A virtual press conference from Sound & Video Contractor

Archive of the AES Newslink Category

FORT WORTH BUILDS ITS STUDIO PROFILE WITH AN API 1608 CONSOLE

FORT WORTH, TEXAS: Over a span of 25 years and growing out of two previous studios, producer/engineer/studio owner Bart Rose has made his presence known in the Texas music scene through what is now called Fort Worth Sound. The studio works with both bands and singer/songwriters ranging from rock, country, blues and jazz. A new 1608 console by API completes the transformation of Fort Worth Sound’s Studio A, which has been a project in the making since 2008.

It took years to complete the construction of Fort Worth’s Studio A. “I wanted a console with amazing analog character, a small-ish footprint, and great reputation in the production world,” shares Bart. “There had been times when a prospective client looked at my control surface and asked ‘where’s the console?’ We think you will agree that Fort Worth Sound is one of the finest recording studios in the North Texas area.”

Studio A, which houses the 1608 console, accommodates the majority of the album recording and mixing projects. Since purchasing the console, Bart has used the console for several recording sessions. “I love the sound of the preamps. Just having amazing preamps with a high-pass filter yields great results on tracks that don’t need EQ.” Bart takes the sound coming from the studio into great consideration. The main recording room for Studio A has twelve-foot ceilings, independent climate control for each room, and floating floors to avoid low-frequency rumble from city traffic.

Since 2008, Fort Worth Sound has worked with major artists including The Toadies, Los Lobos, and Pat Green. Soon after the 1608 commissioning, the studio hosted a very successful two-night open house, where past and perspective clients were shown the new capabilities of Studio A. Bart has confidence that the purchase of the 1608 will diversify his studio profile. “I have a feeling this console will attract clients who wouldn’t have recorded with me before I had an analog console on the front end.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTIONS) (TOP) Bart Rose with the API 1608 console in Fort Worth Sound’s Studio A. (BOTTOM) FortWorthSound_StudioA.JPG: Studio A at Fort Worth Sound.

HPUMC Installs Yamaha NUAGE DAW, CL Digital Console

BUENA PARK, Calif.—Highland Park (Texas) United Methodist Church (HPUMC) recently installed a Yamaha NUAGE Digital Audio Workstation for recording and post work along with a Yamaha CL5 Digital Audio Console for front of house mixing in the sanctuary. Audio DAWg of Irving, Texas installed the NUAGE system, while Mike Mason of Clair Systems – Dallas, installed the CL5. The 900-seat contemporary worship space where the NUAGE and CL5 systems are housed has three services on the weekend with an average of 2,200 attending. The congregation consists of 5,000 who regularly attend five different contemporary and traditional service locations.

AUDIO DAWg began offering DAW systems solutions about seven years ago focusing on turn-key audio recording packages for studios, post, broadcast, houses of worship, and educational facilities. “The NUAGE installation began as a request from Bruce O’Leary, Director of Production at HPUMC,” states owner, Spunky Brunone. “The church installed Dante networking throughout the sanctuary and recording studio, so NUAGE was a perfect solution for them.”

O’Leary first heard about NUAGE via social media and contacted Audio DAWg for a demo at the company’s office. “I wanted a solution that allowed me to mix live and track at the same time while writing automation, and would have enough ‘virtual horsepower’ for generous use of third party plug-ins,” states O’Leary.

“I was super impressed with the workflow the console portion of NUAGE facilitates and the integration of Nuendo’s channel strip (with the basics that I need already inserted on each channel…4-band fully parametric EQ, gate, comp, saturation, etc. And, the fact that it ‘looked’ similar to a live console and had Dante integration, made our decision very easy. No other manufacturer has an option that fit our needs more perfectly!” O’Leary made the jump to the Yamaha NUAGE from ProTools having heard its praises sung by people in Nashville.

The church NUAGE system is a 16-channel unit (8a/8d), with a Yamaha Dante soundcard. “I’m loving what I’m seeing so far, notes O’Leary. The edit functions are all within easy reach in the center of the workspace; very well thought out for real-world work. The surface just feels killer too…again…no one else has anything close to this!”

HPUMC is planning on using NUAGE for their audio for video mix as well as for post-production projects. They have four channels of Rascall Audio V2 mic pre-amps and two channels of Classic API 312DI in a Radial Workhorse rack, with an additional eight channels of Audient that will come into the DAW via the eight channels of AES on the Nio8a8d. “In addition to the great plug-ins Nuendo has out of the box, adds O’Leary, we’ll be using plug-ins from Waves and Universal Audio via an UAD2 Octo PCIe card installed by Audio DAWg.”

As for the Yamaha CL5 digital audio console, it is located at the FOH location in the sanctuary. HPUMC converted the entire room to Dante networking (also running 16 channels of Shure ULXd wireless mics also on Dante) and will soon integrate a LiveMix personal monitoring system using the Dante network for both live and studio use. The church uses four Yamaha Rio1608-D input/output racks along with two Ri8-Ds and one Ro8-D.

“The CL console has more inputs than our previous console with great onboard effects, says O’Leary. The Premium Rack is a really great feature. I have so many options right inside the console I do not have to purchase third party products. The integration with CL Editor and the CL StageMix make it the complete package. Again, I looked at a lot of manufacturers, but kept coming back to the Yamaha CL5 because of its flexibility, feature set, proven durability, and value.”

Church amplifiers are fed from BSS London Blue with Dante cards, for a L/R hang of Clair Brothers i208 line array boxes and five of their dual 18 boxes (two on the floor and three hung center in cardiod pattern), as well as front fills/under balcony areas.

For more information on Highland Park United Methodist Church, visit www.hpumc.org.

For more information on Audio DAWg, visit www.audiodawg.com.

For more information on Clair Bros., visit www.clairsystems.com.

For more information on the Yamaha CL Digital Audio Console Series, visit www.yamahaca.com.

-END-

PHOTO ID: L to R Spunky Brunone from Audio DAWG and HPUMC’s Bruce O’Leary

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

SoundLab Held At USITT With Yamaha Support

BUENA PARK, Calif.—Held at USITT every other year, SoundLab concentrates on free product demonstrations for students, and this year, the conference was devoted to live sound reinforcement. Yamaha Commercial Audio Systems, Inc. made a key contribution by supplying its latest products set up for the event in the Arena at the Fort Worth Convention Center.

“The idea that Mike Hooker (Head of Sound Design at UC Irvine’s Department of Dramatic Arts) and myself who co-chaired the project together was to provide students with the opportunity to mix live music while being mentored by some of the top people in the field as well as mixing on premium systems, states Erik Alberg, Technical Director for Events and Conferences, Hope College, Holland, Michigan. The ideal system was to be much larger and possibly bigger than students would ever have a chance to mix on with in their own university settings. We came up with a model of having two consoles at FOH and switching the live console from one to the other while bands were performing on stage.”

Alberg said they contacted a lot of manufacturers to see if they were interested in participating. “We needed a console to drive the line array rigs and were thrilled when Yamaha stepped up and offered us not only equipment but the expertise of their staff. Kevin Kimmel, a systems application engineer at Yamaha Commercial Audio was a great help in developing the system layout for FOH and monitor system. We created a network of inputs and consoles that not only worked for the SoundLab mixing events, but also for the special events held at USITT such as the keynote speech and award presentations, along with system demonstrations.”

The console system included three Yamaha CL5 consoles, two at front of house that handled the mixing for the live bands, and one as a monitor console. There was also a CL1 at front of house that switched between the two CL5s and was used for running the special events requirements such as wireless microphones, video feeds, and playback. The whole system was connected via Dante and included Yamaha Rio boxes onstage for inputs and outputs to the mains.

The bands were mixed by students at USITT under the mentoring of Buford Jones and Jim Van Bergen, as well as Kimmel who stepped in for one session and provided invaluable services as monitor engineer for all but one of the bands. Over 70 students had the chance to mix during the event.

“The Yamaha consoles were intrinsic to the success of this year’s SoundLab, says Alberg. They worked well and we had no problems with connectivity or routing thanks to Dante and Yamaha. I was also very impressed with the consoles, their flexibility, and ease of use. Sonically they were great and provided our students with an amazing opportunity. The Yamaha staff was critical to the success of the project. Their patience, understanding, and support were great and a real gift.”

For more information on Yamaha products, visit www.yamahaca.com.

-END-

PHOTO: Engineer Buford Jones and SoundLab Students

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

METRIC HALO ULN-8’s FRONT IMMERSIVE IDEAL – A RECORDING SESSION ON DISPLAY AT D.C. AREA MUSEUM

ARLINGTON, VIRGINIA – APRIL 2014: Beauty Pill is the musical brainchild of veteran producer and engineer Chad Clark, who founded the band in 2001 shortly after the dissolution of Smart Went Crazy. Both bands have received heaps of critical praise from outlets local to Washington D.C. and from the national press. Solid songwriting has turned Beauty Pill’s on-again/off-again status into something that promotes, rather than detracts, from its cult following. Beauty Pill recently teamed up with the Arlington, Virginia-based Artisphere museum to take on a unique artistic, musical, and sociological experiment. The band set up in a large room inside the museum with a windowed overlook and spent two weeks on display recording an album. Although they went in with racks of borrowed A-list studio gear, their initial recordings fell flat. It was only after Clark stripped everything down to just his Metric Halo ULN-8 interfaces that the recordings came alive, a testament to the ULN-8’s fantastic sound.

“Artisphere initially approached me to ask if I could do something ‘musical’ in the museum’s beautiful space,” explained Clark. “I was touring around, trying to come up with some ideas, when they showed me a large room with a window that overlooked it. It reminded me of Abbey Road Studio 2, where the Beatles made a lot of famous recordings. That put the idea in my head to do a recording there. It would be live in the sense that people would be watching us, but my plan was to record exactly as we would in a normal studio… including all of the discussions, overdubs, and the like. I thought it would interesting for the public to see that process – I have some non-musician friends who seem to think an album is made in almost the time it takes to listen to it!”

A musician first, Clark happily fell into engineering and production when other bands in the D.C.-area approached him because they liked the sound of Smart Went Crazy. He quit his day job in 1998 and spent nearly a decade between now and then as a mastering engineer at Silver Sonya. These days, he works mainly as a mix engineer, where he finds his passion for music is best nurtured. “It was working with Beauty Pill that first got me interested in the Metric Halo ULN-8,” Clark said. “It seemed to fit what I needed and what the band needed. Although I have nothing against low-fi recordings, I have no romance for them. I like sound that is vivid and the descriptions of the ULN-8 conveyed that idea. It’s turned out to be completely true – the ULN-8 is a miracle device! It’s incredibly flexible, and everything I record with it sounds amazing.”

Nevertheless, when someone goes to do a big studio recording – especially one that will be on display – there are certain preamps with legacies deep in the recordings of the late 1960s that engineers naturally assume will be the best choice for a rock record. With the help of friends at local studios, Clark amassed a rack of the choicest analog preamps and processors available. “We mic’d everything up with the best mics for each application and ran them to the textbook pro preamps that engineers have been using for decades,” he said. “The initial recordings were okay, but they weren’t fantastic. We all agreed that they fell kind of flat. So we simplified the mic’ing and pulled out all those great preamps, relying entirely on the Metric Halo ULN-8s for preamps and conversion to 24-bit/88.2kHz.”

He continued, “It was a revelation. The sound came alive. It was vivid and tactile. The ULN-8 preamps are just stellar. That was a convincing test, and now I never wonder about using anything but the ULN-8s now. I think it’s worth pointing out that although Metric Halo’s use of the term ‘archival quality’ is totally appropriate, it shouldn’t give anyone the idea that the ULN-8 is only for purists or documentary recording styles. Beauty Pill’s Artisphere recording is far from documentary. We use all kinds of overdubs and textures and found sounds. The quality of the ULN-8 simply makes that mode of recording more vivid and involving.”

Some of the band’s friends advised them against the experiment, citing YouTube’s “comment culture” as an example of how mean people can be when a band is vulnerable. “I suspect that if we had streamed the installation or posted video, things might have gotten ugly,” said Clark. “But the people who came to the exhibit were completely supportive. Sure, there were some uncomfortable moments when we were arguing amongst ourselves, but I mainly felt empathy from the window. They were wishing us well. It was an encouraging experiment!”

Ultimately, Immersive Ideal ran as an interactive multimedia photography and music exhibit with pictures from the recording sessions paired with a surround-sound mix of the final versions. Beauty Pill anticipates releasing it as a conventional stereo recording in the fall.

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

Yamaha Commercial Audio Systems to Sponsor POD 2014 In Quebec

BUENA PARK, Calif.—Le Diplomate Audiovisual is hosting its first two-day Open Door (French Porte Ouverte le Diplomate or POD) event bringing together over 25 audio-visual exhibitors, guest presenters, product demonstrations, conferences, animation, and networking opportunities for industry professionals. The 2014 POD event is designed to create a meaningful and valuable experience and includes clinics with AV specialists, hands-on demonstrations, and an exhibition of new products.

Yamaha Commercial Audio Systems, Inc. (YCAS) is the main sponsor of this new event to be held at Le Diplomate Audio Visual, 5588 Blvd Rossignols, in Laval, Quebec. YCAS products to be exhibited during the two-day event include the new Yamaha QL digital console line, CL console, NEXO PS speakers and Commercial Installation Solutions (CIS) products. On a mobile stage, a NEXO STM line array will be used for live events, and on ‘the Patio’ CIS products will be used in real world setting. Classes on QL and Dante network will also be offered.

Exhibition dates and times are Tuesday, May 13, 2014 – 10:00 am – 5:00 pm and Wednesday, May 14, 2014 – 10:00 am to 3:00 pm.

For more information on POD 2014 visit, http:www.//diplomate.com/pod2014/en.html.

The event is free but registration is necessary. To register,
visit https://www.qvc.qc.ca/Inscript/Publique/QVC2101A.aspx?m=2&a=.

-END-

TRUE COLOURS MIXES BIGGER PROJECTS WITH THE BOX® FROM API

PADUA, ITALY – APRIL 2014: Located in one of the oldest towns in northern Italy, True Colours Studio is dubbed a ‘well-heeled project’ by owner Mauro Santinello. What began in 2005 as a single recording and control room has now grown into a facility with three recording rooms for commercial audio projects, jingles, and most recently some major Italian recording artists. To accommodate the needs of its growing presence in the music scene, True Colours has added THE BOX® to its studio, citing its “high quality manufacturing, and the unique API sound”.

Mauro wanted a project console that would provide a cost-effective, versatile solution to handle the needs of his growing studio in the decades to come. Along with his booming presence in the recording artist scene, True Colours has a growing demand for complete post-production, musical arrangements, and the creation of music for movie productions and short films. “I chose THE BOX because it represents the right console for a modern studio.”

The small-format recording and mixing console offers features that are not provided by most DAWs, including mic preamps, input signal processing, a high-quality mix bus, cue sends with talkback, and monitor control – all in a compact and versatile package. True Colours has a growing number of external preamps, EQs, and compressors, which includes some existing gear from API. The ability to personalize setups was a major factor that drew Mauro to THE BOX. “I didn’t want a big console with 32 preamps and 32 EQs that are all similar.”

True Colours mixes and records music of all genres, with only metal and electronic music yet to make the list. The crew has recorded a wide-range of Italian artists including famed singer Zucchero, piano master Stefano Bollani, and jazz trumpet player Enrico Rava. Most recently, Mauro used THE BOX for a session with singer Alberto Micaglio, whose acoustic presence is expanding from Italy, to London and New York. He has an album due out later this year.

“I have always wanted to buy an API console,” admits Mauro. “THE BOX offers a high-quality analog sound, and no compromises.”

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

FUX PRODUCTIONS TAKES METRIC HALO PLUG-INS AND INTERFACE THROUGHOUT THE FRENCH COUNTRYSIDE

LYON, FRANCE – APRIL 2014: Still remarkably early in his career, Julien Collier wears many hats as a musician and sound engineer. He is a multi-instrumentalist, a composer, and an arranger; he is a sound designer, a producer, and a director; he is a recording engineer, a mix engineer, and a mastering engineer; and he is a live tech, a FOH engineer, and a monitor engineer. On the side, he works as a music coach and artist developer! Collier borrowed his alias, Fux, for the production house he established in Lyon, France. Fux Productions contains a recording studio, a composing studio, and a rehearsal room, along with Collier’s extensive industry connections. Clients have access to professional musicians of all stripes, composers, sound engineers, producers, videographers, and more. Across all those wide and varied activities, Collier relies on his Metric Halo 2882 interface and Metric Halo plug-ins for almost everything. They are his pro audio equivalent of a Swiss Army knife!

Collier’s list of clients includes many French independent labels, as well as majors such as Sony, Universal, and Warner. A few of his most recent studio projects include work with Romain Ughetto, Chasing After Time, 99 Ways to Die, and Green Money. For all of those projects, he served as producer, tracking engineer, mix engineer, and mastering engineer, and on many of them he also helped with composition and performance. “A lot of important decisions are made during the tracking,” he said. “It is critical to get the recording into the computer in the best way possible because once it becomes digital, it stays digital. I use my Metric Halo 2882 for everything. It has excellent preamps and flexible input and output routing. It’s just as useful in the studio as it is on stage, where I often use the 2882 to mix in-ear monitors. The software and hardware is very stable, and I am comfortable using it live without a problem.”

Collier’s appreciation for the 2882 made him curious about Metric Halo’s other products and inspired him to get the company’s Production Bundle, which is a complete collection of Metric Halo plug-ins. “Like the 2882, the Production Bundle is now completely integrated into my workflow,” he said. “I use Metric Halo plug-ins on everything and in every situation. They are very flexible and allow me to handle everything from subtle track correction to creative coloration and effects. I use ChannelStrip 3 to clean up my tracks with equalization, compression, and filtering. I love that the plug-in has a great deal of precision – when I adjust a parameter, I really feel it directly. The Character plug-in models different signal paths and gives me a great sound that I use all the time. I use two variants of HaloVerb on most of my productions, which combine together nicely without using a lot of DSP resources. I use the Precision DeEsser on all my vocals and on other shrill instruments, like keyboards or hi-hat. Finally, I use the Transient Control on all of my percussion and drum tracks which gives me fine-grain control of dynamics, attack, and power. It’s also often useful on acoustic and electric guitars and is a lot more reactive than other plug-ins of its type.”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

HEAVY MELODY MUSIC PRAISES THE BOX® BY API AN “ALL-IN-ONE SOLUTION FOR COMPOSERS”

NEW YORK, NEW YORK – APRIL 2014: Located in the heart of Manhattan, Heavy Melody Music composes original tracks for film and video game trailers, designs sound and music for video games and television, and functions as a post-production facility. Four friends run the studio, as well as software development company Heavyocity Media – a resource for composers and sound designers looking for production-ready musical and sound design elements. Producing for both companies requires a wide range of technical audio needs, which is why each of Heavy Melody’s composing rooms uses THE BOX®, the latest recording and mixing innovation from API.

Heavy Melody was founded in 2003 by Dave Fraser and Neil Goldberg as a new music and sound design company focusing on video game audio and music for advertising. Today, the team focuses on original music for motion picture advertising and video game trailers. “As soon as the release of THE BOX was announced, I was running around the studio showing the guys what it was. We HAD to get them,” recalls Neil. “We saw THE BOX as a solution to getting a really big sound in a small footprint, with a lot of the great features found in large format consoles.”

The studio has three albums out, and also creates custom trailer and spot work, as well as dialog casting and recording for games and TV spots. Much of the sound capturing and mixing for Heavyocity’s “DM-307” virtual instrument was done through THE BOX, as well as some custom revisions for tracks on the trailer album God Machine. “We noticed a significant difference in punch and depth, said Neil. “Running the analog synth percussion sound through THE BOX produced some amazingly heavy tones with a great, transparent top.”

The group isn’t a stranger to API, and has used the brand’s microphone pre’s for previous projects. Among the studio’s favorite feature on THE BOX is the Talkback system. “THE BOX has all of my favorite features rolled into one with the API sound,” said Neil. “I was excited that it had four mic/line input channels with the 500 Series EQ, a stereo bus compressor, and a sixteen-input summing mixer with sends/inserts and the headroom and character of API.”

“It has a great bottom end,” shares partner, composer, and sound designer Ari Winters. “The sound that comes out is punchy, yet transparent. With sixteen channels, you get a ton of headroom, that comes together nicely with the on-board compressor.”

While compact in size compared to a larger format studio console, THE BOX is capable of seeing projects through from start to finish, which is something Ari appreciates. “It’s an all-in-one solution for us as composers. It allows us to have multiple computers linked together, spitting out a ton of stems at very high output levels. Also, we now have the ability to monitor and record live microphones without ‘in the box’ latency.”

Co-Founder Dave Fraser sums it up easily, “What can we say, THE BOX is a beast.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTIONS) IMAGE 1: The crew at Heavy Melody from left to right: Ari Winters, George Valavanis, Neil Goldberg, and Dave Fraser. IMAGE 2: Co-Founder/Composer/Sound Designer Dave Fraser’s room.

TC Takes QL On Demonstration Road Show

BUENA PARK, Caiif.—Yamaha Commercial Audio Systems, Inc. announces the first mid-west demonstrations of the new Yamaha QL Series Digital Consoles hosted by TC Furlong Inc. Events are free. The dates and locations are as follows:

Wednesday, 4/16, 4:30 pm – 7:00 pm
TC Furlong Inc. in Lake Forest, IL
http://www.eventbrite.com/e/yamaha-ql-series-launch-tour-after-hours-tc-furlong-inc-tickets-11201286349?aff=yamaha

Tuesday, 4/22, 9:00 am -1:00 pm (with Yamaha district manager, Mike Eiseman)
Regus Offices in Rosemont, IL
http://www.eventbrite.com/e/yamaha-ql-series-launch-tour-rosemont-il-tickets-11203922233?aff=yamaha

Tuesday, 4/22, 4:00 pm -7:30 pm (with Yamaha district manager, Mike Eiseman)
The Moody Church in Chicago, IL
http://www.eventbrite.com/e/yamaha-ql-series-launch-tour-chicago-il-tickets-11204000467?aff=yamaha

The new Yamaha QL Series inherits CL console features such as all-in-one mixing, processing, and routing capability for small to medium scale live tour sound, house of worship installations, corporate A/V, and speech applications.

-END-

Yamaha NUAGE Version 1.5 Announced Today

LAS VEGAS—In response to an overwhelmingly positive reaction, Yamaha Commercial Audio Systems, Inc. has announced Version 1.5 software of the NUAGE Advanced Production System. Available in May via free download, the new version will allow remote control of R Series audio interface head amplifiers from NUAGE Fader/Master control surfaces. In addition to providing a broader selection of I/O options for NUAGE systems, the software also allows Yamaha CL Series Digital Mixing Console inputs to be shared via a Dante network for significant system expansion capability.

Although NUAGE already allows switching between up to three different DAWs, with V1.5 the “NUAGE PT Bridge” driver for Avid Pro Tools control gains OSX 10.9 compatibility so that Pro Tools running on Mac platforms is fully supported. Also, adding Quick Control to the NUAGE Master unit, specified parameters can be assigned to the multi-function display so the user has even greater customization control. The NUAGE Master unit now has the ability to instantly access a vast range of VST instruments from the display and knobs for more efficient, effective sound crafting. The multi-function knobs will also provide as much as 512 times finer control than has been available in the Fine Mode.

“All of the powerful refinements in NUAGE V1.5 add up to enhanced efficiency and improved workflow for end users,” states Marc Lopez, marketing manager, Yamaha Commercial Audio Systems, Inc. “With ongoing feedback from the field, NUAGE will continue to evolve as the new standard for DAW system performance.”

Launched in 2012, the flexible NUAGE system features tight DAW software integration, groundbreaking operability, modular architecture, and Dante networking capability. NUAGE systems are currently being installed in audio post-production and recording facilities around the world.

For more information on NUAGE V1.5, visit Yamaha Commercial Audio Systems, Inc. at NAB 2014, booth #C2143 or on the web at www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

August 2014
M T W T F S S
« Jul    
 123
45678910
11121314151617
18192021222324
25262728293031

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication