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Archive by Renkus-Heinz

Bridgestone Technical Center Gets Great Sound with Iconyx

Akron, Ohio, September 2012… Akron, Ohio has a long and storied history as the heart of the US tire business. In April of 2012 the city celebrated that proud heritage with the grand opening of Bridgestone Americas’ 260,000-square-foot worldwide technical center. The USD $100m research and development facility was designed by architects Harris/Day to exceed Gold LEED standards, and it shows. The building features wide, open spaces, a “living roof” with gardens and lounge areas, and plenty of natural light thanks to an abundance of glass throughout.

The showcase structure’s east and west wings intersect at a massive three-story atrium area that serves as building’s social nexus. The common space is outfitted with a large video wall, and serves as the hub of the technical center’s communications with the outside world, and with the company’s headquarters in Tennessee.

Of course, three stories of glass, while visually stunning, tends to create a less than optimal acoustical setting. As Gary Matthews of Middleburg Heights, OH-based Audio Video Interiors explains, even with a fair amount of acoustical treatment, the environment was a challenging one.

“It’s a big, open, reverberant space,” he says. “They did a great job in treating the back wall, which helps a lot, but it’s still a large, glassed-in space, with a high level of ambient noise, and intelligibility inevitably suffers.”

The architect’s vision included a desire for low-profile audio and video components, but the design was at odds with that goal. “Their original proposal was for 34 individual loudspeakers hung on walls and on ceilings throughout the area,” says Matthews. “They came to us and asked if there was anything they could do differently, because they didn’t want to see so many speakers.”

AVI’s  recommendation was for three Renkus-Heinz Iconyx steered steered arrays to cover the entire area. “So we got it down from 34 speakers, to three Iconyx ICX7 units built into the video wall, with zero visibility. And the sound coverage is far superior, with no distribution issues and no dead spots.”

With an Ashly Pêma 8×8 amplifier and signal processor already in place, AVI opted for the ICX7 passive system instead of the powered version. “We built pockets for them in the walls, and you can’t even see that they’re there,” says Matthews. A Listen Technologies assistive listening system and a pair of Shure SLX wireless mic systems completes the audio system.

“The Iconyx system was perfect for aiming the sound only at the areas we wanted to cover, and away from the walls and windows,” Matthews concludes.

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

 

 

 

Iconyx Helps St. Joseph Parish Focus the Message

Needham, MA, September 2012…  St Joseph Parish has been a part of this community for more than 100 years, beginning with a humble wooden church in 1894 and expanding its campus over the years to include a convent, elementary and middle schools, and a range of ministries. In 1966, having outgrown its existing sanctuary, the church completed construction of their current building.

The space has served them well for more than four decades, though there have always been sonic challenges. The room’s architecture provides good acoustics for the traditional choir and organ arrangements, but the sanctuary’s spoken word intelligibility left a bit to be desired.

“It’s a rectangular space with a flat ceiling and lots of right angles,” explains Zeke Zola, Install Manager at Boston Light and Sound, the company behind the design-build project. The walls are all brick and there’s minimal acoustical dampening other than carpeting in the aisles. So it’s a rather reverberant space, and they’ve always struggled with intelligibility and coverage.”

The church’s sound system had evolved in piecemeal fashion over several years, and included a distributed system along the walls that created more problems than it solved. “They had no loudspeakers at the front of the room, but three or four along the side walls, and they were not time-aligned,” says Zola. “So you were getting the sound from the front, mixed with the sounds from two or three different loudspeakers, depending on where you were sitting, and the result was just kind of unnatural and echo-y, with no real directionality.”

Boston Light & Sound’s recommendation was to replace the distributed system with two Iconyx digitally steerable column array loudspeakers from Renkus-Heinz. A single Iconyx IC16-R-II column mounted on either side of the proscenium covers the entire sanctuary. “Using the Iconyx, we can control the beam for very narrow coverage, and minimize the amount of reflected sound from the ceiling and back wall.”

The choir is picked up by wired Clock Audio mics flown overhead, while Shure wired and RF microphones cover the podium and stage. The mics feed a Symetrix 780 Automixer, connected directly to the Iconyx systems.

“The Iconyx has made all the difference in the world in this sanctuary,” Zola concludes. “Coverage is even and intelligible across the entire room, and it even cuts through their very noisy HVAC system. It’s a great solution.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

 

 

Bridgestone Technical Center Gets Great Sound with Iconyx

Akron, Ohio, September 2012… Akron, Ohio has a long and storied history as the heart of the US tire business. In April of 2012 the city celebrated that proud heritage with the grand opening of Bridgestone Americas’ 260,000-square-foot worldwide technical center. The USD $100m research and development facility was designed by architects Harris/Day to exceed Gold LEED standards, and it shows. The building features wide, open spaces, a “living roof” with gardens and lounge areas, and plenty of natural light thanks to an abundance of glass throughout.

The showcase structure’s east and west wings intersect at a massive three-story atrium area that serves as building’s social nexus. The common space is outfitted with a large video wall, and serves as the hub of the technical center’s communications with the outside world, and with the company’s headquarters in Tennessee.

Of course, three stories of glass, while visually stunning, tends to create a less than optimal acoustical setting. As Gary Matthews of Middleburg Heights, OH-based Audio Video Interiors explains, even with a fair amount of acoustical treatment, the environment was a challenging one.

“It’s a big, open, reverberant space,” he says. “They did a great job in treating the back wall, which helps a lot, but it’s still a large, glassed-in space, with a high level of ambient noise, and intelligibility inevitably suffers.”

The architect’s vision included a desire for low-profile audio and video components, but the design was at odds with that goal. “Their original proposal was for 34 individual loudspeakers hung on walls and on ceilings throughout the area,” says Matthews. “They came to us and asked if there was anything they could do differently, because they didn’t want to see so many speakers.”

AVI’s  recommendation was for three Renkus-Heinz Iconyx steered steered arrays to cover the entire area. “So we got it down from 34 speakers, to three Iconyx ICX7 units built into the video wall, with zero visibility. And the sound coverage is far superior, with no distribution issues and no dead spots.”

With an Ashly Pêma 8×8 amplifier and signal processor already in place, AVI opted for the ICX7 passive system instead of the powered version. “We built pockets for them in the walls, and you can’t even see that they’re there,” says Matthews. A Listen Technologies assistive listening system and a pair of Shure SLX wireless mic systems completes the audio system.

“The Iconyx system was perfect for aiming the sound only at the areas we wanted to cover, and away from the walls and windows,” Matthews concludes.

###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

AFMG and Renkus-Heinz Transition with EASE

Foothill Ranch, CA and Berlin, Germany…. Renkus-Heinz and Ahnert Feistel Media Group (AFMG Technologies GmbH) have announced the restructuring of their long-standing strategic relationship, with AFMG stepping into a more prominent role.

AFMG will provide direct sales, technical support and training worldwide for their acclaimed acoustical measurement and simulation software products including EASE, EASERA and SysTune. Renkus-Heinz will continue to offer support to customers during the transition beginning on October 1, 2012. Both companies will keep working together in educational seminars, marketing of technology solutions as well as software development and other projects.

AFMG’s Berlin offices, which already provide support for Europe including Russia, the Middle East, Africa and India, will take on this role globally. On hand to cover the Americas will be Bruce Olson and Charlie Hughes from the US branch of AFMG. Additionally, AFMG representatives and distribution partners will provide local assistance as well.

“The relationship between AFMG and Renkus-Heinz goes back more than 20 years, and will continue well into the future,” remarked Renkus-Heinz President Harro Heinz. “As AFMG keeps growing, the company is ideally suited to provide the best support for their products, and we stand behind their decision to do so.”

“Renkus-Heinz has always been one of our biggest supporters,” added AFMG’s Managing Director Stefan Feistel. “The enthusiasm and professional attitude of Harro Heinz and his team  helped us get on the road in our early years for which we are deeply thankful.  Our companies will continue to have a great working relationship in future projects.”

The transition beginning October 1, 2012 will be seamless to all AFMG customers, with Renkus-Heinz continuing to provide assistance as needed, and AFMG taking on all functions effective January 1, 2013.

For full information on AFMG products, go to http://AFMG.eu

Pricing and ordering information can be found directly at http://www.afmg.eu/index.php/pricelist-en.html .

Customers in the Americas and neighboring time zones can reach AFMG´s US support at support-us@afmg.eu

or dial toll-free 855-411-AFMG (855-411-2364)
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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

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IC Live Turns The Tables For Oslo’s Modern Church

Oslo, Norway, September 2012… The Sofiemyr church in Oslo is a striking modern building, with bare brick walls, a tiled floor and wooden ceiling. Light pours in from a huge stained glass window and other windows in the corners.

The audio solution, supplied by Benum A/S, is equally striking, with a pair of inverted IC Live arrays, flown from the ceiling alongside the matching subwoofers, above a small performance stage. The technique has been used before – England’s Stage Audio Services was possibly first to experiment with it, flying a pair of IC Live arrays upside down at trim height for a standup comedy tour of UK theatres, which allowed the beams to be angled at the ground floor audience as well as the balconies. But this is almost certainly the world’s first permanent installation to use the configuration, which has many benefits in a tall space.

Geir Kristoffersen, manager of the consulting department of COWI for Acoustics and Electro Acoustics, Sound and Vision, who designed the system for the church and frequently mixes it, explains: “This room is a cube, essentially, 16 by 16 metres with a height of about 12 metres, so it’s very interesting acoustically. But it’s turned 90 degrees so that you get some angles towards the speakers.” Slots in the ceiling provide low frequency absorption.

Although on the face of it a highly reverberant space, the actual reverb time is just 1.7 seconds with a very well controlled low end. “But still, 1.7 seconds is significant,” he points out. However, the bare brick walls are an inevitable challenge in view of their capability to deliver slapback echo to the stage.

The church is also equipped with a pipe organ, which is quite frequently played together with a band and a grand piano, as well as a movable pulpit, which is taken out during modern-style worship services.

“The loudspeaker system is flown in the form of a pair of Renkus-Heinz IC Lives,” says Kristoffersen. “We’re very happy with the sound of it. In fact, I’ve never worked with a system that’s so easy and quick to get good sound out of,” he says.

“It works exceptionally well for this kind and size of room and with such a wide variety of music. Together with the choir, we often have a worship team of eight people singing with their vocal microphones. Last Sunday, for example, the choir was seated directly in front of the loudspeakers and I had my measurement system at the desk and I was pumping 90db A weighted but flat out it was giving 101dB. Yet there was no issue with feedback,” he continues.”With these digitally steerable arrays we get tightly controlled beams, which allow us to deflect the sound away from these noisy brick walls,” he explains, adding, “While there is some reverberation, of course, if you shoot straight into these walls then you’d have a big problem with slapback.”

The system is configured with two beams from each IC Live, one pair aimed at the front part of the congregation, the others at the rear. The result, says Kristoffersen, “is that the sound is completely uniform wherever you are standing or sitting.”

“What I like the most about this system – and I’ve worked with good systems all my life – is that because it’s a true line array and not a banana hang it creates a cylindrical wave, which means that it doesn’t excite the room as much as a traditional three-box system, which would have been our obvious alternative,” he says, and adds, “Another thing is that, with a choir, the choir bench is high, which means the microphones are right in front of the loudspeakers, yet we have never had any feedback problems. Because it’s so even sounding across the frequency spectrum you don’t get response spikes which then become the problem, especially with the choir-mic scenario.”

Tuning is performed using both RHAON and in an Allen & Heath IDR8 DSP processor with an Allen & Heath T112 control surface, allowing it to be controlled from two different places.

A small delay system provides extra coverage into a small annexe at the rear and in the side halls, using CFX-61R cabinets, again controlled over RHAON and CobraNet. These are matched with six CF-121M cabinets for monitors, which can also be deployed as a portable PA in the larger side room of the church, or outside during the summer.

He continues, “It’s also very good for the monitoring because despite it being so loud up there it doesn’t feedback even when it’s rock’n'roll loud. Also,” he adds, “we work a lot with the grand piano and, for me, a grand piano has to sound good. If the grand piano doesn’t sound good then it’s nearly worse than having the drum kit not sounding right, but even when we’re pushing rock’n'roll levels and there’s a monitor there next to it, if you do push it to feedback it’s not high-end feedback but a just rumble, which tells you that the total room is just playing too loud. It’s very impressive and we’re extremely happy.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

 

Iconyx Breathes New Life into Eden Resort Courtyard

Lancaster, PA – September 2012…  Champagne Sunday Brunch in the Eden Courtyard at the Best Western Eden Resort & Suites has become a local area tradition, attracting patrons with an ever-changing menu that draws from the region’s finest seasonal ingredients. But while the Courtyard is known for its dining and social events, the room’s acoustics have long made it a challenge to attract speaking engagements. With its 40-foot-high glass ceiling, hard stone floor and hard walls, the room’s reverberation made intelligibility nearly non-existent.

“This is a gorgeous space and great for social events – cocktail receptions and so forth,” says Stephen Sikking, managing partner, Eden Resort & Suites. “But when a speaker wanted to present something to the entire room, it was very problematic to articulate so that people could hear intelligibly.”

Bob Bickelman, senior audio designer with Manheim, PA-based Clair Brothers Audio Systems, Inc., agrees. ”The reverb time is pretty long,” says Bickelman. In addition to a massive water fountain at one end of the room, he says, ”There is a rather large vaulted skylight running across the middle of the room that creates some very strange reflections.”

To address the room’s acoustical challenges, Clair Brothers selected the Renkus-Heinz Iconyx IC24-R-II digitally controlled column loudspeaker system, installing the arrays in the two front corners of the courtyard. The ability to precisely steer the Iconyx array’s multiple sonic beams had an immediate impact on the intelligibility factor. “Being able to direct the sound downward and away from the walls was huge,” says Bickelman.

Bickelman selected the Iconyx system based on both on price and performance. “We had previous experience with the Iconyx,” he explains. “Not long ago I did a synagogue down in Cherry Hill, NJ, and liked the way they performed and their ease of use. And they certainly cost less than some alternatives.”

Using Renkus-Heinz’s RHAON CobraNet-based DSP software, individual Iconyx elements can be shaped and aimed with programmable precision, lowering or raising the acoustic center as desired.

The newly installed system at Eden Resort & Suites also includes several Shure wireless microphones and is managed by a Symetrix DSP automixing and processing system with ARC (Adaptive Remote Control) programmable wall panels.

“Iconyx has been a wonderful addition to our courtyard,” comments Sikking. “Now we can take a 400- to 500-person room and actually use it for an event that includes speaking engagements. Because of the Iconyx system we are now able to be on individual company lists, social lists, and so forth for speaking events. These speakers have made a dramatic difference.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

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