A virtual press conference from Sound & Video Contractor

Archive by Vanessa Sanchez

Clear-Com Highlights CC-300 and CC-400 Headsets at InfoComm 2012

New Headsets Offer Better Comfort, Improved Sound Quality and Greater Flexibility

LAS VEGAS, JUNE 15, 2012 ─ Clear-Com®, a global leader in critical voice communication systems, will highlight at InfoComm 2012 (Booth C10345) the latest additions to its line of professional headsets, the CC-300 and CC-400. The CC-300 and CC-400 offer extra comfort, better performance and more flexibility for users who are constantly employing intercoms for long hours. These headsets are compatible with Clear-Com’s wide range of wired and wireless intercoms.

Personalized for Comfortable Fit
Wearing headsets day in and day out while communicating with other team members over the intercom can easily and quickly exhaust a user. The new Clear-Com CC-300 single-ear headset and CC-400 double-ear headset were designed to reduce fatigue and accommodate individual preferences by offering a clear and comfortable audio experience.

The CC-300 and CC-400 headsets’ microphone booms can be rotated 300 degrees, allowing the microphone to be worn on the right or left side of the head. Users can also make the headsets larger or smaller by manipulating the slide adjustments on either side of the headband. In addition, the enclosed headphones have very soft padding and a slight rotation to provide a better fit.

Balanced for High Performance
The CC-300 and CC-400 headsets are equipped with hyper-cardioid dynamic microphones and high ambient-noise attenuation headphones that deliver balanced audio performance to the user. The acoustic isolation capability significantly reduces external background noise and with a clear audio profile, including an up to 20-kHz frequency response, the new headsets are made for professionals who demand high-quality sound.

Flexibility for Operational Convenience
The CC-300 and CC-400 headset microphones can be turned on and off by moving the microphone boom. Users need only to pull the boom gently downwards to turn on the microphone and push the boom gently upwards to turn it off, in effect giving them a quick and simple mute to their intercom system.

Interchangeable cabling is another major benefit of the CC-300 and CC-400 headsets. Both headsets come with a standard four-pin female connector, but users can easily change the cable and connector at the base of the headset by using a Phillips screwdriver in order to accommodate different connector types. The same process can be used to repair and replace a damaged cable on the fly.

“Busy crew members need a headset that they can slip on and immediately feel the difference in fit and performance,” says Stephen Sandford, Product Manager, Clear-Com. “The Clear-Com CC-300 and CC-400 deliver by providing long-lasting comfort and high-quality audio, and can be used in conjunction with virtually all of our intercom solutions.”

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HME
HM Electronics, Inc. is a diverse group of companies providing solutions that enhance productivity and customer service in markets including restaurants, sports and professional audio. Founded in 1971, we sell, service and support products in 89 countries worldwide, via company-owned offices in the U.S., Canada, Europe, and China, and an extensive network of HME-authorized distributors, dealers and service agents. Every day quick service restaurants take over 24 million orders using HME systems. With the recent acquisition of Clear-Com, HME is the world’s leading provider of professional intercom systems. To learn more, visit www.hme.com.

DPA Exhibits d:facto™ Vocal Mic at InfoComm 2012

LAS VEGAS, JUNE 15, 2012 – DPA Microphones, the manufacturer of high-level reference and headset microphones, is featuring its handheld d:facto™ vocal mic at InfoComm 2012 (Booth C9850). Building on the success of the DPA reference standard cardioid 4011 microphone, the company has pooled its years of expertise and resources to bring the eagerly awaited, high-quality vocal condenser mic to the live performance market.

With the d:facto, DPA has identified what its users love about the reference standard cardioid 4011 and tailored those qualities to a handheld design specified for live performance purposes. The result is a supercardioid mic with superb definition, excellent separation, breathtakingly natural sound and extreme SPL handling. The d:facto boasts a rugged design for professional use, and has an optimized proximity effect specifically designed for vocal use.

Similar to all DPA mics, d:facto features superior gain before feedback, while the robust three-stage pop-protection grid built into the microphone effectively removes unwanted noise. Designed to last, d:facto boasts exceptional isolation from handling noise, as well as the ability to accommodate extreme sound levels. The microphone head can be used on the DPA wired handle and can also be unscrewed for mounting onto a Wisycom wireless microphone system, offering a high degree of flexibility.

“For many years, the live sound market has been requesting that the high sound quality of DPA’s legendary 4011 mic be made available for a myriad of live performance and recording needs,” says DPA’s CEO, Christian Poulsen. “As a result of the innovative partnership with Wisycom, we have developed the d:facto vocal mic to fulfill those requests. The option of wired and wireless modes, combined with DPA’s proven technology, has resulted in a live performance vocal mic that encapsulates flexibility and unsurpassed sound quality; key elements for equipment of the future.”

With the d:facto, DPA has made a handheld microphone that inspires the same feeling a musician gets from a handbuilt instrument. It makes the user of the mic feel more confident and perform better.

ABOUT DPA:
DPA Microphones A/S is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information about DPA Microphones, please visit www.dpamicrophones.com.

Clear-Com Features Tempest2400 MasterBelt at InfoComm 2012

All the Capabilities of the Tempest2400 BaseStation in a Compact and Portable Package

LAS VEGAS, JUNE 14, 2012 ─ Clear-Com®, a global leader in critical voice communication systems will feature the Tempest®2400 MasterBelt digital wireless intercom at InfoComm 2012 (Booth C10345). Ideal for smaller, more mobile applications, such as live outdoor productions or tour-guide setups, the Tempest2400 MasterBelt offers all the advanced features, reliability and robustness of the Tempest2400 rack-mount BaseStation, including the new version 3.0 features, in a compact, portable and easy-to-deploy package that can be conveniently worn on the hip.

The Tempest2400 MasterBelt provides users the ability to coordinate and communicate hands-free within the form of a Tempest2400 BeltStation. It can be paired with any standard Tempest2400 CP-222 two-channel BeltStation to create a full-featured two-channel system in the 2.4-GHz band. The MasterBelt itself also functions as a BeltStation, allowing communications between up to six full-duplex wireless users.

Designed to be comfortable, rugged and robust, the MasterBelt Station and all Tempest BeltStations can operate in harsh weather conditions and are protected by a durable, weather-resistant ABS co-polymer blend with a high-performance polyurethane overmold. The MasterBelt includes a rechargeable lithium-ion polymer battery capable of up to eight hours of operation, or can be powered by three standard AA alkaline batteries as a backup, providing four hours of operations.

“The Tempest2400 system has proven itself as the ‘go-to’ communications solution for live productions, operating interference-free even when other wireless devices are in the same vicinity,” says Clear-Com Wireless Product Manager Craig Frederickson. “The MasterBelt is the latest development in the Tempest2400 line, giving users an even more flexible alternative for smaller mobile applications where a stationary BaseStation is not desirable, feasible or optimal, such as live outdoor theater productions, concerts or even as a tour-guide system.”

Tempest2400 operates in 80MHz of spectrum in the 2.4-GHz ISM frequency band. Tempest wireless systems do not interfere with traditional wireless microphone or in-ear monitor systems that operate in the UHF band. Because of its Frequency Hopping Spread Spectrum (FHSS) technology, the Tempest system does not compete with signals from other 2.4-GHz wireless devices, minimizing frequency coordination and enabling flawless performance. Further, with state-of-the-art Redundant Data Transmit (2xTX), which sends each packet of audio data twice on different frequencies, the system ensures uninterrupted audio communications.

Similar to all Tempest systems, the Tempest MasterBelt offers three modes of operations: normal, shared and split. Because the MasterBelt can also function as a BeltStation, up to six full-duplex wireless users can be in communication in normal mode. In shared mode, an unlimited number of wireless users can listen while five have PTT capability. In split mode, four wireless users can employ full-duplex talk while an unlimited number may listen. The “fifth user slot” is an unlimited single channel shared between the users with momentary-talk buttons only.

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HME
HM Electronics, Inc. is a diverse group of companies providing solutions that enhance productivity and customer service in markets including restaurants, sports and professional audio. Founded in 1971, we sell, service and support products in 89 countries worldwide, via company-owned offices in the U.S., Canada, Europe, and China, and an extensive network of HME-authorized distributors, dealers and service agents. Every day quick service restaurants take over 24 million orders using HME systems. With the recent acquisition of Clear-Com, HME is the world’s leading provider of professional intercom systems. To learn more, visit www.hme.com.

DPA Features Complete Range of d:fine™ Headset Mics at InfoComm 2012

LAS VEGAS, JUNE 13, 2012 – DPA Microphones, the manufacturer of high-level reference and headset microphones, is showcasing its complete range of d:fine™ headset microphones at InfoComm 2012 (Booth C9850). The range features a choice of single- or dual-ear mount models, allowing artists, presenters, actors and worship leaders to select the optimum version for their performance.

Available as omnidirectional and directional mics, the d:fine series includes a long and short mic boom mounted on either a single- or a dual-ear mount. Audio engineers will find great benefit in d:fine’s clear, high-SPL and distortion-free sound as well as ease of switching between the right and left sides, which can be accomplished by twisting the boom.

The dual-ear d:fine is ideal for more active situations, where extra secure mounting is required, as it sits snugly on the neck and is virtually invisible. The single-ear d:fine lends itself to more stationary productions or presentations that require a low-profile mic. The new short boom d:fine headset allows a user to optimize the placement of the microphone to achieve the perfect fit and invisibility. The dual-ear mount is also available as an accessory to convert single- to dual-ear versions.

“d:fine has garnered an impressive fan base since its 2011 launch,” says DPA CEO Christian Poulsen. “Along with the addition of a dual-ear headset and movable boom, we have improved the sound quality and created an aesthetic product with a fantastic fit, giving the user optimal comfort. We are sure the new versions will be adopted for the most demanding applications when it comes to aesthetics, sound and freedom of movement.”

All d:fine headset mics offer consistent audio performance at all SPLs, impressive gain before feedback and stable construction. A small capsule providing a discreet performance, each d:fine headset mic gives the performer the freedom to focus on his performance. The earpieces are made from sprung tension material, which is extremely comfortable to wear and automatically adjusts the headset to each wearer, ensuring it stays in place by applying consistent pressure regardless of ear size. The headset can easily be taken on and off by the wearer, returning to its original shape each time. Repairs no longer require taking a microphone out of

ABOUT DPA:
DPA Microphones A/S is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

Studio Technologies Demonstrates Remote Control Of Enhanced 5100-Series Modules At Infocomm 2012

Units Can Be Accessed from iPad, iPhone or Other Internet-Capable Devices

LAS VEGASStudio Technologies, the manufacturer of tailored, high-performance video, audio and fiber-optic products for the professional audio, installation and broadcast markets, demonstrates new remote control and monitoring capabilities for its popular 5100-Series broadcast support modules at InfoComm 2012 (Booth C5950). The new capability allows for the remote control and monitoring of key functions via the Internet from an iPad®, iPhone® or other Internet-capable devices. more

AVIOM PRO64 ALLFRAME SYSTEM AT ENVY NIGHTLIFE IN THE ROUTE 66 CASINO HOTEL

In his system design for the Envy Nightlife nightclub in the Route 66 Casino Hotel in Albuquerque, NM, Nathan Powell, president and owner of PTC Group, Inc. (Production Technology Consultants Group, Inc.), replaced the traditional analog signal chain with an Aviom Pro64® audio network featuring the AllFrame Multi-Modular I/O System on stage to provide a very clean stage setup and superior sound for this performance-based nightclub setting (InfoComm Booth C10146). more

Outline Features FlySub 15 iMode and FlySub 15 Subwoofer Systems at InfoComm 2012

Speakers Designed to Work with Mini-COM.P.A.S.S. iMode and
EIDOS 265 Line Array Systems

LAS VEGAS, JUNE 14, 2012 – Outline, the makers of high quality, industry leading speaker systems for touring, installation and studio applications, features the new FlySub 15 iMode and FlySub 15 Line Array Subwoofer Speakers at InfoComm 2012 (Booth C11549). This new series of subwoofers is designed to add crisp and clear low-end energy punch to Outline’s iMode powered Mini-COM.P.A.S.S. and passive EIDOS 265 LA Line Array Speaker Systems. These systems are targeted for fixed installation, auditorium, outdoor venue and light touring applications.

“The FlySub 15 iMode system was specifically designed to seamlessly integrate with the popular Mini-COM.P.A.S.S. iMode line array system where the power amplifier, Linux-based CPU with an Outline-customized kernel, integrated DSP chip, parameter control software and Web server are integrated into the cabinet,” says Tom Bensen, senior vice-president and managing director of Outline North America. “The FlySub 15 provides the same service for our new passive EIDOS 265 line array system. The FlySub systems were created through industry demand for an extended low range speaker that shared the acoustic characteristics and mounting hardware of Outline’s mid-range line array systems. We believe the addition of the FlySub 15 systems will help continue the strong industry acceptance of both Mini-COM.P.A.S.S. iMode and the new EIDOS 265.”

The FlySub 15 iMode is an iMode/internal amplifier powered subwoofer equipped with a long-stroke 15-inch loudspeaker, designed specifically for the reinforcement of low frequencies for the Mini-COM.P.A.S.S. Vertical Line Array (VLA) loud speaker system. The rigging hardware incorporated into the FlySub cabinet is perfectly compatible with that of the Mini-COM.P.A.S.S. system, ensuring the fastest possible installation. The cabinet’s raked lines enable a wider range of geometric configurations in context of a VLA, taking into consideration the mechanical stresses on a specific VLA installation to ensure the necessary safety margins for a flying system.

The FlySub’s acoustic loading was calculated to include the top end of the upper bass frequency range for a perfect match with the Mini-COM.P.A.S.S. This relieves the Mini-COM.P.A.S.S. cabinets from bass duty, resulting in greater system dynamic range with minimum distortion, yielding a higher overall sonic quality. To achieve these results, the 15-inch loudspeaker (manufactured to precise Outline specifications) is fitted with a dual spider to enable the system to stand up to hard use, ensuring that consistent performance is maintained through the years. Upgraded ventilation to handle power peaks and careful measurement of electro-acoustic parameters based on high level signals were employed to create a well-balanced design offering superior performance with excursion, current and temperature. The FlySub 15 iMode is equipped with Outline’s proprietary iMode technology and an extremely efficient Class D amplifier (1000W EIAJ at 8 Ω). The frequency response is from 35 Hz to 550 Hz (-10 dB) with peak SPL at 136.5 dB.

The FlySub 15 passive subwoofer is designed for use with the new EIDOS 265 LA Line Array Speaker system, which is also passive. It features the same dimensions, mechanical and electro-acoustic specifications as the FlySub 15 iMode, but requires an external amplifier and DSP to match iMode performance.

About Outline
Outline S.r.l., based in Brescia, Italy, is a leading manufacturer of high quality loudspeakers of both powered and un-powered configurations. Founded in 1973, the company has a rich history in the development of high quality loudspeaker systems, test and measurement systems, and holds numerous technology patents. With offices in Italy and the USA and over 50 distributors on five continents with more than 4000 venues and users to its credit, Outline has assumed its place among the leaders in the professional audio market.

Clear-Com Exhibits Seamless Roaming For Tempest2400 at InfoComm 2012

Product Breakthrough Delivers Uninterrupted Coverage for Large-Scale Live Productions

LAS VEGAS, JUNE 14, 2012 ─ Clear-Com®, a global leader in critical voice communication systems, is pleased to feature the Seamless Roaming capability of its Tempest®2400 digital wireless intercom at InfoComm 2012 (Booth C10345). Further enhancing one of the most feature-rich and robust systems within Clear-Com’s wireless product line, Tempest Seamless Roaming is ideal for large venues separated by sizeable distances such as campus buildings, multi-theater environments and/or outdoor venues.

“With Seamless Roaming, a Tempest2400 wireless BeltStation can cover an extensive area with multiple zones that would not be adequately supported by a single BaseStation installation,” says Craig Fredrickson, Clear-Com’s wireless product manager. “This allows audio professionals to focus on critical production cues rather than having to change the settings on their wireless BeltStations when moving within a venue.”

Tempest Seamless Roaming is designed for crew members who must move freely and wirelessly from one given coverage area to another without interference or dropout of intercom communication. Base stations are linked together with the newest ZSync (Zero Synchronization) Technology. The ZSync Technology provides a zero-sync reference that coordinates the hopping patterns of all connected BaseStations every time the system is powered up, irrespective of random time variation in power-up sequences, providing improved system performance and a seamless wireless experience.

With the Seamless Roaming feature, BeltStation users can migrate between as many as 16 different Tempest2400 BaseStations (coverage areas or zones). Both Seamless Roaming and iSelect Roaming are available to accommodate virtually every application need.

The Tempest2400, designed with Frequency Hopping Spread Spectrum (FHSS) technology, utilizes a narrow band signal that is continually changing frequencies to burn through RF noise and interference. Due to the FHSS technology, the Tempest system does not compete with signals from other 2.4 GHz wireless devices, minimizing frequency coordination and enabling flawless performance. Moreover, the wireless system features state-of-the-art 2xTX Transmission Voice Data Redundancy, which sends each packet of audio data twice on different frequencies and through different antennas, ensuring uninterrupted audio communications. Via four- and two-wire connections, it can interoperate with other Clear-Com intercom systems, as well as those from other manufacturers.

Tempest2400 offers three different modes of operations—normal, shared and split. All modes are supported under the Seamless Roaming function. A single Tempest2400 in normal mode can support between one and five full-duplex wireless users who always need to speak on the intercom system. However, in split or shared mode, an unlimited number of users can monitor the conversation and share talk capability. A combination of Tempest systems operating in either normal or shared mode can co-exist in the same environment for the ultimate in flexibility.

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

About HM Electronics, Inc. (HME)
HM Electronics, Inc. is a diverse group of companies providing solutions that enhance productivity and customer service in markets including restaurants, sports and professional audio. Founded in 1971, we sell, service and support products in 89 countries worldwide, via company-owned offices in the U.S., Canada, Europe, and China, and an extensive network of HME-authorized distributors, dealers and service agents. Every day quick service restaurants take over 24 million orders using HME systems. With the recent acquisition of Clear-Com, HME is the world’s leading provider of professional intercom systems. To learn more, visit www.hme.com.

The RapcoHorizon Company Provides Reliable Audio for Cain’s Ballroom

TULSA, OK, JUNE 13, 2012 – The RapcoHorizon Company (InfoComm 2012, Booth C11619), a leading manufacturer of audio/video interfacing and cable equipment, has been chosen as the exclusive snake and cable provider for Cain’s Ballroom in Tulsa, Oklahoma. After a 20-year relationship with RapcoHorizon, Cain’s recently selected a custom rack-mount Venue splitter snake, Concert Series sub snakes and RoadHog microphone and monitor cables to provide the ultimate in sound quality for the 1,700-person-capacity venue.

Ranked by CNN as one of the “Top 10 Fabulous U.S. Music Venues,” Cain’s Ballroom began its musical history as a ballroom dance venue in the 1930s. Today, it is primarily utilized as a concert hall, hosting as many as 20 performances each month. With concerts by artists in a myriad of genres—from rock and country to heavy metal—the venue relies on its RapcoHorizon gear for flexibility and durability.

“With so many different types of musicians using the gear, our cables take a lot of abuse,” says Russell Law, III, house engineer for Cain’s Ballroom. “I really like the jackets on the XLRs – they’re reliable and that’s the main goal I was looking to achieve.”

The RapcoHorizon RoadHog XLR cables in use at Cain’s offer a unique design for the working musician, as their rugged construction does not sacrifice sound quality. The outer jackets are made of durable yet flexible PVC. The cables’ pure copper conductors and shields provide a superior sound and reliable operation, night after night. With as many as 12 mixes during any given show, Law relies on the RapcoHorizon cables to send audio to the monitors, which ensures clarity of tone. Law relies on the Extras are kept on hooks backstage, in case the setup calls for additional cables. The RoadHog microphone cables run audio to the various Shure and Sennheiser microphones. All of the RoadHog cables guarantee a clear, crisp tone in a rugged casing.

Given the abundance of RapcoHorizon cables in use, Law relies on RapcoHorizon’s custom rack-mount Venue splitter snake and Concert Series sub snakes to ensure a neat, organized stage. RapcoHorizon’s Venue Series, the company’s highest quality product, offers the best construction of cable and premium connectors. The Concert Series is a premium quality product line, which provides a unique construction of cables and connectors manufactured with pure copper conductors and braided shields, coupled with top-brand connectors. All custom RapcoHorizon snakes are hand soldered and individually tested to ensure performance, frequency response and durability.

“The wide variety of RapcoHorizon equipment being used ensures that musicians at Cain’s Ballroom are afforded dependable performance and resilience during every show,” says Lucas McCulley, marketing and artist relations at RapcoHorizon.

Built in 1924 by Tulsa entrepreneur Tate Brady, Cain’s Ballroom transitioned from a garage to a dime-a-dance joint and dance academy started by Madison W. “Daddy” Cain in 1930. The building was sold and refurbished in 1976 before reopening with the current name, Cain’s Ballroom. Since then, the venue has become well known for being one of the top performance venues in the world—having earned distinctions not only from CNN but also by Yahoo as one of “10 Great Places to See a Show.” Pollstar also ranked the venue as number 26 worldwide for ticket sales at club venues. Some notable artists who have graced the stage at Cain’s Ballroom include Snoop Dogg, The Band Perry, Matisyahu, Switchfoot, Flogging Molly, Coheed and Cambria, Smashing Pumpkins and Sugar Ray. Grammy-winning artist Bon Iver performed at the venue on June 2, 2012.

The RapcoHorizon Company, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theatre, data and telecommunications cable in both bulk wire and assemblies. Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, The RapcoHorizon Company’s products provide optimal flexibility and premium performance. The company’s state-of-the-art Custom Shop can modify existing products or build new devices to meet any need. For more information, please visit The RapcoHorizon Company’s Web site at www.rapcohorizon.com.

Adaptive Video Walls and Displays Creates Massive Flown LCD Video Wall for New Surf The Musical Production

Potentially Record-Setting Display Submitted to Guinness World Book of Records

LAS VEGAS, JUNE 14, 2012 — Adaptive Video Walls and Displays (InfoComm Booth C9547), a division of Adaptive Technologies Group and the premier provider of innovative wall mountable, floor standing, interlocking and flyable video wall frames for multiple LCD, LED and plasma monitors, has teamed up with Sharp Electronics and WorldStage to create what may be the world’s largest flown LCD video wall display. The companies built the display for Surf the Musical, a new musical production in Las Vegas featuring the 1960s Songs of the Beach Boys, and it has been submitted to the Guinness Book of World Records.

For Surf the Musical, the rigged visuals will take up the entire stage backdrop of the show. Crew members will hoist and lower them with powerful winches up to 41 times over the course of the nearly two-hour show. Adaptive Video Walls and Displays engineered an incredibly precise and load-rated flyable frame for the Sharp PN-V601 60-inch monitors, which make up the massive display.

The Adaptive Video wall LCD frame interlocks into eight-deep columns, in the landscape orientation. Overhead rigging beams accommodate one huge five-wide by eight-deep video wall comprised of 60-inch monitors that are flanked by two (four)-wide by eight-deep video walls, which are surrounded in turn by an additional two (two)–wide by eight-deep video walls, for a total of 136 pcs. monitors. The visual experience is extraordinary and the combined crisp and clear displays, along with the use of some external elements, bring the audience onto the stage and into the show, perhaps more than ever before.

In addition to the frames designed for use in this production, Adaptive Video Walls and Displays provides interlocking load-rated frames for many other LCD and plasma models that are employed in many permanent and rental and stage applications around the world, including narrow bezel models produced by NEC, Orion, Samsung and ViewSonic.

“We’re thrilled to provide the backdrop for such an exciting and innovative musical production as Surf the Musical,” says Paul Allen, president, Adaptive Technologies Group. “It goes to show how our years of engineering expertise in audio and video-wall frame technology can be leveraged for some of the most stunning visual events and productions in the world. We also want to acknowledge Sharp Electronics and WorldStage for working with us to make this record breaking display a reality. We hope that people will see it and realize just how far the technology has come, and how they can use it to truly add dazzle to their events.”

Surf the Musical premieres on June 19, 2012 at the Planet Hollywood Hotel and Casino in Las Vegas. InfoComm attendees can view components of the Surf the Musical video display at the Adaptive Technologies Group booth (C9547).

About Adaptive Technologies Group
Adaptive Technologies Group combines the talents and disciplines of Allen Products, ATM Fly-ware and Adaptive Video Walls and Displays, and offers state-of-the-art rigging and mounting solutions for a wide range of audio and video applications. Adaptive’s combined divisions are a major resource worldwide by way of the design, development and manufacturing of professionally installed AV mounting and rigging equipment. Each brand offers its own standard and unique time-saving solutions, plus unlimited custom products for any venue or application.

In addition to providing a wide selection of popular mounting and rigging solutions, Adaptive is a major resource for hundreds of commonly used and often hard to find rigging hardware and fastener items, including metric sizes. Based in Signal Hill, California, all overhead products and parts are made and assembled in the USA.

ATM Fly-Ware is the world’s leading designer of certified, pre-engineered professional loudspeaker rigging systems for permanent installations and live performances. Allen Products is a leading designer and supplier of universal fit standard, custom and OEM loudspeaker mounts, mounting loudspeakers to walls, ceilings, under balconies, to poles and vertical columns. Adaptive Video Walls and Displays is the premier provider of innovative interlocking wall, ceiling and floor mounted video wall frames and flyable video wall assemblies for multiple narrow bezel LCD, LED and plasma monitors.

For more information, visit http://adapttechgroup.com.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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