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Jesse French Wins the Chance To Convert To Prism Sound

Delicious Audio subscriber Jesse French is now the proud owner of a Prism Sound Titan audio interface after taking part in a competition that ran in a recent edition of the online newsletter ((http://audio.thedelimagazine.com/).

“I wanted to upgrade my audio interface and when I saw the competition I realised this was the perfect opportunity,” Jesse French says. “I’ve researched the company’s products and I’m very excited about winning a Titan.”

Internationally acclaimed company Prism Sound specialises in manufacturing high-quality professional digital audio equipment for the broadcast, film, music production and telecommunications sectors. The company’s product range includes the award-winning ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney.

Prism Sound’s family of audio interfaces includes Orpheus, Lyra (I and II), Atlas and Titan, which was launched to huge critical acclaim at the AES Convention in New York in October 2013. This multi-channel interface offers recording professionals ultimate quality analogue and digital I/O for Mac or Windows PC at sample rates up to 192kHz via a simple USB interface. Titan has eight analogue inputs, eight analogue outputs and S/PDIF and TOSLINK optical digital I/O ports. The optical ports can also be used for ADAT, giving Titan a maximum capability of 18 concurrent input and output channels plus dual stereo headphones. The unit also features Prism Sound’s new MDIO interface miniature expansion slot, which can be used to expand its connectivity, for example by adding a direct connection to Pro Tools|HDX systems.

For Jesse French, the opportunity to own a Prism Sound audio interface couldn’t come at a better time as he is soon to graduate from Hampshire College in Massachusetts where he has been studying music performance and production.

“I am currently working on my thesis, which is on alternative ways to distribute music online,” he explains. “I also play in a band – Young Tricksters (http://youngtricksters.bandcamp.com/) – and I plan on continuing to play out and record after a graduate.”

Prior to acquiring his Titan, Jesse was using a low end 8-channel interface and running Logic. The ability to record 16 channels means that he can now upgrade his recording set up.

“When I heard I’d won the competition, it took a while to sink in,” he says. “I didn’t really believe it until the unit arrived and now I’m really excited to own it and want to say a big thank you to everyone at Prism Sound and Delicious Audio who made this possible.”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Pennsylvania Church Upgrades with Yamaha and NEXO

BUENA PARK, Calif.—Morris Light & Sound (Nashville) recently completed an audio upgrade at the King Street Church in Chambersburg, PA consisting of a NEXO GEO S12 line array (five GEO S12s per side and two RS18 Ray Subs flown in the center) along with a Yamaha CL5 digital audio console at front of house, and two Rio 3224-D input/output located in an amp rack behind the stage.

“Given the traditional architecture and diverse worship styles at King Street, we needed to provide a system that was not only aesthetically pleasing but also met performance requirements for the various services at the church, states Danny Rosenbalm, Vice President – Integration, Morris Light & Sound. The NEXO GEOS12s were a great choice for this application as they provide exceptional coverage and strong full range music reproduction, all while keeping the spoken word and vocal clarity of paramount importance.”

With a congregation of approximately 2,000, King Street Church seats 550 in the sanctuary and 725 in the Baker Center, a separate contemporary worship space. Three service styles are held each Sunday: traditional, contemporary, and a blended service. The contemporary and blended services have anywhere from six to ten musicians and vocalists as part of the praise band.

“The tech team had heard the NEXO and Yamaha systems at many conferences and training sessions, states John Petrarca (Audio Install Project Coordinator, King Street Church). Since the church is made up mostly of volunteers and house audio duties are shared, we needed a system that was up to date and able to make transitions from one service style to the next. The system also allows for future growth, from video production to multi-site possibilities.”

Rosenbalm also said the Yamaha CL5 was a natural choice for the FOH console since church engineers were already familiar with the CentraLogic platform on the M7CL. “The console provides them the ability to mix twice the number of channels, adds new dynamics and EQ plug-ins via the Premium Rack, and employs Dante protocol for device connectivity. Utilizing Dante networking significantly cleaned up the signal path from the existing traditional copper snake. It also gave the church the ability to connect multiple venues on campus as well as provide broadcast with new recording possibilities. Overall, we are extremely pleased with the results from Yamaha/NEXO system.”

“Having a system that has a high level of performance especially with vocal clarity was crucial, states Tyler Roberts, Media and Production Coordinator at King Street Church. The system also had to be volunteer friendly, and by installing a Yamaha solution that includes the CL5 console and NEXO speaker system, we successfully completed our goals. In addition, the Dante infrastructure provides additional flexibility and allows us to integrate both venues together while helping to facilitate future growth.”

For more information on Morris Light & Sound, visit www.morrislightandsound.com.

For more information on Yamaha and NEXO products, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Audio DAWg to Host Yamaha NUAGE Open House

BUENA PARK, Calif.—Yamaha Commercial Audio Systems and Audio DAWg is pleased to host a product showcase of the Yamaha NUAGE – Advanced Production System on Tuesday, June 3 at Audio DAWg, 400 E. Royal Lane, Ste. #300, Irving, Texas.

NUAGE is a highly refined, scalable hardware/software production environment for recording, video post-production, ADR, music production and mixing. NUAGE features many unique and exciting features such as an integrated ADR system, efficient content management, advanced media access system, and much more.

A joint collaboration between Yamaha and Steinberg, NUAGE is a hardware and software system that adds the power of Dante audio networking, and is a complete, flexible system that allows engineers to choose and combine components to perfectly match individual application and workflow requirements.

Join Audio DAWg’s Spunky Brunone, the NUAGE Team, and special guests for an open house to be held from 3:00 pm – 6:00 pm with Q&A and product showcase. A NUAGE overview will be held from 7:00 pm – 9:00 pm.

Please RSVP as seating is limited. Telephone (972) 759-1131.

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New Yamaha Amplifiers Added to CIS Product Line

LAS VEGAS—Yamaha Commercial Audio Systems, Inc. will launch two new amplifiers at InfoComm 2014 that will add to the growing number of Commercial Installations Solutions (CIS) products. The user-friendly UI of the MA2030/PA2030 are based on years of experience developing AV products and musical instruments.

At a targeted MSRP of $399, the MA2030 mixer amplifier, available in the summer of 2014, provides functionality not normally seen in products at this price point. World-renowned DSP technology allows product features such as Priority Ducking, Feedback Reduction, Auto Leveling, Speaker Processing, and simple remote connectivity. The MA2030 is the only mixer amp in its class that provides a low-cost optional DCP1V1S wall controller panel connected over a common Cat5 cable for simple user control without having to access the amplifier. The DCP mounts in a standard single gang wall box and provides one knob and four switches.

The PA2030 can easily provide more power by adding two more 30-watt channels to the MA2030 and also works great as a low-cost, high or low impedance amplifier. Reliable Yamaha quality and a “green” and silent design equipped with a highly efficient class-D circuit with a fan-less cooling design, the PA2030 will be available at an MSRP of $299 in the summer of 2014.

“When we originally introduced the CIS product line, we knew it was only a first step in bringing great value, Yamaha reliability, and technology features to the market, states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems. Inc. The tradition continues with the addition of these two new products.”

The MA2030 mixer amp features three stereo line inputs (two RCA, one Mini-Stereo plug), two mic inputs (one Euro Block, one combination XLR/phone jack), one Stereo output (RCA), two amplifier outputs (2×30 watts at high impedance, 70v or 100v, or low impedance from 3 to 8 ohms), and one DCP control port (RJ45 supports one DCP1V4S with power and control).

The PA2030 power amp has two stereo line input options (RCA and Euro Block), two amplifier outputs (2×30 watts at high impedance, 70v or 100v, or low impedance from 3 to 8 ohms).

For more information on the new Yamaha MA2030 mixer amp and PA2030 power amp, visit Yamaha Commercial Audio Systems, Inc. in booth #C10716 at InfoComm 2014 or visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

LATEST ALBUM FROM JAMES HOUSE RECORDED WITH API’s THE BOX

NASHVILLE, TENNESSEE – MAY 2014: With a resurgence of his country music hits from the 1990s, singer/songwriter/producer James House is keeping busy with a new album which was just released, and a sold-out sixteen-show tour throughout the UK. While recording tracks for Broken Glass/Twisted Steel, James wanted to achieve the classic “API sound” from the comfort of his home studio in Nashville – Dream On Studios. To attain the specific sound he had in mind, James rented API’s THE BOX from Blackbird Rentals for the summing of the album’s final mixes.

The project began at Ben’s Studio in Nashville, where each of the tracks was recorded on two-inch tape through a classic API 3232 console. The tape was then sent to James’ home studio, where he recorded the vocals, guitar overdubs, and mixing. While he was at Ben’s Studio, James heard tracks that were cut for an early demonstration of THE BOX. “It sounded like classic, warm API,” recalls James. “I’m a big fan of API in the first place, which is one of the reasons why we cut at Ben’s Studio.”

Noting the design and layout of THE BOX, James appreciates how the small-format console is portable, yet creates a classic API sound. “Without it, I would have had to rent a studio with an API console to sum the record. With THE BOX, I was able to rent it for two or three days and take my time summing and getting all the versions of the mixes. The size and design fills a gap between tracking in a commercial studio and in a smaller home studio.”

James recalls that the sixteen summing channels were a key factor that drew him to the console, as well as the overall quality and clarity it helped him achieve. “I just A/B’d the record with one of my earlier records, and it has a punch and presence that I love.” The first single off the album, titled “Every Time It Rains,” has already earned airtime on top country stations, and the song’s presence is growing with the release of its music video.

“I knew THE BOX was a smart idea,” said James. “The mixes gelled exactly like we hoped they would.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.
www.apiaudio.com

Mid-America Sound Holds Yamaha QL Demo

BUENA PARK, Calif.—Mid-America Sound Corp. (Greenfield, IN) will host a demo on the new Yamaha QL Series Digital Audio Console, Tuesday June 3 between 12 noon and 4:00 pm at their 6643 West 400 North location, Greenfield, IN. Yamaha Commercial Audio Systems District Manager, Mike Eiseman, will be on hand to present and answer questions.

The new Yamaha QL Series inherits CL console features such as all-in-one mixing, processing, and routing capability for small to medium scale live tour sound, house of worship installations, corporate A/V, and speech applications.

RSVP is encouraged. E-mail Jason Wells Jason@midamericasound.com or call
(317) 947-9980 for more details.

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DPA Miniature Microphones Chosen For The Bodyguard

The hit stage musical of The Bodyguard, currently playing at the Adelphi Theatre in London, is relying on DPA’s d:screet™ 4060 Omnidirectional Miniature Microphones to provide amplification for all members of the cast who have spoken lines.

Written by Alexander Dinelaris and based on the 1992 film starring Whitney Houston and Kevin Costner, the stage version of The Bodyguard features Beverley Knight in the role of Rachel Marron, with former X Factor winner Alexandra Burke taking over from June 2nd 2014.

DPA microphones have long been popular with the sound teams working on theatre productions, particularly those in the West End and on Broadway. The rugged nature of the company’s miniature microphones, combined with their ability to deliver great quality audio even when hidden in wigs and costumes, have made them enduring favourites.

Ania Klimowicz, Deputy Head of Sound for The Bodyguard, says DPA’s d:screet 4060s were chosen because sound designer Richard Brooker and director Thea Sharrock didn’t want any microphones to be visible to the audience. The microphones were supplied by Autograph.

“We use paint, tape and make-up on the mics to make them look as invisible in the actors’ hair or wig as possible,” Klimowicz explains. “We mainly use ‘mic clips’ and occasionally elastic to fix the mics to the performer’s head. Male actors with shaved heads are probably our biggest challenge – in those cases we abandon the usual centre top of forehead fitting and fit the mic over the ear.”

There are 32 actors involved in this current production of The Bodyguard, with 22 performing in each show. There is also a 10-piece band, a three person sound crew and a backstage cast of 45. When it comes to sound, the show is operated by one person who live mixes the band and vocals, as well as firing the sound effects.

“Three members of the cast are ‘double mic-ed’ meaning they wear a main and backup DPA d:screet 4060 head microphone,” Klimowicz says. “Some of the girls wear a headset, a head-mic and use a handheld microphone at various points during the show. Generally the sound for the spoken parts of the show is reinforced but remains naturalistic. This contrasts with numbers such as Queen of the Night or So Emotional, which are set during concerts and therefore need to feel big and more rock ‘n’ roll.”

Klimowicz adds that most of the show jumps in dynamics, except for a couple of numbers such as Run to You which is mixed more like a musical theatre number.

“We use the head-mics here as the song moves as part of the story and a hand-held would somewhat break with the audiences’ suspension of disbelief,” she explains.

Although sweat and make-up can be an issue for some stage productions, Klimowicz says they are not really a problem on The Bodyguard. None the less, the entire sound system including all the microphones are carefully checked before each performance to make sure everything works.

“The DPA d:screet 4060 microphones sound great and are also very reliable. We rarely have an issue with them,” she says. “Given the amount of wear and tear they face on a daily basis, they are incredibly rugged. They are also very small, which makes them much easier to hide in hair and wigs.”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Prism Sound Assists With Gavin Harrison’s Drum Masterclass

Internationally acclaimed drummer Gavin Harrison who has worked with a wide range of artists including Iggy Pop, Sam Brown and King Crimson, recently held a drum workshop at Ananda Studios in Cambridge, during which he revealed the secrets of creating a great drum take.

Hailed as a unique and inspiring event by those who attended, the workshop focused on the demands of being a session player and how to deliver a great performance, even when under pressure.

After starting the session with some basic coordination exercises, Harrison, explained the drum part in a specific song and described the techniques he would employ to deliver and capture the sound. Afterward, those taking part were given the opportunity to play the drum part on his kit and have it recorded in Logic by Ananda Studio’s engineer Neil Cowlan so that they could review their performance with Harrison.

“The opportunity to play along with Gavin and then have him critique my performance was great,” said drummer Russ Tarly, one of the 24 people who attended. “This is the first time I’ve come across such a hands-on event and it worked really well. I knew I wanted to do it because it was so specialized. I’d love to see more events like this because I’m sure there are plenty of other drummers who would enjoy going through this experience.”

To ensure the highest possible audio quality throughout the recording chain, Ananda’s Neil Cowlan deployed two recently acquired Prism Sound Atlas audio interfaces, which were used to track 9 microphones from the drum kit into Logic.

As the latest addition to Prism Sound’s professional USB interface family, Atlas is aimed squarely at multitrack recording applications. Atlas benefits from Prism Sound’s 27 year history in digital audio processing and interface design and incorporates the company’s latest award-winning CleverClox dual hybrid clocking technology as well as eight of the company’s acclaimed microphone preamplifiers as standard. The Prism sound mic preamps are based on the very successful Orpheus preamps, but are upgraded with 20dB pads now available for all inputs. Atlas offers recording professionals ultimate quality analogue and digital I/O for Mac or Windows PC at sample rates up to 192kHz. In addition to the USB host interface, Atlas also features Prism Sound’s new MDIO interface expansion slot, which was first incorporated into Titan and announced at AES New York in October 2013. Using this miniature expansion slot users can, for example, directly connect to Pro Tools|HDX systems and can also run with Apple and Windows native applications over USB. Other expansion cards are slated for future expansion of computer interface options.

For Gavin Harrison’s workshop, Prism Sound also loaned Ananda Studios a Lyra audio interface for additional monitoring. The microphones used for this project included a Shure SM91 and AKG D12VR for the kick drum; a Shure SM57 (top) and a Beta 57 (bottom) on the snare, an AKG C451 on rack toms and a Shure SM57 on floor toms.

Cowlan says: “The Prism Sound Atlas interfaces performed flawlessly, both during the Gavin Harrison workshop and at a private seven hour session that took place the day before. They are truly amazing AD converters and mic-pre’s that sound fantastic. It is no surprise that Prism Sound units are found in some of the finest recording studios in the world and the fact that we can now offer them, too, gives people another great reason for coming to record here.”

Located in the Cambridgeshire village of Littlington, Ananda Studios is a purpose built facility housed in the old Neve factory. Originally designed by Andy Munro, the studio was once used for R&D purposes and to demonstrate Neve consoles. Today, it is popular with a variety of artists who appreciate the combination of tranquil surroundings, great room acoustics and an extensive equipment list.

“The live room is a fully acoustically designed space that sounds wonderful for anything you can imagine recording. Drums, string quartets, guitars, vocals, percussion – it all sounds great,” Neil Cowlan says. “We also have a large range of microphones, pre-amps, EQ’s and other equipment to cater for almost any project, along with a huge collection of guitar and bass amplifiers including Marshall, Fender, PRS, Orange and Matamp.”

Following on from the success of the drum workshop, Cowlan plans to host similar events at the studio and will be announcing these very soon.

Prism Sound’s sales director Graham Boswell, who attended the workshop with Bernhard Nocker from the company’s sales and marketing team, adds: “We were delighted to be able to support this event by loaning the studio equipment and look forward to working with Neil again in the future.”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

ACIR Professional Celebrates Moms at Annual Music Fest

Mays Landing, N.J.—Held Saturday, May 10th in celebration of Mother’s Day, the annual Mother’s Day Festival took place at Boardwalk Hall in Atlantic City, NJ and for the third year, ACIR Professional (Mays Landing, NJ) provided audio production services for the 14,500 attendees. This year’s line up included Charlie Wilson, Gladys Knight, and Heads of State featuring Bobby Brown, Ralph Tresvant, and Johnny Gill. The Mother’s Day Music Fest is always the biggest holiday event at the newly renovated, historic Boardwalk Hall, drawing sell-out crowds.

ACIR provided two Yamaha PM5Ds digital audio consoles, one at front of house and one at monitors. The main PA consisted of 16 d&b J8s, four J12s, 16 B2 subs, and D12 amplifiers. The monitor system included 12 d&B Q1s used for side fills along with Q subs, ACIR 115 wedges, and 12 Yamaha T3N amplifiers.

“The system sounded incredible,” states John Grasso, ACIR Professional co-owner who functioned as front of house engineer. The changeover provided festival-like challenges so we treated it as a festival style in that we had three changeovers with only 10 minutes in between to re-set. This was accomplished by great pre-planning on the part of our crew.” In addition to Grasso, the ACIR crew included Dave Lefko, ME; Bobby Harper, systems engineer; Mike Nugent, systems tech; and Dominick Friia as crew chief. ACIR also provided the entire backline.

For more information on ACIR Professional, visit www.acirpro.com.

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Mandy Parnell Goes Green

Black Saloon Studios in East London is flying the flag for environmental awareness by using solar power to fulfil all of its electricity needs.

Award-winning mastering engineer Mandy Parnell, owner of internationally acclaimed facility, says: “We are using solar panels to power the entire studio and part of the attached living space. This is quite an achievement, considering we operate on a 24/7 basis and run an assortment of amplifiers, electronic instruments, microphones and studio hardware. If we can do it, I don’t see why other music industry companies shouldn’t follow suit – everyone should be looking at ways to reduce their carbon footprint and for businesses like ours solar energy also makes economic sense.”

Parnell says the transition to greener energy was very smooth and the panels are now providing enough power to sell a surplus back to the National Grid.

Based in Walthamstow village where Parnell has been a resident and business owner for 13 year, Black Saloon Studios hosts projects for a wide variety of artist including The XX, Feist, Sigur Ros, Bjork, The Knife, Frightened Rabbit, Brian Eno. Current projects being mastered at Black saloon include Glass Animals, Jungle, Bjork and Philip Selway.

Mandy Parnell’s presence in the Walthamstow Village has contributed to the ever-expanding creative and artistic community, by introducing a diverse range of artists to the area. “We are becoming a greener borough and my neighbours have really embraced our solar panel initiative,” she says. “The artists love it, too. I think everyone should be doing it.”

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For more information please visit www.blacksaloonstudios.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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