A virtual press conference from Sound & Video Contractor

Archive by Summer McLennan

Calrec Audio IBC2014 Product Preview, Stand 8.C58

Calrec Products at IBC2014

Summa Audio Console
At IBC2014 Calrec will showcase its new Summa audio console. The Summa console is designed for broadcast professionals who need a straightforward solution for producing creative and engrossing broadcast audio, but not all of the resources offered by Calrec’s Apollo and Artemis consoles.

Designed to ensure intuitive operation in live broadcast applications, Summa simplifies even complex workflow tasks, such as creating mix-minus feeds, with a highly intuitive GUI suitable for a broad range of operator levels. Users control the console via a 17-inch multitouch screen inspired by familiar tablet technology. The crisp high-resolution display provides elegant controls and a clear presentation of information. The console’s other large displays are fully configurable to display bus, output, and loudness meters, and they feature dedicated metering, routing, and processing information for each fader.

Photo Link: www.wallstcom.com/Calrec/Calrec-SummaLongshot.jpg
Photo Caption: Calrec’s Summa Broadcast Audio Console

Company Quote:

“IBC is the leading industry event for Europe, but it also attracts an international audience. We look forward to showcasing our new products at the show this year and look forward to the feedback from our customers and partners in the region.”
– Henry Goodman, Head of Sales and Marketing, Calrec Audio

Company Overview

Calrec Audio is exclusively dedicated to excellence in audio mixing for on-air and live production. A broadcast specialist for 50 years, Calrec has developed a range of digital consoles relied on by the world’s most successful broadcasters. For putting sound in the picture, broadcasters put their trust in Calrec. More information is available at calrec.com and community.calrec.com.

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RTI Now Shipping Next-Generation RK1+ In-Wall Keypad

Completely Customizable and Easy on the Budget, 2-, 4-, or 8-Button Keypad Offers Intuitive Control

SHAKOPEE, Minn. — July 24, 2014 — Remote Technologies Incorporated (RTI) has announced that the company is now shipping its next-generation RK1+ in-wall keypad, available in 2-, 4-, and 8-button models. The new RK1+ offers the same rock-solid control as its predecessor, while offering upgraded installation flexibility and even greater value. Each unit now includes multiple faceplate and button colors in addition to a custom-engraved button set option for a completely customizable, intuitive control experience at an affordable price.

Designed to match the décor of any room, the RK1+ offers white, black, and light almond faceplate and keycap kits, while the button backlight can be configured to 16 different colors on each button. For a high-end look and even more intuitive control experience, the unit also ships with a certificate for one set of custom engraved button keycaps using RTI’s Laser Shark(R) service. This allows installers to create customized button keycaps featuring graphics and text for a control experience specific to each individual installation.

Simple to install, the RK1+ fits in a single-gang electrical box and is compatible with any standard Decora(R) type wall plate. Offering direct control of electronics via an integrated IR output, the device can also be used with RTI control processors and accessories for even more powerful capabilities, including two-way control, as it provides visual feedback via the configurable backlight color. Programming the unit is quick and easy with RTI’s award-winning Integration Designer(R) software.

“With multiple colors and custom engraving options included with every unit, the RK1+ allows dealers to offer their clients intuitive, basic control that is affordable enough to include in every room,” said Pete Baker, vice president of sales and marketing for RTI. “Of course, if more advanced control features are required — whether it’s RS-232, IP, relay, or sensing — the keypad’s capabilities can easily be expanded when incorporated into an RTI control system.”

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About Remote Technologies Incorporated (RTI)
Remote Technologies Incorporated (RTI) is a leading control systems manufacturer offering innovative, sophisticated, and user-friendly devices for professionally installed electronic systems. The company’s wide array of award-winning handheld and in-wall universal controllers, central processors, audio distribution systems, and accessories are marketed exclusively through a worldwide network of professional integrators. For complete control and monitoring over electronic systems from virtually anywhere in the world, the power of RTI is available on iPhone(R), iPod touch(R), iPad(R), and Android(TM) devices through the company’s RTiPanel application, just as the award-winning RTI Virtual Panel program offers access and control via any PC running Microsoft(R) Windows(R). All RTI solutions are programmed through the company’s world-renowned Integration Designer(R) software, easily allowing dealers to provide a completely customizable user interface for intuitive command over the entire electronics system.

Founded in 1992 with a committed focus on the custom installation market, RTI offers a number of award-winning support and incentive programs to its dealers, including educational opportunities through the Advanced Control University (ACU), and the popular Control Bucks and Dealer Accommodation programs. In addition, through RTI’s Integration Partner Program, the company has reached out to manufacturers across the industry to ensure that RTI products integrate seamlessly with a wide variety of components and systems.

Additional information on RTI and its innovative control solutions is available at www.rticorp.com.

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

PR Link:
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SMPTE IBC2014 Preview

Visit the Society of Motion Picture and Television Engineers (SMPTE) at IBC2014 in Partnership Village, Stand 8.F51f

SMPTE at IBC2014

Technical Sessions
SMPTE members will lead a variety of sessions during the IBC2014 exhibition. The Society will offer “Laser Projectors Part 1: Seeing is Believing” and “Laser Projectors Part 2: Is the Devil in the Details?” as part of the IBC Big Screen Experience. Produced and chaired by Peter Ludé, past president of SMPTE, the session will address the impact of laser projection technology on digital cinema and provide a look at breathtaking images shown on the Big Screen Experience’s 6-Primary laser projection system from Christie. SMPTE will also co-produce “Go With UHD-1, or Wait for UHD-2?” as part of the IBC Technical Stream. In this session, Dr. Hans Hoffmann, past SMPTE standards vice president, and Howard Lukk, a SMPTE standards director, will lead a discussion with major players in this space to explore strategies and standards for content creation and delivery to the home. Additional sessions featuring SMPTE members include “Trifocal Camera Systems” as part of the IBC Big Screen Experience; and “Movie-making in the Matrix,” presented by SMPTE Governor Richard Welsh, who will join fellow experts in examining virtualized movie production. SMPTE will also present “EDCF Global D-Cinema Update,” in which an impressive array of SMPTE panelists — including SMPTE Governor Angelo D’Alessio — will bring attendees up to speed on the latest business and technology developments in digital cinema.

As an IBC2014 partner, SMPTE is once again supporting the Rising Stars program, which offers exclusive conference sessions tailored to tackle the topics most important to young professionals. This popular program gives new entrants to the broadcast industry the opportunity to meet top industry experts across a series of specially staged sessions and events. Throughout the show, SMPTE members will volunteer their time and expertise to provide guided tours of the exhibition floor to Rising Stars participants. Through this program, SMPTE helps to foster the successful rise and advance of young creative, business, and technology professionals working within the industry. A complete list of sessions for the two-day program is available at www.ibc.org/page.cfm/ID=869.

SMPTE Announcements at IBC2014

The SMPTE 2015 Forum in Berlin, produced in collaboration with FKTG, has been officially confirmed, and the Society will announce details at IBC2014. The rapid convergence of connectivity, bandwidth, and media technology improvements, coupled with consumer interest, has led to a rapid increase in Web-based media distribution. This conference will explore the “old” and the “new” in the context of the technology required to deliver a compelling entertainment experience over the Web. Examining related opportunities and challenges from a European perspective, this unique two-day event at Fraunhofer Institute for Open Communication Systems (FOKUS) will provide fresh perspectives to help engineers, creatives, and researchers understand the technical trends that drive the future of media over the Internet.

Save the Date! SMPTE representatives will also provide information about the 2015 HPA Technical Retreat, scheduled for Feb. 9-13, 2015, at the Hyatt Regency Indian Wells in Indian Wells, California. Registration is open for the SMPTE 2014 Annual Technical Conference & Exhibition (SMPTE 2014), which will take place Oct. 20-23 in Hollywood, California. Further details on presentations and speakers will be announced during IBC2014.

SMPTE Products at IBC2014

Ideal for the studio, shop, or truck, the SMPTE CamWhite pocket chart is a consistent and reliable neutral white reference with a sturdy laminated surface. Enabling users to white-balance cameras to a scene’s primary light source with precision, CamWhite charts are a versatile tool for improving the production value of images — saving both time and money in post. The standard CamWhite chart measures 6.3 inches by 3.75 inches, but larger formats are available.

SMPTE also will feature its CamBook(R) 3, which helps users to align and set up cameras to REC 709, compare/match camera makes and models, and test lenses for colorimetry and resolution. CamBook 3 works in conjunction with the SMPTE-branded DSC Labs OneShot(TM) pocket chart, which provides all of the color and luminance information necessary to match and reproduce color in dailies footage.

Photo Link: www.wallstcom.com/SMPTE/SMPTE-CamWhite-PocketChart-Drawing.jpg
Photo Caption: SMPTE CamWhite Pocket Chart

SMPTE Publications and Resources at IBC2014

Throughout IBC2014, SMPTE staff will be available on the stand to discuss current trends and answer questions about SMPTE activities, resources, and publications. One of those publications, the latest “SMPTE Standards Quarterly Report,” was released in July following the June meeting of the SMPTE Standards Committee in Tokyo. The Standards Report summarizes the current progress of SMPTE committees working to create, approve, revise, and remove standards for the industry. Copies of the September 2014 SMPTE Motion Imaging Journal’s “Progress Report” issue, the Society’s key publication, will be available on the stand. The issue will focus on trends and developments in the motion-imaging industry. Readers may access Journal content from 1916 to the present from the SMPTE Digital Library available at library.smpte.org. The SMPTE Digital Library provides one-stop access to SMPTE resources so that professionals can stay informed about the latest technology and industry research.

A complete listing of SMPTE publications is available at www.smpte.org/publications.

SMPTE also will highlight its new mobile app for use with iOS, Android, and Web-based operating systems. Available to anyone, the free app was designed to provide useful information and updates to SMPTE members and also serve as a convenient quick-reference guide for anyone interested in learning more about the Society. Users can access breaking news, updates on upcoming educational events, local Section information, the SMPTE Digital Library, test materials, details about membership benefits, social media, and multimedia in one easy-to-use package. The SMPTE mobile app is available for download on iTunes and Google Play, and a Web-based version for other operating systems is available at http://smpte.mobapp.at.

Photo Link: www.wallstcom.com/SMPTE/SMPTE-Mobile-App-screen.jpg
Photo Caption: SMPTE Mobile App

Membership Services

SMPTE Manager of Member Relations Roberta Gorman, members of the SMPTE Sections’ Board of Managers, and members of the SMPTE Board of Governors will be on hand at IBC2014 to discuss membership benefits and the Society’s role in international standards and interoperability. In addition, prospective members will be able to join and existing members may renew their memberships on-site.

Company Quote:

“The IBC2014 show comes at an exciting time for SMPTE. We look forward to highlighting recent developments not only in our education and standards work, but also in our expansion as an organization to support both the technical and creative communities dedicated to moving imagery. We’re particularly excited about our consolidation with the Hollywood Post Alliance, which brings to SMPTE the voice of a strong creative community, as well as the enormous popularity and importance of SMPTE members’ research in key areas driving our industry forward. We are confident that, whether new to the industry or an experienced expert, any visitor to the SMPTE stand or attendee at our technical conference sessions will find it an engaging and worthwhile experience.”
– Barbara H. Lange, Executive Director of SMPTE

Company Overview

The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a professional membership association, is the preeminent leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem, worldwide. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines.

The Society is sustained by more than 6,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections throughout the world. Through the Society’s partnership with the Hollywood Post Alliance (HPA), this membership is complemented by the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at www.smpte.org/join.

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Forbidden’s Forscene Cloud-Editing Platform to Play Bigger Role as IBC TV Expands

LONDON — July 22, 2014 — Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud-based video post-production platform Forscene, announced today that the product will serve as one of the core technologies behind IBC TV’s expansion into year-round programming. And, for the first time, Forscene will play a role in managing video content for the prestigious IBC2014 Innovation Awards.

“We have partnered with IBC TV for the past six years to provide access to news footage during the week of the show, and now IBC TV will get even more value out of that partnership by using Forscene to make show footage available all year long,” said Greg Hirst, business development director, Forbidden Technologies plc. “Now anyone who is authorised will be able to use Forscene to tap into IBC TV’s wealth of content and reuse it long after IBC is over.”

IBC TV, the official TV and webcasting channel for the International Broadcasting Convention (IBC) held each September in Amsterdam, will go from broadcasting one 20-minute program per day during the conference to 12 hours of continuous programming each conference day. Forbidden will supply IBC TV with unlimited access to the Forscene cloud and a 20-megabit uplink to a local Forscene server for video uploads during the show. Clip names and other metadata will be added at the point of ingest so that content will be searchable in Forscene. From there, authorised exhibitors and broadcasters can use Forscene to view and select material that they would like to use in their own programming.

“The idea behind this expansion was to transform IBC from a weeklong event into a year-round resource,” said Sue Robinson, producer, IBC TV. “Now we will not only be able to get the content out to more news outlets and encourage more reuse during the show, but after the show as well.”

Forscene will also be used to provide remote access to the IBC2014 Awards entries. Awards entrants will upload the high-resolution version of their video submission into Forscene over a standard Internet connection using the Web upload option. Various IBC repesentatives across different geographies will then use Forscene to access the entries — in both proxy and high-resolution form — to perform quality control, administrative review, and content preparation. Finally, Forscene will be used to deliver the original video source of the award entries to a London post house for production of video elements for the awards show.

“Using Forscene to view and transmit video amongst all of the parties involved will greatly streamline the way we manage the nomination materials,” said Dick Hobbs, video content manager for the IBC2014 Innovation Awards. “This will eliminate the downtime spent waiting for source video to get from one place to another, simplifying the process and creating a more efficient workflow.”

More information about Forscene can be found at www.forscene.co.uk. More information about Forbidden can be found at www.forbidden.co.uk.

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About Forbidden Technologies plc

Forbidden develops advanced technologies that enable media makers and broadcasters to create and distribute compelling viewing experiences to demanding worldwide audiences. Forbidden’s flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform. It allows post-production professionals to make and deliver stories with high quality and production value in demanding, fast-paced landscapes. Quoted on the London Stock Exchange Alternative Investment Market, Forbidden partners with high-profile media and technology organisations, including Atos, BIM, deltatre, EVS, and Key Code Media. More information about Forbidden can be found at www.forbidden.co.uk. More information about Forscene can be found at www.forscene.co.uk.

Photo Link: www.wallstcom.com/Forbidden/Forbidden-IBCTV.jpg

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Revolabs Introduces New Products and Expanded Local Presence at InfoComm India 2014

Country Offices to Exhibit Unified Communication Solutions at Leading A/V Event

SUDBURY, Mass. — July 23, 2014 – Revolabs today announced the company’s innovative product lineup for InfoComm India 2014. Exhibited by the company’s expanded India office, the award-winning showcase will include the Revolabs Executive Elite(TM) Wireless Microphone Systems, USB Conference Phones, and colorful, new Revolabs Elite(TM) Wired Microphones that combine incredible performance with eye-catching aesthetics to satisfy the requirements of any unified communication space.

“A direct investment in the Indian market based on the rapid growth in our region, our newly enhanced facilities allow dedicated staff members to better serve the needs of integrators, dealers, distributors, and customers across the country and at this year’s InfoComm India,” said S.L. Dorairaju, Revolabs’ country manager for India and the SAARC region. “We look forward to meeting attendees at this year’s event and continuing to satisfy our unified communications clientele through exceptional service and support.”

Revolabs solutions exhibited at InfoComm India 2014 include the company’s new Elite Wired Microphones. Available in omnidirectional and directional (cardioid) versions, the units provide a stylish, feature-rich solution for combined installations or spaces that do not require wireless capabilities. Also on display is the company’s flagship Executive Elite Four- and Eight-Channel Wireless Microphone System — the market’s first and only wireless microphone system to offer customers a cloud server option. To set a new standard for audio quality in PC communication applications during meetings and online collaboration, local staff will also demonstrate the Revolabs FLX(TM) UC 500 USB Conference Phone and FLX UC 1000 IP Conference Phone with SIP audio support.

In addition to the New Delhi and Hyderabad offices, the company’s new, local presence in Chennai will provide better sales, service, and support for all of Revolabs’ products, solutions, and customer base across all major cities in the country. The three offices are headed by Dorairaju, a long time industry professional, Namit Saxena, field sales engineer, and Venugopal Maddiboina, regional sales manager.

The address for Revolabs’ main office in India is LGF 69-70 Vijaya Building, 17 Barakhamba Road, New Delhi, 110001, India, and the telephone number is +91 (11) 23321536. More information about Revolabs is available at www.revolabs.com.

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About Revolabs
Revolabs Inc. is the premier provider of audio solutions for unified communications, enterprise collaboration, and professional audio applications across a wide range of markets. Offering unmatched audio quality that allows users to “hear every word,” the company’s teleconferencing and microphone systems are utilized across the globe for a variety of applications, from webcasts and video conferencing to podcasts and broadcasting. Combining the ultimate in flexibility with sleek, stylish form factors, Revolabs solutions cut the cord, facilitating natural mobility by allowing participants to move about a workspace and still be heard, without being held back by wires. Leading the way in innovation, the company continues to add to its portfolio of value-added audio and telephony systems with superior products. Revolabs systems are secure (encrypted), rechargeable (environmentally friendly), and GSM-impervious. The company is headquartered in Sudbury, Massachusetts, and can be reached at +1-800-326-1088 or www.revolabs.com.

PR Link: www.ingearpr.com/Revolabs/140723Revolabs.doc

Photo Link: www.ingearpr.com/Revolabs/Revolabs_Dorairaju.jpg
Photo Caption: S.L. Dorairaju, Revolabs’ Country Manager for India and the SAARC Region

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Quantum IBC2014 Preview, Stand 7.B26, Sept. 12-16, Amsterdam

Quantum Products at IBC2014

Quantum StorNext(R) is the market-leading storage technology for media and entertainment workflows, enabling high-performance, real-time collaboration and keeping content readily accessible for reuse and remonetization. For more than a decade, the world’s top studios and broadcasters, along with thousands of cutting-edge content creators, have put their trust in Quantum for their most demanding media workflows.

All StorNext solutions are built on the power of StorNext 5, the new generation of Quantum’s award-winning storage platform. StorNext 5 solutions empower media professionals to rethink their workflows for higher performance and cost-effective efficiency. With StorNext 5, they can ingest more content from multiple camera sources, create more content, deliver it on time, and preserve owned content for future monetization.

StorNext(R) Pro Solutions High-Performance Workflow Storage
At IBC2014, Quantum will showcase its StorNext(R) Pro Solutions, which offer postproduction and broadcast professionals three complete high-performance workflow storage solutions.

StorNext(R) Pro 4K addresses the performance and scalability demands of true 4K production. With flash-based metadata performance using the StorNext M445 SSD metadata appliance and scalability provided by StorNext QX-1200 RAID Storage (144 TB raw capacity), this rock-solid storage solution enables efficient 4K workflows, including ingest, post, and delivery. StorNext Pro 4K empowers users to ramp up 4K production and meet aggressive deadlines while staying within budget.

StorNext(R) Pro Studio refreshes or extends existing Xsan deployments with 100 percent compatibility. A complete solution for storage deployment in the production studio, StorNext Pro Studio is ideal for postproduction facilities with aging Xserve(R) systems or with any other aging storage system that is incapable of expanding to meet the user’s growing demands. The solution combines the StorNext M441D metadata appliance with the StorNext QX-1200 RAID storage (48 TB raw capacity) in an integrated solution that is cost-effective and easy to deploy.

StorNext(R) Pro Production enables content owners to manage workflows ranging from production to the creation and maintenance of long-term content libraries. The solution combines the powerful StorNext M662XL metadata appliance, StorNext QX-1200 RAID storage (96 TB raw capacity), and a StorNext AEL500 41-slot LTO-6 library with 102.5 TB raw capacity for cost-effective archiving automated by StorNext Storage Manager. The solution facilitates control, monetization, and long-term management of content by uniting production, review, archive, and LTFS sharing functions in one system, thus offering incredible storage capacity and very high performance.

Photo Link: www.wallstcom.com/Quantum/Quantum-StorNextProStudio.jpg
Photo Caption: StorNext(R) Pro Solutions

StorNext(R) Connect Monitoring and Management
For the first time at IBC, Quantum will introduce StorNext(R) Connect, a new way to monitor and manage StorNext deployments. StorNext Connect dramatically simplifies the process of configuring systems and eases ongoing system management and health monitoring. Through StorNext Connect, customers can install StorNext software, upgrade StorNext clients and servers, restart clients, check status on automated tasks, and troubleshoot performance issues through real-time graphs.

Quantum StorNext(R) Demonstration at IBC2014

During the IBC2014 exhibition, Quantum will feature a demonstration of its StorNext(R) technology in cloud-enabled environments. By building on its leadership in moving media workflows to the cloud and by working closely with its extensive partner ecosystem of leading media management and production automation vendors, Quantum has developed StorNext cloud solutions. These solutions enable wide-scale collaboration on content stored in the cloud without disrupting users’ existing and familiar workflows.

Photo Link: www.wallstcom.com/Quantum/Quantum-SNintheCloudSlide.jpg
Photo Caption: Quantum StorNext(R) in the Cloud

Company Quote:

“IBC is always a great place to engage closely with current and prospective customers and to demonstrate how the latest StorNext developments can benefit their businesses and operations. This year we look forward to showcasing not only the power and robust functionality of our StorNext Pro Solutions, but also the convenience and control that come from StorNext Connect. Attendees also will have the chance to examine ‘StorNext in the Cloud.’ They will see how it allows people to collaborate on content in a secure, private cloud within a familiar, natural workflow.”
– Alex Grossman, Vice President, Media and Entertainment at Quantum

Company Overview:

Quantum is a leading expert in scale-out storage, archive, and data protection. The company’s StorNext 5 platform powers modern high-performance workflows, enabling fluid, real-time collaboration and keeping content readily accessible for future use and re-monetization. More than 100,000 customers have trusted Quantum to address their most demanding content workflow needs, including top studios, major broadcasters, and cutting-edge content creators. With Quantum, customers can Be Certain(TM) they have the end-to-end storage foundation they need to manage assets from ingest through finishing, and into delivery and long-term preservation.

Quantum, the Quantum logo, Be Certain, and StorNext are either registered trademarks or trademarks of Quantum Corporation and its affiliates in the United States and/or other countries. All other trademarks are the property of their respective owners.

Calrec Consoles Drive Audio During World Cup Coverage

Artemis Consoles Used to Create Full Mixes in 5.1 and Stereo Simultaneously

HEBDEN BRIDGE, U.K. — July 21, 2014 – The BBC relied on Calrec Audio’s digital audio consoles during its coverage of the FIFA World Cup beginning in June. The broadcaster used a combination of three rented consoles to mix the audio in Brazil for transmissions in the U.K.

At the International Broadcast Centre (IBC) in Rio de Janeiro, two 24-fader Artemis Light consoles served as the first point of control in the signal path, responsible for submixing all sound associated with the matches and creating simultaneous 5.1 and stereo mixes. In addition, controlled commentary and controlled effects were passed on to all other users including the edit suits in the IBC, the various multiplatform control suites in the U.K., and the BBC’s studio broadcasting center (SBC), also in Rio.

At the SBC, a 56-fader Artemis Beam was used to combine the submixes from the IBC with other sources, including studio mics, postproduction playbacks, contributions from venue reporters/presenters, and audio-only playback such as music, sound effects, and voice recordings. These were all mixed into final 5.1 and stereo feeds and then passed on to the transmission network in the U.K.

“The BBC is our oldest customer and we have a long history of collaboration to ensure the products evolve to meet its needs,” said Jim Green, Calrec’s U.K. sales manager. “We’re always eager to support major projects like the World Cup broadcast from Brazil, where the BBC has taken advantage of Calrec functionality to make the whole workflow more efficient.

“Technology and viewer expectations are always moving forward, so each tournament faces new challenges that require better solutions,” Green added. Since the last World Cup there has been advancement in surround sound and loudness regulations, and this year the BBC has incorporated augmented- reality visual effects that bring their own set of audio-visual synchronization challenges. Calrec works closely with its customers to stay abreast of the technology and evolving requirements.”

Information about Calrec and its products is available at calrec.com.

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About Calrec Audio Ltd.
Calrec Audio is exclusively dedicated to excellence in audio mixing for on-air and live production. A broadcast specialist for 50 years, Calrec has developed a range of digital consoles relied on by the world’s most successful broadcasters. For putting sound in the picture, broadcasters put their trust in Calrec. More information is available at calrec.com and community.calrec.com.

All trademarks appearing herein are the property of their respective owners.

Visit Calrec Audio at IBC, Stand 8.C58

Photo Link: www.wallstcom.com/Calrec/Calrec-BBC-DaveinStudio.jpg
Photo Caption: Dave Lee, Lead Sound Supervisor, BBC Sport

Photo Link: www.wallstcom.com/Calrec/Calrec-Artemis-closeup.jpg
Photo Caption: Calrec’s Artemis Audio Console

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BenQ’s Ultra-Short Throw Projectors Bring Setup Simplicity and Interactive Tools to Classrooms

New MX852UST and Award-Winning MW853UST Combine Flexible Installation, Interactive Software, and Colorific(TM) Image Quality

COSTA MESA, Calif. — July 17, 2014 — BenQ America Corp., an internationally renowned provider of Classroom IQ solutions and the No. 1-selling DLP(R) projector brand in North America(1), today unleashed its newest interactive classroom tools: the MX852UST and MW853UST ultra-short throw projectors. Designed to bring Colorific(TM) image quality, easy installation, and PointWrite(TM) interaction to today’s students, teachers, and learning institutions, the devices deliver more than one billion bright colors, provide impressive cost savings, and enable more collaborative classroom experiences while reducing total cost of ownership (TCO). more

Primestream, IBC2014 Preview, Stand 7.D21

Products on Display at IBC2014:

FORK Production Suite v4.6
At IBC2014, Primestream(R) will show FORK(TM) Production Suite v4.6, the latest version of its acclaimed software platform for managing the automation of the most complex broadcast workflows. With new modules, functionality, and integrations with the leading broadcast hardware and software vendors, FORK v4.6 is the most extendable, configurable, and powerful version of FORK ever released and includes major revisions to the underlying structures of the version that debuted at the 2014 NAB Show. These upgrades increase overall system responsiveness and provide for the handling of a vastly increased quantity of media assets.

These many improvements position FORK for the support of H.264, H.265, and mXF formats as well as 64-bit and 4K workflows. Behind this thinking is the intent that its customers feel secure that investments they make today pay big dividends in the future as they move toward the adoption of new formats and standards. FORK v4.6 also includes deep two-way integrations with nonlinear editors like Adobe(R) Premiere(R) Pro, Avid(R) Media Composer(R), and Apple(R) Final Cut Pro X(R). The integrations support edit-while-capture workflows with XDCAM(R), ProRes(R), and AVC-Intra(R) — empowering sports, news, entertainment, and corporate video operations to use industry-leading NLEs — while gaining the benefits of the FORK media asset management and automation platform for I/O, logging, tagging, proxy editing, workflow management, and archiving.

Photo Link: www.wallstcom.com/Primestream/Primestream-FORK4-6ProductionSuite.jpg
Photo Caption: FORK(TM) Production Suite v4.6

FORK Xchange Suite v3.0
Making its European premier at IBC2014, Primestream(R) will demonstrate FORK(TM) Xchange(TM) Suite v3.0, a major upgrade to the application that gives broadcasters instant Web access to content on their FORK Production servers from any Windows(R), Mac(R), or tablet device. Xchange v3.0 features a completely redesigned iPad(R) interface optimized for Apple(R) iOS 7. Also new in Xchange, users can now manage non-video files such as audio, image, document, and project files. Direct integration with multiple transcode engines for proxy rending is also made available in Xchange v3.0.

Other new features and capabilities include:

* Xchange Uploader: Allows users to submit raw or finished packages directly into the FORK production environment via a Web-based interface.
* Xchange Downloader: Allows users to download source content in order to edit final packages locally, with the ability to choose among multiple qualities to download.
* Xchange Partial File Download: Users can download sections of media, allowing faster download workflows and eliminating the need to download entire media.
* Quick, Cuts-Only Editing: Allows users to create a rough cut with footage in Xchange and send the timeline to the FORK Production environment for distribution.

Photo Link: www.wallstcom.com/Primestream/Primestream-FORKXchangeSuite3.jpg
Photo Caption: FORK(TM) Xchange(TM) v3.0

Archive Bridge v1.0
Making its European premier at IBC2014, Archive Bridge(TM) v1.0 is a new module for the FORK(TM) Production Suite that provides tight integration between industry-leading archival solutions and the FORK media asset management and production automation platform. Archive Bridge enables disaster recovery workflows and interconnects multiple production environments with a central archive point — adding essential visibility into the archival workflow and allowing facilities to make the most of their archiving dollars.

Photo Link: www.wallstcom.com/Primestream/Primestream-ArchiveBridgeUI.jpg
Photo Caption: FORK(TM) Archive Bridge(TM) v1.0

FORK Logger With STATS Makes European Debut
Making its European debut at IBC2014, FORK(TM) Logger, the metadata tagging module in the acclaimed FORK Production Suite, now integrates with in-depth data feeds from STATS, the global leader in sports information, technology, and content. With this service, FORK Logger users can start their sessions with prepopulated placeholders that contain rich event data, such as team name, location information, rosters, conference name, and win/loss records, pulled from the STATS feed. Working from these populated placeholders enables users to avoid manually entering data, which increases the accuracy of the descriptive information.

Photo Link: www.wallstcom.com/Primestream/Primestream-Logger-sports.jpg
Photo Caption: FORK(TM) Logger for Sports

Company Quote:
“In response to customer feedback, we have been hard at work further future-proofing the foundations of the FORK ecosystem. With a completely rebuilt foundation, FORK is ready for the UHD future and our customers have a roadmap to take their operations to the next level.”
– Claudio Lisman, Primestream President and CEO

Company Overview:
Primestream(R), a leader in advanced automation and asset management software, offers a seamless end-to-end platform for the digital acquisition of live and file-based content, editing, logging, control room and master control playback, Web publishing, smartphone video contribution, and archiving. Primestream’s proven solutions are implemented by some of the world’s leading broadcasters, uplink service providers, online digital media operations, corporations, and production/postproduction facilities — and is ideally suited for multisite operations. More information is available at primestream.com.

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Digigram Sound Cards to Enable New Radio and TV Broadcast Workflows at Korea’s KBS

High Reliability, Interoperability, and Quality of Digigram Sound Cards Assure Smooth Integration and High Performance in Advanced Broadcast Operations

MONTBONNOT, France — July 17, 2014 — Digigram today announced that Korean national broadcaster KBS is integrating Digigram sound cards with an Adsoft radio broadcasting system and a Dalet recording, editing, and media asset management system in an installation designed to enhance the quality and continuity of KBS radio and television programming.

“We have used Digigram sound cards for more than a decade, and the company’s products were the clear choice as we began planning our new radio and television production system,” said Yun Seong Lee, manager of the radio technology department at KBS. “The Digigram cards integrate very smoothly with our preferred broadcast systems, and we are confident that they will provide the quality and stability essential for creation of a top-tier broadcast solution.”

The audio quality and reliability of Digigram’s professional sound cards have set industry standards in broadcast and other demanding pro audio markets such as archiving, logging, postproduction, recording, and public address. In concert with the company’s Software Development Kit, Digigram sound cards offer unique dedicated functions for the entire audio production chain, including field recording, ingest, editing, production, live-assist, routing, play-out, and logging.

“This deployment will demonstrate that broadcasters of all sizes can depend on Digigram sound cards and count on their interoperability with key third-party solutions,” said Nancy Diaz-Curiel, APAC sales manager at Digigram.

“We have been working with Digigram for decades to provide broadcasters like KBS fully integrated, high-quality audio workflow solutions,” commented Raoul Cospen, director of marketing and business development at Dalet. “With a new state-of-the-art platform, featuring Digigram sound cards and Dalet Radio Suite’s automation and media asset management, KBS will be able to create compelling content faster and more efficiently.”

“The integration of Adsoft software with Digigram sound cards yields a powerful and reliable solution that we’re confident will be a model for radio broadcasters across Korea and beyond,” added David SW Che, managing director at Adsoft.

More information about Digigram and the company’s products is available at www.digigram.com or by phone at +33 4 76 52 47 47.

# # #

About Digigram
Positioned at the convergence of professional audio and video with IT, Digigram offers IP-based solutions that enable users worldwide to increase their competitiveness through change.

The company’s products enable the reliable capture, production, and delivery of high-quality audio and video over IP networks. Its innovative IP audio codecs, professional sound cards, and audio processing software are used by thousands of journalists, broadcasters, and audio engineers worldwide. Digigram’s all-IP video product line provides advanced contribution and distribution solutions to broadcast, IPTV, Web TV, and OTT operators. The company also delivers key audio/video technologies and OEM solutions to software vendors and manufacturers.

For more than 25 years, through constant innovation and the development of fruitful partnerships, Digigram has been influential in energizing the industry, raising standards, and pushing forward technological development.

Further information on Digigram and its product portfolio is available at www.digigram.com.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/Digigram/Digigram-NancyDiaz-Curiel.jpg
Photo Caption: Nancy Diaz-Curiel, APAC Sales Manager, Digigram

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