A virtual press conference from Sound & Video Contractor

Archive by Summer McLennan

BeckTV Completes Second HD Upgrade for Token Creek Mobile Productions

Rapid Overhaul of Sioux Expando Unit Gave Token Creek the Flexibility to Maintain and Expand Its Slate of Television Production Projects

AUSTIN, Texas — Oct. 28, 2014 — BeckTV, one of the United States’ premier design-build systems integrators, today announced that it has completed its second project for Token Creek Mobile Productions: a major upgrade of the company’s 48-foot Sioux expando television production truck, which now supports state-of-the-art HD production.

“Sioux is the second truck we’ve upgraded from SD to HD with BeckTV’s assistance, and in both cases we entrusted the project to BeckTV because we knew the company understood our objectives and could meet them in the short time frame we provided,” said John Salzwedel, president at Token Creek Mobile Television. “By putting the mobile unit update into BeckTV’s capable hands, we were able to direct our resources toward the ongoing production work that supports our business. Knowing that the great staff at BeckTV was totally immersed in the truck update, we were able to continue our operations with confidence that we’d be able to roll out the new Sioux on schedule and on budget.”

The updated Token Creek truck now is a 1080i/720p-switchable unit, equipped with an EVS XT3 playout/replay server and XFile Digital Archive station, a 3ME Grass Valley Karrera HD production switcher, Grass Valley LDX80 cameras, Fujinon’s new 99X8.4 and 18X5.5 lenses, a Calrec Artemis console, and ChyronHego HyperX3 graphics system. Since the upgrade, Token Creek’s Sioux unit has been deployed for high-profile productions for the NFL, MLS, the Kentucky Derby, NBA basketball, NCAA basketball games, and the NHL.

“BeckTV not only built two trucks back to back for us in a 13-month period, but also brought the trucks through to completion at a surprisingly attractive price point,” added Salzwedel. “With the upgrade first of Chippewa and then Sioux to HD, we’ve opened up new business opportunities, as our clients see that we have the infrastructure in place to handle larger projects and multiple-day events.”

More information about Token Creek Mobile Productions and the company’s fleet is available at www.tokencreek.com. Further information about BeckTV is available at www.becktv.com.

# # #

About Token Creek Mobile Productions
Token Creek Mobile Television provides state-of-the-art production facilities for sports and entertainment events to television networks, national cable networks and local/regional broadcasters. Clients include such networks as PAC12, ESPN, Fox Sports Network and CBS Sports Network.

About BeckTV
BeckTV (formerly Beck Associates) is one of the United States’ premier design-build systems integrators. With more than 30 years of experience, BeckTV has designed and built more professional television facilities for more customers than any other systems integrator. In virtually every application from broadcast and cable networks, local TV stations, sports trucks, and stadium venues to educational institutions and houses of worship, BeckTV uses a collaborative approach to assure successful outcomes, on time and on budget. The company maintains full-service offices in Denver, New York, and Austin, Texas. More information about BeckTV is available at www.becktv.com.

All trademarks appearing herein are the property of their respective owners.

Photo Links:
www.wallstcom.com/BeckTV/BeckTV-TokenCreek1.jpg
www.wallstcom.com/BeckTV/BeckTV-TokenCreek2.jpg
Photo Caption: Token Creek Mobile Productions Facility

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Wohler and Cinnafilm Tachyon Wormhole Automates TV Program Retiming for Joyce Meyer Ministries

‘Enjoying Everyday Life’ Program Can Be Adapted to Meet Requirements of Trinity Broadcast Network Without Costly and Time-Consuming Re-editing

SAN FRANCISCO — Oct. 28, 2014 — Wohler Technologies today announced that Joyce Meyer Ministries (JMM), producer of the popular Christian television program “Enjoying Everyday Life,” has deployed the Tachyon(R) Wormhole(TM) file-based media retiming solution to adapt the program for broadcast on the Trinity Broadcasting Network (TBN). A joint venture of Wohler and Cinnafilm(R), Tachyon Wormhole provides JMM with an efficient and cost-saving solution for meeting the timing and standards conversion requirements of its partner networks while preserving video and audio quality, as well as the integrity of closed captioning.

Based on the Wohler RadiantGrid Intelligent Media Transformation Platform(TM) running Cinnafilm’s award-winning Tachyon algorithms, Tachyon Wormhole allows content owners or broadcasters to adjust the runtime of media assets by up to plus or minus 10 percent without materially altering the viewer’s experience of the program.

“As the world’s largest religious network, TBN is a very important outlet for ‘Enjoying Everyday Life.’ Having our programming carried on the network has opened up a vast new audience for our ministry,” said Eric Grau, broadcast manager, Joyce Meyer Ministries. “We create more than 300 unique episodes of the show each year at a length of 28:30, but TBN requires 27:30. Without Tachyon Wormhole, we would have to edit each of these shows individually for length — incurring higher costs and straining our team’s workload. But this remarkable tool handles the time compression automatically and without any dropped frames, noticeable artifacts, or degradation of the original material.”

With a 4K-capable video pipeline, Wohler’s RadiantGrid software platform serves as the file-based processing framework that integrates retiming of closed-captioning data, audio retiming, and pitch correction into the Tachyon Wormhole video processing workflow. The turnkey Tachyon Wormhole system can process up to two video assets simultaneously while synchronously handling up to 64 channels of audio, along with CEA-608 and -708 and SMPTE 436M and 360M caption data. Users simply select a target runtime by choosing a specific length or by entering a percentage adjustment.

At JMM, Tachyon Wormhole automates 100 percent of the ministry’s time-compression processes, including high-quality de-interlacing of interlaced video streams, as well as phase-correlated motion analysis of the stream to determine content movement and to calculate where the content should land in order to meet the reduction in runtime. In addition, Tachyon Wormhole provides automatic retiming and pitch correction of audio, retiming of closed captions, and automatic transcoding.

“‘Enjoying Everyday Life’ is a tremendously popular program, airing around the world on more than 500 stations and networks in more than 70 languages,” said Craig Newbury, vice president of sales, Wohler. “As our very first customer for Tachyon Wormhole, JMM has saved significant time and money through the ability to time-compress content within an automated process. This is a big win for a non-profit organization, and it’s a prime example of the benefits of this new evolution in file-based retiming.”

More information about Tachyon Wormhole and purchase information, including a list of resellers, is available at www.wevalueyourtime.tv.

# # #

About Wohler Technologies Inc.
Wohler’s tradition of innovation began more than 30 years ago with the creation of the industry’s first in-rack audio monitoring product, and it continues today through the company’s continued development of unique solutions that span the baseband, stream, and file-based domains and include advanced monitoring solutions for video, audio, and captioning applications; solutions for IP monitoring, encoding, and decoding; and the award-winning RadiantGrid(TM) platform for efficient file-based content transformation and distribution. Together, Wohler’s advanced, cost-effective confidence monitoring and media transformation products ensure high-quality production across any platform and delivery to any device. More information about Wohler is available at www.wohler.com.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/Wohler/Wohler-Tachyon-Wormhole.jpg
Photo Caption: Tachyon(R) Wormhole(TM) File-Based Media Retiming Solution

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Forbidden Supplies Forscene Cloud-Editing Package for Coverage of the Toronto International Film Festival

LONDON — Oct. 28, 2014 — Forbidden Technologies plc (AIM: FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, announced that it sponsored entertainment journalist Bonnie Laufer’s coverage of the renowned Toronto International Film Festival (TIFF) in September, which ran on U.S. entertainment Web portal The Seven Sees. Forbidden provided a turnkey cloud editing package, including access to Forscene and a Forscene server, which allowed Laufer to collaborate with editors at the headquarters of her entertainment news company, The Smart Entertainment Group, and make the finished content available to The Seven Sees.

“It was an absolute pleasure using Forscene to edit the interviews I conducted during TIFF. It was quick and efficient, and made the process easy, especially when I had interviews that used more than one camera,” said Laufer, who is executive producer at The Smart Entertainment Group and has covered TIFF for 25 years. “Having the system and server on hand to upload the interviews to my colleagues at The Seven Sees in Los Angeles was undeniably efficient and a complete lifesaver. There is no question in my mind that I will be using Forscene to edit all of my interviews from now on.”

Laufer conducted 80 celebrity interviews at TIFF and used Forscene to make the interview footage immediately available to editors at Smart Entertainment headquarters in Toronto and The Seven Sees in Los Angeles, thousands of miles away. A Forscene server at Smart Entertainment automatically ingested the TIFF interviews into predetermined folders in the Forscene cloud based on watch folders that were set up on the media storage system. Editors at Smart Entertainment and The Seven Sees could then access the media, edit the interviews, integrate graphic elements, and then make the finished packages available for review.

Once approved, the finished segments were then published directly from the Forscene server to The Seven Sees website using the original high-resolution footage stored in the Forscene cloud.

“Forscene is an amazing technology for Web streaming portals like ours that need to acquire and edit media originating anywhere in the world,” said Jonathan Ratliff, owner and editor-in-chief of The Seven Sees, which gets about 500,000 visitors per month. “The speed of acquisition and creative control it offers during the editing process is incredible. During TIFF we had almost instant access to the media acquired in Toronto so that it could be utilized in Los Angeles. The back end of publishing the content was just a drag and drop away, where we could create MPEG streams to publish to our streaming site. We are excited about the future of creative possibilities in the Forscene cloud.”

“Bonnie Laufer is a well-respected journalist in her field and has conducted thousands of celebrity interviews throughout her career,” said Greg Hirst, business development director and president of the U.S. office for Forbidden Technologies plc. “Supporting her in her coverage of such a high-profile event as TIFF exposed a new audience to Forscene and demonstrated its great benefit when generating content for Web portals, which — perhaps more than any other media outlet — are expected to run up-to-the-minute content.”

More information about Forscene can be found at www.forscene.co.uk. More information about Forbidden Technologies can be found at www.forbidden.co.uk.

# # #

About Forbidden Technologies plc
Forbidden develops advanced technologies that enable media makers and broadcasters to create and distribute compelling viewing experiences to demanding worldwide audiences. Forbidden’s flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform. It allows post-production professionals to make and deliver stories with high quality and production value in demanding, fast-paced landscapes. Quoted on the London Stock Exchange Alternative Investment Market, Forbidden partners with high-profile media and technology organisations to ensure an efficient and robust experience for its clients. More information about Forbidden can be found at www.forbidden.co.uk. More information about Forscene can be found at www.forscene.co.uk.

Photo Link: www.wallstcom.com/Forbidden/Forbidden-ForsceneatTIFF.png
Photo Caption: Forscene was used to edit over 80 interviews conducted by Bonnie Laufer.

Video Link: http://thesevensees.com/toronto-international-film-festival-2014-7-most-anticipated-films-performances

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East Shore Sound Uses Riedel Gear to Enhance Production of ‘A Capitol Fourth’ Extravaganza

New All-Digital Communications Infrastructure Supported Both Stage Show on U.S. Capitol West Lawn and Live PBS Broadcast to Millions more

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Biamp Systems Brings TesiraFORTÉ and AVB Speaking Session to TecnoMultimedia InfoComm Colombia 2014

BEAVERTON, Oregon — Oct. 28, 2014 — Biamp Systems, a leading provider of innovative, networked media systems, today announced its commercial audio systems showcase and speaking session for TecnoMultimedia InfoComm Colombia 2014. Held in Bogotá from Nov. 6-7 at the Corferias convention center, the event will bring the company’s award-winning TesiraFORTÉ line of Audio Video Bridging (AVB) digital signal processors to the trade show floor for the first time — allowing attendees to get an up-close look at the newly launched technology during demonstrations in the Biamp(R) booth 58. The company’s area manager for Central America, Ernesto Montañez, will also present a session titled “Understanding AVB and its Advantages” on Nov. 6 from 3:30 p.m. to 4:30 p.m. more

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The Walt Disney Company, Panasonic, Dolby Laboratories Make Cornerstone Donations to SMPTE Centennial Campaign

In Recognition of the Society’s Centennial Celebration, SMPTE Next Century Fund Will Support Next-Generation Standards, Membership, and Education Programs

LOS ANGELES — Oct. 23, 2014 – The Society of Motion Picture and Television Engineers(R) (SMPTE(R)), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced that The Walt Disney Company, Panasonic, and Dolby Laboratories have made contributions totaling $1 million to the SMPTE Centennial Celebration Campaign’s Next Century Fund. These gifts, formally recognized today at the SMPTE 2014 Annual Technical Conference & Exhibition, are the largest financial commitments in the Society’s history.

“It is our great pleasure to lend our support to SMPTE, both in terms of leadership and financial support, as the Society prepares for its Centennial Celebration,” said Vince Roberts, executive vice president of Global Operations and chief technology officer, Disney/ABC Television Group. “For almost 100 years, SMPTE has played a critical role in advancing the art, science, and craft of the moving image and its sound. We are proud to partner with SMPTE as it continues its groundbreaking work in moving-imagery education, engineering, and research.”

“We can’t think of any organization more worthy of our support than SMPTE,” said Kunihiko Miyagi, director, Professional AV Business Unit, Imaging Network Business Division in Panasonic Corporation’s AVC Networks Company. “The ongoing role the Society plays in advancing standards and technical education for our industry is absolutely critical to our success, and to that of all SMPTE members. Panasonic salutes SMPTE as it enters its second century of advocacy and advancement for the field of moving imagery.”

“SMPTE has made a remarkable and long-standing commitment to education and to the development of standards that support ever-greater creative and technical achievements in the field of motion imaging and sound,” said Pat Griffis, executive director of technology strategy, Office of the CTO, Dolby Laboratories. “The Society’s centennial celebration is an ideal opportunity to recognize this work and its enormous influence on our industry.”

The SMPTE Centennial Campaign has been established in recognition of the Society’s 100-year anniversary in 2016. The campaign is led by an advisory committee consisting of Wendy Aylsworth and Chuck Dages (retired) of Warner Bros.; Peter Fannon of Panasonic; Richard Friedel of Fox; Charles Jablonski of SMPTE; Peter Ludé of RealD; William Miller of Miltag Media Technology; Chuck Pagano (retired) of ESPN; Bob Ross of CBS; and Larry Thorpe of Canon.

“Without question, SMPTE’s next hundred years will be very different from the first. As our industry evolves, new developments are challenging every aspect of the media workflow — from technology tools to business models,” said Barbara Lange, executive director of SMPTE. “With their generous gifts, The Walt Disney Company, Panasonic, and Dolby Laboratories are providing a tremendous boost to the Society’s ongoing expansion and evolution across our three pillars of activity: standards development, membership development, and education programs.”

The Next Century Fund will support specific SMPTE standards activities that speed the development, adoption, use, and understanding of new industry standards, as well as creating tools such as a repository for test materials that are crucial for certifying new IP-based workflows. In the area of membership development, SMPTE’s goals include international Section expansion as well as improving programming and networking for students. In education, the Society will focus on creating educational programs that support rapidly changing industry needs; establishing regular conference events throughout the world; and developing and deploying educational programs that serve all levels of membership.

Further information about the SMPTE Centennial Campaign is available at www.smpte100.org.

# # #

About the Society of Motion Picture and Television Engineers(R) (SMPTE(R))
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a professional membership association, is the preeminent leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem, worldwide. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines.

The Society is sustained by more than 6,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections throughout the world. Through the Society’s partnership with the Hollywood Post Alliance(R) (HPA(R)), this membership is complemented by the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at www.smpte.org/join.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/SMPTE/SMPTE-VinceRoberts_BarbaraLange.jpg
Photo Caption: Vince Roberts, Disney/ABC Television Group and Barbara Lange, SMPTE
Photo Credit: Ryan Miller, Capture Imaging

Photo Link: www.wallstcom.com/SMPTE/SMPTE-RonMartin_BarbaraLange.jpg
Photo Caption: Ron Martin, Panasonic and Barbara Lange, SMPTE
Photo Credit: Ryan Miller, Capture Imaging

Photo Link: www.wallstcom.com/SMPTE/SMPTE-PatGriffis_BarbaraLange.jpg
Photo Caption: Pat Griffis, Dolby Laboratories and Barbara Lange, SMPTE
Photo Credit: Ryan Miller, Capture Imaging

Video Link: www.youtube.com/watch?v=jN2yYrEFMFQ
Video Caption: SMPTE Centennial Campaign: The Next Century Fund

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Primestream Products on Display at CAPER 2014:

FORK Production Suite v4.6
At CAPER 2014, Primestream(R) will show FORK(TM) Production Suite v4.6, the latest version of its acclaimed software platform for managing the automation of the most complex broadcast workflows. With new modules, functionality, and integrations with the leading broadcast hardware and software vendors, FORK v4.6 is the most extendable, configurable, and powerful version of FORK ever released and includes major revisions to the underlying structures of FORK 4.5 that debuted at the 2014 NAB Show. These upgrades increase overall system responsiveness and provide for the handling of a vastly increased quantity of media assets.

These many improvements position FORK for the support of H.264, H.265, and MXF as well as 64-bit and 4K workflows. Behind this thinking is the intent that customers feel secure that the investments they make today pay big dividends in the future as they move toward the adoption of new formats and standards. FORK v4.6 also includes deep two-way integrations with nonlinear editors like Adobe(R) Premiere(R) Pro, Avid(R) Media Composer(R), and Apple(R) Final Cut Pro X(R). The integrations support edit-while-capture workflows with XDCAM(R), ProRes(R), and AVC-Intra(R) — empowering sports, news, entertainment, and corporate video operations to use industry-leading NLEs — while gaining the benefits of the FORK media asset management and automation platform for I/O, logging, tagging, proxy editing, workflow management, and archiving.

Photo Link: www.wallstcom.com/Primestream/Primestream-FORK4-6ProductionSuite.jpg
Photo Caption: FORK(TM) Production Suite v4.6

FORK Xchange Suite v3.0
Primestream(R) will demonstrate FORK(TM) Xchange(TM) Suite v3.0, a major upgrade to the application that gives broadcasters instant Web access to content on their FORK Production servers from any Windows(R), Mac(R), or tablet device. Xchange v3.0 features a completely redesigned iPad(R) interface optimized for Apple(R) iOS 7. Also new in Xchange, users can now manage non-video files such as audio, image, document, and project files. Direct integration with multiple transcode engines for proxy rendering is also available in Xchange v3.0.

Other new features and capabilities include:

* Xchange Uploader: Allows users to submit raw or finished packages directly into the FORK production environment via a Web-based interface.
* Xchange Downloader: Allows users to download source content in order to edit final packages locally, with the ability to choose among multiple qualities to download.
* Xchange Partial File Download: Allows users to download sections of media, leading to faster download workflows and eliminating the need to download entire media.
* Quick, Cuts-Only Editing: Allows users to create a rough cut with footage in Xchange and send the timeline to the FORK Production environment for distribution.

Photo Link: www.wallstcom.com/Primestream/Primestream-FORKXchangeSuite3.jpg
Photo Caption: FORK(TM) Xchange(TM) v3.0

FORK Logger With STATS
FORK(TM) Logger, the metadata tagging module in the acclaimed FORK Production Suite, now integrates with in-depth data feeds from STATS, the global leader in sports information, technology, and content. With this service, FORK Logger users can start their sessions with prepopulated placeholders that contain rich event data pulled from the STATS feed, such as team name, location information, rosters, conference name, and win/loss records. Working from these populated placeholders enables users to avoid manually entering data, which increases the accuracy of the descriptive information.

Photo Link: www.wallstcom.com/Primestream/Primestream-Logger-sports.jpg
Photo Caption: FORK(TM) Logger for Sports

FORK Archive Bridge v1.0
Archive Bridge(TM) v1.0 is a new module for the FORK(TM) Production Suite that provides tight integration between industry-leading archival solutions and the FORK media asset management and production automation platform. Archive Bridge enables disaster recovery workflows and interconnects multiple production environments with a central archive point — adding essential visibility into the archival workflow and allowing facilities to make the most of their archiving dollars.

Photo Link: www.wallstcom.com/Primestream/Primestream-ArchiveBridgeUI.jpg
Photo Caption: FORK(TM) Archive Bridge(TM) v1.0

Company Quote:

Spanish:

“Es siempre importante para Primestream participar en la convención de CAPER, este año vamos a exhibir nuestra completa suite de automatización y administración de contenido con los nuevos y avanzados módulos de Logger y Xchange con los cuales se obtiene una rápida y efectiva implementación de varios procesos incluyendo la posibilidad de trabajar en un ambiente de colaboración remoto a traves de la nube. A su vez en CAPER estaremos demostrando nuestra integración con múltiple plataformas de edición y captura.”
– Claudio Lisman, Presidente y CEO, Primestream

English:

“It’s always important for Primestream to participate at CAPER. This year we will show the entire FORK automation and asset management environment with Logger and Xchange being highlighted for fast metadata tagging and multisite cloud asset management environments. We are also emphasizing integrated workflows with leading NLE platforms that increase productivity and efficiency with features such as edit-while-capture.”
– Claudio Lisman, President and CEO, Primestream

Company Overview:

Primestream(R), a leader in advanced automation and asset management software, offers a seamless end-to-end platform for the digital acquisition of live and file-based content, editing, logging, control room and master control playback, Web publishing, smartphone video contribution, and archiving. Primestream’s proven solutions are implemented by some of the world’s leading broadcasters, uplink service providers, online digital media operations, corporations, and production/postproduction facilities, and are ideally suited for multisite operations. More information is available at primestream.com.

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Wohler Products at CCW 2014

CCW 2014
Nov. 12-13
Wohler Technologies Product Preview
Booth 701

Tachyon(R) Wormhole(TM) Media Retiming
The award-winning Tachyon(R) Wormhole(TM) file-based media retiming solution enables up to a plus or minus 10 percent runtime adjustment while preserving not only video and audio quality, but also closed caption integrity. Based on Cinnafilm’s popular Tachyon algorithms and the Wohler RadiantGrid Intelligent Media Transformation Platform(TM) framework, Tachyon Wormhole saves time for content producers, allowing them to “fit and fill” — easily adjusting content to meet specific customers’ length requirements without compromising the integrity or quality of audio, video, and captioning/subtitling. In many cases, this approach allows users to replace a great deal of expensive specialized hardware with a single server at a fraction of the cost. At the same time, Tachyon Wormhole not only gives time back to broadcasters and content distributors, but also allows them to realize new revenue opportunities without materially altering the viewer’s experience of their media assets.

Photo Link: www.wallstcom.com/Wohler/Wohler-Tachyon-Wormhole.jpg
Photo Caption: Tachyon(R) Wormhole(TM) File-Based Media Retiming Solution

RadiantGrid Intelligent Media Transformation Platform(TM) Version 8.7
The award-winning version 8.7 of the Wohler RadiantGrid Intelligent Media Transformation Platform(TM) offers broadcasters a variety of powerful tools that boost the efficiency of file-based workflows for multiplatform media delivery. The platform enables fully compliant OTT offerings for leading formats, including MPEG-DASH, HLS, and Microsoft Smooth Streaming, and aids broadcasters and other content producers in meeting the array of target bit rates, resolutions, and frame rates necessary for today’s content delivery ecosystem.

The media processing engine parallelizes complex audio loudness correction alongside the video at unprecedented speeds. Along with optimized video pipeline features such as anamorphic video handling, 2K/4K Ultra HD support, and bit depths of up to 16-bit YUV, the RadiantGrid platform has been enhanced with the RadiantGrid Detect and Correct(TM) video legalization option, which leverages Wohler’s unique RightHue(TM) algorithm to ensure comprehensive NTSC and PAL color compliance within the file-based domain.

Photo Link: www.wallstcom.com/Wohler/Wohler-RadiantGrid.jpg
Photo Caption: RadiantGrid Intelligent Media Transformation Platform(TM)

MPEG DVB-ASI and IPTV Monitors
Providing functionality critical for facilities migrating toward IP-oriented distribution networks, the award-winning MPEG Series monitors decode and provide convenient at-a-glance monitoring of program content from MPEG-2/4 ASI and Ethernet IP streams, as well as 3G/HD-SDI inputs. To meet broadcasters’ increasing need for stream-based monitoring, the MPEG video monitors identify, decode, and display in high resolution both MPEG-2 and MPEG-4 signals (input via BNC or Ethernet), while giving users the ability to browse the PAT, PMT, PID, EIT, and NIT data (both ATSC and DVB tables) for each selected stream. In addition to MPEG ASI and dual-input 3G/HD-SDI with loop-through, the MPEG monitors also accommodate audio with level meters, GPI, and tally. Convenient monitoring capabilities include Dolby Digital and Digital+ decoding, as well as the capacity to decode as many as 12 audio groups. In-picture level metering of up to 16 channels of audio is provided for both average and PPM (peak) levels with selectable meter scales.

Photo Link: www.wallstcom.com/Wohler/Wohler-MPEG-4290-VideoMonitor.jpg
Photo Caption: Wohler MPEG-4290 Video Monitor

AMP2-E16V Series Modular Audio/Video Processing Monitor
The AMP2-E16V monitor’s feature list continues to be the longest in the industry, yet the product is operated with one-touch simplicity. In addition to its top-quality audio system, it features simultaneous multiformat monitoring, quick program selection, instant stereo downmix, loudness monitoring, internal channel mixing including SDI re-embedding, and audio delays. The monitor also includes a wide variety of meter scales and ways to view meters, video, and Dolby or SMPTE 2020 metadata.

The AMP2-E16V offers Dolby Zoom, Dolby E line position, and CRC error monitoring, as well as automatic system configuration based upon signal inputs, 32 complete system configuration presets, a complete internal help system, and Ethernet software updates. Audio processor card options facilitate easy configuration for multiple SDI, AES I/O, analog I/O, and connection to external surround systems.

A new AVB Monitoring Option card allows AVB channels to be mixed, level-adjusted, and monitored alongside AES, SDI, analog, and other input types, and in the same fashion. Further enhancements include new processing modules and newly developed software that expand the feature set and capabilities to include loudness monitoring and extended audio interfacing.

Photo Link: www.wallstcom.com/Wohler/Wohler-AMP2-16V-Audio-VideoProcessingMonitor.jpg
Photo Caption: Wohler AMP2-E16V Audio/Video Processing Monitor

AMP1-16M Dual 3G/HD/SD-SDI Audio Monitor
Wohler’s new AMP1-16M dual-input SDI audio monitor provides high-performance monitoring of embedded audio in two 3G/HD/SD-SDI streams at an attractive price point. The 1-RU system de-embeds and provides metering and monitoring of any or all of the 16 audio channels in the selected 3G/HD/SD-SDI stream. It assures intuitive operation and clear display of levels and other critical information using bright 2.4-inch LED-backlit LCD displays, enabling one-touch monitoring and summing of any selected channel pair(s) to built-in speakers, headphones, or XLR-balanced analog outputs.

The AMP1-16M monitor features a number of convenient capabilities including remote access for setup and storage of user-defined presets via Ethernet and USB connections, along with gain adjustment/trim on individual audio channels with the ability to assign channels as left, right, or center (both) to the internal audio system and the analog outputs. It offers both pass-through of each SDI input and a reclocked output of the selected monitored SDI stream.

Photo Link: www.wallstcom.com/Wohler/Wohler-AMP1-16M-Dual-3G-HD-SD-SDI-AudioMonitor.jpg
Photo Caption: Wohler AMP1-16M Dual 3G/HD/SD-SDI Audio Monitor

RDM-173 Slide-Out Rackmount Video Monitor
Wohler will feature the company’s RDM-173 slide-out video monitor, a 1-RU rackmount system that provides robust monitoring tools and 17-inch HD IPS (1920 x 1080) display in a design that is ideal for space-constrained environments. An optimal solution for AV conferencing and both electronic newsgathering (ENG) and OB production, as well as for integration into electronic field production (EFP) flypacks, the RDM-173 supports all formats of 3G/HD/SD-SDI, HDMI, DVI, composite, Y/C, and component video. The high-resolution display provides superb imaging video quality with viewing angles of 160°H by 140°V and both picture-in-picture (PIP) and picture-by-picture (PBP) display modes. The unit provides a 16-channel level meter on-screen, as well as waveform and vectorscope display, tally, time code, format display, and area/title safe indicators. Front-panel controls simplify operation, and intuitive on-screen menus make configuration easy.

Photo Link: www.wallstcom.com/Wohler/Wohler-RDM-173-3GFrontView.jpg
Photo Caption: RDM-173-3G Front View

Company Quote:

“At CCW 2014 we’ll highlight products with innovative functionality that enables users to realize greater efficiency and — through both cost savings and new revenue-generating opportunities — a rapid return on their technology investment. In particular, we will demonstrate the capabilities of the award-winning Tachyon Wormhole file-based media retiming solution, including the ability to insert additional ad spots seamlessly and to reduce and expand content runtime for international distribution without the need for manual editing of media.”
– Craig Newbury, Vice President of Sales, Wohler

Company Overview:

Wohler’s tradition of innovation began more than 30 years ago with the creation of the industry’s first in-rack audio monitoring product, and it continues today through the company’s continued development of unique solutions that span the baseband, stream, and file-based domains and include advanced monitoring solutions for video, audio, and captioning applications; solutions for IP monitoring, encoding, and decoding; and the award-winning RadiantGrid(TM) platform for efficient file-based content transformation and distribution. Together, Wohler’s advanced, cost-effective confidence monitoring and media transformation products ensure high-quality production across any platform and delivery to any device. More information about Wohler is available at www.wohler.com.

All trademarks appearing herein are the property of their respective owners.

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Related Topics: Audio Playback, News, Tradeshow News |

BenQ Now Shipping RP551+ Interactive Multitouch Panel

Display Facilitates Real-Time Collaboration Using Six-Point Multitouch Technology, Multiplatform Support, and EZ Suite Software

COSTA MESA, Calif. — Oct. 23, 2014 — BenQ America Corp., an internationally renowned provider of visual display solutions and the No. 1-selling DLP(R) projector brand in The Americas(1), today announced it is now shipping its all-new RP551+ interactive flat-panel display (IFP). Ideal for creating more collaborative environments in corporate, education, and interactive information settings, the 55-inch panel offers multiplatform support, six-point multitouch capabilities, and both DisplayNote and EZ Suite software to make signage more intuitive for today’s content-led applications. more

Pexip Infinity Expands Remote Education Capabilities of Texas Education Telecommunications Network

Scalable Meeting Platform Powers Distance Learning for Over 500 Texas School Districts

OSLO, Norway — Oct. 23, 2014 — Pexip(R), a leading innovator in scalable, distributed video conferencing software, today announced that the company’s Infinity platform has been selected to power the Texas Education Telecommunications Network (TETN). Implemented to support the organization’s expanding distance learning network, the software-based meeting platform enables the TETN to connect a consortium of 20 Education Service Centers, 500 school districts, and the Texas Education Agency. more

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