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Trade IN, Trade UP Program Announced by Yamaha

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced a Trade IN, Trade UP program that will take place January 8 – March 31, 2014. This program is available to all customers who own a Yamaha M7CL-48 (this configuration only) Digital Mixing Console. The trade-in console must be in acceptable* condition. Upon proof of condition and return, the customer will receive a $15,000 credit toward the purchase of a new Yamaha CL5 Digital Mixing Console. This promotion is on a first-come, first serve basis, while supplies last.

“This limited time program will provide end users with the opportunity to own a new Yamaha CL5 console that they may not have had the budget to purchase,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “The trade UP to a CL5 will fulfill many of the features and benefits engineers have been asking for in an affordable package.”

End users should contact their preferred Authorized Yamaha Commercial Audio Systems, Inc. (YCAS) Dealer for more details. A complete listing of YCAS Dealers, Terms and Conditions as well as all other pertinent information can be found by visiting www.yamahaca.com/cltradeup.

*Yamaha has the sole right to determine if your M7CL-48 console is in an acceptable condition to participate in the program. If it is determined to be unacceptable, they will contact you to arrange its return to you.

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Broadcast Networks Delivers Key Infrastructure Projects Across Europe

Systems integration specialist Broadcast Networks completed a number of diverse broadcast system projects during 2013 for international organisations such as Chellomedia, News UK the Dutch Parliament.

The projects showcase Broadcast Networks’ SI expertise in fixed and mobile solutions including live production and studio systems, transmission and content distribution systems, Outside Broadcast and Satellite News Gathering vehicles and command and control facilities.

“2013 was a successful year Broadcast Networks with both new and repeat business,” says Managing Director Tom Haye. “As we start 2014, our new partnership with IEC gives us the investment we need to push the company to the next level, while the expansion of our team allows us to deliver the added value customers now demand.”

As the preferred SI partner for Chellomedia, Broadcast Networks completed various key infrastructure projects for the international media company including the installation of a 24 channel playout system for a new Arts channel, the rebuild of Chellomedia’s Master Control Room, an entire upgrade of the broadcaster’s automation system to ITX2 and the installation of a number of smaller playout systems.

For Slovenian national broadcaster RTV, Broadcast Networks was contracted by Sony PSE to design and build two new 16-channel Outside Broadcast vehicles, which are now being used to capture various sporting events including the 2014 Winter Olympics in Russia.

Back in the UK, Broadcast Networks installed a Master Control Room and three new television studios at News UK’s headquarters in London. The studios are now being used by The Sun newspaper to create news content for its online editions.

Other notable projects completed during 2013 include the installation of audio and video equipment at the Dutch Parliament, enabling meeting to be streamed over the internet, and the design and build of an 18 camera armoured surveillance vehicle for the Dutch police, which is now being regularly used to support large scale events.

As a systems integrator with more than 25 years’ experience, Broadcast Networks has a proven record in the delivery of high-quality broadcast, digital media, security & defence systems to an international client base.

Tom Haye believes the company’s proactive approach to customers’ projects is key to its current and future success, especially during a time of intense change for the broadcast industry.

“The traditional broadcast model is changing, with 4k now a serious contender as a new archive format and IP and data manipulation becoming increasingly crucial in our customers’ daily lives,” he explains. “As a systems integrator with experience in the live production and playout arenas, Broadcast Networks is ideally placed to deliver the leading edge solutions our customers demand and consolidate our position as a leading international systems integrator.”

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About Broadcast Networks
Broadcast Networks is a UK-based Systems Integrator with over 25 years’ experience in delivering solutions to clients the world over, including national broadcasters and global media organisations. From live production systems and OB vehicles, studios and broadcast infrastructure, satellite uplinks to content distribution, the company offers totally integrated and innovative solutions. With a highly experienced and knowledgeable team of solution architects and project managers, a flexible approach and a real commitment to customer service, Broadcast Networks works closely with organisations to meet their business and operational objectives and to deliver game-changing ideas.
Learn more: www.bcnet.co.uk

Funky Junk Takes On UK Distribution For Sandhill Audio

Funky Junk, Europe’s leading supplier of new and refurbished professional recording equipment and services, has been appointed exclusive UK distributor by Finnish microphone manufacturer Sandhill Audio.

Established in 2008 by sound engineers Riku Pasanen, Petteri Taponen and Sammy Roiha, Sandhill Audio launched its first product in 2011 – the 6011A ribbon microphone.

“We’re continuously working on new designs and prototypes and eventually the range will grow,” says co-founder Petteri Taponen. “However, any product we release has to justify its existence. We will not put out anything just to have more items in the catalogue.”

Taponen adds that Funky Junk was chosen to handle Sandhill’s UK distribution because it has a strong reputation for handling innovative pro audio products.

“Funky Junk’s catalogue is exceptional and, being a high-end studio microphone, the Sandhill 6011A fitted nicely into their product range,” Taponen says. “I was also really impressed with Mark Thomson (Funky Junk’s Managing Director), who sent me a long email in response to my initial enquiry even though he was on holiday in Italy at the time. His straightforward way of communicating suited our approach to doing business and it also helped that the company came highly recommended by a number of our contacts.”

Sandhill Audio’s 6011A Ribbon Microphone is designed to sound exceptional while being free of the usual limitations of ribbon microphone technology. Although primarily designed for high end studio applications, the microphone is sufficiently versatile that it can also be used in live environments.

Mark Thompson, Managing Director of Funky Junk, adds: “The guys at Sandhill have achieved the seemingly impossible; they’ve designed a microphone that retains the airy warmth of the best ribbon mics with a rugged construction capable of coping with a kick drum, a jumbo jet or a producer screaming at a tape op. The Sandhill 6011A isn’t cheap, but great performances demand great microphones. We carry demo stock for discerning tests.”

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About Funky Junk:
Funky Junk is Europe’s leading supplier of new and refurbished professional recording equipment and services. It has offices in London, Paris, Milan and Spain and has been in business for over 20 years. The company is renowned for its high level technical knowledge, backed by extensive workshop facilities. As well as handling sales and repairs, Funky Junk also acts as a distributor to a number of equipment brands and deals with their service and warranty.

For more information please visit www.proaudioeurope.com

Yamaha MTX New Firmware and Software Enables AEC and Dugan MY Card Compatibility

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced Version 1.2 firmware and application software for the MTX Series Matrix Processor, the core product of the Commercial Installation Solutions (CIS) product line. MTX v1.2 now makes the processor compatible with the MY4-AEC acoustic echo cancellation card required for distance conferencing and the Dugan-MY16 auto mixing capability card.

The Yamaha CIS Series, launched in 2012, includes the VXC Series Ceiling Speakers, VXS Series Surface Mount Speakers, XMV Series Multi-channel Power Amplifiers, and the MTX Series Matrix Processors specifically designed for the commercial installation solutions market. Now with MTX v1.2, there is an even more comprehensive range of flexibility that will meet the demands of installed applications.

The new software enables compatibility with the two MY cards that was previously only available for use primarily with Yamaha’s DME Series Digital Mixing Engines. The MY4-AEC card eliminates unwanted acoustic echo that is caused by secondary signals of speaker output or reflections from room surfaces that are common in teleconferencing applications. The card is equipped with a noise reduction function that removes steady-state background noise caused by air conditioning components, projector fans, etc. Once the card is installed in the processor, parameter settings can be controlled using the AEC window in the MTX Editor program.

The Dugan-MY16 card, developed by Dan Dugan Sound Design, automatically optimizes the gain distribution of multiple faders simultaneously, allowing sound engineers to focus on their mix rather than keeping track of mic levels. Auto mixing parameters can be set using dedicated software that works in conjunction with the MTX Editor and is available via free download at www.dandugan.com.

“Ever since we launched the Yamaha CIS Series, we have received very strong, positive reactions from the installed sound market regarding its DSP power and the scalability the series provides when configuring a sound solution using amplifiers and speakers,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “MTX v1.2 is based on a number of requests from our customers regarding certain functionality and capabilities that are relevant to their applications. So, by adding compatibility with the MY cards, integrators will be able to address an even wider variety of installed sound applications and offer powerful functionality similar to the DME (Digital Mixing Engine) but at a lower cost to customers using the MTX5-D processor.”

Lopez also said that with the recent addition of the Wireless Digital Controller App for Android available free of charge at the Google Play Store, the MTX Series continues to bring extraordinary value to the Yamaha Commercial installation Solutions product line.

Yamaha MTX v1.2 will be released in mid-January and can be downloaded free of charge by visiting www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

DANLEY SOUND LABS SH-50s AT THE COUNTRY’S LARGEST CHURCH – LIFECHURCH.TV

JENKS, OKLAHOMA: With weekly attendance topping 46,000, LifeChurch.tv is, by many counts, the largest church in the country. It has eighteen physical campuses stretching from New York to Florida and back to its headquarters in Oklahoma. As one might guess from its embrace of the “.tv” suffix, LifeChurch.tv also has a vibrant online presence, including a weekly online service and a virtual church in the online virtual world – Second Life. Its Jenks, Oklahoma location recently opened its doors and welcomed new members (or in LifeChurch.tv’s parlance, “partners”) to a progressive church experience anchored by a dynamic live band. As in many of the more recent LifeChurch.tv locations, stereo clusters of Danley Sound Labs SH-50 full-range loudspeakers deliver the full impact of the band and convey spoken word and video playback with crystalline intelligibility.

Summit Integrated Systems of Lafayette, Colorado began working with LifeChurch.tv six years ago and has designed and installed the A/V systems at most of the campus locations. “The fact that LifeChurch.tv continues to build new campuses has given us the opportunity to critique and grow with each design/build project,” explained Shane Beeson, church relationship manager and director of sales and Marketing at Summit Integrated Systems. “After every project, we meet with the LifeChurch.tv technical staff to evaluate the systems and discuss what we can improve upon. Danley Sound Lab products have been a part of Summit’s product line since Danley launched in 2005, and Danley became a part of the LifeChurch.tv conversation five years ago. We were exploring ways to improve the audio quality of their multi-site campuses while still being mindful of budget and to meet their request for a stereo system using point-source boxes.”

Although LifeChurch.tv requests stereo coverage of the worship auditorium at most sites, it also typically compromises on the architecture such that the ceiling height is lower than would be optimal. “Like every church, LifeChurch.tv operates within a budget,” said Beeson. “The ceiling height makes it challenging to get the right coverage and impact. Moreover, acoustic treatment is usually the minimum needed to get the space up and running. That was the case at Jenks, so we designed two 3-box clusters of Danley SH-50s. The supreme pattern control and smooth phase response of the Danley SH-50 gave us the control we needed for excellent coverage of the seats and minimal coverage of the walls. Danley’s innovative solution allowed us to increase performance and offset budget challenges by using a loudspeaker product with maximum pattern control to keep the sound in the seating areas without overexciting the room reflections.” In addition, Beeson noted that because the Danley SH-50 is passive, it required a minimum number of processor and amplifier channels, which helped the project stay on budget.

The Jenks system begins with a Yamaha CL5 paired with RIO stage boxes, which act as a digital snake and patch bay to collect inputs from the stage. The output from the CL5 feeds a Biamp Audia Flex, which handles loudspeaker management and processing. Lab.gruppen C-Series amplifiers power the system. Mounted at the seventeen-foot ceiling, three close-packed Danley SH-50s per side provide the main stereo coverage for the room with forty feet between them. Four subs provide low-frequency extension from below the stage. Six Danley SH-Mini loudspeakers complete the system by providing side-fill at the edge of each cluster and front-fill from the edge of a portable stage when needed.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

PRODUCER/ENGINEER NOAH SHAIN RECORDS BREAKOUT ARTIST DEAD SARA ON AN API 1608

MALIBU, CALIFORNIA: Producer Noah Shain recently purchased an analog API 1608 small-format console to record breakout artist Dead Sara in a Malibu mansion for a forthcoming release on Epic Records. The tracks will form the follow-up to the band’s 2012 eponymous self-release. Shain, who is best known for his work with Sonny Moore (Skrillex) and Atreyu, purchased the API 1608 because it was, in his words, “the only console available with a small enough footprint and a big enough sound.”

After recording their previous album with Shain at Sonic Ranch in Texas, the band members had their heart set on taking the laid back experience they had there to the next level. “They didn’t want to work in a studio at all,” Shain said. “They just wanted to work in a house. I said, ‘OK, but if we’re going to work in a house, we’re going to do it right. I’m not bringing my laptop over to your buddy’s apartment.’ In the end, we rented an 8,000 square-foot Malibu mansion for two months. All told, we paid about as much going that route as we would have paid going to any of the world-class L.A. studios that I tried to talk them into originally.”

As a self-described API-fan who had been considering a 1608 to complement his hybrid, bus-intensive mix style, Shain recognized the sonic and logistic advantages of having a 1608 for the two-month remote date with Dead Sara. “I like discrete transistor electronics,” he said. “That’s saying something, because Shain’s workflow is unique. Like Michael Brauer, Shain separately processes stems according to their role in the music. He uses eight passive busses and saturates signal on the other end with boutique gain make-up amps. “The 1608 is the perfect heart for that kind of system,” he said. “It’s small enough to make it easy, and I can still focus a lot on the computer for a truly hybrid workflow.”

With the remote recording date with Dead Sara finished, Shain has moved the new 1608 into his three-room studio located inside Bedrock, a 120-room rehearsal space in the hip Echo Park neighborhood of L.A. “Bedrock is a great place with a great community of musicians,” he said. “A lot of notable bands rehearse there. My door is open and a lot of people are going to see the new API 1608.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Broadcast Networks Appoints New Technical Staff

Systems integration specialist Broadcast Networks has consolidated its leading position in the broadcast market by appointing five key members of staff to its technical team.

Peter Timmons, Francis Lea, Ben Curtis, Nick Petty and Philip Walters have all joined the company from Sony Professional Solutions Europe where they worked closely with Malcolm Robinson, Broadcast Networks’ recently appointed Director – Media & Broadcast Solutions.

“Our new recruits bring a wealth of knowledge to the company, specifically in the areas of solution design and project management,” Malcolm Robinson says. “The sector-leading expertise we now have on board is phenomenal and we are very excited about the future. These new appointments allow us to grow the business by consolidating the experience already present at Broadcast Networks so that we are better able to deliver game-changing results to our customers.”

Solutions Architect Peter Timmons gained a wealth of experience at Sony – and prior to that at Harris, Zandar Technologies and BAE Systems. His main strength lies in designing and developing next generation solutions for the broadcast industry.

Proposal Bid Manager Francis Lea will be looking after Outside Broadcast vehicle tenders and opportunities. His core skills, coupled with the existing Broadcast Networks Bid Team, will ensure that all proposals meet all technical and commercial requirements and incorporate alternative options that will enhance customer choice.

Broadcast Engineer Ben Curtis is highly skilled at designing and commissioning technical Broadcast Systems. While at Sony he worked on numerous high profile projects, including relocating and commissioning a new headquarters for QVC and upgrading the broadcast capabilities at the Parliament Building in The Hague.

Senior 3D Design Engineers Nick Petty and Philip Walters have joined the Broadcast Networks’ Design office where they are adding their renowned design expertise to the look and feel of all Broadcast Networks solutions. Their experience in dealing with customers and suppliers is also ensuring that all ergonomical and structural concepts of coachbuilding design are covered.

Broadcast Networks has more than 25 years’ experience and a proven track record in the delivery of high-quality broadcast and digital media systems to an international client base. The company specialises in fixed and mobile solutions including live production and studio systems; broadcast infrastructure, transmission and content distribution systems; Outside Broadcast and Satellite News Gathering vehicles. Clients include Chellomedia, News International, UPC, NBC Universal, Bloomberg Television, ITV and OB Team in Norway. Broadcast Networks has recently announced a strategic partnership with IEC Group and investment which will drive the expansion of its operations and capabilities.

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About Broadcast Networks
Broadcast Networks is a UK-based Systems Integrator with over 25 years’ experience in delivering solutions to clients the world over, including national broadcasters and global media organisations. From live production systems and OB vehicles, studios and broadcast infrastructure, satellite uplinks to content distribution, the company offers totally integrated and innovative solutions. With a highly experienced and knowledgeable team of solution architects and project managers, a flexible approach and a real commitment to customer service, Broadcast Networks works closely with organisations to meet their business and operational objectives and to deliver game-changing ideas.
Learn more: www.bcnet.co.uk

River Oaks Retires Analog Console, Upgrades to Yamaha CL5 Digital

BUENA PARK, Calif.—The 600-seat River Oaks Community Church, in Goshen, Indiana, holds contemporary worship services, and on any given Sunday, serves 1,200 of its congregation. With a rotating pool of 25 musicians, a standard worship service consists of 5-10 members on stage. The church recently retired its aged analog console and upgraded to a new Yamaha CL5 digital audio console and Rio 3224-D and 1608-D input/output boxes, purchased from Mid-America Sound in Greenfield, Indiana.

“We had an analog console for about ten years that outlived its welcome”, states Tim Blaum, Program Director at the church and who installed the CL. “We realized we needed to have additional control and mixing space.”

Blaum notes that on occasion, the church had to rent a Yamaha M7CL for outdoor gigs or other special services when they needed a little extra control. “We have a volunteer team that is comfortable in the analog environment using a full bank of physical faders because it’s what we’ve been used to, but we knew it was time to upgrade to digital. Several industry professionals recommended we investigate the new Yamaha CL Series since it has several added benefits. After weighing our options, we heeded their advice and decided to go with the CL5 because of its power and features.”

Prior to the new CL’s arrival, volunteers viewed online tutorial videos, having been familiar with the M7CL. “Yamaha digital consoles have always been strong and reliable, and with the CL’s price point, the console will give us room to grow and expand our worship ministry,” Blaum says. “Talented musicians with years of training and skill lead our ministry, and our production team is eager to help them sound the best they can with our new desk.” The church is currently using the Dante network locally due to its pre-existing snake structure.

Blaum also said the front of house location is an elevated mezzanine, which makes mixing difficult. “We are living by the console’s iPad App; our engineers stay on ground level during rehearsals and worship to make sure our mix is perfect. The labeling on the CL was a major enhancement, but we really love just about every feature it has since we came directly from the analog world. The console sounds great, and since its installation, we’ve had numerous compliments about our mix greatly improving. No doubt, this is an exciting step forward for us.”

For more information on River Oaks Community Church, visit www.riveroaks.org.

For more information on Mid-America Sound, visit www.midamericasound.com.

For more information on the Yamaha CL Digital Audio Console, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

David Lees Joins Yamaha Commercial Audio Systems NUAGE Production System Team

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. (YCAS) has announced the appointment of David Lees to the position of NUAGE District Manager effective immediately. Lees has been with Yamaha since 2002 and has held various positions within the Professional Audio & Combo Division as a Steinberg and Hi-Tech District Manager in the mid-Atlantic region, as well as the Keyboard Division. Prior to joining Yamaha, Lees worked for EMU Systems and previously at ProSound in Denver.

“We are very pleased to welcome David to the YCAS, Inc. team and look forward to the role he will play in building upon the already strong momentum developed for the NUAGE Production System,” states Paul Furtkamp, National Sales Manager, Yamaha Commercial Audio Systems, Inc.

Lees is currently living in Delaware and will relocate to the Southern California area in early 2014. “I’m very much looking forward to joining the YCAS organization and to working with such a strong network of NUAGE dealers and end-users.”

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

SEVEN-TIME GRAMMY-NOMINATED MACKLEMORE AND RYAN LEWIS TAKE METRIC HALO GEAR ON THE ROAD

SAFETY HARBOR, FLORIDA – DECEMBER 2013: Rapper Macklemore and producer Ryan Lewis’ most recent release, The Heist, grabbed the number one spots on the Billboard U.S. R&B/Hip-Hop and Rap charts and quickly sold its way to Platinum status. It was a fast start that shows no sign of letting up, as the duo recently garnered seven Grammy nominations, including Album of the Year, Song of the Year (for “Same Love”), Best New Artist, Best Rap Performance, and Best Rap Album. That’s an incredibly rare feat for any artist, let alone a duo whose inspired musicianship and honest lyrics leave their street credibility untouched by such towering industry benchmarks. Perhaps just as telling, Macklemore and Ryan Lewis were “the most streamed” artists on Spotify in 2013. Although they spent the fall of 2013 packing arenas all over the U.S. in support of The Heist, in the downtime between gigs they turned their attention to the music that will form its follow-up, and Metric Halo is with them along the way.

Capturing and working out ideas on the road is often seen as a balancing act between quick-and-dirty methods that are fast, on the one hand, and higher-quality techniques that take more time and thought to set up, on the other. Lewis largely avoids that compromise with a Metric Halo ULN-2 interface. “The ULN-2 is a pretty unique interface,” he said. “It has two good-quality pre-amps and yet it’s small enough to fit into a carry-on. It also acts as a great interface for Pro Tools, or any other audio program that I use. Macklemore and I have used it countless times on the road.”

After using the Metric Halo ULN-2 for a short while, Lewis was alerted to Metric Halo’s collection of seven plug-ins, sold together as the Metric Halo Production Bundle. He has already used a number of the plug-ins to mix new music in the studio and on the road. Among them are Character – a plug-in that models the sonic signature of a wide range of classic and contemporary audio gear; HaloVerb – an authentic-sounding reverb, Precision DeEsser; and TransientControl – a unique dynamics processor.

“Character is great when I’m not exactly sure what I want to do with something that doesn’t have the right texture,” Lewis said. “It can pull out different pieces that weren’t there before. I love HaloVerb and use it all the time. It has a good variety of feelings and a full range of spring and hall sounds that work well on vocals and instruments.” Some of Lewis’ uses are particular to rap and hip-hop: “Rap vocals have a lot of punch and can get very sibilant. The Precision DeEsser does a great job of cleaning that up. Finally, I didn’t expect the fairly simple TransientControl plug-in to be as useful as it turned out to be. Now it’s one of my favorite plug-ins because it can capture the accents in a recording. For instance, when I have a break beat and I really want the snare and kick to pop, but I’d like to lose everything else in the recording, I use TransientControl.”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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