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Archive by Summer McLennan

BenQ Now Shipping Latest in its GW Series of RevolutionEyes(TM) Monitors

Monitors Offer Elegant Design and Exceptional Performance for the Home or Office

COSTA MESA, Calif. — Aug. 11, 2014 — BenQ America Corp., an internationally renowned provider of visual display solutions, today introduced its new additions to the GW Series of mainstream monitors, the GW2765HT and GW2265HM. Featuring BenQ’s RevolutionEyes(TM) technology, the displays blend perfectly within any living space or office décor with stylish attributes such as high-gloss frames, curvaceous stands, and extremely slim bezels that enable sharper-looking single or multidisplay configurations for placement in any setting. more

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Blonder Tongue Offers Superior Motion Optimization for Fast-Paced TV Programming With New HDE-HVC-PRO

Introduces Enhancements to SDE-4AV-QAM Encoder to Enable Superior Video Quality at Lower Bit Rates

OLD BRIDGE, N.J. — Aug. 12, 2014 — Blonder Tongue Laboratories, Inc. (NYSE MKT:BDR) today announced the HDE-HVC-PRO, a new MPEG-2 SD/HD professional series encoder designed to deliver superior motion optimization for fast-paced programming, including live sports events. In addition, the company announced enhancements to its SDE-4AV-QAM MPEG-2 SD encoder, which enables operators to deliver more SD channels at lower bit rates. Both the HDE-HVC-PRO and SDE-4AV-QAM encoders bring increased levels of video quality and bandwidth efficiency to the broadcast, cable, and hospitality markets. more

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Forbidden and Take 1 Partner to Integrate Transcription Capabilities With Forscene

LONDON — Aug. 12, 2014 – Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, and U.K.-based Take 1 Transcription, provider of transcription, captioning, and translation services, today announced a partnership that connects Take 1′s transcription capability to Forscene. Now Forscene users will be able to access Take 1′s service directly from the Forscene interface with the touch of a button. This integration eliminates the need to prepare and transport large files or other media manually for transcription, and also helps to create thorough transcripts that can accelerate the post-production process.

“Many of our customers rely on time-coded transcripts as a valuable source of information during post-production, but getting those transcripts in hand can be a cumbersome process,” said Greg Hirst, business development director, Forbidden Technologies plc. “Our partnership with Take 1, which serves many of the major production companies, studios, and networks in the U.K. and the U.S., means our customers can skip the manual steps involved with initiating a transcription and just push a button instead, leaving them well on their way to a more efficient workflow.”

Unlike the usual transcription process, which requires producers to transcode clips, create and transport DVDs, or send files via FTP to a transcription vendor manually, the integration between Take 1 and Forscene creates an automated process. Producers select the content in Forscene to be transcribed, and then simply click a button to send proxy files to Take 1. Take 1 receives the transcription order, where it is processed immediately by the company’s highly trained, distributed workforce. Once completed, the transcript is imported back into Forscene as an XML file so that it gets linked back to the master video in the Forscene cloud.

At that point, production teams can use Forscene’s powerful logging functions to add even more metadata around visual descriptors, locations, and other key information. From there, Forscene’s robust search tools can be used to scan the transcript and the additional metadata to find just the right clips. Then teams can use Forscene to complete some or all of the editing process, from stringouts to publishing, with review and approval cycles throughout.

“More and more of our clients are embracing cloud-based post-production and using platforms like Forscene, so we needed to ensure our service was accessible directly from the cloud,” said Dom Bourne, CEO of Take 1. “By integrating our transcription service into Forscene, we are removing an entire step in the workflow, allowing content to flow seamlessly from Forscene to Take 1 for immediate transcription with resulting transcripts importing back effortlessly. This integration helps further compress the time between the shoot and the edit, so clients can focus on making TV programmes and not worry about logistics.”

Visit Forbidden at IBC2014 in booth 8.B38e to find out more.

More information about Forscene can be found at www.forscene.co.uk. More information about Forbidden Technologies can be found at www.forbidden.co.uk. More information about Take 1 Transcription can be found at www.take1.tv.

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About Take 1 Transcription
Founded in 1998, Take 1 Transcription is the trusted provider of transcription, captioning, and translation services to all the major production companies, studios, and networks in the U.K. and the USA. Take 1 Transcription has a strong understanding of broadcast technologies, file-based workflows, and FTP and has developed sophisticated internal systems to maximize use of its distributed workforce. Take 1 Transcription is a privately held company and is headquartered in Cranbrook, Kent. More information about Take 1 can be found at www.take1.tv.

About Forbidden Technologies plc
Forbidden develops advanced technologies that enable media makers and broadcasters to create and distribute compelling viewing experiences to demanding worldwide audiences. Forbidden’s flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform. It allows post-production professionals to make and deliver stories with high quality and production value in demanding, fast-paced landscapes. Quoted on the London Stock Exchange Alternative Investment Market, Forbidden partners with high-profile media and technology organisations, including Atos, BIM, deltatre, EVS, and Key Code Media. More information about Forbidden can be found at www.forbidden.co.uk. More information about Forscene can be found at www.forscene.co.uk.

Digigram’s IBC2014 Product Lineup to Feature Low-Cost, High-Quality AQORD *LINK/LE Video-Over-IP Codec

MONTBONNOT, France — Aug. 12, 2014 – Digigram today announced that at IBC2014, it will demonstrate the new AQORD *LINK/LE codec designed to enable simple, cost-effective transport of high-quality video over IP networks, including fiber, xDSL, and satellite for program contribution applications. With an attractive price tag and the ability to serve either as an encoder or decoder, the easy-to-use AQORD *LINK/LE IP video codec lowers barriers to IP-based video transport without forcing users to compromise on video quality.

“IP video transport offers numerous business and operational benefits, and we have introduced the AQORD *LINK/LE in order to make these benefits accessible to a broader range of users and facilities,” said Laurent Gros, video product manager at Digigram. “With this new product, which rounds out our video product range, we offer the high video quality for which our AQORD IP video codecs are known, as well as fundamental, hardware-based, low-latency encoding and streaming capabilities packaged in an uncomplicated design with straightforward configuration options.”

The AQORD *LINK/LE codec is designed for video contribution in broadcast, live event, and IPTV distribution applications. Housed in a 19-inch encoder/decoder rack, the unit features SDI raw video I/O and network I/O for IP-based live streaming. Ready to use right out of the box with minimal configuration, this latest addition to Digigram’s AQORD family allows users to begin streaming almost immediately. With both H.264 encoding or decoding capabilities, the AQORD *LINK/LE also gives users flexibility in system deployment.

Throughout IBC2014, Digigram’s AQORD line of IP video codecs for contribution and AQILIM IP video codecs for over-the-top applications will be on display on stand 8.C51. The AQORD *LINK/LE will be available for shipping shortly after IBC2014 concludes.

More information about Digigram and the company’s products is available at www.digigram.com or by phone at +33 4 76 52 47 47.

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About Digigram
Positioned at the convergence of professional audio and video with IT, Digigram offers IP-based solutions that enable users worldwide to increase their competitiveness through change.

The company’s products enable the reliable capture, production and delivery of high-quality audio and video over IP networks. Its innovative IP audio codecs, professional sound cards, and audio processing software are used by thousands of journalists, broadcasters, and audio engineers worldwide. Digigram’s all-IP video product line provides advanced contribution and distribution solutions to broadcast, IPTV, Web TV, and OTT operators. The company also delivers key audio/video technologies and OEM solutions to software vendors and manufacturers.

For more than 25 years, through constant innovation and the development of fruitful partnerships, Digigram has been influential in energizing the industry, raising standards, and pushing forward technological development.

Further information on Digigram and its product portfolio is available at www.digigram.com.

Please Visit Digigram at IBC2014, Stand 8.C51

Photo Link: www.wallstcom.com/Digigram/Digigram-AQORD_LINK-LE.jpg
Photo Caption: AQORD *LINK/LE IP Video Encoder/Decoder

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Riedel Hires Erik Miehs as Service Engineer for Australia

WUPPERTAL, Germany — Aug. 12, 2014 – Riedel Communications, provider of pioneering real-time video, audio, data, and communications networks, today announced that Erik Miehs has joined the company as service engineer for Australia. In his new role, Miehs will boost Riedel’s ability to support existing customers and equipment rentals while contributing to the company’s continued overall growth in sales and rentals across the region.

“As an end user in his previous position, Erik brings a wealth of operational Riedel knowledge to our team. With his appointment, we’ve instantly expanded our ability to deliver excellent service to our growing client base,” said Cameron O’Neill, general manager, Riedel Australia. “We’ve had an explosion of new installations in the past two years, and keeping those systems in peak condition is one of our core values.”

Miehs has more than ten years of experience working in audio and pro sound. Most recently, he was a communications and broadcast engineer at the Sydney Opera House, where he was responsible for all Riedel Artist, Performer, and Acrobat systems deployed in the Opera House venues and its new recording and broadcast facility. Previously, he served as an A/V technician for corporate functions and events at Revolver Audio, and was an audio technician and FOH engineer for Glass Chain Audio Services.

Miehs is based in the Riedel Sydney office and can be reached at +61 (0) 2 9669 1199 or at erik.miehs@riedel.net.

Further information about Riedel and the company’s products is available at www.riedel.net.

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About Riedel Communications
Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 350 people at 12 locations in Europe, Asia, Australia, and the Americas.

Visit Riedel Communications at IBC2014, Stand 10.A31

Photo Link: www.wallstcom.com/Riedel/Riedel-ErikMiehs.jpg
Photo Caption: Erik Miehs, Service Engineer for Australia, Riedel Communications

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Wohler Appoints Alex Collins to Serve as Asia-Pacific Sales Director

New Hire Joins Wohler’s Asia-Pacific Team With Extensive Experience in Sales and Marketing of IT-Based Broadcast Solutions

SAN FRANCISCO — Aug. 6, 2014 – Wohler Technologies today announced the appointment of Alex Collins as sales director in the Asia-Pacific (APAC) region. In this role, Collins will focus on extending awareness and adoption of the company’s RadiantGrid Intelligent Media Transformation Platform(TM) and other RadiantGrid-driven solutions in the region.

“With experience in both sales and integration of advanced file-based broadcast solutions, and a strong track record in each area, Alex has the proficiency to support the growing interest around RadiantGrid and quickly become a valuable part of our APAC team,” said Craig Newbury, vice president of sales at Wohler. “We see great potential for our RadiantGrid solutions in APAC markets, and Alex will be instrumental in our efforts to expand upon these opportunities.”

Collins joins Wohler having most recently served as sales and marketing director at Megahertz Ltd. (previously OKNO-TV), a U.K.-based provider of integration services to leading broadcasters worldwide. He also has held sales and marketing roles with Evertz Technologies and Television Systems Limited.

Collins will be based in Wohler’s Hong Kong office and will report directly to Newbury.

Information about Wohler products, including the RadiantGrid Intelligent Media Transformation Platform and other RadiantGrid solutions, is available at www.wohler.com.

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About Wohler Technologies Inc.
Wohler’s tradition of innovation began more than 30 years ago with the creation of the industry’s first in-rack audio monitoring product, and it continues today through the company’s continued development of unique solutions that span the baseband, stream, and file-based domains and include advanced monitoring solutions for video, audio, and captioning applications; solutions for IP monitoring, encoding, and decoding; and the award-winning RadiantGrid(TM) platform for efficient file-based content transformation and distribution. Together, Wohler’s advanced, cost-effective confidence monitoring and media transformation products ensure high-quality production across any platform and delivery to any device. More information about Wohler is available at www.wohler.com.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/Wohler/Wohler-AlexCollins-SalesDirector-APAC.jpg
Photo Caption: Alex Collins, Wohler Asia-Pacific Sales Director

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Industry-Leading Harmonic Spectrum Server Line Offers Richer Functionality, Higher Density, and Lower Cost Per Channel

Spectrum Version 7.6 Release Boosts MediaCenter Channel Count and Capabilities, Enriches ChannelPort and MediaDeck Tools and Feature Sets

SAN JOSE, Calif. — Aug. 6, 2014 – Harmonic (NASDAQ: HLIT), the worldwide leader in video delivery infrastructure and market share leader in broadcast playout servers, today announced the release of version 7.6 of the company’s Spectrum(TM) media server product line. With this release, the Spectrum MediaCenter(TM) (MCP-2200A) media server system now supports 20 channels — eight more than previous models — and up to 32TB of integrated SAS storage in a compact 2-RU enclosure. The company also introduced a series of enhancements to the Spectrum ChannelPort(TM) integrated channel playout system and Spectrum MediaDeck(TM) server system that improve caption support, monitoring and scheduling capabilities, and integrated management tools.

“The MediaCenter platform has always been the best value for customers with moderate channel counts of four to 12 channels, and the MCP-2200A significantly increases that value, making an even more powerful Spectrum system available in a compact footprint and at a compelling price point,” said Andy Warman, director, product management, production and playout, Harmonic. “When combined with our Spectrum MediaPort and/or ChannelPort video I/O modules, this new addition to the MediaCenter family serves as a versatile yet straightforward solution for ingest, media prep, and playout.”

Ideally suited for transmission, studio production, news and sports highlights, and distributed broadcast workflows, the MediaCenter system allows users to simplify operation and maintenance while reducing overall rack space, power, and cost requirements. The high channel count (20 video channels at 50 Mbps or 10 channels at 100 Mbps) and increased SAS storage (approximately 1,200 hours at 50 Mbps) of the MCP-2200A are complemented by file transfer support for the ingest and export of clips, audio, and subtitle files. In addition to being easy to install and maintain, the system offers the rock-solid reliability for which the Spectrum product line is renowned.

The MediaCenter system supports conventional ingest and playout operations when combined with MediaPort I/O systems. When combined with ChannelPort systems for integrated channel playout (ICP) applications, it provides robust functionality including graphic branding, DVE, key and fill, video and audio switching, and much more. The ChannelPort system itself has been augmented with open caption support, which enables caption files that have been imported into a Spectrum server to be played out frame-accurately with the caption text burned into the video as a graphic. This capability is ideal for play-to-air scenarios in which captioning is required for multilingual viewers or the hearing impaired, and its integration into the ChannelPort system reduces the need for costly downstream insertion equipment.

A new Monitor Mode for the ChannelPort system enables each simulcast port to be used as a master control/gallery monitor wall output of the primary output, with timecode, clip status, and clip names burned into the video output. Operators thus gain at-a-glance access to on-air clips. The addition of a Schedule Tool application enables multiple users to create playlists that can later be played to air by Harmonic’s Onboard Playlist Control (OPC) automation.

In refining the company’s MediaDeck server system, Harmonic has embedded all configuration, maintenance, and monitoring tools within the system chassis. The user is presented with a Web page showing alarms and messages, configuration tools, status configuration, and licensing information and maintenance tasks in an easy-to-use interface.

At stand 1.B20 during IBC2014, Sept. 12-16 in Amsterdam, Harmonic will showcase its comprehensive line of market-leading solutions that optimize the production and delivery of high-value video services in the broadcast, pay-TV, and new media environments. Further information about Harmonic and the company’s products is available at www.harmonicinc.com.

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About Harmonic
Harmonic (NASDAQ: HLIT) is the worldwide leader in video delivery infrastructure for emerging television and video services. The company’s production-ready innovation enables content and service providers to efficiently create, prepare, and deliver differentiated services for television and new media video platforms. More information is available at www.harmonicinc.com.

This press release contains forward-looking statements within the meaning of Section 27A of the Securities Act of 1933 and Section 21E of the Securities Exchange Act of 1934, including statements related to the anticipated capabilities and benefits of Harmonic’s, ChannelPort(TM), MediaDeck(TM), MediaCenter(TM), Spectrum(TM) products. Our expectations and beliefs regarding these products may not materialize and are subject to risks and uncertainties, including the possibility that the products may not meet some or all of their anticipated capabilities or provide some or all of their anticipated benefits, such as reliability, versatility, cost savings, robust functionality, and simplification of operations.

The forward-looking statements contained in this press release are also subject to other risks and uncertainties, such as those more fully described in Harmonic’s filings with the Securities and Exchange Commission, including its Annual Report on Form 10-K for the year ended Dec.31, 2013, its Quarterly Reports on Form 10-Q and its Current Reports on Form 8-K. The forward-looking statements in this press release are based on information available to Harmonic as of the date hereof, and Harmonic disclaims any obligation to update any forward-looking statements.

EDITOR’S NOTE - Product and company names used herein are trademarks or registered trademarks of their respective owners.

Visit Harmonic at IBC2014, Stand 1.B20

Photo Links:
www.wallstcom.com/Harmonic/Harmonic-SpectrumFacility.jpg
www.wallstcom.com/Harmonic/Harmonic-SpectrumFamily.jpg
www.wallstcom.com/Harmonic/Harmonic-SpectrumMediaCenter-Front.jpg

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Nexidia QC v2.3 Features Caption Retiming and Expanded Support for International Formats and Languages

ATLANTA — Aug. 5, 2014 — Nexidia, developer of dialogue and audio analysis products and technologies for optimizing audio and video media, today announced Nexidia QC(TM) v2.3, the latest release of its software tool for automating quality control of closed captions, video description, and languages for broadcast and IP workflows. Nexidia QC v2.3 adds caption retiming, additional caption formats, and more languages to meet the needs of international broadcasters and media outlets that are facing increased caption regulations.

“Closed captions and subtitles have long been a challenge for broadcasters, but recent and pending legislation in the U.S. and throughout the world has created renewed motivation to tackle the complexities once and for all,” said Drew Lanham, senior vice president and general manager of Nexidia’s Media and Entertainment division. “We have added automated caption retiming for live captioned content to Nexidia QC, making it the first caption tool to automatically correct live caption-timing issues, ensuring that captions are synchronized with the speech in repurposed content. Also, we are implementing improvements to address the specific needs of international broadcasters with broader support for languages and caption file formats.”

Nexidia QC v2.3 can now test for and repair out-of-sync captions due to drift. Drift occurs when time codes are misinterpreted or changed as a result of a frame rate conversion to meet a delivery specification. For example, a frame rate mismatch of 29.97 DF (drop frame) versus 29.97 NDF (non-drop frame) will produce a caption drift of 3.6 seconds per program hour. This presents a problem for many organizations as the captions at the beginning of the video appear to be correctly timed, when in fact they are not. Nexidia QC compares the captions with speech throughout the entire audio file to detect and report these kinds of timing issues. Nexidia QC can now automatically correct the caption file timing preventing costly re-captioning.

As part of Nexidia QC’s language identification function, Nexidia QC v2.3 has an expanded library of languages and can now distinguish between dialects, such as Latin American Spanish versus Castilian Spanish.

Nexidia QC v2.3 has added support for STL and EBU-TT, the most widely used caption formats in Europe. It also fully supports the iTunes(R) Timed Text (ITT) format used for distribution to iTunes, enabling it to accommodate all types of media organizations around the globe.

Nexidia QC v2.3 can also identify the language of the captions displayed on screen regardless of the audio track or any language metadata included in the caption file. At the same time, a spell-check function has been incorporated to test for the proper spelling of captions.

These enhancements serve to provide the most thorough automated caption QC tool available today, whether used as a stand-alone application or as part of a unified QC system such as Amberfin’s UQC platform and workflow automation tools such as Telestream Vantage.

Nexidia will demonstrate Nexidia QC v2.3 at IBC2014 in stand 3.A54, in Telestream stand 7.C12, and in Dalet stand 8.B77. The product will be available in Q4 2014.

More information about Nexidia QC and other Nexidia products is available at www.nexidia.tv.

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About Nexidia
Nexidia is the audio and video search company with patented technologies and breakthrough applications that make it quick and easy for customers to gain new insight, boost their competitive advantage, and monetize large volumes of audio and video assets from entertainment, sports, news, education, corporate, government, financial, house of worship, and non-profit organizations. More information is available at www.nexidia.tv.

All trademarks appearing herein are the property of their respective owners.

Visit Nexidia at IBC2014, Stand 3.A54

Photo Links:
www.wallstcom.com/Nexidia/Nexidia-NQCJobResult.jpg
www.wallstcom.com/Nexidia/Nexidia-NQCRetimingVisual.jpg

Studio Lambert Uses Forscene to Help Speed Up Post-Production Process of ‘Gogglebox’

LONDON — Aug. 5, 2014 — Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, announced today that London-based production company Studio Lambert is using Forscene for the quick-turn production of Channel 4′s “Gogglebox.” Part of all3media, which is the U.K.’s largest independent television, film, and digital production and distribution company, Studio Lambert uses Forscene to search and select clips from the rushes while editing is in progress on the observational documentary.

“With less than a week to turn around a show like ‘Gogglebox,’ Forscene doubles the efficiency of the editing process. For example, whilst an editor is pulling material on the Avid editing system, the producer can pull different material and even create sequences simultaneously on Forscene,” said Chantal Boyle, series producer of Studio Lambert.

For “Gogglebox,” Studio Lambert shoots about 150 hours of material a week and logs the footage live during filming. As soon as filming wraps each night, the footage is driven straight back to Studio Lambert’s post-production house in central London, where it is ingested into the Avid nonlinear editing system and uploaded to Forscene so that it is ready for the edit team to start work the next morning. Edit producers and senior producers use a combination of shoot logs and Forscene to locate the best clips to weave into the show.

“The way Studio Lambert uses Forscene is a great example of the software’s value as a search tool,” said Greg Hirst, business development director, Forbidden Technologies plc. “Every second counts on this production, and Forscene makes it possible for the show’s many producers to search through a considerable amount of footage quickly without disrupting the editors.”

More information about Forscene can be found at www.forscene.co.uk. More information about Forbidden Technologies can be found at www.forbidden.co.uk.

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About Forbidden Technologies plc
Forbidden develops advanced technologies that enable media makers and broadcasters to create and distribute compelling viewing experiences to demanding worldwide audiences. Forbidden’s flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform. It allows post-production professionals to make and deliver stories with high quality and production value in demanding, fast-paced landscapes. Quoted on the London Stock Exchange Alternative Investment Market, Forbidden partners with high-profile media and technology organisations, including Atos, BIM, deltatre, EVS, and Key Code Media. More information about Forbidden can be found at www.forbidden.co.uk. More information about Forscene can be found at www.forscene.co.uk.

Visit Forbidden at IBC2014, Stand 8.B38e

Photo Link: www.wallstcom.com/Forbidden/Forbidden-Gogglebox-LeonandJune.jpg
Photo Caption: Leon and June of “Gogglebox”

Digigram to Showcase RAVENNA/AES67 Compatibility of IQOYA IP Audio Codec Line at IBC2014

RAVENNA Connectivity Enables Much Greater Levels of Flexibility in Design and Implementation of Radio Broadcasters’ Audio Infrastructures

MONTBONNOT, France — Aug. 5, 2014 – Digigram today announced that it will showcase the addition of RAVENNA/AES67 connectivity to the company’s IQOYA range of audio-over-IP (AoIP) codecs at IBC2014. In enabling radio facilities to take advantage of the technical and cost benefits of high-performance RAVENNA networks and AES67 compatibility, these solutions help ease users’ migration toward greater use of IP audio within their studios and ultimately facilitate more flexible design and use of their audio infrastructures.

“Digigram was among the first members of the RAVENNA consortium launched by ALC NetworX in 2010 and was active in the AES67 standardization committee. We are leveraging the expertise and experience gained to offer an expanding range of products enabled with RAVENNA/AES67 connectivity,” said Pascal Malgouyard, head of product marketing at Digigram. “Our IQOYA products are among the first IP audio codecs to offer RAVENNA and AES67 connectivity, and we look forward to highlighting the significant benefits this product line can bring to radio operations at IBC2014.”

Enabling new levels of performance and flexibility in IP audio transport, RAVENNA is an AES67-compatible open technology standard that represents a major technological advance for low-latency synchronous audio distribution over IP infrastructures. The RAVENNA/AES67-compatible IQOYA solutions being shown at IBC2014 allow users to get audio programs directly from an in-studio RAVENNA network and subsequently encode and stream them over IP to transmitter sites via a WAN in compliance with EBU ACIP (Tech 3326). Users likewise can decode EBU ACIP streams from a WAN to their in-studio RAVENNA network.

Digigram’s IQOYA IP audio codec product range, now equipped with RAVENNA/AES67 support, includes the IQOYA *LINK, IQOYA *LINK/LE, IQOYA *SERV/LINK, and IQOYA *CALL products. These enhanced solutions will be available for demonstration during IBC2014 and available for shipping before the end of 2014.

More information about Digigram and the company’s products is available at www.digigram.com or by phone at +33 4 76 52 47 47.

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About Digigram
Positioned at the convergence of professional audio and video with IT, Digigram offers IP-based solutions that enable users worldwide to increase their competitiveness through change.

The company’s products enable the reliable capture, production and delivery of high-quality audio and video over IP networks. Its innovative IP audio codecs, professional sound cards, and audio processing software are used by thousands of journalists, broadcasters, and audio engineers worldwide. Digigram’s all-IP video product line provides advanced contribution and distribution solutions to broadcast, IPTV, Web TV, and OTT operators. The company also delivers key audio/video technologies and OEM solutions to software vendors and manufacturers.

For more than 25 years, through constant innovation and the development of fruitful partnerships, Digigram has been influential in energizing the industry, raising standards, and pushing forward technological development.

Further information on Digigram and its product portfolio is available at www.digigram.com.

Please Visit Digigram at IBC2014, Stand 8.C51

Photo Link: www.wallstcom.com/Digigram/Digigram-IQOYA_ServLink_1U.jpg
Photo Caption: IQOYA *SERV/LINK Audio-Over-IP Codec

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Related Topics: Audio Playback, News, Tradeshow News |

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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