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ADAM Audio Debuts New Sub15 Subwoofer


Hicksville, NY––The new Sub15 from ADAM Audio is a powerful subwoofer capable of easily extending the frequency range of main and midfield monitors down to 20Hz. The rugged 15“ woofer is made of an exceptionally rigid aluminum membrane and driven by two powerful magnets and a 100mm voice coil.

The Sub15 combines exceptional transient response with an efficient low frequency performance. A high-powered and undistorted sound pressure output of 112dB maximum SPL at one meter makes it the perfect subwoofer for mid-sized and larger control rooms.

With 1000W (RMS) power, the Sub 15′s PWM amplifier has an efficiency factor of nearly 90%, which allow it to handle critical musical passages with sudden peaks without distortion or overheating. The downward firing bass port has been specially designed with generous dimensions and rounded edges to cancel port noise.

The Sub15 is equipped with a volume control (-60dB to +6dB) and crossover frequency control (50 – 150Hz) to adjust the sound for different room situations and individual tastes. Satellite speakers can either be driven full range or high pass filtered at 85Hz. A phase reverse switch is provided to deal with unfavorable phase relationships between the satellites and the subwoofer, particularly in the crossover frequency range.

To ensure maximum connectivity, the Sub15 features both balanced (XLR) and unbalanced (RCA) input/output connectors on the rear control panel.

For more information about ADAM Audio USA, please call 516.681.0690, or click to www.adam-audio.com

About ADAM Audio
ADAM Audio is a leading manufacturer of loudspeakers for Professional Audio and the HIFI market. Founded in 1999 in Berlin, Germany, the company‘s loudspeakers have set the highest standards around the world for accurate monitoring and natural sound reproduction. ADAM’s widely varied product lines include everything from professional studio monitors (SX, AX, and F series), to Multimedia and Home Theater/Installation loudspeakers (ARTist and GTC range), to high-end home entertainment models (Classic and Tensor series). The trademark all ADAM models have in common is the proprietary X-ART tweeter. Handmade in Berlin, Germany, it performs with a nearly flat frequency response extending up to 50 kHz.

Wirebox Media Adds Yamaha CL5 to Production and Rental Inventory

BUENA PARK, Calif.—Wirebox Media (Smyrna, Georgia) has added a Yamaha CL5 Digital Audio Console to augment its existing Yamaha digital console line along with the NEXO systems already in inventory. “We selected the CL5 primarily because our operators are already familiar with the Yamaha interface, design, and software but we also take into account the renowned reliability and stability of the Yamaha digital platforms,” states Tim Harrigan, Owner, Wirebox Media.

In addition to the CL5, Wirebox added Rio3224-D and 1608-D input/output boxes. “Integrated with the recommended Cisco switches, we have a redundant network with 500’ of fiber, says Harrigan. The Dante redundant fiber network was a key factor in the purchase. The system was flawless on its first outing for Ted Turner’s 75th birthday party hosted by Jay Leno. As a requirement, all equipment selected for the show was backed up with redundancy, from microphones to generators, which made the CL5 system the obvious choice.”

“The console surface is stellar, Harrigan notes, who was sound designer and mix engineer for the Turner event. The custom layers enabled me to work fast and layout the console exactly as I needed, which is key to event like this with so many elements involved.” Harrigan used the iPad interface to tweak the video mix; on the show network they had the video department 350’ feet down the hall in another ballroom. The second Rio (1608-D) was placed in the video room which supplied them multiple record feeds and playback inputs. The audio team had their own in-ear mixes on the CL5 Aux busses for communications with Harrigan that enabled them to also relocate with the video department to make necessary changes.

For more information on Wirebox Media, visit www.wireboxmedia.com.

For more information on the Yamaha CL Series, visit www.yamahaca.com.

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PHOTO ID: Wirebox CL5 In Action At Ted Turner Bash

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Yamaha R Remote App For Rio Line

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced today the launch of R Remote software. R Remote joins the Yamaha R Series input/output rack units, which since their inception, have made significant advancements in audio, creating natural sound quality, Dante audio networking, and system flexibility. The new Windows™- based PC standalone application, R Remote enables remote control of R Series Rio3224-D, Rio1608-D, and Ri8-D rack unit head amplifiers directly from a computer.

With R Remote, a live recording system can be created with just R Series I/O racks and a computer running Nuendo Live or similar DAW software. Combined with the I/O racks, R Remote can be used with consoles that up until now have not been able to support remote head amp control, such as the 02R96 or 01V96i. For this application, however, a Dante-MY16-AUD expansion card must be installed in the console. The end user will also be able to operate a stand-alone R Series Dante infrastructure independently from a console.

“There is great potential for advanced systems that provide enhanced portability and expandability,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “The development of R Remote is another example of listening to recommendations from our customers in order to provide them with even more advanced system possibilities.”

Yamaha R Remote will be available today, free of charge, via download at www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

BUENA PARK, Calif.—Housed in the renovated, historic Fenway Theater in Boston, the Berklee Performance Center is the Berklee College of Music’s flagship performance space seating more then 1,200 and counted among Boston’s most prestigious concert halls. Parsons Audio (Wellesley, MA) recently added two new Yamaha CL5 Digital Audio Consoles in the performance center for use by student and faculty productions as well as national entertainment.

Berklee has had a long relationship with Yamaha Commercial Audio Systems consoles dating back to 1976 beginning with the Yamaha PM1000, 3K, PM4K, PM1D, PM5D, DM2K, and now the CL Series. A CL5 is positioned at front of house with a second based in Studio BPC located in an area above the theater.

“The BPC looked upon the new CL as the PM1D successor, states Rick Scott, Sales Director, Parsons Audio LLC. Among features that were appealing to the technical team were the networking capabilities of this generation of Yamaha consoles along with its Rupert Neve plug-ins within the Premium Rack and integration with Nuendo Live.” Parsons Audio has provided customer support of the school’s Yamaha consoles since the very beginning.

“We had the Yamaha PM1D for eight years, and wanted to make sure we could stay up-to-date with current, commercially available (and currently supported) technology, states Ed Libeartore, A1 at BPC. We also really wanted to have something with remote iPad control, so we could mix monitors on stage from the FOH console.”

Liberatore said he immediately loved the sound of the preamps and the processing, and quickly became accustomed to having the controls accessible from the touch screen. “Handing an iPad off to a student assistant has been working amazingly well. It lets me concentrate on the house mix and seems to make the performers more comfortable knowing that there is somebody who can listen to the same monitor speaker with them and build a custom mix right on the spot with exactly what they need without ever having to shout to me, standing 50 feet away.”

Studio BPC, which regularly multitrack records many of the performance center concerts, is a teaching lab for live performance location recording classes. The studio is fed from a separate split off the on-stage mic snake box, but also receives a feed from the house Dante network for additional options. “I am really happy with our decision on going with the CL5 console for our live recording studio, states Alejandro Rodriguez, Associate Professor, Music Production and Engineering, Berklee College of Music. The Dante Network is key in the success of our new BPC Studio, and we use Nuendo Live linked to the CL5 as one of our two multi-track systems capable of recording up to 64 channels, receiving independently the outputs of our 64 Grace mic preamps.”

For more information on the Berklee Performance Center, visit www.berklee.edu.

For more information on Parsons Audio, visit www.paudio.com.

For more information on the Yamaha CL Digital Console, visit www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

DK-Technologies Appoints Maser As Its UK Distributor

Audio and video metering specialist DK-Technologies has appointed the Maser Group as its distribution partner in the UK, with responsibility for handling its entire product range.

Established in 1983, the Maser Group is a multinational company with offices in Australia, New Zealand and United Kingdom, Maser Group supplies communications solutions, products and systems to a large number of market segments including Broadcast, Audio/Video, Fixed/HFC Networks, Industrial, Mobile/Wireless Networks, Public Security & Safety and Defence. Maser Communications (UK) Ltd, located on the south coast is one of the major cable, connectivity and solution distributors to the Broadcast and AV industries.

By adding DK-Technologies to its UK distribution roster, Maser can now offer its customers high quality, Award-winning metering and monitoring solutions.

Graeme Lewis, General Manager of Maser Communications UK, says: “I have been a fan of DK’s products ever since the company captivated the audio industry with the introduction of the world’s first surround sound metering system. Now, as DK-Technologies and with the addition of the video products, I am very happy to finally become a distributor for this unique and innovative company. The introduction of the PT0800 Audio and Waveform monitor and the DK T7 continues the pedigree of the MSD meters and makes this a particularly exciting time to represent DK’s innovative products.”


DK-Technologies has been developing high end audio and video monitoring and metering products for more than 20 years and is renowned for the extreme accuracy and quality of its products. In recent years it has led the market in Loudness metering technology, particularly in portable and affordable solutions such as those exemplified by the DK Meter family – a range of audio and loudness metering products that have been exceptionally well received by broadcasters and post production facilities around the world.

Uffe Kjems Hansen, Product Marketing Director at DK-Technologies, adds: “We are excited about the cooperation with Maser Communications. Maser has tremendous insight and experience in the broadcast industry on both audio and video applications. We see a strong synergy between our product portfolio and Masers access to the UK market and expect that this combination will continue our growth and presence in the UK broadcast industry.”

For more information about DK-Technologies products in the UK, please contact Graeme Lewis at Maser Communications UK. Tel: 01329 236000. Email: graeme@masercomms.co.uk Alternatively please visit www.dk-technologies.com

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About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

Jünger Audio Celebrates Sales Success In China

As China celebrates the start of a New Year, dynamics specialist Jünger Audio is also marking an important event – the culmination of its most successful sales year in the country.

“Since opening a dedicated regional office in Beijing in 2010, we have seen our Chinese sales grow year on year,” says Jünger Audio CEO Peter Pörs. “However, 2013 was successful with sales exceeding our expectations. We shipped a wide range of audio processors which were delivered to a number of different Chinese broadcasters. 44 D*AP4 LM Digital Audio Processors went to GZTV, therefore our success was especially noticeable in the Guang Dong region where all three provincial and city TV stations are now using Jünger Audio products to control broadcast loudness.”

Pörs adds that Jünger Audio’s achievements in China are down to two key factors – having a permanent base in the country, which inspires customer confidence, and offering a range of high quality products that are renowned for their ability to deliver uncompromised audio loudness management.

“Our Beijing office is headed by Jian Gao, a Chinese national who understood both the business climate and our own industry,” he says. “Jian’s broadcast and pro audio experience, combined with her local knowledge, make a huge difference to how we are perceived by our Chinese customers. Having a local presence reassures our customers as they know they will be properly supported after they buy.”

Jünger Audio’s D*AP4 LM series has proved particularly popular in China because it gives users the processing quality and features offered by Jünger Audio’s flagship T*AP Television Audio Processors, but in a smaller 4 or 2 channel system. Incorporating Jünger Audio’s unique LEVEL MAGIC™ algorithm, the unit focuses on automatic and adaptive loudness management compliant with all current broadcast audio loudness recommendations including ITU.1770 Standards (revisions 1, 2 and 3) as well as recommended practices ATSC A/85 (2011/2013), ARIB TR-B32, Free TV OP-59, Portaria 354 and EBU R128.

Recent customers in China have included Guang Zhou TV, which has investing in 44 D*AP4 LM processors, making this one of the largest single orders to PRC in the company’s history. As the TV station of Guang Zhou city, GZTV is determined to ensure that its viewers receive the highest quality audio and it is therefore installing Jünger Audio’s loudness control throughout its playout chain and advertising servers.

Another prestigious Jünger Audio customer is Nan Fang TV Station, the second provincial terrestrial and satellite TV station in Guang Dong province. Nan Fang TV is now using D*AP4 LM processors and J*AM loudness logging software to control and monitor loudness quality on all eight of its TV channels.

In the same region, Guang Dong TV Station in Guang Zhou city has invested in 12 D*AP4 LM processors and six T*AP Television Audio Processors as part of a station upgrade to HD. These units have been installed on GDTV’s three HD channels and six SD channels, all of which will go on-air once the station completes its system upgrades.

Finally, major satellite TV station ShenZhen TV, based in Shen Zhen city, has recently started using Jünger Audio D*AP4 and J*AM loudness logging software to monitor and log its program loudness.

“Chinese broadcasters are now well aware of the importance of loudness control and are choosing Jünger Audio’s products to achieve it because they meet China’s demands for technical sophistication and audio quality,” Jian Gao says. “In recent months, Jünger Audio’s loudness control and Surround production tools have been used on some highly prestigious broadcasts – for example Shanghai Media Group’s Season One finale of The Chinese Idol, which was broadcast in August 2013; all Guang Dong TV’s New Year’s Eve concerts since 2012 and ZITV’s Voice of China, including the Season 2 Finale in 2013 where Jünger Audio’s M*AP processor was used as the Dolby surround signal monitor control. That broadcast also featured two T*AP units, which were used for Dolby E encoding from ZITV’s HD OB Van where they performed beautifully.”

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.junger-audio.com

TRANSAUDIO GROUP TO DEBUT THE BOCK IFET CONDENSER AT WINTER NAMM

LAS VEGAS, NEVADA – JANUARY 2014: World renowned manufacturing engineer David Bock has yet again captured the unmistakable tone of a cherished vintage microphone in a thoroughly modern design. This time it’s the Bock iFet phantom-powered condenser, which possesses the sonic soul of a classic fet47 mic of yesteryear plus more modern specifications, including deeper bass and higher highs. That would have been accomplishment enough, but Bock didn’t stop there. The iFet also features two completely separate amplifier circuits. The first circuit uses one FET and four transformers to beautifully capture high-SPL sources, such as drums and electric guitar. The second circuit uses one FET only and is ideally suited for quieter sources, such as voice. The two-circuit design effectively doubles the size of the Bock iFet’s sonic palette.

“There is a real art and science to designing and manufacturing a modern microphone with a specific sound, that embodies the sonic characteristics of a loved classic vintage microphone,” said Brad Lunde, president of TransAudio Group, the U.S. distributor of Bock’s entire line of high-end studio microphones. “David Bock understands the fundamentals and nuances of microphone design with tremendous depth, and he is passionate about building great microphones that will stand the test of time in the studio. With its dual-circuitry design, the Bock iFet is a great studio vocal mic – with all of the depth, character, and authenticity you would find in a vintage studio condenser many times the iFet’s price – and also a great studio high SPL input instrument and kick drum microphone. That should make it especially appealing to individuals who are on a budget yet are unwilling to fall short of perfection.”

The Bock iFet Microphone is now shipping.

US-MSRP: $2,150.00

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.www.transaudiogroup.com

STOP BY AND SEE US AT NAMM 2014, BOOTH #6945

API ADDS TWO NEW 500-SERIES MODULES: THE 505 DI (DIRECT INPUT) AND THE 565 FILTER BANK

JESSUP, MARYLAND – JANUARY 2014: API will introduce two new members of its acclaimed 500-series modular signal processing line at the 2014 NAMM Show: the 505 DI direct input and the 565 filter bank. Both modules possess API’s legendary sound and fit all 500-series chassis, including the API Lunchbox® and the API 1608 small-format analog console.

The 505 DI includes gain control, adjustable tone control, a bright switch, a 20dB pad, switchable 100/400k Ohm load impedance, and Thru connectivity. Like the console-based API 205L, the 505 DI is specifically designed to accept a guitar, bass or keyboard direct input while minimizing any loading effect on Hi-Z instrument pickups

The 565 Filter Bank includes a sweepable low-pass filter (500Hz to 20kHz, -12 or -18dB slope), a sweepable high-pass filter (20Hz to 400Hz, -6 or -12dB slope), and a variable notch filter (fully sweepable between 20Hz and 20kHz). The 565 circuits are true to the musical filters of the famed 215 module found in large format API consoles.

Noted Larry Droppa, president of API Audio, “Since it’s inception, the API 500 Series has dominated the ever-growing group of 500 Series products. At API, we innovate by design and keep delivering modules that outperform the competition and continue to give our end users the sound and performance they’ve come to expect from API. Both of these new modules address a specific need while keeping the integrity of the API module product line.”

MSRPs: 505 DI and the 565 Filter Bank $595.00 each

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

STOP BY AND SEE US AT NAMM 2014 BOOTH #6204

Audinate Enhances Dante Controller 3.5 with New Advanced Capabilities

Portland, OR January 23, 2014- Audinate, the inventors of Dante, have released Dante Controller version 3.5, a updated release of their free networking management configuration and monitoring application. Several powerful new features have been added providing advanced real-time network monitoring functionality, including multicast bandwidth usage, clock health monitoring and latency management statistical information. These enhancements enable you to quickly identify and fix potential issues on the network, while preserving Dante Controller’s hallmark ease-of-use characteristics.

Dante has become the defacto standard and dominant networking technology in the professional audio industry. Built on existing networking protocols and standards, Audinate’s Dante is a plug-and-play networking solution which delivers ultra-low latency and tightly synchronized media, while simplifying installation and configuration of digital media networks. Dante is the most interoperable digital media networking solution available and has become the most specified technology by system designers, installation contractors and end-users.

“Many of the new features in Dante Controller 3.5 were implemented to directly meet specific customer requirements”, says Gary Southwell, VP of Product Management at Audinate. Southwell adds, “Dante has rapidly become the market leader and the dominant media networking solution for audio networking. Dante Controller 3.5 includes many features that AV and IT professionals could only dream of a few short years ago.”

What’s New in Dante Controller 3.5

Significantly Enhanced Latency Reporting
•New histogram-based reporting and tracking of transmitter latencies – provides at-a-glance information about the latency performance of audio flows for supported devices.
•Latency histograms indicate if latency play-out settings are properly configured, and also provide an overall view of the health of the network.
•This feature helps solve one of the biggest challenges in the industry: It allows an operator to quickly see if an audio flow has been properly configured, and also indicates if underlying network issues could potentially develop into an audio quality problem.

Improved Clock Health Monitoring
•Clock health is now tracked on a per-device basis via dedicated performance histograms. This enables the quick and easy detection of difficult-to-diagnose network issues which are impacting clock accuracy – such as clock traffic bottlenecks, and low-performance external word clocks.

New Preset Tool Suite
•New preset system exposes XML-based network configuration presets for use in off-line configuration tools. This simplifies the setting up of new networks, and the reconfiguration of existing networks. Ideal for integrators, and large multi-use end-user networks.
•Presets are further enhanced to enable simpler switching between standard configurations and special event configurations. Provides greater confidence in the ability to share audio network configurations for multiple uses and/or user groups.

Redundant Network Connection
•Enables visibility of primary and secondary networks at all times. Redundant devices can still be seen and managed via the secondary network in the event of a problem with primary network connectivity.
•Simplifies redundant network set-up, and allows the operator to easily verify that both networks are properly configured.
•Provides real-time notifications about connectivity status on both primary and secondary networks.

New Channel Grouping Capability
•Allows simple viewing and configuring of large numbers of device channels, in groups of 16.
•Each group can be expanded then collapsed when set-up is complete.

Improved Network and Device Status Information
•Network and device information has been enhanced and restructured across two tabs (including a new Network Status tab) to provide a clearer and more useful overall picture of the network.
•New notification icons provide up-front, real-time information about a range of network and device events.

Click link to download Dante Controller 3.5 http://goo.gl/IjDQ6D

Click links to view Dante Controller 3.5 videos
Latency Monitoring http://youtu.be/FLQDwDXXoxc | Clock Status http://youtu.be/Sgnx0-TwDjE
Pre-sets http://youtu.be/AQZGShVW0MA | Connection to Secondary Network http://youtu.be/ZTsLFzQ262k

About Audinate
Audinate revolutionizes AV systems to enable our customers to thrive in a networked world. Dante has become the defacto standard and dominant networking technology in the professional audio industry. Audinate’s patented Dante media networking technology has been adopted by leading OEM manufacturers in the professional audio/visual industry. Dante is used extensively for live performance events, commercial installation, broadcast, recording and production, and communications systems. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd, Audinate is a registered trademark of Audinate Pty Ltd.

MORE SLOTS, MORE POWER, BETTER PERFORMANCE API TAKES THE 500 SERIES LUNCHBOX® TO A NEW LEVEL

JESSUP, MARYLAND – JANUARY 2014: API will introduce its new eight-slot 500-8 lunchbox at the 2014 NAMM Show. The new eight-slot model is priced the same as the six-slot 500-6 lunchbox, effectively giving new purchasers two free slots! Moreover, the new 500-8B includes all of the features that have made the 500-6B so well regarded in the industry, including DB-25 (D-Sub) connectors for easy I/O, universal power supply (100 or 250V, 47 to 63Hz), phantom power, and easy rack-mounting with optional rack-ear kit for robust performance, and new toggle switches for channel linking.

Noted Larry Droppa, president of API, “Listening to our end users is key to our product development. As we add new 500 series modules to our line, including the new 505-DI and 565 Filter Bank, it was only natural to add two more slots to the 500-6 lunchbox. And to make it even sweeter, we decided to offer the 500-8 lunchbox at the same price as the 6.

The 500-8 lunchbox is now shipping MSRP: $499.00

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

STOP BY AND SEE US AT NAMM 2014 BOOTH #6204

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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