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The Center for Discovery Finds the Right Solution with Masque Sound’s Custom Audio Equipment Upgrade

Flexible System Expands Theatrical Capabilities of Michael Ritchie Big Barn Center

HURLEYVILLE, NY, NOVEMBER 25, 2013 — Masque Sound, a leading theatrical sound reinforcement, installation and design company, recently provided a complete custom audio equipment upgrade solution for the Michael Ritchie Big Barn Center for Environmental Health and Education at The Center for Discovery. These new audio capabilities will now allow the Center, an organization renowned for the educational, clinical, residential, social and creative arts experiences it provides to children and adults with significant intellectual disabilities and medical frailties, to be able to offer even more events and activities.

“The Center for Discovery wanted to be able to put on more theatrical productions, as well as host movie nights and other events at the Big Barn Center, and felt it needed a more flexible sound system that could handle all that,” says Sound Designer Gabriel Bennett. “I have a familiarity and comfort level with Masque Sound and knew it was the right company for the job. Fortunately we were able to make it happen.”

Bennett’s goal in designing the sound system upgrade was to disperse the sound more evenly and ensure full coverage throughout the room, as well as provide surround sound capabilities. According to Bennett, “We sourced some gear that was higher quality and more on the professional end of things as opposed to the consumer gear the Big Barn Center had previously been using. We really wanted to maintain a high level of fidelity while also providing a level of versatility the Center previously did not have. There is now a main, left, center, right that allows for this. Also, we can now tune the room according to the event and it sounds great.”

Bennett’s biggest challenge with the project, and one that Masque Sound proved extremely helpful with, was the Center’s desire to put in a more permanent solution. The Center wanted to install permanent gear and cable runs. They also wanted to run isolated audio power for the speakers and console.

“Because there was no theatrical rigging or structure already in place, things such as tilting and refocusing the speakers without moving them, based on the needs of the room were difficult,” adds Bennett. “Masque Sound’s technical support proved really helpful in overcoming this and any other issues we had.”

At the heart of the new system is an Avid Venue SC48 digital console, a fully integrated solution that combines all I/O, digital signal processing and tactile control into a single console, making it an affordable and flexible live system choice. In addition, an XTA DP448 speaker management system was supplied. Meyer Sound also contributed a selection of speakers, including UPA-1Ps and UPA 500-HP subwoofers. The Sennheiser 2000 series wireless mic system, a selection of Shure microphones and ancillary equipment completed the upgrade.

“Masque Sound was really helpful in providing audio gear that not only served our purpose, but provided the fidelity we were looking for as well,” says Bennett. “The audio solutions that Masque Sound created for us kept us within budget without compromising the quality of the gear. Overall, we are very happy with the system.”

The Center for Discovery’s unique philosophy of creating challenging, accessible, healthy, loving, supportive and homelike educational and work settings, in which children and adults can develop relationships, learn and grow, and foster new social and artistic skills, helps distinguish the venue from like-minded establishments. The agency’s mission is to enrich the lives of individuals and their families by offering innovative educational and social experiences.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

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DPA Microphones Creates a Bang with Paramore During Band’s 2013 World Tour

FOH engineer credits the d:vote™ 4099 Instrument Mic and
d:dicate™ 2011C Compact Cardioid Mic with delivering ideal percussion sound

FRANKLIN, TENNESSEE, NOVEMBER 25, 2013DPA Microphones is drumming up some attention while on the road with the Grammy nominated alternative rock band Paramore for the band’s self-titled world tour. DPA’s d:vote™ 4099 Instrument Microphones and d:dicate™ 2011C Compact Cardioid Microphones are keeping Paramore’s touring drummer in beat with band mates and fans by delivering clean, clear and precise percussion. Equipped with universal mounts, these mics ensure that every stop on the band’s self-titled international tour features the natural sound of each percussion instrument.

Eddie Mapp, Paramore’s front-of-house Engineer, chose the microphones to help provide the band and audiences alike with optimal sound. Mapp has been using the d:votes on his acoustic guitar in the studio for quite some time, but received a tip to try them out on the drum kits from Metallica’s front-of-house engineer Mick “Big Mick” Hughes, who had recently made the switch to DPA for Metallica’s last tour and accompanying movie release. Now a staple for both engineers’ rigs, the duo considers the mics to be a recently uncovered industry secret, that Mapp has since been sharing, that provides the ultimate in natural drum sounds.

“I run into a lot of other engineers who are curious as to what I have been using to mic snare drums,” says Mapp. “Mick learned about DPA Microphones from the production engineers working on Metallica’s 3D movie. He suggested I check them out – so I did. The first chance I had to try them on the drums was when I joined Paramore on tour in February. The band members were used to a specific sound from their mics, so I tried not to change it too much. The only change I have made so far is to use the d:votes and 2011Cs for the drum kit, and everyone loves it. We’ve done a lot of different press and promotions around the world and every engineer who hears the band is always instantly impressed with how natural the sound is from the drums.”

In addition to the clarity, the ease of setup is highly regarded by Mapp, who depends on DPA’s universal mount to customize Paramore’s sound. Mapp attaches several d:vote microphones to the stand below each crash and ride cymbal, as well as another for hi-hat. He also relies on the d:vote to mic underneath the snare and a DPA 2011C for close-miking the snare top. The simplicity of this setup, along with the assurance of the most concise sound possible, makes Mapp’s job easier.

“I just find that it is really easy to fit the snare drum with a DPA mic wherever you need it in the mix, as opposed to some mics from other manufacturers,” he continues. “I was blown away the first time I put the d:vote on the snare. It is my favorite snare microphone that I have ever had. As for the cymbals, I’ve done spot mics for many years and the d:vote is very impressive. Other microphones that I have tried end up rolling the sound off prematurely, but with DPA it extends that high sound.”
Designed for use in touring applications, the d:vote is a highly durable microphone available for use across several musical applications. The versatility and mounting options of the d:vote allow it to be effortlessly unclipped and repositioned for the most accurate positioning.

“The d:votes’ tiny cables make it look fragile, but we haven’t had a single issue,” says Mapp. “I hope to use more of DPA’s microphones in the future. I’ve heard the 2011C is phenomenal on guitar; I just haven’t had the opportunity to try that yet.”

An engineer for nearly 15 years, Mapp has spent the majority of his career providing front-of-house support for the American rock band Evanescence. He has also toured with Papa Roach, Taking Back Sunday, Stone Temple Pilots, Zakk Wylde and more.

Paramore is currently on an international, 110 stop tour to support the band’s fourth, self-titled release Paramore (2013). Lead by singer Hayley Williams, Jeremy Davis (bass guitar) and Taylor York (lead guitar), the tour also features Jon Howard (rhythm guitar, piano and backing vocals), and Justin York (guitar). Paramore will continue to tour in 2014 throughout North America, joined by Metric and Hellogoodbye as opening acts. The band also has two special performances planned onboard the Norwegian Pearl as part of the PARAHOY! Cruise in March 2014, for which the group and its fans will sail from Miami to Great Stirrup Cay, Bahamas.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

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Cerwin-Vega! P-Series Provides Smashing Sound Quality for the Acclaimed Fonogenic Studios

Powerful Speakers Produce the Perfect Punch for Popular Recording Studio

VAN NUYS, CALIFORNIA — Fonogenic Studios, a renowned recording studio and live music venue located in the heart of the San Fernando Valley, recently upgraded its sound system with Cerwin-Vega!®’s new P-Series Professional PA system and classic CVA Active Series Speakers. With constant compliments from both A-list musicians and audiences about the superior sound quality of the live venue, the studio’s owners and engineers are thrilled with the audio and the reactions.

Rami Jaffee, who is a founding member of the Grammy-winning rock band The Wallflowers and now keyboardist for the Foo Fighters, owns the studio with music producer Ran Pink, who has produced for PiNk & NoSeWoRthY and has composed for TV shows such as Happily Divorced and The Fran Drescher Tawk Show. Together, they operate half of the building as a recording studio and the other half, which features a big sound stage, as a live performance space.

“We’ve hosted crazy parties, with performances by big-name musicians, ever since our launch,” says Jaffee. “Now, we’ve been doing it more frequently, with parties every two weeks. We even live-stream the concerts to the web. We wanted Fonogenic to be an environment where artists felt comfortable emotionally investing in their music. We’re a family here and we want our clients to feel like this is their home too. We want it to be a creative haven for them. They shouldn’t have to worry about the sound quality we’re providing them.”

To ensure adequate sound coverage at the space, Jaffee and Pink hung four Cerwin-Vega! P-Series P1500X speakers from the ceiling and positioned two additional speakers as center-stage monitors. The setup was completed with CVA-118 subs for front-of-house and CVA-115 subs for the drums.

“When we compare our previous arrangement to our P-Series setup, it’s like night and day,” says Pink. “Getting the levels of the vocals and of the mixes of the music just right used to be a challenge for us because of the elongated shape of the room. But now, since we deadened the room and installed the larger P-Series system, we’ve had no problems.”

Fonogenic Studios visitors, including top-notch producers and such renowned musicians as Stevie Wonder, often remark on the space’s flawless sound quality, which Jaffee and Pink attribute to Cerwin-Vega!. “It’s just such a great feeling to hear all these music heroes mention how incredible the sound is right from the get-go,” continues Pink. “That’s the most satisfying feeling you can get, and it’s thanks to the P-Series.”

“Ross Hogarth, one of the biggest producers of our time, watched a band here at one of our events, and said the sound was just superb,” adds Jaffee. “And Foo Fighters guitarist Chris Shiflett had his side project band play one of our parties. He said he’d never heard stage sound that amazing in his entire life. In fact, when artists play at our venue now, they worry about living up to the sound quality, because it reflects the true sound of their music.”

A sound system that boasts exceptional clarity, the Cerwin-Vega! P-Series delivers a new standard in power and bass punch for superior sound quality suited to any sound reinforcement application. The P1500X speaker is the most powerful PA product in its price class, employing a 15-inch woofer and high-frequency compression driver, powered by a custom 1500W Class-D amp. Overall, the compact size and incomparable clarity of the P-Series speakers make them perfect for everything from permanent installations to on-the-go rehearsals. In fact, Jaffee himself trusts the speakers so much that he even takes them on the road with him. Additionally, the CVA Active Series Speakers deliver tremendous power output and exceptional full-frequency response. The striking aluminum grills on the subwoofers minimize power compression and optimize driver performance.

Jaffee and Pink started Fonogenic Studios six years ago as a place for world-renowned musicians to record their albums, rehearse and perform live sets. In addition to Wonder, Shiflett and Hogarth, Fonogenic has also hosted artists such as Allan Parsons and Minnie Driver, as well as The Foo Fighters and The Wallflowers band members. As part of their plans to generate further interest in the studio, Jaffee and Pink are launching a YouTube channel to share with the world Fonogenic Studios’ live performances and the incredible impact that the P-Series has on the venue’s sound system. For more information, visit www.fonogenic.com.
A video tour of the venue can be found on the studio’s YouTube page: http://www.youtube.com/watch?v=iEKOC8TmkUA.

About Cerwin-Vega!
Cerwin-Vega!, part of the new Gibson Pro Audio division, is a leader in the design, manufacture, and distribution of loudspeakers for the home and professional audio markets. Designed in the pursuit of dynamic, accurate sound reproduction since 1954, Cerwin-Vega! products are distributed throughout the world via a network of distributors and dealers in more than 75 countries. For additional information on all Cerwin-Vega! products, please visit us online at www.cerwin-vega.com.

About Gibson Guitar Corp.
Gibson Guitar Corp. is known worldwide for producing classic models in every major style of fretted instrument, including acoustic and electric guitars, mandolins, and banjos. The Gibson Les Paul Guitar is the bestselling guitar of all time and is a tribute to the late, famed musician of the same name. Collectively, the Gibson Robot Guitar, Gibson Dark Fire, Gibson Dusk Tiger and the Gibson Firebird X represent the biggest advances in electric guitar design in more than 75 years. Through the Gibson Foundation, Gibson Guitar Corp. has become equally known for its philanthropic efforts on behalf of music, education, health and human services. Founded in 1894 in Kalamazoo, MI, and headquartered in Nashville, TN, since 1984, Gibson Guitar Corp.’s family
of brands includes Epiphone, Dobro, Kramer, Steinberger, Tobias, Echoplex, Electar, Flatiron, Slingerland, Valley Arts, Maestro, Oberheim, Baldwin, Sunshine Piano, Take Anywhere Technology, J&C Fischer, Chickering, Hamilton, Wurlitzer and Gibson Pro Audio. Visit Gibson’s website at www.gibson.com. Follow Gibson Guitar at www.twitter.com/gibsonguitar and www.facebook.com/gibsonguitar.

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RTW Provides Audio Loudness Management to Astro Productions

Top Asian Broadcaster Utilizes TM7 During Transition to Unified Metering

KUALA LUMPUR, MALAYSIA, NOVEMBER 25 2013 – RTW, a leading vendor of visual audio meters for professional broadcast, production, post production and quality control, is pleased to announce the sale of eight RTW TM7 TouchMonitors to Astro Production Sdn. Bhd., a leading Asian broadcaster. The TM7s were equipped with several software modules, including: the SW20001, SW20002, SW20004, SW20005 and SW20006 units. Stagetec Asia (www.stagetecasia.com), a long-time distributor of RTW, coordinated the sale.

Audio loudness standards have been a key concern for many broadcasters worldwide. That being said, the company sought a new tool that would help it to monitor its audio levels consistently. Astro purchased the TM7 TouchMonitors, provided by Stagetec Asia, after demoing a few of the units during its live broadcasts. The company will use them to ensure that all of its production facilities, including its fleet of OB vans, are using the metering and analyzers to have uniform loudness levels across its facility.

“The TM7 TouchMonitor suits our applications very well,” says Dennis Dovale, Vice President, Astro Production Services. “In order to ensure that all personnel and operators have the same frequency, when talking about the audio loudness metering and reading, they need a good monitoring tool such as RTW’s TM7.”

RTW, meanwhile, is thrilled to make further inroads into the Asian market with this sale. “We are happy to support such a prominent broadcaster as Astro,” says Andreas Tweitmann, CEO, RTW. “The entire line of TouchMonitor audio meters was created to help engineers monitor their loudness levels easily and consistently. The fact that Astro has found our TM7 to be efficient and easy to use is further proof of RTW’s commitment to offering modern, innovative solutions for today’s loudness management issues.”

About Astro Malaysia Holdings Bhd
Astro Malaysia Holdings Berhad is a leading integrated consumer media entertainment group in Malaysia and Southeast Asia with operations in 4 key areas of business, namely Pay-TV, Radio, Publications and Digital.

With a customer base of over 3.58 million residential customers or approximately 53% penetration of Malaysian TV households, Astro offers over 170 TV channels, including 38 HD channels, delivered via Direct-To-Home satellite TV, IPTV and OTT platforms. Astro provides HD, 3D, PVR, VOD and IPTV services through Astro B.yond and Astro On-The-Go. Fulfilling its promise to bridge the digital divide for all of Malaysia, Astro introduced NJOI as an entry-level DTH satellite TV service and is the country’s first non-subscription based satellite TV, offering 22 TV and 20 radio channels.

The People’s Choice, Astro was awarded the Putra Brand Awards Gold for the Media & Entertainment Category for 4 consecutive years. The award is in recognition of Astro’s efforts to exemplify innovation, quality and strong corporate social responsibilities. Visit www.astro.com.my for more information.

About RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world.

With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades. RTW’s ranges of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

SSL Appoints Amber Technology As Live Console Distributor In Australia And New Zealand

“We are very confident that Live is a console that engineers will love”

SYDNEYSolid State Logic is pleased to announce that its long-standing partner Amber Technology has been appointed as its Live console Distributor in Australia and New Zealand. Amber is the latest company to join SSL’s growing commercial distribution network for the live sector.

“We have been waiting for the SSL Live with great anticipation,” says Leon Hart, Business Unit Manager at Amber Technology. “Here at Amber, we have been carefully adding to our live production equipment portfolio to increase our presence in this market. The SSL Live is a technology platform with a fresh approach to how a live console should sound and operate giving engineers a control surface that helps them deliver exceptional performances. It is exciting for us to be able to build on our successes with SSL consoles in the music and broadcast industries through Live. The Live console has been a couple of years in the making and we are very confident that Live is a console that engineers will love.”

“We have forged a powerful partnership with Amber Technology, which has years of success delivering SSL consoles to music and broadcast clients in the region,” says Paul Lindsay, Area Sales Manager for Solid State Logic. “Now, with SSL’s new Live console, we will be able to build on Amber’s wide product range and market experience to address both the live and install sectors, which are new territories for SSL, but are markets that Amber has successfully served for many years. It is a pleasure to be working with such professional and experienced partners, expanding our portfolio of solutions for professional audio requirements. I am very much looking forward to broadening the Live console’s presence in Australia and New Zealand with the help of the Amber team.”

www.solidstatelogic.com/live
www.ambertech.com.au

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

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SSL Announces Live Console Distribution in France and Italy

“SSL is entering the live audio world with one of the most exciting products since the invention of the Line Array”

PARIS and MILAN – With industry acclaim for the arrival of Solid State Logic in live audio production continuing to grow, SSL has started to roll out its commercial distribution network for the live sector. Distribution for the SSL Live console in France will be handled by SSL France with Juke Box Ltd as the official SSL Live dealer. The console will be distributed in Italy by Cablateam.

“SSL has been established for a long time in both France and Italy,” says Philippe Guerinet, Director of International Sales for SSL. “We have been working closely for many years with Giovanni Blasi in Italy and JB Lierre in France for our music products, so the SSL Live was a natural addition to their portfolios. The conclusion of some of the first commercial sales in these territories is clear evidence that we are on the right track.”

“Continuing the very successful cooperation between our two companies over the past 10 years, we are delighted to embark on a new adventure with the Live console,” says JB Lierre, Owner and Managing Director of Juke Box, the official main dealer for Live in France. “SSL is entering the live audio world with one of the most exciting products since the invention of the Line Array!”

“I am glad that SSL has expanded into the live performance market and, based on the level of interest we’ve already seen, I am confident that SSL Live will soon establish itself as the most wanted console,” says Giovanni Blasi, head of Cablateam. “The SSL brand name will continue to remain in high regard for live audio applications with the Live console.”

www.solidstatelogic.com/live
www.jukeboxltd.com
www.cablateam.com

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

DPA Microphones are on the Road and in the Studio with Alicia Keys and Ann Mincieli

Engineer, technical director and album coordinator for the GRAMMY® Award-winner relies on a variety of d:dicate mics to heighten the sound of Keys’ instruments at Jungle City Studios and during her Set the World on Fire tour

NEW YORK, NOVEMBER 20, 2013 – Anyone who has heard a recent Alicia Keys song, or has attended one of her live concerts during her Set the World on Fire Tour, has experienced the sound of a DPA d:dicate™ Recording Microphone. That’s because engineer Ann Mincieli, who is Keys’ studio technical director and album coordinator and helps with tour programming, uses DPA mics to supply a versatile and pristine sound for Keys’ piano on the road and during studio sessions at Mincieli’s Jungle City Studios in New York.

Among Mincieli’s DPA collection are several 4023 Compact Cardioid Microphones, as well as the 4011A Cardioid Microphone and 4006 Omnidirectional Microphone. “I first started using DPA Microphones because they are really low profile and sound incredible,” says Mincieli. “With the live show kit for the 4023 microphones, I’m able to get an incredible piano tone with the lid closed, which allows me to hide the cables. I sometimes use the 4011s on acoustic guitars, but they’re my choice microphones for recording Alicia’s piano. All of the company’s microphones sound incredible and are really versatile.”

First introduced to DPA Microphones by Eli Ward, Production Manager on Keys’ last tour, which was entirely acoustic, Mincieli found the 4023 Compact Cardioid Microphone to be just the element she needed to bring out the best sound of the musician’s piano.

“When I first heard the microphones, I was just blown away,” continues Mincieli. “We had been experimenting with a few other mics and I just knew the DPA 4023s were the perfect fit. They’re versatile mics that can transition from the stage to promo events to the studio. The 4023s are especially incredible microphones that really fill the void left by other products on the market. Many people will forgo trying to perfect the musician’s sound and will start using a module because they don’t have the right microphones. The 4023s provide a really beautiful, warm tone and a low profile that makes it easier for production crew members to incorporate them unobtrusively into the visual aesthetics needed for a set.”

The engineer also expressed interest in trying out some of DPA’s latest microphone options, including the d:vote™ 4099 Instrument Microphones and d:facto™ Vocal Microphone, for future performances.

With more than 20 years of experience in the music business, Mincieli has travelled the world engineering for some of the industry’s most renowned artists, including Jay-Z, Jennifer Hudson and Whitney Houston. In addition to her work as an engineer, Mincieli is the founder of Jungle City Studios, where she draws upon her extensive background to offer clients a premier recording environment.

ABOUT DPA:
DPA Microphones A/S is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

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Sound Devices Introduces the Next Must-Have Audio Product, the 633 Mixer

Six-Input Mixer with 10-Track Recorder Offers Unprecedented Capability in a Compact, Portable Device

REEDSBURG, WI, NOVEMBER 19, 2013 — Sound Devices, specialists in portable audio and video products for field production, introduces the 633, a six-input mixer with integrated 10-track recorder. It includes Sound Devices’ proprietary PowerSafe technology and a unique four-way power supply for maximum operational runtime. As the next must-have production tool, the 633 has a full complement of I/O designed into a compact, portable device, ideal for over-the-shoulder applications.

The powerful 633 mixer/recorder features six inputs, with three high-bandwidth mic/line XLR inputs complete with phantom power, high-pass filter, input limiter and variable pan. Three additional line-level inputs appear on TA3 (mini-XLR) connectors. All inputs are assignable to any output bus. AES digital I/O, including support for AES42 digital microphones, is available.

The 633 offers 10-track 24-bit, 48 kHz uncompressed polyphonic or monophonic broadcast WAV file recording (96 kHz for eight tracks, 192 kHz for six tracks) or timecode stamped MP3 recording to CompactFlash and/or SD cards. All six inputs plus Left/Right and Aux 1/2, can be recorded to individual tracks. Similar to Sound Devices’ 12-input 664 Production Mixer, the 633 offers dual card slots that record to either one or both cards simultaneously, with the added ability to assign different tracks to each memory card.

Unique to the industry, the 633 is equipped with a four-way power supply and Sound Devices’ proprietary PowerSafe technology. This four-way powering allows for multiple, simultaneous power sources including external DC on a Hirose 4-pin locking (12-18 V), two removable and independent L-type Lithium-ion batteries and internal AA battery powering (six-AA). The unit detects when power sources are removed and seamlessly transitions to an available power source. With its PowerSafe circuitry, when all power is removed the unit remains on for 10 seconds to close all file operations and properly shut down. With PowerSafe, a complete power loss has no effect on the recording. PowerSafe also provides two-second ‘power-on-to-recording’ so the mixer is ready for operation at a moment’s notice.

The 633’s high-accuracy, Ambient-based timecode generator/reader assists in multi-camera and double-system sound applications. All common production timecode rates and modes are available. Extensive file metadata is supported along with the timecode. The 633 also features a keyboard port for quick and easy metadata entry.

Designed for the demands of field production, the 633 has easily accessible, tactile front panel controls. Its LCD-based setup menu offers easy navigation and control of its extensive features. Menu options for metering, display and headphone favorites are among the selections that can be saved to scenes, which save the complete state of the mixer to memory cards in order to quickly reproduce a setup.

The 633 is also available as a complete package, the 633-KIT, which includes the unit plus all of the accessories needed for use in the field. This production-ready kit includes the 633 mixer, the CS-633 Production Case, two L-type Lithium-ion batteries, one SD and one CF card, plus TA3-to-XLR cables.

The 633, like all Sound Devices products, is designed to withstand the physical and environmental extremes of the field. Its top and bottom chassis panels are made from molded, metalized carbon fiber for superior durability and weight reduction. The chassis panels are also gasketed for water resistance.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Autoscript Showcases E.P.I.C. All-In-One Prompter Display and On-Air Talent Monitor at CCW 2013

Company Also Exhibits Variety of Accessories Designed to Solve Real-World Challenges

NEW YORK, NOVEMBER 12, 2013 — Autoscript, part of Vitec Videocom, a Vitec Group company, and a world-leading teleprompting company, showcases its award-winning E.P.I.C (Enhanced Prompting Information Center) at Content & Communications World (CCW) 2013 — Vitec Videocom Booth 1013. A range of innovative accessories, including the +ClockPlus+ Timecode Display Unit and +TallyPlus+ Numbered Cue Light and Mount, are also on exhibit at the show.

The E.P.I.C. is a unique all-in-one prompter display and on-air talent monitor that vastly simplifies studio equipment while retaining the advanced features and functions of the Autoscript LED prompter series. The groundbreaking design, which replaces two pieces of equipment with one, features a unique integrated flip-down talent monitor, making the system ideal for both studio and location production. Compared to separate prompter-monitor configurations, this ergonomic system reduces overall weight, increasing its compatibility with robotic/support systems. It also streamlines cable management for video, tally signal and timecode display, and lowers power consumption with the capability to run the entire system via one power cable. E.P.I.C. can also incorporate Autoscript’s WinPlus newsroom software—the most popular prompting application in daily usage around the world. The Windows-based WinPlus adds the ease of point-and-click functionality to an intuitive on-screen edit display.

“E.P.I.C. addresses many major concerns for today’s broadcasters and we are excited to be able to bring it to those in attendance at CCW 2013,” says Robin Brown, product manager, Autoscript. “Displaying our related accessory products alongside E.P.I.C. demonstrates our commitment to making Autoscript the go-to manufacturer for all our customers’ prompting needs.”

Autoscript’s +Clock-Plus+ is an LED SMPTE/EBU timecode display that can change in color from green to red when a suitable tally input is applied. The clock face has 2.25” tall digits that display HH:MM:SS A/P in 12-hour mode or HH:MM:SS in 24-hour mode. The timecode input is taken from either VITC embedded in the video input or from LTC. When a timecode source is connected, the clock will instantly set itself to the input time. If the timecode source is removed, the display will continue to update the time under control of an internal crystal oscillator.

Also at CCW 2013 will be the +TallyPlus+, a unique camera number system that features a large LED indicator. This displays the camera in green while in standby mode, then in red when the camera is live. Switching from green to red is achieved by a photo-electric cell that can be attached to the camera tally light. +TallyPlus+ retrofits to the whole range of Autoscript TFTs and has the unique feature of a second photo-electric cell built into the rear of +TallyPlus+. This docks with the cue light on the TFT.

About Autoscript
Autoscript is the world leader in the prompting industry, providing professional teleprompting equipment to broadcasters across the globe. Established in the UK in 1984, with headquarters in the UK and the US, Autoscript designs and builds innovative hardware, PC cards and software to meet real world needs and continually enhance the production process. A prime example of this is Autoscript’s latest product, the E.P.I.C. (Enhanced Prompting Information Centre), an all-in-one prompter display and on-air talent monitor that vastly simplifies studio equipment, reduces power consumption and enables easier location prompting. Autoscript is a member of the Vitec Group.
For more information visit www.autoscript.tv

About Vitec Videocom
Vitec Videocom brings together some of the most respected, most innovative and most sought-after brands in the industry: Anton/Bauer, Autoscript, Camera Corps, Litepanels, OConnor, Petrol Bags, Sachtler, Vinten and Vinten Radamec. It acts as an endorsing brand for these market-leading broadcast, film and pro video products, encouraging multi-brand system sales and simplifying the way that customers worldwide do business.

Vitec Videocom is an operating division within the Vitec Group, an international business serving customers in the broadcast, photographic and military aerospace and government markets. Vitec is based on strong, well known, premium brands on which its customers rely on worldwide.

Vitec Videocom – advancing the quality and science of media production.

RTW To Demo TM3, TM9 Audio Meters at the Group One Booth During CCW 2013

NEW YORK CITY, NOVEMBER 11, 2013RTW, a leading manufacturer and distributor of professional audio metering and control devices, is pleased to announce that during this year’s CCW show, Group One (Booth 859) will exhibit RTW’s TM3 and TM9 TouchMonitors. The monitors will be fully equipped with the latest software options, including the TM3 firmware update 2.50, which includes the new Time Test Control option and the popular RTA analyzer for the TM9. RTW invites attendees to stop by the Group One booth for demonstrations of the products.

TouchMonitor Series, TM3
Controlled using a touch-sensitive display, the TM3 has a budget-friendly base price, a 4.3-inch touchscreen and a stylish exterior allowing for horizontal and vertical placement. Features include a large number of graphical and numerical instruments showing single-channel or, in the case of the TM3-3G, any of the eight audio channels contained in a 3G-SDI stream used for metering, de-embedding and monitoring 3G-SDI audio. Both also include summing-loudness bargraphs, PPM, true peak, SPL, loudness range (LRA), dialnorm and correlation. The TM3 and TM3-3G are highly appealing compact solutions ideal for editorial offices, edit suites and small control rooms.

The TM3 also features PPM and true-peak instruments and offers comprehensive loudness metering in compliance with all current globally relevant standards, including EBU R128, ITU BS.1770-3/1771-1, ATSC A/85 and ARIB. Finally, it also features the Magic LRA instrument, specifically designed by RTW for intuitive visualization of the loudness range and integrated-loudness parameters.

Offered as part of firmware 2.50, users can employ the Time Test Control sub menu to set the parameters for starting and stopping loudness measurement functions. In addition to a manual control enabled by on-screen keys and/or the GUI interface, full or semi-automatic measurements can also be defined. Therefore, the user can choose between an autostart after loading a preset or autostart when reaching the value of an adjusted gate, with or without an automatic reset of previous values. Users can terminate loudness measurements manually with on-screen keys and/or GUI commands, as well as automatically by defining a threshold value and time span. The combination of those parameters allows users to set an automatic, semi-automatic or manual loudness measurement process as required for different applications. The Test Time Control option will also be available for the TouchMonitor TM7, TMR7 and TM9 with the next firmware update.

TouchMonitor Series, TM9
The TouchMonitor series is a range of products that RTW designed to support all relevant loudness recommendations, such as EBU R128 or ATSC A/85, with true peak metering, flexible I/O options with up to 16/32 input channels, a fully modular software design and more. On display will be the TM9, which combines unprecedented flexibility and modularity with an intuitive, nine-inch GUI touchscreen. RTW’s latest firmware, version 1.14, for the TouchMonitor series includes various performance and stability optimizations, as well as new function enhancements and improved ergonomics.

About RTW
For more than 45 years, Cologne-based RTW has accompanied the steady technological progress in the professional audio industry with innovative instruments and technologies for visual audio monitoring in broadcast, production, post production and quality control. Its state-of-the-art audio and loudness metering systems have an excellent reputation throughout the world. With groundbreaking products such as the Surround Sound Analyzer, the company has been a key vendor of professional broadcast and audio metering equipment for decades.

RTW’s range of products currently include the SurroundControl series for monitoring, controlling and routing stereo, multichannel and surround audio and the TouchMonitor range, which truly marks a paradigm shift in visual audio monitoring and loudness metering. Combining maximum flexibility and modularity with an intuitive touch-enabled surface and multichannel signal analysis, the TM7 and TM9 units are the essence of many years of experience. The attractively priced TouchMonitor TM3 entry-level system opens new markets, targeting applications such as journalist cubicles, edit suites and small control rooms.

As part of its expansion into the U.S. market, in 2013 RTW established RTW International Corp. in Lancaster, Pennsylvania. The new office is the first U.S. location launched by RTW, showing the company’s dedication to supporting its customers and dealer networks in the U.S. The new U.S. office will house all customer service, repair and final product assembly activities for U.S.-based RTW customers.

For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130. For more information on RTW International Corp., visit www.rtw.com or call 877-938-7221.

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