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Archive by Vanessa Sanchez

CLEAR-COM HIGHLIGHTS CC-300 AND CC-400 HEADSETS AT PLASA 2012

LONDON, SEPTEMBER 5, 2012 ─ Clear-Com®, a global leader in critical voice communication systems, will highlight the latest additions to its line of professional headsets, the CC-300 and CC-400, at PLASA 2012 (Stand I-F29). The CC-300 and CC-400 offer extra comfort, better performance and more flexibility for users who are constantly employing intercoms for long hours. The headsets are compatible with Clear-Com’s wide range of wired and wireless intercoms.

Personalized for Comfortable Fit
Continuously wearing headsets, while communicating with other team members over the intercom, can easily and quickly exhaust a user. The new Clear-Com CC-300 single-ear headset and CC-400 double-ear headset were designed to reduce fatigue while accommodating individual preferences, by offering a clear and comfortable audio experience.

The CC-300 and CC-400 headsets’ microphone booms can rotate 300 degrees, allowing the microphone to be worn on the right or left side of the head. Users can also make the headsets larger or smaller by manipulating the slide adjustments on either side of the headband. In addition, the enclosed headphones have very soft padding and a slight rotation to provide a better fit.

Balanced for High Performance
The CC-300 and CC-400 headsets are equipped with hyper-cardioid dynamic microphones and high ambient-noise attenuation headphones that deliver balanced audio performance to the user. The acoustic isolation capability significantly reduces external background noise. With a clear audio profile, including an up to 20-kHz frequency response, the new headsets are made for professionals who demand high-quality sound.

Flexibility for Operational Convenience
The CC-300 and CC-400 headset microphones can be powered on or off by moving the microphone boom. Users need only to pull the boom gently downwards to turn on the microphone and push the boom gently upwards to turn it off; providing a quick and simple mute to their intercom system.

Interchangeable cabling is another major benefit of the CC-300 and CC-400 headsets. Both headsets come with a standard four-pin female connector. Users can easily change the cable and connector at the base of the headset by using a Phillips screwdriver, in order to accommodate different connector types. The same process can be used to repair and replace a damaged cable on the fly.

“Busy crew members need a headset that they can slip on and immediately feel the difference in fit and performance,” says Stephen Sandford, Product Manager, Clear-Com. “The Clear-Com CC-300 and CC-400 deliver by providing long-lasting comfort and high-quality audio, and can be used in conjunction with virtually all of our intercom solutions.”

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HME
HM Electronics, Inc. is a diverse group of companies providing solutions that enhance productivity and customer service in markets including restaurants, sports and professional audio. Founded in 1971, we sell, service and support products in 89 countries worldwide, via company-owned offices in the U.S., Canada, Europe, and China, and an extensive network of HME-authorized distributors, dealers and service agents. Every day quick service restaurants take over 24 million orders using HME systems. With the recent acquisition of Clear-Com, HME is the world’s leading provider of professional intercom systems. To learn more, visit www.hme.com.

# # #

Contact:
Heather Ball / Vanessa Sanchez
D. Pagan Communications, Inc.
+1-631-659-2309, ext. 19 / ext.24
heatherb@dpagan.com / vanessas@dpagan.com

Judy Cheng
Director of Worldwide Marketing
+1-510-337-6600 (number not for publication)
Judy.Cheng@Clearcom.com

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SSL Showcases V5 Software for C100 HDS Digital Broadcast Console at IBC 2012

Upgrade Introduces Dual Operator Functionality

AMSTERDAM – Solid State Logic, the world’s leading manufacturer of advanced analogue and digital audio consoles, will showcase V5 software for the C100 HDS Digital Broadcast Console at the IBC 2012 (Stand 8.D83). The new software is primarily focused on the implementation of Dual Operator Mode. Developed in response to feedback from a wide range of SSL clients, this upgrade is particularly relevant to mobile installations when two operators are necessary to work on complex productions, but where space and weight are at a premium.

“The SSL engineering team has developed the V5 software enhancement for the C100 to meet the needs of productions requiring two mix engineers at the same time,” says Piers Plaskitt, CEO of SSL, Inc. “With V5, for example, our the C100 can be installed in a space and weight conscious OB van to easily handle a live international sporting event presented in different languages. This application would require different simultaneous mixes handled by two operators. We believe the V5 software upgrade will significantly impact the dual-operator segment of the market.”

SSL’s Dual Operator Mode provides two operators the ability to have independent physical controls and access to shared audio assets, through a single console processing engine, Routing and I/O configuration. The system allows for an unlimited number of consecutive eight-channel fader bays to be assigned to a 2nd operator. These bays can be located at either end of a C100 console or separated and installed in a remote location such as a production gallery. The 2nd operator bays can be specified with a dedicated Master Tile to provide access to EQ, dynamics, aux sends and various routing functions, or specified without a Master Tile for simple fader-only operation.

Dual Operator Mode splits the C100 PFL system to provide independent PFL control for each operator with monitoring via headphones, or the main or mini monitor outputs. If both operators access the PFL system simultaneously and route to the monitor outputs, the PFL system delivers a sum of all selected channels. V5 also introduces a new momentary ‘non-latching’ PFL mode to facilitate shared use of monitor outputs.

Each operator will also have independent access to user layers to facilitate selection of individual channels to be laid out in each operator’s area and individual channels that are a shared resource, allowing simultaneous control from both operator areas. A fully redundant C100 system will see both Operator areas as a single console, delivering seamless redundancy for both users. For streamlined project recall for an entire Dual Operator system, all settings for both operators are also saved within a single project.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit:
www.solidstatelogic.com.

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DPA Microphones 4017B Shotgun Microphone is on the Mark for National Geographic’s Border Wars

Sound Mixer Bob Tiwana Relied on the Mic, Connected to a Sound Devices 788T, to Record Season 7

LOS ANGELES, SEPTEMBER 4, 2012 – When Sound Mixer Bob Tiwana sought a new boom microphone to record the seventh season of National Geographic’s Border Wars, he turned to DPA Microphones’ 4017B Shotgun Microphone. Already familiar with the quality of the DPA brand, Tiwana connected the microphone to his Sound Devices 788T digital audio recorder to record and profile U.S. Customs and Border Protection agents as they patrol the nation’s southern ports of entry from the air and on boats and horseback.

Tiwana records on location in the hot, humid weather of Texas, Arizona and southern California. Having never used the 4017B in the field, he took a chance that the microphone would work as well in the elements as it does in the studio.

“I already knew the DPA 4017B would sound great because I’ve heard it before and have used it in more controlled environments,” says Tiwana. “For Border Wars, I went out on a limb and took it out in the field to see how well it does. I was a little apprehensive because it’s not an expendable piece of equipment, but I didn’t baby the microphone. After the first couple of days, I came back with stunning results. It worked very well in the field and in all the situations I put it through.”

Designed for a broad range of applications, the phantom-powered DPA 4017B is ideal for broadcast, ENG and film booming, among many other uses. The highly directional supercardioid pickup pattern of the DPA 4017B, obtained using a supercardioid design with an interference tube that provides excellent off-axis rejection, is extremely accurate. It also offers a great amount of clarity.

The size of the DPA 4017B makes it exceptionally convenient for field use. This is essential for Tiwana and his team, who regularly experience physically grueling and sometimes dangerous field conditions and must keep their gear to a minimum. On any given day, the team might need to hide in the brush or along water banks or run through cactus-laden fields. Like the agents that the show follows, Tiwana’s team also faces life-threatening situations, such as gunfights with cartels. To keep safe, everyone must wear heavy Kevlar vests and be able to move on a moment’s notice.

The combination of the DPA 4017B with Sound Devices’ 788T provides Tiwana with a portable, high-quality recording setup. “The mic-pre on the mixer and the impedance on the DPA are well matched,” he continues. “I didn’t have to use a lot of gain to get my desired results from the boom. I plugged it right into the XLR input, applied phantom power—which the 788T does in a lovely way—and used the 10k boost and high-pass filter to avoid handling noise in case I was running or it was windy.”

With the latest 788T software upgrade, Tiwana is also able to create sound logs at the end of each day. This enabled him to provide reports to the production team of time codes and the duration of each take, as well as notes and track assignments.

“I’ve been working with Sound Devices since their first recorder, the 744T,” concludes Tiwana. “When they introduced the 788T, I made a point of adding it to my arsenal. I bring both units with me in the field. As for the DPA 4017B, this is the first time I’ve used it in this type of setting, and I’m really impressed that it took everything I gave it on the show. It was very grueling in south Texas, with 95- to 100-degree temperatures and humidity at 75 to 80 percent every day. The microphone performed flawlessly. I’ve had others that haven’t performed as well in the humidity. I’m really impressed with the DPA mic, and if they call on me again next year to record this show, I’m bringing it with me.”

Bob Tiwana is a multitalented production professional who has been involved in audio for nearly 30 years. A seasoned vet in live performance, studio and on-location recording, his experience runs the gamut from television and film to post production. His long list of credits includes work for Avatar, Moneyball, Grey’s Anatomy, House and the 2012 ESPY Awards. He has also worked on commercials for several large companies, including Sony, Bank of America and the Chicago White Sox. More information about about Tiwana can be found at: www.trackwizzard.com.

Border Wars is an American documentary television series that airs on the National Geographic Channel. The program follows agents of the U.S. Customs and Border Protection (CBP), Immigration and Customs Enforcement (ICE) and other divisions of the Department of Homeland Security as they investigate and apprehend illegal aliens, drug smugglers and other criminals violating U.S. immigration and customs laws. Season 7 will begin airing this fall.

ABOUT DPA:
DPA Microphones A/S is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

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Clear-Com Announces European Availability of HelixNet at IBC 2012

World’s First Networked Partyline Intercom System Delivers Greater Efficiency, More Flexibility and Cost-Savings Through a Revolutionary Platform Design

AMSTERDAM, SEPTEMBER 4, 2012 ? Clear-Com, a global leader in critical voice communication systems, is pleased to announce at IBC 2012 (Stand 10.D29a) that its new HelixNet Partyline Intercom System is now shipping throughout Europe. The industry’s first networked partyline intercom arrives at IBC after successfully showcasing its capabilities at the Queen’s Diamond Jubilee and other recent London events. In both instances, live production teams were able to take advantage of the systems’ efficiency, cost-savings and flexibility from setup to operation and maintenance.

Under the initial release of HelixNet Partyline, users can purchase the HMS-4X Main Station, HBP-2X HelixNet Beltpacks, an HLI-2W2 two-wire Interface Module and the HLI-4W2 four-wire Interface Module. They can then experience the first system to combine a revolutionary platform with the superb audio clarity of the digitized Clear-Com sound and the ruggedness to withstand all conditions. Also, as the central administration of the entire system can be performed from the Main Station with a single cable, including firmware upgrades and maintenance, HelixNet can work off one’s existing cable infrastructure.

“HelixNet offers users the simplicity of running cable anywhere without worrying about each cable type or where it will run,” says Chris Barry, Product Manager, HelixNet, Clear-Com. “Essentially, they only have to run one long cable, along which audio can be distributed on every channel. It doesn’t matter how or where the cable is run, users will have access to each and every feed. At the beltpack end, users can choose what channel they want or need to run. Another perk of HelixNet is that it can be run on inexpensive cabling, such as Cat-5, keeping the cost of deployment low.”

HelixNet’s sleek 1RU main station fits into any standard 19-inch rack, and can provide power and four channels of audio to support up to 20 digital beltpacks. Unlike standard analog systems, the all-digital HelixNet system is immune to electro-magnetic interference and ground loops, so there is never any hum or buzz. The Main Station settings and menus are quickly accessible, highly flexible and offer intuitive user operations. The system’s firmware maintenance and upgrades can also be achieved easily via USB ports, and it offers greater connectivity with existing analog intercom systems and audio devices.

“For more than 40 years, the pro audio community has been using the common, three-pin XLR microphone cable to carry audio for analog partyline systems,” continues Barry. “In order to preserve our customers’ investments in intercom systems and cabling infrastructure, we specifically designed the HelixNet Partyline to transmit four channels of digital-quality audio, plus program and power for beltpacks, over a single, shielded, twisted-pair cable (ex. microphone cable, CAT5 or CAT6 cable). This capability alone is unprecedented in the history of intercom technology.”

The expansion bay in the Main Station allows optional HLI-2W2 two-wire and HLI-4W2 four-wire interface modules to connect easily with existing analog intercom systems and audio devices, while preserving the high audio quality that is free of hum and noise.

Boasting an especially clear audio signal, the HBP-2X HelixNet Beltpack offers high channel density and selectable channels to save resources. The rugged, ergonomically designed unit is a two-channel beltpack that can access two of any four system channels, connect program audio and provide individual level control over just one single cable, while distributing networked audio over a twisted pair. These features decrease the required number of cables. The beltpacks are also simple to operate and read, with optimally positioned buttons and volume knobs that are easy to locate, identify and control. Channel labels are simple to read on the high-contrast ten-character OLED displays. The flexibility of the units allow them to be set up in daisy chain or star configurations, with no need for active split boxes.

The HelixNet beltpacks are highly durable, fabricated from lightweight cast aluminum, and come with a sturdy beltclip, rubber bumpons and an integrated strap guide, offering a variety of practical mounting options.

About Clear-Com
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HME
HM Electronics, Inc. is a diverse group of companies providing solutions that enhance productivity and customer service in markets including restaurants, sports and professional audio. Founded in 1971, we sell, service and support products in 89 countries worldwide, via company-owned offices in the U.S., Canada, Europe, and China, and an extensive network of HME-authorized distributors, dealers and service agents. Every day quick service restaurants take over 24 million orders using HME systems. With the recent acquisition of Clear-Com, HME is the world’s leading provider of professional intercom systems. To learn more, visit www.hme.com.

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PULA FILM FESTIVAL SETS OUTDOOR CINEMA RECORD WITH HARKNESS STAGELITE STEREO 3D SCREEN

PULA, CROATIA, AUGUST 30, 2012 — The 59th Pula Film Festival, held in the ancient Vespasian’s Amphitheatre (dating back to the 1st Century) set a new standard for outdoor 3D film presentation.

Given its extraordinary technical setup, an attendance in the thousands and results that had never been achieved before, the event will be remembered as an industry first in three categories.

Firstly, the 3D projection setup achieved the longest throw distance (using a Barco DP2K-32B projector) ever recorded at 73.6 metres (242ft) exceeding the recommended throw distance. Furthermore, the setup, which included an 18.70 x 8.45m Stagelite Stereo 3D Screen from Harkness Screens, achieved a wide-viewing angle of 60º allowing the 3D presentation to be viewed at suitable brightness levels throughout the entire seating area.

As a result of this, the film festival was able to set what is believed to be a new Guinness World Record for an outdoor 3D presentation with an official attendance of 5,920 visitors.

“We were delighted to supply the Stagelite Stereo surface for the festival and provide installation support. The setup achieved by LMT (Laboratory of Multimedia Technologies in Zagreb), the festival’s technical resource, was nothing short of remarkable and they deserve much praise,” says Tony Dilley, European Sales Manager at Harkness Screens.

Stagelite Stereo is a front projection surface specifically designed for non-cinema 3D applications. Silver aluminium flake based PVC fixed to a unique base material provides high gain characteristics, very low depolarisation level (extinction ratio) and excellent colour temperature. The surface type also supports conventional 2D pictures and is also cleanable.

About Harkness Screens
Harkness Screens™ is the world’s largest manufacturer of projection screen surfaces, specialising in the design and production of cinema screens and custom screens of virtually any shape and size. Harkness Screens is the world leader in cinema with screens in more cinemas worldwide than any other manufacturer. From single-screen independent theatres to large multiplexes to large format immersive theatre experiences or live events, Harkness supplies thousands of screens every year for cinema, film production, special effects, live events and custom AV applications.

Founded in 1929, Harkness’ corporate office is located in Ireland with other offices and factories located in the USA, UK, France and China. Harkness Screens combines unrivalled experience with the latest technology and production methods to provide innovative solutions to the company’s key markets worldwide. For more information, visit the Harkness Screens web page at www.harkness-screens.com.

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CONTACT:
Richard Mitchell
Harkness Screens
Unit A, Norton Road
Stevenage, Hertfordshire SG1 2BB UK
Tel: +44 (0)1438 725200
Email: r.mitchell@harkness-screens.com
Web: www.harkness-screens.com

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Sound Devices PIX-DOCK Now Shipping

Data Dock for PIX-CADDY with Thunderbolt Connection

AMSTERDAM, AUGUST 30, 2012Sound Devices, experts in portable audio and video products for field production, announces that its PIX-DOCK is now shipping, in time for the 2012 IBC Show (Stand 8.D74). Having first made its debut at this year’s NAB Show, PIX-DOCK connects drives mounted in a Sound Devices PIX-CADDY 2 to computers equipped with Thunderbolt™ high-speed I/O over a single Thunderbolt cable.

The PIX-CADDY 2, which is used to connect SSD volumes to all PIX recorders, is an SSD mounting accessory that also operates as a multi-format interface to attach drives to a computer for file transfer and management. With the introduction of the PIX-DOCK, users can now leverage Thunderbolt’s fast transfer speeds between drives and computers. Thunderbolt offers up to 10 Gbps interconnection speeds, making the file copying of large-capacity drives fast and easy. When using fast storage drives, its high throughput allows realtime playback of multiple streams of high-data-rate video.

The PIX-DOCK provides both power and data over a single cable and is compatible with SATA drives. It includes a six-foot Thunderbolt cable that connects to the PIX-CADDY 2 using its eSATAp connection. It also offers a secure, latching connection to PIX-CADDY, and its weighted base prevents sliding on desktop surfaces.

“After a successful launch at this year’s NAB show, we are thrilled to announce that our PIX-DOCK is available,” says Jon Tatooles, managing director at Sound Devices. “PIX-DOCK simplifies and speeds the transfer and management of files when using our PIX recorders. By utilizing Thunderbolt, we are able to provide our users with blazing fast and reliable transfers.”

The PIX 220i, PIX 240i and PIX 260 record directly to QuickTime using Apple’s ProRes or Avid’s DNxHD codecs. Since PIX recorders use ProRes and DNxHD, files recorded in the field can be used directly in post production, making the workflow simple and fast. The PIX 240i and PIX 260 add even more flexibility, with their time code, sync-generator, and simultaneous SDI and HDMI outputs. All PIX recorders incorporate the company’s award-winning audio expertise and performance.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. The fourteen-year old company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

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Clear-Com to Show Tempest®2400 Seamless Roaming and Masterbelt to the European Broadcast Market for the First Time at IBC 2012

AMSTERDAM, 7 SEPTEMBER 2012Clear-Com®, a global leader in critical voice communication systems, is showcasing the Tempest®2400 with Seamless Roaming capability and Tempest®2400 MasterBelt digital wireless intercom for the first time in Europe at IBC 2012 (Stand 10.D29a). In addition to the advanced features, reliability and robustness that are the hallmarks of the Tempest intercom family, the Tempest2400 Seamless Roaming and Tempest2400 MasterBelt offer even more coverage options for users. They are ideal for broadcasters working multi-venue sporting events as well as those requiring ultra-portable communications.

The Tempest2400 Seamless Roaming feature affords broadcasters the ability to move freely and wirelessly throughout large venues that are separated by sizeable distances, such as multi-studio complexes and sports arenas. This ensures that users can walk from one coverage area to another without interference or dropouts. The Seamless Roaming feature allows BeltStation users to migrate between as many as 16 different Tempest2400 BaseStations (coverage areas or zones), allowing audio professionals to focus on critical production cues rather than on the settings of their wireless BeltStations. Both Seamless Roaming and iSelect Roaming are available to accommodate virtually every application need.

Tempest2400 BaseStations are linked together with the newest ZSync (Zero Synchronization) Technology. The ZSync Technology provides a zero-sync reference that coordinates the hopping patterns of all connected BaseStations every time the system is powered up, irrespective of random time variation in power-up sequences. This provides improved system performance and a seamless wireless experience.

Ideal for mobile productions, the Tempest2400 MasterBelt offers most of the advanced features, reliability and robustness of the original Tempest2400 rack-mount BaseStation within a compact, portable package. This enables users to coordinate and communicate hands-free. One MasterBelt can be paired with any standard Tempest2400 CP-222 two-channel BeltStation to create a full-featured two-channel system operating in 80MHz of spectrum in the 2.4-GHz band. The MasterBelt itself also functions as a BeltStation, allowing communications between up to six full-duplex wireless users. The MasterBelt includes a rechargeable lithium-ion polymer battery capable of up to eight hours of operation. It can also be powered by three standard AA alkaline batteries as a backup, providing four hours of operations. As with all Tempest wireless systems, it does not interfere with traditional wireless microphone, IFB or in-ear monitor systems that operate in the UHF band.

All Tempest systems are designed to be comfortable, rugged and robust, and can operate in harsh weather conditions. Each is protected by a durable, weather-resistant ABS co-polymer blend with a high-performance polyurethane over-mold.

The Frequency Hopping Spread Spectrum (FHSS) technology is embedded within all Tempest systems, which utilizes a narrow signal band that is continually changing frequencies to burn through RF noise and interference. As a result, the Tempest system does not compete with signals from other 2.4 GHz wireless devices, minimizing frequency coordination and enabling flawless performance. Moreover, the wireless system features state-of-the-art 2xTX Transmission Voice Data Redundancy, which sends each packet of audio data twice on different frequencies and through different antennas, ensuring uninterrupted audio communications.

Tempest2400 systems offer three different modes of operations—normal, shared and split. All modes are supported under the Seamless Roaming function. A single Tempest2400 in normal mode can support between one and five full-duplex wireless users who always need to speak on the intercom system. However, in split or shared mode, an unlimited number of users can monitor the conversation and share talk capability. A combination of Tempest systems operating in either normal or shared mode can co-exist in the same environment for the ultimate in flexibility.

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HM Electronics, Inc. (HME)
HM Electronics, Inc. is a diverse group of companies providing solutions that enhance productivity and customer service in markets including restaurants, sports and professional audio. Founded in 1971, we sell, service and support products in 89 countries worldwide, via company-owned offices in the U.S., Canada, Europe, and China, and an extensive network of HME-authorized distributors, dealers and service agents. Every day quick service restaurants take over 24 million orders using HME systems. With the recent acquisition of Clear-Com, HME is the world’s leading provider of professional intercom systems. To learn more, visit www.hme.com.

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Autoscript Showcases Broadcast Prompting Solutions at SET 2012

SÃO PAULO, BRAZIL, AUGUST 22, 2012—Autoscript, part of Vitec Videocom, a Vitec Group company, and a world-leading teleprompting company, is showcasing the company’s latest prompting solutions at the SET Congress and 21st edition of the Broadcast & Cable Show – International Technology Fair. The company is present at two locations at the show; attendees can visit either the Vitec Brasil Booth (B11A) and/or the PHASE Booth to see a variety of the company’s teleprompters, accessories and software.

Autoscript is exhibiting its full line of LED teleprompters at the show, including the LED17TFT-BLW and W19HDSDI-OA prompters. The LED17TFT-BLW is a 17-inch LED color on-camera prompter with a wide-angle molded hood and 17-inch LED teleprompter monitor. The W19HDSDI-OA is a 19-inch HD/SD SDI widescreen color LCD professional monitor with on-air kit. Both systems incorporate the latest in Autoscript’s illumination technology, the TFT (thin-film transistor) LED system. Unlike CCFLs (Cold Cathode Fluorescent Tubes), which take many minutes to reach full efficiency and light output, the company’s LED prompters offer instant warm-up to full brightness. In addition, the wide-angle hood of the prompters makes them optimal for news- or studio-based productions.

For broadcasters in search of portable and/or handheld solutions, Autoscript is featuring its LED8TFT and ELP15 teleprompters. The LED8TFT is an eight-inch high-bright LED color TFT on-camera prompter with a small folding hood. Weighing only 7.7 pounds, it is suitable for studio (jib), field and high-bright applications. The ELP15-POV is a 15-inch TFT color LCD on-camera prompter ideal for small POV cameras.

Autoscript is also highlighting all three versions of its WinPlus prompting software. Compatible with all leading newsroom systems, including ENPS and iNEWS, WinPlus-News, Studio and Xlite offer users all-in-one solutions for show rundowns, cues and prompting. User-friendly and intuitive, WinPlus software enables users to control the run order and edit anywhere within the script, even when scrolling through the on-air story. This leaves the prompt output unaffected, adding resilience to the overall system.

The company is also exhibiting its range of tally and timecode accessories. The ClockPlus is an LED SMPTE/EBU timecode display that changes color from green to red when a suitable tally input is applied. In addition, the company will showcase its TallyPlus, a unique camera number system that features a large LED indicator. It displays the camera in green (1-9) while in standby and then turns red when the camera is live. TallyPlus retrofits to the entire range of Autoscript TFTs. It has the unique feature of a second photo-electric cell built into the rear of the device, which docks with the cue light on the TFT.

For more information and to find an authorized Autoscript dealer, please visit www.Autoscript.tv or contact ussales@autoscript.tv.

About Autoscript
Established in the UK in 1984, with headquarters in the US and the UK, Autoscript is the world leader in the prompting industry. Autoscript provides a complete range of teleprompters for PC and the i-Series, the best designed and built hardware, PC cards and software, and—with its expanding line of intuitive accessories—is the new definition in prompting. Autoscript is a member of the Vitec Group. For more information visit www.autoscript.tv.

About Vitec Videocom
Vitec Videocom brings together some of the most respected, most innovative and most sought-after brands in the industry: Anton/Bauer, Autoscript, Litepanels, OConnor, Petrol Bags, Sachtler, Vinten and Vinten Radamec. It acts as an endorsing brand for these market-leading broadcast, film and pro video products, encouraging multi-brand system sales and simplifying the way that customers worldwide do business.

Vitec Videocom is an operating division within the Vitec Group, an international business serving customers in the broadcast, photographic and military aerospace and government markets. Vitec is based on strong, well known, premium brands on which its customers rely on worldwide.

Vitec Videocom – innovative products around the camera.

Anton/Bauer to Highlight Portable Power Solutions for Production Professionals at BIRTV 2012

BEIJING, CHINA, AUGUST 20, 2012—Anton/Bauer®, part of Vitec Videocom, a Vitec Group company, and a premier global provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video and film industries, will demonstrate its latest portable power, lighting and transmission products to attendees at BIRTV 2012 (Videocom Booth 8B15). The company will highlight its new AB-HDRF transmitter system, CINE VCLX battery system and new Gold Mount® solutions for the Canon C300/C500 and RED EPIC digital cinema cameras.

“BIRTV brings together some of the leading professionals in the film and television industry,” says Shin Minowa, vice president of marketing and business development, Anton/Bauer. “We look forward to meeting with attendees to help identify the appropriate power solutions for their individual applications. Our latest offerings are aimed to help further protect their investments while providing seamless power and compatibility.”

• The AB-HDRF system is a compact 5.8 GHz COFDM RF system capable of transmitting a robust HD signal over great distances all while being powered by Anton/Bauer batteries. Anton/Bauer collaborated with Vitec Group sister company Integrated Microwave Technologies, LLC (IMT) to develop an RF system that could mount directly onto the camera, using a camera’s existing Anton/Bauer Gold Mount solution. The AB-HDTX sends its signal directly to the AB-HDRX dual-diversity receiver or the DirectVu handheld confidence monitor/receiver. It has an RF output of 100 mW and is capable of accepting a wide range of HD/SD video formats, along with embedded audio from the camera’s HD SDI output. The use of MPEG-4 compression allows the signal to travel a half-mile in line-of-site applications. The system offers users the flexibility to choose from 12 different channels in which to transmit, ensuring the least amount of interference. The unit’s size makes it ideal for reality-based, ENG/EFP and live event coverage.

• The QRC-CA940 Gold Mount solution was designed to help streamline battery management for Canon EOS C300 and C500 digital cinema camera users, providing 7.2V of power to the camera via a DC connector and 14.4V on three PowerTap® connectors. It is compatible with Anton/Bauer’s mounting bracket for 15mm or 19mm rod systems, the MATRIX Cheese Plate. It can also be adapted to third-party support systems (15mm or 19mm clamp kits sold separately).

• The QRC-EPIC Gold Mount was developed to power the RED EPIC and SCARLET cameras. It features one 6-pin LEMO connector and two PowerTap connectors for accessories. Using the QRC-EPIC Gold Mount, the battery communicates directly with the camera, providing precise and accurate runtime directly into the viewfinder, allowing the user to keep their eye on a shot instead of their battery.

• The CINE VCLX battery incorporates all the features of the Logic Series Batteries to provide superior run-time and service life for the power demands of today’s cinema production and lighting equipment. All the safety and high-power-draw performance of Nickel Metal Hydride cell chemistry technology is available in a power package specifically designed for the integration of 24V film and 14V video equipment. CINE VCLX batteries are powerful enough to run for extended periods of time with many of the most popular cameras for film and digital cinematography, including ARRI 16 and 35mm film cameras, ALEXA, RED ONE, EPIC, Scarlett, Phantom HD, Genesis, Weisscam and P&S Technik. The high-power 28V output is also capable of powering 200w HMI lights, LED panels and portable microwave units. All Anton/Bauer CINE batteries feature a new RealTime® LCD that accurately displays remaining run-time and a visual LED warning indicator when 15 minutes of run-time remain. The CINE VCLX can be transported without restriction under the IATA and DOT safety regulations (http://www.antonbauer.com/Support/TransportationInformation).

For more information, please visit www.antonbauer.com or call (800) 422-3473.

About Anton/Bauer
Anton/Bauer is recognized as the world’s innovator and a premier provider of batteries, chargers, lighting and other key mobile power systems for the professional broadcast, video and film industries. Based in the United States in Shelton, CT with offices in Europe and Asia, Anton/Bauer was established in 1970 and has expanded its product offerings to include many signature lines such as its leading Gold Mount® system, InterActive® chargers and Logic Series® batteries such as the HyTRON® 50, 100 and 140, and DIONIC® 90, 160, HC and HCX. Their products are compatible with every camera brand on the market today. Other Anton/Bauer high performance products include the Ultralight® 2, ElipZ®, CINE VCLX and the Tandem 150 Modular Charging System. Their superior-quality products have become an industry standard. For more information on Anton/Bauer, visit www.antonbauer.com.

About Vitec Videocom
Vitec Videocom brings together some of the most respected, most innovative and most sought-after brands in the industry: Anton/Bauer, Autoscript, Litepanels, OConnor, Petrol, Sachtler, Vinten and Vinten Radamec. It acts as an endorsing brand for these market-leading broadcast, film and pro video products, encouraging multi-brand system sales and simplifying the way that customers worldwide do business.

Vitec Videocom is an operating division within the Vitec Group, an international business serving customers in the broadcast, photographic and military aerospace and government markets. Vitec is based on strong, well known, premium brands on which its customers rely on worldwide.

Vitec Videocom – innovative products around the camera.

Anton/Bauer Demonstrates New Portable Solutions for Broadcasters at SET 2012

SÃO PAULO, BRAZIL, AUGUST 15, 2012—Anton/Bauer®, part of Vitec Videocom, a Vitec Group company, and a premier global provider of batteries, chargers, lighting and other mobile power systems for the professional broadcast, video and film industries, will bring its latest portable power, lighting, and transmission products to attendees of the SET Congress and 21st edition of the Broadcast & Cable Show – International Technology Fair (Booth B11A). Among its advanced solutions will be the company’s new AB-HDRF transmitter system, DIONIC® HCX battery, ULHM-LED on-camera lighting system and new Gold Mount® Solutions for the Canon C300/C500 digital cinema cameras and Litepanels LED lighting.

“Just one year after opening our local divisional office in Brazil, we look forward to attending SET and unveiling the latest portable solutions for our local customers,” says Shin Minowa, vice president of marketing and business development, Anton/Bauer. “Whether professionals are looking for batteries or accessories to help streamline their current systems, this year we look forward to introducing solutions that will extend our customers’ investments while offering the reliable communications they’ve come to expect from Anton/Bauer.”

• The AB-HDRF system is a compact 5.8 GHz COFDM RF system capable of transmitting a robust HD signal over great distances all while being powered by Anton/Bauer batteries. Anton/Bauer collaborated with Vitec Group sister company Integrated Microwave Technologies, LLC (IMT) to develop an RF system that could mount directly onto the camera, using a camera’s existing Anton/Bauer Gold Mount solution. The AB-HDTX sends its signal directly to the AB-HDRX dual-diversity receiver or the DirectVu handheld confidence monitor/receiver. It has an RF output of 100 mW and is capable of accepting a wide range of HD/SD video formats, along with embedded audio from the camera’s HD SDI output. The use of MPEG-4 compression allows the signal to travel a half-mile in line-of-site applications. The system offers users the flexibility to choose from 12 different channels in which to transmit, ensuring the least amount of interference. The unit’s size makes it ideal for reality-based, ENG/EFP and live event coverage.

• Featuring a 124Wh battery capacity and a brand new motion-detection sensor that protects against capacity loss in storage, the DIONIC HCX is Anton/Bauer’s latest addition to its successful DIONIC series high-current battery line. The DIONIC HCX’s most exciting feature is its unique, built-in motion-detection sensor. After a two-day period without a load, the DIONIC HCX automatically goes into “deep sleep,” significantly reducing self-discharge and allowing extended storage with nearly zero capacity loss. To “awaken” the battery for normal use, customers need only move it, thus activating the motion-detection feature and “waking up” the battery as a result. This new motion-detection feature significantly increases the overall life of the battery by mitigating lithium-ion battery self-discharge when the battery is not in use. To provide precise run-time data, an enhanced LCD RealTime® fuel gauge has been incorporated to display up to nine hours of run-time (under low power load conditions) using a seven-segment display enclosed by four circular arcs that indicate 15-minute time intervals.

ULHM-LED is a low-power-consumption LED, designed to offer flexibility and help achieve the perfect light for any shot quickly and seamlessly. It fits any UL2 base, providing heat- and flicker-free soft 5600k light. Ideal for many applications, it consumes very little battery power. A 3200k filter is included with each light, allowing for quick changes to match color temperatures properly. A dimmer allows for an adjustment of 0–100% with minimal color temperature change. Size: 4.5 x 5.64 x 1.62 in. (11.43 cm x 14.33 cm x 4.11 cm) Weight: .40 lbs (.18 kg). The ULHM-LED requires a UL2 base, which is sold separately or standard with the purchase of the UL2 LED package.

• The QRC-CA940 Gold Mount solution was designed to help streamline battery management for Canon EOS C300 and C500 digital cinema camera users, providing 7.2V of power to the camera via a DC connector and 14.4V on three PowerTap® connectors. Anton/Bauer has designed the QRC-CA940 to be compatible with the company’s mounting bracket for 15mm or 19mm rod systems, the MATRIX Cheese Plate. It can also be adapted to third-party support systems (15mm or 19mm clamp kits sold separately).

QR-Hilio is a 24V dual Gold Mount that mounts directly to the back of the Litepanels Hilio, making the system portable. It offers users the ability to hot swap, so if one battery is almost drained, the user can replace it without turning off the light or stopping the shoot. When used with the DIONIC HC, the recommended run time is approximately one hour and 30 minutes and two hours when used with the DIONIC HCX.

QR-LG offers two PowerTap outputs to help power additional on-camera accessories. It incorporates Manfrotto’s Mini Clamp, which allows the Gold Mount to be mounted on a variety of light stands on bars, making any lighting system truly portable.

For more information, please visit www.antonbauer.com or call (800) 422-3473.

About Anton/Bauer
Anton/Bauer is recognized as the world’s innovator and a premier provider of batteries, chargers, lighting and other key mobile power systems for the professional broadcast, video and film industries. Based in the United States in Shelton, CT with offices in Europe and Asia, Anton/Bauer was established in 1970 and has expanded its product offerings to include many signature lines such as its leading Gold Mount® system, InterActive® chargers and Logic Series® batteries such as the HyTRON® 50, 100 and 140, and DIONIC® 90, 160, HC and HCX. Their products are compatible with every camera brand on the market today. Other Anton/Bauer high performance products include the Ultralight® 2, ElipZ®, CINE VCLX and the Tandem 150 Modular Charging System. Their superior-quality products have become an industry standard. For more information on Anton/Bauer, visit www.antonbauer.com.

About Vitec Videocom
Vitec Videocom brings together some of the most respected, most innovative and most sought-after brands in the industry: Anton/Bauer, Autoscript, Litepanels, OConnor, Petrol, Sachtler, Vinten and Vinten Radamec. It acts as an endorsing brand for these market-leading broadcast, film and pro video products, encouraging multi-brand system sales and simplifying the way that customers worldwide do business.

Vitec Videocom is an operating division within the Vitec Group, an international business serving customers in the broadcast, photographic and military aerospace and government markets. Vitec is based on strong, well known, premium brands on which its customers rely on worldwide.

Vitec Videocom – innovative products around the camera.

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