We have launched our new site! The Wire backend has moved to www.svconline.com. Your can log on now with your e xisting credentials. For your reference, posting instructions have been sent to your email. Note: postings made to the old backend will be redirected through Thursday Feb 19th. Please make the switch to www.svconline.com as soon as possible.


If you have questions please email thewire@svconline.com.


Looking forward to seeing you on the new site!

A virtual press conference from Sound & Video Contractor

Archive by Summer McLennan

Archimedia Announces Atlas Player Support for 4K 60p and HDR Content on Any Display

DELRAY BEACH, Fla. — Jan. 28, 2015 — Archimedia Technology, a company whose applications bring precise multiformat viewing to the professional’s desktop, TV, UHDTV, and SDI infrastructure, today announced the release of Atlas 3.1.1, the newest version of its full-featured precision media player. Atlas now makes it possible to watch 4K 60p content encoded in practically any format from all kinds of sources and manufacturers on all kinds of displays. That capability is a breakthrough for anyone in the media and entertainment industry — from technorati to producers to executives to archivists to lawyers — who until now had no way to view 4K 60p and high dynamic range (HDR) content outside of the edit suite where it was created without first transcoding it to a smaller format to suit hardware limitations.

“We continually look for ways to expand our customers’ media format independence to meet their business objectives, and playing 4K content at higher frame rates is quickly becoming an imperative. Major content owners have begun specifying 4K 60p for master deliverables of new content, yet they are hard-pressed to screen that content once it arrives,” said Josef Marc, Archimedia’s chief marketing officer. “Atlas solves that problem for everyone in the industry by presenting high-frame-rate and HDR content on any display to the best of its native ability. Atlas reduces or eliminates the cost of buying and maintaining viewing environments for the wide range of video formats that media professionals use in their jobs today.”

Atlas is unique in that it incorporates a professional-grade scaler that presents any frame size or media format to full screen on any HDMI, DisplayPort, SDI, or Quad Link display with frame-accurate precision up to 4K 60p. The comprehensive range of formats supported includes the latest IMF, HEVC, and AS-11 DPP formats; more than 100 caption/subtitle formats required by law around the world; DPX, TIFF, and EXR frame sequences; encrypted DCP; and Dolby” audio codecs.

This combination of features means that now all media professionals in technical and nontechnical jobs can watch 4K 60p content on everything from a laptop to a UHDTV, with external sound files for those concerned with DPX, TIFF, and EXR formats; embedded and external captions and subtitles; and the whole gamut of video, audio, and file formats for broadcasters, OTT providers, and webmasters. In addition, lawyers, customer support personnel, marketers, advertisers, and copyright administrators — such as the Library of Congress — who provide legal protection for 4K 60p content can see the content, too.

Atlas is also capable of professionally scaling HD, 2K digital cinema, UHD, and 4K to even larger sizes for exhibitions — such as playing a movie on the side of a building at a film festival or awards ceremony — or for fitting unusual frame sizes into SDI-legal sizes to suit other equipment’s limitations. This feature is also useful for checking what 4K 60p will look like on the mind-boggling variety of screen sizes found in today’s tablets, smartphones, and computer monitors.

Atlas with 4K 60p support is a free upgrade for Atlas 4K and Atlas 4KSE owners, who can download the upgrade from their Archimedia users’ support portal at support.archimediatech.tv. For new customers, there is no price increase for 4K 60p, so outstanding quotes remain valid. Standard broadcast-grade test patterns are included with every Atlas media player, and Archimedia can deliver custom 4K test patterns upon request. Archimedia’s personal tech support comes standard with every player to help customers deal with the unforeseen challenges of today’s multiscreen workflows.

Archimedia’s “Getting Started With Atlas” videos demonstrate the features that a professional media worker needs to support UHD in an HD world. The four-minute version is available at https://www.youtube.com/watch?v=yV5gejK4TFY, and a 17-minute version with chapter links is available at http://www.archimediatech.com/#!getting-started-with-atlas-video/c24g4.

More information about Archimedia and its products is available at www.archimediatech.com.

# # #

About Archimedia
Archimedia Technology specializes in the processing, conversion, and playback of mastering formats, including JPEG 2000 and HEVC, for the professional broadcast, digital cinema, and video archival industries. Its technology and applications bring precise multiformat viewing to the professional’s desktop, TV, UHDTV, and infrastructure. Archimedia’s products fulfill a critical piece of the production and archival workflows, encapsulating complex file interchange and quality control processes for mastering and archive formats into practical solutions that give end users a new level of access to their assets. More information is available at www.archimediatech.com.

All trademarks and registered trademarks mentioned herein are the property of their respective owners.

Photo Link: www.wallstcom.com/Archimedia/Archimedia-Atlas-4K60p.jpg
Photo Caption: Archimedia Atlas playing Netflix’s El Fuente in 4K 60p, an industry forward example.

New Quantum Solutions Integrate the Cloud Into Multi-Tier, Hybrid Storage Architectures for Demanding Data Workloads

Q-Cloud Offerings Enable Customers to Tailor Cloud to Their Environments, with No Changes to Existing Applications or Processes

SAN JOSE, Calif. — Jan. 27, 2015 — Quantum Corp. (NYSE: QTM) today announced three new solutions that integrate the cloud into multi-tier, hybrid storage architectures for demanding data workloads. Rejecting the generic one-size-fits-all approach common among many other cloud offerings, the new Q-Cloud(TM) solutions enable customers to leverage Quantum’s intelligent data management software to store data in the cloud when it makes the most sense for a given workflow or application. Q-Cloud Archive and Q-Cloud Vault incorporate the power of the public cloud as an off-site tier within a Quantum StorNext 5 workflow environment, while Q-Cloud Protect for AWS enables customers using Quantum’s DXi(R) deduplication appliances to replicate data to the Amazon Web Services (AWS) cloud. With all three offerings, customers can realize the full benefits of the cloud without having to make changes to existing applications or processes.

Finally, a Way to Integrate Cloud with Existing Workflows: http://youtu.be/tBKh1wNqqBI

Today’s Cloud: Compelling Advantages but Limited Adoption in Demanding Workflows
By providing advantages such as shifting capital expense to operating expense, reducing management time and enabling users to scale up or down as needed, the cloud is clearly transforming traditional IT strategies. However, the cloud has played a limited role for organizations with complex, data-intensive workflows — for example, capturing and evaluating satellite images, producing and distributing high-resolution video, and collecting and analyzing network traffic for cybersecurity defense. These demanding workflows require reliable, secure, high-performance infrastructure that is tightly integrated with applications — which most cloud offerings don’t provide. In addition, the inherent latency of the cloud and the significant costs that can arise in accessing large amounts of data in the cloud create challenges for customers in managing what data is stored there.

The Power of Quantum’s Multi-tier, Hybrid Approach
Taking into account both the benefits and challenges of the cloud, Quantum’s approach is to enable customers to combine public cloud storage with on-premise storage in a multi-tier, intelligently managed, application-centric architecture. Rather than treat the cloud as a passive repository or the answer to all needs — as is common among many providers — Quantum integrates the cloud as an active tier in a hybrid storage infrastructure driven by application requirements. This comprehensive approach provides customers with an optimal mix of performance, access, scale and efficiency and is the basis for not only today’s Q-Cloud announcements but also innovative new cloud offerings Quantum is currently developing.

Q-Cloud Archive and Q-Cloud Vault: Easy, Flexible and Reliable
Q-Cloud Archive and Q-Cloud Vault are public cloud storage services delivered by Quantum, with Q-Cloud Archive providing fast, on-demand access to data in the cloud and Q-Cloud Vault offering “cold storage” for long-term data retention and disaster recovery. Key features and benefits beyond general cloud advantages include:
* Full integration as a tier in StorNext 5-managed workflows, with automated, policy-based data movement
* No additional hardware, separate applications or programming needed
* Agility in addressing changing workload demands
* Reliability of global public cloud infrastructure
* Straight-forward pricing and billing directly from Quantum
* Secure, encrypted data in transit and at rest
* Quantum world-class service and support

StorNext(R) customers can also use Q-Cloud Archive and Q-Cloud Vault in conjunction with Quantum’s Lattus(TM) extended online storage, including moving data from a Lattus object storage technology-based private cloud on premise to Q-Cloud.

Q-Cloud Protect for AWS: Extending DXi Data Protection to Amazon Cloud
Offered as a subscription service through the Amazon Marketplace, Q-Cloud Protect for AWS enables customers to replicate from either a physical or virtual DXi appliance on premise to a virtual DXi instance in the AWS cloud. Key features and benefits include:
* Easy access to the Amazon public cloud and its benefits, with no changes to applications or processes
* Cost savings enabled by the most efficient method of data deduplication
* Support for U.S. federal government customers using AWS GovCloud
* Secure, encrypted data in transit and at rest

Availability
Q-Cloud Archive is available immediately in the Americas, EMEA and APAC, while Q-Cloud Vault will be available in the second half of this year. Q-Cloud Protect for AWS will be available next quarter.

Supporting Quotes
* John Stevens, Director of Engineering, MTI Film
“One of the main reasons we chose Quantum’s Lattus extended online storage as the foundation for our private cloud was the intelligent data management provided through its seamless integration with StorNext. By adding a public cloud tier also managed by StorNext, Quantum gives us the ability to drive even greater efficiencies in our content workflows.”

* Jason Kranitz, Vice President of Sales, Integrated Media Technologies Inc.
“With Q-Cloud Archive and Q-Cloud Vault, customers get the benefit of StorNext 5 being both workflow-guided and tier-aware. This is key to leveraging the cloud where it makes sense and in the most effective way possible, particularly in highly demanding data environments.”

* Dave Simpson, Senior Analyst, Storage, 451 Research
“It’s important to view the cloud as another storage tier option rather than a place where all data should reside. That’s the approach Quantum has taken, building on its expertise in managing and protecting data within and across storage tiers. In addition, the new Q-Cloud offerings enhance the value that both StorNext and DXi provide, not only to existing Quantum customers but also to other users that have been hesitant about incorporating the cloud.”

* Geoff Stedman, Senior Vice President, StorNext Solutions, Quantum
“Effective data management is about putting data in the right place at the right time with the right technology, guided by a customer’s workflow or application. That’s why we designed our new Q-Cloud solutions to be deployed in broader, intelligently managed hybrid architectures that enable customers to optimize the use of both on-premise and cloud storage in the most efficient and cost-effective way possible.”

Additional Resources
* For more about Quantum’s Q-Cloud solutions: www.quantum.com/solutions/cloud-services/index.aspx
* Read Bassam Tabbara’s blog on how the cloud is transforming traditional data centers: http://qntm.co/QCloudInnovation
* View a SlideShare deck describing Q-Cloud Archive: www.quantum.com/qcloudarchiveslideshare

About Quantum
Quantum is a leading expert in scale-out storage, archive and data protection, providing solutions for capturing, sharing and preserving digital assets over the entire data lifecycle. From small businesses to major enterprises, more than 100,000 customers have trusted Quantum to address their most demanding data workflow challenges. With Quantum, customers can Be Certain(TM) they have the end-to-end storage foundation to maximize the value of their data by making it accessible whenever and wherever needed, retaining it indefinitely and reducing total cost and complexity. See how at www.quantum.com/customerstories.

###

Quantum, the Quantum logo, Be Certain, DXi, Lattus, Q-Cloud and StorNext are either registered trademarks or trademarks of Quantum Corporation and its affiliates in the United States and/or other countries. All other trademarks are the property of their respective owners.

“Safe Harbor” Statement: This press release contains “forward-looking” statements. All statements other than statements of historical fact are statements that could be deemed forward-looking statements. Specifically, but without limitation, statements relating to 1) benefits and value to customers from using Quantum’s Q-Cloud solutions, including Q-Cloud Archive, Q-Cloud Vault and Q-Cloud Protect for AWS, 2) customer demand for and Quantum’s future revenue from such solutions, 3) the availability of such solutions and 4) Quantum’s plans for future products and solutions, are forward-looking statements within the meaning of the Safe Harbor. All forward-looking statements in this press release are based on information available to Quantum on the date hereof. These statements involve known and unknown risks, uncertainties and other factors that may cause Quantum’s actual results to differ materially from those implied by the forward-looking statements. More detailed information about these risk factors are set forth in Quantum’s periodic filings with the Securities and Exchange Commission, including, but not limited to, those risks and uncertainties listed in the section entitled “Risk Factors,” in Quantum’s Quarterly Report on Form 10-Q filed with the Securities and Exchange Commission on November 7, 2014 and in Quantum’s Annual Report on Form 10-K filed with the Securities and Exchange Commission on June 6, 2014, especially those risks listed in this section under the headings “Our operating results depend on a limited number of products and on new product introductions, which may not be successful, in which case our business, financial condition and operating results may be materially and adversely affected.” Quantum expressly disclaims any obligation to update or alter its forward-looking statements, whether as a result of new information, future events or otherwise, except as required by applicable law.

Calrec Audio Launches New Optimized Summa Processor Rack and Modular MADI Solution

HEBDEN BRIDGE, U.K. — Jan. 27, 2015 — Calrec Audio today announced two new developments in the company’s product range. The first is a 4U console core with a new look. Benefiting from significant hardware improvements, the core is used for the Summa and Artemis Light consoles. Calrec will also display a new single-slot modular MADI card with SRC.

The new core offers many benefits over its predecessor, including improved green credentials. Not only does it have faster and more efficient processors, it now operates with 5 percent lower power consumption and fewer fans, which are more easily accessible for maintenance. The new fans also have automatic speed control and ambient temperature-sensing, which enable them to run 8 decibels quieter at 25 degrees Celsius. There is even less noise at lower temperatures, and the fans operate at lower, less noticeable frequencies.

The new rack’s cleaner design has clearer status LEDs and labelling, with the added functionality of the Control Processor LAN sockets being independently configurable via the user interface. This provides simpler configuration of third-party controllers such as Calrec’s Assist.

Also being announced is a single-slot modular MADI card that fits into the 3U modular Hydra2 box. Not only does the new card offer 64 bidirectional channels, but it also includes a sample-rate converter.

“Calrec continues to design and develop new products that meet the changing needs of broadcasters,” said Jim Green, Calrec’s U.K. sales manager. “We have made these improvements to our console core and designed the MADI card to meet the high standards of quality and innovation that our customers expect from us.”

These new products will make their debut in the U.K. at BVE, on Calrec’s stand D20, and in the U.S. at the 2015 NAB Show, stand C2755. More information about Calrec and its products is available at calrec.com.

# # #

About Calrec Audio Ltd.
Calrec Audio is exclusively dedicated to excellence in audio mixing for on-air and live production. A broadcast specialist for 50 years, Calrec has developed a range of digital consoles relied on by the world’s most successful broadcasters. For putting sound in the picture, broadcasters put their trust in Calrec. More information is available at calrec.com.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/Calrec/Calrec-Summa_Processor_Rack.jpg
Photo Caption: Summa Processor Rack

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Audio |

SMPTE and FKTG Open Registration for SMPTE Forum 2015, ‘Entertainment Technology in the Internet Age: A European Perspective’

Two-Day Conference Will Explore Impact of Broadband Content Delivery on Europe’s Media Industries; Early Bird Pricing Available Through 27 February

LONDON and BERLIN — 27 January 2015 — The Society of Motion Picture and Television Engineers(R) (SMPTE(R)), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today opened registration for the SMPTE Forum 2015, “Entertainment Technology in the Internet Age: A European Perspective.” Produced in partnership with the Fernseh- und Kinotechnische Gesellschaft (FKTG), with collaboration from the EBU’s Technology and Innovation department, the SMPTE Forum 2015 will take place 7-8 May at the Fraunhofer Forum in Berlin. Early-bird pricing is available now and continues through 27 February.

“The SMPTE Forum 2015 will explore the extensive impact of broadband media delivery on Europe’s studios, post houses, broadcast facilities, media service providers, and solution vendors,” said Dr. Hans Hoffmann, head of media fundamentals and production at the EBU, former SMPTE standards vice president, and conference program chair of the SMPTE Forum 2015. “As larger audiences consume Internet-delivered media on screens ranging from the home theater to computers, tablets, and other mobile devices, new creative tools and new media technologies will be needed to create appealing content that addresses these new viewing platforms and devices. We are delighted to join with FKTG in examining the technical opportunities and challenges that this monumental shift in media consumption habits presents to the industry.”

Factors as far-ranging as EU policy, net neutrality, copyright, and mining “big data” are shaping the possibilities in the complex European market and redefining how the industry engages its audience. The SMPTE Forum 2015 will examine these topics and how connectivity, bandwidth, and media technology improvements will influence media production and distribution across all platforms, from cinema and broadcast to mobile and interactive new media technologies.

The SMPTE Forum 2015 program highlights include a keynote presentation by Chris Fetner, director of global content partners operations at Netflix, who will speak on the supply chain impact of Internet distribution. Discussion on the vision of the European Commission for Internet streaming and on the EU regulatory environment will follow. The SMPTE Forum will also include a keynote on the state of Internet entertainment in Europe and continue with sessions that examine creation and distribution of entertainment content for the Web, the potential normalization of over-the-top (OTT) services as premium content providers, the future of hybrid broadcast broadband TV (HbbTV(R)), second screen in the home and beyond, and social media as entertainment media.

“Chris delivered the opening keynote at the SMPTE 2014 Annual Technical Conference & Exhibition to a standing-room-only crowd and earned rave reviews, and we expect no less at the SMPTE Forum 2015,” said Pat Griffis, SMPTE education vice president and executive director of technology strategy in the office of the CTO at Dolby Laboratories. “With its expansion into Europe and other new markets over the past several years, Netflix has become an industry disrupter on an international scale. Chris is positioned to shed light on Netflix’s activities in Europe, as well as the factors shaping the company’s technology decision-making.”

SMPTE Forum 2015 conference sessions are designed for engineers, creatives, and researchers focused on and interested in the future of media over the Internet. Nearly a dozen sessions are on the program schedule. Among these, “Second Screen in the Home and Beyond: US Versus EU Perspective” will discuss the use of PCs, tablets, and other handheld devices to control or complement the main-screen home viewing experience and then move forward to explore recent developments and to compare technologies and consumer acceptance across different markets.

“EU and U.S. Regulatory Environment: A Boost or Bust for Internet Entertainment?” will look at the European approach to regulating Internet traffic management and content and how this approach will affect the rollout of entertainment services. The focus will shift toward sports with “Sport in your Pocket. Delivering to Fans, Anywhere, Anytime Over the Web” This session will look at the anytime, anywhere delivery of sports content to consumers via the Internet.

“Tools of the Trade: Translating Traditional Content for the Web” will discuss the importance of efficient compression techniques and evolving infrastructures in enabling the Internet to support video delivery. “Virtual Reality Entertainment via Web: An Idea Whose Time Is Here?” will look at new possibilities for creating highly immersive virtual and augmented realities, as well as the opportunities and challenges involved in immersive as well as “fragmented storytelling” (or “transmedia storytelling”), in which a story is scattered across different media and devices.

The SMPTE Forum 2015 reception will take place on an evening cruise following the first day of conference sessions. In addition to giving delegates ample networking opportunities, this three-hour guided excursion on the Spree River will provide an extraordinary view of many of Berlin’s most famous sites. The cruise is included with conference registration. Delegates may purchase additional tickets for their guests.

The registration and preliminary program information for the SMPTE Forum 2015 are available at www.smpte.org/forum2015/.

# # #

About the Fernseh- und Kinotechnische Gesellschaft (FKTG e.V.)
The FKTG e.V. is one of the oldest professional technology associations in Germany, founded by two predecessor organizations, the German Cinema Technology Association (DKG, founded in 1920) and the Television Technology Association (FKT, founded in 1952). The main objective of the FKTG is to provide information on developments for television and cinema technology to all engineers and all people working as scientists or technologists in the field of television and cinema, and to provide a platform for exchange of knowledge and experience.

More than 110 supporting international companies and nearly 2,000 persons are members of the FKTG, which is the largest network of its kind in the German-speaking area of Europe. The FKTG hosts conferences and technology workshops in different local regions on a regular basis and supports further scientific education through its network of more than 50 universities and advanced technical colleges in Germany, Austria, and Switzerland. More information about FKTG and how to join is available at www.fktg.org.

About the Society of Motion Picture and Television Engineers(R) (SMPTE(R))
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a professional membership association, is the preeminent leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem worldwide. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines.

More than 6,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections throughout the world sustain the Society. Through the Society’s partnership with the Hollywood Post Alliance(R) (HPA(R)), this membership is complemented by the professional community of businesses and individuals who provide the expertise, support, tools, and infrastructure for the creation and finishing of motion pictures, television programs, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at www.smpte.org/join.

All trademarks appearing herein are the property of their respective owners.

Photo Links:
www.wallstcom.com/SMPTE/SMPTE-ChrisFetner.jpg
www.wallstcom.com/SMPTE/SMPTE-HansHoffman.jpg
www.wallstcom.com/SMPTE/SMPTE-PatGriffis.jpg

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Entertainment/Leisure, News |

Success at AES ‘Plugfest’ Validates Digigram’s AES67/RAVENNA Implementation

Interoperability Testing Event Demonstrated That AES67 Standard Provides Real Gains in Interconnecting Standards-Based Equipment

MONTBONNOT, France — Jan. 27, 2015 — Digigram today announced that it participated in the AES67 interoperability test event held by the AES in cooperation with EBU at the Institut für Rundfunktechnik (IRT) in Munich late in 2014. At this “Plugfest,” Digigram and other select vendors demonstrated interoperability between different implementations of AES67-2013 across more than a dozen products. The overwhelming success of the event reinforced the value of both the AES67 standard and the RAVENNA implementation that Digigram has incorporated into its range of IP audio codecs and sound cards.

The AES67 standard enables high-performance synchronous audio-over-IP streaming interoperability between the various IP-based audio networking products available in today’s professional marketplace.

“The success of the Plugfest tests not only confirms the practical value and promise of AES67 and AES67-compatible open technology standards such as RAVENNA, but also validates our decision to implement these technologies in our IQOYA product line and sound card offering,” said Nicolas Sturmel, PhD., head of research at Digigram. “The adoption of a new standard is a major shift for the industry. Thus, as we move forward into 2015, we expect additional releases of AES67/RAVENNA-enabled solutions, as well as further progress in establishing standards-based workflows that enable our customers to optimize their deployment of these solutions.”

Facilitating low-latency synchronous audio distribution over IP infrastructures in radio facilities, RAVENNA enables new levels of performance and flexibility in IP audio transport. Digigram was among the first members of the RAVENNA consortium launched by ALC NetworX in 2010, and the company announced the addition of AES67/RAVENNA connectivity to its IQOYA range of audio-over-IP (AoIP) codecs at the IBC2014 exhibition. Digigram’s IQOYA solutions help ease users’ migration toward greater use of IP audio within their studios and ultimately facilitate more flexible design of their audio infrastructures by using standard and inexpensive IT equipment.

Announced in March 2014, the LX-IP RAVENNA PCIe sound card represented Digigram’s first RAVENNA-enabled product. Featuring ultralow latency down to one audio sample per IP packet, up to 256 RAVENNA I/O channels from multiple RAVENNA streams, and a full MADI interface, the card is ideal for high-density audio production or automation applications in radio and TV broadcast studios. This card has already been adopted by Studer to enable AES67 connectivity to its new CPU-based Infinity Series” broadcast mixing consoles.

Further information about Digigram and the company’s products is available at www.digigram.com or by phone at +33 4 76 52 47 47.

# # #

About Digigram
Positioned at the convergence of professional audio and video with IT, Digigram offers IP-based solutions that enable users worldwide to increase their competitiveness through change.

The company’s products enable the reliable capture, production, and delivery of high-quality audio and video over IP networks. Its innovative IP audio codecs, professional sound cards, and audio processing software are used by thousands of journalists, broadcasters, and audio engineers worldwide. Digigram’s all-IP video product line provides advanced contribution and distribution solutions to broadcast, IPTV, Web TV, and OTT operators. The company also delivers key audio/video technologies and OEM solutions to software vendors and manufacturers.

For more than 25 years, through constant innovation and the development of fruitful partnerships, Digigram has been influential in energizing the industry, raising standards, and pushing forward technological development.

Further information on Digigram and its product portfolio is available at www.digigram.com.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/Digigram/Digigram-IQOYA_LINK_HD_Ravenna_AES67.jpg
Photo Caption: IQOYA *LINK and *LINK/LE Audio-Over-IP Codecs

RTI’s New Control System Kit Delivers Simplicity and Convenience at an Attractive Price

New Kit Includes Dynamic Duo of RTiPanel App and T2i Remote

SHAKOPEE, Minn. — Jan. 26, 2015 — Remote Technologies Incorporated (RTI) today announced the availability of a new comprehensive control system kit. The company’s latest packaged offering contains the award-winning RTiPanel app, complemented by the sleek T2i remote control, and utilizes the RP-4 control processor for powerful one-way control over A/V systems and other electronics. more

Slovak TV Successfully Achieves Audio Loudness Compliance Around NUGEN Audio Loudness Management and Monitoring Tools

LEEDS, U.K. — Jan. 21, 2015 — NUGEN Audio today announced that Slovak TV, which is a part of Radio and Television of Slovakia (RTVS), Slovakia’s leading public television network, has adopted the full suite of NUGEN Audio loudness tools, including the VisLM-H visual loudness meter, ISL inter-sample true-peak limiter, LM-Correct stand-alone loudness tool, and LMB batch-processing loudness correction tool. Slovak TV has embraced NUGEN Audio solutions, enabling compliance with the Slovak government’s recent loudness regulations. G-tec Professional, a NUGEN Audio reseller based in Bratislava, Slovakia, provided the equipment and installation.

“Loudness regulation is sweeping Europe, and Slovakia is among the many countries that are adopting measures based on the European EBU-R128 standard. Slovak TV is leading the charge to help provide a more enjoyable audio experience for its television viewers,” said Jon Schorah, founder and creative director, NUGEN Audio. “Our partner, G-tec, has worked hard to ensure that all Slovak broadcasters have the tools they need to meet upcoming loudness standards and position NUGEN Audio products as critical solutions.”

G-tec recommended the NUGEN Audio tools as part of a broader project designed to modify Slovak TV’s operation for loudness monitoring, correction, and compliance. The Loudness Toolkit, consisting of the VisLM-H, ISL, and LM-Correct plug-ins for Avid | Pro Tools, provides everything Slovak TV’s audio engineers need to produce loudness-normalized audio according to EBU-R128. In addition, LMB provides offline loudness and true-peak analysis and correction of audio files to meet the standard.

“At G-tec we are committed to helping our broadcast clients prepare for the coming loudness regulation and understand how advanced loudness management tools can fit into their existing workflows. NUGEN Audio’s tools are an integral part of that effort,” said Boris Seitler, product manager, G-tec Professional. “Their ease of use, highly intuitive operation, and seamless integration into audio production workflows make them an ideal match to Slovak TV’s requirements.”

More information about NUGEN Audio products is available at www.nugenaudio.com.

# # #

About NUGEN Audio
NUGEN Audio provides the broadcast and post-production industry’s most advanced solutions for end-to-end loudness management, metering, and correction from content acquisition through to playout. Reflecting the real-world production experience of the NUGEN Audio design team, the company’s products make it easier to deliver high-quality, compliant audio while saving time, reducing costs, and preserving the creative process. NUGEN Audio’s tools for audio analysis, loudness metering, mixing/mastering, and tracking are used by the world’s top names in broadcast, post-production, and music production. For more information, visit www.nugenaudio.com.

All trademarks appearing herein are the property of their respective owners.

Photo Links:
www.wallstcom.com/NUGEN/NUGENAudio-SlovakTV-1.jpg
www.wallstcom.com/NUGEN/NUGENAudio-SlovakTV-2.jpg

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Audio, News |

Joseph Electronics to Carry Full Line of VITEC Products

NILES, Ill. — Jan. 21, 2015 — Joseph Electronics (JE), the premier one-stop shop for the broadcast industry and provider of fiber termination and custom fiber solutions through Joseph Fiber Solutions (JFS), today announced an agreement with VITEC, a worldwide leader in advanced digital video solutions for the broadcast, military, medical, education, enterprise, telco, government, transportation, sports, and entertainment industries. Under the agreement, JE will serve as a VITEC solutions partner (VSP), supplying VITEC products — including VITEC’s EZ TV IPTV System — throughout North America.

“The Internet has transformed the way our customers deliver and manage video channels, not only for external viewers, but for internal audiences too. IPTV is a great alternative to traditional RF CATV systems and has been very popular with stadiums and broadcasters alike,” said Yohay Hahamy, president and CEO of Joseph Electronics. “VITEC’s modular EZ TV IPTV System is, with good reason, the most deployed H.264 enterprise IPTV delivery system in the world. Adding it to our product lineup means our customers can now implement an advanced, scalable IPTV solution on their own networks, and do it quickly.”

Recently installed as the in-house video delivery system for the Buffalo Bills’ Ralph Wilson Stadium, and with other high-profile projects at NBC and NASA, VITEC’s EZ TV IPTV System is a comprehensive, enterprise-grade IPTV solution for high-quality delivery, recording, and management of live and on-demand video-over-IP networks. EZ TV uses existing IP infrastructure to deliver live and on-demand content within and between facilities. Its elegant and reliable architecture distributes content to desktops, TVs, and mobile devices, with low-latency streaming for monitoring live events in real time. Tight integration with Microsoft Active Directory(R) helps ensure secure delivery.

“Joseph’s long experience in broadcast, entertainment, and sports provides VITEC with a depth of relationships that makes JE an ideal partner,” said Hamish Macmillan, VITEC national channel manager. “Joseph has pre-existing relationships with many of our customers, particularly those who are relatively new to VITEC’s products and solutions, so Joseph can not only facilitate functions such as procurement, but can also put its strong technical capabilities to work for our customers.”

Further information about Joseph Electronics and the company’s products and services is available at www.josephelectronics.com.

# # #

About VITEC
VITEC is a worldwide leading provider of innovative digital video products that support end-to-end media solutions for broadcast, military, medical, education, enterprise, telco, government, transportation, sports, and entertainment customers. VITEC’s professional-grade video technologies have changed the landscape of how video is processed and delivered around the world and drive many of the major video services in key vertical markets. For more information, visit http://www.vitec.com.

About Joseph Electronics
Joseph Electronics (JE) is an authorized stocking distributor for more than 100 premier broadcast and pro A/V brands with stocking locations in both Illinois and California. Its full-service fiber division, Joseph Fiber Solutions (JFS), designs and supplies innovative custom fiber solutions — such as the Caddie Series, DFT Series, and 4K Studio Caddie — for broadcasters and system integrators alike. Equipped with a state-of-the-art fiber lab staffed with fully certified professionals, JFS can fabricate, terminate, or repair any connector, assembly, panel, breakout, or interface in use today. JE has served the broadcast industry for more than 65 years and has representatives in California, New York, Georgia, and London. More information about Joseph Electronics can be found at www.josephelectronics.com.

Product or service names mentioned herein are the trademarks of their respective owners.

Photo Link: www.wallstcom.com/JosephElectronics/JosephElectronics-VITEC-EZTV.jpg

BenQ Ships RP840G Interactive 4K Ultra-High-Definition Flat-Panel Display

New 84-Inch Panel Brings 4K Resolution, 10-Point Multitouch Navigation, and QCast Device Sharing Software for Interactive and Digital Signage Applications

COSTA MESA, Calif. — Jan. 22, 2015 — BenQ America Corp., an internationally renowned provider of visual display solutions, today announced that it is now shipping its 4K ultra-high-definition (UHD) RP840G flat-panel display. Ideal for connected classrooms and collaborative boardroom settings, as well as digital signage applications, the 84-inch multitouch panel provides an exceptional 10 interactive touch points, multi-PC touch control via USB, and QCast software to share content easily from any PC or WiFi(R)-enabled smart device. The newest addition to the 4K-display family significantly enhances the way students, teachers, or meeting participants collaborate and share dynamic content. more

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Corporate AV, New Products, News |

Basque Broadcaster ETB Installs Riedel Communications Infrastructure at Main Production Center in Donosti-San Sebastián

WUPPERTAL, Germany — Jan. 21, 2015 — Riedel Communications, provider of pioneering real-time video, audio, data, and communications networks, today announced that Basque broadcaster Euskal Irrati Telebista (ETB) has deployed a Riedel Artist digital matrix intercom system within its primary production center in Miramón (Donosti-San Sebastián). Supplied and integrated by Madrid-based Riedel reseller Crosspoint, the Artist solution supports flexible intercom communications throughout the Miramón facility according to the different requirements of various productions, as well as VoIP communications with ETB headquarters in Bilbao.

“We evaluated a variety of solutions and integrators, and we found that with Riedel’s Artist system, Crosspoint was positioned to offer us the greatest benefit and highest quality,” said Juan Carlos Loroño, head of ETB’s production centers. “Since we put the Artist system into operation, we’ve been very pleased with its capabilities and its impact on our day-to-day work in Miramón.”

The Artist solution at ETB’s Miramón production center provides a distributed, decentralized, scalable architecture for communications. The 160 x 160-port Riedel intercom system is composed of Artist 128 and Artist 32 mainframes with 56 ports configured for control panels, 80 ports for analog four-wire, eight ports for VoIP usage, and eight ports for a party line system. The entire system ensures AES3/EBU audio quality, with level controls at each individual crosspoint, nonblocking connections, and redundant power supplies and controllers.

The Artist units are complemented by 46 of Riedel’s 2000 LCD Series control panels, one CCP-1116 commentary control panel, 10 wired belt packs, and various VoIP multiplexers. For sporting events that originate in Miramón, the commentator panel supports two commentators working in the same language, or multiple scenarios in which two languages must be accommodated.

Riedel’s Director software facilitates system configuration, monitoring, and control, and its intuitive interface simplifies complex configurations and settings. While remote configuration functions enable control from Bilbao on weekends when no technical personnel are working at Miramón, options such as partial configuration of the system add further value by allowing users to call and save configuration files on just one part of the system without affecting the communications being made in other areas of the production center.

“The ability to change the configuration of one studio production while not affecting the configuration of another studio production is very important,” said Juan Olalde, technical coordinator of the ETB production center in Miramón. “This flexibility lets us perform the multiple simultaneous changes needed in the daily preparation of a program and save them in partial files that are organized by the type of production, personnel available, or operating model.”

Further information about Riedel and the company’s products is available at www.riedel.net.

# # #

About Riedel Communications
Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 350 people at 12 locations in Europe, Asia, Australia, and the Americas.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/Riedel/Riedel-ETBMiramon.zip

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Audio, Infrastructure, News |

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

March 2015
M T W T F S S
« Feb    
 1
2345678
9101112131415
16171819202122
23242526272829
3031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication