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Archive by Brad Gibson

Auralex® Unveils Next-Generation SubDude-HT™ Subwoofer Isolator

— SubDude-HT™ decouples sub from floor, improving the low-end frequency response in critical listening applications —

Auralex® Acoustics, Inc., the world’s leading brand of acoustical treatments and soon to celebrate its 35th anniversary, is unveiling its next-generation SubDude system, the SubDude-HT™ Subwoofer Isolator. A larger lower-profile version of Auralex’s acclaimed SubDude, the SubDude-HT is a highly effective device that floats a subwoofer, yielding improved acoustical isolation.

Ideal for home theater installations, the new SubDude-HT is designed to work with most home theater subwoofers and features a three-quarter-inch velour-covered MDF with a one-inch base of Auralex Platfoam™ as an isolation boundary to decouple the subwoofer from the floor. This type of isolation allows the sound to emanate directly from the subwoofer, reducing coloration/”muddy” sound, thereby creating a clearer, more accurate low frequency response with diminished structural vibrations. The SubDude-HT measures 22″W x 17″D x 1.75″H.

For more information, please visit www.auralex.com.

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GC Pro Helps Hollywood’s Sonic Fuel Take Their New Facility to the Next Level

— New 7,000-square-foot studio includes a live room large enough for a 35-piece orchestra, an expansive control room, two iso booths, a machine room, a lounge and writing studios, with a wide complement of equipment sourced through GC Pro —

After years in which machine-made music tracks have seemed ubiquitous, live music is again making its presence felt in movies, TV and video games. The new production facility for Sonic Fuel, the 12-year-old music-for-picture studio in El Segundo, California, near Hollywood, was designed to leverage exactly that welcome trend. The new facility offered the perfect combination of high ceilings and a flexible space in which architect Frank Glynn, builder Brad Keeler and Sonic Fuel music engineer Jeff Vaughn collectively designed a live room large enough to comfortably hold a 35-piece orchestra, an expansive control room, two isolation booths, a machine room, a lounge and other spaces. And all of the new studio’s key rooms were equipped with technology and products sourced and sold by Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users.

“The television business has been using real musicians again; most television shows and every movie expects live music… and almost all video games are done with at least a decent sized orchestra,” observes Christopher Lennertz, who, with partner Timothy Michael Wynn, founded Sonic Fuel Studios in Marina del Rey a dozen years ago. As a result, for their new facility the partners wanted the space necessary to record large groups of live musicians and the technology they needed to give film, television and games the finished audio formats they demand, such as discrete 5.1 surround tracks and surround stems. “Almost every project we are involved with now — including video games, film and television — demands 5.1,” explains Lennertz. “Most of what we deliver is 5.1 stems now; for video games, we will deliver anywhere from 8 to 12, or sometimes 24 5.1 stems at the same time. So we had to go ahead and build a true 5.1 room.”

GC Pro was involved from the start and offered advice and resources unavailable from any other pro audio retailer. GC Pro Senior Account Manager Rich Avrach suggested a wide range of technology solutions to support the Euphonix System5 digital console that came from the previous facility, including two Avid Pro Tools HDX systems (with Avid 16×16 I/O), Avid SYNC HD, BAE 312A preamp, Apogee Symphony I/O, an Apogee Big Ben clocking system and an expanded microphone complement including two Neumann TLM 103s, two Neumann M 149s and four Neumann KM 184s.

“We have a longstanding relationship [with Sonic Fuel] that spans several years,” says Avrach, noting that a deep understanding of the client’s goals and vision resulted in technology choices that helped the project come together more efficiently. For instance, even though a digital console meant more flexibility, Lennertz and Wynn wanted to be sure they could have an authentic analog sound on the front end. So Avrach helped them warm up the input stage with several types of preamplifiers from brands including Neve, Millenia, API, Universal Audio and others.

Shortly after it opened, the new Sonic Fuel facility was put to the test for a strings and winds tracking sessions for the NBC pilot of Revolution, produced by J.J. Abrams (the mastermind behind Lost) for this year’s new NBC television season. The session was a total success and augured well for Sonic Fuel’s own future, and the owners are more than happy to acknowledge the part GC Pro played in making it happen. “They were actually part of the planning process,” Lennertz says. “They gave us all the support we needed with preamps, microphones and support and were never pushy. Plus they are very fast.” And in Hollywood, that really helps.

For more information, please visit www.gcpro.com.

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Lowell Expands Surge Suppression Offerings with New Models

— New rackmount panels and power strips offer cost-effective single- and dual-stage surge protection —

Lowell Manufacturing Company, a U.S. manufacturer of professional A/V Products currently celebrating its 65th anniversary, has expanded its range of surge suppression products with three new models: ACR-1509-S and ACR-1509-SD (rackmount panels) and ACS-1505-SW-SD (power strip). All three were developed to provide system integrators with high quality, cost-effective surge suppression solutions.

The ETL-listed ACR-1509-S and ACR-1509-SD are 1U 19-inch EIA rackmount panels with a total of nine 15A outlets (3 switched, 6 unswitched), front rocker switch, and nine-foot power cord with NEMA 5-15P plug. The ACR1509-S offers single-stage surge suppression, while the ACR-1509-SD offers dual-stage (redundant) protection. Both models are made in the USA with domestic and foreign parts.

The ACS-1505-SW-SD is a low-profile, 15A rackmount power strip that measures only 2 inches by 2 inches by 12 inches yet includes five single outlets (all switched) with spacing for external power supplies plus the new dual-stage surge suppression. ETL Listed in the US and Canada, this power strip includes a six-foot detachable power cord with molded plug and universal mounting brackets.

For more information, please visit www.lowellmfg.com or e-mail Lowell at sales@lowellmfg.com.

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Wharfedale Celebrates Its 80th Anniversary: a Historic Look Back

— Limited edition Denton Commemorative Loudspeaker unveiled to mark company’s anniversary —

Wharfedale is one of the founding companies of high fidelity, and in 2012, the company is celebrating its 80th anniversary as one of the most legendary marques in audio history. In addition to the year-long celebration, Wharfedale is commemorating this very special occasion by offering its limited-edition 80th Anniversary Denton loudspeaker, a two-way bookshelf speaker in the classic bookshelf tradition.

Founder Gilbert Briggs was driven by a lifelong love of music. He saved for three years to buy his first piano at age 18 and owned 40 pianos in his lifelong quest for ever-better performance. In 1932 Briggs built his very first loudspeaker in the basement of his home, located in the area known as Wharfedale. Encouraged by his initial success among radio enthusiasts for products such as the award-winning Bronze Wharfedale transducer, he set up a small factory near Bradford, England, in 1933.

By 1936 Wharfedale moved to a larger facility, and by 1945, the company developed one of the landmarks in audio reproduction – the world’s first two-way loudspeaker. By utilizing two drivers – woofer and tweeter – to handle bass/midrange and treble frequencies and optimizing each driver for its respective frequency range, a dramatic improvement in fidelity was achieved.

In 1948 Briggs established himself as an author and authority on high-fidelity with the publication of “Loudspeakers: The Why and How of Good Reproduction.” The pamphlet became extremely popular in the UK, the US and internationally, and through his lifetime Briggs continued to write and lecture about high fidelity.

In the 1950s Briggs staged an audacious series of worldwide concerts that compared live and recorded music in venues like Carnegie Hall and the Royal Festival Hall. A live orchestra would play a selection while being recorded. Next, the recording would be played back to the audience to enable them to experience live versus recorded music first-hand.

In 1958 Briggs sold Wharfedale to the Rank organization, a British entertainment company. This provided resources for continued growth and fueled technological improvements such as the first “roll surround” driver cone, and in 1962 the first-ever speakers to employ ceramic magnets. In the 1960s Wharfedale expanded into electronics, offering tuners, amplifiers and even turntables. During this period, as hi-fi components evolved from being hidden in furniture to becoming objects of desire to be showcased in the home, Wharfedale’s products evolved from their previous staid, traditional appearance to more contemporary styling and a greater variety of finishes and colors.

Wharfedale moved into a larger facility in 1967, and production growth continued through the 1970s with classic models like the Linton and the original Denton. The 1980s saw significant improvements in technologies for loudspeaker design and engineering, including laser holography and Wharfedale’s exclusive SCALP (Scanned Laser Probe) and FRESP (Frequency Slice Plot) techniques that enabled better understanding of loudspeaker behavior and the further advancement of the industry.

In 1981, Wharfedale introduced the first of what would become a landmark loudspeaker series – the original Wharfedale Diamond. The use of a smaller cabinet and light yet rigid driver material resulted in a speaker that delivered outstanding clarity and imaging and took listeners by storm. Never a company to rest on its laurels, Wharfedale subsequently introduced the Diamond II, and the series continues to this day with the acclaimed high-performance/high-value Diamond 10 lineup.

In the 1990s Wharfedale was sold to Verity Group PLC, the specialist company that at the time owned Quad and Leak and developed the revolutionary NXT loudspeaker transducer. In 1997 Verity decided to focus more exclusively on this technology and sold a number of its brands including Wharfedale, now an independent again. Wharfedale took the opportunity to expand into the professional audio market with its Wharfedale Pro division (now Wharfedale Systems and Professional).

Wharfedale became part of the International Audio Group (IAG) in the 2000s. IAG also owns Quad, Mission, Tag McLaren and other prestigious brands. In the 2010s Wharfedale is still one of the fastest growing audio companies in the world, expanding into new international markets and reaffirming its presence in the United States by appointing Canton, MA-based Sound Import LLC as its exclusive U.S. distributor. Under the direction of Vice President of Sales and Marketing Walter Schofield, formerly with Mark Levinson, and President Bob Springston, Wharfedale has continued to expand its presence stateside while providing the complete ultimate home entertainment experience.

In order to remain at the forefront of the industry, Wharfedale employs the most integrated and thorough manufacturing and quality control processes in the industry. The company has 1.5 million square feet of manufacturing space in which every single product and process takes place in-house. This vertical integration enables Wharfedale to have complete design control over every aspect of every loudspeaker. The company can manufacture superior-performance loudspeakers at attractive price points and employ materials and techniques that are unavailable to other manufacturers.

In celebration of its 80th anniversary in 2012, Wharfedale has created its limited edition Denton loudspeaker, a two-way bookshelf model that is beautifully crafted in Vintage Mahogany. Though classic in appearance, the Denton features up-to-the-minute technologies including a woven-Kevlar-cone woofer with a die-cast frame, a woven-textile-dome tweeter and a crossover designed for maximum sonic purity and a seamless blend between the two drivers. The Denton conveys music with a rich, natural quality; exceptional detail, clarity and imaging; and an open, inviting sound. The Wharfedale Denton is available at a suggested retail price of $1,000 per pair.)

Wharfedale remains committed to the values set forth by founder Gilbert Briggs, staying true to the pursuit of the superior quality and value that has made Wharfedale one of the most revered names in audio for 80 years.

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Bose® Professional Audio Systems’ PowerMatch® PM8500/8500N Configurable Power Amplifier Selected as WFX 2012 New Product Technology Award Winner

Framingham, Massachusetts, September 19, 2012 – Bose® Professional Systems Division is proud to announce that its PowerMatch® PM8500/8500N Configurable Power Amplifier has been selected as the recipient of a WFX 2012 New Product Technology Award, in the category of “Best Amplifier.” Winners were announced on Wednesday, September 19, 2012, at the WFX convention in Atlanta.

New Product Technology Awards, presented by Church Production Magazine, Worship Facilities Magazine, and Worship Facility Designer, are the most comprehensive Audio, Video, Lighting, and New Media product awards in the house of worship market. These products are recognized for their innovation and application for churches of all sizes and styles.

Morten Jorgensen, Sr. Manager of the Americas Professional Systems Division, states, “We are extremely honored to be acknowledged by the editors and industry professionals on the selection committee for the WFX New Product Technology Awards. Of course, we don’t design products with awards in mind, but it is nonetheless very satisfying to be recognized by our peers and industry experts for our hard work. When you bring products to market that solve fundamental problems – focusing on things like rugged construction, power, efficiency, sound quality, reliability and connectivity – people cannot help but notice. We are proud of the PM8500/8500N Amplifier, as we are of our entire Professional Systems product line, and again it is an honor to be acknowledged by the WFX Awards.”

The Bose PowerMatch® PM8500 is a highly configurable professional power amplifier delivering concert sound quality for fixed-installation sound reinforcement systems. It allows the user to power speakers from one eight-channel amplifier, or multiple amplifiers networked together, and deliver sound to the main worship center, foyers, lobby areas, cry rooms, and other ancillary areas. Building on the ruggedness proven by 20 years experience building Class D power amplifiers for the automotive market, the PM8500 adds numerous new Bose patented technologies to simultaneously provide class-leading power, efficiency, sound quality and reliability. The PM8500N adds Ethernet connectivity for network control and monitoring of multiple “N” version amplifiers using ControlSpace® Designer. The PowerMatch Amplifier is designed to work with both RoomMatch® array modules and other professional loudspeakers and can allocate its 4000-Watt rated power between two and eight channels, all from a standard wall outlet. The Bose PowerMatch PM8500 Amplifier provides sound designers with unprecedented scalability and configurability for houses of worship and nearly any fixed installation sound system application.

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Waves Unveils NS1 Noise Suppressor Plugin

— The NS1 Noise Suppressor instantly analyzes and adapts to a user’s signal in real time, bringing the foreground into focus as it eliminates unnecessary background noise —

Waves Audio, the industry-leading developer of professional audio digital signal processing technologies, introduces its new NS1 Noise Suppressor. A uniquely intuitive professional noise suppression plugin, Waves’ NS1 Noise Suppressor intelligently differentiates between dialog and unwanted noise. Perfect for post production, broadcast, voiceover, audio forensics and musical applications alike, NS1 instantly analyzes and adapts to a user’s signal in real time, bringing the foreground into focus as it eliminates unnecessary background noise.

Intuitively controlled by a simple single fader, NS1 also features an attenuation meter, which shows users just how much overall energy is being removed from their input signal. NS1 is SoundGrid® and MultiRack Native compatible.

Controls:
Fader determines the amount of noise suppression.
Attenuation Meter displays the amount of overall energy removed from the input signal.

Waves NS1 Noise Suppressor is now available with pricing as follows:
Native – U.S. MSRP $200, with a special introductory price of $99
TDM – U.S. MSRP $300, with a special introductory price of $149

Visit www.waves.com for more information.

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Auralex® Expands Its Range of ProPanels™

— New sizes and fabric options offer latest enhancements to Auralex®’s ProPanels™ line of Fabric Wrapped Acoustical Absorption Panels —

As part of their ongoing commitment to providing system integrators with a wide range of sound absorption products, Auralex® Acoustics, Inc., the world’s leading brand of acoustical treatments and soon to celebrate its 35th anniversary, is expanding its line of ProPanels™ Fabric Wrapped Acoustical Absorption Panels. Auralex’s ProPanels are fabric-covered absorbers designed to provide an upscale look with the high-performance absorption qualities that reduce unwanted room reflections (slap and flutter echoes, for instance) to improve the listening environment while affording tasteful aesthetics that complement any décor.

ProPanels meet the Class A fire rating and are available in a choice of 12 standard color/fabric options. ProPanels standard sizes include: 2′x2′, 2′x4′, 4′x8′ and 4′x4′ wall panels (with beveled or straight edges) and 2′x4′ corner panel (with reverse-mitered edge). The 2′x2′ and 2′x4′ wall panels are available in 1″ and 2″ thicknesses; the 4′x8′ and 4′x4′ wall panels and 2′x4′ corner panel are available in 2″ thicknesses only. Additionally, Auralex offers a wide variety of installation hardware: flat Impaling Clips (standard with all ProPanels orders); and Z-Clips, Cloud Anchors and Snap-On Anchors (available upon request).

For more specialized needs, Auralex offers its Custom ProPanels, which can be customized with regard to shape, size and thickness, to serve the diverse demands of today’s integrator. Additionally, Custom ProPanels are available in a wide variety of custom fabrics.

For more information, please visit www.auralex.com.

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GC Pro Lends a Hand to Stonehand Studio

— New music facility in northern Kentucky aims for an organic sound with carefully chosen technology, sourced and installed by GC Pro —

When Chris Jones does something, he doesn’t do it halfway. The engineer/producer is about to open his own music studio in Florence, Kentucky, near Cincinnati, and he spent considerable time and effort researching how to achieve what he wanted in the way of sound. Jones’ wish list was long and detailed, but it was just what Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, loves to do: help audio professionals bring their visions to life.

Stonehand Studio, which will open in the fall of 2012, is conceived by Jones as a natural-sounding space where acoustics and technology combine to create a wholly organic ambient environment for music recording. “I want it to be a place where people will enjoy taking their time, choosing microphones and picking mic placements to get exactly the sounds they’re looking for,” he explains. Stonehand’s equipment list was put together to help achieve what the studio’s acoustics will bring about naturally, and Jones has a clear rationale behind each piece. For instance, he says he selected the Vintech 473 4-channel mic preamplifier because it approximates the sound of vintage Neve pre amps, and the API 3124+ 4-channel mic pre for what it brings to drums, guitar amps and vocals. Jones researched these and other specific pieces of gear, looking for the combinations that would give him the kind of sonic sensibilities he wanted, but he also consulted with the GC Pro office in Cincinnati, where Account Manager Jim Kinney helped Jones narrow his choices, sourced products and helped him get competitive prices.

And when the time came, they also helped commission the studio, too. Marcin Nowak with GC Pro Technical Services handled the Pro Tools 10 software and Universal Audio Nevana software installations, PCIE card installation, Apogee Symphony installation, RAM upgrades and Apple Mac Pro computer set-up and registrations. GC Pro’s Pres Maxson was invaluable behind the scenes, making sure all the pieces were ordered correctly and arrived on time.

“GC Pro has an awesome team mentality, and it really shows when we get to work on a project,” says Kinney. “Chris was willing to do whatever he could to get the highest performance for his budget from every aspect of the gear. He had clear goals for himself and wanted expert help getting there. We spent a lot of time discussing many options and he seemed to value my input and considered my advice in his equipment decisions.” Jones agrees. “When I started researching, I talked to a number of retailers, including GC Pro,” he says. “But as it went along and the project grew, I found myself talking more and more to Jim at GC Pro. He was always on the job, always there when we had a question, and he always had an answer – they were very, very knowledgeable. GC Pro understood what I was going for, what I was trying to achieve, where I wanted to go with the studio. Those guys have been there themselves, so they know how to help me get where I want to go.”

For more information, please visit www.gcpro.com.

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Aphex® Exciter Keeps the Music Moving for Mellow Mushroom Pizza Bakers

— Franchisees of the fast-growing pizza chain now have the power of the Aphex® Exciter available to them via approved AV systems integration vendor FirstComm, for which the Exciter has become a crucial component for achieving great sound cost-effectively —

— Aphex®’s Exciter offers a cost-effective solution to maximize Mellow Mushroom’s audio —

Aphex®, a leader in audio enhancement technology for over 35 years, is proud to see its Exciter becoming the key processing component in the sound package put together by FirstComm, the approved-vendor AV systems integrator for Mellow Mushroom Pizza Bakers, the fast-growing Atlanta-based pizza restaurant brand that now has over 120 locations nationwide. Two Mellow Mushroom locations in the Charlotte, North Carolina area have recently had sound systems featuring the Aphex Exciter installed; three more, in Pooler, Georgia; Spring, Texas; and Decatur, Alabama, are scheduled to be the next stores that will feature the Exciter’s unique DSP capabilities. Each Mellow Mushroom franchise is individually owned, and each franchisee develops its own theme for the store, such as the “Magic Carpet Ride” and “Woodstock” motifs found at the Charlotte area stores. What the Aphex Exciter will assure is that its stores will have consistently great sound, all the time.

“Music is a big part of the Mellow Mushroom brand,” says Jacob Fuerstman, Director of Operations for FirstComm, which started in 2003 as a sub-contractor for the Muzak Corporation and has grown into a full-service commercial low-voltage systems designer and integrator with a specialty in designing and installing high-performance but cost-effective audio systems for restaurants. “Our mission has been to develop great sound systems for restaurants that don’t break the bank, and the systems we’ve been using for Mellow Mushroom locations do exactly that, thanks in large part to the Aphex Exciter. We’ve found that with the Exciter products we can add a lot of performance to systems through its DSP, giving the systems a rich, full sound without having to employ other kinds of DSP that would be overkill and too costly for most restaurants. The Exciter is virtually invisible as a line item because it’s so reasonably priced, but it makes a significant difference in the audio quality of the sound system. In the world of commercial installs, there’s no other product that gives you this kind of performance boost for such a low cost.”

As an approved vendor, FirstComm has found that Mellow Mushroom clients have responded very positively to both the upgrade in audio and the financial savings. “They especially like the ‘perceived loudness’ feature of the Aphex Exciter, which lets the music fill the restaurant with more impact, without getting too loud to talk over,” Fuerstman explains. “We’ve made the Aphex Exciter a standard part of the package we provide for their restaurants, as well as for other food service clients, such as the Cinebarre movie theaters in Charlotte, which also use the Exciter to enhance its system. Future projects will include Aphex Exciter retrofits to existing restaurants. “The Exciter is a great retrofit product because of its price point,” he says. “It increases the performance of the sound system so much, for such a small amount of money, it’s foolish not to use it. There’s nothing out there that can give you this kind of bang for the buck.”

For more information, please visit www.aphex.com.

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GC Pro Outfits New Auditorium at Mother of Perpetual Help Parish Church in Garland, Texas

— GC Pro’s unmatched inventory translates into a full sound system design adapted exactly for the customer’s needs, and installation from one of GC Pro’s Affiliate Program integrator partners results in another successful project —

Mother of Perpetual Help Parish Church in Garland, Texas, serves the vibrant Vietnamese Catholic community in the Dallas and Ft. Worth areas. The church recently constructed a new auditorium with a multi-purpose mission: as a place to hold conferences and seminars, and as the venue for the elaborate wedding ceremonies and receptions that are part of Vietnamese culture. And all of these applications would require sound that could accommodate the full frequency range of music and the high intelligibility demands of spoken word. That’s why the church turned to Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, to fulfill this multi-part mission. Working with a budget typical for non-profit organizations like houses of worship, the Dallas GC Pro office was able to draw from a wide range of vendors that could not only provide cost-effective equipment and technology solutions but also offer design capability that would assure the system perfectly fit the specific needs of the church. The project also drew upon the deep installation base offered through GC Pro’s acclaimed Affiliate Program of highly qualified AV systems integrators to execute the design.

Kevin Deal, Account Manager at the Dallas GC Pro office, brought an understanding of the church’s needs to the table, as well as a long relationship with Kahn Nguyen, the church’s music consultant, who is responsible for operation and maintenance of the church’s sound systems. “We listened to what they were looking for, and we also were aware that the church was considering other bids,” Deal recalls. “But we knew that we had a much broader range of options we could choose between, from which we could put together a system that would both fit their budget but also perfectly fit the needs of the room and the applications.”

GC Pro presented a solution that used a DAS sound system consisting of 15 DAS Aero 8A Line Array Boxes, 6 DAS Avant 118A Subwoofers and a DAS DSP 4080 Processor. On the stage, eight DAS Avant 112A floor monitors would be managed by DBX 220i loudspeaker processors. Live sound is mixed through an Allen & Heath iLive T112 large-format analog console with an Allen & Heath IDR48 mix rack. Zoned sound is provided through DAS Arctec 26T speakers managed by a DBX ZonePro® 640 and powered by QSC CX108V amplifiers. DAS agreed to provide a detailed design plan for the system that precisely covered the entire auditorium, and it was all expertly installed by GC Pro Affiliate DJ Sound & Lighting.

Deal points out that the competing bid would have used a more expensive system that, based on the church’s budget, would have resulted in some areas insufficiently covered for sound. “The church had given us the CAD drawings of the auditorium and DAS worked from those, so there was a custom system perfectly suited for this project before they had even spent a penny,” Deal says. “That gave the church an enormous amount of confidence and gave us a huge competitive advantage.”

DAS and GC Pro arranged for a DAS systems specialist to fly in to tune the PA system after it was installed, to maximize its performance, at no additional cost to the customer. Kahn Nguyen was more than pleased with the entire project. “Myself and the church have been customers of Guitar Center for a long time, so we knew to expect the utmost from GC Pro,” he says. “And it’s been great so far. Kevin has been very professional and knowledgeable.”

That kind of service – intimate understanding of the needs of a client through patient listening, the ability to source that widely for cost-effective solutions offering both products and services such as design, and the capability to bring installation as part of a turnkey package would be considered above and beyond the call of duty for any other pro audio retailer. But for GC Pro, “’Above and beyond,’” says Deal, “is what we do every day.”

For more information, please visit www.gcpro.com.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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