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Archive by Brad Gibson

The Recording Academy® Producers & Engineers Wing® Announces 2014-2015 Steering Committee

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Santa Monica, Calif. — The Recording Academy® Producers & Engineers Wing® has announced its 2014-2015 Steering Committee, the leadership group of the P&E Wing, which researches and recommends solutions for technical, creative and economic issues facing today’s music production professionals. The newly seated Committee, consisting of a diverse array of music engineers, producers and audio professionals, will build upon the significant legacy established by prior Steering Committees and work to identify and evaluate key issues confronting music production professionals, with the goal of finding meaningful solutions and suggestions for the industry moving forward.

The P&E Wing 2014–2015 Steering Committee includes the following music industry professionals: Chuck Ainlay, Carlos Alvarez, Eric Boulanger, Mike Clink, Scott Jacoby, Glenn Lorbecki, Bob Ludwig, Harvey Mason Jr., Ann Mincieli and Phil Nicolo. Mike Clink and Chuck Ainlay will retain their positions as Co-Chairs, leading the committee as the P&E Wing continues to advocate for excellence in sound recording, audio technologies, education in the recording arts, and the rights of music creators overall.

“The role of the Steering Committee is to set our agenda for each year by identifying and prioritizing the initiatives that matter most to our members,” states Maureen Droney, Managing Director of the P&E Wing. “With this group of accomplished individuals we have a collective that encompasses the wide-ranging experience and diverse perspectives that will help us address those initiatives within the changing landscape of the recording industry.”

Photo File: SteeringCommittee2014.JPG
Photo Caption: Pictured L-R: (L-R) Scott Jacoby, Phil Nicolo, Glenn Lorbecki, Eric Boulanger, Mike Clink (Steering Committee Co-Chair), Bob Ludwig, Maureen Droney (Managing Director P&E Wing), Carlos Alvarez, Ann Mincieli, and Chuck Ainlay (Steering Committee Co-Chair). Not pictured: Harvey Mason Jr. Photo courtesy of The Recording Academy®. © 2014.

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The Recording Academy® Producers & Engineers Wing® Announces Title Sponsors for GRAMMY® Week Celebration Honoring Nile Rodgers

Partners Pledge Their Support for Annual Celebration Highlighting Sound Quality and Honoring Rodgers’ Career

Santa Monica, Calif. — A group of Title Sponsors has been announced for the eighth annual GRAMMY® Week event hosted by The Recording Academy® Producers & Engineers Wing®, this year honoring three-time GRAMMY winner Nile Rodgers for his commitment to excellence and ongoing support for the art and craft of recorded music.

The list of Title Sponsors currently includes AVID, BMI, DTS, ELS Studio Premium Audio® – Powered by Panasonic, HARMAN Professional brands AKG®, dbx®, JBL® Professional and Lexicon®, Iron Mountain Entertainment Services, Louisiana Entertainment, Music Marketing, PMC Ltd. and Shure.

Industry luminaries Michael Ostin and Cameron Strang will serve as honorary co-chairs for the event, to be held on Tuesday, Feb. 3, 2015, at The Village Studios in West Los Angeles. GRAMMY Week culminates with the 57th Annual GRAMMY Awards®on Sunday, Feb. 8, 2015, airing live on the CBS Television Network, at 8 p.m. ET/PT. For updates and breaking news, please visit www.grammy.com, and The Recording Academy®’s social networks on Twitter and Facebook.

“Not only is this annual event a highlight of the P&E Wing’s yearly itinerary but it also officially kicks off the beginning of GRAMMY Week,” said Maureen Droney, P&E Wing Managing Director. “This year’s multi-talented honoree Nile Rodgers is legendary as a performer, a producer and an advocate for sound quality and music professionals, and we are extremely excited to celebrate his career at our signature event. To that, we’d like to recognize our Title Sponsors, without whom this event would not be possible and we are enormously grateful for their support in helping us to host this special evening.”

As the Producers & Engineers Wing 2015 honoree, Rodgers joins an impressive list of past honorees: Chris Blackwell; T Bone Burnett; Tom Dowd; Ahmet and Nesuhi Ertegun; Jimmy Iovine; Quincy Jones; Arif Mardin; Al Schmitt; Jerry Wexler; and Neil Young.

Established in 1957, The Recording Academy is an organization of musicians, songwriters, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards — the preeminent peer-recognized award for musical excellence and the most credible brand in music — The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs. The Academy continues to focus on its mission of recognizing musical excellence, advocating for the well-being of music makers and ensuring music remains an indelible part of our culture. For more information about The Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @TheGRAMMYs on Twitter, like “The GRAMMYs” on Facebook, and join The GRAMMYs’ social communities on Instagram, Tumblr and YouTube.

Currently more than 6,000 professionals comprise The Recording Academy Producers & Engineers Wing, which was established for producers, engineers, remixers, manufacturers, technologists, and other related creative and technical professionals in the recording field. This organized voice for the recording community addresses issues that affect the craft of recorded music, including the development and implementation of new technologies, technical guidelines and recommendations, and archiving and preservation initiatives. For more information, please visit www.producersandengineers.com.

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“Staying Current,” Waves’ Second Episode of Everything Audio (Live from YouTube Space L.A.), Is Set for January 9th

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Following the success of their debut episode, Waves Audio, a leading provider of digital signal processing software and hardware solutions, will premiere the second episode of Everything Audio on January 9, 2015. This time, the show will focus on how to stay current in the music industry, and include perspectives from a panel of guests including producer/engineer Eddie Kramer (Jimi Hendrix, Led Zeppelin), copyright/assets holder Janie Hendrix (President and CEO of Hendrix Experience, LLC), and legendary bass player Larry Graham (Graham Central Station, Sly and the Family Stone), who pioneered the “slap” funk technique and has led a productive musical career for more than five decades.

Kramer will be speaking about his work with Hendrix, about keeping the legacy of his music alive today and about the EMMY® Award-winning documentary Jimi Hendrix: Hear My Train A Comin’. Host and audio engineer Dave Hampton (Miles Davis, Prince) will also discuss his work with Miles Davis LLC, touching on the finer points of remastering to deliver classic recordings with today’s technology and sonic standards. Iconic producer/engineer Jack Joseph Puig (Lady Gaga, U2) will report from the CES show in Las Vegas, an event representing the forefront of current technologies in consumer electronics and beyond.

During the second episode of Everything Audio, there will be a live Q&A session where viewers can send in their questions at any time using the hashtag #EverythingAudio on Twitter or Facebook. After the show, Hampton and Kramer will stay around to take additional questions from the audience.

All viewers who tune in to the live broadcast will be able to receive a free copy of the Eddie Kramer Guitar Channel plugin from the Waves Eddie Kramer Signature Series (details to be given out during broadcast), while one lucky viewer will win a free mix session from Eddie Kramer himself.

Everything Audio – Episode 2: “Staying Current”
Friday, January 9, 2015 from 12:00 PM PT / 3:00 PM ET / 8:00 PM GMT

To sign up: http://www.waves.com/everything-audio

Video: http://youtu.be/8him8__TIPs

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Bose® RoomMatch® Loudspeakers Help The Rock Miami Church Get Great Sound Right from the Start

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Newly opened worship center had its sound system design integrated into the architectural planning

Framingham, Massachusetts – Many houses of worship install speaker systems with coverage patterns that do not match the room’s seating areas and put excess energy on the walls. But The Rock Miami church – founded in 1974 in the southwest area of Miami-Dade County, FL – got it right from the start. The church knew that achieving good sound requires including audio system design right from the beginning, during architectural planning and design stages. When the planning began for its new worship center, Pensacola, FL-based consultants Walthall & Associates focused on keeping the sound system as an integral part of the overall design process. To assure that the sound would be excellent, they specified a RoomMatch® loudspeaker system from Bose® Professional.

As installed by AV systems integrator Pro Sound & Video, The Rock Miami’s new sound system for its new 900-seat space consists of two main left-right arrays consisting of two RM12020 modules and an RM9020 module each. Three RM9020 modules are deployed as delay speakers about halfway down the house, left, center and right, near the FOH position. All speakers are powered by six Bose PowerMatch® amplifiers and controlled by Bose ControlSpace® DSP.

“Brother, this system is amazing,” comments Roman Benedit, the Technical Director for the church, who also oversees its three-camera video system and the live-streaming of its Sunday services. “Our worship music covers a wide range, from quiet acoustic guitars to pretty loud rock bands. The RoomMatch system handles all of it well.”

Benedit credits the consultants for keeping the sound system on a par with other considerations during the extended period the new worship facility took to design and build. “We wanted to pay attention to the quality of the sound early on, because good sound in a church is critical for getting the message across,” he explains. But as important was the choice of sound system. “The RoomMatch system is excellent at keeping the sound energy off the walls and on the audience, which provides excellent intelligibility for speech while at the same time keeping the music warm and natural sounding. Churches can make a smart choice by addressing their sound system needs as early in the design process as they can, and they can make a smart decision by choosing Bose RoomMatch loudspeakers for their system.”

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The Recording Academy® Producers & Engineers Wing® Holds “Lost In Transaction” Panel Event at Ocean Way Studios in Nashville

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Hosted by the Nashville Chapter of The Recording Academy®, “Lost In Transaction” Focuses on Business, Economic and Financial Aspects of the Music Production Environment

Santa Monica, Calif — On Wednesday, Dec. 3, 2014, the Producers & Engineers Wing® of The Recording Academy®, in conjunction with The Recording Academy Nashville Chapter, hosted “Lost In Transaction,” a panel discussion that focused on the increasingly complex and intricate landscape that the music industry has become for artists, record producers and recording engineers. The event was held in the evening at Ocean Way Studios in the heart of Nashville’s Music Row district. An audience of nearly 100 Recording Academy members and others gathered in the facility’s Studio A — once the soaring sanctuary of a church — to hear a trio of panelists uniquely qualified to parse the complicated business environment that the music industry has become.

Attorney Elizabeth Gregory has handled contractual matters for record labels, producers, songwriters and major- and indie-label artists, as well as licensing for a number of leading law firms in Los Angeles and Nashville, and in 2001 launched her own boutique practice in Nashville specializing in representation for artists, producers, songwriters, independent labels and publishers.

Entrepreneur and author Jay Frank is the Owner and CEO of DigSin, a singles-focused music company that leverages platforms including social networks and analytics to expose artists to a wider audience, and formerly Senior Vice President of Music Strategy for CMT and Vice President of Music Programming and Label Relations for Yahoo! Music.

Joe D’Ambrosio heads talent management company Joe D’Ambrosio Management, Inc., whose roster includes GRAMMY®-winning producers Tony Visconti, Hugh Padgham, Kevin Killen, Jay Newland, Frank Filipetti, Elliot Scheiner and Lawrence Manchester, as well as mixer Joe Zook, arrangers Rob Mounsey and Larry Gold, sound designer Nathaniel Hare and many others. Before founding his company, Joe was the personal manager of the late producer and 14-time GRAMMY Award-winner Phil Ramone.

The panel was moderated by Dan Daley, a leading and respected journalist and author who covers the business of entertainment technology globally for publications including Billboard, Resolution, Sound on Sound, the London Daily Telegraph, Fast Company and Wired. He also moderated the first “Lost In Transaction” event hosted by P&E Wing and Nashville Chapter in 2013.

Daley opened the event, briefly but comprehensively recounting the immense transition that producers’ business models have undergone, from simply a portion of an artist’s retail points when CDs were king, to a growing variety of diverse sources, including downloads, streaming and publishing, each with its own potential upsides and disadvantages. “They don’t all add up to what they used to,” said D’Ambrosio. The conversation then went on to cover the decline of download sales and the rise of streaming, the pros and cons of producer-owned studios, the benefits and drawbacks of taking more guaranteed compensation upfront versus counting on more royalty participation on the back end, how stems and music-minus tracks have taken on new importance (and potential for abuse), and the enhanced role that data plays in music production and marketing today. A spirited Q&A with the audience took place after the panel discussion, and questions ranged from how companies like Spotify and Pandora are changing the fabric of the music business to how much Nashville’s music industry has changed as a result of all of these forces.

“‘Lost In Transaction’ has become a highly anticipated event for both the Producers & Engineers Wing and The Recording Academy Nashville Chapter,” stated Maureen Droney, Managing Director of the P&E Wing. “It covers an often overlooked but critical aspect of music production, which is the business of music production. We all love the technical aspects of making music, and our passion for music itself has never been stronger. But without a firm understanding of the how our industry is changing around us, our ability to continue to make music for a living becomes imperiled. ‘Lost in Transaction” is how we keep our members aware of how the music business is changing.”

Photo Caption: Pictured L-R: Shannon Sanders, Nashville P&E Wing Committee Co-Chair; panelist Joe D’Ambrosio, talent management company head; Julian King, Nashville P&E Wing Committee Co-Chair; panelist and attorney Elizabeth Gregory; panelist Jay Frank, entrepreneur and author and Owner/CEO of DigSin; moderator Dan Daley; and Jeff Balding, President of The Reco

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Waves Audio to Offer WavesLive Mixing Master Classes at Soundcheck Nashville

Waves Audio, the leading provider of audio DSP solutions for the professional, live sound, broadcast and consumer electronics markets, will be holding a two-day WavesLive master class event at Soundcheck Nashville, January 12 and 13, 2015.

The master classes will feature top live sound engineers Sean “Sully” Sullivan (Beck, Norah Jones), Pete Keppler (Nine Inch Nails, Katy Perry), Zito (OneRepublic, Backstreet Boys), and Stephen Bailey (Matt Redman, Rend Collective), as well as post-production mixing engineer Jeremiah Clever (Elevation Church). The presenters will show how to integrate Waves plugins into live mixing consoles, offer an up-close look at plugin “problem-solvers,” and demonstrate how they use Waves plugins in their live and studio mixing sessions.

Each day’s presentations and workshops will be followed by an open Q&A session. Waves product specialists Luke Smith, Johnny Mann and Noam Raz will also be on hand to provide in-depth information on Waves plugins and their integration into live systems using the Waves MultiRack application.

Where:
Soundcheck – Studio B
750 Cowan St.
Nashville, TN 37207

Each day will have a different focus and may be attended separately:

January 12, 12pm–5pm: Waves Solutions for Houses of Worship

The DiGiGrid Product Line: Overview and Demos
Mixing with Plugins Workshops:
Using Waves Tools for Post-Production at Elevation Church (presented by post-production mixing engineer Jeremiah Clever)
Mixing Matt Redman (presented by FOH engineer Stephen Bailey)
Mixing Katy Perry (presented by FOH engineer Pete Keppler)
Speech Intelligibility in the Studio and Live (panel with Pete Keppler, Jeremiah Clever, and Steven Bailey).

January 13, 10am–2pm: Waves Solutions for Live Sound

WavesLive Solutions: Overview and Demos
The SoundGrid Audio Network
Mixing with Plugins Workshops:
Mixing Katy Perry (presented by FOH engineer Pete Keppler)
Mixing Norah Jones & Beck (presented by FOH engineer Sean “Sully” Sullivan)
Mixing OneRepublic (presented by FOH engineer Zito)
Loudness (panel with Pete Keppler, Sean “Sully” Sullivan and Zito)

To sign up and for questions about the WavesLive Mixing Master Classes in Nashville, contact WavesLive at the Event Page.

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Billy Bush Uses DiGiGrid DLS to Enhance Networking and Processing Power

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Renowned producer/engineer Billy Bush (Garbage, Jake Bugg, The Naked and Famous, Neon Trees) uses the DiGiGrid DLS audio interface to enhance networking capabilities and significantly increase processing power.

DiGiGrid DLS (a collaboration between Waves Audio and DiGiCo) is an all-in-one processing and networking hub that bridges Pro Tools and the SoundGrid® system. With its built-in SoundGrid DSP server, network switch, and two DigiLink ports providing as many as 64 digital inputs and outputs, DiGiGrid DLS gives users more processing power and lets them take full advantage of their existing Pro Tools system. By providing full plugin integration inside users’ DAWs, DiGiGrid DLS lets users track, monitor and mix while running hundreds of SoundGrid-compatible Waves and third-party plugins in real time—all with an incredibly low latency of only 0.8 milliseconds.

Bush says, “Since I moved to the HDX system I’ve been missing the ability to record while monitoring with some of my favorite effect plugins. I’ve always believed that a DSP server-based architecture is the way to go when you are recording into a plugin-heavy session. DiGiGrid DLS helps me create an interesting sound that people can react and play to. Even though I’m using the latest Mac Pro and an HDX-2 system, I’m always looking for more processing power. Being able to put AUX plugins on the DLS, particularly the stereo buss plugin processing, helps me control the overall latency. I also really love the StudioRack plugin—it’s great to be able to have my channel strips dialed in and ready to go with one click!”

On the advantages of using the DLS for networking, Bush says, “As much as I love the DSP power of the DLS, the one thing I was truly surprised about was the system’s networking ability. Since we have multiple computers running a number of different DAWs at any given time, being able to route them via Ethernet through the DLS to the main Pro Tools session is such a timesaver. No more USB keys or emailing a WAV—I can instantly open up eight channels from one system, and we can audition what is happening on another rig right in the session.”

Bush adds, “We are also really excited to try it out in the live setting. Being able to use live the same plugin presets and chains that we have in the studio will be such a timesaver. It’s great when there is something from the studio we can incorporate into the live show: this way we can make the show better and bring it closer to what we experience sonically in the studio.”

To read more about DiGiGrid DLS go to: http://www.digigrid.net/portfolio/dls/.

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The Audio Engineering Society Returns to New York City for AES139 Convention – October 2015

— AES announces Jim Anderson and Paul Gallo to Co-Chair AES139 Convention —

New York, NY — The Audio Engineering Society is set to bring the AES139 International Convention to the Jacob K. Javits Center in New York City, NY, October 29 – November 1, 2015 (Conference Oct. 29 – Nov. 1, Exhibits Oct. 30 – Nov. 1). Following highly-successful conventions in Los Angeles (2014) and New York (2013), which saw increased attendance as well as the development of expanded attendee and exhibitor offerings including the Project Studio Expo, Live Sound Expo and High Resolution Audio sessions, the 139th AES Convention will bring together the world’s largest gathering of audio professionals for four days of audio technology, information, and networking. Additionally, longtime industry veterans Jim Anderson and Paul Gallo have been announced as co-chairs for the convention, each lending his own unique and storied experiences to the AES agenda this year.

From recording and production, to broadcast and streaming, game audio, live sound, post-production, sound for picture, product design and more, attendees will have the opportunity to hear from top audio industry figures while immersed in the latest research and technology through informative presentations and special events. Furthermore, the AES will once again present the year’s only dedicated professional audio-focused convention, drawing attendees from every market sector and level of involvement – from students and enthusiasts to leading professionals from every corner of the industry.

AES Executive Director Bob Moses commented, “I’m really excited that Jim Anderson and Paul Gallo have agreed to co-chair our AES139 Convention. Both are legendary in the NY recording, broadcast and pro audio communities, and we expect to hit the ball out of the park in 2015 just like we did recently in L.A. Lots of new ideas are in the works – this is going to be another great year under their leadership and with participation from our amazing exhibitors and sponsors.”

Further information on the AES139 International Convention to be available at http://www.aes.org/events/139/.

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College of Southern Nevada’s Audio Recording Technology Program Educates Students on Using Waves Plugins and DiGiGrid

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John Jacobson, Audio Recording Technology Professor at the College of Southern Nevada (CSN), has chosen Waves Audio plugins and DiGiGrid audio interfaces for the Audio Recording Technology Program’s facility.

Equipped with an arsenal of Waves equipment, CSN’s audio setup includes the following: a main Control Room with an SSL AWS900 console, Pro Tools 11 HDX, and the Waves Diamond bundle; a second Control Room featuring a vintage Trident Series 65, Pro Tools 11 HD3, the Waves Diamond bundle, a DiGiGrid DLS, and Waves SoundGrid Studio software; the “Nomad,” a portable, self-contained digital recording system with a Waves Native Power Pack and Pro Tools 11 Native; and the Lab (three iMac recording setups for student use), each with a Waves Native Power Pack and Pro Tools 11 Native.

Prof. Jacobson notes, “The main reason for the College of Southern Nevada getting the DiGiGrid DLS was to update our second Control Room, called the Trident Room due to its having a vintage Trident Series 65 console in it. We have a recent Mac (‘tower’-type), and we have just upgraded to Pro Tools 11. But the three interfaces in the Trident Room are ‘legacy’ ones: Digidesign 96 and 192, and an Apogee Rosetta 800. These will NOT work with Pro Tools 11, and the cost to replace them was more than we could afford. Adding the DiGiGrid DLS interface was a cost-effective way to upgrade our Pro Tools system. In addition, the DLS (and the SoundGrid Studio software) do indeed provide near-zero latency and function as advertised. I haven’t used the DLS’s processing-sharing capability yet, but that may very well come into play as we continue to expand and rearrange our facility at CSN. As innocent as the DLS front panel appears, it does warrant us calling it the ‘Magic Box’!”

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Listen Technologies Loop Induction Assistive Listening Systems Nominated for “Impact Product of the Year” Awards by Readers of Commercial Integrator and TechDecisions

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Listen Technologies Corporation, the leading designer, manufacturer and supplier of assistive listening products for over 16 years, is proud to announce that its Loop Induction Assistive Listening Systems (ListenLoop) have been nominated, along with 28 other industry-leading products, for the “Impact Product of the Year” Awards by readers of Commercial Integrator (integration professionals) and TechDecisions (primarily end users).

The Commercial Integrator website listing the nominations states these criteria: “We wanted our end-of-year product coverage to be dictated by the consultants and integrators who read CI and the end users who read TechDecisions. We asked readers to submit thoughts on products that made a significant impact on their businesses in 2014. Maybe the product offers features previously unavailable; Maybe it lowers the price point enough to expand a feature to new customer groups; Maybe it reduces design or installation time enough to save the integration firm on labor; Maybe its features make service easier and facilitate recurring revenue; or Maybe it’s just incredibly cool. We’ve highlighted 29 products that, according to readers, meet those criteria.”

ListenLoop technology makes it possible to extend users’ assistive listening solution to anyone with a t-coil enabled hearing aid or cochlear implant. That means users can offer their visitors or patrons the uniquely personal and discrete experience of listening to an audio signal directly through their own hearing aid—without any additional receivers or equipment.

The nominations page cites the following quote, from Mike Shelton, senior systems engineer, AMT Systems, who experienced ListenLoop via a Commercial Integrator Hands-On Review: “With a typical RF system everybody wears a pack and you have a visual indication that you have a hearing issue. With [ListenLoop, on the other hand] you just flip a switch and you can hear perfectly clear and nobody knows … so people don’t feel like they’re being stigmatized. This makes using the system completely invisible.”

Russ Gentner, Listen CEO, stated, “It is always a special honor to be nominated for accolades by journalists and manufacturer peers, but it is another honor altogether to be nominated by integrators and end users – the individuals using our products out in the real world. We are tremendously proud to be acknowledged as we continue to provide the best solutions in the world of assistive listening.”

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