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Archive by Vanessa Sanchez

Clear-Com Introduces Eclipse HX at IBC 2012

Company Revamps Powerful Matrix Intercom Range to Deliver Ultra-Fast Software Performance, Intuitive Management and Higher Capacity for System Expansion

AMSTERDAM, SEPTEMBER 7, 2012 ─ Clear-Com®, a global leader in critical voice communication systems, today unveils the Eclipse HX Digital Matrix Systems and Eclipse HX (EHX) Configuration Software at IBC 2012 (Stand 10.D29a). The distinct set of powerful matrix intercoms offers faster performance, simplified operations and administration and higher system capacity.

The Eclipse HX systems, comprising the Eclipse HX-Omega, Eclipse HX-Median and Eclipse HX-PiCo, as well as the EHX software, are based on the original, powerful and comprehensive Eclipse digital matrix platform. All retain the legacy platform’s unique integration capabilities. Additionally, Clear-Com’s V-Series panels, frame cards and interfaces are compatible with the new Eclipse HX range, providing a seamless logical upgrade path for existing Eclipse customers. What sets Eclipse HX apart from the original Eclipse line are improvements in the software architecture, user interface and system capacity.

“We are very pleased to introduce the new Eclipse HX systems and EHX software at IBC,” says Peter Stallard, Senior Product Manager, Eclipse, Clear-Com. “In broadcast facilities where matrix intercom systems and resources are often shared across multiple studios, having fast and highly intuitive systems is critical when scarce engineering resources are needed to execute system-wide changes reliably, in real-time and with minimal impact on system users. Also, the Eclipse HX systems have the ability to make changes on the fly, which is especially important in OB vans and other live operations.”

The Clear-Com Eclipse is the only intercom on the market with a highly advanced range of user key panels, frame cards, interface modules, seamless wireless integration and intelligent IP intercom connectivity. The new Eclipse HX systems and EHX configuration software offer:

Improved system performance and resource utilization for executing EHX software configuration changes in real time.
• Clear-Com has designed the EHX software for faster processing of configuration and routing cards. This optimizes system performance and speed.

An intuitive user interface and easier setup operations for a better, simplified user experience.
• New “Matrix Ports and Cards” screen for a more efficient setup process.
• New “Resource Chart” to display utilization level of system resources.
• Improved user-panel setup for easy drag-and-drop operation.
• Easier-to-use single-frame operation for an individual user.
• Easier-to-read fonts and vertical-font displays on V-Series key panels.
• User rights features for identifying user types and providing system access control to protect against inadvertent changes.
• Color tallies as indicators for IFB and telephone-assigned keys.
• New “Online Help” feature provides context-sensitive help within software.

Space saving and expanded system capacity.
• Eclipse HX-Omega and Eclipse HX-Median matrix port density has increased to more than 448 ports per 6RU frame, the highest density intercom matrices on the market.
• PiCo-Link provides intelligent audio linking between co-located Eclipse HX-PiCos to resources in just 2RU.
• System features split-mode operation for E-Que cards, making them more efficient when users want to use both E1/T1 trunks and FreeSpeak.
• MADI channels can be used for intelligent trunking.
• Logic Maestro and client-server mode have been bundled with the EHX Software.

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analogue and Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

Anton/Bauer’s New AB-HDRF System Makes IBC 2012 Debut

AB-HDRF System Offers Portable RF Solution

AMSTERDAM, SEPTEMBER 7, 2012—Anton/Bauer®, part of Vitec Videocom, a Vitec Group company, and a premier global provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video and film industries, will be showcasing its new AB-HDRF System at IBC 2012 (Hall 11, Stand E55). This compact 5.8 GHz COFDM RF system can transmit a robust HD signal over great distances; all while being powered by Anton/Bauer batteries.

A collaboration between Anton/Bauer and Vitec Group sister company Integrated Microwave Technologies, LLC (IMT), Anton/Bauer’s AB-HDRF System is a COFDM transmitter that utilizes the 5.8 GHz frequency band. The AB-HDTX sends its signal directly to the AB-HDRX dual-diversity receiver or the DirectVu handheld confidence monitor/receiver. The unit’s size makes it ideal for reality-based, ENG/EFP and live event coverage.

“We are thrilled to debut this new system to the IBC community,” says Shin Minowa, vice president of marketing and business development, Anton/Bauer. “The response has been overwhelmingly positive thus far and we believe professionals love this system because it is compact, fits on the end of their camera and can be powered with their existing Anton/Bauer batteries, without adding much extra weight. We are proud to continue to offer solutions to help power our clients’ creativity, while protecting their investment.” As the system only draws about 15 watts, Anton/Bauer batteries, including the DIONIC® 90, HC and HCX, can be used with it to offer reliable power for extended periods of time.

The AB-HDRF System has an RF output of 100 mW and is capable of accepting a wide range of HD/SD video formats along with embedded audio from the HD-SDI output on the camera. The use of MPEG-4 compression allows the signal to travel a half-mile in line-of-site applications. The system offers users the flexibility to choose between 12 different channels in which to transmit, ensuring the least amount of interference. “This also allows multiple cameras to transmit to one central receive site,” adds Minowa. “In this application, a director can conveniently monitor different shots and make adjustments in real time.”

For more information on Anton/Bauer, visit www.antonbauer.com or call (203) 929-1100.

About Anton/Bauer
Anton/Bauer is recognized as the world’s innovator and a premier provider of batteries, chargers, lighting and other key mobile power systems for the professional broadcast, video and film industries. Based in the United States in Shelton, CT with offices in Europe and Asia, Anton/Bauer was established in 1970 and has expanded its product offerings to include many signature lines such as its leading Gold Mount® system, InterActive® chargers and Logic Series® batteries such as the HyTRON® 50, 100 and 140, and DIONIC® 90, 160, HC and HCX. Their products are compatible with every camera brand on the market today. Other Anton/Bauer high performance products include the Ultralight® 2, ElipZ®, CINE VCLX and the Tandem 150 Modular Charging System. Their superior-quality products have become an industry standard. For more information on Anton/Bauer, visit www.antonbauer.com.

About Vitec Videocom
Vitec Videocom brings together some of the most respected, most innovative and most sought-after brands in the industry: Anton/Bauer, Autoscript, Litepanels, OConnor, Petrol, Sachtler, Vinten and Vinten Radamec. It acts as an endorsing brand for these market-leading broadcast, film and pro video products, encouraging multi-brand system sales and simplifying the way that customers worldwide do business.

Vitec Videocom is an operating division within the Vitec Group, an international business serving customers in the broadcast, photographic and military aerospace and government markets. Vitec is based on strong, well known, premium brands on which its customers rely on worldwide.

Vitec Videocom – innovative products around the camera.

RTW ADDS PRODUCT VIDEOS TO ITS WEBSITE

Demos Enhance User Experience, Further Educating Visitors on the Company’s Offerings

AMSTERDAM, SEPTEMBER 6, 2012 – RTW (IBC Stand 8.E76), a leading vendor of visual audio meters for professional broadcast, production, post production and quality control, has incorporated video demonstrations of its entire product line to its website. The videos, available in both English and Chinese, were filmed during various trade shows during the year and offer visitors an up close look at the products in action.

“In addition to our commitment to producing innovative solutions for today’s broadcast technology needs, we are also firm believers in education,” says Mahmoud Chatah, director of sales and marketing, RTW. “Our website is a reflection of this commitment and it is why we decided to incorporate video demonstrations of each of products. Each video lives alongside each product’s specs, images and technical information, that way when a customer or potential customer visits our site, they receive a 360 degree view of our products.”

RTW’s current roster of products includes its groundbreaking TouchMonitor line of next generation loudness-compliant professional audio signal meters that consists of the TM3, TM7 and TM9 units. The TM3, the latest model, includes features of the larger TM7 and TM9 TouchMonitor versions, and is controlled using a touch-sensitive display. With its budget-friendly base price, a 4.3-inch touch screen and stylish exterior allowing for horizontal and vertical placement, the TM3 is a highly appealing, compact solution for editorial offices, edit suites and small control rooms.

In addition, RTW’s SurroundControl and SurroundMonitor series both continue to be popular solutions for today’s broadcast needs, implementing all major loudness standards, including EBU R128, ITU-R BS.1770-2/1771, ATSC A/85 and ARIB. RTW’s Loudness Range (LRA) instrument features the MagicLRA mode, a simple and intuitive view displaying integrated loudness and loudness variances within short time periods.

All of these product lines will be available for demos at the RTW booth, during the upcoming IBC 2012 show that kicks off on Friday, September 7, 2012 in Amsterdam.

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SSL Features “Live-Recorder” At IBC 2012

New SSL “Live-Recorder” Systems Deliver Up to 128 Channels of Ultra-reliable Live, Location or Broadcast Recording

AMSTERDAM – Solid State Logic is pleased to feature its Live-Recorder system at IBC 2012 (Stand 8.D83). Live-Recorder is designed for situations where a robust and reliable high-channel-count Recorder/Player is required in a live performance environment. It is ideal for live music recording from front of house consoles at live shows, in broadcast production studios and location recording vehicles.

Live-Recorder is also an excellent solution for live performance playback of studio recorded multi-tracks. Unlike any other solution, Live-Recorder exports/imports directly to/from Pro Tools™ .ptf, Apple™ XML and Steinberg™ XML project formats. System connectivity is via standard optical MADI so can connect over long distances directly to any MADI equipped Digital Mixing Consoles, Venue Audio Distribution infrastructure (Riedel, Optocore etc) or Routers. Live-Recorder systems can capture up to 128 Channels @ 24bit/48kHz or 64 Channels @ 24bit/96kHz.

“Live-Recorder presents significant cost-saving opportunities when compared to hard disk recorders or other DAW recorder systems,” says Niall Feldman, Director of New Products for SSL. “Live-Recorder excels when it comes to high channel count recording. It’s 4 SSD bay RAID configuration and Pro Tools format export and import capability offer exactly the workflow we know our customers need. The system offers exceptional power and flexibility in this budget-conscious era.”

The Live-Recorder system consists of a fully configured & soak tested 1U PC fitted with a 128 channel SSL MADI Audio Interface and with Soundscape V6.2 Recorder/Player software installed. Each system is supplied with a disk image making returning to a fresh system after each project simple and streamlined. The Live-Recorder PC is an extremely high quality 1U unit with 4 x front loading RAID bays pre fitted with SSD drives. The Live-Recorder system is connected to a FOH or Broadcast Production Console (directly or via a Router) using 2 x 64 channel Optical MADI connections. Live-Recorder supports MTC and MMC via MIDI over Ethernet for external system transport control and can sync via MADI or Word Clock (via BNC). Video Sync can be supported via low cost 3rd party hardware. The software also features advanced crash recovery routines which will retrieve incomplete audio recordings on reboot after a host system catastrophic failure such as sudden power loss.

Key Features
• Live and Broadcast Production DAW Recorder / Player
• Exports directly to ProTools® (8 & 9), Cubase/Nuendo, Final Cut and Samplitude/Sequoia
• Combination of DAW Recorder/Player software, MADI audio interface and host PC
• Connects directly to any optical MADI equipped device; Console, Router, etc
• 128 channel (2 x 64 ch I/O) optical MADI connectivity
• 128Ch@24bit/48kHz or 64Ch@24bit/96kHz recording
• Supports MTC and MMC Sync/Remote via MIDI interfaces or MIDI over Ethernet
• Unique crash recovery features
• Ultra stable software with exemplary SSL recording quality
• Live-Recorder MX4 includes versatile DSP powered software mixer & processing
• Add SSL Alpha-Link converters to Live-Recorder MX4 for local I/O & confidence monitoring
• Live-Recorder 128 option for environments where routing & monitoring is controlled upstream by a console or router.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

DPA Microphones Displays Range of Broadcast Microphone Solutions at IBC 2012

Company Also Raffles off brand new d:facto Vocal Microphone to Attendees

AMSTERDAM, SEPTEMBER 6, 2012 – DPA Microphones is highlighting its international reputation for distortion-free sound and ergonomic design at IBC 2012 (Stand 8.D70) by showing a range of high-quality microphones that are ideally suited to broadcast applications. Among the products on show will be DPA’s expanded d:fine™ headset microphones series, which recently won Live Design’s Sound Product of the Year Award, and the new d:facto™ handheld vocal mic, which debuted earlier this year.

IBC visitors will have the opportunity to win a ground-breaking d:facto vocal microphone. They must simply stop by the DPA stand and have their badge scanned. One lucky visitor will be chosen at random, and the winner will be announced and contacted after the show.

“With so many television programs now being delivered in High Definition and 5.1 surround sound, demand for high quality microphones for broadcast use has never been greater,” says Christian Poulsen, CEO of DPA Microphones. “DPA is internationally acclaimed for delivering the pristine sound quality that program makers and viewers desire. Our range includes microphones for a wide variety of broadcast applications, and we are confident that they are the best broadcast microphones on the market today in terms of both sound quality and design.”

Offering impressive gain before feedback and very stable construction, DPA’s unobtrusive d:fine headset microphones are easy to fit on any person, providing presenters and guests with a discreet microphone solution that can’t be seen on the face. The d:fine range is renowned for its audio accuracy and its ability to deliver natural voice intelligibility and consistent audio performance at all SPLs. The d:fine capsules are so small that they are virtually invisible, leaving presenters free to focus on their performance, safe in the knowledge that these hand-built microphones will deliver high-quality, distortion-free sound.

d:fine is available in both directional and omnidirectional options, in single or dual-ear designs and with long or short booms. Designed to fit comfortably, they adjust to accommodate any ear size and head shape, and can be mounted on either the left or right side of the head. Available in black, beige, brown and lime green, each solution performs spectacularly in either cabled or wireless settings and can accommodate a range of accessories including windscreens, power supplies and adapters or cables with fixed connectors (MicroDot, three-pin Lemo, TA4F mini XLR, Mini-jack).

DPA Microphones d:facto handheld vocal mic bridges the gap between live stage performances and studio recordings. Already put through its paces on several TV shows, including Voice of Denmark, a standard format TV show broadcast in several countries, the d:facto offers an exceptionally natural sound, high separation from nearby sound sources and extreme sound level handling. This microphone is ideal for live music broadcasting as it combines a supercardioid pattern with superb definition to give high separation and true sound color on stage. Similar to all DPA mics, d:facto features superior gain before feedback, while the inbuilt three-step pop protection grid effectively removes unwanted noise.

DPA is also showing its lightweight range of miniature microphones that are popular with broadcasters because they deliver excellent speech reproduction and can achieve quality pick up even when they are not directly aimed at the sound source. The company rounds out its line-up with its best-selling and versatile Reference Standard range of microphones that exhibit total transparency in any recording situation and are capable of picking up incredible detail and depth of sound.

ABOUT DPA:
DPA Microphones A/S is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information about DPA Microphones, please visit IBC Stand 8.D70. If you are unable to attend the show, please refer to the company’s website – www.dpamicrophones.com.

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SOUND DEVICES INTRODUCES NEW 664 PRODUCTION MIXER AT IBC 2012

New Flagship Mixer Features an Unprecedented Amount of I/O Connectivity and Recording Flexibility


AMSTERDAM, SEPTEMBER 6, 2012 – Sound Devices, experts in audio and video products for field production, unveils the 664 Production Mixer, the newest addition to its best-selling line of field and production mixers, at IBC 2012 (Stand 8.D74). The new flagship in Sound Devices’ line of portable production mixers, the 664 builds upon the powerful features of the 552 Production Mixer and offers expanded input/output connectivity and recording capabilities, along with greater flexibility and ease-of-use. Its six input channels have dedicated controls for trim, fader, pan and PFL. The inputs and four output buses are all recordable, for a total of 10 tracks of recording.

Sound Devices’ 664 contains six ultra-low noise, high-dynamic range transformer-less preamps that accept mic- or line-level signals and include analog peak limiters, high-pass filters, input trim control and direct outputs on every channel. Featuring full analog audio paths for high-performance audio and superb power efficiency, the 664 also has numerous digital capabilities. Inputs 1 and 6 are unique in that they can be selected as AES3 or AES42 inputs for digital microphones, each with its own SRC for simplicity in system clocking.

The analog output compliment includes four output buses. The L and R buses are on balanced XLR, 10-Pin, TA-3M connectors, or unbalanced on TA-3M or 3.5mm connectors. Auxiliary output buses X1 and X2 are available on balanced TA-3M connectors. Inputs and buses can be routed to four AES3 connections for eight digital outputs on the XLR and 10-pin connectors.

The 664 can record up to 10 tracks, 16- or 24-bit broadcast WAV files to SD and/or CompactFlash cards. All six inputs and its four outputs are individually selectable for recording, enabling the mixer to record all 10 channels of audio. With its dual card slots, content can be recorded to either or both cards simultaneously, with the added ability to assign individual tracks to each memory card.

Sound Devices also introduces a companion accessory, the CL-6 Expander. The CL-6 is specifically designed to add six analog line-level inputs to the 664 Production Mixer. With the CL-6 attached, the direct output connectors are available as recordable inputs, controlled by faders located on the CL-6 front panel. The CL-6 also offers additional LED output metering and duplicate-recording transport controls. With the 664 Production Mixer connected to the CL-6 Expander, users can now record up to 12 input channels and four outputs, for a total of 16 tracks.

The 664 features an abundance of connectivity options in addition to the main audio I/O, catering to the complex productions that are becoming more common today. It has expanded return-monitoring capabilities, with three separate camera returns as well as a dedicated private line communications connection. The 664, like the 552, has a built-in slate microphone and tone oscillator, and includes a dedicated input for an external slate mike. The internal or external slate mike can be routed to either outputs or to the dedicated comm output. The 664 can easily build a private line communication with a comm return input, separate from camera returns.

“Our customers are looking for more inputs, connectivity, flexibility and power in the field,” says Jon Tatooles, managing director, Sound Devices. “We have taken the strengths and knowledge gained from our existing mixer line and continue to evolve the technology to meet the growing needs of sound mixers. The 664 is how we see the future of high-performance field mixers; they need to have recording capabilities in order to be a fully functional tool in the field.”

Sound Devices’ 664 features an intuitive LCD menu that enables users to simply adjust input settings and offers the capability to see how an input is routed and connected when its settings are altered. The LCD display also enables users to quickly activate the individual tracks that are to be recorded. The Sound Devices 664 features dedicated front panel controls for gain, trim and faders, as well as full-size XLR connectors. The mixer is powered by five AA batteries or external DC power.

The 664 includes a high-precision Ambient-based time-code generator/reader for multi-camera and double-system sound applications. All common production time-code rates and modes are supported. The 664, like all Sound Devices products, is designed to withstand the physical and environmental extremes of field production. Its top and bottom chassis panels are made from molded, metalized carbon fiber for superior durability and weight reduction. The chassis panels are also gasketed for water resistance.

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New Anton/Bauer Gold Mount For Canon EOS C300 and C500 Makes European Debut at IBC 2012

Anton/Bauer Continues Commitment to Offering Innovative Power Solutions for Industry’s Hottest Cameras

AMSTERDAM, SEPTEMBER 6, 2012—Anton/Bauer®, part of Vitec Videocom, a Vitec Group company, and a premier global provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video and film industries, will debut its QRC-CA940 Gold Mount® solution for the new Canon EOS C300 and C500 digital cinema cameras at IBC 2012 (Hall 11, Stand E55). This latest introduction, which stems from Anton/Bauer’s strong relationships with the industry’s top camera makers, reaffirms the company’s dedication to providing applicable power solutions for the latest gear.

The Canon EOS C300 and C500 digital cinema cameras were designed specifically to meet the demanding needs of today’s cinema industry and television production professionals. Featuring a unique Super 35mm-sized Canon CMOS sensor, revolutionary Canon DIGIC DV III image processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema-quality movie capture in a modular and portable system. What’s more, the EOS C500 offers an expansive range of recording and output options specifically for 4K and 2K image acquisition. To help streamline battery management for Canon EOS C300 and C500 users, Anton/Bauer has introduced the QRC-CA940, a Gold Mount that provides 7.2V of power to the camera via a DC connector and 14.4V on three PowerTap® connectors.

“Users can expect the same secure battery connection they’ve come to rely on with other Gold Mounts using the QRC-CA940,” says Shin Minowa, vice president of marketing and business development, Anton/Bauer. “This new Gold Mount, however, will offer three PowerTap outputs where typically we only have one, allowing professionals to power multiple accessories. In addition, this particular Gold Mount was designed so that users will not have to monitor multiple batteries, therefore reducing downtime in the field, as well as the number of chargers needing to be transported.”

Anton/Bauer has designed the QRC-CA940 to be compatible with the company’s mounting bracket for 15mm or 19mm rod systems and the MATRIX Cheese Plate. It can also be adapted to third-party support systems (15mm or 19mm clamp kits sold separately).

For more information on Anton/Bauer, visit www.antonbauer.com or call (203) 929-1100.

About Anton/Bauer
Anton/Bauer is recognized as the world’s innovator and a premier provider of batteries, chargers, lighting and other key mobile power systems for the professional broadcast, video and film industries. Based in the United States in Shelton, CT with offices in Europe and Asia, Anton/Bauer was established in 1970 and has expanded its product offerings to include many signature lines such as its leading Gold Mount® system, InterActive® chargers and Logic Series® batteries such as the HyTRON® 50, 100 and 140, and DIONIC® 90, 160, HC and HCX. Their products are compatible with every camera brand on the market today. Other Anton/Bauer high performance products include the Ultralight® 2, ElipZ®, CINE VCLX and the Tandem 150 Modular Charging System. Their superior-quality products have become an industry standard. For more information on Anton/Bauer, visit www.antonbauer.com.

About Vitec Videocom
Vitec Videocom brings together some of the most respected, most innovative and most sought-after brands in the industry: Anton/Bauer, Autoscript, Litepanels, OConnor, Petrol, Sachtler, Vinten and Vinten Radamec. It acts as an endorsing brand for these market-leading broadcast, film and pro video products, encouraging multi-brand system sales and simplifying the way that customers worldwide do business.

Vitec Videocom is an operating division within the Vitec Group, an international business serving customers in the broadcast, photographic and military aerospace and government markets. Vitec is based on strong, well known, premium brands on which its customers rely on worldwide.

Vitec Videocom – innovative products around the camera.

Solid State Logic Appoints Dominic Jacobson as Area Sales Manager

OXFORD, UK – Solid State Logic is pleased to announce that Dominic Jacobson has been appointed Area Sales Manager serving different zones, such as South Europe, North Africa or India. Jacobson has an extensive background in sales of high-end gear to film post production companies, broadcasters and musicians/composers. He speaks both French and Spanish fluently and has worked extensively in India, Russia, the Middle East and Southern Europe.

“At SSL we pay close attention to our customers, so industry expertise and personal commitment are a must have for anyone joining the SSL team,” says Philippe Guerinet, director of international sales for SSL. “Dominic is greatly respected in many countries around the world because of his vast skill level and enthusiasm. He brings with him an excellent track record in equipment sales and hands-on studio experience, so he understands the needs of a creative studio environment from both sides of the glass. We are indeed excited to welcome him on board.”

Jacobson’s work experience includes Reuters, the international news agency, as a satellite coordinator; Thomson Netg, a company specializing in integrated corporate learning solutions, as a software localization engineer; Sony as a pre-sales/support technician for audio and video media products; and four years as a sales manager at Avid and Euphonix, selling professional mixing consoles.

Jacobson is also involved with music production and content creation including work with Charlie Watts and leading session drummer, Jim Keltner, as well as award-winning artists such as multi-platinum Japanese R&B singer, Misia, as well as Ursula Rucker and the group Tom and Joyce. He has performed remix and production work for major labels such as Sony, Mercury and Virgin, as well as for smaller labels such as Talkin’ Loud, Yellow Productions and K7. In addition, Jacobson is a successful composer, having penned the title music for the London Live show on the UK’s Channel 4, which is now in its eighth season, as well as composing content for advertisements and virals for Nike, Ford, Proctor & Gamble and LG.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Jazz Artist Esperanza Spalding Chooses DPA Microphones d:facto™ Vocal Microphone for Radio Music Society Tour

Also Relies on DPA d:vote 4099 Instrument Microphones

LONGMONT, CO, SEPTEMBER 5, 2012 – Bassist and vocalist artist Esperanza Spalding is currently touring with her new group, the Radio Music Society, with a full microphone setup from DPA Microphones, including the new d:facto™ Vocal Microphone, which she is using for her vocal performances. Esperanza’s sound engineer Jaime Armengol chose DPA for the world tour because of the sound quality he knew he could achieve with the brand. In addition to the d:facto, Armengol relies on the full range of d:vote™ 4099 Instrument Microphones, and has employed them on piano, upright bass and saxophone.

Armengol is delighted with the performance of DPA’s new d:facto Vocal Microphone – and he’s not the only one. “Esperanza enjoyed the d:facto from the first minute she used it – and so did I,” says Armengol. “I didn’t tell Esperanza that I had changed her microphone at first. When we started a sound check, she said ‘what did you do with my vocal? It sounds much better and more natural.’ After that, we decided to make the full switch to d:facto, and Esperanza is now using it for her vocals during this year’s tour. Being able to use it is a wish fulfilled for me.”

DPA’s hand-held d:facto Vocal Microphone bridges the gap between live stage performances and studio recordings. Offering an exceptionally natural sound, high separation from nearby sound sources and extreme sound level handling, this microphone is ideal for live music performances as it combines a supercardioid pattern with superb definition to give high separation and true sound color on stage. Similar to all DPA mics, d:facto features superior gain before feedback, while the inbuilt three-step pop protection grid effectively removes unwanted noise.

“It is a very clean microphone, which is typical of the sound you expect from DPA,” continues Armengol. “I usually use a channel strip, and the clarity at all frequencies is really impressive. The frequency response cuts the lows appropriately, and it has a nice HF boost. It is evident that its capsule comes from one of the best mics ever – the DPA 4011 Cardioid Microphone. I was really impressed with the optimized proximity effect, and so far I have not had any problems with feedback or pop and handling noise. I also liked the linearity in frequency and phase and the impressive off-axis response. It is a powerful microphone and DPA has done a really good job!”

DPA’s d:vote is ideal for live performance settings requiring high-quality, discreet mics that are effortless to change. Building on the success of the highly acclaimed 4099 instrument clip mic series, d:vote features an enhanced shock mount to provide even better absorption.

“The d:vote’s are also really great,” Armengol concludes. “They give incredible results that everyone is very happy with.”

Esperanza Spalding draws upon many genres in her own compositions and has garnered numerous accolades for her musicianship and smooth, experimental sound. In 2011, she won a Grammy for Best New Artist, becoming the first jazz musician to do so, and her career also includes collaborations with great artists like Wayne Shorter and Joe Lovano.

To see Esperanza Spalding live in concert using the DPA d:facto, please visit this YouTube link: http://www.youtube.com/watch?v=iRipEPBsuTQ

ABOUT DPA:
DPA Microphones A/S is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information about DPA Microphones, please visit the company’s website – www.dpamicrophones.com.

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CLEAR-COM HIGHLIGHTS CC-300 AND CC-400 HEADSETS AT PLASA 2012

LONDON, SEPTEMBER 5, 2012 ─ Clear-Com®, a global leader in critical voice communication systems, will highlight the latest additions to its line of professional headsets, the CC-300 and CC-400, at PLASA 2012 (Stand I-F29). The CC-300 and CC-400 offer extra comfort, better performance and more flexibility for users who are constantly employing intercoms for long hours. The headsets are compatible with Clear-Com’s wide range of wired and wireless intercoms.

Personalized for Comfortable Fit
Continuously wearing headsets, while communicating with other team members over the intercom, can easily and quickly exhaust a user. The new Clear-Com CC-300 single-ear headset and CC-400 double-ear headset were designed to reduce fatigue while accommodating individual preferences, by offering a clear and comfortable audio experience.

The CC-300 and CC-400 headsets’ microphone booms can rotate 300 degrees, allowing the microphone to be worn on the right or left side of the head. Users can also make the headsets larger or smaller by manipulating the slide adjustments on either side of the headband. In addition, the enclosed headphones have very soft padding and a slight rotation to provide a better fit.

Balanced for High Performance
The CC-300 and CC-400 headsets are equipped with hyper-cardioid dynamic microphones and high ambient-noise attenuation headphones that deliver balanced audio performance to the user. The acoustic isolation capability significantly reduces external background noise. With a clear audio profile, including an up to 20-kHz frequency response, the new headsets are made for professionals who demand high-quality sound.

Flexibility for Operational Convenience
The CC-300 and CC-400 headset microphones can be powered on or off by moving the microphone boom. Users need only to pull the boom gently downwards to turn on the microphone and push the boom gently upwards to turn it off; providing a quick and simple mute to their intercom system.

Interchangeable cabling is another major benefit of the CC-300 and CC-400 headsets. Both headsets come with a standard four-pin female connector. Users can easily change the cable and connector at the base of the headset by using a Phillips screwdriver, in order to accommodate different connector types. The same process can be used to repair and replace a damaged cable on the fly.

“Busy crew members need a headset that they can slip on and immediately feel the difference in fit and performance,” says Stephen Sandford, Product Manager, Clear-Com. “The Clear-Com CC-300 and CC-400 deliver by providing long-lasting comfort and high-quality audio, and can be used in conjunction with virtually all of our intercom solutions.”

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HME
HM Electronics, Inc. is a diverse group of companies providing solutions that enhance productivity and customer service in markets including restaurants, sports and professional audio. Founded in 1971, we sell, service and support products in 89 countries worldwide, via company-owned offices in the U.S., Canada, Europe, and China, and an extensive network of HME-authorized distributors, dealers and service agents. Every day quick service restaurants take over 24 million orders using HME systems. With the recent acquisition of Clear-Com, HME is the world’s leading provider of professional intercom systems. To learn more, visit www.hme.com.

# # #

Contact:
Heather Ball / Vanessa Sanchez
D. Pagan Communications, Inc.
+1-631-659-2309, ext. 19 / ext.24
heatherb@dpagan.com / vanessas@dpagan.com

Judy Cheng
Director of Worldwide Marketing
+1-510-337-6600 (number not for publication)
Judy.Cheng@Clearcom.com

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