, please visit www.genelecusa.com/.

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Audio Engineering Society Announces Event Details for 136th International AES Convention in Berlin

The Audio Engineering Society has announced new details regarding the 136th AES Convention, which will be held in Berlin, Germany on April 26th – 29th, 2014 at the Estrel Hotel and Convention Center. The third AES International Convention to be hosted in Berlin, this year’s event will feature a full Technical Program of Papers, Posters, E-Briefs, Tutorials and Workshops covering a comprehensive range of audio-related topics, and featuring top professionals from every aspect of the industry. The 136th Convention co-chairs are Sascha Spors and Umberto Zanghieri.

The AES136 Convention will bring together audio engineers from around the world to share the latest knowledge in audio research, development and applications. Additionally, the Berlin convention will feature a strong focus on Sound for Picture, Recording, and Broadcast aspects of audio engineering, in addition to the popular off-site Technical Tours and social events.

Following the success of the Project Studio Expo at recent AES conventions in San Francisco and New York, the PSE will also make its European debut at AES136, and a special Technology Showcase will provide participating companies with a chance to interface directly with interested end users and customers.

Additional information on the 136th AES International Convention will soon be available on the AES136 home page at http://www.aes.org/events/136/.

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Guitar Center Names Kristy Porter as Director of Merchandising, General Accessories

Porter is focused on growing GC’s accessory business by ensuring the category is “customer-centric”

Guitar Center, Inc (GCI), the largest retailer of musical instruments and gear in the U.S., announces that Kristy Porter has been promoted to Director of Merchandising, General Accessories. The announcement was made by Michael Walter, Senior Vice President, Guitar Center Merchandising. Kristy is recognized in the industry as one of the most analytical and experienced category merchants and is respected by the vendor community she supports for her history of tenaciously driving sales in accessory categories on their behalf.

Kristy’s career with Guitar Center started in 2001 as a customer service associate at the Oxnard, California store. In 2005, after four successful years as a top salesperson, Department Manager and Assistant Store Manager, she moved to Guitar Center’s headquarters in Westlake Village as an Assistant Category Manager. She was quickly promoted to Category Manager, General Accessories, and over the past five years has helped her department grow into one of the largest in the company. Porter emphasizes the continued importance accessories have in attracting customers to retail stores on a more frequent and loyal basis.

Kristy Porter said, “I am very excited and honored to be promoted to Director of General Accessories. This business is a vital part of Guitar Center’s overall success, and these high-frequency categories draw customers into our retail stores. We want to ensure our department is very customer-centric: easy to learn, easy to shop and easy for our MI customers to buy. I look forward to helping grow our business in 2014 and beyond.”

Michael Walter, Senior Vice President, Guitar Center Merchandising, said, “This is a great move for Kristy but an even better one for Guitar Center. Expanding her role and breadth allows her to more positively impact even more business here at GC. We love her experience – forged on the front lines in the stores and honed here in Westlake Village over the last few years. She’s well-positioned for success in this and future roles.”

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Waves Audio Announces the Waves Dugan Automixer

Waves Audio announces the availability of its new Dugan Automixer plugin. Developed in association with sound engineering legend Dan Dugan, the Waves Dugan Automixer is a software version of the popular Dugan Speech System Automatic Mixing Controllers used the world over. Available for every console, the Dugan Automixer is MultiRack SoundGrid®- and MultiRack Native-compatible and works on 32 or 64 channels.

Using Dugan’s proprietary voice-activated process, the Waves Dugan Automatic Mixing Controller plugin automatically controls the gains of multiple live microphones in real time while preventing feedback and excessive noise pickup. Maintaining the gain of one mic in the room even when multiple speakers are talking simultaneously, it makes perfectly matched transparent cross-fades.

Dugan notes, “People have been asking for a Dugan plugin for a long time. I’m very pleased be able to realize it with the premier publisher of plug-ins.”

Ideal for:

Broadcast news panels and discussion programs
Television talk shows and game shows
Conference sound reinforcement and video trucks
Dialog recording for film and television
Multiple wireless mics on stage
Houses of worship
Boardrooms and civic meeting rooms
Community television
Teleconferencing
Distance learning

The Dan Dugan Automixer is compatible only with MultiRack Native and MutiRack SoundGrid. It is not included in any Waves bundle; it is only available separately. The Dan Dugan Automixer will be available with a U.S. MSRP of Native $500 and SoundGrid $750. Visit www.waves.com for more information.

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Bose® Professional Systems Components Selected for Texas Churches

Systems designer and consultant Ken Dickensheets relies on Bose® RoomMatch® loudspeakers and PowerMatch® amplifiers to conquer acoustically challenging environments in churches
from Midland to Austin

AV systems integrators choose RoomMatch® loudspeakers for giving them the ability to choose exactly the right coverage patterns for each project

As the CTO/Principal Consultant for Dickensheets Design Associates, Ken Dickensheets has served as acoustical consultant and media systems designer for many highly acclaimed projects throughout Texas and beyond. Some of the most challenging ones are consistently houses of worship, where very often the importance of clear, highly intelligible audio is initially overlooked in architectural design. That’s often what Ken gets called in to fix, and in addition to his 50+ years of experience, he brings with him solutions from Bose® Professional Systems, whose RoomMatch® loudspeakers have been the right solution for hundreds of churches across the country.

One of those is Transfiguration Greek Orthodox Church in Austin. There, Dickensheets encountered a small 250-seat sanctuary, but one with an extremely high ceiling for the size of the room – over 30 feet tall. This, plus the marble and plaster finishes, resulted in a reverberation time of more than five seconds, quite long for a room of that size. Always looking at multiple solutions to find exactly the right one for each client, Dickensheets brought in several steerable-array loudspeaker systems, but it was when he used a single RoomMatch RM7040 array module, powered by one Bose PowerMatch® PM8500N amplifier, that the problem was solved. “The difference in the intelligibility of the sound between the Bose RoomMatch loudspeaker and every other speaker was like night and day,” he says. “That one speaker was able to give them the kind of sound they’d been in search of for ten years.”

Mark Stevens, President of San Antonio Sound & Light, the AV integrator on the project, says that the RoomMatch loudspeaker has the high-frequency articulation needed to address speech intelligibility in that kind of acoustically complex environment. “The RoomMatch module has six high-frequency drivers mounted on a waveguide that is just perfectly suited for problems like these,” he explains. Stevens adds that the RoomMatch loudspeaker was flexible enough in its ability to be mounted that he was able to position it almost 30 feet above the church’s altar and aim it down at a precise 45-degree angle. “We needed the height and the angle just right to optimize the box for the space, and the RoomMatch module was able to be installed exactly as we needed it to,” he says.

The First Christian Church, in Midland, Texas, has similar intelligibility issues in its 900-seat worship center. For this project, as part of a larger renovation that also included new lighting and video, and installed by Ace Audio Communications in Austin, Dickensheets specified a main array consisting of a RoomMatch RMS215 subwoofer, RM5510, RM5520 and RM7020 loudspeakers, with a second RM5520 module positioned as foldback for the choir. Another RM5520 loudspeaker was installed as a delay array to cover the balcony. Two PowerMatch PM8500N amplifiers power the complete system.

“This church also had struggled for years with poor-quality sound,” Dickensheets says. “We presented the Bose RoomMatch system to them as the best solution for keeping the audio energy directed away from the brick and wood surfaces that were causing the reflections. At first they were concerned with the costs, but once we calculated the costs of other options such as line arrays, it became clear that the RoomMatch array modules offered not only the best solution but also the best value. In terms of cost-effectiveness, the Bose RoomMatch system beat everything else on the list.”

At the 600-seat Hope Presbyterian Church in Austin, Dickensheets recommended Bose RoomMatch loudspeakers and PowerMatch amplifiers to address some reverberation issues there as well, but the final decision wasn’t made by the church’s leadership but rather by its musicians. Dickensheets arranged a blind listening test event in which the church’s music directors listened to three different speakers without knowing their brands. Unanimously, they chose the Bose RoomMatch loudspeakers as having the best intelligibility and most natural sound. Ace Audio Communications installed a system consisting of an RM215 subwoofer, RM9010, RM9060 and RM12040 array modules, powered by two PM8500N amplifiers. “That really tells you something,” says Dickensheets. “The RoomMatch system is not just solving the problems around speech intelligibility, but also providing great full-range sound for music. The RoomMatch speakers really cover a lot of ground.”

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Waves Audio Now Shipping Waves Loudness Meter Plus (WLM Plus)

Waves Audio, the industry-leading developer of professional audio digital signal processing technologies and the recipient of a Technical GRAMMY® Award, is now shipping the Waves Loudness Meter Plus (WLM Plus) plugin. The next generation of the 2012 TEC Award-winning WLM Loudness Meter plugin, the WLM Plus brings anticipated enhancements and features new correction and adjustment tools. Ideal for content creators, post-production houses and cable head-end facilities, WLM Plus is an affordable, all-in-one cross-platform, multi-format loudness metering software solution.

WLM Plus is fully compliant with all current ITU, EBU and ATSC specifications, including new, dedicated presets meeting ARIB TR-B32, OP-59 and the current Discovery Channel requirements. The WLM Plus also includes two presets useful for gaming content creators for leveling, when working on Sony ASWG (Audio Standards Working Group) loudness scanner – geared towards portable and home based devices.

It offers comprehensive Momentary, Short Term, Long Term and True Peak readouts, as well as a unique warning and logging system that keeps track of users’ levels and alerts them when they have exceeded them or fallen short. WLM Plus now features Gain and Trim controls for correction of loudness levels and a True Peak Limiter, which saves users the need to use additional equipment or software.

WLM Plus Controls

Short Term displays (in LUFS) perceived short term loudness.
Long Term displays (in LUFS) perceived loudness averaged across the program signal.
Range displays (in LU) the overall loudness range across the program signal
Momentary displays (in LUFS) momentary loudness levels, according to the Momentary scale control settings.
True Peak displays (in dBTP) inter-sample peaks that do not register in the sample data but may occur during reproduction of the digital signal.
Unders displays the number of times the signal goes below the specified Short Term Min value indicated in the settings panel.
Overs displays the number of times the signal exceeds the specified Short Term Max value indicated in the settings panel.
Measurements Play/Pause determines if program loudness is registered in the WLM memory for averaging long-term loudness range.
Short Time selectable duration of short time measurement.
True Peak Limiter on/off activates and deactivates the limiter.
Follow Transport determines if measurement starts and stops according to host application transport controls.
Timer indicates the amount of time measurements that have been taken and integrated.
Reset resets the Long Term, Range, Overs and Unders counters and returns the integration timer to 00:00:00.
Method determines the measurement method.
Weighting determines the type of weighting filter.
Channel determines the channels being measured.
Short Term Max determines the maximum short term level.
Short Term Min determines the minimum short term level.
True Peak Max determines the maximum true peak level.
Target determines the target level.
Custom Pre Filtering provides low pass (LPF) and high pass (HPF) filters that pre-filter the audio prior to loudness measurement.
Momentary Scale determines the scale displayed in the momentary bar meter.
Logging displays CSV logging file options.
Gain input gain
Trim calculates the difference between the long-term measurement and target. Trim button sets gain per calculation.

The Waves WLM Plus Loudness Meter is currently available with a U.S. MSRP of Native $400 and SoundGrid $600. WLM Plus is available at no additional charge to all WLM owners who have valid coverage under the Waves Update Plan. Visit www.waves.com for more information.

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Signature Sound Opus One Earns GRAMMY® Nomination for Best Surround Sound Album and Points the Way Toward Wider Distribution of Surround Sound Music

— The flagship release for the new mediaHyperium3 label, Signature Sound Opus One is a 5.1 multichannel treasure of leading classical recordings produced by GRAMMY® Award winner Herbert Waltl, remixed by GRAMMY® Award winner Leslie Ann Jones and mastered by Michael Romanowski. It represents the next generation of surround sound distribution pioneered by mediaHyperium3 —

— In 2014, mediaHyperium3 intends to provide multichannel music recordings in a file format that can be downloaded to mobile devices and played back in discrete multichannel surround when connected to a surround sound system. Several mix versions will be made available for specific automobile makes and models, and other types of listening environments —

Los Angeles CA, January 3, 2014 — The nomination of Signature Sound Opus One for the GRAMMY® Award for Best Surround Sound Album solidifies record label www.mediaHYPERIUM3.com (http://e2.ma/click/dustj/p7aeub/dq50mc) as a leading innovator serving the growing HD 5.1 surround music category. The recording – composed of performances by artists and conductors including the Netherlands Philharmonic Orchestra, conductor Jakov Kreizburg; the Royal Concertgebouw Orchestra and Netherlands Radio Choir, conductor Mariss Jansons; Bavarian Radio Symphony Orchestra and Chorus, conductor Mariss Jansons; TrondheimSolistene, conductor Øyvind Gimse; and Malmö Symphony Orchestra, conductor Bjarte Engeset – was mixed in discrete 5.1 surround by multiple GRAMMY winner Leslie Ann Jones and mastered in surround by Michael Romanowski, a top mastering engineer and President of The Recording Academy® San Francisco Chapter.

The establishment of mediaHyperium3 also marks a new era in surround music distribution; utilizing technology developed by label founder Herbert Waltl, Signature Sound Opus One and subsequent titles released on the label will be able to be downloaded in the AAC file format and be playable either as discrete 5.1 recordings on surround-equipped home playback systems or in stereo and discrete 5.1 on mobile platforms such as smartphones and tablets. This is the first time that such dual compatibility has been offered in a single music download product. In addition, future titles will include different mix versions produced with mH’s proprietary studio technology that will automatically adapt their playback configurations to a wide variety of listening environments, with automotive interiors as an area of focus.

Herbert Waltl is a pioneer in the field of surround music technology and creativity. A noted classical soloist and composer himself, Waltl is a winner of two GRAMMY Awards as a producer, as well as a recipient of a TEC Award for Outstanding Creative Achievement, a DVD Entertainment Award for Best Music DVD, and a Surround Sound Music Award. In 2010, he was appointed an Adjunct Professor at McGill University in Montreal. In 2013 Waltl founded mediaHyperium3 and produced a DVD featuring a combination of classical and popular music created specifically for purchasers of the new Mercedes-Benz® SL-Class Roadster, and hailed by audiophiles and music aficionados as an extraordinary listening experience. He envisions the release of Signature Sound Opus One as proof of concept for a business model that will benefit audiophiles, artists and commercial users seeking a premium differentiator for their products.

“We are developing the business with car companies, setting up a catalog of 5.1 surround sound pop, rock and classical music titles with the intention to establish a standard for 5.1 mixes available for special listening environments such as automobiles,” Waltl explains. “Our new surround sound technology truly reflects the potential for surround music as both a compelling artistic experience and as a market differentiator. We intend to create a growing catalog of 5.1 surround titles in many genres of music, and in the process help to expand the surround-music category.”

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Acclaimed Film Scoring Mixer Dennis Sands Uses Focusrite’s RedNet 6 MADI-to-Dante Bridge to Connect His System

While planning for the first mix room in the world with Dolby® Atmos™ capability, Sands knew RedNet 6 – a 64-channel MADI-to-Dante bridge – would be the perfect solution.

Los Angeles, CA, January 6, 2014 – While outfitting the first dedicated film music mix room in the world with Dolby® Atmos™ capability, multi-award-winning film scoring mixer Dennis Sands needed an elegant solution to connect the multi-channel surround processor to his monitor system. When Sands and his design consultants, Ron Lagerlof of Visioneering Design and Andy Potvin from Dolby Laboratories, Inc., learned that Focusrite would shortly begin shipping the RedNet 6 MADI Bridge, they knew they had found that solution, and—sight unseen—ordered and installed one of the first units to be produced.

Sands generally records the film music projects on which he works at the major L.A. scoring stages, and in the past has brought many of those projects back to his Sound Waves SB studio in Santa Barbara, CA, about 95 miles up the coast from Los Angeles, to mix them. Then, at the end of 2012, he heard a demonstration of the Dolby Atmos multi-channel surround sound system and decided that he had to start mixing film music in the new immersive format. “I’d never heard anything like that. The clarity, transparency, the richness, the dimension, the spatial context of it all was really incredible,” he recalls. “I knew right away that this will be the way people will hear movies. Period.”

But with the installed base of Dolby Atmos systems thus far limited to re-recording stages, “I had no way of actually working in this format,” he says. Sands decided to upgrade his room with a Dolby Atmos processing system, at the same time making a significant investment in a new multi-channel speaker setup to support the format. But there was still one challenge to overcome: the outputs of the Dolby Atmos Rendering and Monitoring Unit, the system’s processing core, are on MADI optical and coaxial connectors, but the inputs to the BSS London that Sands uses to manage his monitoring set-up and switch between multi-channel formats accepts a Dante input.

When Sands and his team heard about RedNet 6, which provides a bi-directional link between any 64-channel MADI and a Dante-based audio network, they realized they had their solution: “Of all the options, the RedNet 6 was the pre-eminent choice, because it did the job elegantly, simply and at a very, very reasonable price. It was a fraction of the cost of the other options, which would have been a combination of units—and every time you start combining units there’s obviously a possibility for failure or difficulty or confusion.”

But as Sands also notes, “When we were first discussing interfacing all this technology into my studio the RedNet 6 wasn’t available yet,” so the unit they purchased would be the first unit they would even see. As it turned out, the team’s faith in the Focusrite brand and the reputation the company has earned as a manufacturer of world-class analog and digital audio equipment over the past three decades proved to be completely justified. “I have unit number one,” he reports. “Ron picked it up from GC Pro, brought it in, connected it, and it worked beautifully. It’s the perfect device for the application. It’s just this great-looking single rack space box that sits in my rack and just cruises along. It’s an absolutely integral part of the signal chain.”

Thanks to the Dante audio network’s plug-and-play capability, the RedNet 6 was very easy to install. “There were no issues at all,” says Sands. “There was no configuration, there was no learning timeframe; it just plugged in and worked. It did everything we hoped it would do.”

The Cat 6 cabling also made installation a breeze. “It’s a single line. It’s all just elegant, simple and easy to deal with. And Cat 6 is relatively cheap: it’s one of the great things about the electronics world, really. Quality is increasing, the price is decreasing—and this fits right into that,” says Sands.

“Without the RedNet 6, I wouldn’t be on the air with Atmos,” he says. “Or, at least, it would have been a lot more complex and a lot more expensive.”

Sands has worked on nearly 300 feature films as a music scoring mixer, plus over two dozen more as a re-recording mixer, earning four OSCAR® nominations — for The Polar Express, Cast Away, Contact and Forrest Gump — and winning two CAS Awards, including one for Lifetime Achievement, plus a Golden Reel in the process. But as Sands comments, “I consider myself an audio artist, specializing in music.” Over the years, mixing music releases and for television, he has also collected GRAMMY® and Primetime EMMY® Awards.

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David Wiener Ventures (DWV) Orchestrates Sale of Soundsphere to MSE Audio

— DWV’s industry expertise leads to successful sale of historic speaker manufacturer —

SALT LAKE CITY, UTAH, January 2, 2013 —The Mergers & Acquisitions arm of David Wiener Ventures (DWV) has helped broker a successful acquisition in the audio industry: after more than 25 years as a leader in omni-directional speakers for commercial installation applications, Stratford, Connecticut-based industry innovator Soundsphere has been acquired by MSE Audio of Kansas City. MSE, known for its wide variety of commercial and consumer-based audio brands, led by speaker giant SoundTube Entertainment, has acquired Soundsphere in an all-cash transaction. David Wiener Ventures was chosen to orchestrate the acquisition, based on DWV Chairman David Wiener’s business acumen and extensive knowledge of the audio industry.

In describing the acquisition, David Wiener stated, “The integration of Soundsphere into MSE’s existing infrastructure will provide even greater sales and marketing opportunities along with immediate benefits for distribution, delivery and support. This is a true win-win for both parties, and the result will be a more powerful position and future for parent company MSE and the Soundsphere brand. DWV is proud of our two deals for MSE in the past six months.”

David Wiener – known for driving multiple businesses in the audio and music world, including founding SoundTube Entertainment, partnering with Ferrari of Italy on a line of Ferrari-branded high-end audio products, and creating DWV Entertainment, which owns pro audio brand Aphex – has created the Mergers & Acquisitions arm of DWV to assist companies with sales and acquisitions. The DWV organization’s 30 years of product and technology development, engineering, design, manufacturing and marketing give it unique capabilities to assist and drive deals in ways that typical M&A consultants cannot. Real-world experience and a wide variety of business ventures, spanning audio, automotive, aircraft, fashion, furnishings and digital technologies, allow DWV to ask the right questions and specify operational, marketing, positioning and production improvements, giving buyers greater value as they consider and execute acquisitions. At the same time, DWV provides sellers with true understanding of their needs and desires, given DWV’s experience developing, selling and acquiring its own brands.

“David Wiener did an amazing job, managing the entire process for both our company and MSE,” stated Soundsphere General Manager Pete Hamilton. “From early stage due diligence, planning and negotiations, to bringing both parties together in a positive and productive way, all in an unusually short period of time. What David and DWV did was truly impressive. No wonder Ferrari wanted to work with them.”

MSE CEO Chris Combest stated, “David has helped us grow our business in a variety of ways, most recently with two successful acquisitions. I am very pleased with the management and coordination DWV provides, not to mention the added value that makes these deals work.”

Find more info on David Wiener Ventures on at http://www.DWV.com.

Photo Caption: DWV Chairman David Wiener, with DWV-Ferrari Art.Engine limited-edition home audio system.

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Bose® RoomMatch® Loudspeakers And PowerMatch® Amplifiers Tame the Acoustics of the Rondileau Campus Center Auditorium at Bridgewater State University

Bose® RoomMatch® loudspeakers are able to work around the venue’s existing acoustical intricacies, turning previously troublesome areas like the balcony into prime listening seats

Framingham, Massachusetts, January 2, 2014 – The Rondileau Campus Center Auditorium at Bridgewater State University in Bridgewater, Massachusetts, has been part of campus life since it was built in 1970. Named for retiring president Adrian Rondileau, the center boasts several ballrooms and conference rooms, a large cafeteria, several common areas, an open access computer lab and a small dining room. It also houses offices for the Center for Multicultural and International Affairs, the Student Government Association and Visitor Information. But the heart of this multi-use building is its 1,300-seat auditorium, which is used for concerts and theatrical presentations. The auditorium’s sound system was in need of an upgrade, and the university put out a request-for-proposal. The system chosen to take the auditorium into the future included RoomMatch® loudspeakers and PowerMatch® amplifiers from Bose® Professional Systems.

Designed and installed by Sudbury, Massachusetts-based Adtech Systems, the system is configured in a single central array consisting of one RM9005 loudspeaker, two RM9010’s, two RM9020’s and one RM12040; a pair of RMS215 subwoofers; and four LT 9403 full-range 3-way loudspeakers used as fills. These are powered by three PM8500N PowerMatch® amplifiers. The system is controlled by a Bose ControlSpace® ESP-88 DSP.

When Adtech Systems was being considered for the project, Charles Crane, Sales Engineer with Adtech, saw that the school had already specified two other brands of loudspeakers. “They weren’t aware of the Bose Professional products,” he realized. As part of his bid process, Crane brought in the Bose Modeler® sound system software. He used it to draw all the seating areas within the auditorium and predict the sound coverage. This showed the customer that the design would thoroughly cover the floor and balcony seating areas, but it also revealed that the array would have to be hoisted higher than expected to address the existing acoustical clouds in place in the venue – something that could only have been accurately determined by computer modeling, since the clouds were not precisely represented on the auditorium’s blueprints.

“As it turns out, we were the only one of the three vendors who provided the schools with a proposal that was validated by computer modeling,” says Crane. “When they saw how Bose was able to provide a complete package, from modeling and speakers to DSP and amplification, they ‘got it’ – they saw that this was the full-featured solution that they really needed. The room has a lot of reverberation and peculiar reflections, and the Modeler design was able to identify them. Then, the combination of RoomMatch loudspeakers, PowerMatch amplifiers and ControlSpace ESP-88 were able to properly address those issues. And they worked like a charm – the customer told us that the balcony went from being the worst seats in the house to some of the best. Bose really helped turn this venue around.”

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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