A virtual press conference from Sound & Video Contractor

Archive by Robin Hoffman

Broadcast Pix Introduces ‘PixPlay’ Slo-Mo Replay Option for Blackmagic Design HyperDeck, AJA Ki Pro

Billerica, Massachusetts – Broadcast Pix™ today announced PixPlay, a new software option that will allow any Broadcast Pix integrated production switcher to provide slow motion control to a Blackmagic Design HyperDeck or AJA Video Systems Ki Pro disk recorder.

Originally developed as a cost effective solution so game officials could review footage for high school and college sports, PixPlay can also be used during production for almost any sports application, including football, basketball, baseball, soccer and even extreme sports like auto racing. Regularly priced at $495, PixPlay will be offered free to customers purchasing a new Flint™, Granite™ or Mica™ integrated production switcher until Sept. 30.

An operator can replay footage manually using controls on the front panel of the HyperDeck Studio or Ki Pro. With PixPlay, however, VTR control is ported to the production switcher along with six preset replay speeds. Users can also “scrub” or single step through a scene for better control and functionality.

PixPlay also includes an unlimited number of “in” points as part of a playback EDL, which instantly cues the proper scenes. All scoring plays during a football game, for example, can be selected and cued for instant playback at one of PixPlay’s preset replay speeds.

“Broadcast Pix systems already work well with AJA and Blackmagic file-based recorders via our PixPad interface, but our new PixPlay adds a new level of integration and functionality,” said Steve Ellis, CEO of Broadcast Pix. “The workflow is remarkably easy and delivers great slo-mo imagery at a fantastic price.”

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

Broadcast Pix, Flint, Granite and Mica are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

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FOR-A Latin American Sales Awards, Miami Meeting

On June 11th, video and audio manufacturer FOR-A Corporation of America held a meeting at its office in Miami to focus on business in Latin America. Attendees of the event included FOR-A equipment dealers from nine countries, including Cricon, Excelencia, Videocam, SVC, Arze and Videomedia LTDA. FOR-A Corporation President, Mr. Katsu Kiyohara, traveled from Tokyo to attend the meeting as well.

FOR-A presented several awards to meeting attendees, including: Tecnovideo’s Arthur Oguri for greatest number of sales in 2013; SVC’s Domingo Simonetta for selling the highest number of HVS-390HS video switchers; and the recognition of Arrow Media as the newest addition to FOR-A’s South American dealers. As pictured, FOR-A America’s Latin American Sales Manager Mario Rodriguez (left) and FOR-A America’s President Hiro Tanoue (right) and present Arrow Media’s Juan Carlos Merria with the award.

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SET Expo 2014: FOR-A to Showcase Range of Video Solutions

Cypress, CA – FOR-A Corporation of America announces it participation at the upcoming SET Expo 2014, taking place at the Expo Center Norte in São Paulo, Brazil from August 25-27. FOR-A will exhibit a variety of its popular solutions in booth E17, including its full 4K variable frame rate camera, video switchers, signal processors and multi viewers.

Among the highlights of FOR-A’s booth will be the highly regarded FT-ONE 4K super slow motion camera. Capable of recording up to 900 frames per second, the FT-ONE will be demonstrated alongside FOR-A’s ZE-ONE 4K extraction system. The ZE-ONE allows FT-ONE operators to zoom in on and extract specified HD scenes at any size from 4K sources.

FOR-A will also showcase a number of its popular video switchers, including the HVS-XT portable switcher series. Both the HVS-XT100, which comes with a separate main unit and control panel, and the HVS-XT110, which features a compact, integrated design, will be on display. FOR-A’s HVS-390HS video production switcher will also be shown. Offering unique capabilities that allow operators to deploy any aux bus transition with cuts, mixes, or wipes, and display a keyer complete with DVE functions, the cost-efficient switcher is widely used by broadcasters, houses of worship, education facilities and corporate video producers.

A variety of FOR-A’s signal processors will also be on display, including the award-winning FA-1010, which includes 10 video inputs and outputs and offers multi-channel routing between sources and effective video and audio signal processing for line, relay, reporting, production, editing and delivery applications. The FA-9520 and FA-9500 multi purpose signal processors will also be demoed at the show.

Other equipment to be shown by FOR-A includes the new MV-1620HSA multi viewer, a compact (1RU) but full-featured unit that includes the option to cascade it with other units to display up to 64 sources simultaneously.

“This region is so important to FOR-A, and the SET Expo 2014 is a premier Latin American industry event,” said Mario Rodriguez, FOR-A’s Latin American Sales Manager. “We look forward to exhibiting at this year’s show and displaying some of our newest and most in-demand solutions. A product I’m particularly looking forward to showcasing is our award-winning FA-1010 signal processor, which has proven itself to be a highly popular solution in the region.”

About FOR-A
FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

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ABS Lighting Grid Upgrade Improves Studio Versatility, Reduces Energy Costs for TV Tacoma

SEATAC, WA – The production studio for TV Tacoma, a government access channel serving the City of Tacoma and Pierce County, Wash., is a lot brighter and more versatile since professional video and audio systems integration firm Advanced Broadcast Solutions (ABS) upgraded the facility’s lighting grid. ABS removed all incandescent lights and replaced them with almost 70 Brightline daylight balanced (5600K) fluorescent and LED LIGHTING instruments.

According to Mark Siegel, president of ABS, the redesigned lighting grid has twice the lights but has reduced energy consumption (including HVAC usage) by more than 75 percent. The four-day project was completed in February and also included a new ETC Element lighting console, which allows operators to dim all instruments and save lighting designs for easy recall.

Under the direction of supervisor John Miller, TV Tacoma has six FULL-TIME producers and a full schedule of original series and special programming, which is available locally on Click! and Comcast cable systems. Programming is also streamed live on www.cityoftacoma.org and archived through Granicus for on-demand viewing. The City of Tacoma also operates a regional bulletin board channel and a regional master control center that serves six channels from its facility.

The primary goals of the project were to drastically improve the overall studio lighting to coincide with the arrival of new sets, as well as reduce heat and energy consumption generated by the existing incandescent (quartz) lights. The 25×40 studio space once housed three sets, but now has enough lighting to support six sets, including a new green screen wall for chromakey productions.

Joe Cervone, a sales manager for Brightline who assisted with the project, said the company’s fluorescent SeriesONE fixtures were used to light large areas of the sets. “From there, we used our Lupolux LED Fresnels to sculpt, highlight, and add depth and texture,” he explained. “By mixing broad and point sources, we were able to produce excellent results with a more realistic return on investment, more so than if we just used LEDs.”

Jeff Lueders, cable communications and franchise services manager, City of Tacoma, said the new lighting was part of their overall improvement plan to enhance productions and the viewer experience. “It definitely makes our studio space more versatile, allowing PROGRAMS to include a performance area in addition to the traditional interview area,” he said. “The new lighting scheme also helps prepare our facility for the transition to HD production, which should be completed within the next nine months.”

“The before-and-after differences are stunning,” Cervone added. “In the ‘pre-light’ shows, the interview set almost looks grey and black, while it’s actually several shades of red, violet and gold. Also, utilizing daylight-balanced sources, we were able to relieve some of the challenges to the broadcast chain while they’re rapidly switching from studio to exterior location shots.”

“TV Tacoma might not have the biggest studio, but their investment in new lighting instruments has made their space significantly more flexible,” said Siegel. “The investment in Brightline fixtures is already paying off in lower energy costs and improved lighting quality. Plus, the new ETC lighting board makes it easy to recall lighting schemes for regular series, which saves a lot of time and effort.”

About ABS:
Based in SeaTac, WA, ABS (Advanced Broadcast Solutions) delivers customized, technologically superior solutions for broadcast, corporate, house of worship, entertainment, government, and educational facilities – from design and integration to INSTALLATION and support services. Since 1982, its experienced technical staff has installed more than 700 systems for clients including GOCOM Media, Cowles California Media, Cisco Systems, Meredith, and Time Warner Communications. For more information, call 206-870-0244 or visit www.advancedbroadcastsolutions.com.

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‘The Bachelorette’ Co-DP Andre Martinez Lights on Location with Zylight F8 LED Fresnel

LOS ANGELES – It never fails. There you are, waiting to shoot a gondola scene in Venice, Italy, but the gondolier is unable to dock at your predetermined – at pre-lit – location. What do you do?

If you are the co-director of photography for ABC’s popular reality PROGRAM, The Bachelorette, you grab a Zylight F8 LED Fresnel and get the shot.

“I needed another moonlight source from a balcony to accommodate the new landing point,” recalled Andre Martinez, who has worked on ABC’s The Bachelor and The Bachelorette for several seasons. “Running another cable and ballast to set an HMI would have taken a fair amount of time. In less than five minutes, my gaffer had a battery-powered F8 in place and we were ready to roll.”

Known for shooting in exotic locations, the shows are exciting but challenging to shoot. Martinez works to create a “beautiful quality of a light in a reality environment where cameras often see nearly 360 degrees,” he said. “I try to create a setting that not only looks nice but also appears free of equipment – and feels natural for the cast who aren’t trained to hit marks like an actor would.”

Both series are shot primarily using the Sony PDW-F800 camcorder, though the Canon 5D Mark III is used for time lapse, B-roll and underwater footage. Martinez also keeps about eight GoPro cameras on location and has used the compact Canon C300 for a few specific events. The Bachelor and The Bachelorette are shot in 720p to make the show look less “filmic” and more “real” for the audience, according to Martinez.

Interview setups are the most controlled parts of the shows. Often shot in tight quarters, contrast and depth of field are concerns. Martinez also tries to incorporate WINDOWS, lanterns and other potential light sources in the frame. “Our art department does a wonderful job helping to create a background environment,” he explained, “and then I try to light in relation to and motivated by the space and art direction. Often the light on the cast member is just a key and a back light with a soft bounce fill.”

Martinez used two Zylight F8 LED Fresnels during a 10-week stretch of shooting for the current season of The Bachelorette. “Transporting the F8 is quite easy. It fits in a relatively small road case, and the fact that it doesn’t require a ballast or head feeder cables makes it that much more self-contained,” he said.

“With the battery adapter, in no time I can have a ‘punchy’ light with spot/flood capabilities anywhere I need it,” Martinez added. “In the past, I’d often have to carry a backup PORTABLE GENERATOR for shooting an arrival scene or something far from our main location. The Zylight F8s give me all the light I need quickly without running miles of extra cable or carrying a second generator.”

Long before the 10-week shoot was over, Martinez was sold on Zylight. “I hope from now on to always have at least one Zylight F8 in my lighting arsenal for any project. It puts out a lot of light, especially considering that you can power it with a battery,” he said. “It has a really nice quality of light, and its color temp remains true throughout the dial as you dim it.”

ABOUT ZYLIGHT LLC
Founded in 2003, Zylight LLC is the leading manufacturer of intelligent LED lighting instruments for the film and video production industry. Every model in its easy-to-use lighting system produces fully calibrated bright white light, while some also provide a spectrum of adjustable colors without gels. Full wireless control and DMX integration are included, and AC or DC power options are available. The Zylight state-of-the-art LED system is truly the most unique and FLEXIBLE LIGHTING system on the market today. With more than 50 dealers worldwide, Zylight continues to develop innovative LED lighting solutions to help make your job easier. More Than Bright – Zylight. Find out more at www.zylight.com.

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FOR-A Switcher Meets Growing Technical Demands for First Baptist Church Oviedo

Cypress, CA – Established in the 1800s, First Baptist Oviedo is a longstanding Florida-based house of worship that has drastically altered its use of technology in recent years. In 2009, First Baptist Oviedo built a 2,700-seat worship center. Since that time, the church has delivered its message to a wider audience through live streaming, sermon archiving, and the production of podcasts on its website, as well as through its weekly shows on local television.

Recently, the church was in the market for a new video switcher to help run its productions more efficiently. Orlando-based video equipment specialist Encore Broadcast recommended the house of worship look at FOR-A’s HVS-390HS video switcher. Pleased with what they saw, the church purchased the HVS-390HS and began using the unit earlier this year in February. First Baptist Oviedo has been impressed with how the switcher has improved operations in its HD facility.
“We came from having a small switcher with only eight inputs. Our technological demands have rapidly grown with the production of our live broadcasts, and we needed a new switcher that could handle that,” said Josh Felix, the church’s director of technical arts. “We narrowed it down to two choices: FOR-A’s HVS-390HS and Ross Video’s Carbonite. Both switchers met our minimum requirements – each were 2 M/E units with full HD-SDI capabilities. However, a few features of FOR-A’s switcher stood out to us, one being its built-in color corrector on four channels, which has been huge for us. Another perk of the HVS-390HS is its built-in scalers, which allows us to easily scale SD images to HD.”

First Baptist Oviedo has two Sunday services, both of which have the same pastor and message, but each take on their own style. The earlier service is more traditional, led by the choir and orchestra, while the later service takes on a more contemporary approach with a live band providing music. The services are shown on local programming, one of which is broadcast live, while the church’s other television show broadcasts a sermon that took place the previous week.

Felix reports that the HVS-390HS switcher offers several useful features right out of the box, without requiring additional hardware. The church’s video production team enjoys the switcher’s Web browser interface, which allows them to control and manipulate the board remotely. They also appreciate the HVS-390HS switcher’s remote panel options. Video operators can have a mix for its broadcast television productions, and another setup for the church’s image magnification, allowing them to easily show the audience at home something different than what the audience at the church sees on its video screens.

“We design our video systems around FOR-A switchers because they’re reliable and offer excellent cost efficiency and functionality,” explained Jeff Cameron, Sales Engineer at Encore Broadcast. “FOR-A also consistently offers great support and training to its customers. The HVS-390HS has proven itself to be user friendly for the church’s volunteer staff, and has enhanced the house of worship’s video production capabilities.”

“Our goal every Sunday morning is to create a distraction-free worship environment through our equipment set up,” explained Felix. “With better quality video production gear like our HVS-390HS, we’re able to eliminate any technical distractions for our members, and this is critical to us. Even more so, technology allows our gospel to expand beyond our doors, reaching the world. I look at our FOR-A switcher as an infrastructure upgrade, and one of the main functions that help our video production run smoothly. I’m confident that the HVS-390HS will carry our church’s productions for many years down the line.”

About FOR-A
FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

Advanced Systems Group Welcomes Dan McNamara to Lead Company Operations

EMERYVILLE, CALIF. – Advanced Systems Group (ASG), a leading data, video, audio and film integration firm, today announced Dan McNamara joined the company’s senior management team in April. He is responsible for streamlining processes and coordinating all aspects of ASG operations.

McNamara has spent almost 30 years in the industry in a variety of technical and management roles. Most recently, as head of production for Tippett Studio in Berkeley, Calif., he improved operating efficiencies and managed infrastructure upgrades. He has also served as president of The Orphanage, a San Francisco-based VFX and animation studio, director of engineering for iBeam Broadcasting, and director of film and editorial services at Industrial Light & Magic.

“We are very pleased to have Dan join the ASG team,” said Dave Van Hoy, president of ASG. “He is an industry veteran who has the knowledge and experience to improve our operations, which will help us maximize our resources and deliver even better results for our clients.”

McNamara is based out of the company’s main office in Emeryville. He can be reached at 510-654-8300 or via e-mail at danmc@asgllc.com.

About ASG:
Based in Northern California with offices in the Northwest, Southern California and New York City, Advanced Systems Group LLC of Emeryville, Calif., has provided engineering, systems, integration, support and training to the broadcast, film, creative and corporate video markets since 1997. With unmatched experience in high-speed shared storage, media asset management, archiving, editing, color and VFX systems, ASG has become one of largest installers of post-production and shared storage systems on the West Coast. The ASG team is highly focused on customer success, and has installed and supported more than 300 SANs, production and post-production systems. For more information, visit www.asgllc.com or call 510-654-8300.

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Broadcast Pix Part of New Video Call Center Solution for New Genre of Production Workflow

Billerica, Massachusetts – Broadcast Pix™ announced today that its integrated production switchers are being used with the new Video Call Center (VCC) automated production solution to bring the caller-based talk radio show format to television. By utilizing Broadcast Pix’s application programming interface (API) and file-based macros, the VCC system essentially creates a video-driven version of talk radio using Web-based video sources.

Inventor Tom Wolzien company received a patent for VCC on July 1. A 45-year television veteran, Wolzien serves as a consultant for large media organizations through his company, Wolzien LCC, and is the lead independent director for TiVo, Inc. Since last year, Wolzien and his team have been testing the VCC system by producing TalkCenterAmerica®, a series of call-in shows covering a variety of topics.

“VCC is right at the intersection of social and mass media, TV and the Web,” said Wolzien. “What’s unique is that the system doesn’t just handle a single IP video call, but it’s designed to handle multiple video calls simultaneously, each with the power of its own computer – essential for any live caller-based TV program.”

With VCC, the on-camera host produces the call-in show without a traditional control room. Broadcast Pix API and Fluent™ Macros allow the VCC software to provide the host with a great deal of production flexibility, such as triggering sequences of individual key/shot combinations that can be modified based on available callers. As a result, with no content costs for callers and minimal staffing requirements, VCC is a cost effective approach to producing live programming.

Using Skype and similar technologies on various devices, multiple Web video callers can connect to the show. Viewers can see the callers and whatever the callers want to show. Proprietary CAT™ Caller Acquisition Software assists screeners with incoming calls, audio metering, video cropping and conversion, and return video. Plus, a patented Text Overlay superimposes caller names and locations over the caller’s picture at the screener’s position and remains on-screen when the caller is added to the live production.

“The innovative technical team at Broadcast Pix has been supportive every step of the way as we implemented the Video Call Center,” said Wolzien. “As an inventor, I have appreciated their readiness to help us solve the challenges of integrating the complex aspects of television automation in a way that appears simple to the host who solely controls the air. And on the technical side, I have appreciated their rapid and creative support when we have run into problems.”

“Video Call Center utilizes today’s Web-based video technologies to adapt the caller-based talk radio format for TV,” said Steve Ellis, CEO of Broadcast Pix. “It’s truly an innovative way to produce high quality programming with minimal staff, and Broadcast Pix is proud to be part of the process.”

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

Broadcast Pix and Fluent are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

DoD Extends JITC Certification to Include PESA Video Distribution System (VDS) Product Upgrades

Huntsville, Alabama – PESA, a leading designer and manufacturer of professional audio and video distribution solutions, today announced the U.S. Department of Defense has approved upgrades to its Video Distribution System (VDS), which includes several products in its Cheetah large-scale digital router product line. After initially receiving certification in January 2013, the company submitted a number of software and firmware updates for evaluation and testing.

The most significant upgrade is the new series of Vidblox 2K DVI dual link extenders, which transport video resolutions up to 2560×1600@60Hz over coax and/or fiber. “Vidblox 2K provides an inexpensive multi-path solution for distributing ultra high-resolution graphics over long distances,” explained Col. John T. Wright (U.S. Army, Retired), PESA senior vice president, sales and business development. “It’s a significant step forward in functionality, and with JITC certification, now the DoD can install an even wider range of PESA products in a variety of applications.”

PESA was the first company to achieve listing on the Department of Defense Unified Capabilities (UC) Approved Products List (APL) as a VDS, and remains the industry leader for large-scale VDS solutions. It is the only listing of such equipment approved by the DoD to be fielded in DoD networks. The APL is managed by the Defense Information Systems Agency (DISA).

The upgraded products received Interoperability Certification (IOC) and Information Assurance (IA) accreditation from DISA’s Joint Interoperability Test Command (JITC), which is responsible for certifying joint and combined interoperability of all DoD information technology and national security systems. With an array of software and hardware-based testing procedures, JITC evaluates technologies that provide warfighters with high-tech advantages in both peacetime and war. JITC certification ensures that a technological device or system meets the full standards to operate in a UC environment.

PESA offers a complete portfolio of secure video switching and distribution solutions that deliver up to 4K resolution. With robust features that support continuity of operations, command and control and emergency preparedness and response, the Cheetah product line has proven to be a solid foundation for many government and federal agencies, such as the U.S. Army, U.S. Air Force, U.S. Navy, and NASA.

“JITC certification is very important because it ensures that DoD officials can rely on our products to deliver high-quality imagery for C4ISR between distinct video chains,” added Wright. “PESA is proud to continue to provide our military and other government agencies with mission-critical products for video and audio distribution.”

About PESA

As a leading provider of audio/video (A/V) Baseband and IP connectivity products, PESA offers a wide selection of multi-path streaming products, routing switchers, matrix switchers, extenders, converters, media extenders, and signal processing gear to support government, military, industrial, commercial, medical, broadcast, and mobile truck applications. >From large to small-scale A/V routing and extender products to multiple IP streaming appliances, PESA offers a diverse suite of AV products, all of which are supported by 24/7 technical support. PESA is located in Huntsville, Ala., with regional sales offices throughout North America and China. Our cost effective solutions are available around the world through our industry leading team of Channel Partners offering local support and installation. All products mentioned herein are trademarked property. Learn more about us at www.pesa.com and www.pesaxstream.com. Follow us on Twitter: @PESA_ONLINE.

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Latest Version of Digital Nirvana’s Powerful Broadcast Monitoring System Now Available

SmartSearch, SmartAlerts, Variable Speed Playback, and Intuitive GUI Set it Apart from Other Monitoring Systems

Fremont, CA – Digital Nirvana announces shipment of Monitor IQ 4.0, the latest version of its broadcast monitoring software. Monitor IQ is an in-house logging and compliance monitoring solution for traditional broadcasting media. Version 4.0 made its debut at the NAB convention this past April in Las Vegas. It is available for download and will ship on new units as of July 15, 2014.

New features within Version 4.0 include: SmartSearch, SmartAlerts, transport stream recording, variable speed speed playback, enhanced editing, and an improved, easy-to-use user interface.

“With these new features, we’ve solidified Monitor IQ’s position as the smartest monitoring solution in the industry with the most rapid return on investment,” said Arco Groenenberg, director of sales and marketing for Broadcast Products, Digital Nirvana. “Based on our close customer relationships, we’ll keep pushing the envelope and bring more broadcast-centric functionality to Monitor IQ.”

The new SmartSearch feature is a highlight of Version 4.0 and sets Monitor IQ apart from other broadcast monitoring systems. With SmartSearch users can search by date, time, and channel as well as by key words in the close caption, alert reports, as-run and traffic logs. Expression searches enable simultaneous keyword searches in the As Run log and closed captioning sections. Monitor IQ’s Boolean search capability makes it easier to define the search by adding AND, OR, + within search terms. This allows the user to search for captions that contain two words, i.e. Clinton AND Obama. The results are contained within a summary list with a hyperlink to the video content.

SmartAlerts, also new to Version 4.0, can be customized based upon the channel, time of day, duration, and choice of error such as a missing closed caption, loss of video or audio, loudness, etc. Users can set up custom profiles with specific preferences that, depending upon the application, are searchable by time, date and alarm profile.

The new variable speed playback option allows for playback at speeds such as 2x, 4x, 1/2x, and -2x, for example. It enables faster operations during legal reviews, ad verification, content review and repurposing applications.

Enhanced editing provides the user the ability to produce frame-accurate cut clip edits. Users can produce cut-clips on live or previous recordings, which allows for quick turn around when repurposing and editing content.

Monitor IQ 4.0 Broadcast Monitoring System

Monitor IQ combines signal-monitoring, loudness monitoring, aircheck-logging, ad verification, competitive analysis and content repurposing and runs on Digital Nirvana’s Open Media Appliance – a highly scalable, industrial-grade server. The Open Media Appliance accepts multiple inputs including SD/HD SDI, ASI, ASI-IP, ATSC, QAM, 50 Hz, 60 Hz and DVB-TC/S2. It exports content in a wide range of file formats for content repurposing, including Flash, MPEG-2, MPEG-4 and H.264, and XDCAM.

About Digital Nirvana

Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s product portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ OTT monitoring solution, the MediaPro content repurposing system, and the FIFOPro ingest back-up system. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Fremont, California with offices in Hyderabad and Coimbatore, India. For more information visit http://www.digital-nirvana.com.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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