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The Recording Academy® Producers & Engineers Wing® Has Strong Showing at 137th AES Convention in Los Angeles

The Mix @ AES 2014 Manufacturers_AES14 GRAMMY SoundTables: Songs That Move The Needle

SANTA MONICA, Calif. (October 30, 2014) — The Recording Academy® Producers & Engineers Wing® had a strong showing at the recent 137th AES Convention (Thursday, Oct. 9 through Sunday, Oct. 12, 2014, at the Los Angeles Convention Center), along with related events outside the convention campus. The P&E Wing’s involvement spanned lectures, keynotes, a cocktail mixer and award presentation, and a manufacturer’s event, among other activities.

Highlights included:

The keynote on Friday, Oct. 10 was presented by Neil Portnow, President/CEO The Recording Academy, The GRAMMY Foundation®, and MusiCares®.

The GRAMMY SoundTables®, presented by the P&E Wing was held on Saturday, Oct. 11. This year’s event, titled “Songs That Move The Needle,” featured multi-talented production professionals Alex Da Kid, No I.D., Michael Brauer, Niko Bolas and Don Was, sharing their unique experiences in the art of music making. GRAMMY® Award-winning producer/engineer Ed Cherney acted as moderator. The panel’s five multitalented, cross-genre hit makers debated the who, what, when, where and why of songs that have left an indelible imprint.

The Mix @ AES 2014, a cocktail reception co-presented by the UK-based Association of Professional Recording Services (APRS) and the P&E Wing, on Friday, Oct. 10, at United Recording (formerly known as Ocean Way Recording Studios). Sponsors included AKG®, dbx®, JBL Professional®, Lexicon®, Focusrite Novation, GC Pro, iZotope, Record Plant and cocktails courtesy of VEEV Spirits. In a special ceremony, BJ Ramone accepted the APRS Sound Fellowship on behalf of his father, the late, legendary producer/engineer Phil Ramone. The presentation was made by Phil Dudderidge (Focusrite) and the citation was given by Peter Filleul (APRS).

A Hi-Res Audio Production Workshop, co-sponsored by the P&E Wing along with DEG: The Digital Entertainment Group on Friday, Oct. 10.The event was moderated by GRAMMY®-winning engineer and director of music recording & scoring at Skywalker Sound Leslie Ann Jones, with panelists Chuck Ainlay (Dire Straits and Mark Knopfler, Taylor Swift, Miranda Lambert); producer and Chief Creative Officer of Concord Music Group John Burk; Bob Clearmountain (Bruce Springsteen, Rolling Stones, Bon Jovi) and Ryan Ulyate (Tom Petty & The Heartbreakers, Electric Light Orchestra, the Traveling Wilburys). These top professionals discussed the music creation process and shared their practices for recording, mixing and mastering in high resolution.

High Resolution Audio—Super Session (Friday, Oct. 10), moderated by P&E Wing Managing Director Maureen Droney, and part of the Convention’s High Resolution Audio (HRA) program. Panelists included Bruce Botnick (Music producer, recording and mastering engineer, VP Content Acquisition for Pono Music), George Massenburg (Producer/engineer/inventor, McGill University), Andrew Scheps (Producer/engineer/mixer) and Bill Schnee (Producer/engineer, Schnee Studio), who explored the most challenging issues facing the recording industry today concerning the adoption of high resolution audio.

The P&E Wing Manufacturer Council Breakfast, held on Saturday, Oct. 11. At their biannual meeting, this group of industry leaders — who are dedicated to the advancement of sound quality and to the overall growth of the professional audio industry — shared ideas and discussed issues of interest to all parties in attendance, with the goal of raising awareness about the importance of high-quality audio, legislative wireless white space and broadband issues, music streaming bit rates and other related topics. The following manufacturers, organizations and publications participated: AKG®, Audio Engineering Society (AES), Audio-Technica, Auralex, Avid, DBX, Electronic Musician, Focusrite Novation, Fraunhofer, GC Pro, Genelec, Iron Mountain, iZotope, JBL®, Lexicon®, Manley, M-Audio, Merging Technologies, Mix Magazine/New Bay Media, Music Marketing/Melodyne, Music Producers Guild (MPG), Presonus, Prism Audio, Pro Sound News, Radial Engineering, Royer, Shure, Sonnox Ltd., Solid State Logic, Universal Music Group, Waves Audio and Westlake Pro.

The P&E Wing ReCharge Lounge. Located in the Demo Room Concourse, the ReCharge Lounge was open to all AES badge-holders and featured charging stations for attendees’ devices, bottled water and snacks, and comfortable seating away from the convention’s crowded exhibit floor.

Maureen Droney, Managing Director of the P&E Wing, stated, “We are always excited to participate in the annual Audio Engineering Society convention in the U.S. We have many of the same values as the AES – for instance, high-resolution audio and advocacy for producers and engineers – and it is wonderful to be given a forum to share our perspectives with the wider audio community at this yearly gathering.”

Photo Caption 1: The Mix @ AES 2014 reception was hosted by UK-based Association of Professional Recording Services (APRS) and The Recording Academy® Producers & Engineers Wing® at United Recording on Friday, October 10, 2014. Pictured L-R: Producer/Engineer and P&E Wing Co-Chair Chuck Ainlay; Managing Director, P&E Wing Maureen Droney; Studio Manager, United Recording Rob Goodchild; Producer/Engineer BJ Ramone; Executive Director [Emeritus], APRS Peter Filleul; and Producer/Engineer and P&E Wing Co-Chair Mike Clink. Photo Courtesy of The Recording Academy®.

Photo Caption 2: Representatives from leading manufacturers, organizations and publications, along with members of the P&E Wing Advisory Council, at the P&E Wing Manufacturer Council Breakfast during the 137th AES Convention in Los Angeles. Photo Courtesy of The Recording Academy®/Clyne Media Inc. © 2014 Photographed by: Corey Walthall, Clyne Media, Inc.

Photo Caption 3: Pictured L-R: Ed Cherney, Alex Da Kid, No I.D., Niko Bolas, Michael Brauer and Don Was, pictured at the GRAMMY SoundTables® event “Songs That Move The Needle” on Oct. 11 at AES137 in Los Angeles. Photo Courtesy of Maury Phillips/WireImage/The Recording Academy®. © 2014. Photographed by: Maury Phillips.

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Auralex® Introduces V2 Upgrades to Its GRAMMA® Acoustic Isolation Platform Line

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— Designed to acoustically isolate bass rigs, guitar amps, monitors, subwoofers and speaker cabinets on stage or in the studio, these models allow the true sound to come through by negating resonance artifacts —

INDIANAPOLIS, IN, October 29, 2014 – Auralex® Acoustics, Inc., the world’s leading brand of acoustical treatments, announces a V2 upgrade to its GRAMMA® (Gig and Recording, Amp and Monitor Modulation Attenuator) line of Acoustic Isolation Platforms, which are designed to isolate bass rigs, guitar amps, monitors and subwoofers on stage and in the studio. Like their V1 predecessors, these patented isolation platforms feature an Ozite® covering over an inert structural layer that floats on a 1” pad of acclaimed Auralex Platfoam™. These carefully engineered solutions allow the true sound of an amp or speaker to come through by negating resonance artifacts. V2 upgrades include a lower profile for increased stability, even better mid- and low-frequency definition and a new easy-to-grab handle. The GRAMMA V2 line is part of Auralex’s acclaimed ISO Series™ (instant sound optimizer), specifically engineered to address problems associated with individual sound sources.

The GRAMMA V2 line includes three models:

BabyGRAMMA® V2
The BabyGRAMMA V2 Amplifier Isolation Platform, designed for compact guitar, bass and keyboard amplifiers. It measures 15″ W x 15″ D x 1.75″ H. Weight limit: 200lbs.

GRAMMA® V2
The GRAMMA V2 is designed for mid-sized amps and speaker cabinets. It measures 23″ W x 15″ D x 1.75″ H. Weight limit: 300lbs.

GreatGRAMMA® V2
The GreatGRAMMA V2 is almost 30% bigger to float large speaker cabinets, accommodating 4×12″, 4×15″ or 4×18″ rigs. It measures 30″ W x 19″ D x 1.75″ H. Weight limit: 300lbs.

“Based on feedback from leading artists and engineers, GRAMMA V2 represents the next generation of isolation products for studio and live performance,” stated Eric Smith, Founder and President, Auralex. “With its new lower-profile design and its ability to provide improved mid- and low-frequency definition, GRAMMA V2 is sure to find its home in the arsenal of live and studio musicians far and wide.”

For more information, please visit www.auralex.com.

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The Recording Academy® Producers & Engineers Wing® Announces Eighth Annual GRAMMY® Week Celebration Honoring Nile Rodgers

56th Annual GRAMMY Awards - Press Room

Annual Celebration Will Highlight Sound Quality and Pay Homage to MusicalIcon at The Village Studios in West Los Angeles on February 3, 2015

SANTA MONICA, Calif. (Oct. 29, 2014) — The Recording Academy® Producers & Engineers Wing® will celebrate its eighth annual GRAMMY® Week event honoring three-time GRAMMY winner Nile Rodgers for his commitment to excellence and ongoing support for the art and craft of recorded music. Michael Ostin and Cameron Strang will serve as honorary event co-chairs at the event to be held on Tuesday, Feb. 3, 2015, at The Village Studios in West Los Angeles. GRAMMY Week culminates with the 57th Annual GRAMMY Awards®on Sunday, Feb. 8, 2015, airing live on the CBS Television Network, at 8 p.m. ET/PT. For updates and breaking news, please visit www.grammy.com, and The Recording Academy®’s social networks on Twitter and Facebook.

“Our Producers & Engineers Wing members are passionate about sound quality, the importance of music creators, and most of all, the integrity of recorded music,” said Neil Portnow, President/CEO of The Recording Academy. “This year, it is with great pride that we honor a musical icon who is the epitome of everything the P&E Wing represents. Nile Rodgers is not only a revered member of the music community but also a founding member of the Wing and we look forward to celebrating his astonishing career, which continues to reach new musical heights and inspire generations.”

A musician, composer, arranger and guitarist, Rodgers is one of the most influential music producers in the history of popular music. He began his career as a session guitarist in New York, first toured as a teenager with the “Sesame Street” band, and played with the house band at Harlem’s world famous Apollo Theater. In 1970 Rodgers and bassist Bernard Edwards met and formed the Big Apple Band. In 1977 the band changed their name to Chic and subsequently generated chart-topping hits such as “Le Freak,” “I Want Your Love,” “Everybody Dance,” and “Good Times.” Chic’s success soon led to producing opportunities for Rodgers and Edwards, among them albums such as Sister Sledge’s We Are Family and Diana Ross’s Diana.

Following Chic’s dissolution in 1983, Rodgers embarked on a solo production career that launched hits for artists such as David Bowie, INXS, Duran Duran, Madonna, Sheena Easton, Jeff Beck, the Thompson Twins, Mick Jagger, Grace Jones, Cyndi Lauper, Howard Jones, the B-52′s, and Al Jarreau, among others. Rodgers’ work with a variety of popular artists soon led to opportunities to share his distinct sound on film soundtracks such as Alphabet City, Gremlins, Against All Odds, That’s Dancing, White Nights, The Fly, White Hot, and Earth Girls Are Easy, in addition to collaborating with Peter Gabriel on Laurie Anderson’s concert film Home Of The Brave. In 1988 Rodgers composed his first orchestral score for the film Coming To America.

In the ’90s Rodgers produced the Vaughan Brothers Family Style, which was released shortly after the untimely death of guitar virtuoso Stevie Ray Vaughan, along with projects for Bowie, Eric Clapton, the B-52s, David Lee Roth, Ric Ocasek, Dan Reed Network, Cathy Dennis, Patty Griffin, Jimmie Vaughan, and The Stray Cats among others, along with continued soundtrack work on films such as Thelma and Louise, Cool World and Beavis And Butt-Head. In 1992, Rodgers and Edwards revisited Chic’s roots and released a new album, Chic-Ism. In 1996 tragedy struck when, during a series of Chic concerts in Japan, Edwards contracted pneumonia and died, a blow that greatly affected Rodgers. Although devastated by the loss of his longtime musical partner and close friend, Rodgers ultimately regrouped and returned to playing live concerts and composing and producing music for film soundtracks including work on Beverly Hills Cop III, Blue Chips, The Flintstones, and Feeling Minnesota (including a collaboration with Bob Dylan).

In 1998 Rodgers founded the Sumthing Else Music Works record label and Sumthing Distribution, an independent music label distributor. The label focused on a fast-growing new genre: video game soundtracks. Its titles include the complete Halo and Resident Evil franchises including Gears of War and Borderlands. During this time, Rodgers focused on additional soundtrack projects such as Rush Hour 2, Snow Dogs and Semi-Pro. In 2002-2003 he co-produced Astronaut, with the original five members of Duran Duran.

Prompted by the Sept.11 tragedies, Rodgers created the We Are Family Foundation to help promote the healing process and organized a rerecording of “We Are Family,” the GRAMMY Hall of Fame®-inducted song he and Edwards wrote for Sister Sledge. The rerecording was performed by more than 200 musicians, celebrities, and personalities and included a music video filmed by Spike Lee, a documentary filmed by Danny Schechter and a video version for kids that included more than 100 beloved children’s characters. Rodgers has been recognized for his humanitarian efforts as well as music achievements by being honored with innumerable awards, among them The Recording Academy’s NY Chapter’s Heroes Award, induction into the Dance Music Hall of Fame, No. 1 Singles Producer In The World by Billboard, and the Winter Music Conference Lifetime Achievement award.

Rodger’s career has seen a strong resurgence in the electronic dance community through his work with such acts as Avicii, Disclosure and Tensnake. His collaboration with Daft Punk on their album Random Access Memories garnered him three GRAMMY Awards for 2013 including Album Of The Year and Song Of The Year. Rodgers continues to tour worldwide and remains one of the most in-demand producers and artists of his time.

As the Producers & Engineers Wing 2015 honoree, Rodgers joins an impressive list of past honorees: Chris Blackwell; T Bone Burnett; Tom Dowd; Ahmet and Nesuhi Ertegun; Jimmy Iovine; Quincy Jones; Arif Mardin; Al Schmitt; Jerry Wexler; and Neil Young.

Photo Courtesy of The Recording Academy® /Wireimage.com © 2014
Photographed by: Dan MacMedan

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Audinate® and Bose® Professional to Sponsor AV Networking Roadshow in New York City

New York City, NY, October 23, 2014 – Continuing a series kicked off at InfoComm MEA in October, Audinate® and Bose® Professional will hold their next session of the AV Networking Roadshow – focusing on Dante™ technology – at the Holiday Inn Midtown – Embassy Ballroom in New York City. The session, titled “Introduction to AV Networking,” is a one-day session on November 19, from 10:00 a.m. to 5:00 p.m. The event is sponsored by Bose Professional and Audinate, with support from Attero Tech®, Audio-Technica, and Digital Audio Labs.

Dante, created by Audinate, is the leading audio-over-IP networking solution. It offers virtually perfect synchronization, ultra-low deterministic latency and plug-and-play configuration management. Dante’s real-time streaming is suitable for live broadcast, commercial installation, live sound, public address, intercoms and transportation communications deployments.

Intended for AV and IT professionals who have a novice or intermediate understanding of AV networking, these sessions expose attendees to the current state of audio networking and control for AV systems, emerging technologies and trends in AV networking. The instructor-led training uses a variety of components from Bose and other participating manufacturers, and provides an opportunity to learn audio networking theory, design and implementation through interactive, hands-on sessions using Dante audio networking technology.

Presenters include Bernie Farkus, Audinate, and Darryl Bryans and Trevor Donarski, Bose Corporation. The session is eligible for three Renewal Units for InfoComm certification holders.

Attention will be paid to the following topics:
• Connecting devices and routing audio over a Dante™ network
• Network switch configuration for various applications
• Working with IT managers to define network requirements
• Basic network troubleshooting

This is an all-day session, with lunch provided. It is limited to 75 attendees, and you can register for the course by e-mailing Lauren Handley at Bose (lauren_handley@bose.com).

Darryl Bryans, Product Line Manager, DSP, Bose Professional, stated, “The AV Networking Roadshow is a great way to quickly come up to speed on the latest information regarding audio networking and to get some hands-on experience using Dante audio networking technology and a variety of products. We’re pleased to be working together with Audinate and the other participating manufacturers to offer these sessions in New York City and beyond. By the end of the day, participants should be able to confidently implement and install a Dante enabled system.”

“As the market leader in media networking, Audinate believes that one of the ways people can fully appreciate just how easy Dante is to install, integrate and use is to support our OEM partners in educating their customers.” says Ervin Grinberg, Director of Marketing, Audinate. Grinberg also adds, “Dante is the most requested networking technology, and we are pleased to showcase the benefits regionally to present this hands-on comprehensive, well thought-out program.”

Future AV Networking Roadshow events are being scheduled for Los Angeles, Chicago, Germany, Japan and the U.K.

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Audio Engineering Society Welcomes New President Andres Mayo

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New York, NY — Following the highly-successful 137th Audio Engineering Society Convention, which took place Thursday, October 9, 2014, through Sunday, October 12, 2014, at the Los Angeles Convention Center in Los Angeles, California, the AES is pleased to welcome new President Andres Mayo as he takes over the leadership role from Dr. Sean Olive. Mayo currently serves as Owner and Senior Mastering Engineer at Andres Mayo Mastering and Audio Post in Buenos Aires, Argentina, and, as an award-winning producer and engineer, he is set to guide the AES into the coming year and through AES138 in Warsaw, Poland and the Convention’s return to New York City for AES139 in the fall of 2015.

Mayo’s skills in the studio have earned him professional success and renown throughout the industry as an audio engineer and producer. He holds a Master’s degree in Electronics Engineering from the National Technology University (U.T.N.) in Argentina. Since 1991, Mayo has been a pioneer in the art of mastering, working for several facilities in Latin America as well as London, New York and Ludwigsburg, Germany. In 1994 Andres was co-founder of Mr. Master, the first pro mastering facility in Argentina, which later became “Andres Mayo Mastering and Audio Post,” boasting full 5.1 mixing and mastering capabilities. With credits on over 2,000 albums, two GRAMMY® Awards as a producer and six Carlos Gardel Technical Excellence Awards, Mayo continues to set a high standard for the AES and for furthering professional audio advancements around the world.

Additionally, Mayo has served as the AES VP for Latin America for two consecutive terms, co-chairing more than 50 AES events in the region, including the first Latin American Conferences in 2007 (Buenos Aires), 2008 (Mexico) and 2009 (Sao Paulo), as well as the first Latin Producers Panel, in Spanish, at an international AES Convention (AES137). Mayo has also served four years as Chair of the AES Argentina Section and still serves the Society as Vice Chairman of the Technical Committee for Recording Technology and Procedures (TC-RTP). Andres speaks fluent Spanish, English and Portuguese and has been invited as keynote speaker to more than 60 conferences held throughout Latin America, the U.S. and Canada. He has been presented with the AES Board of Governors Award (2009) and the AES Citation Award in recognition of outstanding contributions to the Latin American Professional Audio Community (2011).

Commenting on the recent AES137 Convention in Los Angeles, California, as well as his new role as President, Mayo states “I strongly feel that the recent L.A. Convention has been a resonant success in all aspects. With over 300 exhibitors and 350+ presentations, workshops, tutorials and papers, not only have we proved that the AES is alive and kicking, but also that there is absolutely no convention in the world that can provide the audience with such a high level of education in all aspects of Professional Audio. My special thanks to our Executive Director Bob Moses, Co-Chairs Michael MacDonald and Valerie Tyler, and an amazing team of over 50 people, for putting together the best AES Convention ever, and I look forward to serving as President as we expand the reach of the AES in the upcoming year.”

For further information on the Audio Engineering Society and upcoming events, please visit http://www.aes.org/.

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Pensado’s Place Has Eventful AES137 Convention

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Program co-hosts Herb Trawick and Dave Pensado were the focus of the convention’s Platinum Engineers Panel, Audio-Technica’s AMA event, and two events launching their new book The Pensado Papers, published by Hal Leonard

LOS ANGELES, CA — Pensado’s Place – the acclaimed weekly web series known as the most influential show for engineers, mixers and producers – and its co-hosts Herb Trawick and Dave Pensado had a strong presence at the 137th AES Convention and concurrent events in Los Angeles. Throughout the convention (Thursday, October 9, through Sunday, October 12, 2014), Trawick and Pensado made 11 appearances; highlights included the Platinum Engineers Panel (of which Trawick and Pensado were the focus), an “AMA (Ask Me Anything)”-style Q&A hosted by Audio-Technica, and two events launching the new book The Pensado Papers, published by Hal Leonard. The Pensado Papers is the behind-the-scenes story of Dave Pensado’s and Herb Trawick’s incredible and inspirational journey in the music business and how they have worked to raise awareness and give recognition to everyone working behind the glass.

On Thursday, October 9, 2014, Vintage King Audio Los Angeles featured a book signing/intro with Trawick and Pensado and Hal Leonard staff.

The following day, Friday, October 10, 2014, at AES137 at the LA Convention Center, the Platinum Engineers Panel “The Script Is Flipped” featured Trawick and Pensado interviewed by Convention co-chair Michael MacDonald. Convention-goers got the chance to see what Trawick and Pensado have learned from their superstar guests – from studio technique and engineering, to the pressures of creating online television for 180 straight weeks (and counting). MacDonald moderated the event, drilling Pensado and Trawick on what they would like their legacy to be, their favorite and least favorite sounds, what they would do if they worked in other professions, and more.

The following day, Saturday, October 11, 2014, featured two events at the convention with Trawick and Pensado – the first was an introduction and book signing at Hal Leonard’s exhibition booth, and the second was the AMA event at Audio-Technica’s booth, with questions submitted both in person and online.

Trawick stated, “Throughout the course of the AES convention, Team Pensado ended up making 11 appearances in 72 hours, including parties, dinners etc. We were approached by a ton of people during all these times, offering an amazing amount of love, handshakes, pictures and the like. And the prevailing discussion was how great the convention was, from attendees to vendors to press. We were proud to participate in such a wonderful gathering.”

ABOUT PENSADO’S PLACE
The hour-long weekly web series Pensado’s Place was created nearly four years ago. Co-hosted by legendary mix engineer Dave Pensado (Beyoncé, Christina Aguilera, Kelly Clarkson, Mariah Carey, Elton John, Michael Jackson and more) and show creator Herb Trawick, Pensado’s Place includes interviews with top music industry artists, engineers, producers, mixers, and record executives, as well as in-depth tutorials in production, engineering and mixing. Pensado’s Place has positioned itself as “the most influential show for audio engineers,” mixers and producers (Forbes Magazine) in just three years. Pensado’s Place is more than just a show, as it highlights the very best in the industry of music, gaming, sound identity on film, and audio equipment, with a presence in live events. As a leading educational resource, Pensado’s Place is helping build the next generation of audio greats. http://www.pensadosplace.tv/

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Audio-Technica Presents “How to Mic A Zombie”

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Zombies exist solely in the realm of fiction — or DO they? Audio-Technica thinks it better to be safe than sorry. Surviving in a zombie apocalypse relies on preparedness in every aspect of life — even microphone technique. In this spooky video, Audio-Technica teaches you “How to Mic a Zombie.” Sit back, enjoy, and remember to check under the bed, in the closets and behind the curtains.

Watch here: http://youtu.be/a62BRu7CVE0

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Listen Technologies Announces Inaugural Champion Award

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— First recipient is Bill Register, Director of Facilities & Theater Management, Nederlander Producing Company —

BLUFFDALE, UT, October 24, 2014 — Listen Technologies Corporation, the leading designer, manufacturer and distributor of assistive listening products for over 16 years, announces the inaugural Listen Champion Award, an annual award for those exemplifying forward thinking in assistive listening. The award will be presented annually each October. Criteria for honorees include their contributions to advocacy, compliance, implementation, technology and/or innovation. The recipient of the inaugural award is Bill Register, Director of Facilities & Theater Management, Nederlander Producing Company. Cory Schaeffer, Listen Technologies Co-Founder and Vice President of Business Development, announced the establishment of the annual award, which underscores Listen’s ongoing commitment to raising awareness of hearing disabilities and assistive listening and to acknowledging leaders in these initiatives. The inaugural award was presented to Mr. Register at a private ceremony in New York on October 14.

Cory Schaeffer stated, “Our goal at Listen Technologies is to highlight and express our gratitude to those who endlessly work to help accommodate people with hearing loss, and with that in mind we have established the Listen Champion Award. Our first recipient, Bill Register, is a stellar example of what we honor. His actions to support assistive listening implementation and advocacy are making a huge difference on Broadway, and we acknowledge and appreciate the work he is doing. His efforts are to be applauded.”

For more information on this award and all other inquiries, please email sales@listentech.com.

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Dallas Audio Post Chooses Genelec 1237A Three-Way Smart Active Monitors™

DallasAudioPost

— Longtime Genelec users Dallas Audio Post see very first installation of a 1237A system in the U.S. —

NATICK, MA, October 22, 2014 — Genelec, the leader in active monitoring technology for over 35 years, is proud to be the monitor of choice for post-production facility Dallas Audio Post for the entire course of its 20-year history. Since its founding, Dallas Audio Post has proven itself to be a versatile and highly adept post-production firm, delivering on projects ranging from TV and film clients to corporate, live event, political, video game, sports clients and much more, with specific jobs including voiceover, sound design, mixing, custom music scoring, ADR and Foley work. Recently, the facility became the very first U.S. installation of Genelec’s new 1237A Tri-Amplified Smart Active Monitor™ (SAM™) system, featuring proprietary AutoCal™ and GLM™ technologies and powerful Class D amplification.

The current 10,500-square-foot facility was built from the ground up about two-and-a-half years ago, and it is actually the fourth facility that the firm has had since their founding. “It has five audio studios,” notes Roy Machado, Dallas Audio Post President and Creative Director. “Four are traditional TV mixing stages with adjoining recording areas, and the fifth is a theatrical film mixing stage – the only one of its kind in Texas and probably the only one of its kind between New York and L.A. – and all five rooms have their own Pro Tools HD rigs. And if you go back through our history, Dallas Audio Post has been a Genelec user since its inception 20 years ago. We started out using 1030As in our first incarnation, and as time moved along we started using 1032s for one of our rooms in an LCR format with an array of 1031As for surround. We also had another room that was using 8050s. So we’ve always had a lot of trust in Genelec monitoring, and the quality of our mixes was very solid and would transport well to broadcast or live environments. Moving forward to this facility we still have one room that is outfitted with 1032s in LCR and a 1031 array for surround mixing.”

Machado continues, “In our current facility, we have a medium- to large-sized room, and we had been using the 8050s but wanted something a big larger. So when we heard that Genelec was coming out with a 1237A, we were very interested in those because we knew not only that the speaker would sound great, but that the integration of onboard DSP and GLM software would deliver something great for us. As soon as we could, we called our dealer and started the ball rolling to be one of the first, if not the first, 1237A facility. We sourced them through Sweetwater Sound and Senior Sales Engineer Robert Williams. I think we ended up getting serial number 2 and serial number 4!”

Machado and his team have been very happy with the performance so far. He goes on: “Once we put the 1237A’s in the room and then shot the room with the GLM software, we were absolutely in love. I mean the definition that they had! The familiarity of the sound was still there, but we had a much wider sweet spot. The room tuning software is spot-on; we double-checked it against other room tuning tools that we look at and use, and we confirmed that the GLM software is exactly on-point, both in the frequency domain and the time domain. The quality of the sound is outstanding. This is the first time that we have had a three-way speaker at Dallas Audio Post. Typically all the other Genelecs that we have had been two-way speakers. The extra definition that you get from having a three-way speaker is fantastic, and we are just absolutely loving those speakers. As a matter of fact, we already are making plans to upgrade our A room, which has the 1032s and 1031 arrays, to use the 1237As as well, because they are that good.”

About the 1237A:
The 1237A features a 12” (300mm) bass driver, 5” (130mm) Genelec midrange driver and a 1” (25mm) metal dome tweeter, where the mid- and the high-frequency drivers are mounted in Genelec’s proprietary Directivity Control Waveguide™ (DCW), which allows the system to reproduce flat frequency response both on and off its acoustical axis, thereby allowing for a wider sweet spot. Each one of the system’s drive units has its own power amplifier with a total rating of 500W, 250W for the bass driver and 200W respectively for the mid and high frequencies. Frequency response runs from 37Hz up to 20kHz +/- 2.5dB. In real life studio conditions a pair of 1237As can produce peak levels of 126dB SPL at 1.7 m distance.

For more information, please visit www.genelecusa.com/.

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The Recording Academy® Producers & Engineers Wing® Hosts Annual Manufacturer’s Council Breakfast

Manufacturers14

SANTA MONICA, CA (October 21, 2014) — The Recording Academy® Producers & Engineers Wing® Manufacturer Council Breakfast was held on Saturday, Oct. 11, 2014, during the 137th AES Convention. At their biannual meeting, this group of industry leaders — who are dedicated to the advancement of sound quality and to the overall growth of the professional audio industry — shared ideas and discussed issues of interest to all parties in attendance, with the goal of raising awareness about the importance of high-quality audio, legislative wireless white space and broadband issues, music streaming bit rates and other related topics.

The following manufacturers, organizations and publications were invited to participate: AKG®, API, Apple, Audio Engineering Society (AES), Audio-Technica, Avid, Electronic Musician, Euphonix, Fraunhofer, Focusrite Novation, Genelec, GC Pro, iZotope, JBL®, Lexicon®, Manley, M-Audio, Melodyne, Mix Magazine/New Bay Media, Music Producers Guild (MPG), PMC, Prism Audio, Pro Sound News, Radial Engineering, Royer, SADiE, Shure, Sonnox Ltd. and Waves Audio.

P&E Wing Managing Director Maureen Droney stated, “We always welcome and appreciate the time our manufacturers carve out from their busy AES schedules to meet with us and discuss the state of the industry. Working together, we can address issues that affect all of those in attendance as well as the industry as a whole, raising awareness and providing a voice and a call to action.”

Photo Caption: Representatives from leading manufacturers, organizations and publications, along with members of the P&E Wing Advisory Council, at the P&E Wing Manufacturer Council Breakfast during the 137th AES Convention in Los Angeles. Photo Courtesy of The Recording Academy®/Clyne Media Inc. © 2014 Photographed by: Corey Walthall, Clyne Media, Inc.

About The Recording Academy: Established in 1957, The Recording Academy is an organization of musicians, songwriters, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards — the preeminent peer-recognized award for musical excellence and the most credible brand in music — The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs. The Academy continues to focus on its mission of recognizing musical excellence, advocating for the well-being of music makers and ensuring music remains an indelible part of our culture. For more information about The Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @TheGRAMMYs on Twitter, like “The GRAMMYs” on Facebook, and join The GRAMMYs’ social communities on Foursquare, GetGlue, Google +, Instagram, Pinterest, Tumblr, and YouTube.

About The Producers & Engineers Wing: Currently more than 6,500 professionals comprise The Recording Academy Producers & Engineers Wing, which was established for producers, engineers, remixers, manufacturers, technologists, and other related creative and technical professionals in the recording field. This organized voice for the recording community addresses issues that affect the craft of recorded music, including the development and implementation of new technologies, technical guidelines and recommendations, and archiving and preservation initiatives. For more information, please visit www.producersandengineers.com.

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