A virtual press conference from Sound & Video Contractor

Archive by Brad Gibson

Atlanta Bows to Carl Tatz Design’s PhantomFocus™ System

— Atlanta, Georgia’s Reach Records steps up their game in a dramatic way by implementing a new PhantomFocus System 4 enhanced monitor system in their existing control room —

Nashville, TN: “I’ve worked in many, many studios over the years, including the ‘cost-no-object’ super studios in Tokyo, London, Paris, L.A. and Nashville, but I never heard the precise imaging, detail and sonic impact that near-fields could deliver until I heard the PhantomFocus™ System (PFS) at Reach Records,” states Atlanta-based top-tier mix engineer Carlton Lynn (Leona Lewis, India.Arie, Ciara, Pink, Fantasia).

Ben Washer, CEO of the uber-hot independent label Reach Records, consulted with Carl Tatz for over a year about implementing a PFS encouraged by media coverage, reviews and press releases as well as Lynn’s urging. Washer indicated that it was taking way too long to mix and no one could figure out the low end in the Reach Records control room.

Fast forward to the present — on his drive back to Nashville after the Reach Records PFS implementation, PFS creator and award winning studio designer Carl Tatz received an email from Washer, who commented, “I spent several hours this morning listening to some CDs I bought. There is a large puddle of drool on the studio desk now. I hope heaven has sound this good. We listened to some of our old mixes and see much room for improvement. We’re excited to see how we use the system to upgrade the quality of our releases. My only regret is not doing this earlier.”
“It’s really fun to know,” muses Tatz, “that until the next Atlanta studio implements a PhantomFocus System, Reach Records has the best monitoring in the state of Georgia – hands down. Anyone who has a chance to sit in the engineer’s chair at Reach will have that fact revealed to them in very short order.”

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

M3 (Music Mix Mobile) Employs Waves Loudness Meter (WLM) and Other Waves Audio Plugins for 54th Annual GRAMMY® Awards

— M3 employs WLM (Waves Loudness Meter) for consistent loudness monitoring during broadcast —

— Waves’ critically acclaimed plugins allow remote recording specialists M3 to keep the workflow
moving every time —

KNOXVILLE, TN, February 23, 2012 — Having relied on industry standard hardware loudness metering for many years, engineers in the two M3 (Music Mix Mobile) remote trucks at the 54th Annual GRAMMY Awards telecast, broadcast live from L.A.’s Staples Center in 5.1 audio on CBS-TV on the evening of February 12, 2012, made the switch to the WLM (Waves Loudness Meter) plugin from Waves Audio, the industry-leading developer of professional audio digital signal processing technologies. The move for the first time enabled all essential 5.1 and stereo metering to be displayed directly in line-of-sight with the broadcast monitor screen, providing the music mixer with visual feedback at a glance without having to move his head from the soundfield to look at a rack-mounted unit.

The previous setup, which required the music mixer to look in two different directions in order to take in all the metering, was less than satisfactory, according to Joel Singer, Engineer-in-Charge at M3, a New Jersey/California-based remote facilities company. “Visually it didn’t work with the eye too well. We were able to utilize the WLM and its greater visibility and functionality on our front monitoring system for this show. The new set-up worked out perfectly,” he says.

“We set it up for an ATSC A/85 standard measuring all the channels using the ITU-R BS.1770 spec,” Singer continues. “We have one screen inside the truck dedicated to metering only coming off the Pro Tools mixer system. We’re now able to set up 5.1 and LtRt Durrough meters, we’re able to set up a WLM loudness meter, and we can also see a main bus compressor all the time. The engineer can just look up from the console and see the program in front of him on the 46-inch LED screen, he can look to his right and see all the meters, he can look at previews to his left, and he stays in the zone the entire time. There’s no reason that he has to look for a 1U rack-mount with a little meter giving him numbers.”

The WLM plug-in, which features mono, stereo and 5.1 components, is fully compliant with all current ITU, EBU and ATSC metering specifications and offers comprehensive readout options, including Momentary, Short Term, Long Term and True Peak. Measurements may be selected for foreground, dialog and average loudness, while an intelligent dialog sensor detects and measures speech.

Accurate, visible loudness metering is essential for the mixers to be able to create a dynamic show for the GRAMMY Award show’s broadcaster, CBS, explains Singer. “We want the quiet passages to have the same dynamics as the loud passages. We’re trying to create a very even and properly executed show based on the CBS spec. After a lot of testing and working with Waves on the WLM we decided that this was the year we were going to deploy it.”

The streamlined metering display allowed Singer to also keep an eye on levels and consult with John Harris and Eric Schilling, the GRAMMY Award Show Broadcast Music Mixers, as they moved between M3’s Eclipse live music mix truck and its Horizon offline remix counterpart, where the mix created during show rehearsals was fine-tuned prior to the broadcast. “When they went into remix they could use this metering on more of a constant basis, because then they were not under the gun,” explains Singer. “They were just focused on the remix and could get the level dialed in to where they wanted it.”

Although the Waves WLM was deployed for the first time by M3 at the GRAMMYs, the developer’s plugins are a staple on the trucks. “Waves software was very integrated into the show,” says Singer. “On the Springsteen part of the show, his engineer, Bob Clearmountain, asked if we could put a Waves 5.1 SSL bus compressor on the main output to give it that little pop that he wanted. We used a couple of other Waves plugs that we’ve always used from the SSL 4000 and V-Series collections, and the Chris Lord-Alge CLA-76 Compressor. Chris happened to visit the truck and he saw that we were using all sorts of plug-ins that were part of the signature bundle that he created with Waves.”

For more information, please visit www.waves.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

J. Peter Robinson Makes His Greatest “Catch” with Genelec 5.1 Active Monitoring

— Composer chooses a surround monitoring system consisting of three Genelec 8250A
Bi-Amplified DSP Monitors for the L-C-R array, a pair of 8240A Bi-Amplified DSP Monitors
for the left and right rear surrounds, and a 7260A Active DSP Subwoofer for projects including feature films, reality television, video games and more—

NATICK, MA, February 23, 2012 — You could say J. Peter Robinson has been around the block a few times. In fact, you could say he’s been around the world more than once, too, both the real world and the world of entertainment media. Classically trained at the Royal Academy of music in his native London, Robinson moved easily between the worlds of theater, where he was the pianist for Andrew Lloyd Weber and Tim Rice on the original production of “Jesus Christ Superstar,” and rock, as a member of bands fronted by artists including Eric Clapton, David Bowie and Phil Collins. He was equally adept at the transition to media composing, creating music for television series including Charmed and five-time EMMY Award® winner Deadliest Catch, and feature films including Wayne’s World, Encino Man, Highlander: The Final Dimension and the soon-to-be-released Nicolas Cage film Seeking Justice. In fact, it was exactly that wide-ranging eclecticism that led Robinson to choose Genelec Active Monitors for the first 5.1 surround monitoring system in his personal recording and mix studio in Los Angeles.

After carefully vetting a wide range of speakers, Robinson decided upon three Genelec 8250A Bi-Amplified DSP Monitors for the L-C-R array, a pair of Genelec 8240A Bi-Amplified DSP Monitors for the left and right rear surrounds, and a Genelec 7260A Active DSP Subwoofer. The system was purchased from West L.A. Music and installed late last year.

“I had been spending a lot of time and money in other facilities to do my 5.1 surround monitoring and mixing, and it was time that I got my own set up, but it had to be able to handle all of the kinds of media that I work in,” says Robinson, who, in addition to his TV and film credits, has just finished work on his first video game, scoring a title based on the popular Highlander franchise. “It had to be a system that could cover all of these types of media.”

Robinson auditioned numerous monitors but kept coming back to the Genelecs as his favorites. “I listened to a lot of great-sounding speakers, but the Genelecs were the only ones where I heard only the music, not the speaker,” he explains. “All I heard from them was the material, and that’s critical.”

Also important was the fact that Genelec’s AutoCal™ automatic calibration system allowed Robinson to plug the monitors in and let them optimize themselves to his environment. “The Genelecs basically made friends with the room,” he says. “What they give me is the confidence that I’m always hearing what I recorded, as I recorded it. That’s invaluable.”

For more information, please visit www.genelecusa.com/ .

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

INDUSTRY LEADERS UNITE TO SUPPORT THE RECORDING ACADEMY® PRODUCERS & ENGINEERS WING® GRAMMY® WEEK EVENT

Audio Industry Leaders Gather for the Fifth Annual GRAMMY® Week Celebration at The Village Studios in West Los Angeles, Honoring Music Producer, Executive and Entrepreneur Jimmy Iovine

SANTA MONICA, Calif. (February 22, 2012) — On Wednesday, Feb. 8, 2012, The Recording Academy® Producers & Engineers Wing® kicked off GRAMMY® Week with its fifth annual event, this year honoring music producer, entrepreneur and chair of Interscope Geffen A&M Records Jimmy Iovine, who has worked with artists including Bruce Springsteen, Patti Smith, U2, the Pretenders, Dire Straits, Stevie Nicks, Tom Petty & the Heartbreakers and many more. Iovine was recognized for his commitment to excellence in audio and ongoing support for the art and craft of recorded music. The event was held at The Village Studios in West Los Angeles. GRAMMY Week culminated with the 54th Annual GRAMMY Awards on Sunday, Feb. 12, 2012..

The event was held with the support of leading companies within the musical instrument and professional audio markets. Presenting sponsors included The Village Studios, West L.A. Music and Westlake Professional Sales. Co-sponsors included Harman International brands AKG Acoustics, JBL, and Lexicon; Iron Mountain; Avid; Musician’s Institute; Music Marketing; Shure Incorporated; Beats Electronics; Ultimate Ears; Focusrite Novation; Prism Media Products; Apogee Electronics Corporation; Full Sail University; Guitar Center Professional (GC Pro); Lurssen Mastering; Sennheiser Electronic Corporation; SoundExchange. Eco-friendly cocktails were provided by VeeV.

Producers & Engineers Wing Senior Executive Director Maureen Droney said, “The evening was a huge success, and once again we must offer a sincere thank you to all of our sponsors. It’s a simple fact that we couldn’t have done it without them. Since this was the P&E Wing GRAMMY Week event’s fifth anniversary, this year’s event was particularly meaningful, and it is especially gratifying that so many leading high quality brands joined together and with us to make the night happen. We all look forward to next year.”

Personnel from several of the sponsors also weighed in on the evening’s festivities:

Michael MacDonald, VP, Sales & Marketing, Harman Professional Division, stated, “Each year the P&E Wing’s GRAMMY Week Event brings the most major figures from the industry into one place. It is an honor to support the P&E Wing and to converse with the talented people behind the scenes of today’s music.”

“Everyone at Music Marketing was extremely proud to support The Recording Academy Producers & Engineers Wing GRAMMY Week event. We had a great suite, which enjoyed a solid succession of industry professionals, including honoree Jimmy Iovine, making the experience one to remember,” stated Ray Williams, President of Music Marketing.

Photo File: PE_IovineEvent_Sponsors.JPG
Photo Caption: Key sponsors and P&E Wing personnel gather for The Recording Academy® Producers & Engineers Wing®’s GRAMMY Week event, which this year honored Jimmy Iovine. Photo Courtesy of The Recording Academy/Wireimage.com. ©2012.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Waves Audio Releases InPhase Plugin

— New Plugin Corrects Track Phasing and Alignment Issues —

KNOXVILLE, TN, February 21, 2012 — Waves Audio, the industry-leading developer of professional audio digital signal processing technologies, is now shipping its InPhase plugin. Designed for recording, mix, mastering and live FOH/monitoring engineers, InPhase has been developed to correct phasing issues between tracks. Phasing can cause drops in volume and wreak havoc on frequency response and stereo image; InPhase gives users a comprehensive tool to correct such problems.

As many engineers and producers know, phasing problems are encountered during all stages of the production process:

In recording, when multiple sources such as microphones and direct signals are used to capture the same sound (e.g., individual drums and drum overheads, guitars recorded using both an amp and DI, amps recorded using multiple mics, etc.).
In mixing, when phase issues that were not addressed during the recording process need to be corrected.
In mastering, when the stereo mix has phasing issues.

Even small timing differences can cause subtle drops in volume as well as reduced punch and clarity. Waves’ InPhase gives users the power to align their tracks and restore phase coherence.

InPhase is the ultimate phase correction plugin, featuring high resolution dual waveform displays with up-to-sample resolution zoom; phase shift filters with adjustable frequency and Q; and an intuitive correlation meter, which shows users just how much they are in or out of phase. Users can move their waveforms manually or using the delay control, and even align them in relation to a sidechain input. The phase shift curve window shows users the phase shift curve across the frequency line; the correlation meter shows to what extent tracks are in- or out-of-phase; and the plugin features dual second-order allpass filters. InPhase includes mono, stereo, and dedicated live components, plus InPhase LT, a simplified version that gives you easy access to creative phase manipulation.

InPhase Controls:

Alpha and Beta processing sections.
Process controls let us choose what to process.
Activity LED shows when there is input signal activity.
Gain controls the level of the signal going into the processing section.
Phase Invert flips the phase by 180 degrees.
Phase Shift Curve Window displays the phase shift curve across the frequency line.
Type sets the phase shift curve, and toggles between Off, Shelf and Bell.
Frequency selects the frequency at which the phase shift is 90° using the 1st order allpass filter, and 180° using the 2nd order allpass filter.
Q sets the width of the Bell (2nd order allpass filter).
Delay moves the signal up to 20 milliseconds in either direction. (Live components forward only.)
Monitor selects the output monitor configuration.
Output LED displays the peak signal output level.
Collapse closes the waveform display section.
Capture, with Automatic & Manual modes, captures up to two seconds of signal.
Scroll Bar scrolls the x axis of the captured waveform.
Correlation Meter displays general correlation metering between the Alpha and Beta waveforms.
Correlation Markers display the maximum value of the correlation meter.
Correlation Value Box displays the current correlation value.
Zoom X zooms in on the x axis, at up to sample resolution.
Zoom Y Alpha zooms in on the Alpha section y (amplitude) axis.
Zoom Y Beta zooms in on the Beta section y (amplitude) axis.
Zoom Y Link links Zoom Y Alpha and Zoom Y Beta.
Reset Zoom resets the zoom to its default setting.
Alpha Waveform is the waveform captured in the Alpha section.
Beta Waveform is the waveform captured in the Beta section.

InPhase LT Controls:

Gain controls the level of the signal going into the processing section.
Phase Invert flips the phase by 180 degrees.
Phase Shift Curve Window displays the phase shift curve across the frequency line.
Type sets the phase shift curve, and toggles between Off, Shelf and Bell.
Frequency selects the frequency at which the phase shift is 90° using the 1st order allpass filter, and 180° using the 2nd order allpass filter.
Q sets the width of the Bell (2nd order allpass filter).
Delay moves the signal up to 20 milliseconds in either direction. (Live components forward only.)
Output LED displays the peak signal output level.

Waves InPhase is now available with a special introductory price of USD $99.00 Native / $149.00 TDM. It is also available at no additional charge to owners of Waves Mercury with current Waves Update Plan coverage. InPhase LT, included with InPhase, is also available separately with a special introductory price of USD $59.00 Native / $99.00 TDM.

For more information, please visit www.waves.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Union Editorial Takes Commercials Into 5.1 Surround with Genelec Monitoring

— From Fiat to Chevy, Diet Pepsi to McDonald’s, Los Angeles commercial post facility Union Editorial is working in the high end of broadcast post production, and their recent acquisition of a 5.1 surround monitoring array of Genelec 8250A and 8240A Bi-Amplified DSP Monitors and a 7260A Active DSP Subwoofer will help keep them there —

NATICK, MA, February 21, 2012 — Prime-time broadcast commercials have followed sports and entertainment programming into the domain of discrete 5.1 surround sound. That has raised the bar for post production facilities in that business, and those looking to produce the best have found Genelec Active Monitors to be the optimal solution. That’s what Union Editorial discovered when it recently needed to upgrade the monitoring in the larger of its two audio production and mixing studios. The facility regularly handles high-end agency clients, including Chevy, McDonald’s, Fiat and Diet Pepsi, and a hit commercial featured on the 2011 Super Bowl broadcast, Volkswagen’s “The Force” (which won five AICP Awards), as well as its sequel at the 2012 Super Bowl. And the L.A.-based firm also does a fair share of feature film work and movie trailers, so it needs 5.1 monitoring that can cover the gamut of media needs. And that’s just what they now have, thanks to a new monitoring system that consists of three Genelec 8250A Bi-Amplified DSP Monitors for the L-C-R array, a pair of Genelec 8240A Bi-Amplified DSP Monitors for the left and right rear surrounds, and a Genelec 7260A Active DSP Subwoofer. The system was purchased from Universal City’s RSPE Audio Solutions and installed late last year.

Senior Sound engineer Milos Zivkovic had been a fan of Genelec performance for some time, and when the upgrade was approved, he whole-heartedly endorsed going for Genelecs. “We were looking for a speaker that could serve as a good mid-field monitor — not too big and not too small, because we have a pretty sizeable control room,” he explains. “I decided to go with the 8200 Series because they are just the right size and they also come with a lot of great features like the Genelec AutoCal™ automatic calibration system. Having things like an adjustable crossover in a speaker is fantastic. But the bottom line on the Genelec speakers is their clarity. You can hear everything and hear it accurately and without coloration. Clients are always judging our facility based on what they hear at other studios, and they know that Genelecs have got a reputation around Hollywood for being the best. That’s a reputation we like being a part of.”

For more information, please visit www.genelecusa.com/ .

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

54th ANNUAL GRAMMY AWARDS® AUDIO TECHNICAL TEAM COLLABORATES FOR LIVE BROADCAST

SANTA MONICA, Calif. (Feb. 16, 2012) — The 54th Annual GRAMMY Awards® on Sunday, Feb. 12, 2012, showcased an amazing collection of musical performances and tributes and utilized the latest in technology to provide television viewers worldwide with a cutting-edge, high-definition/5.1 surround sound event.

The GRAMMY Awards’ technical staff consists of audio pioneers who continually strive to employ the latest in HDTV and 5.1 technology to enhance the show. The Recording Academy® Producers & Engineers Wing® members Phil Ramone and Hank Neuberger again supervised the broadcast audio, while fellow P&E Wing member Leslie Ann Jones supervised the house audio.

Caption: Only minutes before the start of the 54th Annual GRAMMY Awards, several members of the 2012 audio team gathered for a photo. Pictured L-R: Top Row: Toby Scott, Bruce Springsteen Engineer; Hank Neuberger, GRAMMY Award Telecast sound supervisor; John Harris, Co-Broadcast Music Mixer; Glenn Lorbecki, Recording Academy Secretary/Treasurer; Bob Clearmountain, Bruce Springsteen Engineer. Bottom Row: Eric Schilling, Co-Broadcast Music Mixer; Leslie Ann Jones and Phil Ramone, GRAMMY Award Telecast sound supervisors; and Maureen Droney, P&E Wing Senior Executive Director.

Photograph courtesy of The Recording Academy®/Wireimage.com © 2012. Photograph by John Shearer.

Established in 1957, The Recording Academy is an organization of musicians, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards — the preeminent peer-recognized award for musical excellence and the most credible brand in music — The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs. The Academy continues to focus on its mission of recognizing musical excellence, advocating for the well-being of music makers and ensuring music remains an indelible part of our culture. For more information about The Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @TheGRAMMYs on Twitter, like “The GRAMMYs” on Facebook, and join The GRAMMYs’ social communities on YouTube, Tumblr, Foursquare, GetGlue, and Instagram.

Currently more than 6,000 professionals comprise The Recording Academy Producers & Engineers Wing, which was established for producers, engineers, remixers, manufacturers, technologists, and other related creative and technical professionals in the recording field. This organized voice for the recording community addresses issues that affect the craft of recorded music, including the development and implementation of new technologies, technical guidelines and recommendations, and archiving and preservation initiatives. For more information, please visit www.producersandengineers.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

GUITAR CENTER, THE NATION’S LARGEST INSTRUMENT RETAILER, OPENS NEW STORE LOCATION IN EMERYVILLE, CALIFORNIA

— Guitar Center’s new Emeryville location features on-site lessons and guitar repair services —

Westlake Village, CA (February 15, 2012) – On February 2, 2012, Guitar Center opened its newest retail location, Guitar Center Emeryville, at 5925 Shellmound St., Emeryville, California, 94608. The Emeryville location replaces Guitar Center’s store in El Cerrito, and now offers customers in the Bay Area an even wider selection of products and services. Guitar Center Emeryville’s grand opening introduced customers to a vast selection of products and a dedicated staff with unparalleled musical knowledge and experience. To celebrate the store opening, Guitar Center hosted a Grand Opening Weekend celebration (Feb. 2-5) featuring exclusive savings, gear giveaways and free events catered to local musicians. The grand opening events also included free performances throughout the weekend.

Guitar Center’s newest Northern California location features showrooms equipped with the latest products for musicians – from guitars, amplifiers, percussion instruments and keyboards to live sound, DJ, lighting and recording equipment. In addition to the special Grand Opening Weekend programming, shoppers who came out early also enjoyed exclusive savings throughout opening weekend, including deals on guitar and drum essentials.

The new store also features Guitar Center Studios, Guitar Center’s state-of-the-art destination that offers music education, professional rehearsal studios and certified Pro Tools and Logic training. Guitar Center Emeryville additionally includes GC Garage, Guitar Center’s on-site guitar repair service. Musicians were able to try out the GC Garage for free on Grand Opening night, with any guitar purchased, and those customers also received a free, 22-point personalized set-up.

As part of Guitar Center’s initiatives designed to educate and inspire artists nationwide, Guitar Center Emeryville offers unique opportunities for musicians to craft their skills, maintain their instruments and experience many other aspects of the music industry first-hand. Musicians interested in learning about the industry are able to come to the store to interact with and pick the brains of several industry leaders. Free “Recording Made Easy” classes are conducted every Saturday from 10:00 to 11:00 am. Emeryville shoppers are also able to enjoy Guitar Center’s new multi-channel “endless aisle,” which includes multiple combinations of product options to conveniently choose from. Not only does the “endless aisle” include Emeryville inventory, but it also provides easy access to $400 million in new and used inventory located in hundreds of stores and warehouses across the nation. Customers have the ability to combine a variety of in-store, online and phone options to purchase music equipment from anywhere they may be, allowing for a personalized and convenient shopping experience.

In addition to special programs at the new Emeryville store, Guitar Center offers nationwide programs designed to spearhead creativity and highlight the nation’s most promising undiscovered talent. Emeryville residents will now be able to participate in these ongoing national events from their hometown:

Guitar Center On-Stage is an annual competition that provides unsigned artists the chance to open for established artists such as Motley Crue, KISS and Jane’s Addiction.

Guitar Center Singer-Songwriter is an artist discovery program that aims to find the nation’s best unsigned singer-songwriter. The winner receives a career-altering prize package including recording three songs with accomplished GRAMMY® Award-winning Producer John Shanks, recording time at the state-of-the-art Brooklyn-based Converse Rubber Tracks studio and $10,000 cash. The grand finale takes place in Los Angeles on Feb. 18.

Guitar Center’s King of the Blues is a nationwide amateur guitar skills competition with the goal of finding the next great undiscovered blues guitar player. This year’s winner, Jonathon “Boogie” Long, performed alongside GRAMMY-winning guitarist Warren Haynes at the Grand Finals in LA, and won an incredible prize package valued at over $50,000.

Guitar Center’s Drum-Off, entering its 24th year, is the nationwide search for the next great undiscovered drummer. Drummers from across the nation compete in the world’s largest drum competition, vying for thousands of dollars in prizes and the coveted title of Guitar Center’s Drum-Off Champion. The grand prize package is valued at nearly $50,000.

Guitar Center Emeryville is open seven days a week. Store hours are 10 a.m. to 9 p.m. Monday through Friday, 10 a.m. to 7 p.m. Saturday and 11 a.m. to 6 p.m. Sunday. Guitar Center Studio hours are 10 a.m. to midnight Monday through Saturday and 11 a.m. to 10 p.m. Sunday.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

M3 (Music Mix Mobile) Chooses Genelec DSP Monitors for 2012 GRAMMY® Awards Show Live Broadcast

— M3’s “Eclipse” and “Horizon” remote recording trucks handle the 5.1 surround audio broadcast, utilizing Genelec DSP Active Monitors —

NATICK, MA, February 14, 2012 — M3 (Music Mix Mobile), a New Jersey/California-based remote facilities company combining the talents of award-winning production professionals and state-of-the-art audio solutions, is a collective consisting of industry veterans John Harris, Jay Vicari, Joel Singer, Mitch Maketansky and West Coast-based partners Bob Wartinbee and Mark Linett. On Sunday, February 12, 2012, M3 was commissioned to capture and mix the music audio for the 54th annual GRAMMY® Awards, broadcast live in 5.1 on CBS-TV from the Staples Center in Los Angeles. In the company’s dual “Eclipse” and “Horizon” trucks, the GRAMMY Award Show Broadcast Music Mixers John Harris and Eric Schilling, along with M3 Engineer-in-Charge Joel Singer, were on site to ensure the audio would be of the highest quality, and they chose Genelec 8200 Series Active DSP Monitoring Systems. Genelec DSP systems consisting of 8250A Bi-Amplified Active DSP Monitors (in an L-C-R array) and 8240A Bi-Amplified Active DSP Monitors (L-R rear), along with 7260A Active DSP Subwoofers, were used in M3’s Eclipse truck for the live music mix, as well as in the identical mirrored system in the Horizon offline remix truck.

The team responsible for the audio at this year’s GRAMMYs again included a who’s who of broadcast audio. The broadcast music mix was handled by Harris and Schilling and was supervised by Hank Neuberger, a prominent member of The Recording Academy® Producers & Engineers Wing®. ATK/Audiotek provided the sound system with FOH (front-of-house) Engineers Ron Reaves and Mikael Stewart.

In the days leading up to the awards ceremony and broadcast, the night’s performers rehearsed their segments live on the stage, with Schilling and Harris developing the mixes in real-time in the Eclipse truck and then going over those performances offline while playing them back for artist managers and the artists themselves in the Horizon truck. Together, they prepared for the live broadcast mix, so it was vital that both trucks had a world-class, consistent monitoring environment.

John Harris stated, “Year after year, Genelec Active Monitoring continues to be the industry standard for high-end monitoring solutions, without question. Their performance is totally consistent show after show, and the sound is the most musical we’ve ever used. With the ability to optimize the surround speaker field with the DSP technology, Genelecs offer the peace of mind of knowing our monitors are exactly what we need them to be.”

The Genelec 8200 Series Bi-Amplified Active Monitors employ the company’s proprietary DSP (Digital Signal Processing), GLM™ (Genelec Loudspeaker Manager software) and AutoCal™ (Automated Calibration software) technologies, which together create a self-calibrating monitoring solution that both guarantees accurate audio and ensures a steady-paced workflow. This, combined with M3’s long-time use of Genelec active monitors, made the Genelec DSP monitors an easy decision.
For more information, please visit www.genelecusa.com .

Photo File: Genelec_M3_GRAMMY12.JPG
Photo Caption: Broadcast Music Mixer John Harris in the M3 Eclipse truck, which features a Genelec Active Monitoring system including three 8250A Bi-Amplified Active DSP Monitors in an L-C-R array (pictured) along with 8240A Bi-Amplified Active DSP Monitors (L-R rear) and 7260A Active DSP Subwoofers. (This photo is the property of Yu Howe/Clyne Media, Inc., and may be used by the press only for the purpose of one-time reproduction. Unauthorized use, alteration or reproduction of this photograph is strictly prohibited.)

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

Guitar Center Professional Makes Moves for Continued Growth in 2012

— After a strong 10th-anniversary year in 2011, GC Pro is poised for further expansion and enhanced customer services in the coming year —

WESTLAKE VILLAGE, CA, February 14, 2012 — Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users, is proud to have capped off a strong 2011, its banner 10th-anniversary year, with a number of initiatives that position GC Pro for further growth in 2012.

“GC Pro had a fabulous 2011,” stated GC Pro Vice President Rick Plushner. “We performed above expectations with greater than 30% growth over 2010 – the biggest one-year jump we’ve had in our history. We’re proud of our success and our growing reputation in the industry. In 2012, we are focusing on reinforcing our infrastructure in an effort to provide the best possible customer service, as well as increasing our sales force.”

A number of recent hires reflect this emphasis on customer service and sales. The following sales personnel have been added to their respective GC Pro locations:

Jason Block Atlanta, Georgia
Adam Muraski Brookfield, Wisconsin
Chris Hodkins Denver, Colorado
Ricardo Jimenez Hallandale, Florida
David Touloumian Hollywood, California
Michael Merrill Houston, Texas
Eric Kreuzer Nashville, Tennessee
Javier Willis San Diego (La Mesa), California
Nic De La Riva San Francisco, California
Maryam Haddad Seattle, Washington

Aside from that, these logistics coordinators have been appointed, to help GC Pro fulfill orders, optimize efficiency and expedite delivery to ensure customer satisfaction.

Dwayne Wright Dallas, Texas
Martina Mehta Hallandale, Florida
Nick Zamora Houston, Texas
John Maxson Indianapolis, Indiana
Karla Kennedy Manhattan, New York

“Several offices now have three-person teams improving our ability to spend more time consulting and fulfilling customer orders,” noted Plushner. “The Logistics Coordinators are a significant addition. Once a sales engineer develops specifications and provides consultations for a client, the Logistics Coordinator plays an integral role in ordering the products – whether from a surrounding Guitar Center store, our distribution center or a special order from vendors – and then tracks the order and coordinates delivery. Getting orders right and delivering on time, every time, is what our clients have come to expect from GC Pro, and the Logistics Coordinators serve to strengthen customer service and satisfaction.”

The Dallas location hosts one of the teams benefiting from a recently appointed Logistics Coordinator. Jeff McDaniel, Senior Account Manager based out of Dallas, notes, “Dwayne [Wright, Logistics Coordinator] joined us starting January 1, and it has made a huge impact in the way we do business. We already had a great workflow and relationship with our clients, but with a Logistics Coordinator, we are able to keep things running just that much more smoothly, fully serving our clients to an even greater extent. And Dwayne is a great fit – he is super-nice, well-connected and great with customers.” Wright notes, “This is a great office with a really cool vibe, and I’m proud to join the team. I am looking forward to a big year for me and for GC Pro. I think the new team infrastructure puts us in a position to maximize all of our tools and help customers get to the next level. Already we can see and feel things going the right way. It’s all positive.” Rounding out the Dallas team is Account Manager Kevin Deal, a recent transplant from the Plano location. He states, “It is a pleasure to be working with such an outstanding team here in Dallas. 2012 is going to be an excellent year for our office, and I’m proud to be a significant part of moving us forward for years to come.”

GC Pro is also expanding its Technical Services operation. In 2011, GC Pro opened a Technical Services office in the Hollywood location, and in April 2012 a new office in Nashville will open, with a dedicated GC Pro Technician, providing services direct from the Nashville GC Pro location, building up custom CTO Mac systems for turnkey recording purposes in installation in the Nashville area.

Additionally, GC Pro is establishing a national headquarters based out of the Hollywood location, including offices for GC Pro executive staff, technical services and sales. This location will also be equipped to host vendor and customer meetings, as well as an upgraded pro audio demonstration facility. Plushner stated, “We already have an excellent demo facility, but we’re going to be improving upon that and making it truly a world-class working recording studio where people can come and see the gear that we recommend. We’re very excited about seeing that in action, and we hope our customers are too. With our expanding staff and enhanced services, we are refining what we do well, and that is customer relations, and that will lead to another strong year for GC Pro and our customers, both new and returning.”

For more information, please visit www.gcpro.com .

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

October 2014
M T W T F S S
« Sep    
 12345
6789101112
13141516171819
20212223242526
2728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication