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Archive by Robin Hoffman

Zylight Brings Upgraded F8 LED Fresnel to NAB 2014

LOS ANGELES – Zylight, a leading manufacturer of innovative LED lighting solutions, showcased an improved F8 LED Fresnel at the 2014 NAB Show. Introduced last year, the reengineered lighting instrument still delivers close to the light output of a traditional 1000-watt Fresnel and collapses to less than four inches thick for easy transport, but a number of refinements deliver improved performance for field and studio applications.

The yoke mount has been angled for greater positioning range and able to accommodate 90-degree stand mounting. Plus, all locking and adjustment is done with a single knob. On the light, the self-locking focus now automatically holds focus position. Other improvements include improved bellow design for smoother operation, a self-terminating DMX input, better protection from the elements and a new heat sink orientation that allows 20 percent better cooling.

“We have been blown away by the response to the F8. Broadcast studios, ENG news crews, commercial producers, independent filmmakers – our LED Fresnel has been embraced by video professionals across the industry,” said Joe Arnao, president of Zylight. “We went back to the drawing board to make the F8 even better, without changing the features that make it the most exciting lighting instrument on the market.”

Available in daylight (5600K) or tungsten (3200K) versions, the F8 lighting instrument draws only 100 watts. It has a high CRI (color rendering index) and its eight-inch SCHOTT glass lens maintains single shadow traditional Fresnel beam shaping. The fully dimmable F8 offers an adjustable beam spread (16-70 degrees), with a patented focusing system for spot and flood operations.

Bright like an HMI, the F8 is a better choice for run-and-gun ENG applications – it can be powered by a standard 14.4V camera battery or AC adapter, and it is water resistant (IP54) for use in challenging location conditions. Its LED engine features quantum dot technology to provide a more refined and balanced natural light output, which has been tuned to work with today’s digital camera systems. Like other Zylight models, the F8 features ZyLink wireless technology, which makes it easy to link multiple Zylights for simultaneous remote control. The F8 ships with barn doors and yoke mount, but additional accessories are available separately.

ABOUT ZYLIGHT LLC

Founded in 2003, Zylight LLC is the leading manufacturer of intelligent LED lighting instruments for the film and video production industry. Every model in its easy-to-use lighting system produces fully calibrated bright white light, while some also provide a spectrum of adjustable colors without gels. Full wireless control and DMX integration are included, and AC or DC power options are available. The Zylight state-of-the-art LED system is truly the most unique and flexible lighting system on the market today. With more than 50 dealers worldwide, Zylight continues to develop innovative LED lighting solutions to help make your job easier. More Than Bright – Zylight. Find out more at www.zylight.com.

New FOR-A HVS-390HS Switcher User TNDV Relied on Unit for Production of Events Surrounding ACM Awards

Cypress, CA – Video production company Tennessee Digital Video (TNDV) first used FOR-A’s HVS-390HS video switcher while producing conferences for Atlanta-based Passion City Church. Impressed with the cost efficient switcher, TNDV purchased a 2 M/E HVS-390HS of its own in December 2013. The company relied on its new switcher for events leading up to the Academy of Country Music (ACM) Awards on April 6, including production of a 2-day music festival fundraiser and a red carpet show special.

On April 4-5, ACM hosted a two-day outdoor music fundraiser festival at Caesars LINQ in Las Vegas. Deemed “Party for a Cause,” the festival’s proceeds helped to fight hunger by benefitting Outnumber Hunger, and featured headliners Rascal Flatts and Keith Urban. TNDV handled video production of the festival, using the HVS-390HS to produce IMAG on three video boards, enabling the crowd to see performers up close. TNDV fed video to two different stages during the festival’s events. The production company was also on location in Las Vegas to produce a live red carpet special at the ACM Awards.

“We have a number of HD trucks and flypacks, so we own a variety of switchers,” said Nic Dugger, owner of TNDV. “The HVS-390HS stands out compared to others for the variety of useful features that it offers for such an affordable price. A lot of our productions require a second M/E for broadcast and IMAG switches, so that was a major consideration in us choosing the 2 M/E HVS-390HS. The switcher was a perfect fit for our work surrounding the ACM Awards.”

A longtime user of FOR-A color correction and video conversion products, the HVS-390HS is the first FOR-A switcher that TNDV has purchased. The company has found the unit to be well built, robust, and road worthy – all important considerations that the mobile production company looks for when selecting equipment.

“FOR-A’s HVS-390HS offers features that allow us to highly customize the unit to meet our production needs,” said Dugger. “Its expansion slots, twelve DVE channels, and option to use the larger 28-button panel greatly benefit our operations.”

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

ABOUT TNDV: Television

Formed in 2004, TNDV: Television represents the culmination of many years of broadcast and live production for Nic Dugger, owner and president; and his staff of full time engineers. TNDV produces events from small single-camera productions all the way up to multi-million dollar international TV events, and takes pride in building custom solutions for challenging productions of any size, in any situation. Recent productions include the live concert productions at the NCAA Final Four, the 2013 Re/Max Long Drive Challenge on ESPN, and the inaugural season of Sing for Your Supper on PBS. Please call 615-585-6528 or visit http://www.tndv.com for more information.

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FUJIFILM’S new zoom goes wide, then long to stay with the action

HA18x5.5 offers 18x zoom from 5.5mm at the wide angle to 100mm on the telephoto end

Wayne, N.J. – The Optical Devices Division of FUJIFILM North America Corporation introduced its HA18x5.5 HD zoom at the annual NAB 2014 convention, held in Las Vegas this week.

The Premier Series HA18x5.5 offers 18x zoom from 5.5mm at the wide angle to 100mm on the telephoto end to capture images for a versatile range of scenes. It features high-precision large-diameter aspheric elements, designed with Fujifilm’s proprietary cutting-edge optical simulation technology, achieving sharpness at the center as well as all corners to deliver edge-to-edge premium image quality.

“Our customers have been looking for a lens that’s capable of shooting very wide but also at long range,” explained Thom Calabro, director of Marketing and Product Development for the Optical Division of FUJIFILM. “Sports producers looking for a lens that can go wide and still follow the action. It’s also a solid all-around lens that can shoot interviews and other applications typical for a standard telephoto lens.”

With the HA18×5.5, the operator can get as close to the subject as a minimum distance of 40cm. With the use of the built-in 2X extender, the focal length on the telephoto end can be extended to 200mm. These features accommodate a broad range of scenes to dramatically improve usability in a variety of shooting environments including live news, sports and dramatic program production.

The lens also has built-in digital servodrive units for zooming and focusing. Its ergonomic design reduces the weight for camera operators working handheld. Equipped with a 16-bit encoders,which outputs focus and other lens data at high resolution, enables compatibility with various systems such as a virtual studio programs and combining CG with live footage.

The HA18x5.5 will be available in late June of this year.

This year also marks FUJIFILM’s 80th anniversary, and 40 years for the Optical Devices Division, formerly known as FUJINON, in the U.S.

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of four operating divisions and one subsidiary company. The Imaging Division provides consumer and commercial photographic products and services, including: photographic paper; digital printing equipment, along with service and support; personalized photo products; film; and one-time-use cameras; and also markets motion picture archival film and on-set color management solutions to the motion picture, broadcast and production industries. The Electronic Imaging Division markets consumer digital cameras, and the Graphic Systems Division supplies products and services to the graphic printing industry. The Optical Devices Division provides optical lenses for the broadcast, cinematography, closed circuit television, videography and industrial markets, and also markets binoculars. FUJIFILM Canada Inc. sells and markets a range of Fujifilm products and services in Canada. For more information, please visit www.fujifilmusa.com/northamerica, go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter, or go to www.facebook.com/FujifilmNorthAmerica to Like Fujifilm on Facebook. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

FUJIFILM Holdings Corporation, Tokyo, Japan, brings continuous innovation and leading-edge products to a broad spectrum of industries, including electronic imaging, digital printing equipment, medical systems, life sciences, graphic arts, flat panel display materials, and office products, based on a vast portfolio of digital, optical, fine chemical and thin film coating technologies. The company was among the top 10 companies around the world granted U.S. patents in 2012, and in the year ended March 31, 2013, had global revenues of $26.7 billion*. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit www.fujifilmholdings.com.

* At an exchange rate of 83 yen to the dollar.

All product and company names herein may be trademarks of their registered owners.

NAB 2014: Digital Nirvana Introduces FIFOPro Ingest Back-Up System for Broadcast Production

Creates edit-ready backups of all live ingested media, eliminating the need for manual recording, cataloging, storing and transcoding of back-up tapes

Fremont, CA – Digital Nirvana will give the broadcast industry its first look at the company’s new FIFOPro ingest back-up system at the NAB 2014 convention, to be held from April 5-10th at the Las Vegas Convention Center. Digital Nirvana will showcase this powerful new production tool in Booth #SU11017.

The FIFOPro system was engineered to streamline workflows for news departments and live production applications. Traditionally for SAN back up, broadcasters have relied on recording onto multiple tape decks, one for each feed, with station personnel completing the cumbersome tasks of loading, labeling, cataloging and storing each tape for back-up insurance. In this mode of operation, if the need arises to restore from tape, it must be manually de-archived, taken to the editing bay, loaded and then transcoded into the proper format prior to editing.

With the FIFOPro ingest back-up system, the workflow is automated. FIFOPro continually records and archives multiple HD-SDI feeds on a rolling First-in/First-out (FIFO) basis, retaining all content for 72 hours before deleting it from the system. This data is automatically recorded in an edit-ready AVCi 50 format along with its metadata, including channel, date and time. If original content is lost or damaged, it’s a simple process to find and access the stored media via web browser and export the selected clips to the watch folder for immediate editing.

By eliminating the need for multiple tape decks, transcoding and time-consuming metadata management, the FIFOPro ingest back-up system is the perfect solution to streamline workflows, save time, space and money.

About Digital Nirvana

Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s product portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ OTT monitoring solution, and the MediaPro content repurposing system. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Fremont, California with offices in Hyderabad and Coimbatore, India. For more information visit http://www.digital-nirvana.com.

Broadcast Pix Expands Flint Integrated Production Switcher Family

Billerica, Massachusetts – Broadcast Pix™ will unveil its expanded family of Flint™ end-to-end integrated production switchers at the 2014 NAB Show (Booth SL6325), which runs April 7-10 in Las Vegas, Nev. All three HD models include the same Fluent™ workflow software tools, but provide different input configurations to address different production requirements and budgets.

There are three new Flint models available. The entry-level system, Flint LE, supports three HDMI or analog (composite, component or S-Video) inputs and is now priced at $7,495. Flint LX features four SDI or HDMI inputs for $9,995. Flint LS supports six inputs and offers a choice of six SDI (two of which can be HDMI) or four SDI and two HDMI or analog inputs for $12,995. In addition, all three models include two additional network inputs, which are ideal for presentations and Web pages from remote computers. All three models are available now.

Broadcast Pix will also have two raffles during the NAB Show, providing attendees the opportunity to win a Flint system as well as a new fX3D real-time 3D graphics software package. Raffle rules and instructions will be available at the Broadcast Pix booth.

“Flint has quickly become a popular choice among streaming video professionals, because it provides a complete set of production tools for true end-to-end integration,” said Steve Ellis, general manager, Broadcast Pix. “By expanding the Flint family, we’re making it more affordable than ever to produce live multi-camera productions for broadcast or webcast.”

Introduced last year, Flint handles the entire production workflow, from ingest to distribution. In addition to cameras and file-based graphics and video, its multi-format production switcher allows operators to include cloud-based content from Skype, Twitter, RSS feeds, Google Drive, Dropbox and other resources during live productions. Flint ingests and scales all sources while maintaining constant lip sync.

Flint’s switcher also includes three keyers for layering, each with PiP and customizable DVE. An internal Inscriber CG provides six graphic channels, while a built-in, two-channel clip server stores up to 30 hours of clips and animations in a variety of file formats, including ProRes, H.264, DNxHD and QuickTime animations. Flint’s audio mixer is controlled through an intuitive audio interface with on-screen stereo faders and VU meters, and two outputs allow separate mixes with independent control for master recording and Web presentations.

With up to seven simultaneous output formats, Flint offers built-in HD streaming in a variety of formats and allows live recording on its internal hard drive. Other features include a customizable multi-view, customizable virtual sets, and control of robotic cameras, video servers, external audio mixers, and other devices.

Version 3.0 software, which was announced earlier this month, allows all Flint systems to be tightly integrated with Broadcast Pix’s new fX3D and ReVue multi-channel slow motion replay system. It also includes ClearKey, Broadcast Pix’s next generation chromakey, and new device control of Blackmagic HyperDecks. The software will be available in May as a free upgrade for all Flint systems under warranty.

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

Broadcast Pix, Flint and Fluent are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

New FOR-A 4K Compatible Multi Viewer to Make Debut at NAB 2014

Company to introduce the MV-4200, MV-42HSA, and MV-1620HSA multi viewers

Cypress, CA – FOR-A Corporation of America announces the introduction of its new 4K compatible MV-1620HSA, MV-42HSA and MV-4200 multi viewers at the NAB Show. The company will exhibit in Booth C5117 during the show, which takes place April 7-10 at the Las Vegas Convention Center.

The MV-1620HSA 3G/HD/SD/Analog Mixed High-Resolution multi viewer accepts up to 16 channels of signals for monitoring on up to two screens. The 1RU unit is a compact but full-featured multi viewer, including the option to cascade it with other units to display up to 64 sources simultaneously.

Another 4K compatible multi viewer to be unveiled by FOR-A at NAB is the MV-4200 3G/HD/SD/Analog/HDMI/DVI/RGBHV Mixed High-Resolution solution – a 2 RU unit multi viewer that accepts 4K signals and is capable of handling up to 68 inputs and 8 channels of output.

Both the MV-1620HSA and MV-4200 feature a Windows-based Layout Manager that enables easy layout of 4K video in a seamless display by using four 3G-SDI inputs. Both multi viewers support a versatile mixed-source environment, and include video streaming capabilities for remote monitoring, additional local computer display and error capture.

FOR-A will also show its new MV-42HSA 4K (QFHD) monitoring down converter, an enhanced version of the company’s popular MV-42HS HD/SD multi viewer. In addition to HD-SDI, SD-SDI and analog composite inputs, the unit newly supports 3G-SDI (Level A) inputs and 4-input split-screen displays. The MV-42HSA is an ideal choice for use as a down-converter that monitors 4K footage on an HD or PC monitor.

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

Custom Media Solutions Relies on New FOR-A Switcher for High-Profile Live Event Production

Cypress, CA – Specializing in high-quality live and post production services, Custom Media Solutions has been depending on FOR-A video switchers to meet its production needs in recent years. The Georgia-based firm first purchased a FOR-A HVS-300HS switcher in 2011, bought an HVS-350HS switcher when theytransitioned to full HD, and later became a user of FOR-A’s HVS-XT110 portable switcher. The company recently selected a FOR-A HVS-390HS switcher for use with its wide-ranging video production applications, including live entertainment, conferences and corporate events.

“Some features of the HVS-300HS switcher that I really appreciate include the ability to scale on every input, a frame sync option on every input, and the DVE capabilities in every keyer,” said Marc Shroyer, owner and founder of Custom Media Solutions. “When we upgraded to HD, the obvious choice for us was to buy FOR-A’s HVS-350HS switcher. The unit was still offered in a small package, yet it came with some amazing features and flexibility. Some features that have helped us to deliver impressive results to low-budget events include its keying over AUX buses, transitioning events memory and use of a second remote control panel.”

Custom Media Solutions began using FOR-A’s HVS-390HS switcher at the end of 2013, and has been extremely pleased with their new unit’s flexibility and new features.

“What has been a big hit for us so far is the Web interface, larger control panel, additional half M/E when we use it with the HVS-300HS control panel, and the use of macros,” explained Shroyer.

One of the more challenging events produced by Custom Media Solutions with
FOR-A’s HVS-350HS switcher was for Hillsong UNITED, an Australian worship music group. Conferences highlighting their U.S. tour stops were held in New York City’s Radio City Music Hall and the Nokia Theater in Los Angeles last fall.

“The FOR-A switcher performed beautifully,” said Shroyer. “The client needed five different outputs with five different keys, all with the ability to transition, and they also needed to have all five screens change sources simultaneously by pushing one key. They wanted to turn multiple outputs with different sources to black and white with the push of a button. We could do this thanks to the mono color option built into the switcher’s keyers. The event was a complete success, and we saved our clients a lot of money by not having to use five different switchers to perform the tasks at hand. We just needed the one FOR-A switcher to get the job done right.”

Other productions that Custom Media Solutions has used FOR-A’s switchers for include: the Delta Chairman’s Club Banquet at the Fox Theater in Atlanta, Christian music artist Chris Tomlin’s tour, a conference at the University of Tennessee, Passion City Church events, DVD shoots for artists Montel Jordan and Hillsong UNITED, events at the Verizon Wireless Amphitheater, productions for the Atlanta Symphony Orchestra and North Point Community Church’s student camps.

“We’ve been continuously pleased with our FOR-A equipment and the quality it brings to our productions,” Shroyer explained. “Our switchers have helped us to provide our customers with top notch, cutting edge video productions at very competitive prices.”

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

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FLOVEL to Introduce High-Sensitivity HD Camera at NAB 2014

Camera’s 3 HbCMOS Color Sensor Offers Supreme Color Fidelity, Reduced Noise, and Enhanced Sensitivity

Tokyo, Japan – At next month’s NAB Show in Las Vegas, FLOVEL Company Japan, a FOR-A Corporation group company, will unveil its new FZ-B3 ultra high-sensitivity HD camera. The company will showcase the FZ-B3 within FOR-A’s NAB booth (C5117).

FLOVEL FZ-B3 camera has an unprecedented low-light sensitivity of 0.003 lux for color motion shooting. Employing 3 HbCMOS technology, its three CMOScolor image sensor enables operators to capture high-fidelity color images with low noise at high sensitivity. The new compact camera records in 1080i (59.94Hz or 50Hz) and 720p (59.94Hz or 50Hz) HD-SDI formats.

Superior color fidelity combined with enhanced low-light sensitivity makes the FZ-B3 ideal for demanding high-resolution applications, such as: surveillance, microscopy, ecology observation, day/night policing and traffic control.

“Our new HD camera employs state-of-the-art imaging technology to produce high-quality HD color video reproduction at light levels as low as mere moonlight,” said Mr. Susumu Hotta, Senior Managing Director, FLOVEL. “We’re looking forward to showcasing this new camera at NAB, and are proud to offer it for use in a variety of demanding HD imaging applications throughout the world.”

The FZ-B3 marks FLOVEL’s latest addition to its high-end HD specialty camera line, which includes the FZ-B1 ultra high-sensitivity camera for day and night observation. The FZ-B1 has been used for Aurora observation in Alaska, night time observation from a space station, and deep sea shooting.

The FZ-B3 will be available in June of this year. FOR-A is the exclusive distributor of FLOVEL brand cameras in the U.S., Europe, Middle East, Africa, and Asia.

About FLOVEL

FLOVEL Company, based in Tokyo, is a manufacturer of specialized cameras such as ultra-high sensitivity cameras, super high resolution cameras, sports analysis systems, and golf simulation systems. FLOVEL is known to the industry for its 3D cameras, as well as its development of specialty medical microscopy cameras and machine vision cameras. http://www.flovel.co.jp/english/

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

NAB 2014: Digital Nirvana’s Open Media Appliance Offers Industry-Leading Price for Performance

Fremont, CA – Digital Nirvana will showcase the latest version of its Open Media Appliance, a feature rich platform for its Monitor IQ broadcast monitoring and MediaPro content repurposing systems during the NAB 2014 convention, to be held from April 5-10th at the Las Vegas Convention Center. Digital Nirvana will exhibit in Booth #SU11017.

The Open Media Appliance is a true hybrid appliance with the ability to accept multiple input formats in one unit. “Our Open Media Appliance is a single, versatile server that helps broadcasters dramatically reduce their hardware expense associated with monitoring and content repurposing,” said Arco Groenenberg, Director of Sales and Marketing for Digital Nirvana. “With our solution, customers can do more with less hardware.”

Open Media Appliance

Digital Nirvana’s cost-effective open platform accepts a wide range of inputs, including SD/HD SDI, ASI, ASI-IP, ATSC, and QAM. Supported formats include 50 Hz, 60 Hz and DVB-T/C/S2. Digital Nirvana’s cable card technology records from encrypted cable feeds in full HD – allowing for direct cable and off-air antenna recording and expansion up to hundreds of channels. It also delivers 30/60/90 days of low-res or 1/7/14 days of high-res storage.

This appliance includes NAS Connect which allows users to push recorded files to storage and then easily manage and search recorded media in the NAS. The appliance also includes: a Linux operating system, industrial grade server with Raid 6HDD, built-in redundant power supplies, and system alerts – all incorporated into a 2- or 3-RU device.

About Digital Nirvana

Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s product portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ OTT monitoring solution, and the MediaPro content repurposing system. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Fremont, California with offices in Hyderabad and Coimbatore, India. For more information visit http://www.digital-nirvana.com.

NAB 2014: Digital Nirvana’s Broadcast Monitoring System Streamlines Workflow with Powerful New Features

Newark, CA – Digital Nirvana will introduce the latest release of its broadcast monitoring software, Monitor IQ 4.0, at the NAB 2014 convention being held from April 5-10th at the Las Vegas Convention Center. Digital Nirvana will exhibit in Booth #SU11017. Monitor IQ is an in-house logging and compliance monitoring solution for traditional broadcasting media.

“We continue to add innovative functionality to Monitor IQ,” said Arco Groenenberg, director of sales and marketing for Broadcast Products, DigitalNirvana. “New features like transport stream recording, SmartSearch, editing, playback and advanced engineering alerts make Monitor IQ one of the smartest monitoring solutions in the industry while offering excellent price for performance.”

Monitor IQ 4.0 Broadcast Monitoring System
Monitor IQ combines signal-monitoring, loudness monitoring, aircheck-logging, ad verification, competitive analysis and content repurposing and runs on Digital Nirvana’s Open Media Appliance – a highly scalable, industrial-grade server. The Open Media Appliance accepts multiple inputs including SD/HD SDI, ASI, ASI-IP, ATSC, QAM, 50 Hz, 60 Hz and DVB-TC/S2. It exports content in a wide range of file formats for content repurposing, including Flash, MPEG-2, MPEG-4 and H.264, and XDCAM.

Monitor IQ can record Multi-language Audio/Video and VANC Metadata. Designed with an efficient architecture and a simple Web interface, it integrates seamlessly with third party software. The resulting workflow is quick and easy, making the most of time and money.

With Monitor IQ, there’s no need to install ActiveX. It’s compatible with all standards-compliant web browsers. Its extensive search function can use keywords, CC text, metadata, titles, descriptions, as-run and traffic logs, imported and discrepancy reports.

Web Captioning ensures that programming complies with new FCC closed captioning mandates in the SMPTE Timed Text Format. Program Guide Extraction automatically extracts EIT data directly from the broadcast, enabling recording by program. Plus, an Infrastructure Self-Check performs more than 40 types of ongoing system checks to proactively monitor the total health of the Monitor IQ system.

Available options for Monitor IQ include: an iPad/iPhone/Android interface, NAVE Watermark Decoding, Centralized Management, Director’s Audio Track and a REST API for 3rd party development.

About Digital Nirvana
Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s product portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ OTT monitoring solution, and the MediaPro content repurposing system. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Fremont, California with offices in Hyderabad and Coimbatore, India. For more information visit http://www.digital-nirvana.com.

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