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Archive by Sue Sillitoe

Broadcast Networks Delivers Key Infrastructure Projects Across Europe

Systems integration specialist Broadcast Networks completed a number of diverse broadcast system projects during 2013 for international organisations such as Chellomedia, News UK the Dutch Parliament.

The projects showcase Broadcast Networks’ SI expertise in fixed and mobile solutions including live production and studio systems, transmission and content distribution systems, Outside Broadcast and Satellite News Gathering vehicles and command and control facilities.

“2013 was a successful year Broadcast Networks with both new and repeat business,” says Managing Director Tom Haye. “As we start 2014, our new partnership with IEC gives us the investment we need to push the company to the next level, while the expansion of our team allows us to deliver the added value customers now demand.”

As the preferred SI partner for Chellomedia, Broadcast Networks completed various key infrastructure projects for the international media company including the installation of a 24 channel playout system for a new Arts channel, the rebuild of Chellomedia’s Master Control Room, an entire upgrade of the broadcaster’s automation system to ITX2 and the installation of a number of smaller playout systems.

For Slovenian national broadcaster RTV, Broadcast Networks was contracted by Sony PSE to design and build two new 16-channel Outside Broadcast vehicles, which are now being used to capture various sporting events including the 2014 Winter Olympics in Russia.

Back in the UK, Broadcast Networks installed a Master Control Room and three new television studios at News UK’s headquarters in London. The studios are now being used by The Sun newspaper to create news content for its online editions.

Other notable projects completed during 2013 include the installation of audio and video equipment at the Dutch Parliament, enabling meeting to be streamed over the internet, and the design and build of an 18 camera armoured surveillance vehicle for the Dutch police, which is now being regularly used to support large scale events.

As a systems integrator with more than 25 years’ experience, Broadcast Networks has a proven record in the delivery of high-quality broadcast, digital media, security & defence systems to an international client base.

Tom Haye believes the company’s proactive approach to customers’ projects is key to its current and future success, especially during a time of intense change for the broadcast industry.

“The traditional broadcast model is changing, with 4k now a serious contender as a new archive format and IP and data manipulation becoming increasingly crucial in our customers’ daily lives,” he explains. “As a systems integrator with experience in the live production and playout arenas, Broadcast Networks is ideally placed to deliver the leading edge solutions our customers demand and consolidate our position as a leading international systems integrator.”

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About Broadcast Networks
Broadcast Networks is a UK-based Systems Integrator with over 25 years’ experience in delivering solutions to clients the world over, including national broadcasters and global media organisations. From live production systems and OB vehicles, studios and broadcast infrastructure, satellite uplinks to content distribution, the company offers totally integrated and innovative solutions. With a highly experienced and knowledgeable team of solution architects and project managers, a flexible approach and a real commitment to customer service, Broadcast Networks works closely with organisations to meet their business and operational objectives and to deliver game-changing ideas.
Learn more: www.bcnet.co.uk

Funky Junk Takes On UK Distribution For Sandhill Audio

Funky Junk, Europe’s leading supplier of new and refurbished professional recording equipment and services, has been appointed exclusive UK distributor by Finnish microphone manufacturer Sandhill Audio.

Established in 2008 by sound engineers Riku Pasanen, Petteri Taponen and Sammy Roiha, Sandhill Audio launched its first product in 2011 – the 6011A ribbon microphone.

“We’re continuously working on new designs and prototypes and eventually the range will grow,” says co-founder Petteri Taponen. “However, any product we release has to justify its existence. We will not put out anything just to have more items in the catalogue.”

Taponen adds that Funky Junk was chosen to handle Sandhill’s UK distribution because it has a strong reputation for handling innovative pro audio products.

“Funky Junk’s catalogue is exceptional and, being a high-end studio microphone, the Sandhill 6011A fitted nicely into their product range,” Taponen says. “I was also really impressed with Mark Thomson (Funky Junk’s Managing Director), who sent me a long email in response to my initial enquiry even though he was on holiday in Italy at the time. His straightforward way of communicating suited our approach to doing business and it also helped that the company came highly recommended by a number of our contacts.”

Sandhill Audio’s 6011A Ribbon Microphone is designed to sound exceptional while being free of the usual limitations of ribbon microphone technology. Although primarily designed for high end studio applications, the microphone is sufficiently versatile that it can also be used in live environments.

Mark Thompson, Managing Director of Funky Junk, adds: “The guys at Sandhill have achieved the seemingly impossible; they’ve designed a microphone that retains the airy warmth of the best ribbon mics with a rugged construction capable of coping with a kick drum, a jumbo jet or a producer screaming at a tape op. The Sandhill 6011A isn’t cheap, but great performances demand great microphones. We carry demo stock for discerning tests.”

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About Funky Junk:
Funky Junk is Europe’s leading supplier of new and refurbished professional recording equipment and services. It has offices in London, Paris, Milan and Spain and has been in business for over 20 years. The company is renowned for its high level technical knowledge, backed by extensive workshop facilities. As well as handling sales and repairs, Funky Junk also acts as a distributor to a number of equipment brands and deals with their service and warranty.

For more information please visit www.proaudioeurope.com

Broadcast Networks Appoints New Technical Staff

Systems integration specialist Broadcast Networks has consolidated its leading position in the broadcast market by appointing five key members of staff to its technical team.

Peter Timmons, Francis Lea, Ben Curtis, Nick Petty and Philip Walters have all joined the company from Sony Professional Solutions Europe where they worked closely with Malcolm Robinson, Broadcast Networks’ recently appointed Director – Media & Broadcast Solutions.

“Our new recruits bring a wealth of knowledge to the company, specifically in the areas of solution design and project management,” Malcolm Robinson says. “The sector-leading expertise we now have on board is phenomenal and we are very excited about the future. These new appointments allow us to grow the business by consolidating the experience already present at Broadcast Networks so that we are better able to deliver game-changing results to our customers.”

Solutions Architect Peter Timmons gained a wealth of experience at Sony – and prior to that at Harris, Zandar Technologies and BAE Systems. His main strength lies in designing and developing next generation solutions for the broadcast industry.

Proposal Bid Manager Francis Lea will be looking after Outside Broadcast vehicle tenders and opportunities. His core skills, coupled with the existing Broadcast Networks Bid Team, will ensure that all proposals meet all technical and commercial requirements and incorporate alternative options that will enhance customer choice.

Broadcast Engineer Ben Curtis is highly skilled at designing and commissioning technical Broadcast Systems. While at Sony he worked on numerous high profile projects, including relocating and commissioning a new headquarters for QVC and upgrading the broadcast capabilities at the Parliament Building in The Hague.

Senior 3D Design Engineers Nick Petty and Philip Walters have joined the Broadcast Networks’ Design office where they are adding their renowned design expertise to the look and feel of all Broadcast Networks solutions. Their experience in dealing with customers and suppliers is also ensuring that all ergonomical and structural concepts of coachbuilding design are covered.

Broadcast Networks has more than 25 years’ experience and a proven track record in the delivery of high-quality broadcast and digital media systems to an international client base. The company specialises in fixed and mobile solutions including live production and studio systems; broadcast infrastructure, transmission and content distribution systems; Outside Broadcast and Satellite News Gathering vehicles. Clients include Chellomedia, News International, UPC, NBC Universal, Bloomberg Television, ITV and OB Team in Norway. Broadcast Networks has recently announced a strategic partnership with IEC Group and investment which will drive the expansion of its operations and capabilities.

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About Broadcast Networks
Broadcast Networks is a UK-based Systems Integrator with over 25 years’ experience in delivering solutions to clients the world over, including national broadcasters and global media organisations. From live production systems and OB vehicles, studios and broadcast infrastructure, satellite uplinks to content distribution, the company offers totally integrated and innovative solutions. With a highly experienced and knowledgeable team of solution architects and project managers, a flexible approach and a real commitment to customer service, Broadcast Networks works closely with organisations to meet their business and operational objectives and to deliver game-changing ideas.
Learn more: www.bcnet.co.uk

DK-Technologies Appoints Eurocom Broadcast in France

Audio and video metering specialist DK-Technologies has appointed Eurocom Broadcast (www.eurocom.fr) as its exclusive distribution partner in France.

Based in Paris, Eurocom will handle sales, distribution and after-sales support for the entire DK-Technologies range, which includes the Award-winning DK Meter range and the recently launched flagship PT0800 Audio and Waveform Monitor.

Uffe Kjems Hansen, Product Marketing Director at DK-Technologies, says: “We are delighted to be working with Eurocom in France and feel confident that their expertise and contacts will help drive sales for DK-Technologies. Our metering and monitoring products are already well established in France and, with new products scheduled for 2014, there couldn’t be a better time to refocus attention on the brand in this important market.”

Established in 1996 by owner and CEO Bruno Guers, Eurocom offers a wide range of professional audio products to the radio and television industries, along with installation, cabling and after-sales service and support.

“As someone with many years’ experience in the broadcast and pro audio industry I’ve always been aware of the quality of DK-Technologies’ products,” Bruno Guers says. “I am very pleased that we now have an opportunity to work together and I believe there is great potential for sales growth in France, which will benefit both businesses.”

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About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

Hackenbacker Tackles the Audio for a Classic Tale of Valour

Award-winning facility Hackenbacker has completed the entire audio post production for The Musketeers, a new 10-part BBC Drama Production for BBC One that will make its television debut next year.

Commissioned by Ben Stephenson, Controller, BBC Drama Commissioning, and Danny Cohen, Director of Television, BBC (previously Controller, BBC One), this contemporary take on Alexandre Dumas’ classic tale of The Three Musketeers was created and written by Adrian Hodges.

Hackenbacker’s founder Nigel Heath, who was also re-recording mixer for the series, says: “The Musketeers was pretty much the dream job for us: there were some fantastic opportunities for sound in this series, the stories are brilliant, the show looks amazing and the score by Murray Gold via Air Studios sounds astonishing. All in all, it’s been a fantastic experience. The mixes have run extremely smoothly, which is a testament to the fine work done by our in house sound editors.”

The Musketeers stars Luke Pasqualino (Skins, The Borgias) as D’Artagnan, a skilled fighter from rural Gascony who is on a mission to right the wrong of his father’s death. When he reaches the lawless streets of 17th century Paris he meets Athos, Aramis and Porthos, the Three Musketeers played respectively by Tom Burke (Great Expectations, The Hour), Santiago Cabrera (Merlin, Heroes) and Howard Charles (Royal Shakespeare Company). Although they are primarily Louis X111’s bodyguards, these highly trained soldiers also stand resolutely for social justice, honour, valour and love. To D’Artagnan they are kindred spirits and, despite meeting them in unfortunate circumstances, he soon becomes accepted as part of the group.

The Musketeers also features performances from Peter Capaldi (The Hour, The Thick Of It), Tamla Kari (Cuckoo, The Inbetweeners Movie), Maimie McCoy (Loving Miss Hatto), and Hugo Speer (Bedlam).

The 10-part drama (10×60-minute) is a BBC Drama Production London for BBC One, co-produced with BBC America in association with BBC Worldwide.

Jessica Pope is the BBC executive producer, Adrian Hodges is the creator and executive producer, and Colin Wratten is producer.

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About Hackenbacker:
With more than 25 years experience in the audio post production business, Hackenbacker provides a first class service to the film and television industries. Its award-winning team of sound editors, designers and mixers combine a thorough knowledge of today’s technology with an understanding of the importance of deadlines in order to deliver an exceptional service to all Hackenbacker clients. The facility offers full time technical support and access to the very latest equipment as well as some more esoteric specialist devices. www.hackenbacker.com

New Deal Sounds Great To DPA Microphones

Leading microphone manufacturer DPA Microphones has consolidated its position in the market by joining forces with The Riverside Company, a global private equity firm that focuses on acquiring strong and growing businesses.

The Riverside Company’s investment in DPA Microphones will allow DPA to significantly expand its operation and grow the company at a much faster pace.

“DPA is already a very successful and profitable company, which has been experiencing a 15% increase in sales, year on year, for the last five years,” says DPA’s CFO Christian Hoff. “With Riverside involved, we anticipate even stronger sales growth in the next five years.”

Riverside has long experience in the audio and electronics industry, having previously invested in German loudspeaker company Teufel, which was successfully divested in 2010. More recently Riverside acquired BLUE Microphones, a US manufacturer of consumer and performance microphones and related products.

Riverside Partner Thomas Blomqvist says that Riverside saw DPA Microphones as an attractive partner because it has an innovative and well-designed product range and an international reputation for delivering outstanding quality and durability.

“This is a solid foundation for further growth, and Riverside’s global network and experience in the audio industry should help propel DPA to further success,” he says.

Under the terms of the new deal, DPA’s CEO Christian Poulsen and CFO Christian Hoff have retained their current positions in management and on the board, along with a 40% shareholding. Riverside is now the majority shareholder and will also have representation on the DPA board.

“For our day to day operation, it is business as usual,” Christian Poulsen says. “What has changed is our ability to capitalize on our current success and make this even more significant in the future. Riverside has an extensive network worldwide, many of whom are specialists in the audio industry and have deep technical knowledge and experience that we can exploit. This investment will allow us to develop new technologies and new products at a much faster pace. It will also allow us to move into new markets and attract more good people to our brand, while still properly supporting our existing customer and partner base.”

DPA makes an array of microphones geared toward demanding professional users in application areas such as theatre, broadcast, public address/live and studio. Its current product range includes headset, lavalier, instrument, and vocal microphones. In addition, the company makes adaptors and a variety of accessories to complement its offerings. DPA’s products are sold through own sales offices in Denmark, the US and Hong Kong as well as through a worldwide network of licensed distributors, and are used by many of the world’s top studios, broadcasters and recording artists.

Working with Thomas Blomqvist on the transaction for Riverside were Vice President Björn Larsson and Associate Martin Gustavsson. Principal for Origination Lars Eriksson sourced the opportunity for Riverside.

L.E.K., KPMG and Gorrissen Federspiel performed commercial, financial and legal due diligence, respectively. Danske Bank provided financing for the transaction. Audon A/S, an M&A International Inc. firm, advised DPA Microphones.

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About The Riverside Company
The Riverside Company is a global private equity firm focused on acquiring growing businesses valued at up to $250 million (€200 million in Europe). Since its founding in 1988, Riverside has invested in more than 320 transactions. The firm’s international portfolio includes more than 70 companies.
www.riversidecompany.com or www.riversideeurope.com

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

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Related Topics: News |

Funky Junk Supplies Royer Mics For The Stereophonics Latest Tour

The Stereophonics, one of Britain’s most instantly recognisable bands, have just completed a major UK arena tour to promote their new album Graffiti On The Train.

The equipment list for the tour included three Royer R-121L ribbon microphones, which were supplied by Royer’s UK distributor Funky Junk.

Royer’s R-121 Ribbon Microphone is renowned for its ability to bring an extremely natural and realistic analogue sound to digital recording and live stages. The TEC Award winning R-121L, the ruggedized and more road-worthy ‘live’ version of the microphone, has been specifically designed to withstand the rigours of live touring. Royer won the prestigious 2013 Technical Grammy partly for their R-121, the first ribbon microphone suitable for close-miking electric guitar and other high SPL sound sources.

The microphones were chosen for the Stereophonics tour by FOH engineer Dave Roden who wanted to continue with their ongoing ethos of constant improvement of the overall sound quality at their live gigs.

“I haven’t used Royer R-121 microphones in a live situation before, but the band have used them in the studio and been very happy with the results they have achieved,” Roden says. “I have also heard them being used by other FOH engineers whom I greatly admire, (Jim Ebdon and Marc Carolan for example) and have always been really impressed with the results. I decided to use them, too, in order to up our game.”

Dave Roden was confident that incorporating Royer R-121 ribbon microphones into his live equipment arsenal would help him capture lead vocalist/guitarist Kelly Jones and lead backing vocalist/guitarist Adam Zindani’s individual guitar tones, as well as the raw energy for which the Stereophonics are famous.

“The band members have all moved on to IEM’s (in ear monitors) and they were hearing things completely differently to the way they’ve been used to with wedges,” Dave Roden explains. “In order to adapt, some of the on-stage sources required a more hi-fi approach. This was a challenge for everyone involved, but was a very positive and necessary step in respect to the future performance capabilities of the band, and gave our Monitor Engineer Dave Retson and myself the perfect opportunity to significantly upgrade our mic stock. Both the band on stage and the audience in the arenas were very happy with the guitar sounds they were hearing when we used the R-121L’s on the tour.”

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About Funky Junk:
Funky Junk is Europe’s leading supplier of new and refurbished professional recording equipment and services. It has offices in London, Paris, Milan and Vigo and has been in business for over 20 years. The company is renowned for its high level technical knowledge, backed by extensive workshop facilities. As well as handling sales and repairs, Funky Junk also acts as a distributor to a number of equipment brands and deals with their service and warranty.

For more information please visit www.proaudioeurope.com

Prism Sound Launches ‘Bitesize’ Webinars

The enormous success of Prism Sound’s Audio Design Workshop LIVE event at the 51st AES Conference in Helsinki has inspired the company to launch a new, free webinar series – Audio Design Workshop: Bitesize.

The Bitesize series delves deeper into the audio engineering and measurement topics already discussed in Prism Sound’s popular Wednesday Webinars series. These free seminars, which are available to download from the Prism Sound website, have already covered a range of technical issues surrounding audio test and measurement and are now widely regarded as a valuable educational resource for audio engineers working in a diverse range of industries.

The launch of Audio Design Workshop: Bitesize takes the concept a stage further by delivering a detailed insight into modern testing techniques and their underlying theory. Each webinar will last roughly 30 minutes, ensuring it remains concise and relevant.

The first Bitesize webinar will take place on December 18th 2013 at 14.00 and 18:00 (UTC/GMT). This inaugural seminar will cover FFT Fundamentals and will discuss the six essential steps in audio test and measurement:
• Why you need to understand Fourier Theory
• The significance of the Time-Frequency Relationship
• DFT/FFT and why they matter
• How to choose the right window function for your measurement
• Avoiding the ‘Picket-Fence’ effect and the errors it may bring
• Make the most of your FFT – special measurement techniques
Each webinar will include live demonstrations and a Q&A session.

Anyone wanting to attend should register at www.prismsound.com/webinars to receive their session login details. Please check the Prism Sound website for information about future Bitesize webinars.

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About Prism Sound
Founded in 1987 in Cambridge, UK, Prism Sound manufactures a range of high quality professional test equipment for audio applications. The company is organized in three divisions and in addition to audio test equipment, Prism Sound also manufactures equipment for high-quality recording and production for music and sound applications and for voice-logging recorders used in law enforcement, legislative and business applications. Prism Sound audio test equipment is used by many major consumer electronics brands in automotive, home entertainment, personal mobile, communications and other market sectors as well as most of the world’s leading broadcasters including the BBC. Prism Sound’s music recording products are widely used by leading professionals in music and film sound such as the legendary Abbey Road Studios in London.

For more information: www.prismsound.com

DPA Microphones Win Popolski Family Approval

Members of the popular German cabaret act The Popolski Family are so delighted with their recently acquired DPA microphones that they have made a short video extolling their virtues for DPA’s German distributor, Mega Audio.

The comedy-music show is currently using three DPA d:vote™ 4099 Instrument Microphones to capture the sound of its accordion and brass section.

Sound engineer Hans Wollrath, who is also CEO of The Popolski Family company, says: “The performance of these microphones has been outstanding and the hardware, cables and connectors appear to be virtually unbreakable. We have been really pleased with the sound they have delivered. They are very reliable in a touring environment because they are so tough, and they are equally good for video and television appearances because they are so small and unobtrusive.”

Founded in 2008 by Achim Hagemann under the pseudonym Pavel Popolski, The Popolski Family plays 70 live dates a year in Germany and is seen annually by more than 100,000 people. The show revolved around a pseudo-Polish family of musicians who weave popular rock classics into a comedy framework.

To see the Popolski DPA Microphones video, please follow this link:

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

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Related Topics: AES Newslink, Microphones |

DPA’s d:facto™ Vocal Mics Hit the Road on MKS Tour


DPA’s d:facto™ II Vocal Microphones have been proving their flexibility and giving great performances on tour with MKS, the original Sugababes line-up.

The mics have also been at work in the prestigious setting of the world-famous Ronnie Scott’s Jazz Club in London. Charlie Dale, in-house engineer at Ronnie Scott’s and Front of House engineer for the band MKS and US rapper Angel Haze, is using DPA d:facto II Vocal Microphones across all these very different setups.

It was at Ronnie Scott’s that Dale first came across the microphones. DPA’s UK distributor Sound Network lent the club a unit to try out and Dale was immediately impressed.

“They instantly became my mic of choice for lead vocals, surpassing two big brands I had been using previously,” he says. “‘The d:facto’s mostly flat frequency response until its soft boost at 10 kHz gave me the ability to sculpt a very true representation of the performer’s voice with clear highs so that I don’t have to fight against feedback to pull out, and with all the warm tone one would expect from many jazz vocals.”

Dale decided that for the same reasons he wanted to use it on his pop gigs, again allowing him to easily create vocal sounds on a par with the studio-quality vocals of the artists’ records. And it’s not just the engineers who delight in the sound of the d:facto II Vocal Microphones.

“With performers, the clarity of the mic is often commented on,” Dale adds. “It allows a vocalist to hear the nuances of their vocal and gives them more control, even through loud stage wedges.”


Dale has had the opportunity to work with many big-name microphone brands in his career but, after hearing the d:facto, he believes that none of them offer the clarity and tone he wants from a live vocal.

“With MKS, all three of the girls have very different and distinct-sounding voices, and the d:facto II Vocal Microphone handled all of them with ease,” he says.

Dale’s work with rapper Angel Haze could hardly be more different.

“She rarely sings on a gig,” Dale explains. “Instead, she spends most of the time rapping hard and fast into the capsule at close proximity, often cupping the mic as many rap artists do. But the d:facto II handles all this well, making it much easier for me to pick up every syllable she spits out without loss of tonal quality on her vocal.”

Dale’s criteria for an excellent microphone are, he says, clarity, tone, excellent feedback rejection and low off-axis noise. To date, artists who Dale has used DPA’s d:facto with have all been very positive about the microphone, as have other engineers.

“Having a great vocal sound is often the hardest part of the mix, especially on noisy stages, and the d:facto helps on that front by offering a very clear and clean initial signal,” he says. “Its linear off-axis response means that what little bleed there is from wedges and back line is very clear, un-distorted and, most importantly, low-level, allowing me to get a great vocal sound every time, no matter how big or small the room, what the musical style is and how loud the band are. Studio-quality vocal tone on every gig – how could I say no to that?”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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