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AES137 Deadline Extended for FREE Exhibits-Plus and Premium All-Access Badge Discounts to Friday, October 3, 2014

New York, NY, September 29, 2014 — If it’s about audio, it’s at AES!, and registration for FREE Exhibits-Plus badge and discounted All-Access badges has been extended to Friday, October 3. The AES137 Convention is taking place October 9-12, 2014, at the Los Angeles Convention Center, and will serve as the world’s largest gathering of audio professionals for three days of exhibits and four days of workshops, technical papers and program content tailored to the current audio and communications landscape. Leaders from the Professional Recording, Production, AV Communications and other industries will present and discuss topics covering all aspects of the audio arts and sciences. The convention is experiencing a tremendous surge of buzz and growth, as it promises to be the biggest AES event on the West Coast in over five years. The list of exhibitors and sponsors is growing, with over 300 of the top professional audio manufacturers, associations and technology leaders currently registered for booths on the exhibition floor and sponsorship support.

Please join us for the annual opening ceremonies on the first day of the show, Thursday, October 9, featuring a keynote by acclaimed engineer, musician and record producer Alan Parsons and a presentation of awards to industry leaders. Friday’s keynote speech will be given by Neil Portnow, President/CEO The Recording Academy®, The GRAMMY Foundation® and MusiCares. Additionally, top audio professionals including Bob Ludwig, Andrew Scheps, Ed Cherney, Chris Lord-Alge, Lisa Loeb, Jack Joseph Puig, George Massenburg and others are slated as featured speakers at the convention’s many special events, sharing their unique perspective with show attendees.

Registration
Two badge packages are available: the Exhibits-Plus Badge (free) and the All Access Badge.

Exhibits-Plus badges are your free ticket to attending the AES Exhibition. Additionally, your Exhibits-Plus badge will give you access to Project Studio Expo, Live Sound Expo, Special Events and more. Best of all, Exhibits-Plus badges are completely free! (advance registration required.)

All Access badges are available to anyone looking to take their knowledge and professional career to the next level. AES will once again be the meeting place for the top names in audio engineering to deliver a diverse program of workshops, tutorials, papers and more on the latest developments in professional audio. All Access badge-holders may attend all on-site AES events. (Tickets for tech tours cost extra and can be purchased on-site.)

For further information about the FREE Exhibits-Plus badges (pre-registration required), premium All Access badges, Technical Program, complete list of events and more, visit http://www.aes.org/events/137/.

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Waves Debuts Everything Audio Live from YouTube Space LA

EverythingAudio_Premiere

— Hosted by acclaimed audio engineer Dave Hampton (Herbie Hancock, Prince, Justin Timberlake), Everything Audio will cover a range of audio topics, from recording, live sound, and audio for gaming, to consumer audio, forensics, sound design and much more —

TEL AVIV, ISRAEL, September 29, 2014 — Waves Audio, a leading provider of digital signal processing software and hardware solutions, announces its new web program, Everything Audio, streaming live from YouTube Space LA. With new episodes added on a regular basis, the show will present a wide spectrum of audio-related content appealing to everyone from audio professionals and sound hobbyists to everyday consumers and technology enthusiasts. Topics will range from pro audio and live sound to musical instrument audio, sound for film and gaming, sound design, DJing and electronic music production. The show will also delve into the world of audio for consumer electronics, discussing such topics as headphones, computers, cell phones, televisions and car stereos, while also touching on audio forensics, restoration, psychoacoustics, hearing capacity and aural health.

The show is hosted (and executive produced) by noted audio engineer Dave Hampton, an expert in the field of audio recording, production and technical design, with a list of clients that includes Herbie Hancock, Prince, Justin Timberlake and many more. The premiere episode will air on Tuesday, October 7, 2 P.M. ET and will feature the following guests: producer/DJ/remixer Dave Audé (Rihanna, Lady Gaga, Beyoncé), producer/engineer/mixer Andrew Scheps (Adele, Red Hot Chili Peppers, Black Sabbath, Lana Del Rey, Metallica, Jay-Z), and producer/engineer/mixer Jack Joseph Puig (Florence + the Machine, U2, Lady Gaga).

Each episode will present a panel of guests from various fields in audio, ranging from music producers, mixers, engineers, artists and musicians to retailers, audio manufacturers and representatives of consumer companies whose products feature audio as a central function. Each guest will present his or her area of expertise while interacting with the others guests to discuss topics moderated by the host. Each episode will include real-time audience interaction through a live-chat Q&A session with the guest panel.

Mick Olesh, Waves EVP of Sales & Marketing, stated: “Waves has long been the leading innovator and pioneer in digital signal processing and related fields, and it is fitting that this new venture offers end users a resource and inside track into the world of audio. All sorts of surprises are planned for the program, but the possibilities are massive. We are excited to present Everything Audio to the world and to celebrate the current state of audio. Enjoy!”

The premiere episode will also feature an interactive competition with a chance to win a Dell computer.

For more details, and to register for the premiere episode, please visit:

http://www.eventbrite.com/e/everything-audio-with-dave-hampton-tickets-13022948991.

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137th Audio Engineering Society Convention Offers Special Events and Programs for All Attendees

— Opening Ceremonies awards presentation; Alan Parsons and Neil Portnow keynotes; Project Studio Expo; Live Sound Expo; Hi-Res Audio Sessions; and Platinum Producers Panel, plus multiple other sessions and forums are in store for convention itinerary —

New York, NY — A robust selection of special events is being offered at the 137th Audio Engineering Society Convention (Thursday, October 9, through Sunday, October 12, 2014, at the Los Angeles Convention Center). Show attendees will be treated to a diverse array of events featuring leaders from all areas of pro audio. These special events are open to all attendees, including FREE (with Pre-Registration) Exhibits-Plus badge-holders, as the AES makes its triumphant return to Los Angeles.

This year’s highlights include:
Opening Ceremonies / Awards / Keynote Speech
Join us for the annual opening ceremonies the first day of the show, Thursday, October 9. This event will feature industry-leading speakers – including current AES president Sean Olive and Executive Director Bob Moses – as well as the L.A. Convention Co-chairs Valerie Tyler and Michael MacDonald. A special keynote by acclaimed engineer, musician and record producer Alan Parsons will be a highlight of the ceremony. The event will be rounded out by a presentation of awards to industry leaders. Additionally, Friday’s keynote speech will be given by Neil Portnow, President/CEO The Recording Academy®, The GRAMMY Foundation® and MusiCares.

Additional offerings will explore specific areas within the audio world, including:

- Product Studio Expo: a popular series of practical training events taking place on the exhibition floor targeted to the burgeoning market of project and home studio facilities around the world.

- Live Sound Expo: offering expert advice for the broad spectrum of live sound engineers with an emphasis on the practical, bringing professionals with decades of experience to the stage to inspire and educate attendees.

- Hi-Res Audio Sessions: A six-hour program presented in association with the Digital Entertainment Group (DEG), featuring panels and sessions addressing the current and future direction of hi-res audio with the top players in the music and consumer electronics business.

- The Latin Panel: “Great Producers from Latin America” (in Spanish), top producers share their perspective on the hot music scene in Latin America.

- DTV Audio Group Forum: The Implications of Streamed Content Delivery on the Evolution of Television Audio Services, leaders in the Broadcast Industry share insights on the future of television sound.

- Platinum Engineers Panel: with special guests Dave Pensado and Herb Trawick (co-hosts of popular weekly internet series Pensado’s Place), discussing studio technique and engineering as well as the pressures of creating online television.

- Platinum Mastering Panel: moderated by legendary mastering engineer Bob Ludwig, discussing hi-res audio from the perspective of those making the music.

- Richard C. Heyser Memorial Lecture: presented by legendary game audio director and composer Marty O’Donnell shares his experience working on the Halo series and the challenges of nonlinear media.

- Chicks in the Mix: moderated by acclaimed producer and mixer Chris Lord-Alge, featuring a panel of well-known female industry professionals, including Lisa Loeb, Emily Lazar (September Mourning lead vocalist) and others
discussing the unique challenges faced by women in this industry.

- GRAMMY® SoundTables: “Songs That Move The Needle: Producers on Producing,” moderated by Ed Cherney, featuring Alex da Kid, Don Was, Niko Bolas, No I.D., and Rich Costey.

- Sound Is the Conduit to the Artist Heart: presented by acclaimed producer/engineer/technologist Jack Joseph Puig, a panel discussing the intersection of pro audio and mobile and what is the future of audio considering this paradigm shift.

“We call them Special Events for a reason,” noted AES Executive Director Bob Moses. “The top people in the world bring their expertise and wisdom to us in a variety of educational and inspirational events, which is an experience you only get at AES. And we make these open to everyone at the convention with any badge, to make sure everyone gets their mind blown at least once per day.”

A complete list of special events at the upcoming Convention can be found here. For information on how you can get your FREE Exhibits-Plus badge (pre-register by October 3), as well as further Registration and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

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Product Design Events to Be Featured at 137th Audio Engineering Society Convention

— This year’s AES Product Design Track combines two themes to bring a significant learning opportunity to audio engineering professionals; Theme 1 events are focused on audio design topics, while Theme 2 brings to AES the subject of product development in the age of global engineering and sourcing —

New York, NY — The audio industry today competes with a myriad of other entertainment forms, from gaming to video everywhere to social networking and beyond. Audio companies must bring products to market that no longer compete just with other audio products but also with other entertainment options in order for the audio industry to grow and be at the forefront of professional and consumer markets. To address audio engineering professionals seeking to expand their knowledge of product development best practices and techniques, AES has expanded this year’s Product Design Track at the 137th Audio Engineering Society Convention, which runs Thursday, October 9, through Sunday, October 12, 2014, at the Los Angeles Convention Center in Los Angeles, California. The Product Design Track will take place all four days of the convention, bringing a wide variety of topics to today’s engineers, managers and product management professionals. The Track is organized by Chairman Scott Leslie, founder of PD Squared, who has held previous positions in the industry including VP of Engineering at JBL Pro and CEO at Renkus-Heinz. Audio Precision is the sponsor for the track.

The two-theme approach combines audio design topics and product development practices into one track. Theme 1 addresses key audio design topics such as D/A and A/D design for modern high-resolution audio formats, how to best leverage DSP, the most effective way to go about optimizing active loudspeaker systems, and measuring loudspeaker systems. Attendees will also learn about the criticality of testing product designs for the real world, where problems like hum, buzz, clicks, pops and other unexplained misbehavior can be traced to design issues, such as internal grounding schemes or conceptual misunderstandings of signal interface circuitry, and that cost little or nothing to remedy.

Theme 2 targets audio engineering professionals who face the challenge of getting new products to market faster, while costing less and building a competitive advantage. The theme focuses on how today’s engineers and managers must develop the skill sets necessary to deal with the complex world of global availability of manufacturing and supply chain partners, design services, engineering services and community development. The theme opens with an observational panel that explores this topic at a high level and is followed by a number of track sessions that provide depth and insight in areas such as DSPs, power supply and amplifiers, transducer selection, system engineering, software integration, production test techniques and succeeding with external engineering partners. Additionally, the Product Design Track will offer an off-site Technical Tour to QSC’s state-of-the-art production facility, giving a behind-the-scenes look at one of today’s top manufacturing facilities.

Finally, the next generation of product designers will benefit from the Product Design For Students presentation, which will offer insight to the pro audio community’s newest members about career ideas and how they might just help change the audio world.

“Product development has become a mix of engineering, sourcing, partnering and business skills,” observes AES Product Design Chair Scott Leslie. “What we’ve done this year is included more of the business aspects of the product development process, as well as addressed how globalized the process has become from supply chain to development partners. Anyone who designs and builds audio products, or is contemplating doing so (or even if they’re just curious as to what it takes to create a product), will benefit from attending these sessions.”

AES Executive Director Bob Moses concludes, “”As a former product designer myself, I always found my experiences at AES Conventions to be invaluable in connecting with top recording engineers and learning what they struggled with in the studio. Several products I created were inspired by these conversations. And, of course, I learned pretty much everything I know about audio hanging with these folks.”

For further information about the Product Design Track, FREE Exhibits-Plus badges (pre-registration required), premium All Access badges, and Technical Program information, and more visit http://www.aes.org/events/137/.

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137th Audio Engineering Society Convention in Los Angeles Offers a Comprehensive Recording and Production Track

— The annual AES Convention is where the Recording and Production Track sessions bring top engineers and producers together to share classic techniques and new ideas with the audio recording community —

New York, NY — Considered by many to be the most popular series of panels and presentations at the annual AES Conventions, the Recording and Production Track will take place each day during the 137th Audio Engineering Society Convention, set for Thursday, October 9, through Sunday, October 12, 2014, at the Los Angeles Convention Center in Los Angeles, California. The sessions that make up the Recording and Production Track cover every major aspect of the practical side of music production, including recording vocals, mixing techniques and mastering, in addition to several special presentations from leaders in the industry.

Of interest to all recording engineers and producers this year will be Thursday’s keynote speech given by legendary engineer/producer Alan Parsons, who will share his insight and experience from being part of some of the greatest recordings of all time. Friday’s keynote will further feature Neil Portnow, President/CEO of The Recording Academy, The GRAMMY Foundation and MusiCares, who will share his valuable insights into the music business and the challenges and opportunities available in today’s evolving industry.

Also popular is the Platinum Events series, which covers a variety of topics with high-profile guests and panelists. This year’s Platinum Engineers Panel will feature Dave Pensado and Herb Trawick, hosts of the popular weekly pro audio show Pensado’s Place. Attendees will get to see what happens when “The Script Is Flipped” and Pensado and Trawick are put on the other side of the interview – sure to reveal some unique insights and surprises along the way. A Platinum Mastering event will feature acclaimed mastering engineer Bob Ludwig, along with mastering engineer and incoming AES President Andres A. Mayo and other highly respected audio pros such as Bruce Botnick, Mark Donahue and Barak Moffitt, who will discuss the ramifications of the recent defining of “High Resolution Audio.” This presentation will include a guided tour of audio samples, so the audience can hear for themselves how High Resolution Audio can provide the listener with exactly what artists hear in the studio while creating their music.

AES137 will also feature the newest Project Studio Expo – a popular series of events taking place on the exhibition floor targeted to the burgeoning market of project and home studio facilities around the world. The PSE, included with admission to holders of the Free Exhibits-Plus badge, will feature presentations by leading industry engineers, producers, authors, journalists and educators, including Alex Case, Mike Senior, Stephen Webber, Larry Crane, Craig Anderton, Mick Guzauski, John Storyk, Paul White, Hugh Robjohns and others. Presenters will lead attendees through basics such as recording vocals, preparing multitracks for mixing and best practices for proper monitoring, as well as more detailed discussions on how to optimize value when it comes to choosing and purchasing equipment, how to design a great project studio and how to get the most out of a digital audio workstation. The Project Studio Expo will take place Friday, October 10, and Saturday, October 11, throughout show hours.

This year will also offer master classes that deconstruct, track-by-track, original recordings from Fleetwood Mac, the Beach Boys, David Bowie, and the Red Hot Chili Peppers in the inaugural “Raw Tracks” sessions. On Saturday, October 11, from 5:30 to 6:30 p.m., “An Afternoon With Geoff Emerick” will get attendees up close and personal with the legendary Beatles engineer (also known for his work with such artists as Elvis Costello, Jeff Beck, The Zombies, Robin Trower and Badfinger), who will expound on stories that are part of the living history of music production. This very special presentation will be enhanced with seldom seen photos and video footage as well as rarely heard audio clips.

Additional Recording and Production Track events include a “Mastering for Engineers” session, a presentation entitled “Inside the Mix” given by multi-GRAMMY® winner David Reitzas, and a session titled “Master Mission: Spreading the Word On Mentoring, Formats, and a Changing Industry,” addressing current changes and opportunities in the burgeoning Recording and Production field.

Another mainstay of the AES conventions – the Technical Tours – will offer participants the chance to tour and experience a variety of top-notch local L.A. facilities, from leading studios to manufacturers and live sound venues. This year’s stops, over the four days of the convention, include Sony Computer Entertainment America, Capitol Studios, 20th Century Fox facilities, Village Studios, the QSC factory, EastWest Studios, Dolby Theater, Walt Disney Concert Hall, Henson Recording Studio and The Dub Stage. Tickets are available for purchase during normal registration hours at the convention center.

Also, for the first time in AES history, there will be a panel officially held in Spanish in an International AES Convention. The panel “Grandes Productores de América Latina” (“Great producers from Latin America”) will bring together several of the biggest names from the region, all of them multiple GRAMMY Award winners, to present their most recent work and discuss the state of the musical industry in Latin America.

“This year’s Recording and Production Track is as exciting and in-depth as it’s ever been,” says Recording Track Co-Chair Andres Mayo. Co-Chair Jim Kaiser adds, “We’ve got the project studio side comprehensively covered by our colleagues at Sound On Sound magazine with the PSE, and we have noted and award-winning engineers and producers covering a wide range of other topics that will give those who attend an enticing and well-rounded experience.”

For information on the Recording and Production Track and how you can get your FREE Exhibits-Plus badge (pre-registration required) for the AES137 Convention, as well as All Access badge, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

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Listen Technologies Unveils New Brand Identity

logo-color ListenTech_NewSite_Screencap

— Company-wide initiative involves new brand logo and intuitive, redesigned website; provides launch pad for company’s new products, services and solutions —

BLUFFDALE, UT, September 30, 2014 — Listen Technologies Corporation, the leading designer, manufacturer and supplier of assistive listening products for over 16 years, today unveiled its new brand identity, which includes a redesigned logo that positions Listen Technologies for its next phase of growth while paying homage to the company’s rich history as an innovator in assistive listening solutions. Also, as part of the company’s branding initiative, it has launched a new, comprehensive, and easy-to-navigate website at www.listentech.com.

Far more than just a stylish digital makeover, this new initiative coincides with the company’s long-term strategic business plan, involving ongoing growth and strengthened efforts to serve end users, consultants, contractors, venue owners, architects, and others as a leading innovator and expert in the field of assistive listening. Listen Technologies continues to serve as a prominent advocate to the marketplace for those with hearing disability, encouraging education, and providing resources to keep the market up-to-date on best practices and legislative compliance.

The new logo is simple yet memorable and incorporates a variation on the familiar “sound wave” icon, representing the company’s experience and expertise in developing solutions that overcome the challenges of noise, distance, clashing conversations, and hearing loss to deliver precise and personalized audio in any setting or environment. The re-launched website features new graphics; intuitive drop-down menus highlighting Listen Technologies product solutions for assistive listening, classroom audio, and conference systems; comprehensive resources (in both general and specific terms) for consultants, contractors, architects, and venue owners on assistive listening; and much more.

“When we decided it was time to retire our sixteen year-old logo and branding we wanted something that would reflect our commitment and focus on enabling the best possible assistive listening experience. The new website is easier to use while providing even more relevant information. The new logo and look reflects our commitment to simplicity,” said Russell Gentner, President of Listen Technologies. “The new website provides a new and improved way to launch new products, services, and solutions that our customers are demanding. Stay tuned – we are just getting started.”

For more information on the new branding efforts and all other inquiries, please email sales@listentech.com.

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Back by Popular Demand: DTV Audio Group Forum to Appear at Upcoming 137th AES Convention

“The Implications of Streamed Content Delivery on the Evolution of Television Audio Services” to be held Friday, October 10, 1 p.m. through 6 p.m.

New York, NY, September 23, 2014 ” The Audio Engineering Society announces the return of the DTVAG (DTV Audio Group) ” an organization of senior-level broadcast network executives promoting best practices and successful strategies for digital television audio production and delivery” to its special events roster at the upcoming 137th Audio Engineering Society Convention, taking place October 9-12, 2014, at the Los Angeles Convention Center. Expanding on the popularity of last year’s debut, the DTVAG forum will continue to discuss the hot topic of streaming content delivery and its impact on today’s TV landscape. The forum is produced by the DTV Audio Group in association with the Sports Video Group (SVG) and sponsored by Calrec, Dolby Laboratories, DTS, Lawo and Linear Acoustic.

Some of today’s brightest minds in television audio will participate in this year’s forum, entitled: DTV Audio Group Forum: The Implications of Streamed Content Delivery on the Evolution of Television.” This event will take a look at the way content delivery is increasingly following a streamed model and being deployed with very short lead times via a virtualized delivery infrastructure, which allows for further advancements in related broadcast services including audio quality, spatially immersive sound, personalization and bandwidth efficiency. A series of five engaging panels, presentations and discussions will dig deep into each topic, and teach attendees about some of the tools and workflow approaches required to manage and exploit the capabilities of next-generation audio standards and take television audio into the future. Specific discussion topics will include:

This Is Not Your Father’s MVPD: A look into how the transition to IP infrastructure and streamed content is transforming cable and how this facilitates advanced audio codecs

So Long SDI and MADI: IP infrastructure for audio and video contribution within the broadcast plant and in the field

Interactivity, Objects and Spatially Immersive Audio: Mixers and technologists on the migration of object audio from cinema to the small screen and mobile

Object Audio Toolbox: What are the essential monitoring and authoring tools required for object audio production?

It’s All in Your Head: The state of headphone virtualization for immersive audio formats

Commenting on the state of streamed content delivery and the common thread among each forum topic, DTV Audio Group Executive Director Roger Charlesworth notes, “The explosive growth in streamed content delivery over mobile and fixed devices has re-written the playbook for television media distribution. Streaming delivery models are also inexorably finding their way into existing cable services and are being written into next-generation advanced television standards. The migration from traditional broadcasting to an IP stream-based model greatly simplifies implementation, and, combined with tablet-empowered UI, frees distributors to pursue a range of formats and encoding solutions with sophisticated interactive and object-oriented audio services. Our forum at AES137 will address the current and future direction of these trends and their implications for manufacturers, broadcast professionals and end users alike.”

For further information about the DTV Audio Group Forum, which is available to all attendees, and how you can get your FREE Exhibits-Plus badge (pre-registration required), as well as further Registration, and Technical Program information, visit the AES137 webpage at http://www.aes.org/events/137/.

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Audio-Technica Now Shipping System 10 Camera-Mount Wireless System

System10_CameraMount

— Operating in the 2.4 GHz range, System 10 camera-mount wireless avoids TV and DTV interference, offering a dependable, high-fidelity wireless solution for videographers —

STOW, OH, September 23, 2014 — Audio-Technica, a leading innovator in transducer technology for over 50 years, is displaying the System 10 Camera-Mount Digital Wireless System, a digital wireless system designed to provide rock-solid performance along with easy setup and clear, natural sound quality. Featuring a compact design, the system is available in handheld, lavalier and body-pack configurations. Operating in the 2.4 GHz range, far from TV and DTV interference, this system offers extremely easy operation and instantaneous channel selection. Up to eight channels may be used together without any frequency coordination problems or group selection issues.

System 10 Camera-Mount Digital Wireless System Features:

Digital 24-bit/48 kHz wireless operation for ultimate sound quality
Dependable performance
Automatic frequency selection for seamless, interference-free operation
Three levels of diversity assurance: frequency, time, & space
3.5 mm (1/8″) output jack with switch to select between TRS balanced and unbalanced (dual mono)
Features convenient rechargeable internal battery
Receiver and transmitter battery level displays
Removable antennas
Camera shoe mount
1/8″ headphone jack with volume control

The System 10 Camera-Mount Digital Wireless System is now available in the following configurations:

ATW-1701 body-pack system: ATW-R1700 receiver, ATW-T1001 UniPak® body-pack transmitter. U.S. MSRP: $664.95
ATW-1701/L lavalier system: ATW-R1700 receiver, ATW-T1001 UniPak body-pack transmitter, MT830cW omnidirectional condenser lavalier microphone. U.S. MSRP: $789.95
ATW-1702 handheld system: ATW-R1700 receiver, ATW-T1002 unidirectional dynamic microphone/transmitter. U.S. MSRP: $699.95.

For more information, please visit www.audio-technica.com.

About System 10 Digital Wireless
System 10 offers high-fidelity digital wireless for performing musicians and presenters. Operating in the 2.4 GHz range, far from TV and DTV interference, System 10 offers advanced 24-bit operation and amazingly clear sound. System 10 wireless ensures clear communications by providing three levels of diversity assurance: frequency, time, and space. Frequency Diversity sends the signal on two dynamically allocated frequencies for interference-free communication. Time Diversity sends the signal in multiple time slots to maximize immunity to multipath interference. Finally, Space Diversity uses two antennas on each transmitter and receiver to maximize signal integrity.

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Audinate® and Bose® Professional to Sponsor Dante™ AV Networking Roadshow Events at InfoComm MEA in Dubai

Framingham, MA, September 23, 2014 – To kick off what will become a series held in multiple global locations, Audinate® and Bose® Professional will launch their AV Networking Roadshow – focusing on Dante™ technology – at InfoComm MEA in Dubai, UAE. The sessions, titled “Introduction to AV Networking,” are one-day sessions, being offered two days consecutively: October 15 and 16, from 11:00 a.m. to 5:00 p.m. each day. The events are sponsored by Bose Professional and Audinate, with support from Atterotech®, Digital Audio Labs and Yamaha®.

Dante, created by Audinate, is the leading audio-over-IP networking solution. It offers virtually perfect synchronization, ultra-low deterministic latency and plug-and-play configuration management. Dante’s real-time streaming is suitable for live broadcast, commercial installation, live sound, public address, intercoms and transportation communications deployments.

Intended for AV and IT professionals who have a novice or intermediate understanding of AV networking, these sessions expose attendees to the current state of audio networking and control for AV systems, emerging technologies and trends in AV networking. The instructor-led training uses a variety of components from Bose and other participating manufacturers, and provides an opportunity to learn audio networking theory, design and implementation through interactive, hands-on sessions using Dante audio networking technology. Presenters include Kieran Walsh, Senior Technical Solutions Manager, Audinate; and Biju Abdul Majeed, Design Engineer, Bose Corporation. The sessions are eligible for RU credits.

Attention will be paid to the following topics:
• Connecting devices and routing audio over a Dante network
• Network switch configuration for various applications
• Working with IT managers to define network requirements
• Basic network troubleshooting

These are all-day sessions, with lunch provided. Each day’s session is limited to 50 attendees, and you can enroll as part of your registration with the InfoComm Dubai show. Register for the course “Introduction to AV Networking.”

Darryl Bryans, Product Line Manager, DSP, Bose Professional, stated, “The AV Networking Roadshow is a great way to quickly come up to speed on the latest information regarding audio networking and to get some hands-on experience using Dante audio networking technology and a variety of products. We’re pleased to be working together with Audinate and the other participating manufacturers to offer these sessions in Dubai and beyond. By the end of the day, participants should be able to confidently implement and install a Dante enabled system.”

“As the market leader in media networking, Audinate believes that one of the ways people can fully appreciate just how easy Dante is to install, integrate and use is to support our OEM partners in educating their customers.” says Ervin Grinberg, Director of Marketing, Audinate. Grinberg also adds, “Dante is the most requested networking technology, and we are pleased to showcase the benefits regionally to present this hands-on comprehensive, well thought-out program.”

Future AV Networking Roadshow events are being scheduled for markets around the U.S. and the world.

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GC Pro Helps DCP Productions Take Commercials On The Road

DCP_MobileRig

— Boutique Baltimore commercial production house created a mobile production rig that, like their six-suite studio, was built with both equipment and expertise from GC Pro —

WESTLAKE VILLAGE, CA, September 22, 2014 — Don Cherel, the Founder and Director/Producer with DCP Productions, created the iconic Motorcycle Money Man for commercial client GEICO, along with spots for Planet Fitness, the Washington Nationals MLB team and the Washington Capitals NHL team. Now DCP Productions, like their mobile GEICO creation, itself is ready to go on the road, with a flypack rig that will let it shoot, record, edit and mix on location, vastly increasing the boutique shop’s productivity while giving it access to new sights, sounds and talent. And that road rig, like DCP Productions’ six-room video and audio production facility in Baltimore, was sourced with a combination of technology and expertise provided by Guitar Center Professional (GC Pro), the outside sales division of Guitar Center that focuses on the needs of professional users.

Eight-year-old DCP Productions’ business model is predicated on Cherel’s “concept to completion” notion, which enables clients to work with one entity for concept creation; original music creation; and pre-, field- and post-production. “By simply eliminating the layers of multiple companies in the advertising development process, DCP is able to create content and transform it into quality advertising media much less expensively and faster than traditional ad agencies,” Cherel explains. “That savings is passed on to the client.”

The new mobile rig, which tackles its first official project in July for the next GEICO campaign, is made up of two 12-space racks that hold gear including a Universal Audio® Apollo high-resolution interface, an Avid Pro Tools system with Thunderbolt connectivity, an Avid MC Mix controller, an API 550 EQ, Crane Song Falcon compressor and two Rupert Neve Designs 542 tape emulators.

All of this equipment was sourced through GC Pro Account Manager Mitch Shaivitz at GC Pro’s Baltimore-area office. The mobile rig’s make-up grew from Shaivitz’s conversations with Cherel about what the producer/director wanted to accomplish. “I called up Mitch and said, here’s what I want to do,’ and he came back with equipment suggestions that matched our workflow at the studio,” Cherel explains. “This mix of equipment and systems really make the mobile rig an extension of the studio — our workflow remains the same on the road and in the studio, so the end product is totally consistent.”

“Every product choice was well thought-out,” says Cherel. “With the exception of cameras and lenses, virtually every piece of equipment we have, in the studio and on the road, came through GC Pro. “They have the products and the expertise. But mostly, they get what we’re trying to do.”

For more information, please visit www.gcpro.com.

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