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Outline Celebrates 40th Anniversary at InfoComm 2013

High-End Products Lead Live Sound Industry Innovation

ORLANDO, FL, JUNE 4, 2013 — Outline, S.r.l., the makers of high-quality, industry-leading speaker systems for touring, installation and studio applications, continues its year-long 40th anniversary celebration at InfoComm 2013 (Booth 109). Formed in 1973 by Guido Noselli, a musician/engineer frustrated by the inability of sound systems at the time to deliver his performances accurately to audiences, Outline has grown to become a leading technical innovator in speaker and control system design. Capable of delivering studio-environment audio quality to live events, Outline is celebrating with the introduction of the advanced GTO C-12 Line Array Speaker System and its re-engineered DVS Powered Speaker Series at this year’s show.

“At the onset of our 40th Anniversary in 2013, Outline has become the system of choice for the highly regarded Warner Theater in Washington, D.C. and the historic jazz club, Little Gem Saloon, in New Orleans,” says Tom Bensen, Sr. Vice President and Managing Director of Outline North America. “In addition, the Production Resource Group (PRG), one of the largest production services companies in North America, employed a massive Outline GTO Line Array, MANTAS and Butterfly-driven sound system for the recent Andrea Bocelli performance in the BB&T Center, the largest indoor arena in Florida. The tour will use the Outline system when it begins again in June 2013. InfoComm attendees are welcome to stop by our booth to see a live demonstration of the GTO C-12 and join in the celebration.”

Outline’s unabated determination over the last 40 years to produce the finest professional loudspeakers systems available continues at InfoComm with the U.S. launch of the all-new GTO C-12. With its technology completely derived from the larger-format, dual-15-inch GTO (first introduced in 2011), the GTO C-12 produces output power surpassed only by its larger sibling from an enclosure that is physically smaller and 30 percent lighter. Incorporating its V-Power Concept and patented DPRWG Wave Guide, combined with the most advanced transducer technology available, the GTO C-12 carries the familiar high-resolution signature sound synonymous with the Outline brand and family of world renowned line array products.

Also featured for the 40th anniversary celebration will be the new, re-engineered DVS powered speaker series, which includes iMode remote monitoring and control, with the DVS 12P and DVS 15P now fully bi-amped via twin internal amplifiers.

About Outline
Outline S.r.l., based in Brescia, Italy, is a leading manufacturer of high quality loudspeakers of both powered and un-powered configurations. Founded in 1973, the company has a rich history in the development of high quality loudspeaker systems, test and measurement systems, and holds numerous technology patents. With offices in Italy, The UK, and the USA and over 50 distributors on five continents with more than 4200 venues and users to its credit, Outline has assumed its place among the leaders in the professional audio market.

MASQUE SOUND RECREATES THE HEYDAY OF POST-VAUDEVILLE BURLESQUE FOR BROADWAY’S NEWEST PLAY, THE NANCE

Custom Audio Solution Helps Nathan Lane Make Glorious Return
In Hilarious and Heartbreaking Play

NEW YORK, JUNE 4, 2013—When Sound Designer Leon Rothenberg was tasked with reproducing the post-vaudeville burlesque scene of the 1930s for the new Broadway play, The Nance, he turned to Masque Sound, a leading theatrical sound reinforcement, installation and design company, to provide an audio solution capable of transporting the audience back to this wild time.

Lincoln Center Theater’s production of Douglas Carter Beane’s The Nance, playing at the Lyceum Theatre on Broadway, brings to life the naughty, raucous world of burlesque’s heyday with the backstage story of Chauncey Miles and his fellow performers. At a time when it was easy to play gay but dangerous to actually be gay, Chauncey’s uproarious antics on the stage stand out in marked contrast to his offstage life. Directed by three-time Tony Award-winner Jack O’Brien, The Nance welcomes two-time Tony Award-winner Nathan Lane back to Broadway as Chauncey.

For The Nance, Rothenberg’s goal in working with Masque Sound was to make the play’s setting as authentic as possible. “The sound design was not going to be standard by today’s blueprint,” says Rothenberg. “In the 1930s, there would have been no help from a sound system. There was a band in the pit, and if the performer wanted to be heard, it was all on them. They sang, performed musical numbers and sketches and told jokes, and they just had to be loud. Trying to recreate that feeling without being visibly intrusive and still making sure that everything got heard was a complex challenge. Fortunately, my team, including Danny Erdberg, assistant sound designer, Liz Coleman, assistant audio engineer, Marc Salzberg, production sound engineer and I, were able to work with Masque Sound to come up with a great sound solution.”

By strategically placing boundary and foot microphones, provided by Masque Sound, within the framework of the set and at the front of the stage, Rothenberg’s design was able to pick up the actors successfully and provide that authentic feel he sought.

“After the sound system is designed and tuned, it’s all about the mix,” adds Rothenberg. “It is a very specific and rigorous show to mix in that every moment has to be very tightly controlled. We want to get the most out of the band, and the most out of the singing and the music without sacrificing clarity or the story. Marc Salzberg has a great sense of mixing this way, a great sense of this kind of specificity and how to maintain natural transparent sound. He was great to have on the show and did a phenomenal job.”

Another unique aspect of the sound design for Rothenberg was The Nance’s use of a turntable stage. “There are moments when the band has to sound like it is in the pit and others where the music needs to ‘move’ with the turntable to give the audience the impression of being backstage,” says Rothenberg. “From a sound point of view, these are two very different feelings we seek for the audience to experience, making it an interesting challenge. The band is actually down the hall backstage, but heard through speakers where the pit would be. Then we simulate the sound of a stage house from onstage, with installed speakers up the entire stage right side wall. Masque Sound had the gear I was looking for and the final result gave us just the effect we wanted. It turned out great.”

Masque Sound provided an equipment package that included the Avid VENUE profile console, which delivers studio-grade sound, powerful performance and complete ease of use, with maximum flexibility and power in a smaller footprint. In addition, Masque Sound provided Yamaha DME64 Digital Mixing Engines, which employ Yamaha’s original DSP6 and DSP7 signal-processing LSIs for extraordinary audio processing power and quality. A d&b speaker system complemented by two Meyer USW-1P subwoofers, and DPA Microphones were paired with Rothenberg’s design.

Rothenberg also credits the success of the show to the theater itself. “The Lyceum is the oldest theater on Broadway and the acoustics and feeling of intimacy in that theater are just fantastic,” he adds. “It might have been hard to pull off what we did in a different venue. The Lyceum is both visually stunning and sonically generous and thanks to Masque Sound’s first class support, we produced a first-class show.”

The Nance recently received five Tony Award nominations, including “Best Sound Design of a Play” for Leon Rothenberg. It is currently running on Broadway at the Lyceum Theatre.

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DPA Microphones is Cinderella’s Fairy Godmother

NEW YORK, MAY 30, 2013 – The best Broadway musicals transport audience members into the world of the show, making it as real to them as the neon lights and towering buildings of nearby Times Square. That’s why staff members working on the new Broadway production of Rodgers + Hammerstein’s Cinderella turned to DPA Microphones’ Miniature. Not only do the mics provide a transparent sound for the show’s cast and orchestra; their compact size keeps them hidden from the audience, allowing spectators to enjoy the show without being distracted by the sight of bulky equipment. more

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Leading North American Broadcasters Make Autoscript E.P.I.C. Their Go-To Prompting System

SHELTON, CT, MAY 29, 2013—Following its introduction last fall of the award-winning E.P.I.C. (Enhanced Prompting Information Centre) all-in-one prompter display and on-air talent monitor, Autoscript, part of Vitec Videocom, a Vitec Group company, and a world-leading teleprompting company, has seen tremendous interest in the product among leading North American broadcasters. The first E.P.I.C. units to roll off the assembly line sold out in a matter of months and are already in use at several high-level news organizations throughout major U.S. media markets.

“The E.P.I.C. made its debut at a prime time, with the presidential election being at the top of everyone’s news agenda,” says Robin Brown, product manager, Autoscript. “One particular news organization purchased four 17-inch prompter systems to cover the Democratic and Republican conventions, and then successfully integrated the systems into their field kits for large outside broadcast events after the presidential election was over.”

The E.P.I.C. is a unique all-in-one prompter display and on-air talent monitor that vastly simplifies studio equipment while retaining the advanced features and functions of the Autoscript LED prompter series. The groundbreaking design, which replaces two pieces of equipment with one, features a unique integrated flip-down talent monitor, making the system ideal for both studio and location production. Compared to separate prompter monitor configurations, this ergonomic system reduces overall weight, increasing compatibility with robotic/support systems. It also streamlines cable management for video, tally signal and timecode display, and lowers power consumption with the capability to run the entire system via one power cable. “The system’s reduced weight allows for easy transport,” adds Brown. “We have offered bespoke flight cases to our customers to aid in the transport, which can hold the E.P.I.C., hood, glass and mounting hardware.”

While the E.P.I.C. offers broadcasters a streamlined system that is quick and easy to set up, it still provides the functionality of the fully featured studio systems they’re accustomed to using. It can also incorporate Autoscript’s WinPlus newsroom software—the most popular prompting application in daily usage around the world. The Windows-based WinPlus adds the ease of point-and-click functionality to an intuitive on-screen edit display.

Brown notes that current customers appreciate the integrated clock. “It reduces the amount of cabling needed. All power, for the tally signal and time-code data comes right from within the monitor, so there’s nothing extra to add,” he says. “They’ve also come to appreciate the ease of rigging, as the talent monitor is attached to the prompter. We’ve taken this simplicity a step further and provided a dual-SDI-input version to make the prompter monitor and talent monitor signals digital, without the need for up or down conversion.”

About Autoscript
Autoscript is the world leader in the prompting industry, providing professional teleprompting equipment to broadcasters across the globe. Established in the UK in 1984, with headquarters in the UK and the US, Autoscript designs and builds innovative hardware, PC cards and software to meet real world needs and continually enhance the production process. A prime example of this is Autoscript’s latest product, the E.P.I.C. (Enhanced Prompting Information Centre), an all-in-one prompter display and on-air talent monitor that vastly simplifies studio equipment, reduces power consumption and enables easier location prompting. Autoscript is a member of the Vitec Group.
For more information visit www.autoscript.tv

About Vitec Videocom
Vitec Videocom brings together some of the most respected, most innovative and most sought-after brands in the industry: Anton/Bauer, Autoscript, Camera Corps, Litepanels, OConnor, Petrol Bags, Sachtler, Vinten and Vinten Radamec. It acts as an endorsing brand for these market-leading broadcast, film and pro video products, encouraging multi-brand system sales and simplifying the way that customers worldwide do business.

Vitec Videocom is an operating division within the Vitec Group, an international business serving customers in the broadcast, photographic and military aerospace and government markets. Vitec is based on strong, well known, premium brands on which its customers rely on worldwide.

Vitec Videocom – advancing the quality and science of media production.

PROFESSIONAL WIRELESS SYSTEMS TURNS UP THE VOLUME AT THE FOURTH ANNUAL HANGOUT MUSIC FESTIVAL

Expert Team Hits the Sand to Provide RF Coordination for the Nation’s Largest Beach Party

GULF SHORES, AL, MAY 22, 2013—As some of music’s biggest names came together for the fourth annual Hangout Music Festival in Gulf Shores, Alabama, Professional Wireless Systems (PWS), a Masque Sound Company and experts in supplying and supporting wireless systems for live and broadcast events, was busy providing frequency coordination for all the artists and media outlets in attendance at the event, the nation’s largest beach bash.

Billed as the first and only event of its kind, the Hangout Festival is a three-day music party staged on the white sand beaches of Gulf Shores. For this year’s event, the PWS team of experts was responsible for monitoring the RF spectrum to ensure there were no issues with the more than 600 frequencies in use. This marks the second consecutive year PWS provided frequency coordination for the festival.

“From an RF coordination standpoint, one of the great things about this event is its location,” says Jim Van Winkle, general manager, PWS. “The stages are literally on the beach, right on the Gulf of Mexico. Although there is a fair amount of DTV present, it is still a pretty clean area, with no other major RF congestion from outside sources.”

At the start of each day of the musical celebration Van Winkle and his team made sure that the media and first few bands scheduled to perform were coordinated and ready. “We start the day off acting on what we already know and then spend the rest of the day reacting to any last-minute media or crew requests or unregistered users,” adds Van Winkle. “Toward the end of the day, our team begins preparing for the following day. Preparation is essential for the success of these multi-day events, and each member of our team knows what it takes to get the job done right.”

The 2013 Hangout Festival’s diverse lineup of artists included Tom Petty & The Heartbreakers, Stevie Wonder, Kings of Leon, the Trey Anastasio Band, The Shins, The Black Crowes, Bassnectar, the Yeah Yeah Yeah’s, Macklemore & Ryan Lewis and The Roots.

“We are excited to have once again participated in this special celebration of music,” adds Van Winkle. “Our experience in handling large-format frequency coordination for music festivals has proven to be a valuable resource in ensuring shows of this size go off without any hitches. This year, the PWS team did another fantastic job with this.”

For more information, visit www.professionalwireless.com.

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Sound Devices Elevates Commitment to Technical Sales Expertise with Recent Company Promotions

Pat McConnell New VP of Sales, Ed Capp Named Global Sales Director

REEDSBURG, WI, MAY 21, 2013 — Sound Devices, experts in audio and video products for field production, is pleased to announce two internal promotions. As the company continues to evolve in the professional audio and video markets, it has named Pat McConnell Vice President of Sales and Ed Capp Global Sales Director.

At a time when the level of technical expertise required for successful sales is paramount, the pair has demonstrated leadership in the specialized audio and video production markets. In their new roles, Pat and Ed will oversee the Sound Devices sales team to further promote the company’s entire range of products globally, while continuing to strengthen the Sound Devices reseller and distributor network.

Pat, who joined the company last year, brings his deep experience in audio, systems sales, and sales management to the company. He also continues on with the tradition of single-syllable first names for Sound Devices officers. Ed, a 10-year veteran of the Sound Devices sales team, has been instrumental in significantly expanding the reach of Sound Devices throughout the world. Ed has developed Sound Devices strength in Asia as well as the important Southern California markets.

“Ed and Pat are a great sales team and together they manage Sound Devices presence throughout the world,” says Matt Anderson, President of Sound Devices. “As the Sound Devices product lines become more and more technical, it is critical that our sales team is led by knowledgeable individuals who are immersed in the changing audio and video technology landscape. We are very excited to continue to grow our sales force and look forward to both Ed and Pat’s future contributions to the company.”

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

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Sound Devices Offers Enhanced Recording and File Transfer Options for PIX 260i Users

Latest Firmware Update, Version 1.02, Now Available for Free Download

LOS ANGELES, MAY 15, 2013 — In an effort to continue to streamline workflows for production and post-production environments with its rack-mounted PIX 260i Production Video Recorder, Sound Devices, experts in portable audio and video products for field production, now offers expanded audio and video recording and file transfer capabilities with its newest firmware update, Version 1.02. Available as a free download to all PIX 260i users, this latest version will be highlighted at Cine Gear 2013 (Booth 94).

With Version 1.02, all drives are now formatted as exFAT instead of UDF. While this new drive formatting is available, it is still possible for PIX 260i users to record and play back from UDF drives for compatibility with the PIX 220i and PIX 240i. Users have the ability to set each PIX 260i drive independently to Ethernet File Transfer (Network) mode. This offers the convenience of transferring files over a network while the PIX 260i records new data. Drives will also automatically switch to the Ethernet File Transfer mode when full. In addition, the end user can now read and write data to PIX 260i drives over Ethernet. The update also enables the PIX 260i to provide users with both simultaneous recording to multiple drives or sequential mode, recording to the next successive drive as drives become full. A 10-second (maximum) pre-record buffer for the audio-only mode has also been added.

“The PIX 260i offers an innovative new approach to file-based audio and video recording,” says Paul Isaacs, Technical Development Manager for Sound Devices. “Every new version of PIX 260i firmware, including version 1.02, is the result of feedback from customers who have incorporated it into their everyday workflows.”

Based on Sound Devices’ PIX 240i portable audio/video recorder, PIX 260i is a rack-mounted, file-based audio/video recorder that seamlessly replaces tape-based video decks in production and post-production environments. PIX 260i offers 32 tracks of audio record and playback as well as control functionality from browser-capable computers and tablets. PIX 260i offers the features and tools that production companies and broadcasters require to migrate to file-based recording and playback capabilities. It records QuickTime files in either Apple ProRes or Avid DNxHD video formats. Files recorded in these intra-frame codecs are ready for editing directly from the recorder in common editing environments, such as Avid, Final Cut Pro, and Adobe Premiere, eliminating time-consuming transferring and transcoding. For color-critical applications, the PIX 260i supports Apple ProRes 4444 through its 12-bit, 4:4:4 3G-SDI I/O. Users can also play out files from the PIX 260i for real-time applications.

PIX 260i users can download Version 1.02 by visiting www.sounddevices.com/download/pix260i-firmware/.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

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SSL Appoints Jason Kelly as Product Manager for New ‘Live’ Product Division

Industry Veteran Joins Company to Develop the Brand’s Entry in the Live Market

OXFORD, UK – Solid State Logic is pleased to announce that Jason Kelly has been appointed Product Manager for its new Live console. With a 25-year career that spans live sound production, live event systems design and implementation and technical support management, Kelly has developed a solid understanding of the key aspects of the pro audio industry. In his new role, he will spearhead the recent introduction of SSL’s ‘Live’ console, which brings to the stage the industry standard, sonic legacy of the SSL brand.

Kelly’s understanding of the live sound market makes him the ideal candidate for the position. He will build on his knowledge, as well as his sales and technical support experience, to help dealers and key customers understand all of the benefits of this innovative live-sound product. Working closely with SSL’s product design and development team, Kelly will also help to define product requirements and marketing strategies into the future.

“Everyone at SSL is very excited to enter this arena of audio production, and we are glad to have Jason with us to help support our success in the live sound industry,” says Antony David, Managing Director of Solid State Logic. “The SSL Live console has been years in the making and we’re happy to now be able to share it with the world. We know Jason’s keen understanding of the market and product sectors is the perfect combination for this position. We’re confident that he will help build our presence in the live market.”
Prior to joining SSL, Kelly was Technical Support Manager at Midas Klark Teknik (MKT), where he provided front line technical support and marketing strategies for all MKT products worldwide. In this position, he developed and implemented courses and training materials for MKT products, in addition to providing system design and integration support for customer installations.

His other recent roles include UK Sales and Support Manager for MKT, Technical Director for CTI Live Technical Engineering, a company involved with designing and implementing all aspects of live event production; and Technical Manager for Staras Technical Productions, which produces high-level live presentations.
“I am truly delighted to be working for a world-renowned company such as SSL,” says Kelly. “My years of experience in the live sound industry offer me the great opportunity to recognise the needs of the customers in that market. I foresee a strong future for SSL in this arena and look forward to helping the company grow its customer base.”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

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Optocore Appoints Oltbert its Exclusive Distributor in Russia

MUNICH, GERMANY, 15 MAY, 2013 – Optocore, a leading choice for powering professional audio, video and data transmission networks in a variety of markets, including broadcast, post production and AV, is proud to announce that it has named Oltbert, Ltd. its exclusive distributor in Russia. The two companies have been working together since 2012. Moving forward, Oltbert will oversee all sales, service and support of Optocore’s technology in Russia, further strengthening Optocore’s worldwide reputation.

“Optocore’s audio transport systems are smart, cost-effective solutions offering a very good extension of intercom systems, one of our main focuses,” says Alexander Trukhanov, Head of the Broadcast Department, Oltbert. “We came to know the team at Optocore through its relationship with Clear-Com, a major U.S.-based intercom manufacturer that we also represent here in Russia.”

Oltbert will stock all Optocore system components, including BroaMan’s full range of network solutions. Oltbert has been representing Clear-Com in Russia since 2003 and has a long history of developing the business of foreign companies for the Russian market. Some of Oltbert’s high-profile customers include TTC Ostankino, The Bolshoy Theatre, Channel 1 and NTV, all based in Moscow, as well as the Mariinskiy Theatre in Saint-Petersburg, among others.
“We are very excited to be working with Oltbert and are looking forward to a successful and prosperous relationship,” says Tine Helmle, director, Optocore. “The Russian market has always been a high priority for Optocore and Broaman, as we already have quite a few applications in Russian theaters and stadiums to date. Having such a well-known and reliable partner such as Oltbert will certainly help us to further increase the awareness of both brands in Russia.”

About Optocore

Based in Munich, Germany, Optocore is the world market leading provider of scalable, high-bandwidth, low–latency fiber-optic networks for the transmission of audio, video and data. For 20 years, Optocore has been continuously innovating and setting new standards with regards to digital network technology. Optocore builds and develops synchronous optical fiber and CAT5 based network solutions for broadcast professionals, fixed installations and live event applications. Utilizing leading-edge technology and high-quality components Optocore guarantees durability and therefore long-term market and customer satisfaction. Due to the open system architecture, Optocore’s platform offers other manufacturers the option to transfer conventional standard audio, video and data formats used in the pro audio industry, via a fiber and CAT5 network. Technical expertise, QoS and an extensive support structure are guaranteed to all customers, together with the highest level of quality controls. For more information, visit www.optocore.com.

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Staatstheater Stuttgart Prepares for Growth with Clear-Com Eclipse HX-Omega

Digital Matrix Systems Provide Multibranch Theater with a Boost in Intercom Capabilities

STUTTGART, GERMANY, MAY 14, 2013 – Clear-Com® is proud to announce that Staatstheater Stuttgart, Germany’s largest theater, recently improved communications at its drama theater with two Eclipse HX-Omega Digital Matrix Systems. Part of Clear-Com’s newest digital matrix intercom line, the Eclipse HX-Omega uses revolutionary IP technology and can be easily upgraded, making it a future-proof investment for the theater. Other benefits of the system include exceptional system performance, intelligent integration abilities and simplified user operations.

The planning and installation of the Eclipse HX-Omega digital matrix system at Staatstheater Stuttgart was a joint venture between MCI, a Clear-Com Partner for Germany, and Zeiler, a systems integrator. The facility’s 50 Clear-Com FreeSpeak Beltpacks were seamlessly integrated with the Eclipse HX-Omega system via an E-QUE-HX card to enable wired and wireless coverage across the entire theater. All personnel, including the technical engineers, security staff and show producers, are able to remain in constant contact with each other with the Clear-Com intercoms. The Eclipse HX-Omega also gives the crew the option to conveniently run their V-Series intercom panels over IP using an IVC-32-HX card. In addition, all analogue audio inputs, such as the PA systems, audio monitors and microphones, are connected into the Eclipse HX system. This way, crew members can hear the program and be prepared for their cues.

“Because the theater is constantly evolving, the engineering team was determined to acquire a future-proof, IP-based intercom system,” explains Martin Geritz, Sales Manager for MCI. “Clear-Com’s Eclipse HX intercoms were an obvious choice for the crew because of their comprehensive features, IP technology, and easy upgrade capabilities.”

Previously, the crew communicated using walkie-talkies, third-party control panels and FreeSpeak wireless intercoms. Each of these systems operated independently from the rest. The Eclipse HX-Omega has simplified operations by integrating all the systems into a unified communications platform. Now, they have interconnection within and across each of their three stages. The Eclipse HX-Omega also allows the personnel to make fast and easy changes to the communications setup to meet the unique needs of any production. Clear-Com intercoms also offer higher audio quality than that of their previous system.

“We are extremely proud that Staatstheater Stuttgart has chosen Clear-Com’s intercoms for its theater,” says Vincent Beek, Clear-Com’s Regional Sales Manager for Northern Europe, Eastern Europe and Russia. “Staatstheater Stuttgart is continuing to develop a great deal, and its new Eclipse HX-Omega system is not only able to handle its current productions, but is suitable to meet the its future needs.”

The Staatstheater Stuttgart is anticipating a systems upgrade for its opera house in the coming months, with plans to employ Clear-Com there as well. When that installation has taken effect, the intercoms at the opera house system will be integrated with those at the drama theater to allow production crew members to communicate between both buildings.

About Clear-Com
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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