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Solid State Logic Appoints Dr. Enrique Perez Gonzalez as Chief Technology Officer on Board of Directors

OXFORD, UK – Solid State Logic is pleased to announce the appointment of Dr. Enrique Perez Gonzalez as Chief Technology Officer for Solid State Logic’s Board of Directors. Dr. Perez has been promoted from his current role as Head of R&D and became a board member effective April 1.

“Enrique is one of those rare individuals who has deep technical ability, first-hand experience of our markets and the skills to manage product research and development effectively,” states SSL’s CEO Antony David. “Even more importantly, he has the vision to build upon our technical heritage and the resources to take us forward.”

Dr. Perez joined SSL in 2011, spearheading the development of the Tempest processing platform and SSL’s new Live console. An electronics and communications graduate from ITSEM, Mexico, which included a year at Australia’s Royal Melbourne Institute of Technology, he is an alumnus of the University of York (UK), and holds a doctorate in electronic engineering from the Queen Mary University of London.

“I am very excited at the opportunity to provide the technology, vision and leadership for a company with such an impressive technological heritage,” says Dr. Perez. “It is an honour to be able to work on a daily basis with the best engineering team there is in the industry. I look forward to a future of innovation and technology that will deliver the user experiences our customers have come to expect from SSL.”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

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Masque Sound’s Custom Audio Package Charms Audiences for New Touring Production of Joseph and the Amazing Technicolor Dreamcoat

EAST RUTHERFORD, NJ, APRIL 3, 2014 — When Andrew Lloyd Webber and Tim Rice’s enduringly popular musical Joseph and the Amazing Technicolor Dreamcoat embarked on its 2014 U.S. tour on March 4, Masque Sound, a leading theatrical sound reinforcement, installation and design company, supported Co-Sound Designers David Patridge and John Shivers in their quest to bring this new, contemporary production of the 1968 hit to the stage.

Joseph and the Amazing Technicolor Dreamcoat is the irresistible family musical about the trials and triumphs of Joseph, Israel’s favorite son. Retelling the Biblical story of Joseph, his eleven brothers and the coat of many colors, this magical musical is full of unforgettable songs including Those Canaan Days, Any Dream Will Do and Close Every Door. Directed and choreographed by Tony® Award-winner Andy Blankenbuehler, this new production features Broadway stars Diana DeGarmo (Hairspray, Hair) as the Narrator and Ace Young (Grease, Hair) as Joseph.

Since Joseph and the Amazing Technicolor Dreamcoat is scheduled to tour through spring of 2015, Patridge and Shivers wanted to make sure that in designing the sound system it would be capable of easily moving and fitting into a small footprint on the truck. “We wanted to provide the best audio experience that we could, in working within the confines of a traveling production’s space limitations,” says Patridge. “In order to maximize the power and efficiency for the system, and get the most ‘bang for the buck,’ we once again showed no hesitance in turning to Masque Sound.”

With space at a premium, the designers opted to utilize the smaller-footprint Yamaha CL5 Mixing Console, along with a Yamaha CL3 for monitoring, both of which worked quite well for the show. The Yamaha Console was ideal for the production not only for its compactness, as it could be picked up and lifted into position by two people, but also because its comprehensive feature set addressed all of the production crew’s needs. In addition, connecting the console together is a fairly straightforward process and can be done with Cat 5 cabling, which is ideal on a show that needs to move quickly and efficiently.

For the PA, Masque Sound provided an L-Acoustics dV-DOSC array, a tried and true speaker design that sounds great. The dV-DOSC line array was integrated into existing speaker towers from Masque Sound’s inventory, which gives the show a PA that is quite spectacular. The flexible system that Masque Sound provided is ample enough to fit, but also compact enough for smaller venues, which was particularly ideal for this production tour, as it features various venues of different sizes.

“Fortunately Masque Sound has a very deep shelf of available gear, and we were able to put together an excellent audio package with its equipment that stayed within our budget and did not compromise on the quality of the sound at all,” adds Patridge. “In addition, Masque Sound’s modification of existing inventory speaker towers to fit with the L-Acoustics PA was a large cost savings to us. Masque Sound is always great about trying to repurpose available structural items. The talented crew in the metal shop is able to piece together these sorts of things relatively easy, which is a huge benefit and just one of many reasons we like working with them.”

Masque Sound also provided its expert frequency coordination services for the tour. The wireless package consisted of Sennheiser SK5012 wireless mini bodypack transmitters and Sennheiser EM1046 receivers. “Masque Sound’s RF department is top notch at keeping equipment range tested and ready to go,” concludes Patridge. “Masque Sound is wonderful at listening to us and providing us with the equipment and services we need to be successful, and once again did a great job.”

The new tour launched at Playhouse Square in Cleveland on March 4, 2014 and is scheduled tour through spring of 2015. For more information, visit www.josephthemusical.com/ustour.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Professional Wireless Systems (PWS) Expert Frequency Coordination Team Takes to the Court for 2014 March Madness

ORLANDO, APRIL 2, 2014 – When the second round of the NCAA Men’s Division I Basketball Championship kicked off at the Amway Center in Orlando, Florida on Thursday, March 20, Professional Wireless Systems (PWS), experts in supplying and supporting wireless systems for live, broadcast events and installations, was courtside to provide frequency coordination for the tournament.

Commonly referred to as “March Madness,” the six games played at the Amway Center were held over two days for the second and third rounds of the South region bracket. The onsite PWS team was responsible for handling 175 channels of wireless for the broadcast media (TNT and CBS), visiting and local media as well as in-house arena frequencies.

“PWS’ expertise and extensive experience providing frequency coordination for such high profile sporting events, such as the NBA Finals and the SuperBowl, allows us to streamline the process in terms of how we handle the media and all of their wireless needs for events like the NCAA basketball tournament,” says Jim Van Winkle, general manager, PWS. “March Madness is unique in that there are four games played in one day at the same venue, so we are extremely busy coordinating visiting media from eight various college cities as well as national media. Large scale events like this are always challenging for us, but our team once again did a fantastic job.”

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Sound Devices Introduces the ‘970’ Its First Dedicated Rack-Mounted Audio Solution at the 2014 NAB Show

64-Track Dante and MADI-Equipped Multi-Track Audio Recorder Makes Industry Debut

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces 970, its first-ever dedicated audio-only rack-mounted solution, which boasts an impressive 64 channels of Dante and MADI, at the 2014 NAB Show (Booth C2546). The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording, including drama and reality production, and live concert recording.

Sound Devices’ 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. The 970 is a powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported.

The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

With its built-in, rock-steady Ambient Recording Lockit time-code technology, the 970 is well-suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports word clock synchronization from external word clock, video sync, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

The Sound Devices 970 features an embedded Web-based control panel for machine transport and setup control over Ethernet-based networks as well as file transfer over the data network with SMB. File metadata editing of scene name, take name, notes, track names, and reel folders can be done during, before and after recording across all drives. In addition to RS-422 and GPIO control, the unit also allows for format conversion between analog, AES digital, MADI and Dante.

Sound Devices’ 970 is designed with a large five-inch screen for metering of up to 64 tracks and for fast and intuitive menu control. It also features the Sound Devices proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Sound Devices Expands Line of Video Recorders with Introduction of PIX 270i and 250i at NAB 2014

New Recorders Offer Extensive High-Quality Video, Audio and Networking Capabilities Addressing the Multiple Source Needs of Today’s Large-Scale Productions

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces its latest PIX recorders, PIX 270i and PIX 250i, at the 2014 NAB Show (Booth C2546). PIX 270i and PIX 250i seamlessly replace tape- and disc-based video decks for a complete offering that addresses a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events, and mobile production.

The PIX 270i and PIX 250i recorders offer significant advantages and time-savings to production workflows, providing tapeless, file-based recording and playback with the ability to access and transfer high-quality files over Ethernet. The units record edit-ready Apple ProRes or Avid DNxHD files and allow simultaneous multiple-drive recording, giving production staff peace of mind with their rock-solid redundancy and backup capabilities (four drives for PIX 270i and two drives for 250i). Their extensive audio capabilities, including 64 channels of both MADI audio and Dante audio-over-Ethernet for PIX 270i, and PIX 250i’s 16 tracks of audio, make each unit a comprehensive, cost-effective replacement for complex video servers and an effective tool for high-performance video production.

The PIX recorders offer 3G-SDI (12-bit, 4:4:4) and HDMI I/O, and can record at numerous data rates. Full RGB Apple ProRes 4444 (330 Mbps) and low data rate proxy files (36 Mbps) are available. Files are ready for import directly into popular editing environments, including Avid, Final Cut Pro and Adobe Premiere Pro, eliminating time-consuming transferring and transcoding.

Up to four drives, two SATA drives in PIX-CADDYs and two SATA-connected drives can be connected to the PIX 270i. All four drives can be recorded to simultaneously or sequentially for redundancy and long-form programs. For PIX 250i, up to two SATA drives in PIX-CADDYs can be connected to the easily accessed front-panel drive bays. In the same fashion, both drives can be recorded to simultaneously or sequentially. This redundancy in local, removable storage devices, coupled with standard, Ethernet-based file-transfer features, further reduces steps in the production workflow. Recording to multiple drives offers immediate file backup, eliminating time-consuming post-record copying. Gigabit Ethernet network ports enable remote access to recorded files and the ability to transfer these files quickly into a post-production environment.

Both products feature extensive network connectivity and can be connected over Ethernet for simultaneous grouped recording and playback, creating a cost-effective scalable solution that addresses the multi-camera recording needs of today’s production. Its built-in Web server, PIXNet offers browser-based transport and setup-menu control of any number of units. In addition, PIX 270i features built-in multiple unit synchronization, offering simultaneous, frame-accurate recording and playback, ideal for multi-camera production and live event multi-screen playback. Any number of units can be grouped and controlled as a single system from either the hardware or the built-in Web-based control panel. Frame accurate sync works with other PIX 260i and PIX 270i recorders. The PIX 250i can be grouped with other PIX 250i, PIX 260i and PIX 270i recorders. The PIX can also be controlled by external RS-422 (Sony 9-pin compatible) controllers as well as via its GPIO port.

The PIX 270i offers extensive audio capabilities, with 64 record tracks (32 tracks at 96k), eight channels of analog audio, eight channels of AES digital audio, 16 channels of embedded SDI audio, and 64 channels of both MADI (coaxial and optical) audio and Dante audio-over-Ethernet. The PIX 250i features eight channels of analog audio, eight channels of AES digital audio and 16 channels of embedded SDI audio, and supports up to 16 tracks of audio.

With its built-in Ambient Clockit time-code generator/reader with genlock output, the PIX line is designed for multiple-camera and double-system sound applications. In addition to generating ultra-stable time-code, time-code can be read from the SDI stream, the HDMI stream or external sources. PIX 270i and PIX 250i include a high-performance hardware scaler and frame-rate converter. Regardless of the incoming signal, PIX records the signal after up-, down- or cross-conversion at the same or different frame rate. Hardware-based 3:2 pull-down removal is also available. Its convenient 1/2-rack, 2-U chassis dimension allows it to be easily integrated into any existing environment. It is powered by 10-27 VDC through a four-pin XLR connector. The PIX 270i offers a secondary DC input for power supply redundancy.

The newest additions to the PIX line of products feature Sound Devices’ proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Both the PIX 270i and PIX 250i have precision five-inch IPS, 800- x 480-pixel displays for setup menu access and video monitoring. The high-accuracy display, with its peaking, false color and zoom functions, is perfect for framing, exposure and focus evaluation.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

RTW Debuts New Masterclass PlugIns Series at 2014 NAB Show

RTW Loudness Tools First in New Range of RTW Masterclass PlugIns

COLOGNE, 2 APRIL, 2014 – RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is pleased to announce the debut of its Masterclass PlugIns range at the 2014 NAB Show (C1246). The new software provides the company’s renowned metering tools as standard-format plug-ins for Windows and Mac OS platforms. The RTW Loudness Tools, scheduled for availability in May, will be the first of the company’s monitoring products available as part of the new range. This will allow a larger number of RTW customers to access its award-winning metering tools.

Each RTW Loudness Tools Masterclass PlugIn visually depicts audio with all relevant level and loudness values as specified by international standards. It conforms to the EBU R128 loudness standard, as well as SPL, ITU-R BS.1770-3/1771-1, ATSC A/85, ARIB, and custom (to set OP-59, AGCOM), making it ideal for audio and video engineers, radio producers and musicians, who are required by TV and radio broadcasters to conform to the standard. It is also a handy tool for quality control, offering the precision and ease of use required to ensure compliance with custom specifications. Operation of the plug-in is highly intuitive, so that even users without a great deal of experience in monitoring loudness can use it effectively.

The RTW Loudness Tools support all standard sampling rates up to 96 kHz and offer plug-in operation in mono, stereo and surround formats (eight channels maximum). The plug-in includes RTW’s Peak Program Meter, TruePeak, and Spot Correlator instruments and also offers all common loudness formats plus MagicLRA and an SPL view.

The user interface of the plug-in is based on the award-winning RTW TouchMonitor TM7 and TM9 units, and offers the same degree of functionality and clarity as the hardware models. The instruments provide graphical/numerical, as well as bargraph views, and can be freely rearranged and scaled. Various function parameters, such as integration time, operational range and tolerance, along with a number of viewing options for metering data and scales, offer extra flexibility. The plug-in window dimensions can be set to the native resolution of RTW TouchMonitor display screens, including 480×272, 800×480, 1024×800 (landscape view) or 272×480, 480×800, 800×1024 (portrait view). Users can store all setups and layouts as presets in their DAWs.

The RTW Loudness Tools Masterclass PlugIns require Windows 7/8 (32-bit or 64-bit) or Mac OS 10.6 or higher. RTW will first make them available in the VST 2.4 format for Windows systems and the RTAS format for Mac OS. VST, RTAS and native AAX64 support on the two platforms will follow. PACE anti-piracy and iLok USB copy-protection dongle are used for handling license management and plug-in activation. On an authorized computer, users can use unlimited RTW Loudness Tools instances.

About RTW
RTW, based in Cologne (Germany), has more than 45 years of experience in designing, producing, and marketing advanced recording-studio systems. The company focuses its business on professional audio signal metering tools that are in use in the leading recording studios as well as by radio and TV broadcasters worldwide. The current product portfolio highlights the TouchMonitor range, a new series of tools for visual signal analysis and comprehensive loudness metering. The TouchMonitor combines the highest of flexibility and modularity with an intuitive user interface and touchscreen-based multichannel-analysis features, integrating exceptional surround-signal visualization using the unique and groundbreaking Surround Sound Analyzer. The high-end SurroundControl series of products with fully fledged loudness measuring combines the convenient metering options of the RTW surround display devices and the control functions of an eight-channel monitoring controller.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

SSL Signs Hanseo as its South Korean Live Console Partner

“There is a very bright future for SSL and HanSeo in the Korean live market”

SEOUL – Solid State Logic is pleased to announce that HanSeo, SSL’s long-established console distributor in South Korea, has been appointed as its Live console partner for the territory.

“The Korean marketplace has high expectations for the new Live console from SSL, both in terms of sound quality and reliability, and particularly from the house of worship market which is very strong in Korea,” says Je-Ho Shin, President of HanSeo. “As a long-time partner of SSL, I think we are well positioned to provide the necessary sales and support resources for the Live console as we enter into this new and exciting marketplace. The response to the console we exhibited at KOSOUND was very positive, and several engineers visited us there to specifically see the console. I think there is a very bright future for SSL and HanSeo in the Korean live market.”

“SSL and HanSeo have successfully partnered in the Korean broadcast, music and post markets over the last 16 years, resulting in many highly prestigious console installations,” says Tim Harrison, Area Sales Manager, SSL. “During that time, HanSeo has proven to be a highly knowledgeable and reliable distributor, providing customer support of the highest standards for the most demanding of clients. We know they are a great fit for the ground-breaking new SSL Live console, which is already receiving high praises and expectations from prospective customers. We look forward to continuing this long and successful partnership as SSL and HanSeo expand into the Korean live market.”

www.solidstatelogic.com/live
www.han-seo.co.kr

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

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SSL Adds Firehouse Productions to Live Console Dealer Network

“Where excellence and quality are concerned, we are sure this console is a powerful option”

NEW YORK – Solid State Logic is continuing to build its U.S. dealer network to support its new Live console with the appointment of Firehouse Productions in Red Hook, New York. A 2014 TEC Award winner for its support of Peter Gabriel’s Back to Front tour, Firehouse provides sound reinforcement and complete sound systems for every aspect of live production, including high-profile television performances.

“We are excited to become a dealer for the new SSL Live console and to add it to our rental inventory,” says Bryan Olson, Owner/President of Firehouse Productions. “Where excellence and quality are concerned, we are sure this console is a powerful option.”

“Firehouse Productions is a well-respected leader in live audio,” says Jay Easley, SSL’s Vice President of Live Consoles in the Americas. “Having them as part of the SSL Live network was very important to us. We are delighted to be partnered with Bryan and his top-notch team at Firehouse.”

www.solidstatelogic.com/live
www.firehouseproductions.com

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Professional Wireless Systems RF Management Keeps the Show Going for 26th Annual Premio Lo Nuestro Gala

Television’s Longest-Running Latin Music Awards Captures 9.5 Million Viewers

MIAMI, MARCH 20, 2014 — Professional Wireless Systems (PWS), experts in supplying and supporting wireless systems for live and broadcast events, helped set the stage for the 26th annual star-studded Premio Lo Nuestro Latin Music Awards at the American Airlines Arena in Miami, coordinating the show’s wireless needs for all aspects of this year’s event, including the main show as well as the red carpet and post-awards segments.

Presented by television network Univision, Premio Lo Nuestro honors the year’s best Latin music. First airing in 1989, the awards show features appearances and dynamic performances by famous Latino actors, musicians and show business personalities, including Marc Anthony, Romeo Santos and Daddy Yankee, among others. The show is broadcast throughout the Americas and this year was watched by 9.5 million viewers in the United States.

PWS has been working with Univision for 16 years to provide frequency coordination for its three annual awards shows, Premio Lo Nuestro, Premio Juventud and the Latin GRAMMY® Awards. For this year’s Premio Lo Nuestro show, PWS worked side-by-side with Acoutech, the show’s PA provider, to ensure that 162 frequencies remained solid and interference-free throughout the evening’s performances.

“We have enjoyed a long relationship with Univision and the Premio Lo Nuestro show, and were excited to once again provide frequency coordination services for this year’s spectacular,” says Jim Van Winkle, General Manager, PWS. “Miami is always a challenging market since it is a highly congested RF area, but our expert team once again did an amazing job in ensuring the show went off without any issues.”

PWS utilized the Shure Axient™ systems’ wideband receivers, power management and remote control capabilities in addition to COMTEK BST-25’s for the host IFBs. Telex BTR-800s, provided by PWS and Univision, were used for the show’s wireless intercoms. PWS also deployed a combination of its Domed and Helical Antennas, all running through its GX-8 Combiners for transmission, in addition to its DB-IC Multicouplers for the receive end. Tying everything together, PWS managed the show’s frequencies with its own Intermodulation Analysis System (IAS). IAS is a complete frequency management tool that helps coordinators quickly chose the clear frequencies for each specific wireless system and tuning range.

Another challenge that the PWS crew faced while working at the show was managing to track down interfering ENG crews that were shooting in the building and not coordinated with the show’s wireless frequencies. PWS provided exceptional service in its RF coordination, immediately locating all interfering sources and correcting any potential issues that may have arisen during the show’s broadcast.

For more information about Professional Wireless Systems, visit http://www.professionalwireless.com.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “MAMMA MIA!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

RTW Names Magnetic Media Its Exclusive Distributor In Poland

COLOGNE, GERMANY, 19 MARCH, 2014RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is pleased to announce that it has designated Magnetic Media its exclusive distributor in Poland.

Founded by long-time Polish Radio Sound Engineer Peter Kubacki in 1990, Magnetic Media first began life as a distributor of AMPEX audio media products. With the rapid growth of Poland’s economy after it emerged from Soviet rule, the company increased its offerings to Shure microphones and Soundcraft consoles, and soon began working directly with technology manufacturers in the United States and Europe. It now offers products from such premier U.S. and European companies as AXIA, ENCO, MAM-A, MDO-UK, Omnia, Telos, 360 Systems and Yellowtec, among others. It has distributed RTW products since 1994.

“It’s an honor to be named an exclusive distributor by RTW,” says Kubacki. “We’ve enjoyed a great working relationship with them in the past 20 years, and their innovative metering solutions are truly the best in class, in great demand by the professional audio community. With professional audio production and delivery becoming more refined, we’re thrilled to work with a company that offers our customers exceptional reliability and quality.”

Magnetic Media has distributed professional audio products to virtually all of the major radio stations in Poland, including Polish Radio Warsaw; Radio RMF, Cracow; Radio ZET Warsaw; the AGORA Radio Group (including TOK FM) and Radio ESKA, among others. It also counts Polish Television (TVP) as a client. As part of its relationship with RTW, it distributes the RTW TouchMonitor line of audio metering products.

“In the past two decades, we’ve watched Magnetic Media grow alongside the Polish market for audio equipment, and have found the company to be an outstanding representative of our products,” says Arjen Hofland, International Sales Manager, RTW. “It has high-profile customers across Poland, and its customer service is second to none. We look forward to continuing our relationship with the company.”

For more information about Magnetic Media and RTW products, visit http://www.magnetic.com.pl/or www.rtw.de.

About RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s range of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TouchMonitor units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

In 2013, as part of its expansion into the U.S. market, RTW established RTW International Corp. in Lancaster, Pennsylvania. The office, the first U.S. location launched by RTW, demonstrates the company’s dedication to supporting its customers and dealer networks stateside. It houses all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

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