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Archive by Summer McLennan

The Refuge Selects LynTec Relay Panels for New North Carolina Campus

RPCRs Bring Remote Power Sequencing to House of Worship’s Light and Audio Applications

LENEXA, Kan. — July 29, 2014 — LynTec, a leading manufacturer of customized electrical power control solutions for professional audio, video, and lighting systems, today announced that the company’s award-winning RPCR relay panels have been selected for The Refuge’s new campus in Kannapolis, North Carolina. Featuring remote control capabilities, LynTec’s RPCR-48 and RPCR-24 provide remote sequencing capabilities to the house of worship’s light and audio systems, without the need to redesign the church’s current system.

The Refuge’s new Kannapolis campus features state-of-the-art sound and light systems that turn sermons, concerts, and other church events into immersive audience experiences. To add simple remote sequencing and control, easy status updates via the Web, and the ability to power down equipment completely, integrator WAVE turned to LynTec’s award-winning RPCR-48 and RPCR-24 relay panels. Featuring a built-in Web server to bring remote electrical control to any large assembly space, the RPCRs add easy branch circuit control and monitoring to any existing breaker panel regardless of brand, make, or model.

“The Refuge was looking for a power management solution that could add the ability to sequentially power down the facility’s surround audio system, HD video components, and concert lighting in order to protect equipment from potential damage and increase the longevity of their systems’ use,” said Justin Hames, director of engineering/modeling, WAVE. “By integrating LynTec’s RPCR relay panels, the client can now turn systems on and off without any risk to equipment performance, while adding the capability to monitor the status of panels easily from the Web. The result is both intelligent power protection and advanced monitoring capabilities from any Web-enabled device.”

LynTec’s RPCR panels add easy on/off control to any existing circuit breaker panel installation and are compatible with popular control systems such as ETC(R), Creston(R), and AMX(R). In addition, the units offer the ability to control relays directly via TCP/IP, DMX, RS-232, or contact closure control systems. Featuring brownout protection, RPCRs will automatically shut down selected circuits during under-voltage situations and power-up as programmed when voltage regains stability. The units also provide emergency power-on for egress lighting and shutdown capabilities for amplifiers with contact closure inputs from fire alarms. Thanks to the RPCRs’ built-in Web server and browser-based interface, users can simply set up, troubleshoot, control, and monitor relay status remotely. Further, the system keeps users aware of any potential emergencies by sending alert notifications via text or email to warn of voltage anomalies.

“The ability to power down equipment sequentially provides both fail-safe protection against potential damage and the ability to bring greater energy-efficiency to large A/V/L installations through the elimination of phantom power,” said Mark Bishop, president of LynTec. “Designed specifically for houses of worship, schools, performing arts centers, auditoriums, and other large assembly spaces, our award-winning panels allow The Refuge staff to control power remotely from any smartphone, computer, or tablet device to add another level of protection to their investments. We are extremely pleased to participate in such an innovative project; it provides the perfect example for demonstrating the flexible potential of today’s power management technology.”

More information on LynTec’s RPCR panels and full line of products is available at www.LynTec.com.

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About LynTec
LynTec is a leading manufacturer of remotely operated AC power control systems for the professional sound, lighting, and video industries. The company offers both electrical protection and circuit switching capabilities within the same enclosure — saving space, lowering installation costs, and building trusted relationships with system designers. LynTec’s continuous growth in electrical and expanded lighting control, energy monitoring, built-in power conditioning, and mobile applications positions the company as a leading resource for the A/V and lighting industries and an integral partner for sustainable energy practices. More information is available at www.LynTec.com.

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Archimedia Announces Enterprise Media Player for Any Media Professional, Regardless of Expertise

Designed for Operations Budgets, Player Is Free With Active Support Agreement

DELRAY BEACH, Fla. — July 24, 2014 – Archimedia Technology, a company whose technology and applications bring precise multiformat viewing to the professional’s desktop, TV, UHDTV, and infrastructure, today released the Archimedia Enterprise Player, which comes free with an active support agreement. The new product is designed for all stakeholders — expert or not — who must be able to view professional video reliably and precisely in order to do their jobs, especially those who need specialized technical support to deal with professional media.

Enterprise Player users could range from those who lack the technical expertise to use professional video tools, to video experts who simply need to review their work without tying up an edit suite. They could come not only from media and entertainment organizations, but from any business that uses video in its operations, advertising, training, public relations, websites, exhibitions, public areas, and employee desktops.

The Enterprise Player is appropriate not only for professional editors, colorists, and compressionists, but also for nontechnical supervisors, project managers, salespeople, lawyers, caption spellcheckers, customer support staff, event coordinators, conference room service technicians, set designers, writers, producers, videotape dubbers, data I/O technicians, and anyone else associated with that business — all of whom must work together to keep the video projects and the business on track.

“The Archimedia Master Player is the world’s most sophisticated and precise professional media player, and it has become the reference standard in major movie studios, archives, and broadcast networks around the world. Now we’re bringing the expertise and software tools that we developed for the studios to anyone needing quality and precision in everyday viewing,” said Mark Gray, Archimedia president and CEO. “Archimedia’s new Enterprise Player is intended to find its way into the office of every producer and executive — and the offices of their staff. In the past, people used VTRs when they needed to view video. Now that type of convenience and efficiency is available with the Archimedia Enterprise Player on any desktop or laptop.”

The Enterprise Player serves a dual purpose. First, it replaces the VTR and videotapes that used to serve as the universal sharing device. Anyone who has installed the Archimedia Enterprise Player can simply double-click on a file to play it. At the same time, the Enterprise Player augments the robust Archimedia Master Player, giving expert users a fast, accurate, reliable media player with which to check their work or view media-specific data.

Perfectly suited for users who have limited experience working with the intricacies of professional media, the Archimedia Enterprise Player installs easily on any computer equipped with Windows(R) 7 or 8 by simply downloading the software from Archimedia’s website. Users can get media-specific email support from Archimedia, as well as Archimedia’s live online or phone support when needed. In this way, the Archimedia Enterprise Player also replaces consumer-oriented open-source downloads and free media players that come with PCs, none of which offer any meaningful technical support for people dealing with professional media. Having access to Archimedia’s experts eliminates the need to call on the in-house IT department, which likely doesn’t have the expertise to deal with the ever more complex world of media formats.

The main difference between the Archimedia Master Player and the Archimedia Enterprise Player is in the formats they support. The Archimedia Enterprise Player plays all professional and consumer video and audio formats except for JPEG 2000, DPX, and 4K/UHD, which are found only in cinematic or production masters. Like the Master Player, the Enterprise Player can play captions and subtitles in more than 80 external formats and more than 50 embedded formats, and all video can play to a normal TV over HDMI so that what the user sees is real TV rather than a PC approximation. The player also delivers accurate audio in all modes — fast forward, rewind, slow, and scrub.

The Archimedia Enterprise Player is designed for operations budgets as opposed to capital budgets, which can save businesses $100,000 a year or more and helps preserve capital. At the same time, a business can better control the balance sheet by adjusting operations costs based on changes in headcount. This pricing model enables enterprises to provide a sophisticated media player and specialized technical support to a defined number of employees without worrying about auditing licenses or the cost of maintaining in-house technical expertise. Made to run on existing office computers, the player software is free for businesses with an active support account.

The Archimedia Enterprise Player is available now for download from the Archimedia website. Archimedia will demonstrate the new player at IBC2014 on stand 7.D14.

Information about the Archimedia Enterprise Player, including an online demo and a free trial, is available at www.archimediatech.com.

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About Archimedia
Archimedia Technology specializes in the playback and human analysis of mastering formats, including JPEG 2000, for the professional broadcast, digital cinema, and video archival industries. Its technology and applications bring precise multiformat viewing to the professional’s desktop, TV, UHDTV, and infrastructure. Archimedia’s products fulfill a critical piece of the production and archival workflows, encapsulating complex file interchange and quality control processes for mastering and archive formats into practical solutions that give end users a new level of access to their assets. More information is available at www.archimediatech.com.

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

Visit Archimedia Technology at IBC2014, Stand 7.D14

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Photo Caption: Archimedia Enterprise Media Player

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HPA to Host Symposium Leading Into SMPTE 2014 Annual Technical Conference & Exhibition

‘Making Do With More’ Event at Hollywood’s Historic El Capitan Theatre Will Explore the Impact of Enriched Pictures and Sound for Filmmakers and Content Creators

WHITE PLAINS, N.Y. — July 24, 2014 – The Society of Motion Picture and Television Engineers(R) (SMPTE(R)), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced that the SMPTE 2014 Annual Technical Conference & Exhibition (SMPTE 2014) will feature a pre-conference event — the SMPTE 2014 Symposium, hosted by the Hollywood Post Alliance(R) (HPA(R)) and titled “Making Do With More.” The daylong event is scheduled for Monday, Oct. 20 at the historic El Capitan Theatre in Hollywood, California.

“As we consider how technological advances will improve the entertainment experience, we must also address the workflow challenges that will arise,” said Pat Griffis, SMPTE education vice president. “Each area of potential enhancement — higher resolution, greater contrast and color, higher brightness, more frames, and more objects associated with sound — brings with it new demands on workflow. Sessions within the SMPTE 2014 Symposium will address these and other next-generation workflow concerns from both a technical and creative standpoint.”

The SMPTE 2014 Symposium is among the first joint efforts of SMPTE and HPA as they move forward with plans for full consolidation by May 2015, and it highlights the strengths of both organizations. HPA is known for facilitating dialog among all disciplines in the entertainment industry, and for its contributions to SMPTE educational events such as SMPTE 2014 that enrich and expand the larger conversation about key topics shaping the industry.

HPA is well-known for the annual HPA Tech Retreat(R), which brings technologists and filmmakers together to address many controversial topics influencing the industry. In developing the SMPTE 2014 Symposium as a “filmmaker’s symposium,” HPA is orchestrating sessions that take an in-depth look at advanced technologies that bring new tools to storytelling. The symposium will include creative sessions from renowned cinematographers, visual effects specialists, colorists, and other filmmakers discussing what they hope to do with enhanced pictures and frame rates.

Additional sessions will offer a look at immersive sound, its impact, and how it’s being applied today; changing models for delivery of content to the consumer — including theatrical, broadcast, physical media, and digital distribution — across TV sets, computers, and mobile devices; and the standards and practices being developed to address the changing content life cycle.

“By connecting the creative community and its supporters with the technical community at the SMPTE 2014 Symposium, SMPTE and HPA are creating an opportunity for all participants to gain a richer and deeper understanding of technology’s impact on the creative process,” said Leon Silverman, HPA president. “The new displays and distribution approaches being proposed by technology companies need to be understood in the context of how the creative community will use this extended tool kit. It is also critical that we examine the standards and workflow approaches that will be necessary to deliver something more to consumers than a higher numbers of pixels.”

SMPTE 2014 is the premier annual event for motion-imaging and media technology, production, operations, and the allied arts and sciences. Each year the event draws elite and world-renowned technology thought-leaders from motion picture studios, broadcast and distribution networks, production and postproduction communities, software companies, systems integrators, manufacturers, display technologies, distribution providers, over-the-top providers, and others leading the evolving motion-imaging industry.

Further information about SMPTE 2014 and the preconference symposium is available at www.smpte2014.org/.

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About the Hollywood Post Alliance(R)
Hollywood Post Alliance(R) (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools, and infrastructure for the creation and finishing of motion pictures, television, commercials, digital media, and other dynamic media content. The annual HPA Tech Retreat(R) draws top industry engineering, technical, and creative talent, as well as strategic business leaders focused on technology, from all aspects of digital cinema, postproduction, film, television, video, and related technologies together for an informal exchange of information. The 2015 HPA Tech Retreat is scheduled for Feb. 9-13 in Indian Wells, California. Further information is available at http://hollywoodpostalliance.org/?ai1ec_event=2013-hpa-tech-retreat&instance_id=293. Information on joining HPA is available at http://hollywoodpostalliance.org/.

About the Society of Motion Picture and Television Engineers(R) (SMPTE(R))
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a professional membership association, is the preeminent leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem, worldwide. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines.

The Society is sustained by more than 6,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections throughout the world. Through the Society’s partnership with the Hollywood Post Alliance (HPA), this membership is complemented by the professional community of businesses and individuals who provide expertise, support, tools, and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at www.smpte.org/join.

All trademarks appearing herein are the property of their respective owners.

Calrec Audio IBC2014 Product Preview, Stand 8.C58

Calrec Products at IBC2014

Summa Audio Console
At IBC2014 Calrec will showcase its new Summa audio console. The Summa console is designed for broadcast professionals who need a straightforward solution for producing creative and engrossing broadcast audio, but not all of the resources offered by Calrec’s Apollo and Artemis consoles.

Designed to ensure intuitive operation in live broadcast applications, Summa simplifies even complex workflow tasks, such as creating mix-minus feeds, with a highly intuitive GUI suitable for a broad range of operator levels. Users control the console via a 17-inch multitouch screen inspired by familiar tablet technology. The crisp high-resolution display provides elegant controls and a clear presentation of information. The console’s other large displays are fully configurable to display bus, output, and loudness meters, and they feature dedicated metering, routing, and processing information for each fader.

Photo Link: www.wallstcom.com/Calrec/Calrec-SummaLongshot.jpg
Photo Caption: Calrec’s Summa Broadcast Audio Console

Company Quote:

“IBC is the leading industry event for Europe, but it also attracts an international audience. We look forward to showcasing our new products at the show this year and look forward to the feedback from our customers and partners in the region.”
– Henry Goodman, Head of Sales and Marketing, Calrec Audio

Company Overview

Calrec Audio is exclusively dedicated to excellence in audio mixing for on-air and live production. A broadcast specialist for 50 years, Calrec has developed a range of digital consoles relied on by the world’s most successful broadcasters. For putting sound in the picture, broadcasters put their trust in Calrec. More information is available at calrec.com and community.calrec.com.

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RTI Now Shipping Next-Generation RK1+ In-Wall Keypad

Completely Customizable and Easy on the Budget, 2-, 4-, or 8-Button Keypad Offers Intuitive Control

SHAKOPEE, Minn. — July 24, 2014 — Remote Technologies Incorporated (RTI) has announced that the company is now shipping its next-generation RK1+ in-wall keypad, available in 2-, 4-, and 8-button models. The new RK1+ offers the same rock-solid control as its predecessor, while offering upgraded installation flexibility and even greater value. Each unit now includes multiple faceplate and button colors in addition to a custom-engraved button set option for a completely customizable, intuitive control experience at an affordable price.

Designed to match the décor of any room, the RK1+ offers white, black, and light almond faceplate and keycap kits, while the button backlight can be configured to 16 different colors on each button. For a high-end look and even more intuitive control experience, the unit also ships with a certificate for one set of custom engraved button keycaps using RTI’s Laser Shark(R) service. This allows installers to create customized button keycaps featuring graphics and text for a control experience specific to each individual installation.

Simple to install, the RK1+ fits in a single-gang electrical box and is compatible with any standard Decora(R) type wall plate. Offering direct control of electronics via an integrated IR output, the device can also be used with RTI control processors and accessories for even more powerful capabilities, including two-way control, as it provides visual feedback via the configurable backlight color. Programming the unit is quick and easy with RTI’s award-winning Integration Designer(R) software.

“With multiple colors and custom engraving options included with every unit, the RK1+ allows dealers to offer their clients intuitive, basic control that is affordable enough to include in every room,” said Pete Baker, vice president of sales and marketing for RTI. “Of course, if more advanced control features are required — whether it’s RS-232, IP, relay, or sensing — the keypad’s capabilities can easily be expanded when incorporated into an RTI control system.”

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About Remote Technologies Incorporated (RTI)
Remote Technologies Incorporated (RTI) is a leading control systems manufacturer offering innovative, sophisticated, and user-friendly devices for professionally installed electronic systems. The company’s wide array of award-winning handheld and in-wall universal controllers, central processors, audio distribution systems, and accessories are marketed exclusively through a worldwide network of professional integrators. For complete control and monitoring over electronic systems from virtually anywhere in the world, the power of RTI is available on iPhone(R), iPod touch(R), iPad(R), and Android(TM) devices through the company’s RTiPanel application, just as the award-winning RTI Virtual Panel program offers access and control via any PC running Microsoft(R) Windows(R). All RTI solutions are programmed through the company’s world-renowned Integration Designer(R) software, easily allowing dealers to provide a completely customizable user interface for intuitive command over the entire electronics system.

Founded in 1992 with a committed focus on the custom installation market, RTI offers a number of award-winning support and incentive programs to its dealers, including educational opportunities through the Advanced Control University (ACU), and the popular Control Bucks and Dealer Accommodation programs. In addition, through RTI’s Integration Partner Program, the company has reached out to manufacturers across the industry to ensure that RTI products integrate seamlessly with a wide variety of components and systems.

Additional information on RTI and its innovative control solutions is available at www.rticorp.com.

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

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SMPTE IBC2014 Preview

Visit the Society of Motion Picture and Television Engineers (SMPTE) at IBC2014 in Partnership Village, Stand 8.F51f

SMPTE at IBC2014

Technical Sessions
SMPTE members will lead a variety of sessions during the IBC2014 exhibition. The Society will offer “Laser Projectors Part 1: Seeing is Believing” and “Laser Projectors Part 2: Is the Devil in the Details?” as part of the IBC Big Screen Experience. Produced and chaired by Peter Ludé, past president of SMPTE, the session will address the impact of laser projection technology on digital cinema and provide a look at breathtaking images shown on the Big Screen Experience’s 6-Primary laser projection system from Christie. SMPTE will also co-produce “Go With UHD-1, or Wait for UHD-2?” as part of the IBC Technical Stream. In this session, Dr. Hans Hoffmann, past SMPTE standards vice president, and Howard Lukk, a SMPTE standards director, will lead a discussion with major players in this space to explore strategies and standards for content creation and delivery to the home. Additional sessions featuring SMPTE members include “Trifocal Camera Systems” as part of the IBC Big Screen Experience; and “Movie-making in the Matrix,” presented by SMPTE Governor Richard Welsh, who will join fellow experts in examining virtualized movie production. SMPTE will also present “EDCF Global D-Cinema Update,” in which an impressive array of SMPTE panelists — including SMPTE Governor Angelo D’Alessio — will bring attendees up to speed on the latest business and technology developments in digital cinema.

As an IBC2014 partner, SMPTE is once again supporting the Rising Stars program, which offers exclusive conference sessions tailored to tackle the topics most important to young professionals. This popular program gives new entrants to the broadcast industry the opportunity to meet top industry experts across a series of specially staged sessions and events. Throughout the show, SMPTE members will volunteer their time and expertise to provide guided tours of the exhibition floor to Rising Stars participants. Through this program, SMPTE helps to foster the successful rise and advance of young creative, business, and technology professionals working within the industry. A complete list of sessions for the two-day program is available at www.ibc.org/page.cfm/ID=869.

SMPTE Announcements at IBC2014

The SMPTE 2015 Forum in Berlin, produced in collaboration with FKTG, has been officially confirmed, and the Society will announce details at IBC2014. The rapid convergence of connectivity, bandwidth, and media technology improvements, coupled with consumer interest, has led to a rapid increase in Web-based media distribution. This conference will explore the “old” and the “new” in the context of the technology required to deliver a compelling entertainment experience over the Web. Examining related opportunities and challenges from a European perspective, this unique two-day event at Fraunhofer Institute for Open Communication Systems (FOKUS) will provide fresh perspectives to help engineers, creatives, and researchers understand the technical trends that drive the future of media over the Internet.

Save the Date! SMPTE representatives will also provide information about the 2015 HPA Technical Retreat, scheduled for Feb. 9-13, 2015, at the Hyatt Regency Indian Wells in Indian Wells, California. Registration is open for the SMPTE 2014 Annual Technical Conference & Exhibition (SMPTE 2014), which will take place Oct. 20-23 in Hollywood, California. Further details on presentations and speakers will be announced during IBC2014.

SMPTE Products at IBC2014

Ideal for the studio, shop, or truck, the SMPTE CamWhite pocket chart is a consistent and reliable neutral white reference with a sturdy laminated surface. Enabling users to white-balance cameras to a scene’s primary light source with precision, CamWhite charts are a versatile tool for improving the production value of images — saving both time and money in post. The standard CamWhite chart measures 6.3 inches by 3.75 inches, but larger formats are available.

SMPTE also will feature its CamBook(R) 3, which helps users to align and set up cameras to REC 709, compare/match camera makes and models, and test lenses for colorimetry and resolution. CamBook 3 works in conjunction with the SMPTE-branded DSC Labs OneShot(TM) pocket chart, which provides all of the color and luminance information necessary to match and reproduce color in dailies footage.

Photo Link: www.wallstcom.com/SMPTE/SMPTE-CamWhite-PocketChart-Drawing.jpg
Photo Caption: SMPTE CamWhite Pocket Chart

SMPTE Publications and Resources at IBC2014

Throughout IBC2014, SMPTE staff will be available on the stand to discuss current trends and answer questions about SMPTE activities, resources, and publications. One of those publications, the latest “SMPTE Standards Quarterly Report,” was released in July following the June meeting of the SMPTE Standards Committee in Tokyo. The Standards Report summarizes the current progress of SMPTE committees working to create, approve, revise, and remove standards for the industry. Copies of the September 2014 SMPTE Motion Imaging Journal’s “Progress Report” issue, the Society’s key publication, will be available on the stand. The issue will focus on trends and developments in the motion-imaging industry. Readers may access Journal content from 1916 to the present from the SMPTE Digital Library available at library.smpte.org. The SMPTE Digital Library provides one-stop access to SMPTE resources so that professionals can stay informed about the latest technology and industry research.

A complete listing of SMPTE publications is available at www.smpte.org/publications.

SMPTE also will highlight its new mobile app for use with iOS, Android, and Web-based operating systems. Available to anyone, the free app was designed to provide useful information and updates to SMPTE members and also serve as a convenient quick-reference guide for anyone interested in learning more about the Society. Users can access breaking news, updates on upcoming educational events, local Section information, the SMPTE Digital Library, test materials, details about membership benefits, social media, and multimedia in one easy-to-use package. The SMPTE mobile app is available for download on iTunes and Google Play, and a Web-based version for other operating systems is available at http://smpte.mobapp.at.

Photo Link: www.wallstcom.com/SMPTE/SMPTE-Mobile-App-screen.jpg
Photo Caption: SMPTE Mobile App

Membership Services

SMPTE Manager of Member Relations Roberta Gorman, members of the SMPTE Sections’ Board of Managers, and members of the SMPTE Board of Governors will be on hand at IBC2014 to discuss membership benefits and the Society’s role in international standards and interoperability. In addition, prospective members will be able to join and existing members may renew their memberships on-site.

Company Quote:

“The IBC2014 show comes at an exciting time for SMPTE. We look forward to highlighting recent developments not only in our education and standards work, but also in our expansion as an organization to support both the technical and creative communities dedicated to moving imagery. We’re particularly excited about our consolidation with the Hollywood Post Alliance, which brings to SMPTE the voice of a strong creative community, as well as the enormous popularity and importance of SMPTE members’ research in key areas driving our industry forward. We are confident that, whether new to the industry or an experienced expert, any visitor to the SMPTE stand or attendee at our technical conference sessions will find it an engaging and worthwhile experience.”
– Barbara H. Lange, Executive Director of SMPTE

Company Overview

The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a professional membership association, is the preeminent leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem, worldwide. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines.

The Society is sustained by more than 6,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections throughout the world. Through the Society’s partnership with the Hollywood Post Alliance (HPA), this membership is complemented by the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at www.smpte.org/join.

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Forbidden’s Forscene Cloud-Editing Platform to Play Bigger Role as IBC TV Expands

LONDON — July 22, 2014 — Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud-based video post-production platform Forscene, announced today that the product will serve as one of the core technologies behind IBC TV’s expansion into year-round programming. And, for the first time, Forscene will play a role in managing video content for the prestigious IBC2014 Innovation Awards.

“We have partnered with IBC TV for the past six years to provide access to news footage during the week of the show, and now IBC TV will get even more value out of that partnership by using Forscene to make show footage available all year long,” said Greg Hirst, business development director, Forbidden Technologies plc. “Now anyone who is authorised will be able to use Forscene to tap into IBC TV’s wealth of content and reuse it long after IBC is over.”

IBC TV, the official TV and webcasting channel for the International Broadcasting Convention (IBC) held each September in Amsterdam, will go from broadcasting one 20-minute program per day during the conference to 12 hours of continuous programming each conference day. Forbidden will supply IBC TV with unlimited access to the Forscene cloud and a 20-megabit uplink to a local Forscene server for video uploads during the show. Clip names and other metadata will be added at the point of ingest so that content will be searchable in Forscene. From there, authorised exhibitors and broadcasters can use Forscene to view and select material that they would like to use in their own programming.

“The idea behind this expansion was to transform IBC from a weeklong event into a year-round resource,” said Sue Robinson, producer, IBC TV. “Now we will not only be able to get the content out to more news outlets and encourage more reuse during the show, but after the show as well.”

Forscene will also be used to provide remote access to the IBC2014 Awards entries. Awards entrants will upload the high-resolution version of their video submission into Forscene over a standard Internet connection using the Web upload option. Various IBC repesentatives across different geographies will then use Forscene to access the entries — in both proxy and high-resolution form — to perform quality control, administrative review, and content preparation. Finally, Forscene will be used to deliver the original video source of the award entries to a London post house for production of video elements for the awards show.

“Using Forscene to view and transmit video amongst all of the parties involved will greatly streamline the way we manage the nomination materials,” said Dick Hobbs, video content manager for the IBC2014 Innovation Awards. “This will eliminate the downtime spent waiting for source video to get from one place to another, simplifying the process and creating a more efficient workflow.”

More information about Forscene can be found at www.forscene.co.uk. More information about Forbidden can be found at www.forbidden.co.uk.

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About Forbidden Technologies plc

Forbidden develops advanced technologies that enable media makers and broadcasters to create and distribute compelling viewing experiences to demanding worldwide audiences. Forbidden’s flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform. It allows post-production professionals to make and deliver stories with high quality and production value in demanding, fast-paced landscapes. Quoted on the London Stock Exchange Alternative Investment Market, Forbidden partners with high-profile media and technology organisations, including Atos, BIM, deltatre, EVS, and Key Code Media. More information about Forbidden can be found at www.forbidden.co.uk. More information about Forscene can be found at www.forscene.co.uk.

Photo Link: www.wallstcom.com/Forbidden/Forbidden-IBCTV.jpg

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Revolabs Introduces New Products and Expanded Local Presence at InfoComm India 2014

Country Offices to Exhibit Unified Communication Solutions at Leading A/V Event

SUDBURY, Mass. — July 23, 2014 – Revolabs today announced the company’s innovative product lineup for InfoComm India 2014. Exhibited by the company’s expanded India office, the award-winning showcase will include the Revolabs Executive Elite(TM) Wireless Microphone Systems, USB Conference Phones, and colorful, new Revolabs Elite(TM) Wired Microphones that combine incredible performance with eye-catching aesthetics to satisfy the requirements of any unified communication space.

“A direct investment in the Indian market based on the rapid growth in our region, our newly enhanced facilities allow dedicated staff members to better serve the needs of integrators, dealers, distributors, and customers across the country and at this year’s InfoComm India,” said S.L. Dorairaju, Revolabs’ country manager for India and the SAARC region. “We look forward to meeting attendees at this year’s event and continuing to satisfy our unified communications clientele through exceptional service and support.”

Revolabs solutions exhibited at InfoComm India 2014 include the company’s new Elite Wired Microphones. Available in omnidirectional and directional (cardioid) versions, the units provide a stylish, feature-rich solution for combined installations or spaces that do not require wireless capabilities. Also on display is the company’s flagship Executive Elite Four- and Eight-Channel Wireless Microphone System — the market’s first and only wireless microphone system to offer customers a cloud server option. To set a new standard for audio quality in PC communication applications during meetings and online collaboration, local staff will also demonstrate the Revolabs FLX(TM) UC 500 USB Conference Phone and FLX UC 1000 IP Conference Phone with SIP audio support.

In addition to the New Delhi and Hyderabad offices, the company’s new, local presence in Chennai will provide better sales, service, and support for all of Revolabs’ products, solutions, and customer base across all major cities in the country. The three offices are headed by Dorairaju, a long time industry professional, Namit Saxena, field sales engineer, and Venugopal Maddiboina, regional sales manager.

The address for Revolabs’ main office in India is LGF 69-70 Vijaya Building, 17 Barakhamba Road, New Delhi, 110001, India, and the telephone number is +91 (11) 23321536. More information about Revolabs is available at www.revolabs.com.

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About Revolabs
Revolabs Inc. is the premier provider of audio solutions for unified communications, enterprise collaboration, and professional audio applications across a wide range of markets. Offering unmatched audio quality that allows users to “hear every word,” the company’s teleconferencing and microphone systems are utilized across the globe for a variety of applications, from webcasts and video conferencing to podcasts and broadcasting. Combining the ultimate in flexibility with sleek, stylish form factors, Revolabs solutions cut the cord, facilitating natural mobility by allowing participants to move about a workspace and still be heard, without being held back by wires. Leading the way in innovation, the company continues to add to its portfolio of value-added audio and telephony systems with superior products. Revolabs systems are secure (encrypted), rechargeable (environmentally friendly), and GSM-impervious. The company is headquartered in Sudbury, Massachusetts, and can be reached at +1-800-326-1088 or www.revolabs.com.

PR Link: www.ingearpr.com/Revolabs/140723Revolabs.doc

Photo Link: www.ingearpr.com/Revolabs/Revolabs_Dorairaju.jpg
Photo Caption: S.L. Dorairaju, Revolabs’ Country Manager for India and the SAARC Region

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Quantum IBC2014 Preview, Stand 7.B26, Sept. 12-16, Amsterdam

Quantum Products at IBC2014

Quantum StorNext(R) is the market-leading storage technology for media and entertainment workflows, enabling high-performance, real-time collaboration and keeping content readily accessible for reuse and remonetization. For more than a decade, the world’s top studios and broadcasters, along with thousands of cutting-edge content creators, have put their trust in Quantum for their most demanding media workflows.

All StorNext solutions are built on the power of StorNext 5, the new generation of Quantum’s award-winning storage platform. StorNext 5 solutions empower media professionals to rethink their workflows for higher performance and cost-effective efficiency. With StorNext 5, they can ingest more content from multiple camera sources, create more content, deliver it on time, and preserve owned content for future monetization.

StorNext(R) Pro Solutions High-Performance Workflow Storage
At IBC2014, Quantum will showcase its StorNext(R) Pro Solutions, which offer postproduction and broadcast professionals three complete high-performance workflow storage solutions.

StorNext(R) Pro 4K addresses the performance and scalability demands of true 4K production. With flash-based metadata performance using the StorNext M445 SSD metadata appliance and scalability provided by StorNext QX-1200 RAID Storage (144 TB raw capacity), this rock-solid storage solution enables efficient 4K workflows, including ingest, post, and delivery. StorNext Pro 4K empowers users to ramp up 4K production and meet aggressive deadlines while staying within budget.

StorNext(R) Pro Studio refreshes or extends existing Xsan deployments with 100 percent compatibility. A complete solution for storage deployment in the production studio, StorNext Pro Studio is ideal for postproduction facilities with aging Xserve(R) systems or with any other aging storage system that is incapable of expanding to meet the user’s growing demands. The solution combines the StorNext M441D metadata appliance with the StorNext QX-1200 RAID storage (48 TB raw capacity) in an integrated solution that is cost-effective and easy to deploy.

StorNext(R) Pro Production enables content owners to manage workflows ranging from production to the creation and maintenance of long-term content libraries. The solution combines the powerful StorNext M662XL metadata appliance, StorNext QX-1200 RAID storage (96 TB raw capacity), and a StorNext AEL500 41-slot LTO-6 library with 102.5 TB raw capacity for cost-effective archiving automated by StorNext Storage Manager. The solution facilitates control, monetization, and long-term management of content by uniting production, review, archive, and LTFS sharing functions in one system, thus offering incredible storage capacity and very high performance.

Photo Link: www.wallstcom.com/Quantum/Quantum-StorNextProStudio.jpg
Photo Caption: StorNext(R) Pro Solutions

StorNext(R) Connect Monitoring and Management
For the first time at IBC, Quantum will introduce StorNext(R) Connect, a new way to monitor and manage StorNext deployments. StorNext Connect dramatically simplifies the process of configuring systems and eases ongoing system management and health monitoring. Through StorNext Connect, customers can install StorNext software, upgrade StorNext clients and servers, restart clients, check status on automated tasks, and troubleshoot performance issues through real-time graphs.

Quantum StorNext(R) Demonstration at IBC2014

During the IBC2014 exhibition, Quantum will feature a demonstration of its StorNext(R) technology in cloud-enabled environments. By building on its leadership in moving media workflows to the cloud and by working closely with its extensive partner ecosystem of leading media management and production automation vendors, Quantum has developed StorNext cloud solutions. These solutions enable wide-scale collaboration on content stored in the cloud without disrupting users’ existing and familiar workflows.

Photo Link: www.wallstcom.com/Quantum/Quantum-SNintheCloudSlide.jpg
Photo Caption: Quantum StorNext(R) in the Cloud

Company Quote:

“IBC is always a great place to engage closely with current and prospective customers and to demonstrate how the latest StorNext developments can benefit their businesses and operations. This year we look forward to showcasing not only the power and robust functionality of our StorNext Pro Solutions, but also the convenience and control that come from StorNext Connect. Attendees also will have the chance to examine ‘StorNext in the Cloud.’ They will see how it allows people to collaborate on content in a secure, private cloud within a familiar, natural workflow.”
– Alex Grossman, Vice President, Media and Entertainment at Quantum

Company Overview:

Quantum is a leading expert in scale-out storage, archive, and data protection. The company’s StorNext 5 platform powers modern high-performance workflows, enabling fluid, real-time collaboration and keeping content readily accessible for future use and re-monetization. More than 100,000 customers have trusted Quantum to address their most demanding content workflow needs, including top studios, major broadcasters, and cutting-edge content creators. With Quantum, customers can Be Certain(TM) they have the end-to-end storage foundation they need to manage assets from ingest through finishing, and into delivery and long-term preservation.

Quantum, the Quantum logo, Be Certain, and StorNext are either registered trademarks or trademarks of Quantum Corporation and its affiliates in the United States and/or other countries. All other trademarks are the property of their respective owners.

Calrec Consoles Drive Audio During World Cup Coverage

Artemis Consoles Used to Create Full Mixes in 5.1 and Stereo Simultaneously

HEBDEN BRIDGE, U.K. — July 21, 2014 – The BBC relied on Calrec Audio’s digital audio consoles during its coverage of the FIFA World Cup beginning in June. The broadcaster used a combination of three rented consoles to mix the audio in Brazil for transmissions in the U.K.

At the International Broadcast Centre (IBC) in Rio de Janeiro, two 24-fader Artemis Light consoles served as the first point of control in the signal path, responsible for submixing all sound associated with the matches and creating simultaneous 5.1 and stereo mixes. In addition, controlled commentary and controlled effects were passed on to all other users including the edit suits in the IBC, the various multiplatform control suites in the U.K., and the BBC’s studio broadcasting center (SBC), also in Rio.

At the SBC, a 56-fader Artemis Beam was used to combine the submixes from the IBC with other sources, including studio mics, postproduction playbacks, contributions from venue reporters/presenters, and audio-only playback such as music, sound effects, and voice recordings. These were all mixed into final 5.1 and stereo feeds and then passed on to the transmission network in the U.K.

“The BBC is our oldest customer and we have a long history of collaboration to ensure the products evolve to meet its needs,” said Jim Green, Calrec’s U.K. sales manager. “We’re always eager to support major projects like the World Cup broadcast from Brazil, where the BBC has taken advantage of Calrec functionality to make the whole workflow more efficient.

“Technology and viewer expectations are always moving forward, so each tournament faces new challenges that require better solutions,” Green added. Since the last World Cup there has been advancement in surround sound and loudness regulations, and this year the BBC has incorporated augmented- reality visual effects that bring their own set of audio-visual synchronization challenges. Calrec works closely with its customers to stay abreast of the technology and evolving requirements.”

Information about Calrec and its products is available at calrec.com.

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About Calrec Audio Ltd.
Calrec Audio is exclusively dedicated to excellence in audio mixing for on-air and live production. A broadcast specialist for 50 years, Calrec has developed a range of digital consoles relied on by the world’s most successful broadcasters. For putting sound in the picture, broadcasters put their trust in Calrec. More information is available at calrec.com and community.calrec.com.

All trademarks appearing herein are the property of their respective owners.

Visit Calrec Audio at IBC, Stand 8.C58

Photo Link: www.wallstcom.com/Calrec/Calrec-BBC-DaveinStudio.jpg
Photo Caption: Dave Lee, Lead Sound Supervisor, BBC Sport

Photo Link: www.wallstcom.com/Calrec/Calrec-Artemis-closeup.jpg
Photo Caption: Calrec’s Artemis Audio Console

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