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Archive by Summer McLennan

Revolabs Announces Enhanced Training Academy Portal and 20 Live Training Events

Unified Communications Leader Unveils Redesigned Online Training Program and Upcoming Training and Certification Tour

SUDBURY, Mass. — July 31, 2014 — Revolabs(R) today announced that the company is launching its newly redesigned Revolabs Academy Training Program — a free, interactive online learning portal that provides users with a better understanding of audio fundamentals, measurement and performance, and proper use and installation of Revolabs products. Available now, the online curriculum complements the company’s upcoming training and certification tour, which will bring live instruction with Revolabs’ award-winning product portfolio to 20 cities across the U.S. This tour continues the Revolabs tradition of onsite education for global partners.

Coinciding with the launch of the company’s new online learning portal, Revolabs will embark on a nationwide training and certification tour from August to October 2014. The 20-city tour will include stops in New York, Chicago, Dallas, and Los Angeles, where AV resellers and consultants will receive hands-on training on all Revolabs products, including the all-new, award-winning Executive Elite product family. This national tour offers an all-day class focused on all technical knowledge needed to become a certified Revolabs partner. Upon completion of either set of courses, users will earn four CTS credits.

“By revamping the entire Revolabs Academy Training Program and adding fresh content, the new portal now brings a more intuitive, streamlined, and engaging training experience to our technical partner community worldwide while introducing new incentives that encourage learners to continue earning credits,” said Marc Cremer, COO, Revolabs. “The North American live training and certification tour is part of our ongoing global outreach initiative and affirms Revolabs’ commitment to providing live training to our customers around the world.”

Open and free to all current Revolabs customers including resellers, consultants, distributors, and end users, the online academy provides an interactive learning experience that intuitively guides users through a series of lessons covering the principles of audio, echo cancellation, microphone placement, product integration, configuration settings, repair procedures, maintaining RF stability, and avoiding interference. Users earn four CTS credits upon successful completion of the course, which can be applied to InfoComm(TM) RU credits for CTS, CTS-D, or CTS-I certifications. This is especially useful for professionals unable to attend InfoComm training sessions onsite.

Users can access the new Revolabs Training Academy at www.revolabs.com/support/training. More information on the Revolabs training and certification tour is available at www.revolabs.com/support/training/live.

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About Revolabs(R)
Revolabs(R) Inc. is the premier provider of audio solutions for unified communications, enterprise collaboration, and professional audio applications across a wide range of markets. Offering unmatched audio quality that allows users to “hear every word,” the company’s teleconferencing and microphone systems are utilized across the globe for a variety of applications, from webcasts and video conferencing to podcasts and broadcasting. Combining the ultimate in flexibility with sleek, stylish form factors, Revolabs solutions cut the cord, facilitating natural mobility by allowing participants to move about a workspace and still be heard, without being held back by wires. Leading the way in innovation, the company continues to add to its portfolio of value-added audio and telephony systems with superior products. Revolabs systems are secure (encrypted), rechargeable (environmentally friendly), and GSM-impervious. The company is headquartered in Sudbury, Massachusetts, and can be reached at +1-800-326-1088 or www.revolabs.com.

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

PR Link: www.ingearpr.com/Revolabs/140731Revolabs.doc

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Wohler Provides Custom Monitoring Solution to France Télévisions

Wohler Collaboration With Audiopole and France Télévisions Demonstrates Agility and Speed in Meeting User Requirements

SAN FRANCISCO — July 30, 2014 – Wohler Technologies today announced that it has collaborated with local partner Audiopole and France Télévisions to provide a rapid solution for France Télévisions’ specific monitoring needs. Together, the three companies identified the additional audio monitoring functionality that France Télévisions desired from its existing AMP1-16M monitoring units, and, within a matter of weeks, the Wohler engineering team had created and delivered a software beta version for testing. Shortly thereafter, France Télévisions approved the software and ordered additional AMP1-16M units.

“I was really amazed by the responsiveness of the Wohler team,” said Jean-Philippe Blanchard, director of the broadcast division at Audiopole. “Given how quickly the solution was delivered and approved by France Télévisions, I think this is a very good example of perfect cooperation between a manufacturer and a broadcaster and how they can work together to improve a product.”

During live event broadcasts, France Televisions derives some audio from the microphones of commentators or talkback systems, which are as critical to monitor as the broadcast-to- air content. During a visit by Wohler’s regional representative and colleagues from partner Audiopole, France Télévisions requested a modification to its existing AMP1-16M units to enable a new monitoring workflow at the touch of a button. Wohler quickly stepped up to address this request, and the resulting functionality has become part of the latest firmware (version 4.0) for the AMP1-16M. Now France TV, France 24, and EuroNews all take advantage of this new monitoring approach.

“We are serious about our role as an extension of our clients’ engineering teams, and our collaboration with Audiopole and France Télévisions demonstrates this commitment very well,” said Carl J. Dempsey, Wohler president and CEO. “Wohler monitoring products are designed to be versatile systems that help users work the way they want to work. We use feedback from our customers to refine the design and functionality of all our products so that they yield the performance required, and the modification we made for France Télévisions is just one of many examples of this proactive approach to both product development and customer service.”

Information about Wohler and the company’s products is available at www.wohler.com.

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About Wohler Technologies Inc.
Wohler’s tradition of innovation began more than 30 years ago with the creation of the industry’s first in-rack audio monitoring product, and it continues today through the company’s continued development of unique solutions that span the baseband, stream, and file-based domains and include advanced monitoring solutions for video, audio, and captioning applications; solutions for IP monitoring, encoding, and decoding; and the award-winning RadiantGrid(TM) platform for efficient file-based content transformation and distribution. Together, Wohler’s advanced, cost-effective confidence monitoring and media transformation products ensure high-quality production across any platform and delivery to any device. More information about Wohler is available at www.wohler.com.

All trademarks appearing herein are the property of their respective owners.

Visit Wohler Technologies at IBC2014, Stand 10.B10

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Photo Caption: Wohler AMP1-16M Dual 3G-HD-SD-SDI-Audio Monitor

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Sonnet Now Shipping Award-Winning New xMac Pro Server

New 4U Rackmount Enclosure Securely Houses the Latest Mac Pro, Connects Three PCIe Expansion Cards Via Thunderbolt 2, and Provides 5.25-Inch Mobile Rack Expansion

IRVINE, Calif. — July 29, 2014 – Sonnet is now shipping its new xMac(TM) Pro Server with a Thunderbolt(TM) 2-to-PCI Express(R) (PCIe(R)) expansion system and 4U rackmount enclosure for the latest generation of Mac Pro(R) computers. The xMac Pro Server securely mounts the computer horizontally inside a specially designed 4U modular enclosure, connects three PCIe 2.0 slots via Thunderbolt 2 technology, and provides space to install additional equipment in two 5.25-inch mobile rack bays. Unveiled at the 2014 NAB Show, the xMac Pro Server has already garnered industry awards.

“The xMac Pro Server builds on the success of our rack-mountable xMac mini Server and Echo Express III-R Thunderbolt 2-to-PCIe expansion products to provide much-needed expansion capabilities for the latest Mac Pro, which on its own lacks storage expansion and PCIe slots,” said Greg LaPorte, vice president of sales and marketing, Sonnet Technologies. “By supporting every Thunderbolt-compatible PCIe card available, the xMac Pro Server enables audio-video professionals to fully leverage their investment in the new Mac Pro and still use the high-performance PCIe cards they need.”

The xMac Pro Server’s PCIe card expansion module incorporates ultrafast 20 Gb/sec Thunderbolt 2 technology, providing sufficient throughput to support many of the highest-performing PCIe cards, including pro audio, Ethernet, and Fibre Channel, as well as SAS/SATA RAID controllers and video capture and editing cards. The expansion system supports up to three full-length PCIe cards with one x16 and two x8 PCIe slots. Along with an integrated 300-watt power supply, the system includes one auxiliary 75-watt PCIe power connector for cards that require supplementary power, such as the Avid Pro Tools | HDX or the RED ROCKET-X cards. Two remarkably quiet, temperature-controlled, variable-speed fans manage the airflow path according to the Apple operating guidelines for the Mac Pro, ensuring cool, reliable operation in noise-sensitive environments.

The xMac Pro Server’s Computer Mounting Module secures the Mac Pro in a protective steel cocoon covered inside with soft-touch padding, holding the Mac Pro firmly in place while protecting its mirror finish. The module extends the Mac Pro’s Gigabit Ethernet, USB 3.0, and HDMI interfaces to panel-mounted connectors on the back of the unit for easy external cable connection, while a USB 3.0 interface and power switch are mounted on the front to enable the user to conveniently connect a USB peripheral and activate the computer’s power switch. Because panel-mount connectors for Thunderbolt cables do not exist, the Computer Mounting Module provides cable management tie-downs for securing all Thunderbolt cables that are connected to the Mac Pro during installation. An included Thunderbolt cable connects the Mac Pro to one of the xMac Pro Server PCIe expansion system’s two Thunderbolt 2 ports, and an included lock secures the Thunderbolt cables in place when connected to the expansion system. These features make the xMac Pro Server ideal for use in both fixed and mobile applications.

The xMac Pro Server provides space for additional expansion equipment. With the optional Mobile Rack Device Mounting Kit (Basic Edition), users can install two 5.25-inch mobile rack devices of their choice in the outer enclosure and connect them easily to cards installed in the PCIe slots. Without taking up additional rack space, the kit supports a wide array of devices such as an internal LTO tape drive, four or eight swappable 2.5-inch SSDs, a Blu-ray burner, a Sonnet Qio(TM) MR pro universal media reader, or three swappable 3.5-inch hard disk drives. Sonnet also offers preconfigured Mobile Rack Device Mounting Kits that include the basic kit; one or two devices such as those mentioned above; a high-performance PCIe controller card to support the devices; and the necessary cables to connect them together. Users need only add their own hard drives, SSDs, or LTO tape drives to complete the package.

The xMac Pro Server (part number XMAC-PS) is now shipping at a suggested retail price of $1,499. The basic-edition Mobile Rack Device Mounting Kit (formerly named Echo(TM) Express III-R Mobile Rack Kit, part number EXP3FR-MRM) has a suggested retail price of $199 and is available now; preconfigured Mobile Rack Device Mounting Kits are also available now at retail prices ranging from $699 to $1,899. An extensive list of PCIe cards compatible with the xMac Pro Server is available on Sonnet’s website, with the list continually expanding as more cards are tested and certified. Like Sonnet’s Echo Express family of Thunderbolt 2-to-PCIe expansion systems, the xMac Pro Server was designed, engineered, and built by Sonnet in California.

More information on these products and Sonnet’s complete product family is available at www.sonnettech.com.

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About Sonnet Technologies
Sonnet Technologies Inc. is a leading provider of Thunderbolt(TM) 2-to-PCIe(R) card expansion systems; pro media readers; RAID storage systems; and storage, network, and other interface cards for pro users in the audio, video, and broadcast industries. Sonnet’s Thunderbolt expansion products enable the use of pro audio I/O and DSP cards, pro video capture and transcoding cards, network and storage interface cards, and other high-performance PCIe cards with Thunderbolt technology-enabled computers. For nearly 30 years Sonnet has pioneered and brought to market innovative and award-winning products that enhance the performance and connectivity of Mac(R), Windows(R), and other industry-standard computers. More information is available at www.sonnettech.com.

All trademarks appearing herein are the property of their respective owners.

Link to Spanish translation: www.wallstcom.com/sonnet/140729SP.htm
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Visit Sonnet at IBC2014, Stand 7.G02

Photo Link: www.wallstcom.com/sonnet/sonnet-xmacproserverwithmobilerackdevicemountingkit.jpg
Photo Caption: Sonnet Technologies’ xMac(TM) Pro Server PCIe(R) 2.0 expansion system/4U rackmount enclosure for new Mac Pro(R) with Thunderbolt(TM) 2 ports, shown with optional Mobile Rack Device Mounting Kit (Mac Pro computer not included).

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The Garden Relies on Forscene to Accelerate Editing Workflow for ‘On the Yorkshire Buses’

LONDON — July 29, 2014 – Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, announced that award-winning U.K. production company The Garden used Forscene to speed up its logging and editing workflow on the eight-part reality series “On the Yorkshire Buses,” a show it is producing along with GroupM Entertainment for Channel 5. Forscene ensured that all producers, editors, and loggers had immediate access to footage as soon it was ingested from the shoot location and that they could work on it simultaneously, thereby saving time and money.

“We started editing in London whilst we were still filming in Yorkshire. We had to be able to scan and log footage at the same time, without holding up the editing process. Forscene was the quickest, easiest way to handle our footage in preparation for the edit, and it was incredibly easy to set up and use,” said Claire Birch, production manager at The Garden. “With Forscene, everyone could log in and see the footage instantly and when you consider the cost of FTP uploads or sending DVDs from the location, Forscene was not only faster, but far more economical. Another bonus was that our post house already had a Forscene server, and several people on our team were already familiar with the tools.”

During the course of production, the production team used Forscene to view and log more than 2,000 hours of footage, from a variety of sources and in various formats. Whilst in edit, producers then worked in Forscene, alongside the editor, to search for and identify key moments.

Later, after filming was complete and the entire operation was back in London, producers used Forscene to fact check and quality control original rushes.

The Garden also considered Forbidden’s support to be a major advantage of using Forscene.

“The Forscene team were always on hand for advice and technical assistance, and the online support was brilliant too,” Birch said. “Our loggers would use the chat tab to speak to the Forscene support team for assistance and found that the technicians were prepared for anything.”

“The Garden is responsible for creating programmes for major broadcasters in the U.K. and beyond, and by using Forscene on this production, they were able to access the content as quickly as it could be filmed and ingested, which saved precious time on a production where time was of the essence,” said Greg Hirst, business development director, Forbidden Technologies plc. “The Garden’s situation is a good example of how Forscene can accelerate the workflow on any multisite production.”

More information about Forscene can be found at www.forscene.co.uk. More information about Forbidden Technologies can be found at www.forbidden.co.uk.

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About Forbidden Technologies plc
Forbidden develops advanced technologies that enable media makers and broadcasters to create and distribute compelling viewing experiences to demanding worldwide audiences. Forbidden’s flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform. It allows post-production professionals to make and deliver stories with high quality and production value in demanding, fast-paced landscapes. Quoted on the London Stock Exchange Alternative Investment Market, Forbidden partners with high-profile media and technology organisations, including Atos, BIM, deltatre, EVS, and Key Code Media. More information about Forbidden can be found at www.forbidden.co.uk. More information about Forscene can be found at www.forscene.co.uk.

Visit Forbidden at IBC2014, Stand 8.B38e

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Photo Caption: The Garden used Forscene to speed up its logging and editing workflow on the reality series “On the Yorkshire Buses.”

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Heuvelman Uses Riedel Gear to Create Integrated A/V, Data, and Intercom Solution for Rabobank Hockey World Cup 2014

Enabling Transport of All Signals Over One Cable, Riedel Equipment Significantly Reduced Complexity of Complete Media, Data, and Communications Infrastructure

SOEST, Netherlands — July 29, 2014 – Riedel Communications, provider of pioneering real-time video, audio, data, and communications networks, today announced that the Netherlands’ Heuvelman Sound & Vision B.V. used Riedel equipment to provide an interconnected digital TETRA system and intercom system for the Rabobank Hockey World Cup 2014, which concluded June 15 in The Hague. Throughout the field hockey tournament, the Riedel installation supported HD video transport for two LED screens in Kyocera Stadium, audio and video for displays across the press village, and flexible data and intercom communications across the event.

“Riedel gear was a perfect fit for this project because it alone would allow us to connect a digital TETRA system to an intercom system,” said Arjen Buijs, sales manager at Heuvelman Sound & Vision B.V. “The versatility and reliability of Riedel systems are always a compelling reason to use the gear, and they provided seamless interoperability and smooth performance throughout this tournament.”

The Rabobank Hockey World Cup 2014, consisting of 76 matches, represented both the men’s and women’s World Cup tournaments, and as many as six matches took place each day. To support the event, Heuvelman deployed Riedel’s MediorNet real-time network along with an Artist intercom system, using the compact Juggler digital trunked radio network solution to enable connection of 220 Motorola TETRA radios to the Artist system over MediorNet.

The high degree of interoperability among Riedel solutions allowed all signals to be carried over a single cable. This benefit significantly reduced the volume and complexity of cabling required for all A/V, data, and communications signals, in turn making it easier to establish cable runs including the lengthy connection from the control room to the stadium.

As a whole, the installation included five MediorNet frames, distributed across both the main Kyocera Stadium and the temporary GreenFields Stadium, as well as the Artist digital matrix intercom system for wired communications. The wireless Motorola radios were tied into this system via Riedel’s Juggler. Riedel provided on-site support throughout installation and testing, as well as remote support throughout the event.

“We are proud that Riedel gear is repeatedly selected for the world’s top sports events,” said David Bouma, sales manager, Riedel Benelux. “The Rabobank Hockey World Cup was one of the biggest sporting events in the history of The Hague, and Riedel equipment played a key role in supporting successful production and contributing to fans’ enjoyment of a premier field hockey event.”

Further information about Heuvelman Sound & Vision B.V. is available at www.heuvelman.nl.

Further information about Riedel and the company’s products is available at www.riedel.net.

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About Riedel Communications
Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 400 people at 11 locations in Europe, Asia, Australia, and the Americas.

Visit Riedel Communications at IBC2014, Stand 10.A31

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The Refuge Selects LynTec Relay Panels for New North Carolina Campus

RPCRs Bring Remote Power Sequencing to House of Worship’s Light and Audio Applications

LENEXA, Kan. — July 29, 2014 — LynTec, a leading manufacturer of customized electrical power control solutions for professional audio, video, and lighting systems, today announced that the company’s award-winning RPCR relay panels have been selected for The Refuge’s new campus in Kannapolis, North Carolina. Featuring remote control capabilities, LynTec’s RPCR-48 and RPCR-24 provide remote sequencing capabilities to the house of worship’s light and audio systems, without the need to redesign the church’s current system.

The Refuge’s new Kannapolis campus features state-of-the-art sound and light systems that turn sermons, concerts, and other church events into immersive audience experiences. To add simple remote sequencing and control, easy status updates via the Web, and the ability to power down equipment completely, integrator WAVE turned to LynTec’s award-winning RPCR-48 and RPCR-24 relay panels. Featuring a built-in Web server to bring remote electrical control to any large assembly space, the RPCRs add easy branch circuit control and monitoring to any existing breaker panel regardless of brand, make, or model.

“The Refuge was looking for a power management solution that could add the ability to sequentially power down the facility’s surround audio system, HD video components, and concert lighting in order to protect equipment from potential damage and increase the longevity of their systems’ use,” said Justin Hames, director of engineering/modeling, WAVE. “By integrating LynTec’s RPCR relay panels, the client can now turn systems on and off without any risk to equipment performance, while adding the capability to monitor the status of panels easily from the Web. The result is both intelligent power protection and advanced monitoring capabilities from any Web-enabled device.”

LynTec’s RPCR panels add easy on/off control to any existing circuit breaker panel installation and are compatible with popular control systems such as ETC(R), Creston(R), and AMX(R). In addition, the units offer the ability to control relays directly via TCP/IP, DMX, RS-232, or contact closure control systems. Featuring brownout protection, RPCRs will automatically shut down selected circuits during under-voltage situations and power-up as programmed when voltage regains stability. The units also provide emergency power-on for egress lighting and shutdown capabilities for amplifiers with contact closure inputs from fire alarms. Thanks to the RPCRs’ built-in Web server and browser-based interface, users can simply set up, troubleshoot, control, and monitor relay status remotely. Further, the system keeps users aware of any potential emergencies by sending alert notifications via text or email to warn of voltage anomalies.

“The ability to power down equipment sequentially provides both fail-safe protection against potential damage and the ability to bring greater energy-efficiency to large A/V/L installations through the elimination of phantom power,” said Mark Bishop, president of LynTec. “Designed specifically for houses of worship, schools, performing arts centers, auditoriums, and other large assembly spaces, our award-winning panels allow The Refuge staff to control power remotely from any smartphone, computer, or tablet device to add another level of protection to their investments. We are extremely pleased to participate in such an innovative project; it provides the perfect example for demonstrating the flexible potential of today’s power management technology.”

More information on LynTec’s RPCR panels and full line of products is available at www.LynTec.com.

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About LynTec
LynTec is a leading manufacturer of remotely operated AC power control systems for the professional sound, lighting, and video industries. The company offers both electrical protection and circuit switching capabilities within the same enclosure — saving space, lowering installation costs, and building trusted relationships with system designers. LynTec’s continuous growth in electrical and expanded lighting control, energy monitoring, built-in power conditioning, and mobile applications positions the company as a leading resource for the A/V and lighting industries and an integral partner for sustainable energy practices. More information is available at www.LynTec.com.

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Archimedia Announces Enterprise Media Player for Any Media Professional, Regardless of Expertise

Designed for Operations Budgets, Player Is Free With Active Support Agreement

DELRAY BEACH, Fla. — July 24, 2014 – Archimedia Technology, a company whose technology and applications bring precise multiformat viewing to the professional’s desktop, TV, UHDTV, and infrastructure, today released the Archimedia Enterprise Player, which comes free with an active support agreement. The new product is designed for all stakeholders — expert or not — who must be able to view professional video reliably and precisely in order to do their jobs, especially those who need specialized technical support to deal with professional media.

Enterprise Player users could range from those who lack the technical expertise to use professional video tools, to video experts who simply need to review their work without tying up an edit suite. They could come not only from media and entertainment organizations, but from any business that uses video in its operations, advertising, training, public relations, websites, exhibitions, public areas, and employee desktops.

The Enterprise Player is appropriate not only for professional editors, colorists, and compressionists, but also for nontechnical supervisors, project managers, salespeople, lawyers, caption spellcheckers, customer support staff, event coordinators, conference room service technicians, set designers, writers, producers, videotape dubbers, data I/O technicians, and anyone else associated with that business — all of whom must work together to keep the video projects and the business on track.

“The Archimedia Master Player is the world’s most sophisticated and precise professional media player, and it has become the reference standard in major movie studios, archives, and broadcast networks around the world. Now we’re bringing the expertise and software tools that we developed for the studios to anyone needing quality and precision in everyday viewing,” said Mark Gray, Archimedia president and CEO. “Archimedia’s new Enterprise Player is intended to find its way into the office of every producer and executive — and the offices of their staff. In the past, people used VTRs when they needed to view video. Now that type of convenience and efficiency is available with the Archimedia Enterprise Player on any desktop or laptop.”

The Enterprise Player serves a dual purpose. First, it replaces the VTR and videotapes that used to serve as the universal sharing device. Anyone who has installed the Archimedia Enterprise Player can simply double-click on a file to play it. At the same time, the Enterprise Player augments the robust Archimedia Master Player, giving expert users a fast, accurate, reliable media player with which to check their work or view media-specific data.

Perfectly suited for users who have limited experience working with the intricacies of professional media, the Archimedia Enterprise Player installs easily on any computer equipped with Windows(R) 7 or 8 by simply downloading the software from Archimedia’s website. Users can get media-specific email support from Archimedia, as well as Archimedia’s live online or phone support when needed. In this way, the Archimedia Enterprise Player also replaces consumer-oriented open-source downloads and free media players that come with PCs, none of which offer any meaningful technical support for people dealing with professional media. Having access to Archimedia’s experts eliminates the need to call on the in-house IT department, which likely doesn’t have the expertise to deal with the ever more complex world of media formats.

The main difference between the Archimedia Master Player and the Archimedia Enterprise Player is in the formats they support. The Archimedia Enterprise Player plays all professional and consumer video and audio formats except for JPEG 2000, DPX, and 4K/UHD, which are found only in cinematic or production masters. Like the Master Player, the Enterprise Player can play captions and subtitles in more than 80 external formats and more than 50 embedded formats, and all video can play to a normal TV over HDMI so that what the user sees is real TV rather than a PC approximation. The player also delivers accurate audio in all modes — fast forward, rewind, slow, and scrub.

The Archimedia Enterprise Player is designed for operations budgets as opposed to capital budgets, which can save businesses $100,000 a year or more and helps preserve capital. At the same time, a business can better control the balance sheet by adjusting operations costs based on changes in headcount. This pricing model enables enterprises to provide a sophisticated media player and specialized technical support to a defined number of employees without worrying about auditing licenses or the cost of maintaining in-house technical expertise. Made to run on existing office computers, the player software is free for businesses with an active support account.

The Archimedia Enterprise Player is available now for download from the Archimedia website. Archimedia will demonstrate the new player at IBC2014 on stand 7.D14.

Information about the Archimedia Enterprise Player, including an online demo and a free trial, is available at www.archimediatech.com.

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About Archimedia
Archimedia Technology specializes in the playback and human analysis of mastering formats, including JPEG 2000, for the professional broadcast, digital cinema, and video archival industries. Its technology and applications bring precise multiformat viewing to the professional’s desktop, TV, UHDTV, and infrastructure. Archimedia’s products fulfill a critical piece of the production and archival workflows, encapsulating complex file interchange and quality control processes for mastering and archive formats into practical solutions that give end users a new level of access to their assets. More information is available at www.archimediatech.com.

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

Visit Archimedia Technology at IBC2014, Stand 7.D14

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Photo Caption: Archimedia Enterprise Media Player

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HPA to Host Symposium Leading Into SMPTE 2014 Annual Technical Conference & Exhibition

‘Making Do With More’ Event at Hollywood’s Historic El Capitan Theatre Will Explore the Impact of Enriched Pictures and Sound for Filmmakers and Content Creators

WHITE PLAINS, N.Y. — July 24, 2014 – The Society of Motion Picture and Television Engineers(R) (SMPTE(R)), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced that the SMPTE 2014 Annual Technical Conference & Exhibition (SMPTE 2014) will feature a pre-conference event — the SMPTE 2014 Symposium, hosted by the Hollywood Post Alliance(R) (HPA(R)) and titled “Making Do With More.” The daylong event is scheduled for Monday, Oct. 20 at the historic El Capitan Theatre in Hollywood, California.

“As we consider how technological advances will improve the entertainment experience, we must also address the workflow challenges that will arise,” said Pat Griffis, SMPTE education vice president. “Each area of potential enhancement — higher resolution, greater contrast and color, higher brightness, more frames, and more objects associated with sound — brings with it new demands on workflow. Sessions within the SMPTE 2014 Symposium will address these and other next-generation workflow concerns from both a technical and creative standpoint.”

The SMPTE 2014 Symposium is among the first joint efforts of SMPTE and HPA as they move forward with plans for full consolidation by May 2015, and it highlights the strengths of both organizations. HPA is known for facilitating dialog among all disciplines in the entertainment industry, and for its contributions to SMPTE educational events such as SMPTE 2014 that enrich and expand the larger conversation about key topics shaping the industry.

HPA is well-known for the annual HPA Tech Retreat(R), which brings technologists and filmmakers together to address many controversial topics influencing the industry. In developing the SMPTE 2014 Symposium as a “filmmaker’s symposium,” HPA is orchestrating sessions that take an in-depth look at advanced technologies that bring new tools to storytelling. The symposium will include creative sessions from renowned cinematographers, visual effects specialists, colorists, and other filmmakers discussing what they hope to do with enhanced pictures and frame rates.

Additional sessions will offer a look at immersive sound, its impact, and how it’s being applied today; changing models for delivery of content to the consumer — including theatrical, broadcast, physical media, and digital distribution — across TV sets, computers, and mobile devices; and the standards and practices being developed to address the changing content life cycle.

“By connecting the creative community and its supporters with the technical community at the SMPTE 2014 Symposium, SMPTE and HPA are creating an opportunity for all participants to gain a richer and deeper understanding of technology’s impact on the creative process,” said Leon Silverman, HPA president. “The new displays and distribution approaches being proposed by technology companies need to be understood in the context of how the creative community will use this extended tool kit. It is also critical that we examine the standards and workflow approaches that will be necessary to deliver something more to consumers than a higher numbers of pixels.”

SMPTE 2014 is the premier annual event for motion-imaging and media technology, production, operations, and the allied arts and sciences. Each year the event draws elite and world-renowned technology thought-leaders from motion picture studios, broadcast and distribution networks, production and postproduction communities, software companies, systems integrators, manufacturers, display technologies, distribution providers, over-the-top providers, and others leading the evolving motion-imaging industry.

Further information about SMPTE 2014 and the preconference symposium is available at www.smpte2014.org/.

# # #

About the Hollywood Post Alliance(R)
Hollywood Post Alliance(R) (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools, and infrastructure for the creation and finishing of motion pictures, television, commercials, digital media, and other dynamic media content. The annual HPA Tech Retreat(R) draws top industry engineering, technical, and creative talent, as well as strategic business leaders focused on technology, from all aspects of digital cinema, postproduction, film, television, video, and related technologies together for an informal exchange of information. The 2015 HPA Tech Retreat is scheduled for Feb. 9-13 in Indian Wells, California. Further information is available at http://hollywoodpostalliance.org/?ai1ec_event=2013-hpa-tech-retreat&instance_id=293. Information on joining HPA is available at http://hollywoodpostalliance.org/.

About the Society of Motion Picture and Television Engineers(R) (SMPTE(R))
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a professional membership association, is the preeminent leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem, worldwide. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines.

The Society is sustained by more than 6,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections throughout the world. Through the Society’s partnership with the Hollywood Post Alliance (HPA), this membership is complemented by the professional community of businesses and individuals who provide expertise, support, tools, and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at www.smpte.org/join.

All trademarks appearing herein are the property of their respective owners.

Calrec Audio IBC2014 Product Preview, Stand 8.C58

Calrec Products at IBC2014

Summa Audio Console
At IBC2014 Calrec will showcase its new Summa audio console. The Summa console is designed for broadcast professionals who need a straightforward solution for producing creative and engrossing broadcast audio, but not all of the resources offered by Calrec’s Apollo and Artemis consoles.

Designed to ensure intuitive operation in live broadcast applications, Summa simplifies even complex workflow tasks, such as creating mix-minus feeds, with a highly intuitive GUI suitable for a broad range of operator levels. Users control the console via a 17-inch multitouch screen inspired by familiar tablet technology. The crisp high-resolution display provides elegant controls and a clear presentation of information. The console’s other large displays are fully configurable to display bus, output, and loudness meters, and they feature dedicated metering, routing, and processing information for each fader.

Photo Link: www.wallstcom.com/Calrec/Calrec-SummaLongshot.jpg
Photo Caption: Calrec’s Summa Broadcast Audio Console

Company Quote:

“IBC is the leading industry event for Europe, but it also attracts an international audience. We look forward to showcasing our new products at the show this year and look forward to the feedback from our customers and partners in the region.”
– Henry Goodman, Head of Sales and Marketing, Calrec Audio

Company Overview

Calrec Audio is exclusively dedicated to excellence in audio mixing for on-air and live production. A broadcast specialist for 50 years, Calrec has developed a range of digital consoles relied on by the world’s most successful broadcasters. For putting sound in the picture, broadcasters put their trust in Calrec. More information is available at calrec.com and community.calrec.com.

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RTI Now Shipping Next-Generation RK1+ In-Wall Keypad

Completely Customizable and Easy on the Budget, 2-, 4-, or 8-Button Keypad Offers Intuitive Control

SHAKOPEE, Minn. — July 24, 2014 — Remote Technologies Incorporated (RTI) has announced that the company is now shipping its next-generation RK1+ in-wall keypad, available in 2-, 4-, and 8-button models. The new RK1+ offers the same rock-solid control as its predecessor, while offering upgraded installation flexibility and even greater value. Each unit now includes multiple faceplate and button colors in addition to a custom-engraved button set option for a completely customizable, intuitive control experience at an affordable price.

Designed to match the décor of any room, the RK1+ offers white, black, and light almond faceplate and keycap kits, while the button backlight can be configured to 16 different colors on each button. For a high-end look and even more intuitive control experience, the unit also ships with a certificate for one set of custom engraved button keycaps using RTI’s Laser Shark(R) service. This allows installers to create customized button keycaps featuring graphics and text for a control experience specific to each individual installation.

Simple to install, the RK1+ fits in a single-gang electrical box and is compatible with any standard Decora(R) type wall plate. Offering direct control of electronics via an integrated IR output, the device can also be used with RTI control processors and accessories for even more powerful capabilities, including two-way control, as it provides visual feedback via the configurable backlight color. Programming the unit is quick and easy with RTI’s award-winning Integration Designer(R) software.

“With multiple colors and custom engraving options included with every unit, the RK1+ allows dealers to offer their clients intuitive, basic control that is affordable enough to include in every room,” said Pete Baker, vice president of sales and marketing for RTI. “Of course, if more advanced control features are required — whether it’s RS-232, IP, relay, or sensing — the keypad’s capabilities can easily be expanded when incorporated into an RTI control system.”

# # #

About Remote Technologies Incorporated (RTI)
Remote Technologies Incorporated (RTI) is a leading control systems manufacturer offering innovative, sophisticated, and user-friendly devices for professionally installed electronic systems. The company’s wide array of award-winning handheld and in-wall universal controllers, central processors, audio distribution systems, and accessories are marketed exclusively through a worldwide network of professional integrators. For complete control and monitoring over electronic systems from virtually anywhere in the world, the power of RTI is available on iPhone(R), iPod touch(R), iPad(R), and Android(TM) devices through the company’s RTiPanel application, just as the award-winning RTI Virtual Panel program offers access and control via any PC running Microsoft(R) Windows(R). All RTI solutions are programmed through the company’s world-renowned Integration Designer(R) software, easily allowing dealers to provide a completely customizable user interface for intuitive command over the entire electronics system.

Founded in 1992 with a committed focus on the custom installation market, RTI offers a number of award-winning support and incentive programs to its dealers, including educational opportunities through the Advanced Control University (ACU), and the popular Control Bucks and Dealer Accommodation programs. In addition, through RTI’s Integration Partner Program, the company has reached out to manufacturers across the industry to ensure that RTI products integrate seamlessly with a wide variety of components and systems.

Additional information on RTI and its innovative control solutions is available at www.rticorp.com.

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

PR Link:
www.ingearpr.com/RTI/140724RTI.doc

Photo Links:
www.ingearpr.com/RTI/RTI_RK1+_Brushed.jpg
www.ingearpr.com/RTI/RTI_RK1+_White.jpg

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