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Archive by Sue Sillitoe

Monster Middle East Gives Imerge Its Backing

Monster Middle East (MME) has re-affirmed its commitment to the Imerge brand by significantly increasing its stock of the company’s premium quality media servers.

As the exclusive Imerge distributor in the Middle East, MME sees huge potential for the brand, particularly among third party installers, integrators and consultants whose customers demand top of the range products in their homes and businesses.

With the Middle East’s annual sales of luxury goods now exceeding AED 30 billion (USD 8.2 billion) – and with the luxury goods market in the region recording a growth rate of 10 to 15 per cent from 2011 to 2012 (Fondazione Altagamma ‘Luxury Goods Worldwide Market Study’), Imerge is ideally placed to appeal to Middle East consumers who expect a premium product.

Jehangir Khan, Regional Director MME, says: “Imerge is a high end product built to professional standards and is therefore well suited to meet the tastes and expectations of Middle East customers. The brand already has an impressive track record in the region, with many systems installed in prestigious residential and commercial properties. The fact that these products offer a centralized database and support all major control systems makes them ideal for installations where there is a requirement for multi-room media access.”

Imerge entertainment servers make it simple for users to store their content and replay it, wherever and whenever they want it, with maximum fidelity and minimum fuss.

All Imerge systems are powered by XIVA, its own leading edge technology, and can be controlled by most of the leading automation systems (such as AMX, Crestron and Savant) from Imerge’s dedicated Apple (iPhone, Pad or Pod) control application, or by browsing from another tablet or personal computer.

Imerge systems have the ability to play different media in multiple locations simultaneously without connection slowing down or stopping at the critical moment.

In 2010, Imerge became part of the Prism Sound Group, which is investing in the development of new products. Sold via a worldwide network of custom installation specialists and distributors, Imerge products are widely regarded as being the most innovative in the sector, while its standard of service is without equal.

In recent months Monster Middle East has supplied Imerge products to a number of system integrators and custom installers in the region, for various prestigious hotel projects and large commercial installations.

Daya Shankar Singh, Technical Manager at Atlas Telecommunications, says: “We chose Imerge audio servers because, as an overall audio solution, they give us every feature we could possibly need. We are continually impressed with how seamlessly the S4000 integrates into any of our projects, large or small, from the ease of importing media to the extensive compatibility of the downloadable control system modules. The S4000 is simple to use and integrates well with the other system components that we employ in the majority of our projects. Most importantly, it is very reliable – we just install and forget because we never have to worry about it not working.”

For more information about Imerge in the Middle East, please contact Monster Middle East, NC7, Jebel Ali Free Zone, Dubai, United Arab Emirates. Tel: +971-4-883 04 05. Fax: +971-4-883 04 06. Email: support@monsterme.com

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Imerge
Part of what is popularly known as the “Cambridge Phenomenon”, Imerge is well-qualified to be the leader in its field. A spin-off from Cambridge-based technology consultancy “Scientific Generics”, it developed the world’s first hard drive-based audio server, the SoundServer, back in 1990s. In 2007 Imerge launched a multi-terabyte, 1080p-capable music/movies multi-room server hailed for setting new standards in usability as it also integrated multi-room entertainment, as well as delivering the very highest standards of audio and video performance. In 2008, Imerge changed the rules by introducing the world’s most advanced media server, the MS1, and its associated enterprise grade storage solution, the XiVASafe. Redefining the way we interact with our media, Imerge has continually innovating releasing MS1-HD and most recently the MS1-3D, incorporating 2D and 3D Blu-ray support, and the revolutionary new and unique XiVA music store and user interface in over 12 languages and many more market firsts. The current range in includes two brand new products introduced in 2012, the multi-zone S4000 audio server product and a miniature HD video player unit (Mini Client) for the MS1-3D video server.

For more information please visit www.imerge.co.uk or www.xiva.com

DPA Ensures That ‘Sugar Man’ Is Heard Loud and Clear

US singer-songwriter Sixto Rodriguez, the subject of the Oscar Award-winning documentary Searching For Sugar Man, has switched to a DPA d:facto™ Vocal Microphone to ensure that his audiences hear every nuance of his complex voice.

Producer and Front of House engineer Russ Miller, who has been working with Rodriguez since he started his current tour in November 2012, says the DPA d:facto vocal microphone has proved ‘absolutely invaluable’.

“It is an incredible microphone that is perfect for Rodriguez’ voice,” Miller says. “It has worked brilliantly at every venue we have visited, including Glastonbury, and frankly I couldn’t have got through this tour without it.”

Now 71 years old, Sixto Rodriguez has been called ‘the greatest 1970′s music icon that never was’. The Mexican-American folk singer was hailed as the new Bob Dylan when he was first discovered in Detroit, Michigan, in the late 1960s. But after his first two albums, Cold Fact and Coming to Reality, were commercial flops he was dropped by his record label and disappeared. Although he was actually making a living as a manual labourer, there were rumours that Rodriguez had dramatically killed himself on stage. What he didn’t realise, however, was that a bootleg copy of Cold Fact had made its way to South Africa where it had become a huge success and had won him thousands of fans who saw his music as the unofficial soundtrack to youth protests against apartheid.

In the 1990s, determined South African fans managed to track him down and this led to a revival of his musical career. Further recognition came with the release of the Searching for Sugar Man documentary, which won an Academy Award in 2012.

For Russ Miller, capturing Rodriguez’ voice is a challenge because he sings very quietly.

“As a singer-songwriter in the tradition of artists like Bob Dylan and Joan Baez, it is really important that audiences can hear every word of every lyric Rodriguez sings,” Russ Miller explains. “However, when he’s accompanied by a powerful, up tempo band, it can be difficult to keep his vocal loud and clear. This isn’t a unique problem, but it was one I wanted to solve before we tackled some of the bigger venues on his tour, so I started casting around for a better microphone for him.”

After a conversation with live sound engineer Rik Dowding, who recently invested in DPA d:facto Vocal Microphones for The xx, Miller approached DPA’s UK distributor Sound Network, through Tour Supply Ltd, and asked if he could demo one.

“I’d also heard really great things about this microphone from Richard Nowell at RNSS who has been using them with various Jazz artists, so I thought it might work for Rodrigues,” Miller says. “The issue was actually demoing it because Rodrigues isn’t the sort of artist who will go into a studio and do an A/B comparison test. In fact, he doesn’t really do rehearsals – he just arrives at a gig and it’s ‘go’ time – there’s no real sound check or set list and he could start with any song. The first time we got to try out the d:facto was at La Zenith in Paris in front of a live audience of 7,500.”

Once Rodriguez began using the DPA d:facto Vocal Microphone, Russ Miller certainly noticed a difference.

“It was amazing,” he says. “The microphone is incredibly detailed in the upper mids, and as a result I was able to attenuate cymbal spill with just a low pass filter because his voice cut through really well, without having to add any air. I was also impressed with how well the microphone took EQ-ing. It was obvious to me that this was the right mic for Rodriguez so we immediately specified it for the rest of his live shows.”

Since his appearance at Glastonbury, Rodriguez has performed in various European cities including Copenhagen and Stockholm, and at another festival in the UK.

“We’ve used the DPA d:facto Vocal Microphone throughout and it hasn’t let us down,” Russ Miller adds. “I’m so relieved that we have finally found the right microphone for his voice as it has improved the sound of his concerts, as well as making my job as a live sound engineer much easier!”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Jünger Audio Appoints Carola Hölting As Head Of Marketing

Audio processing specialist Jünger Audio has appointed Carola Hölting to the position of Head of Marketing, with immediate effect.

Hölting’s appointment coincides with Jünger Audio’s recent announcement that it is redefining its brand message to promote key hardware products as universal processing platforms. Marketing is an integral part of this strategy and Hölting will be responsible for driving brand awareness across the company’s entire product range.

Carola Hölting began her career as an artist and photographer, working mainly in theatre in Germany and Switzerland. Her interest in photography, digital imaging and video editing led to a position as lecturer at the Baden-Wuerttemberg Cooperative State University in Heidenheim, and she also worked as a freelance PR and marketing consultant for a number of other artists.

In 2011, Hölting worked out a new marketing concept for the Communication and Information Center KIZ of the University of Ulm to improve their marketing and information strategy. She then moved to Berlin-based broadcast and pro audio distributor, Media Logic, where she was Head of Marketing.

Commenting on her appointment at Jünger Audio, Hölting says: “I am very pleased to be working with Jünger Audio. It’s a great challenge; there are excellent products and a dedicated and lovely team. I look forward to building further on Jünger Audio’s success and new creative innovations.”

Peter Poers, Managing Director of Jünger Audio, adds: “Carola is an important addition to the Junger Audio team and we are delighted to welcome her to the company. Marketing strategy is an important key to business success. With Carola Hölting’s engagement we can concentrate our resources to optimal opportunities with the goals of increasing sales and achieving a sustainable competitive advantage.”

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

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Danish Rockers D-A-D Get Down and Dirty With DPA

Rune Slot, live sound engineer for Danish rock band D-A-D, has turned to DPA Microphones to deliver the loud, punchy sound for which the band is famous.

“I experimented with a number of different condenser microphones before settling for DPA,” Rune Slot says. “They are fantastic – awesome – and it’s really great to have high end microphones supplying the inputs to the desk.”

Slot has been on tour with D-A-D for most of this year, taking in countries such as China and the US as well as plenty of places in Europe.

He says: “D-A-D is incredibly loud so for this tour I wanted to use high end microphones that could really capture the band’s noise and energy. The DPA microphones we have chosen are great and do the job perfectly.”

Originally known as Disneyland After Dark, D-A-D formed in the early 1980s and, apart from one change when Laust Sonne replaced former drummer Peter Lundholm Jensen, it has retained its original line-up. Its international breakthrough came in 1989 when it signed to Warner Bros in the USA. At that point the band was forced to change its name to D-A-D to avoid an impending lawsuit from the Walt Disney Company.

To mic Laust Sonne’s snare drum, Slot is using a combination of a DPA d:dicate™ 2011C Twin Diaphragm Cardioid microphones and DPA d:vote™ 4099 Instrument Microphones, with the former positioned above the snare and the latter below it. d:vote 4099 Instrument Microphones are also used to mike the toms, high hat and cymbals, with reinforcement provided by a DPA d:dicate 4011 Compact Cardioid Microphone positioned underneath the cymbals.

“It’s not jazz – it’s very Rock and Roll,” Slot says. “I’ve also used DPA 2011C microphones to pick up Jacob Binzer’s lead guitar. He has two cabinets that give a great combination of clean and dirty sound so I’ve positioned 2011C mics about 12cm from each of the speakers where they work brilliantly.”

Vocals are another area where DPA has come up trumps. Lead singer Jesper Binzer is using a Wisycom wireless system and Slot has equipped this with a DPA d:facto™ Vocal Microphone capsule.

“The mic helps me to stay in control without having to go primal,” Jesper Binzer says, while Slot adds: “It is a really great sounding capsule that truly grasps all the spit and energy of Jesper’s performance. Even when he sings from the side, it grabs the sound and pulls it into the mix.”


Slot adds that with a loud band like D-A-D, lead vocals need to be clearly heard in the mix and initially he thought this might not be feasible with a condenser microphone capsule.

“I didn’t need to worry because the DPA d:facto Vocal Microphone capsule is of such good quality that it is more than capable of giving me the sound I want,” he says. “I was really surprised when I tried it for the first time because, usually with condenser microphones, you get feedback issues, especially in the high frequency range. However with the d:facto this just wasn’t a problem. It does what it is supposed to do and there is very little of bleed from the rest of the band, even though the band plays insanely loud.”

Slot is also using d:facto Vocal Microphones for backing vocals, with Jacob Binzer, Stig Pedersen and Laust Sonne all singing into wired versions of the d:facto.

“These microphones are really good at isolating the vocals and they are also happy to take plenty of punishment,” he adds. “The guys do like to ‘eat’ their mics, but the d:facto Vocal Microphones cope with that brilliantly and still deliver a very punchy sound.”

See the interview with Rune Slot and clips from a D-A-D concert at www.dpamicrophones.com/livedad

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com

DPA Microphones At The Fortune Global Forum 2013

DPA Microphones played a significant part in the success of this year’s Fortune Global Forum, which was held in June in Chengdu, China.

CEOs from some of the world’s largest multinational companies gathered in Chengdu for the three day event, which was also attended by China’s Vice Premier Zhang Gaoli and other Chinese dignitaries. The Forum culminated in a Gala Dinner during which guests were entertained by musical performances by 30 guzheng players, opera singers, choral and pop singers, and a piano performance by Lang Lang, China’s premier classical pianist.

Prior to the event, Fortune’s Audio Designer Ron Lorman contacted Ken Kimura at DPA’s APAC office in Hong Kong and requested his help in sourcing microphones for the Gala Dinner.

“I have been using DPA d:fine™ Headset Microphones for some time and was aware of the quality of DPA’s product range,” Lorman says. “This event was of huge importance and it was vital that I delivered exceptional audio quality, therefore DPA was the obvious first port of call when it came to sourcing the right microphones.”

With help from Ken Kimura and Pike Xin, Product Manager at DPA’s Chinese distributor Digital Media Technology, Lorman was able to access exactly what he needed. At the Gala Dinner he had 100 inputs to deal with and all of the primary inputs were miked with DPA.

“During the conference sessions, I used assorted mics including my own stock of DPA d:fine Headset Microphones for the various presenters. The d:fines work exceptionally well because they deliver excellent intelligibility and are very comfortable for the presenters to wear,” Lorman says. “The Gala Dinner, however, presented a number of interesting microphone challenges, and this was where the advice and help I received from Ken and Pike was invaluable.”

Lorman’s main goals were miking multiple diverse artists, with rapid set changes, including guzheng players, percussion ensemble, lead vocals, choir, flutes, harps and a string quintet. He also had to ensure an elegant sound from Lang Lang’s Steinway piano.

“I had very little prior information about the guzheng players, so I wasn’t sure if I needed to mic every instrument – or indeed where it would be best to mount the microphones,” he says. “In the end we used DPA d:vote™ 4099 Instrument Microphones that we placed underneath the instruments, mounted to the stands with universal clips. They were able to capture the sound without getting in the way of the performance. The various d:vote 4099 mounting systems proved to be extremely flexible and well thought out.”

For Lang Lang’s piano, Lorman used DPA’s d:vote 4099P Stereo Microphone System. This dedicated system includes a pair of sensitivity selected d:vote 4099 supercardioid mics on goosenecks with magnetic mounts, which is designed to capture true acoustic piano sound in a live setting. With this system, Lorman was able to easily achieve a clean and transparent stereo sound.

DPA d:vote 4099 Instrument Microphones and d:facto Vocal Microphones were also used to mic a traditional Chinese ensemble with flute, harps, ziao and zhnogruan as well as orchestral musicians playing violins, violas, cello and bass, that played to guests during dinner. d:vote 4099 Instrument Microphones were also used on the extensive percussion ensemble.

“The drums were very dynamic and the d:vote 4099s captured every nuance,” Lorman says. “Among the many highlights of the Gala Dinner were vocal performances by the opera singers, Liao Changyong, Laura Wright and You Hongfei, and by Tan Weiwei, China’s premier pop artist. For these artists I used DPA d:facto™ Vocal Microphones and I must say, I was incredibly impressed by the results these mics delivered.”

The vocalists all used wireless versions of the d:facto Vocal Microphone, in conjunction with a Shure R wireless system. UK opera singer, Laura Wright, was an inspiration for this choice as she preferred to work with a handheld microphone rather than use a headset mic. According to Lorman, the two Chinese opera singers were comfortable to use d:facto Vocal Microphones, and these were provided for all three performers.

“I haven’t experienced the d:facto Vocal Microphone before and I was very impressed by it,” Lorman adds. “The sound it delivered was very smooth and clean, and perfect at the top end. The off axis response was very tight, with excellent plosives rejection and subtle proximity effect, all excellent characteristics. Singers all love the way it feels in their hands and are very comfortable with it. d:facto really is a very formidable and unique microphone, and I can see why artists like Sting are using it.”

Ron Lorman has successfully used DPA d:fine Headset Microphones for other critical productions. Recently at a London Fortune event, d:fine Headset Microphones were again in his arsenal, along with a d:facto Vocal Microphone for the singer who provided the entertainment.

“I’m so impressed with the d:facto Vocal Microphone and the d:vote 4099 Instrument Microphones with the multiple mounts that I have now purchased them for my own stock,” Lorman adds, “and I can predict that they will be getting plenty of use.”

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

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Visual Unity and PROVYS Announce Their Strategic Partnership at IBC 2013

Leading OTT and Multiscreen solutions provider Visual Unity will be joining forces with media software solutions provider PROVYS at IBC 2013 to show how the two companies are integrating Visual Unity’s next generation vuMedia™ Over the Top (OTT) platform with PROVYS’ advanced broadcast management and planning system.

This ground-breaking partnership between Visual Unity and PROVYS will be on show at IBC 2013 at the Visual Unity stand 114 in Hall 14 and at the Provys stand in Hall 2, stand B49.

Visual Unity’s vuMedia™ offers the ability to manage and monetize audio, video and image libraries – quickly and easily. This Cloud-based service alleviates the need for businesses to build an expensive, in-house and resource-intensive media library by allowing content owners and distributors to publish content online. The platform also supports live streaming of 4K UHD, or High Definition video. Graphics and other audio and visual material can be associated with files, for brand promotion or to generate advertisement revenue.

PROVYS’ software solution provides broadcasters with the mature and robust channel management and advertisement sales tools needed to increase productivity and gain strategic insight into business processes.

Integration of vuMedia™ with PROVYS is seamless. No additional inputs are required. Customers who choose PROVYS with vuMedia™ will have front-end access to their own catalogue, charts and metadata, as well as a video player with a smart URL, which will allow movies to be played on a variety of different devices. Other vumedia™ features include statistical analysis, advertisement injection and social network integration are also available, bringing the full power of OTT to a much wider audience.

TV schedules can also appear within vuMedia™. The TV schedule can be composed of Live, VoD or Catch-up content. Visual Unity processes the titles based on the rights that belong to each particular content. Subscribers can easily access their content on any device, not only through a catalogue interface, but also through a TV schedule (program guide), which lists what will be broadcast and when. Furthermore, end users can access their favourite content even after it finishes, using multi-hour buffering. With vuMedia™, subscribers can watch their entertainment on any device, anytime and anywhere.

Tomas Petru, CEO of Visual Unity, says: “This is a significant development for PROVYS’ customers as it offers a completely automated online video platform where content can be managed centrally, thus saving time, equipment cost and manpower. It will also increase business bandwidth by providing broadcasters with an easy and effective way to utilize all their content rights.”

The new solution is completely connected to Visual Unity’s content delivery Network (CDN) module, vuNet™, with connectors to other worldwide CDN’s such as Akamai, Limelight, Level3, Du and MediaNova.

Josef Vasica, CEO of PROVYS comments, “We are delighted to present the results of our common development at our booth. Visual Unity brings years of OTT expertise and breath of services that complement our own. This as a triple win situation for all: PROVYS, Visual, and our customers. The combined best practices allow us to build even better products, services and overall solutions for our clients.”

Gabriel Dusil, Senior Vice President of Marketing and Corporate Strategy, adds: “This is an exciting joint project we have developed with PROVYS, and we see it as a major endorsement of our vuMedia™ OTT platform. Our joint offering is a solution that speaks to what is at the top of the broadcaster’s agenda – a Cloud-based service that allows them to maintain rights to their content, while providing flexible methods to monetize their titles onto multiple screens.”

For more information and a demo during IBC 2013, please visit PROVYS at 2.B49 or Visual Unity at 14.114.

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About Visual Unity

Visual Unity is a global provider of video and digital media solutions, enabling our clients to deliver premium quality video content. Our clients can measure, analyze and optimize their libraries over time and achieve optimal business success. Our platform capabilities inspire our clients to deploy their assets across multiple devices, screens, and media formats. Visual Unity helps clients manage, deliver and monetize their digital content.

Visual Unity is a Multiscreen Solution Provider, bridging the gap between linear broadcast, IT and IPTV to help clients reach and engage audiences on any screen. Since 1991, the team has been designing and delivering turnkey broadcast and complex multiscreen solutions worldwide – from HD outside Broadcast (OB) vehicles and major playout facilities to live internet streaming and Video on Demand services. Visual Unity’s award-winning vuMediaTM platform helps broadcasters and content owners control how their brand and assets are managed and monetized in the multiscreen environment. vuMediaTM is a highly scalable and a modular architecture, delivering a cutting-edge live viewing experience on the web or any mobile or connected device – all of which can be deployed into existing workflows and business processes.

Visual Unity is based in Prague, London, Cologne, Moscow, Bratislava, Belgrade, Nairobi and Dubai. For further information, please visit www.visualunity.com
Visual Unity: Na hrebenech II 1718/8, Prague 4, 147 00, Czech Republic
T: +420 271 742 111 F: +420 271 742 112 E: info@visualunity.com

About PROVYS

PROVYS channel management system for TV broadcasters was created by DCIT Incorporated in 1997. Since then, its continuous development has expanded its capabilities and power, enabling cost reduction and improved efficiency. It is now used by hundreds of broadcast channels – including five national broadcasters and several renowned global companies such as Sony Pictures, Arqiva, Polsat and CME.
The core functions of PROVYS “TVoffice solution” provide the basis of an efficient and secure environment that supports the business objectives of any broadcaster, seamlessly linking all the business processes. The modular architecture provides a wide spectrum of options to suit every broadcaster, with expansion into new areas to cover growing user requirements.
PROVYS support services have a great reputation. Available around the clock, the support team provides reliable and highly responsive user support and technical assistance.

Media Group International Completes A Prestigious Project for MBC Group

Leading systems integrator Media Group International has completed a prestigious project for Middle East broadcaster MBC Group (Middle East Broadcasting Centre) to install a state of the art News facility in Cairo, Egypt.

MBC Group, the first private free-to-air satellite broadcasting company in the Arab World which was launched in London in 1991 and later moved to its headquarters in Dubai in 2002, has grown to become a well-established media group that enriches people’s lives through information, interaction and entertainment. Based in Dubai, in the United Arab Emirates, MBC Group includes 12 television channels. The broadcaster engaged Media Group International (MGI) on the basis of the company’s established reputation for high quality systems integration and project management. MGI has over 35 years’ experience of systems integration in the Gulf region and represents many worldwide broadcast equipment manufacturers. It also serves TV channels and networks, movie studios and network operators in the region, providing telecommunications, broadcasting, integrated systems and state-of-the-art security.

Raed Bacho, Broadcast Manager, MBC Group says: “MGI’s reputation for delivering world-class broadcast solutions was a key factor in our decision to award the company the contract. Our Cairo News facility is a major investment and one that required careful planning. We were delighted by the efficiency and timely results.”

MGI’s brief was to provide MBC Group with an entire News facility consisting of a broadcast control room/gallery, a central apparatus room, an audio studio, a broadcast studio, a Master Control Room, a Newsroom and various editing and production facilities. The company was also responsible for the entire IT infrastructure and the installation of all power requirements.

“MBC’s on-air requirements meant that we were up against extremely tight deadlines,” says Paul Wallis, MGI’s Sales Director. “We also undertook this project during the recent political unrest, which created its own set of issues. On at least one occasion our team could not leave the facility overnight because demonstrators were protesting outside.”

At a time when many companies are avoiding outlay in Egypt, MBC’s decision to build this new facility – and its equipment choices – reflect its determination to invest in the very latest technology in order to bring high quality news coverage to the people of Egypt.

“In consultation with MGI’s experienced technical team, MBC selected some of the latest ground breaking equipment, including cutting-edge Grass Valley LDX-80 studio cameras that adopt cmos technology as opposed to traditional CCD,” says Wallis. “At the heart of the system is a full Avid Newsvision production system, complemented by the latest Viztr on air graphics. Other technical highlights include a powerful Ross live production switcher, a Trilogy Broadcast communications system, a state of the art video wall and a Studer All-In-One Vista audio mixing console, the first of its kind to be installed in Egypt.”

Wallis adds that the project was not without its challenges, but thanks to MGI’s excellent relationships with the various manufacturers involved, these were quickly overcome.

“We were faced with some tough technology changes that could have delayed the on-air deadline, but fortunately we had chosen manufacturers who helped us work around this problem and enabled us to keep our commitment to MBC,” he says.

MBC’s News facility in Cairo is now up and running, delivering news to the broadcaster’s Egyptian viewers.
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Notes to the editor:
About Ghanim bin Saad Al Saad & Sons Group Holdings

Ghanim bin Saad Al Saad & Sons Group Holdings (GSSG) was founded by Ghanim bin Saad Al Saad in 1993 and incorporated in 2007. Today it is one of Qatar’s most successful private sector business groups, making a major contribution to the country’s economic growth.
GSSG has enjoyed steady growth and success in many fields and industries locally and internationally. GSSG’s diverse portfolio gives it strength and enables its companies within the group to maximise global business opportunities wherever and whenever they arise.
The founder, Mr. Ghanim bin Saad al Saad, has enabled the group to grow to over 40 companies around the world. As an inspirational business leader, he has steered the group to achieve its success in industries that include aviation, maritime, automobiles, oil & gas, real estate, manufacturing, contracting and trading, finance & asset management, engineering, education, fitness, hotels, hospitality and fashion, information technology and telecommunications.
In addition to its corporate headquarters in Doha, GSSG also has five international offices located in London, Zurich, Cairo, Singapore and Dubai.
www.gssg.com

Media Group International
Media Group International (MGI) is a proven media broadcast and communications systems integrator, serving the media, telecommunications, security, education, hospitality and advertising industries in the Gulf region for more than 35 years. Formerly known as Salam Media Cast (SMC), the company joined GSSG Holdings in 2010, with offices in Qatar, UAE, Oman, Bahrain, Saudi Arabia and the UK.
Media Group International is diversifying its business into new technologies. As well as equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, the company also equips whole multivendor and multisensory environments. MGI provides solutions from safeguarding national security, such as in government operations, to creating the best educational venues in museums and classrooms, enhancing sports environments and revolutionising health facilities and satellite telecommunications.
Media Group International is ISO 9001:2008 certified, the world’s most recognised quality management standard. It is the first company of its kind to receive the prestigious accolade within the Middle East region, guaranteeing customers world-class quality assured products.
Media Group International recently launched their new website to give customers a better experience online.
www.mgi.tv

About MBC Group:
MBC Group is the first private free-to-air satellite broadcasting company in the Arab World which was launched in London in 1991 and later moved to its headquarters in Dubai in 2002. Over the past 22 years, MBC Group has grown to become a well-established media group that enriches people’s lives through information, interaction and entertainment. Based in Dubai, in the United Arab Emirates, MBC Group includes 12 television channels: MBC1 (general family entertainment), MBC2 and MBC MAX (24-hour movies), MBC3 (children’s edutainment), MBC4 (entertainment for young families with women at its core), MBC Action (an indigenous adrenaline-packed channel with local and homegrown productions), MBC Persia (24-hour movie channel dubbed in Farsi) , Al Arabiya (the 24-hour Arabic language news channel); Al Arabiya Al Hadath (an extension of Al Arabiya News Channel); Wanasah (24-hour Arabic music channel); MBC DRAMA (24/7 Arabic Drama); and MBC MASR (general family entrainment channel geared towards the Egyptian family).The Group also includes two radio stations: MBC FM (Gulf music), and Panorama FM (contemporary Arabic hit music); as well as O3 productions, a specialized production unit. Furthermore, the Group includes online platforms: www.mbc.net, www.alarabiya.net, www.shahid.net (the first free VOD and catch up portal in the Arab world) and www.actionha.net, among others.
As of July 2011, seven of MBC Group’s channels began to air in HD across the MENA Region: MBC 1 HD, MBC 2 HD, MBC 4 HD, MBC Action HD, MBC Drama HD, MBC Max HD and Al Arabiya HD News Channel. In 2013, MBC 3 HD was added to this bouquet.
For further information, please contact:
Ruba Al Ayed
Group PR Manager
MBC Group
Email: ruba.alayed@mbc.net
Website: www.mbc.net

LIPA Graduate Chris Pawlusek Receives The 2013 MPG Prize

Chris Pawlusek has become the 2013 recipient of the Music Producers Guild Prize, which rewards the most promising student to graduate from The Liverpool Institute for Performing Arts (LIPA) Sound Technology degree programme.

Launched in 2010, the MPG Prize brings enormous benefits to the winning student as it offers an opportunity to work alongside some of the UK’s top recording professionals. Prominent MPG Awards winners continue to be very supportive of the initiative, which also brings sponsorship opportunities from companies such as Avid and MPG benefactor Roberston Taylor Insurance Brokers.

MPG Chairman Steve Levine and MPG Education Representative Tony Platt presented Chris Pawlusek with his prize during LIPA’s annual graduation ceremony, which took place today. Also present was LIPA lead patron Sir Paul McCartney.

The aim of the Music Producers Guild Prize is to recognise the student who, in the opinion of his or her tutors, has shown the most exceptional talent, initiative, commitment and consideration to the art of music recording and production.

Jon Thornton, who heads LIPA’s three year BA (Hons) Sound Technology programme, says: “Chris’ work, particularly during his final year, demonstrated not just technical excellence, but also exceptional maturity in terms of musicality, working with others and constantly pushing for that extra one per cent in what is achievable.”

Chris Pawlusek already has some engineering experience having worked as a freelance at Far Heath Studios, Northamptonshire, since 2009. He is currently completing an EP for Liverpool band Nine Tails.

He says: “I’m really delighted to win the MPG Prize. I want to develop my production and engineering skills and this prize offers me a fantastic opportunity to do that, and to make new contacts in the audio recording industry.”

Commenting on the Prize, Tony Platt says: “We are ever mindful that the pathways into music production are very different from those that were available to established producers and engineers when we entered the industry. By directly linking graduating students who are only just starting to carve themselves a career with top professionals, we are able to provide the fortunate winner with a strong first footing. I am once again amazed by how much this year’s winner, Chris Pawlusek, has already achieved during his three years at LIPA and I am delighted that we can contribute to the next phase of what will no doubt be a glittering career.”

Winning the MPG Prize will give Chris Pawlusek the chance to develop and explore the recording techniques he has learned at LIPA and make valuable contacts within the professional sound industry. In addition to a one year associate membership to the MPG, Pawlusek will also have the opportunity to shadow producer Al O’Connell, MPG Engineer of the Year 2013, and Charlie Andrew, MPG Breakthrough Producer of the Year 2013. Pawlusek will also attend an orchestral recording session with Award-winning engineer Haydn Bendall and attend a mastering session with Matt Colton, winner of the MPG Mastering Engineer Award 2013. Studio experience will be provided by Snap! Studios, winner of the MPG Best Studio Award 2013, and Pawlusek’s technical expertise will be enhanced by a day at Avid’s UK headquarters where he will receive in-depth tuition on Avid’s flagship D-Control console and the System 5 Fusion.

Robertson Taylor has offered to contribute towards the cost of Pawlusek’s travel and accommodation expenses while he is taking up these opportunities, and throughout the year he will be mentored by various MPG members including Steve Levine, Nicky Graham, Tony Platt and Mick Glossop.

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About Music Producers Guild (UK)

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

About LIPA

LIPA is located in Sir Paul McCartney’s old school, the Liverpool Institute for Boys, which underwent a multi-million-pound renovation to turn it into a state-of-the-art performing arts higher education institution. It was founded by Sir Paul and Mark Featherstone-Witty and opened in 1995 with the aim of providing the best teaching and learning for people who want to pursue a lasting career in the arts and entertainment industry, whether as performers or those who make performance possible. www.lipa.ac.uk

Jünger Audio Redefines Audio Processing at IBC 2013

Dynamics specialist Jünger Audio will use the IBC 2013 platform (Hall 10, Stand A49) to announce a new direction of creating solution based packages for its entire product range – one that is designed to make it much easier for customers to identify the exact processing solution they are looking for.

“As there is now a trend among some of our customers to use products like the T*AP (Television Audio Processor) for applications such as radio or PA, we decided to separate processing hardware from the feature set,” says Jünger Audio’s Managing Director Peter Pörs. “This change acknowledges the way in which many of our customers are working and allows Jünger Audio’s highly recognized functionality packages previously known as T*AP and M*AP to live on in common hardware.”

The new strategy will see Jünger Audio’s key hardware products marketed as universal processing platforms, with each one capable of handling transcoding and routing, as well as audio processing, and offering various ways of control including through automation or third party equipment. Instead of specific product names such as T*AP, M*AP and V*AP, Jünger Audio will now use these names to identify application packages. Once customers have chosen a processor with the right channel count and specified the application area they want to address (radio, TV, production, post production etc.), Jünger Audio will deliver the relevant software package with the audio processor box of choice to create a solution that exactly matches the customer’s needs.

“By using a universal processing platform, the new modularity of our product range will get as close as possible to each customer’s workflow,” Peter Pörs says. “Managing audio loudness with our renowned non-destructive Level Magic™ algorithm will be one of many features, along with 3G, HD and SD SDI embedded audio handling and high quality limiters, compressors, delays and equalisers. This modularity concept will also allow for specific coding hardware to decode, encode or transcode Dolby®-E, Dolby®-D (AC-3) and Dolby® Digital plus (E-AC-3), as well as HE-AAC formats.”

Pörs adds that the proliferation of distribution formats has made audio quality control during production more important than ever.

“In the past it might have been sufficient to monitor only the main mix, ignoring all transport coding and metadata implications,” he says. “But with all the simulcast formats in use today, the production team needs to simulate the home listening experience by real time metadata emulation. Adding this functionality to a hardware based monitoring controller, combined with loudness measurement and logging features, is the feature set of our QC and production monitoring solution M*AP.

“We are clearly refocusing on production and the fantastic first feedback we have received for our new voice processor V*AP evidently signals that we’re on the right track with our range of products. The V*AP offers all the processing arsenal you need for highest quality voice processing including mic preamps, compressors, expanders, limiters, and voice optimized equalizers. The V*AP also includes a voice optimized version of Spectral Signature, a process using individual spectral reference footprints as a real-time comparison reference for incoming audio, adding filtering only if it is necessary to generate spectral consistency.”

Pörs adds that the company’s extensive product range will now include a plug-in version of Level Magic™ in native plugin formats (VST, RTAS, AU, AAX, Audiosuite, etc.) for MAC and PC, 32- and 64-bit systems. This will be launched at IBC 2013.

“For the first time ever it will be possible for production staff using equipment such as Pro Tools to control audio loudness using our Level Magic™ algorithm,” he says. The addition of a plug-in to our range means that, from production right though to transmission, broadcasters can use Level Magic™ processing throughout their entire production and broadcasting chain.”

If you would like more information about Junger Audio’s universal processing platforms, please visit the company in Hall 10, Stand A49.

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

Media Group International Appoints Three Key Management Staff

Leading Media Systems Integrator Media Group International has strengthened the management team with three key appointments.

The new recruits include Matthew Perman, who joins the company as Business Manager, and Mohamad Othman and Mohamed Makki Ibrahim, who both join MGI as Business Development Managers.

A qualified chartered accountant, Matthew Perman was formerly with Sony Professional where he held various management roles. His extensive financial experience and his ability to provide commercial, contractual, analytical and management support at the highest level make him a valuable addition to the MGI management team. Alongside overseeing office operations in Dubai, Perman is also improving commercial decision making and working closely with MGI’s sales team to offer advice on large scale bid submissions.

Mohamad Othman has an impressive track record in business development and strategic sales and marketing, having previously worked for broadcast systems integrator Qvest Media and broadcast connectivity supplier Al Mazroui ICAS. Othman has first-hand knowledge of many leading broadcast equipment brands and is ideally placed to help MGI develop opportunities in new media sectors. As Business Development Manager, he will concentrate on IPTV, OTT Broadcast IT solutions and Outdoor Display applications – all of which are areas that offer MGI enormous potential for growth.

Mohamed Makki Ibrahim joins MGI from INC-Technology where he spent two years as Area Sales Manager. With more than 18 years’ experience in the broadcast industry, Ibrahim has extensive technical knowledge and a formidable understanding of broadcast infrastructure and workflow. In his current role he is building relationships with new customers and developing and maintaining strategic alliances with established broadcast manufacturers.

Paul Hennessy, CEO of MGI, says: “These appointments will further strengthen MGI’s capabilities in the Middle East region as we embark on our next stages of growth. As a company, MGI is committed to offering its broadcast and new media customers the very best help and advice on all aspects of their projects. Having staff of this calibre on our team is vital to our success and we are confident that Matthew, Mohamad and Mohamed will bring real benefits to the company and to our customers. We are delighted to welcome them to MGI.”

Media Group International has over 35 years’ experience of systems integration in the Gulf region and represents many worldwide manufacturers. These include Avid Technology, Quantel, SeaChange, Leitch, Vinten Broadcast Ltd, Telestream, Vizrt and EVS Broadcasting. It also serves TV channels and networks, movie studios and network operators in the region, providing telecommunications, broadcasting, integrated systems and state-of-the-art security.

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Notes to the editor:
About Ghanim bin Saad Al Saad & Sons Group Holdings
Ghanim bin Saad Al Saad & Sons Group Holdings (GSSG) was founded by Ghanim bin Saad Al Saad in 1993 and incorporated in 2007. Today it is one of Qatar’s most successful private sector business groups, making a major contribution to the country’s economic growth.

GSSG has enjoyed steady growth and success in many fields and industries locally and internationally. GSSG’s diverse portfolio gives it strength and enables its companies within the group to maximise global business opportunities wherever and whenever they arise.

The founder, Mr. Ghanim bin Saad al Saad, has enabled the group to grow to over 40 companies around the world. As an inspirational business leader, he has steered the group to achieve its success in industries that include aviation, maritime, automobiles, oil & gas, real estate, manufacturing, contracting and trading, finance & asset management, engineering, education, fitness, hotels, hospitality and fashion, information technology and telecommunications.
In addition to its corporate headquarters in Doha, GSSG also has five international offices located in London, Zurich, Cairo, Singapore and Dubai.

www.gssg.com

Media Group International

Media Group International (MGI) is a proven media broadcast and communications systems integrator, serving the media, telecommunications, security, education, hospitality and advertising industries in the Gulf region for more than 35 years. Formerly known as Salam Media Cast (SMC), the company joined GSSG Holdings in 2010, with offices in Qatar, UAE, Oman, Bahrain, Saudi Arabia and the UK.

Media Group International is diversifying its business into new technologies. As well as equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, the company also equips whole multivendor and multisensory environments. MGI provides solutions from safeguarding national security, such as in government operations, to creating the best educational venues in museums and classrooms, enhancing sports environments and revolutionising health facilities and satellite telecommunications.
Media Group International is ISO 9001:2008 certified, the world’s most recognised quality management standard. It is the first company of its kind to receive the prestigious accolade within the Middle East region, guaranteeing customers world-class quality assured products.

Media Group International recently launched their new website to give customers a better experience online.

www.mgi.tv

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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