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Archive by Robin Hoffman

Broadway Systems Celebrates Two Years of Growth at NAB 2012

Grand Rapids, Mich. – Broadway Systems, the leading provider of advertising management software for cable networks, will exhibit at the 2012 NAB Show (Booth N1108) later this month in Las Vegas, Nev., following a period of unprecedented growth. Over the past two years, the company has signed eight new clients representing 12 national cable networks, and it has doubled in size, primarily adding personnel to its R&D and client service teams.

“Our exclusive focus on cable network advertising is part of the reason we’ve seen such amazing momentum and won so much new business over the past two years,” said John Sorensen, president of Broadway Systems. “Our new customers recognize the value of a proven advertising management platform designed specifically for their business. Plus, they see that we are committed to delivering what we promise and providing the best service to our customers.”

Broadway’s list of new clients includes BBC America, Imagina US, Music Choice, Travel Channel, and TV One. Additional channels are scheduled to launch later this year.

Additions to the Broadway team include Board Advisor Larry Goodman, a 30-year industry veteran and former president of sales and marketing at CNN; senior vice president Ron Levy, who has more than 30 years of buy-side advertising management experience; and Victor Rukaj, who previously managed ad sales systems and operations for Fox News and Fox Business Channel and is now part of Broadway’s New York-based client services team. “Not only do we continue to improve our products, but we are investing in great people from the cable network advertising industry, agency software vendors, and our competitors to make sure we can address the specific needs of our customers,” said Sorensen.

Broadway has a proven track record with launching new networks, and has also been adopted by existing cable networks that have migrated from numerous legacy systems that operated ad sales, traffic, and billing separately. Imagina US, for example, began using the Broadway’s Traffic and Finance, Program Management, and Reporting modules for four different channels last year. Marilyn Vidal-Novo, traffic manager, Imagina US, said the transition to Broadway’s software was “the best conversion I’ve ever done. There was no delay whatsoever, and the implementation exceeded my expectations.“

About Broadway Systems

Since 2002, Broadway Systems has collaborated with cable networks to engineer a contemporary and fully integrated programming, sales, traffic, stewardship, and billing software system. Today, this platform is used to manage some of the top brands in industry and more than $3 billion in advertising revenues for top 20 rated cable networks and startups alike. Broadway Systems offers cable networks a strategic alternative to existing vendors, one that is dedicated to their business and keeps pace with the changing needs of this dynamic industry. Find out more at www.broadwaysystems.com.

Toledo-based Buckeye CableSystem Selects Seven Hitachi HD Cameras for BCSN Local Sports Network

WOODBURY, NEW YORK – Hitachi Kokusai Electric America, Ltd., today announced that Buckeye CableSystem, the premier cable service provider in the Toledo, Ohio area, purchased seven Hitachi Z-HD5000 studio and field HDTV cameras for use by its local sports channel, Buckeye Cable Sports Network (BCSN).

Offered as a free service to Buckeye CableSystem’s subscriber base, BCSN uses the cameras on two of its newest HD mobile units. Buckeye CableSystem launched BCSN in January 2004 and upgraded it to HDTV in April 2011.

“While it’s affordably priced, the Z-HD5000 still offers superior, native 1080i HD picture quality comparable to more expensive HD broadcast cameras,” said Tad Fowkes, BCSN’s creative services/production manager of local stations. “Our goal is to retain cable subscribers by offering them a valuable, exclusive service they can’t get from any other cable or satellite provider. In light of our goal, we have to make very judicious, cost-effective equipment choices.”

BCSN televises over 900 local sports events each year, including NCAA Division I sports at Bowling Green State University and the University of Toledo, as well as high school games. The channel is also the TV home of the Toledo Mud Hens AAA baseball team and the Toledo Walleye Hockey Club, an affiliate of the Detroit Red Wings.

“To produce 17 to 20 sports events each week, at locations ranging from college stadiums to high school gyms, we set up and strike our cameras roughly 300 times per year and operate them in all kinds of conditions,” said Fowkes. “The roadworthiness and durability of these cameras have proven to be a great asset to us.”

BCSN’s cameras are also used to produce several weekly programs—also at remote locations—including: “Inside the Red Zone,” a high school football show; “Rant and Rage,” a live sports call-in show; and “The T Sports Report,” co-produced with WTOL-DT (CBS) and hosted by that station’s sports personalities.

“Our management strives to be community oriented and attract and retain customers,” said Fowkes. “Offering BCSN in HD and choosing Hitachi HD cameras are two ways we’re making sure that’s just what we’re doing.”

About Hitachi

Hitachi, Ltd., (NYSE: HIT / TSE: 6501), headquartered in Tokyo, Japan, is a leading global electronics company with approximately 400,000 employees worldwide. Fiscal 2009 (ended March 31, 2009) consolidated revenues totaled 10,000 billion yen ($102.0 billion). The company offers a wide range of systems, products and services in market sectors including information systems, electronic devices, power and industrial systems, consumer products, materials, logistics and financial services. For more information on Hitachi, please visit the company’s website at www.hitachi.com.

Hitachi Kokusai Electric America, Ltd. designs, manufacturers and markets video cameras, digital transmission, processing and recording devices for the broadcast television, cable, video production, and industrial vision markets. For more information, please call (516) 921-7200 or visit Hitachi’s web site athttp://www.hitachikokusai.us . Hitachi Kokusai Electric, Inc. (TSE, OSE: 6756), is a Hitachi, Ltd. (NYSE: HIT) group company.

Full versions of all press releases and product images are posted on the web site in the pressroom section: www.hitachikokusai.us

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FOR-A Unveils LTO-5 High-Capacity, Tape-Based Video Storage Appliance at NAB 2012

Fort Lee, New Jersey – Building on its successful line of LTO-5 video archiving recorders, FOR-A will introduce the LTS-50 storage appliance at the 2012 NAB Show in Las Vegas, April 16-19 (Booth C5219). Using a network connection, it archives media files to LTO-5 high-capacity tape, regardless of file format.

The LTS-50 uses an LTFS (linear tape file system), which records video on tape as files and enables the reading and writing of files from a PC via FTP. It’s ideal for data backup that does not require video I/O, as well as archives of nonlinear editing materials that will be reused. Plus, it can create original and duplicate copies with the installation of an external LTO drive. The LTS-50 can be controlled through FOR-A’s optional LTR Browser software, and another optional proxy generator can be configured to automatically create low-resolution proxy files and thumbnails when archiving MXF files.

With this new storage device, FOR-A is building on its successful line of video archiving recorders that use LTO-5 tape. Both its LTR-120HS and LTR-100HS video archiving recorders will also be on display, along with the MBP-100MP multi-format player and MBP-100SX MXF clip server and baseband converter. The LTR-120HS provides “archive at ingest” for AVC-Intra/DVCPRO file-based workflows, while the LTR-100HS supports MPEG-2. Data from the LTS-50 is compatible with both recorders.

“LTO-5 is an established standard in data tape storage technology, and it’s an ideal option for creating archives that are reliable and cost effective,” said Pedro Silvestre, sales director for FOR-A Corporation of America. “The new LTS-50 is an excellent tool for broadcasters and other production facilities with file-based workflows.”

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 201-944-1120 or visit our web site at www.for-a.com.

FOR-A Debuts 1 M/E to 2 M/E Video Production Switcher at NAB 2012

Fort Lee, New Jersey – FOR-A Company Limited, a leading manufacturer of video and audio systems for the broadcast and professional video industries, today introduced the HVS-390HS, the latest in its line of compact, cost-effective switchers. Available in 1 M/E and 2 M/E versions, it includes 16 HD/SD-SDI inputs and eight outputs (expandable to 24 inputs and 13 outputs), with frame synchronizers for all inputs. The new video production switcher will be unveiled at the 2012 NAB Show (Booth C5219), which runs April 16-19 at the Las Vegas Convention Center.

“Multiple markets have enthusiastically embraced this product line, including broadcasters, educators, houses of worship, and corporate video producers,” said Pedro Silvestre, sales director for FOR-A Corporation of America. “The HVS-390HS maintains the compact footprint and operating style of our previous models, and improves the operation style with the addition of macros and pneumonic keys.”

Built-in resizing engines on four inputs allow HD, SD, and PC sources to be mixed within the same production. Four keyers per M/E are standard. The HVS-390HS includes two chroma keyers. All keyers have an independent 2D DVE channel, plus two 3D DVEs (for background and keyer) for each M/E. The HVS-390HS includes 100 2D and 68 3D wipe patterns, in addition to standard cut, mix, and wipe transitions on the M/E bus.

The HVS-390HS features a highly versatile input/output set up, including the ability to use the optional input/output boards from FOR-A’s HVS-300 switcher as well. It comes standard with 16 HD/SD-SDI inputs, eight outputs plus an HDMI output. With the addition of optional input/output boards, the system expands to 24 inputs and 13 outputs. Analog components, analog composite, DVI, and RGB can also be added.

The switcher is equipped with output video recording and playback functions. It includes an advanced video memory function that can simultaneously record fills and keys and saves consecutive stills when transferred from the user interface as video. Clips can be up to 240 frames long. And recorded clips and stills can be used for CG wipes.

Up to 100 events can be stored in memory and recalled with a single click during live applications. A built-in sequence function stores up to 100 sequences, with each parameter setting registered as a key frame. When used with FOR-A’s HVS-39GUI, information for each key frame in a sequence can be displayed on a timeline, so the correlation of action timings can be easily verified. Sequences and events can be assigned to any of the 12 user buttons on any of the switcher’s control panels.

Four still stores support JPEG, BMP, and TGA file formats, as well as animated logos. External video input and PGM output can be captured as still images, and data generated on a PC or other source can be loaded to the main unit via Ethernet or loaded via USB through the switcher’s control panel.

Three control panels are available for the HVS-390HS: the HVS-391OU (1 M/E), HVS-392OU (2 M/E), and HVS-392ROU (rack-mountable 2 M/E). The 3 RU main unit includes an enlarged fan and efficient exhaust process to guarantee silent operation, which is ideal when it is installed near the operator’s workspace in mobile production units or small control rooms. An optional redundant power supply is also available.

The built-in dual multi-view can display up to 16 split windows on either output, and different display patterns and sources can be set for each. Every multi-view window is equipped with title and tally display functions. Other built-in features include safety area and color bar displays, macro, color correction, and simultaneous switching (and output) of two L/R systems for 3D productions.

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 201-944-1120 or visit our web site at www.for-a.com.

PESA Expands Modular Audio DRS Solutions at 2012 NAB Show

Huntsville, Alabama – PESA, a leading U.S.-based custom design and build manufacturing company for professional audio and video signal distribution, today introduced its new DRS audio distributed routing system with Enterprise Data Exchange Engine (E-DXE) at the 2012 NAB Show (Booth SL9615), which runs April 16-20 at the Las Vegas Convention Center in Las Vegas, Nev. A full-featured 24-bit, 96 kHz routing system for audio and time code signals, DRS uses high-speed multiplexing technology for signal distribution, rather than a crosspoint matrix array, and its modular architecture makes it easy to tailor the system to fit specific configurations.

At the heart of every DRS is PESA’s DXE frame, where the actual signal routing function takes place. It provides all the essential signal processing features, including input sample rate conversion, input gain, and phase inversion. AES3, AES3id, time code, analog audio, and MADI (AES-10) signals can be processed within the same system without external converters, and each DRS can be sample rate adjusted to support 44.1kHz or 48kHz. Packetized data is routed over a gigabit Ethernet network between frames through the DXE to deliver desired input signals to desired output connections.

In addition to the traditional I/O audio remedies, input and output delay can be set independently on every I/O channel. With up to two seconds of delay available to every I/O, external audio delay systems are unnecessary.

Offered in three package sizes, DRS can accommodate a variety of audio requirements. The compact DRS Series-C uses an internal control card to support 64 mono I/O in a 1 RU frame, and two frames can be combined via an Ethernet port for 128×128 I/O (no DXE processor frame necessary). DRS Series-M supports small and mid-range routing needs with up to four 512×512 I/O frames, which combine to deliver up to 2048×2048 I/O. DRS Series-E systems, which accommodate enterprise-wide systems with E-DXE, support up to five 1536×1536 I/O frames to increase the I/O count to 7680×7680. All three packages are shipping now.

For Series-M and Series-E systems using the DXE or E-DXE processor frame, each 1 RU I/O frame provides 128 signal ports and can be located virtually anywhere within a facility – up to 300 feet away from the main processing frame (or more than six miles using optional fiber optic extender modules). Interconnections are made using common CATx cable and standard RJ-45 connectors. Stereo analog inputs as well as analog outputs are converted to digital using high performance 24-bit converters. Inputs may be switched as mono channels, stereo pairs, or up to 16 channels to support any audio environment.

“Whatever the application, DRS technology will dramatically reduce the complexity of your audio setup,” said Chuck Tillett, PESA president and COO. “With PESA’s unique signal processing technology, complex and cumbersome wiring schemes and cable routing are a thing of the past. And less complex wiring requirements with fewer cables keep signal quality high, which saves time and money in both installation and maintenance.”

Any DRS audio system using the DXE or E-DXE can be configured for complete system redundancy. A second interconnect allows for two parallel data paths in the event signals are lost on the primary path. Plus, each frame supports redundant power and control, as well as front load, hot-swappable logic cards. Frames are available in a variety of interconnect options, including BNCs, ELCO, or 6-pin pluggable connectors for analog, AES, and time code.

In addition to standard signal I/O frames, DRS includes two special purpose circuit cards for embedding and de-embedding digital audio, which marries the video routing capability of the Cheetah video matrix routers with the audio routing capability of the Cheetah DRS audio router. The Cheetah MUX-3G card provides 16 SDI video output channels and embeds any of up to 256 audio signals selected from DRS input sources to any of the HD or 3G video output signals. Any audio input signal to DRS – AES, embedded, MADI, or analog – can become the input source for the video MUX card for embedding onto a video output signal.

The Cheetah DEMUX-3G card provides 16 SDI video inputs and de-embeds all audio groups and channels from all video signals. Up to 256 de-embedded audio signals may be selected as input sources for the DRS channel group. In DRS system configuration, the DEMUX-3G card functions as a signal input frame, and the MUX-3G card functions as a signal output frame. Full digital signal processing and stereo remedies may be applied to embedded audio signals.

Both cards are compatible with SDI video signals up to 3Gbps and are compliant with SMPTE 259M, 292M, and 424M. Audio signals present on an incoming SD video signal are passed through to the output with no modification, even if the audio signals are de-embedded for use elsewhere. The cards are used in place of the HD/3G-SDI video input buffer and video output combiner cards in a Cheetah video router mainframe. The audio portion of each card integrates with a DRS channel group through an available DXE I/O port using common CATx cable, up to 100 meters in length.

About PESA

As a leading provider of audio/video connectivity, PESA offers a wide selection of routing switchers, matrix switchers, extenders, converters, media extenders, and signal processing gear to support government, military, industrial, commercial, broadcast and mobile truck applications. PESA offers one of the widest ranges of AV products – from large scale fiber optic routing to single-point CAT-5 DVI extenders – each with the integrity and innovative high performance technology expected from PESA. Our products are available around the world from a leading team of channel partners offering local support and installation; and all of our products are supported by 24/7 technical support. To learn more about our technologies and services visit www.pesa.com. PESA is located in Huntsville, Alabama with regional offices throughout the United States.

All products mentioned herein are trademarked property of their respective owners.

FOR-A PROVIDES ‘CONTINUOUS INNOVATION’ AT NAB 2012

New Product Highlights Include Compact 2 M/E Video Switcher and File-Based LTO-5 Video Storage Appliance

Fort Lee, New Jersey – FOR-A Company Limited, a leading manufacturer of video and audio systems for the broadcast and professional video industries, will several new products at the 2012 NAB Show, which runs April 16-19 at the Las Vegas Convention Center. Designed around the company’s theme of “Continuous Innovation,” FOR-A’s NAB booth (C5219) will include a demonstration area as well as “islands” to showcase video switchers, processors, file-based products and specialty live demonstrations.

“NAB remains an excellent venue for us to showcase our latest products and technologies to broadcasters and other video professionals,” said Pedro Silvestre, sales director for FOR-A Corporation of America. “This year, we’ll unveil a new entry in our popular line of compact video switchers, as well as a new LTO-5 server that will set a new benchmark for LTO-5 file storage. Our innovative, new products, as well as some very dynamic technology demonstrations, will show our commitment to continuous innovation.”

Video Switchers

One of FOR-A’s most anticipated new products is the HVS-390HS video switcher. It maintains the functionality of FOR-A’s current switcher line, but is available in 1 M/E and 2 M/E versions. It includes 16 HD/SD-SDI inputs and eight outputs (expandable to 24 inputs and 13 outputs), with frame synchronizers for all inputs.

A new addition to the HVS-4000 Series, the HVS-4000HSA, offers support 3 M/E operation capability. The HVS-4000 Series offers a choice of M/Es and control panels, and is loaded with standard features to handle complex video productions. With 16 inputs and outputs standard (expandable to 48 inputs and 24 outputs), it includes a built-in multi-viewer, direct access to preset content, and integrated control of various devices. Additional switcher models will also be on display, including the HVS-350HS 1.5 M/E switcher, linked with a MFR-3232 routing switcher, and the HVS-300HS 1 M/E switcher, coupled with a LTG-50HS HD/SD logo/title generator.

File-Based Products

Building on its successful line of LTO-5 video archiving recorders, FOR-A will introduce the LTS-50 storage appliance at NAB. Using a network connection, it archives media files to LTO-5 high-capacity tape, regardless of file format. It’s ideal for data backup that does not require video I/O, as well as archives of nonlinear editing materials that will be reused. Options include LTR Browser software control and automatic creation of low-resolution proxy files and thumbnails when archiving MXF files. Both the LTR-120HS (AVC-Intra/DVCPRO) and LTR-100HS (MPEG-2) video archiving recorders will be on display as well, along with the MBP-100MP multi-format player and MBP-100SX MXF clip server and baseband converter. Plus, FOR-A will provide a technical demonstration of its new file-based frame rate converter.

Multi-Viewers

New for NAB, the MV-1620HS supports mixed inputs of HD-SDI, SD-SDI, and analog composite signals. The compact, cost-effective multi-viewer supports 16 inputs, includes embedded audio level display for up to 16 channels per input and title display of up to 16 characters per input, and features up to two clock displays, which can also be used for countdown and remaining time displays. Plus, the unit saves up to 16 layout patterns, selected from the front panel, and PC-based software makes it easy to create screen layouts.

The new MV-42HS is a four-channel HD/SD multi-viewer that supports mixed and asynchronous HD-SDI and SD-SDI inputs
(optional analog composite). It also features audio level metering and titling, and offers full screen, two split, and quad screen output. FOR-A will also showcase its MV-3200 Series, which provides customizable support for up to 32 inputs and four display outputs. The choice of input boards within its 2 RU frame provides support for various asynchronous HD/SD-SDI, analog composite, and DVI signals, as well as analog or AES audio, so control rooms don’t need to supplement their video walls with additional monitors.

Video Processors

Packaged in a compact form factor, the new FRC-30 HD/SD frame rate converter handles motion compensation and linear conversions. It also supports up/down/cross conversion of 1080i, 720p, NTSC, and PAL at a variety of frame rates for HD/SD-SDI and analog composite signals. The new modular UFM-30FRC frame rate converter, which can be installed in FOR-A’s UFM frame, also provides motion compensation, linear conversions, and up/down/cross conversion of HD/SD-SDI and analog composite sources at various resolutions and frame rates. FOR-A will also display its established FRC-8000 HD/SD frame rate converter and FA-9500 3G/HD/SD multi-purpose signal processor at NAB, as well as a prototype of its next-generation color
corrector.

Specialty Products

FOR-A will demonstrate ‘multi-angle, super slow motion’ shooting for the first time at NAB using nine of its award-winning VFC-7000 HD Variable Frame Rate (Super Slow Motion) Cameras shooting simultaneously and being controlled from one EVS controller. The VFC-7000 is well suited for sports broadcasting applications. Flovel, a company in partnership with FOR-A, will also display prototypes of its new 4K compact camera and HD ultra-high sensitivity camera.

FOR-A will also demonstrate its new SmartDirect all-in-one live production system. Powered by a Brainstorm graphics engine, it provides the ability to create programming, playlists, captions, and switch cameras. Optional features include: the VRCAM-S virtual studio, a video switcher link to connect with an external switcher for more elaborate wipes and effects, link to a clip server to control external servers, and a streaming interface to simultaneously encode and distribute video over the internet.

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 201-944-1120 or visit our web site at www.for-a.com.

ev1.tv Delivers News, Live Sports Coverage with Broadcast Pix

Billerica, Massachusetts – Broadcast Pix™ today announced that ev1.tv, a local TV station covering the Emsland and Grafschaft Bentheim district in Lower Saxony, Germany, is using a Granite™ 5000 Video Control Center in the control room of its brand-new studio and a Slate™ 1000 Video Control Center in its OB van. Primarily, the station uses its systems to produce a daily newscast and talk show in the studio, while the production van is used to cover football games.

“In fact, everything you see on ev1.tv is produced with Granite or Slate,” said Nico Stähle, chief engineer for ev1.tv, which distributes its programming via cable and online. The new Broadcast Pix systems were purchased last summer through Studio Hamburg Media Consult International (MCI), which handled the Granite installation (Stähle installed the Slate in the production van).

Stähle said he chose Granite because he needed a 2 M/E mixer that was easy to operate. “For us, there’s no other bundle of hardware with the cost effectiveness of Granite or Slate,” he explained. “We can operate all components from the panel with no need for other external equipment. Plus, Granite fits perfectly in our workflow with our Final Cut Pro workstations.”

ev1.tv uses a number of Fluent™ built-in workflow tools in both systems, including the animation store and Harris CG to create animated lower-thirds. Fluent-View is used to display all sources and keys on a 52-inch LCD monitor in the control room, and Stähle appreciates the “attention to detail,” such as the integrated clock in the display.

“We do a lot with Fluent Macros,” Stähle added. “For example, for the open of our news show, the intro starts and automatically fades to the camera in the studio, the lower-third appears, fades away, and cuts to another camera. We also use a macro for the end of the show to display a crawl and other titles on an animated background.”

Programming is currently produced in SD, but Stähle noted there is no problem upgrading to HD or a mixed HD/SD production environment with Granite. With several months of productions complete, he said the Broadcast Pix systems have performed very well. “No problems at all,” Stähle said. “It is so easy to operate that, with the help of some macros, even our trainees can run a news show.”

About Broadcast Pix Broadcast Pix is the leader in live video production systems. Its Video Control Centers™ empower operators with patented techniques that combine cameras, clips and graphics to create compelling live video. The integration of a multi-format switcher, clip store, graphics system with a Harris or Chyron CG, and device controls provides the lowest cost of ownership at a fraction of the cost of a conventional control room to buy, staff and operate. Systems range from compact systems controlled by a touch-screen or voice-automation to sophisticated 2 M/E control panels. Customers include leading broadcast, corporate, education, religious, government, webcast, entertainment and mobile studios in more than 110 countries. Learn more at www.broadcastpix.com.

Broadcast Pix, Granite, Slate, Fluent, and Video Control Centers are trademarks of Broadcast Pix, Inc. Patented.

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Advanced Systems Group, Harmonic Present Free File-Based Media Workflows Webinar

EMERYVILLE, CALIF. – Advanced Systems Group (ASG), a leading West Coast video and film integration firm, and Harmonic Inc., which offers a shared storage product line, will present a free interactive webinar, “Accelerate File-Based Media Workflows,” on Wednesday, April 4, 2012, at 10 a.m. PT.

The one-hour webinar will explain why high-performance shared storage needs to be at the heart of file-based workflows, as well as why it is essential that a shared storage system is optimized for the unique requirements of media workflows. In addition, the program will explain how to get the performance of SAN – more than 1 GBps to a single client – with the simplicity of NAS. Plus, it will showcase how to cost effectively provide a competitive advantage for some of the world’s most innovative media companies. The webinar will be hosted by Dave Van Hoy, president of ASG, and Bob Thomas, director of MediaGrid product marketing.

For more information and to register for the webinar, please visit https://asgevents.webex.com/asgevents/onstage/g.php?t=a&d=661485259.

About ASG:

Advanced Systems Group LLC of Emeryville, Calif., with offices in the Bay Area and Southern California, has provided engineering, systems, integration, support and training to the broadcast, film, creative, and corporate video markets since 1997. With unmatched experience in Apple-based newsroom systems, shared storage, archiving, editing, finishing, and VFX systems, ASG has become one of largest installers of post production and shared storage systems on the West Coast. The ASG team is highly focused on customer success, and has installed and supported more than 185 SANs, production, and post production systems over the last six years. For more information, visit www.asgllc.com or call 510-654-8300.

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ABS SUPPORTS NFFTY 2012 AS EXHIBITOR, PARTNER SPONSOR

SEATAC, WA, March 21, 2012 — Professional video and audio systems integration firm ABS (Advanced Broadcast Solutions) is a Partner Sponsor for NFFTY 2012, one of the largest youth film festivals in the world, which will be held April 26-29 in Seattle. ABS will also be an exhibitor at the Future of Film Expo, a new addition to the festival that runs April 27-28 from 11 a.m. to 5 p.m.at the Seattle Center Exhibition Hall.

Presented by NFFTY and The Next Fifty, a six-month celebration of the 1962 World’s Fair, the free expo will host a number of panels, workshops, demonstrations, and networking opportunities. It is expected to attract local film production crew, film industry executives, youth filmmakers, and film fans. Beyond ABS, other exhibitors include film commissions, film schools, and equipment companies including AJA Video, Canon, ikan, and Panasonic.

Short for the National Film Festival for Talented Youth, NFFTY is now in its sixth year and received nearly 700 entries for this year’s festival. According to officials, films were submitted by filmmakers 22 years old and under from 40 states and 22 countries. More than 10,000 people are expected to attend.

“NFFTY has done an amazing job growing this film festival and celebrating young filmmakers, and we are proud to be a part of it,” said Mark Siegel, President of ABS. “The Future of Film Expo, in particular, promises to be an important destination for the Northwest filmmakers and video production professionals of all ages.”

For film screening schedules and more information, visit www.nffty.com.

About ABS:

Based in SeaTac, WA, ABS (Advanced Broadcast Solutions) delivers customized, technologically superior solutions for broadcast, corporate, house of worship, entertainment, government, and educational facilities – from design and integration to installation and support services. Since 1982, its experienced technical staff has installed more than 200 systems for clients including Fisher Communications, Cowles California Media, Real Networks, Cisco Systems, and Microsoft Studios. For more information, call 206-870-0244 or visit www.advancedbroadcastsolutions.com.

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metaOcean, the Internet rights holder of the Korean Football League (-K-League), to use SterGen technology to bring high-quality 3D sports to Korea

(Tel Aviv, Israel/Seoul, S. Korea, March 20 2012)

SterGen (www.stergen.tv), a leading provider of 3D technology and metaOcean—an IP marketing right holder of the Korean Pro Football League (www.k-league.com) and premiere sports broadcast service provider, signed an agreement to use SterGen LIVE! real-time 3D conversion platform to make 3D sports programming available to the Korean broadcasters & carriers.

SterGen’s innovative technology enables real-time conversion of 2D camera feeds and program footage into true stereoscopic 3D – in a quality that is similar to and often higher than native 3D shooting. Its real-time 3D image processing gives producers a quality and yet cost-effective alternative to expensive, logistically complex native 3D production.

“3D adds an exciting dimension to sport viewing” said JI Kwon, metaOcean CEO. “We’re excited to partner with SterGen and add 3D flavor to the Korean League football matches – as well as to other sport broadcasting in the market.”

“SterGen’s cutting edge technology enables us to offer a real time 3D version of matches– based on 2D HD input – in a way that will be optimized to different type of screens.” added Kwon. “We will be able to provide one 3D version to TV, another version to mid size screens and an optimized version, with a stronger 3D effect to the new exciting 3D glasses-free phones – and all in real time. “

“SterGen is proud to work with an innovative yet experienced partner like metaOcean.” adds Ofer Wolf, CEO of SterGen. “We looked at several potential partners in Korea and found that metaOcean has the optimal team and capabilities to take our ground breaking technology to the advanced market of Korea.”

metaOcean will deploy SterGen’s high availability system at their production facility in Seoul, followed by a launch of a ‘3D campaign’ in the Korean football market during Q2/12.

About metaOcean:

metaOcean & CO, Inc. is the sole business owner to all internet-based intellectual properties of the Korean Football Association, conducting business activities that includes A-matches and affiliated businesses with other professional major leagues in the Asiaian region.

Additionally, metaOcean serves as Marketing and Promotional regional partner with the official partners of FIFA World Cup, operating campaigns with major broadcasters and online portals both within Korea and in Asia. metaOcean executed successfully campaigns for major business group partners such as LG, Hyundai, Samsung Electronics, POSCO, Korean Telecom, and Budweiser.

For more information contact info@metaocean.net

About SterGen:
SterGen Hi Tech Ltd develops 2D to 3D video conversion technologies for the sports broadcasting market. SterGen’s mission is to provide high quality 3D sports content in real time in a cost effective way. SterGen’s technology is an easy-to-use software module that resides in a commercial hardware and converts in real time a regular 2D sports feed to stereo 3D. It can be placed anywhere on the video path – in the stadium, studio, cable’s head end or in the cloud. SterGen was founded by the co founder of Orad, SportVU, Seambii and other companies from the broadcasting space and its key shareholders are TheTime, Vizrt and Dr. Miky Tamir

For more information contact info@stergen.tv or go to www.stergen.tv

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