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Yamaha StageMix 4.0 Now Available

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. announces the availability of StageMix 4.0 for Yamaha CL, M7CL, and LS9 digital consoles. Updates available include new Dynamics Parameter Editing, Output Port Delay Editing, Output Port Levels (Gain/Attenuation), PEQ Copy and Paste, Phantom Power Switching, Mix Send Pre/Post Switching, HPF Slope Parameter (CL V1.5 only), Retina Display Support, and other enhancements.

“StageMix Version 4 raises the bar for digital mixer iPad control,” states Kevin Kimmel, Systems Application Engineer, Yamaha Commercial Audio Systems, Inc. “We’ve continuously set the standard since we released the first version in 2010.”

The StageMix App provides greater control and flexibility for both digital mixing consoles and enables the mixing engineer to freely adjust console parameters and sound levels by wireless control, rather than at the mix position. The App also provides features like Mute Group Masters; Channel Naming; Channel Pan; Send Levels in Meter Bridge; Tap Tempo; Selectable Input and Output Meter Positions; and DCA Faders (CL and M7CL only).

Yamaha StageMix Version 4 is available from the Apple iTunes Store as a free upgrade. For more information on StageMix Version 4, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

New NEXO STM Line Array Turns Up The Heat On Chesney’s ‘No Shoes Nation’ Tour

BUENA PARK, Calif.—Kenny Chesney has always brought country’s brightest lights to America, and this heated summer is no different as he taps newcomer and quadruple 2013 Academy of Country Music nominee, Kacey Musgraves, and 2012 ACM Single of the Year winner and multiple 2013 ACM nominee, The Eli Young Band, to open on many of his ‘No Shoes Nation’ tour stops. Country Music Association 2012 Album of the Year Winner and ACM nominee leader, Eric Church, has also taken the stage on 16 of the 19 stadium dates, while triple Grammy-winner and multiple ACM nominee, Zac Brown Band, joined for three stadium shows including a co-headline show in their hometown of Atlanta. The tour is in support of Chesney’s latest CD “Life on a Rock.”

The 46-date tour, which began March 16 at Raymond James Stadium in Tampa, Florida, has made a major change to its stadium line array. Morris Light & Sound (Nashville) has provided a new NEXO STM line array for the 2013-2014 tour. The system layout is configured with 74 M46 for mains, 74 b112 bass extensions, 48 s118 flown subs, 16 RS18 ground ray subs, 12 PS10s for front fills, 14 GEO S 1210s and two GEO S1230s, 22 NUAR amp racks, and two Yamaha DME 64 digital mix engines with LAKE Mesa EQ cards for system tuning and console switching.

At an early stop at Cowboy Stadium, the 45,000+ concertgoers were treated to improved sound at the venue when the STM rig arrived for the Chesney show. The in-house audio crew was extremely impressed by the NEXO system.

Morris Light & Sound was involved early in the development process of the new NEXO System. “We were involved with the STM system for about a year before the system launched,” states John Mills, Morris VP and systems engineer for the Chesney tour. “Since we were the first company with a system of this size, Chris Rabold (Chesney FOH engineer) and I provided NEXO with tons of input on how it was performing and what we were doing with it from a tuning perspective.”

Mills said NEXO support was unparalleled. “We had at least one programmer and one system specialist with us for the first few weeks of rehearsals and shows. Beyond that, we sent them our tuning files and SMAART measurements and they incorporated our preferences into a new preset. Since then we honestly do very little to the PA each day. From stadium to shed, 70,000 seats to 10,000 seats, our tuning is almost always the same. The consistency and accuracy of the PA is like none I have ever tech’ed. From what my NS1 model predicts to what we measure is really the best software/hardware/measurement relationship I have ever experienced. It really makes my job as a system engineer easier because it is so accurate.”

One of the first things that attracted Morris Light & Sound to the NEXO STM, Mills continued, was the modularity. “It really works; we have done large and small venues and even some small ground stacked systems. It is great to have a system that sounds the same no matter how you deploy it. The modularity and scale-ability coupled with the accuracy are second to none. Sonically, the throw of the system out performs anything on the market. Vocals, guitars, and even high-hat and cymbals are still clear and musical at 400 feet away. It is very accurate and revealing. Very small moves in the system EQ are very noticeable. STM was everything I hoped it would be, and more.”

“From the first meeting we had with NEXO discussing the concept of the STM, I was very intrigued,” states Morris L&S President, David Haskell. “Then, after subsequent meetings, trips to the factory, and getting to better understand both the product and the people behind it, I am proud to say that this relationship with NEXO has been amazing. From concept drawings to manufacturing and implementation to ongoing support, the STM and the fine folks behind it can only be summed up in one word…flawless!”

The NEXO STM Series (Scale Through Modularity) loudspeaker cabinets are the first of its kind on the market. Ideal for touring, festivals, and sound company rental, the new system combines the best of Alpha functionality with the technical innovation of NEXO’s patented Hyperbolic Reflector and venting design in which all radiating surfaces are in phase, delivering a powerful, flexible, and easy to use system. STM enables line array systems to scale up or down depending on event audience size, from 1,000 to 100,000 people.

When asked how the STM sounds to him, front of house engineer, Rabold, said the system sounded hi-fi and clean. “Even when I drive it hard, it won’t distort. My ears have yet to feel fatigued after a show; that’s indicative of a clean system. On a mixing level, I’m getting some great sounds. There was a bit of a learning curve in the beginning as was to be expected. I have a specific sound that I want to achieve everyday. Once I learned what the NEXO STM wanted to do naturally, I married that with my own goals and we’ve been in great shape ever since. John Mills and NEXO obviously had a good line of communication by the time I arrived on the tour, and they were extremely proactive with any of our suggestions early on.”

“The Seahawks Stadium show was spectacular, and the audio was superb,” states Fred Micera, Audio Engineer, CenturyLink Field in Seattle. “I heard things/parts I had never heard before in past Chesney shows. Kenny’s voice was captured perfectly and has never sounded more natural. The mix was very well balanced and exciting. Tonally, it was bright and crisp without being harsh or overly sibilant. Clearly understanding everything Kenney had to say between songs was another new revelation. The definition between instruments, especially the multiple guitars were remarkable. Subtle use of panning and EQ made the 4-part guitar exchanges, in particular, stand out while staying musical and not overbearing in any way. The drum sound was quite impressive, and the bass guitar/bottom end was tight and well defined. The lack of overtones and clarity in the low end stopped me dead in my tracks as I crossed in front of the FOH mix position. The STM brings out a whole new dimension to the music.”

Micera said the volume level was steady throughout the night. “The PA system’s coverage was very consistent as we walked the house. Even in areas that are usually disappointing, the sound was solid and uncompromised by the surroundings. We were literally stunned. Seriously, stunned! The success of the system deployment and tuning was not lost on us either. John Mills really addressed the venue and clearly knows how to use the tools at his disposal. The fact that the opening acts sounded so good and all the mixes came together so quickly is another testament to John and the tour’s well-oiled machine.”

For more information on the “No Shoes Nation Tour”, visit www.kennychesney.com.

For more information on Morris Light & Sound visit, www.morrislightandsound.com.

For more information on the NEXO STM system, visit www.yamahaca.com.

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PHOTO CREDITS: Keith Clark and John Mills

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Summerfest: 11 Days, Over 800 Acts, and 10 Yamaha Consoles

BUENA PARK, Calif.—With nearly 900,000 attendees over eleven days, Summerfest in Milwaukee, Wisconsin set new records in providing the backdrop for the music industry’s hottest stars, emerging talent, and local favorites to create unforgettable live music experiences in a world-class festival setting.

Clearwing Productions, Inc. (Milwaukee), with support from Yamaha Commercial Audio Systems, Inc. provided new Yamaha CL digital consoles along with PM5D-RH consoles, M7CL and LS9 consoles to 7 of the 11 stages. Yamaha staff provided support to those visiting engineers who have not yet had the experience of mixing on a CL console.

“The decision to use the new CL and other Yamaha consoles was very easy,” states Bryan Baumgardner, Operations/Logistics, Clearwing Productions, Inc. “With how reliable and rider-acceptable Yamaha consoles have been for us, there was really no question that the CL5s were ready to be put to use at Summerfest.”

US Cellular Stage had two Yamaha CL5 consoles, one at front of house and one for monitors. The Uline Warehouse Stage consisted of a CL5 at FOH and an M7CL-48 at monitors. The Johnson Controls World Stage also used a CL5 at FOH and an M7CL-48 at monitors. The Marcus Amphitheatre used a PM5D at monitors and so did the BMO Harris Pavilion and the Miller Stage. The Kohl’s Children’s Area was outfitted with a Yamaha LS9-16.

“I converted my PM5D file using Console File Converter, which worked beautifully,” states Jerry Wong, front of house engineer for Loverboy who performed on the Uline Warehouse Stage. “Then, I added several of the Rupert Neve compressors and an 1176 on the fly at the start of the show, and even in a festival situation everything just seemed to fall right into place and mix itself. The CL is a great sounding console and now will be on our rider.”

Morris Day & the Time performed on the Johnson Controls World Sound Stage, and Ed Irons, front of house engineer said the console delivered warmth and clarity. “The signal flow, control surface perks, and blending of vintage processing makes the CL5 a hands-down winner for me. Loved it!”

“The Yamaha CL is a very user-friendly console and sounds amazing,” says Ryan Nichols, Switchfoot FOH engineer. “I love the mic pre’s, and the Premium Rack is just one of many great upgrades from other Yamaha desks. I’ve only used the CL a few times before, each in festival situations, but found it really easy to get around on quickly.”

Spin Doctors front of house engineer, Rob Killenberger, echoed some of the same sentiments. “I’m really happy with the CL Series. It’s on my rider; I love the much-improved sound of the CL and all of the toys inside. It’s very responsive and well thought out.”

“As the band engineers have stated, the Yamaha CL console sounds good, it’s user friendly, and the File Converter makes coming from any Yamaha console a breeze. Those attributes are a must in a festival environment as demanding as this one,” adds Baumgardner.

For more information on Clearwing Productions, Inc. visit www.clearwing.com.

For more information on the Yamaha CL and all Yamaha Commercial Audio Systems products, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

DIVERSITY FIN ANTENNA ON TOUR WITH BRYAN ADAMS

VANCOUVER, CANADA – JULY 2013: Veteran monitor mixer and founder of Vancouver-based audio company Gearforce, Robert Nevalainen ensures the many channels of wireless audio systems used on Bryan Adams’ international tours function flawlessly. After reading an article on polarization diversity for wireless microphone antennas, Nevalainen decided to evaluate the Diversity Fin cross-polarized antenna, from RF Venue, against other directional antennas while on a six-city tour through Australia. “We did an A to B type test comparing the Diversity Fin against our stock Shure and Sennheiser systems, and were quite impressed,” Nevalainen remembers.

“Gearforce supplies Bryan Adams with our universal tour kit which now includes RF Venue’s Diversity Fin,” says Nevalainen. “The kit also includes seven wireless channels using Shure UHRF receivers and UA845 amplifiers. Both Adams and lead guitarist Keith Scott use UR-1 body-pack transmitters with U845 combiners. For personal wireless monitoring they use Shure PSM1000s with a PA821A combiner.”

“I carry this exact same equipment around the world with me. So, when we change out a piece, its quite easy to see how well it works, because everything is known,” Nevalainen states. “In addition to its reliability and predictability, the Diversity Fin worked well because of its compact footprint in our congested left stage area. We were also quite pleased with the reduction in switching noise. The antenna basically forces the diversity receiver to choose between signals less frequently, and as a result you get more silent switching.”

Nevalainen has just returned from a series of June stadium shows in Denmark. “We have now been using the Diversity Fin exclusively with Bryan’s guitar setup,” he reports. “It has really simplified our setup and given us very reliable and predictable directional antenna coverage.”

ABOUT RF VENUE RF Venue manufactures wireless audio equipment including remote antennas, RF distribution equipment, and cable assemblies. The company’s primary antenna products include the interference mitigating RF Spotlight, the lightweight foldable helical antenna CP Beam, and the polarization diversity antenna dubbed Diversity Fin. For more information visit: www.RFvenue.com

METRIC HALO ANNOUNCES 2013 SUMMER SALE: BEST PRICES EVER

WHAT: Metric Halo announces their 2013 Summer Sale Extravaganza, running now until September 15, 2013. Featuring the best deals ever offered on Metric Halo’s award-winning products, the 2013 Summer Sale provides you with an excellent opportunity to experience Metric Halo’s legendary quality first-hand.

A 30-day, money-back guarantee backs Metric Halo’s hardware products so you can try them out in your studio with no risk. Metric Halo also provides a free 30-day demo for its software products, so you can try before you buy.

WHY: If you’ve been lusting after a Metric Halo interface, but it was just beyond your reach, Metric Halo’s announcement of the 2013 Summer Sale is great news for you!

WHO: Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and hardware.

WHEN: Now until September 15, 2013

WHERE: Metric Halo products are available during the Summer Sale from authorized dealers worldwide (http://mhsecure.com/metric_halo/buy/dealers.html) and direct from Metric Halo (https://www.mhsecure.com/mhdirect/home.php)

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

ASHLY AUDIO PRODUCTS NOW ALLOW USER CONTROL FROM APPLE iPAD, iPAD MINI, iPHONE, & iPOD TOUCH DEVICES VIA KEY DIGITAL’S COMPASS CONTROL TECHNOLOGY

WEBSTER, NEW YORK – JULY 2013: Ashly Audio is pleased to announce that all of its processors and amplifiers with Ethernet or RS-232 control capability are now compatible with Key Digital’s Compass Control Technology, which allows end-user control from Apple’s ubiquitous iPad, iPad Mini, iPhone, and iPod Touch wireless devices. Because many users already own these devices, offering user control via Apple’s wireless iOS products is both cost-effective and convenient. Moreover, the “wow factor” is sure to impress clients and win more work via word of mouth.

The Ashly Audio products that integrate with Compass Control include the ne24.24M modular matrix processor; the ne4400, ne4800, & ne8800 processors; the Protea 3.6SP & 4.8SP processors; the ne800, ne1600, ne2400, ne4250, & ne8250 amplifiers; the nXe & nXp amplifiers; and all Pema integrated processor/amplifiers. “In this age of highly integrated A/V systems, we at Ashly Audio are excited to be able to give our customers yet another means of controlling their pro sound equipment via Compass Control® and Apple iOS devices,” said Ashly CEO Mark Wentling.

“Resulting from cooperative efforts between Ashly and Key Digital, the integration of its audio products within the Compass Control® environment represents a powerful and user-friendly comprehensive solution delivering iOS-based control and entertainment functionality,” said Key Digital’s Vice President of Sales, Michael Lakhter. “The Compass Alliance™ Partners have come together to create a system that has full-driver integration already completed, increasing efficiency for integrators.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

IMT Joins AT&T Partner Exchange as Platinum Solution Provider

Integrated Media Technologies to Provide Customized AT&T Solutions

 

 

 

Integrated Media Technologies, Inc. (IMT) has joined the AT&T* Partner Exchange (sm) reseller program as a Platinum Solution Provider and is now authorized to resell services from one of the leading worldwide providers of IP-based communications to businesses. Bundling AT&T solutions with IMT’s solutions will provide innovative, customized choices for customers.

“We can help our clients further now by providing the network piece between facilities and data centers,” commented IMT’s Chandos Mahon, VP Sales of the company’s new Interactive Video Learning division.  “We can resell AT&T cloud services in particular, which will further help IMT provide optimum backup and archiving for our customers, which is ideal for the media and entertainment industry.”

 

 

 

 

 

“We welcome IMT to the AT&T Partner Exchange. Our collaboration will enable IMT experts to bundle our innovative services with their in-depth knowledge to deliver tailor-made solutions to businesses,” said Randall Porter, Vice President, Sales and Business Development, Emerging Business Markets, AT&T Business Solutions.

IMT will initially resell the following solutions with additional solutions to be added this year:

AT&T Synaptic Compute as a Service (sm) – offers on-demand virtual machines and associated networking resources in a self-service, pay-as-you-go model.

AT&T Synaptic Storage as a Service (sm)- provides highly-secure, virtualized storage that adaptively scales to any size your customers need, and is accessible from virtually any device, nearly anywhere.

AT&T Synaptic Platform as a Service (sm) – a complete development environment that allows users to build custom applications and bring them online quickly and efficiently.

AT&T Virtual Private Network Service – provides the foundation that connects the main office, data centers, branch offices, and remote and mobile workers to each other, and to the applications they need to be productive.

AT&T Managed Internet Service
– high-speed dedicated Internet access, with the features businesses need to connect with customers, partners, and employees.

AT&T Multiprotocol Label Switching (MPLS) Private Network Transport – - businesses can couple their AT&T Managed Internet Service with a point-to-point, network-based connection for increased security and availability.

AT&T IP Flexible Reach – a managed Voice over IP communication solution that supports inbound and outbound calling on your data network, providing local, long distance, and international calling for U.S. sites.

*AT&T products and services are provided or offered by subsidiaries and affiliates of AT&T Inc. under the AT&T brand and not by AT&T Inc.

ABOUT INTEGRATED MEDIA TECHNOLOGIES
Integrated Media Technologies Inc. (IMT) is a digital media and technology company with offices in Los Angeles, San Jose, Dallas, and NYC.  In 2011, Inc. Magazine ranked IMT as the 25th fastest growing private company in the Technology Services industry.  IMT serves the broadcast, telecommunications, media & entertainment, IT, institutional, commercial real estate and hospitality sectors with a broad range of solutions designed to drive new value and efficiencies from technology.

Learn more at: http://www.imtglobalinc.com tel: 877.761.9770

Gand Concert Sound Pitches In At Music Festival

CHICAGO—Pitchfork Music Festival, held July 19-21 in Chicago’s Union Park, brought the best of emerging music to over 50,000 attendees. The Festival has been drawing huge sold-out crowds since it began in 2006. This year, 40 artists entertained on three stages including Bjork, Solange, Lil B, R Kelly, Savages, The Breeders, Swans, and Wire.

Gand Concert Sound of Elk Grove Village, IL, aka ‘the NEXO guys’, provided audio production for both the Red and Green stages, Red stage included 15 NEXO GEO T line array boxes per side, 16 NEXO CD18s, a Yamaha CL5 digital audio console at FOH, and a Yamaha M7CL for monitors.

The Green Stage audio set up consisted of 18 GEO Ts per side, 20 CD18s, and Yamaha PM5D-RH digital consoles for front of house and monitor mixing. NEXO PS15R2s were supplied for the both the Red Stage (passive) and Green Stage (bi-amped) along with NEXO NX4x4 amps for mains and Yamaha T5n amps for subs, front fills and monitors, along with NEXO NX241 and 242 processors. Alpha E/f and S2 side fills were used on the Green stage.

“Of all the fests in the USA, Pitchfork stands out as the place to be for fans of up and coming bands and indie’s who have established themselves as must-see acts,” says Gand President, Gary Gand. “It’s a great test of what our audio production set up centered around the NEXO systems can do. From a solo harp player to a 20 piece hardcore rap act and all points in-between, bring it on!”

“Many, many kudos to Gand from the audio folks that the artists brought, and from us,” states Mary Jones, director of Pitchfork Festival Artist Production & Artist Relations.

For more information on Gand Concert Sound, visit www.gandconcertsound.com.

For more information on Yamaha and NEXO products, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support. “>www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

LIPA Graduate Chris Pawlusek Receives The 2013 MPG Prize

Chris Pawlusek has become the 2013 recipient of the Music Producers Guild Prize, which rewards the most promising student to graduate from The Liverpool Institute for Performing Arts (LIPA) Sound Technology degree programme.

Launched in 2010, the MPG Prize brings enormous benefits to the winning student as it offers an opportunity to work alongside some of the UK’s top recording professionals. Prominent MPG Awards winners continue to be very supportive of the initiative, which also brings sponsorship opportunities from companies such as Avid and MPG benefactor Roberston Taylor Insurance Brokers.

MPG Chairman Steve Levine and MPG Education Representative Tony Platt presented Chris Pawlusek with his prize during LIPA’s annual graduation ceremony, which took place today. Also present was LIPA lead patron Sir Paul McCartney.

The aim of the Music Producers Guild Prize is to recognise the student who, in the opinion of his or her tutors, has shown the most exceptional talent, initiative, commitment and consideration to the art of music recording and production.

Jon Thornton, who heads LIPA’s three year BA (Hons) Sound Technology programme, says: “Chris’ work, particularly during his final year, demonstrated not just technical excellence, but also exceptional maturity in terms of musicality, working with others and constantly pushing for that extra one per cent in what is achievable.”

Chris Pawlusek already has some engineering experience having worked as a freelance at Far Heath Studios, Northamptonshire, since 2009. He is currently completing an EP for Liverpool band Nine Tails.

He says: “I’m really delighted to win the MPG Prize. I want to develop my production and engineering skills and this prize offers me a fantastic opportunity to do that, and to make new contacts in the audio recording industry.”

Commenting on the Prize, Tony Platt says: “We are ever mindful that the pathways into music production are very different from those that were available to established producers and engineers when we entered the industry. By directly linking graduating students who are only just starting to carve themselves a career with top professionals, we are able to provide the fortunate winner with a strong first footing. I am once again amazed by how much this year’s winner, Chris Pawlusek, has already achieved during his three years at LIPA and I am delighted that we can contribute to the next phase of what will no doubt be a glittering career.”

Winning the MPG Prize will give Chris Pawlusek the chance to develop and explore the recording techniques he has learned at LIPA and make valuable contacts within the professional sound industry. In addition to a one year associate membership to the MPG, Pawlusek will also have the opportunity to shadow producer Al O’Connell, MPG Engineer of the Year 2013, and Charlie Andrew, MPG Breakthrough Producer of the Year 2013. Pawlusek will also attend an orchestral recording session with Award-winning engineer Haydn Bendall and attend a mastering session with Matt Colton, winner of the MPG Mastering Engineer Award 2013. Studio experience will be provided by Snap! Studios, winner of the MPG Best Studio Award 2013, and Pawlusek’s technical expertise will be enhanced by a day at Avid’s UK headquarters where he will receive in-depth tuition on Avid’s flagship D-Control console and the System 5 Fusion.

Robertson Taylor has offered to contribute towards the cost of Pawlusek’s travel and accommodation expenses while he is taking up these opportunities, and throughout the year he will be mentored by various MPG members including Steve Levine, Nicky Graham, Tony Platt and Mick Glossop.

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About Music Producers Guild (UK)

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

About LIPA

LIPA is located in Sir Paul McCartney’s old school, the Liverpool Institute for Boys, which underwent a multi-million-pound renovation to turn it into a state-of-the-art performing arts higher education institution. It was founded by Sir Paul and Mark Featherstone-Witty and opened in 1995 with the aim of providing the best teaching and learning for people who want to pursue a lasting career in the arts and entertainment industry, whether as performers or those who make performance possible. www.lipa.ac.uk

Jünger Audio Redefines Audio Processing at IBC 2013

Dynamics specialist Jünger Audio will use the IBC 2013 platform (Hall 10, Stand A49) to announce a new direction of creating solution based packages for its entire product range – one that is designed to make it much easier for customers to identify the exact processing solution they are looking for.

“As there is now a trend among some of our customers to use products like the T*AP (Television Audio Processor) for applications such as radio or PA, we decided to separate processing hardware from the feature set,” says Jünger Audio’s Managing Director Peter Pörs. “This change acknowledges the way in which many of our customers are working and allows Jünger Audio’s highly recognized functionality packages previously known as T*AP and M*AP to live on in common hardware.”

The new strategy will see Jünger Audio’s key hardware products marketed as universal processing platforms, with each one capable of handling transcoding and routing, as well as audio processing, and offering various ways of control including through automation or third party equipment. Instead of specific product names such as T*AP, M*AP and V*AP, Jünger Audio will now use these names to identify application packages. Once customers have chosen a processor with the right channel count and specified the application area they want to address (radio, TV, production, post production etc.), Jünger Audio will deliver the relevant software package with the audio processor box of choice to create a solution that exactly matches the customer’s needs.

“By using a universal processing platform, the new modularity of our product range will get as close as possible to each customer’s workflow,” Peter Pörs says. “Managing audio loudness with our renowned non-destructive Level Magic™ algorithm will be one of many features, along with 3G, HD and SD SDI embedded audio handling and high quality limiters, compressors, delays and equalisers. This modularity concept will also allow for specific coding hardware to decode, encode or transcode Dolby®-E, Dolby®-D (AC-3) and Dolby® Digital plus (E-AC-3), as well as HE-AAC formats.”

Pörs adds that the proliferation of distribution formats has made audio quality control during production more important than ever.

“In the past it might have been sufficient to monitor only the main mix, ignoring all transport coding and metadata implications,” he says. “But with all the simulcast formats in use today, the production team needs to simulate the home listening experience by real time metadata emulation. Adding this functionality to a hardware based monitoring controller, combined with loudness measurement and logging features, is the feature set of our QC and production monitoring solution M*AP.

“We are clearly refocusing on production and the fantastic first feedback we have received for our new voice processor V*AP evidently signals that we’re on the right track with our range of products. The V*AP offers all the processing arsenal you need for highest quality voice processing including mic preamps, compressors, expanders, limiters, and voice optimized equalizers. The V*AP also includes a voice optimized version of Spectral Signature, a process using individual spectral reference footprints as a real-time comparison reference for incoming audio, adding filtering only if it is necessary to generate spectral consistency.”

Pörs adds that the company’s extensive product range will now include a plug-in version of Level Magic™ in native plugin formats (VST, RTAS, AU, AAX, Audiosuite, etc.) for MAC and PC, 32- and 64-bit systems. This will be launched at IBC 2013.

“For the first time ever it will be possible for production staff using equipment such as Pro Tools to control audio loudness using our Level Magic™ algorithm,” he says. The addition of a plug-in to our range means that, from production right though to transmission, broadcasters can use Level Magic™ processing throughout their entire production and broadcasting chain.”

If you would like more information about Junger Audio’s universal processing platforms, please visit the company in Hall 10, Stand A49.

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

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