A virtual press conference from Sound & Video Contractor

Archive by Sue Sillitoe

The Music Producers Guild Announces its 2014 Awards Shortlist

Ethan Johns, Paul Epworth, Tony Visconti and Rick Rubin are just some of the internationally acclaimed producers who have secured a coveted place on the Music Producers Guild 2014 Awards shortlist.

Albums by David Bowie, Adele, Laura Marling, The Foals and ZZ Top helped deliver nominations for an exceptionally diverse range of recording professionals whose work encompasses a wide variety of musical styles and genres. The list also includes notable new producers such as Disclosure and features James Blake’s debut album Overgrown, which won this year’s Mercury Music Prize.

Now in its sixth year, the Music Producers Guild Awards recognises the enormous contribution made by recording professionals to the success of the UK’s music industry. The winner of the Producer of the Year Award also receives a BRIT Award for Best Producer, and both awards will be presented at the Music Producers Guild’s Awards ceremony, which takes place on Thursday February 13th 2014 at the Park Plaza Riverbank Hotel in London.

MPG Chairman Steve Levine says: “An MPG Award is highly sought-after by recording professionals because it represents an endorsement by your peers. Whilst anyone can nominate, only full members of the MPG are allowed to vote for the shortlist and therefore the results are relevant to the creative value of our industry. Those who win an MPG Award are known to be at the top of their game as a recording professional.”

The shortlists for each of the MPG 2014 Awards categories (in no particular order) are as follows:

• UK Producer of the Year, sponsored by The BRITS 2014:
Paul Epworth
Flood (Mark Ellis) & Alan Moulder
Ethan Johns

• International Producer of the Year, sponsored by Beats by Dr Dre:
Daft Punk (Thomas Bangalter, Guy-Manuel de Homem-Christo)
Rick Rubin
Tony Visconti

• Recording Engineer of the Year, sponsored by Rode:
Catherine Marks
Guy Massey
Mark Rankin

• Mix Engineer of the Year, sponsored by Solid State Logic:
Tom Elmhirst
Flood (Mark Ellis) & Alan Moulder
Mark ‘Spike’ Stent

• Mastering Engineer of the Year:
John Dent
Barry Grint
Mandy Parnell

• Breakthrough Producer of the Year, sponsored by Focusrite/Novation:
Dan Smith & Mark Crew
Disclosure (Guy Lawrence, Howard Lawrence)
Duncan Mills

• Breakthrough Engineer of the Year:
Dan Cox
Catherine Marks
Matt Wiggins

• Re-mixer of the Year:
Freemasons (Russell Smith & James Wiltshire)
Four Tet (Kieran Hebden)
MJ Cole (Matthew Coleman)

• UK Album of the Year, sponsored by Universal Audio:
James Blake – Overgrown
Foals – Holy Fire
Laura Marling – Once I was An Eagle

• UK Single Song Release of the Year, sponsored by Shure:
Adele – Skyfall
Everything Everything – Kemosabe
Foals – My Number

• Studio of the Year, sponsored by KMR Audio:
British Grove Studios
RAK Studios
Strongroom Studios

• The A&R Award:
Chris Briggs
Imran Ahmed
Jim Chancellor

The winners of the Outstanding Contribution to UK Music Award, sponsored by PPL, the MPG Innovation Award, sponsored by Genelec and the MPG Inspiration Award, sponsored by UK Music, will be announced at the Awards ceremony in February. All three of these Awards are in the gift of the MPG.

-ends-

About Music Producers Guild (UK):
The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk or www.mpgawards.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: AES Newslink, News |

Jünger Audio Incorporates Audinate’s Dante IP Technology

Jünger Audio has announced a partnership with Audinate (www.audinate.com) that will allow the company to incorporate Audinate’s Dante digital media networking solution into its Award-winning range of audio processing solutions.

Built on existing networking protocols and standards, Audinate’s Dante technology is a plug-and-play networking solution which delivers ultra-low latency, tightly synchronized media, while simplifying installation and configuration of digital media networks. Dante is the leading digital media networking solution and has been adopted by more than 120 OEMs to date, with hundreds of partner’s products to choose from. Applications using Dante can be found across broadcast, pro AV, commercial installation and live sound entertainment markets.

Jünger Audio’s first device to feature Audinate’s Dante technology will be the V*AP two channel voice processor. With its high-end algorithms and simple to use interface, it is specifically designed to make life easier for engineers working in radio stations and TV production voice-over studios. Adding audio network capabilities to the V*AP complements its consequent network approach on control, measurement and administration. In combination with a Dante computer interface or the DVS Dante Virtual Soundcard software, the V*AP can act as a sophisticated frontend for any digital audio workstation (DAW) or video editing system. The Dante interface solution will be released for the V*AP in the first quarter of 2014 and subsequently become available for all other Jünger Audio boxed products.

Peter Poers, CEO of Jünger Audio says: “We looked at all the audio over IP network solutions and found that the efficiency, ease of use, seamless integration and growing range of manufacturers supporting Dante made it the ideal choice for Jünger Audio. As customers continue to demand and expect interoperability between devices, we believe that the adoption of Dante will allow us to provide all the functionality and flexibility that the Pro Audio community needs now, and positions us well for developing and introducing next generation audio products.”

“Jünger Audio is known for their unique range of digital processors which are designed to meet the precise needs of the professional audio broadcast market,” Lee Ellison, CEO of Audinate adds. “Dante is already the leading interoperable network solution for the professional audio and broadcast markets. Jünger Audio’s V*AP voice processor with Dante networking simplifies how audio can be distributed for TV broadcasters, IPTV providers, music recording studios and audio post production facilities.”

-ends-

About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.junger-audio.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

DPA Microphones Grace the Head of a Prime Minister

DPA microphones played a vital role at Dublin’s fourth Web Summit at the RDS by ensuring that key speakers could be clearly heard, despite high levels of background noise.

10,000 delegates from over 90 countries attended the two-day tech convention, which was officially opened when Ireland’s Taoiseach (Prime Minister) Enda Kenny rang the NASDAQ bell. New York’s NASDAQ stock exchange is synonymous with techie start-ups and this was the first time ever that the bell marking the start of trading was rung from Ireland.

Given the importance of this event – and the fact that the opening ceremony was broadcast live on television and streamed live online – it was imperative that the technical facilities were of the highest quality.

Tony Lanigan, Technical Director and Production Manager at Dublin-based rental/staging company Avtek, was responsible for specifying the audiovisual equipment for the entire event. He chose the cardioid DPA d:fine™ 4088 Headset Microphones for the speakers and presenters because they were the best alternative to lapel mics for sound reinforcement in the Summit’s high ambient noise environment.

“We often use DPA headset microphones, especially in venues such as old buildings and echo-y, cavernous churches where there are lots of reflections,” Lanigan explains. “For this event, at which there were over 200 exhibitors, they were absolutely the right choice because they really hit the mark.”

In total, Avtek used 50 DPA microphones – a mixture of d:fine 4088 Cardioid Headset Microphones and DPA d:screet™ 4066 Omnidirectional Miniature Microphones. DPA’s Irish distributor Big Bear Sound provided some new d:fine units to add to Avtek’s existing rental stock.

“Wherever possible, we tried to use DPA d:fine 4088 Headset Microphones with Sennheiser belt packs because their cardioid construction was able to give us as much SPL as possible to overcome the ambient noise,” Lanigan says. “Some of the ‘pitching’ stages were in the middle of the exhibition areas with up to 10,000 people roaming through the space chatting and selling their apps etc. In that environment, a speaker with a lapel mic would have struggled to be heard.”

Lanigan adds that he was especially pleased with the d:fine 4088 Headset Microphones which performed as well as a cardioid handheld mic.

“They certainly helped reduce or eliminate feedback, which was critical at the opening ceremony because the event was streamed on New Livestream.com from four of the conference rooms and transmitted live by CNBC, Bloomberg TV, Fox Business News and many other broadcasters, reaching millions of viewers worldwide,” he says. “The DPA d:fine Headset mics also went down well with the speakers who found them very comfortable to wear. It was certainly the first time anyone has seen our Taoiseach wear one, so he must have found it ok!”

Seen as an innovator and market leader in Ireland, Avtek specialize in high-end conferences, launches and events, the majority of which are in the corporate sector. It also provides in-house audiovisual solutions and services to venues and hotels around the world.

“DPA Headset Microphones often find their way onto our equipment riders, especially for conferences and award shows, because with these mics we can ensure that our MC is never just a moving mouth in a room full of people in high spirits,” Lanigan adds.

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

DPA Microphones Bring Quality Sound to Studio and Small Screen

Audio engineer Richard Gough is the latest in a roster of high profile Front-of-House engineers who are investing in DPA d:facto™ II Vocal Microphones for use with big name recording clients.

Gough has been using d:facto Vocal Microphones supplied by DPA’s UK distributor Sound Network with a number of artists. One of these is Conor Maynard who has tried the microphone in the studio for small live recordings, and in a broadcast setting for live TV performances including one for SBTV and another for ITV2′s Xtra Factor.

“Maynard is still quite fresh and new to the music industry,” Gough explains, “so I didn’t really expect him to notice using different mics on his own vocal. But after using the d:facto for about ten shows in a row, there were a couple of TV performances where we had to use another brand of wireless mic and he instantly noticed the difference. He wasn’t happy with the amount of ‘pop’ or the ‘booming’ in the low end that these other microphones were giving. It was a noticeable difference for him.”

Also impressive for Gough has been the way DPA’s d:facto Vocal Microphone performs, even d when used in an unconventional way.

“Conor ‘cups’ the mic, like a rapper,” he explains, “and this distorts the polar pattern of the mic. But noticeably with the d:facto, this doesn’t seem to matter too much. I still get plenty of gain before feedback in my side fills, so his vocal is there if his ears fail. This is one of the most impressive things about the mic. It has such a smooth response and gives lovely warm lows without ‘popping’ and ‘booming’.”

Gough’s criteria for an ideal mic are build quality, sound quality, gain before feedback, and adaptability. DPA’s d:facto vocal Microphone possesses all of these attributes, he says, and is adaptable too, with the ability to change the capsule with just a few turns.

“The d:facto Vocal Microphone makes my job so easy: previously I was always using the parametric EQ to get rid of little things I didn’t like the sound of, which I now realize were down to the old mic. Now I’m leaving it completely flat, just high-passing to about 125Hz. It couldn’t be simpler: I add a compressor to the channel, with a nice reverb and I’m done.”

Gough has been using DPA d:facto Vocal Microphones in several tiny venues recently and says its performance “was amazing”. Artists he has used it with include Conor Maynard, Sivu and the band Kowalski – with Lauryn Hill possibly next in line.

“She is such a stickler for her IEMs and wedges sounding great but also being very loud,” he explains, “so that’s going to be my next d:facto challenge.”

Equally at home in sound reinforcement and recording applications, DPA’s high quality d:facto II Vocal Microphone is designed to offer extraordinary natural sound, high separation from nearby sound sources and extreme sound level handling. Its supercardioid pattern and superb definition gives high separation and true sound colour on stage. A three-stage pop protection grid built into the microphone removes unwanted noise.

The d:facto Vocal Microphone provides improved audio performance as it is linear in frequency and phase, both on- and off-axis, while its impressive definition and accuracy reproduces a singer’s voice effortlessly. The flexibility of its adapter system gives the user simple and affordable possibilities of choosing either a wired DPA handle or the professional wireless system of their choosing, with no loss in sound quality.

-ends-

About Richard Gough
Originally from Northern Ireland, Gough has toured with the likes of Muse, Radiohead, Van Morrison and Sigur Ros. He runs his own company, Noiseboi, and has recently worked with Lauryn Hill as Production Manager and Monitor Engineer and Conor Maynard as Monitor Engineer.

For more information, please visit www.noiseboi.com

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

DPA Microphones At The Top Of The Class

Children are lovely, but they do have a habit of breaking things, which is why any piece of equipment used in a school environment needs to be very tough.

According to Matthew Talks, founder of educational equipment specialists Podboffin, DPA’s versatile d:fine™ Headset Microphones certainly fit the bill because they are virtually unbreakable, even in the hands of kids.

“Usually, radio mics in schools have a short lifespan due to cables breaking,” Talks says. “However, I have yet to use the spare DPA mics that I bought recently because the first set I acquired are still going strong. Even if the cable were to break, the modular construction of DPA’s d:fine Headset Microphones means I can replace just the cable at a fraction of the cost of the initial outlay.”

Established in 2010, Podboffin provides recording, sound installation and live production services to schools and also offers advice on choosing the right audio equipment, setting it up and operating it. The company recently invested in a dozen omnidirectional single-ear DPA d:fine Headset Microphones, supplied by DPA’s UK distributor Sound Network, which are now being hired out to UK schools.

“I was familiar with DPA microphones having previously sub-hired d:fine units, so I decided to purchase my own,” Talks says. “In schools, the number one requirement is always for radio mics because the biggest sound problem school productions have is hearing students singing over a live band. The d:fine Headset Microphones completely solve this because I can get the capsule in really close to the singer with no plosive issues and with crystal clear sound.”

Talks admits that, in the educational market, cost is inevitably an issue.

“However, once schools hear the difference that pro mics make when compared to budget mics – and see how little effort is required to get superb results – they never go back,” he says. “I have yet to hire out d:fines and not get repeat business.”

DPA’s popular d:fine Headset Microphones are specifically designed for actors, public speakers, broadcast hosts, musicians and singers who want a lightweight, easy to wear headset microphone that leave them free to move around without compromising vocal quality. With their impressive gain before feedback and very stable construction, these unobtrusive microphones provide a discreet solution that can hardly be seen on the face. The range, which is renowned for its audio accuracy, is available in both directional and omnidirectional options and in single- or dual-ear designs with a choice of three lengths of microphone booms. They are also compatible with just about any wireless system.

Talks envisages his DPA d:fine Headset Microphones will be hired by “any school with a good business model for school productions”. Schools, he believes, can justify an increase in ticket prices and advertising when the production is good and is not let down by bad sound.

To date schools that have used DPA d:fine Headset Microphones for their concerts and drama performances include Dr. Challoner’s Grammar School, The Beacon School and Gerrards Cross Junior School.

-ends-
About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Red TX Help Capture This Year’s Barclaycard Mercury Prize

Broadcast audio specialist Red TX provided the technical facilities to capture the audio at this year’s Barclaycard Mercury Prize, which took place at London’s Roundhouse on October 30th.

Hosted by Lauren Laverne, this year’s Awards Show featured live performances by many of the 2013 shortlisted artists including Arctic Monkeys, Laura Mvula, Jake Bugg, Rudimental and overall winner James Blake.

Red TX worked closely with PA company Plus4Audio and Outside Broadcast company CTV to deliver television coverage of this prestigious event, which was broadcast on both More4 and Channel 4.

Barclaycard Mercury Prize Executive Producer Dan Ford says: “Red TX was commissioned to handle the broadcast audio because the company has a strong reputation for delivering great live sound. We worked with them last year and were very happy with the results they achieved. It therefore it made sense to invite them back as part of our tried and tested production team.”

For this event, Red TX supplied its Red II music recording truck which is designed to cater for 3D and 7.1 surround sound productions. Sound Supervisor Simon Wall, now based at London’s The Hospital Club, has been mixing the audio for the Barclaycard Mercury Prize for a number of years and once again he was the man behind the controls of red II’s Studer Vista 8 mixing console. Red TX’s engineer Ollie Nesham was also on board acting as his technical assistant.

Nesham says: “A great deal of preparation went into this show. We arrived at the venue on Monday 28th and spent the next three days setting up, rehearsing and carrying out extensive sound checks to make sure everything was perfect. There were two stages, each with 48 lines of splits that we plugged up to so that all the inputs were available on the desk at the same time. This enabled us to create a set-up for each part of the show, in which typically three bands were performing, so that Simon only had to recall one set-up for each part and one snapshot for each band. Working this way also allows Simon to line check all the bands in each break, which gave us confidence as we could check that we had all the inputs for each band before we started that part of the show.”

Sam Dunlop, Studio Manager of the Hospital Club Studio, adds: “The Hospital Club treasures its longstanding relationship with Dan Ford and the Barclaycard Mercury Prize, which we have collaborated on since 2007. Throughout that time, Simon has mixed all the Sessions filmed at the Club, as well as the Prize gigs and all the live mixes on the awards night itself. We’re extremely lucky to have him, and it’s a privilege to be able to work together to produce such fantastic new music content throughout the year with Dan and his team.”

-ends-

About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD. It is headed by Ian Dyckhoff and Tim Summerhayes, both of whom have extensive experience in delivering high-quality audio for broadcast. www.redtx.com

White Mark Ltd Wins A Major Design Competition

Studio and design consultancy White Mark Ltd has won a major international concept design competition to reconstruct and modernise the recording studios and control rooms at the Fryderyk Chopin University of Music in Poland.

Since 1963, this prestigious university has been headquartered in a five storey building in Warsaw. Originally designed to take into account the requirements of the Sound Engineering department, the building has studios in the basement as well as a concert hall and teaching facilities on the other floors. However, 50 years after its completion, the entire complex now needs significantly updating to bring its functionality in line with current technical and educational requirements.

To ensure that the best team was chosen for the project, the Fryderyk Chopin University held an international competition and encouraged entries from acoustic and architectural companies from around the world. The brief was complex as there were a large number of rooms to take into consideration including two recording studios, an orchestral studio, various editing suites, lecture theatres and a master control room linking all of these facilities together. There was also a requirement to design an Atmos mixing studio, the first of its kind in Poland.

Alan Cundell, Director of White Mark, says: “We approached the competition brief in the same way that we would approach any design brief – with a view to giving the client the best facility possible within the constraints of the budget and the available space. The main issues we faced were optimally configuring the large number of rooms that needed to be included in our submission and ensuring that our technical proposals were both appropriate to the University’s educational requirements and reflected current industry practice. The time frame was very short and we had to pull out all the stops to meet the deadline.”

White Mark’s main competition came from a design consortium consisting of team members from Canada, Poland and Germany. To ensure that the competition was entirely fair, all designs had to be submitted anonymously, identified only by reference numbers, so that no names were visible to the judges.

“The requirement for confidentiality was very stringent,” Alan Cundell adds. “We even had to make sure that everything we sent by FedEx only had reference numbers and no company name, just in case one of the judges saw it.”

Judging was carried out on a percentage basis, with marks allocated in three sections – compliance with guidelines, innovation and feasibility. White Mark’s overall rating was 92% –11% higher than the competition.

The Fryderyk Chopin University is now discussing the on-going project with White Mark as it hopes to start the design and building of its new Sound Engineering department at the beginning of next year.

“Winning the competition was a great achievement and one we are very proud of, but the bigger challenge will come when we start designing for construction,” Alan Cundell adds. “That’s when the hard work really starts!”

-ends-

About White Mark:

Established in 1997 by David Bell, John Dunnill, Derek Buckingham and Alan Cundell, White Mark Ltd specialises in production facilities for music recording and the film and television industries. Over the last fifteen years it has designed and supervised the construction of over 500 production suites worldwide. The company’s impressive client list encompasses some of the world’s most famous music recording facilities including Peter Gabriel’s Real World Studios in the UK, Germano Studios in New York, Hit Factory/Criteria Recording Studios in Miami, Strongroom in London and private studios for producers and musicians such as William Orbit and Damon Albarn. In the area of audio post production, White Mark has completed over 140 audio studios and many broadcast and video editing facilities for more than 60 companies in Soho alone. The list of clients includes Grand Central, Hackenbacker, Envy, De Lane Lea, Scramble, Lipsync, Molinare, DeLuxe, 750mph, NBC/Universal, Wave, Unit and Boom. Advertising agency clients include worldwide facilities for Hogarth International and AMV/BBDO on four continents. www.whitemark.com

The Music Producers Guild Opens Voting For Its 2014 Awards

The Music Producers Guild is delighted to announce that voting for its 2014 Awards is now open. All Full Members of the Guild are entitled to take part in this process and their votes will decide which nominees make the shortlist in 12 of the 15 award categories.

MPG Chairman Steve Levine says: “Once again, our call for nominations has generated a fantastic response and we’re thrilled to see such a diverse range of projects and individuals on the list. In the five years since we launched the MPG Awards we have seen a steady increase in the number of nominees. This indicates just how coveted an MPG Award is to those recording professionals who work so hard to create the music that we all enjoy.”

The Music Producers Guild Awards fly the flag for the achievements of the UK’s top producers, engineers, remixers and mastering engineers. The 2014 Music Producers Guild Awards will take place at the Park Plaza Riverbank Hotel in Vauxhall, London, on Thursday February 13th. 2014. As in previous years, the winner of the MPG UK Producer of the Year category will also be awarded the prestigious BRIT Award for Best Producer.

In total there are 15 award categories, three of which are in the gift of the MPG Awards committee. However, MPG Full Members are entitled to vote for the following categories and are encouraged to do so before the closing date of December 1st 2013.

UK Producer of the Year
International Producer of the Year
Breakthrough Producer of the Year
Recording Engineer of the Year
Breakthrough Engineer of the Year
Mix Engineer of the Year
Mastering Engineer of the Year
Re-mixer of the Year
UK Album of the Year
UK Single Song Release of the Year
Studio of the Year
The A&R Award

Voting for Full Members is simple and takes place via the website at www.mpgawards.com. Instructions on how to log in and vote will be emailed to each Full Member individually. Every Full member who completes voting in all the available categories will automatically be entered into a prize draw to win a Dave Hill Designs Europe 1 mic/line preamp, worth £1,200 (including VAT) and kindly donated by KMR Audio.

The shortlists for the MPG Awards and the prize draw winner will be announced in December 2013, with judging for the final winners taking place in January 2014.

-ends-

About Music Producers Guild (UK):
The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk or www.mpgawards.com

Broadcast Networks Strengthens Management Team By Appointing Malcolm Robinson

Systems integration specialist Broadcast Networks has strengthened its management team, focus and skillset by appointing Malcolm Robinson as Director – Media & Broadcast Solutions.

A skilled broadcast executive and engineer who gained operational knowledge through experiences with CNN International, NEP Visions and Cine Video, Malcolm brings a wealth of technical knowledge and industry insight to Broadcast Networks. He joins the company from Sony PSE where, as General Manager for Live Production Solutions, he was responsible for the design and build of more than 200 Outside Broadcast vehicles and studios.

Innovation is always a key element to broadcasting and while at Sony Malcolm developed the team bringing leading-edge technologies to market. He was central to the development of HD, 3D and recently 4K into the outside broadcast environment.

Commenting on his appointment, Malcolm says: “Broadcast Networks has always been a strong brand and one I am well acquainted with, having previously subcontracted many Sony Live Production projects to its highly experienced team of solution architects and project managers. Their passion for innovation and customer satisfaction has always set them apart, so I am thrilled to be joining the company as it undergoes major expansion to secure its position as a leading integration partner. These are exciting times – for us and our customers.”

“The broadcast market is evolving to accommodate innovative technologies and new business models. Now, more than ever, broadcasters and media companies value partners who can help them implement game-changing ideas,” says Tom Haye, Managing Director Broadcast Networks. “We’re delighted that Malcolm is joining our team to help align our people, processes and the latest technology so that we can help customers win in this increasingly complex arena.”

As a systems integrator with more than 25 years’ experience, Broadcast Networks has a proven record in the delivery of high-quality broadcast and digital media systems to an international client base. The company specialises in fixed and mobile solutions including live production and studio systems; broadcast infrastructure, transmission and content distribution systems; Outside Broadcast and Satellite News Gathering vehicles. Clients include Chellomedia, News International, UPC, NBC Universal, Bloomberg Television, ITV and OB Team in Norway. Broadcast Networks has recently announced a strategic partnership with IEC Group and investment which will drive the expansion of its operations and capabilities.

-ends-

About Broadcast Networks
Broadcast Networks is a UK-based Systems Integrator with over 25 years’ experience in delivering solutions to clients the world over, including national broadcasters and global media organisations. From live production systems and OB vehicles, studios and broadcast infrastructure, satellite uplinks to content distribution, the company offers totally integrated and innovative solutions. With a highly experienced and knowledgeable team of solution architects and project managers, a flexible approach and a real commitment to customer service, Broadcast Networks works closely with organisations to meet their business and operational objectives and to deliver game-changing ideas.
Learn more: www.bcnet.co.uk

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

DPA Microphones Restructures its Management Team

DPA Microphones has restructured its management team in order to maximize resources and consolidate international sales activity around future new product launches.

The company’s CEO Christian Poulsen says the development of exciting new products scheduled for release in 2014 gave DPA the impetus to examine its internal structure and make changes that play to individual managers’ personal strengths.

“These changes enable us to better support customers and dealers by providing a bridge between product development and sales,” Poulsen says. “They also allow us to create a DPA community, through which we can connect directly with DPA end users and industry opinion formers. They, in turn, will be able to influence future product development and R&D decisions.”

One of the key changes is the appointment of product specialist Mikkel Nymand to the newly created position of Product Manager. Reporting directly to Christian Poulsen, Nymand is now involved in the entire product management chain, from conception right through to development testing, launch and after sales maintenance. His role is also to ensure smooth communication, internally and externally, about the status of new and existing products and to provide a link between sales, marketing and development. He also plays an active role in new product development and is responsible for operating products during launch events.

DPA has also made a number of significant changes to its sales department. Bo Brinck has been appointed to the position of Global Sales Support Manager, another new post that was specially created to capitalize on Brinck’s industry connections and extensive technical expertise. In conjunction with DPA’s Area Managers, Brinck will arrange product demos, open house meetings with end users, seminars and training, as well as supporting similar initiatives orchestrated by DPA distributors and resellers.

Responsibility for sales within the Nordic countries now falls to Kim Nedertorp, who has been appointed Area Manager for the entire region. DPA has also appointed Nils Vinding as Area Manager for the UK, Switzerland and Central and South America. He joins the company from PPS, DPA’s largest reseller in Denmark.

DPA’s sales team in the Far East has also received a boost with the appointment of Francis Lai to the position of Sales Manager at DPA Microphones APAC in Hong Kong. Lai has 16 years’ experience in the pro audio industry, having previously worked for Sony Broadcast & Professional Asia, Shure Asia and Sennheiser Hong Kong.
Finally, DPA is delighted to announce that Ole Moesmann has been appointed to the position of R&D Manager.

“This is a very exciting time for DPA and we are confident that these changes will bring enormous benefits to our company and to our customers,” Christian Poulsen adds. “We have always had a committed management team, but taking advantage of each individual’s energy, talents and creativity will help DPA accomplish so much more in the future.”

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: News |

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

August 2014
M T W T F S S
« Jul    
 123
45678910
11121314151617
18192021222324
25262728293031

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication