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DANLEY’S PRECISE AUDIO FIDELITY ANCHORS THE NEW PERFORMING ARTS CENTER AT FINGER LAKES COMMUNITY COLLEGE

CANANDAIGUA, NEW YORK – APRIL 2013: Given its exceptional faculty and its extensive facilities for Music and Music Recording Technology, the Finger Lakes Community College in Canandaigua, New York is rare among community colleges. The résumés of its faculty include some of the best-known commercial recording studios in the world, and the campus is home to the Constellation Brands-Marvin Sands Performing Arts Center (CMAC), a popular outdoor venue that seats 5,000, and a John Storyk-designed recording studio. Recently, the school committed to building a new Student Life Center building, which, among many other amenities, includes a 410-seat Performing Arts Center and a smaller multipurpose room with flexible seating. The performing arts center is acoustically- and technologically-flexible and capable of effectively delivering acoustic music, high-SPL rock, and everything in-between. Both rooms rely on Danley Sound Labs loudspeakers and subwoofers to convey high-fidelity sound reinforcement with precise pattern control.

“It was only after we had designed the room for acoustic music that the school added high SPL amplified music to the list of requirements,” explained Seth Waltz, principal of AVL Designs (Penfield, New York). “It was originally designed as a classic recital hall, and we did all of the acoustic work with that in mind. Our initial plan called for a small central cluster of loudspeakers that would be used strictly for voice reinforcement. But then they changed things and wanted to be able to accommodate rock bands and dramatic theater. So we had to move backwards, working around the acoustics and the lighting positions that were already in place.” JMZ Architects (Glens Falls, New York) led the project, and AVL Designs designed the acoustics, rigging, lighting, video, and sound reinforcement for both rooms. Platinum Sound (Victor, New York) installed the audio and video systems, and BMI Supply installed the rigging and lighting.

“Given the new requirements, we had to find a very well-controlled loudspeaker that would keep energy off the walls and ceiling, yet deliver tremendous SPL with audiophile fidelity,” said Waltz. “Because of sight lines, lighting positions, and the geometry of the room, a line array was out of the question. Danley Sound Labs’ Synergy Horn technology was the obvious, and perhaps only choice.” AVL designed stereo clusters mounted at either edge of the proscenium, each composed of a Danley SH-64 with a Danley SH-95 for downfill. Four Danley TH-112 subwoofers support the low end from below the stage.

A Digidesign Venue SC48 sits at FOH and feeds an Ashly ne24.24M modular I/O processor configured four eight inputs and sixteen outputs. “In terms of sound quality for the dollar, I love the Ashly processors,” said Waltz. “The Ashly ne24.24M is the perfect FOH processor.” A pair of four-channel Lab.gruppen c48:4s power the Danley TH-112 subwoofers and the Danley SH-64 loudspeakers, and a c28:4 powers the SH-95s. Crestron control integrates all of the A/V system functionality and lights. A high-definition Christie Digital LX1500 projector illuminates a Da-Lite 270-inch screen for cinema-quality video, and ETC lighting with 192 channels of dimming allow for flexible and dramatic staging.

The design goal was not merely to make the Performing Arts Center acceptable for a wide range of music and performances, but to make it excellent across that range. Because they have such low distortion and because it is largely independent of the output volume, the Danley loudspeakers and subwoofers contribute significantly toward that goal. Going further, AVL Designs incorporated a Yamaha AFC electronic reverberation system for the room. A series of sixteen hidden microphones feed a processing engine that outputs to approximately forty hidden loudspeakers with small subwoofers built in. Using the Yamaha system, the room’s reverb can be adjusted between 1 and 2.5 seconds.

Although much smaller in scope, the multipurpose room was the first space in which the college’s discriminating faculty had an opportunity to hear Danley loudspeakers installed. A pair of Danley SH-100Bs provide stereo output with integrated subwoofer support. “The faculty – and these are all veteran recording engineers – were blown away by the Danley SH-100Bs,” said Waltz. “And when these people say that they like the way a loudspeaker sounds, it really means something!” A Yamaha 24-channel digital console feeds another Ashly ne24.24M, this time configured as 8×12. A QSC PLX 3102 amplifier powers the system.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

STOP BY AND SEE US AT INFOCOMM BOOTH #143, DEMO ROOM #W203B

SYMETRIX INTRODUCES EXTERNAL CONTROL EXPANDER FOR SYMNET

SEATTLE, WASHINGTON – APRIL 2013: Symetrix announces release of the SymNet xControl, an external control expander for use with the SymNet Edge and Radius family of DSP products useful in conferencing and paging applications. For those installations where Edge and Radius’s eight onboard control inputs and eight logic outputs require expansion, xControl provides an additional sixteen inputs, sixteen outputs and two RS-232 ports.

In typical conferencing and paging applications, external control inputs accommodate closures from push to talk (PTT) microphone switches while control outputs directly drive LED indicators associated with the PTT mics. Additional output applications may include the triggering of external relays or camera switching devices.The xControl’s flexibility lends support to both everyday and ‘outside-the-box’ applications.

For serial communications with third party projectors, camera controls, routers, and lighting either of xControl’s two RS-232 ports may be configured to receive or transmit commands. An added bonus is Power over Ethernet (PoE) which means xControl may be mounted outside of a rack room and connected to the system with a single CAT5/6 cable via a PoE network switch. Occupying only a 1U, two of the half-rack devices can be mounted side-by-side or xControl may be surface mounted. For either type of mounting, all hardware is included. For direct powering, a PoE injector is included. SymNet Composer open architecture software provides comprehensive set-up and management of xControl.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

PLEASE STOP AND SEE US AT INFOCOMM BOOTH #922

SYMETRIX LAUNCHES SYMNET TELEPHONE INTERFACE CARD

SEATTLE, WASHINGTON – APRIL 2013: Symetrix announces the release of the 2 Line Analog Telephone Interface Card for SymNet. The card integrates a complete set of PSTN telephony functions into SymNet Edge and Radius AEC systems configured for teleconferencing. The initial rollout includes US FCC Part 68 certification and Industry Canada CS-03 Part I.

The telephone card’s robust feature set includes incoming call detection and answering, DTMF-dialing, speed-dialing, re-dialing, DTMF decoding, do not disturb, caller-ID reception, call progress detection, and continuous line status and fault monitoring.

Telco connections use standard RJ-11 jacks with parallel set connections per line for a physical handset, a dialer, or an ADA-compliant visual or audible device. As with all SymNet modular cards, the 2 Line Analog Telephone Interface Card may be installed in the field by a certified technician.

Beyond teleconferencing, the card is also intended for use in paging, broadcast feed, and remote system monitoring applications.

Paul Roberts, Symetrix CEO, noted, “The 2 Line Analog Telephone Interface Card is the nextstep in our audio teleconferencing product developments. Integrators and consultants in North America can now design and deliver teleconferencing systems using SymNet AEC and analog telephone interface technology deployed on our Edge and Radius AEC hardware platforms.”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

PLEASE STOP AND SEE US AT INFOCOMM BOOTH #922

SYMETRIX DEBUTS DEDICATED AEC PROCESSOR

SEATTLE, WASHINGTON – APRIL 2013: Symetrix announces delivery of the SymNet Radius AEC, a core acoustic echo-cancelling device for deployment in teleconferencing installations of any size. The 1U rack unit contains eight mic/line wideband echo cancellers, eight line outputs, and four auxiliary line inputs. Application specific input or output expansion of a single Radius AEC is facilitated with a configurable slot supporting any SymNet I/O card including the recently released 2 Line Analog Telephone Interface.

As a building block in larger systems Radius AEC uses Dante for network audio connections to additional Radius or SymNet Edge DSPs, and to the cost-effective SymNet 12-channel I/O expanders.

Paul Roberts, Symetrix CEO was quick to point out, “We designed mega DSP into this box. In addition to the eight full-band, low-latency channels with direct outputs, we have a flexible general purpose DSP to handle all the other processing that is truly required to support high-intelligibility speech and effective communications. Corporate and educational end users are raising the bar every day. We purposefully designed Radius AEC to stay ahead of the curve.”

As with all SymNet DSP products using Composer open architecture software, Radius AEC supports an array of user controls including the ARC-WEB browser, ARC wall panels, SymVue custom user screens, and third party touchscreens.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

STOP BY AND SEE US AT INFOCOMM BOOTH #922

POST KATRINA, JOE BROWN MEMORIAL PARK RE-OPENS WITH SR SYSTEMS CENTERED ON ASHLY

NEW ORLEANS, LOUISIANA – APRIL 2013: Hurricane Katrina and the levee failures it caused left Joe W. Brown Memorial Park in east New Orleans under seven feet of water. The water sat for weeks, leaving everything below its depths to rust and rot. The march toward full recovery has advanced slowly but steadily, and now Joe Brown Park is not only back, it’s better than it was in the summer of 2005, before the fateful hurricane made landfall. Nike, the Allstate Sugar Bowl, and the Drew Brees Foundation joined the city to help fund the $23 million rehab, which includes a new football field and a new track and soccer field. Local A/V integration firm Technical Services Group (TSG) designed and installed sound reinforcement systems for both areas, relying on Ashly Audio processing, amplification, and user control to provide a pair of complementary system that – although different “under the hood” – function identically from the user’s perspective.

“I grew up in New Orleans, and I played high school baseball at Joe Brown Park,” said Patrick Meek, vice president of sales and marketing at TSG, who, together with A/V designer, Scott Richard won the bid and saw the project through to completion. “Being a part of this project was important to me personally. Moreover, it’s a high-profile job that’s being funded by some very big organizations. We worked hard to create a powerful, reliable system on budget, and Ashly’s performance per dollar, for processing, amplification, and user control, was a significant part of our success.”

Because an endless parade of different, non-technically-inclined teachers, park officials, parents, and others would need to be able to reliably use the systems, they had to be completely intuitive. TSG therefore led with the Ashly RW-8C, a four-gang wall plate with eight programmable channel faders and a programmable master fader, each with an on/off button. “The two systems operate as equals from the user’s perspective,” said Meek. “They can walk into either one and understand that the various available microphones and input sources, all labeled on the RW-8C, can be turned on or off and turned up or turned down. Behind the scenes, the processing, amplification, and loudspeakers are different between the two systems, but that’s invisible to them.”

The football field uses an Ashly ne24.24M processor configured with twelve inputs and eight outputs. A Denon CD player joins two Sennheiser HMD-Series headset microphones, a handheld Sennheiser e 935 microphone for vocals, and two Lectrosonics Venue-Series wireless microphones (a belt-pack transmitter lavalier system) and a handheld microphone transmitter at the inputs. Three QSC ISA-Series amplifiers power a Community array composed of two R2-77z, two R2-94z, and two R2-52z loudspeakers. In contrast, the track and field uses an Ashly Pema 8250.70 combination amplifier/processor together with a Protea processing-equipped Ashly ne2400.pe for both signal conditioning, mixing, and power. Again, a Denon CD player allows for music playback, a Sennheiser HMD-Series headset, and a wired Sennheiser e935 microphone provides input for vocals, but this time those inputs are joined by Sennheiser ew-Series wireless lavalier and handheld microphones. Two Community R.5-66TZ and two Community R.5-94TZ loudspeakers complete the system.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #335

MUSICIANS INSTITUTE OF LOS ANGELES INSTALLS API 1608 FOR AUDIO ENGINEERING EDUCATION PROGRAM

LOS ANGELES, CALIFORNIA – APRIL 2013: A 32-channel 1608 console will contribute to the education of many audio engineering students at the Musicians Institute College of Contemporary Music for years to come. The 1608 console can be found in Studio C of the college and was installed in the beginning of January, just in time for the spring semester.

The school, located in Los Angeles, has been an important part of music education in southern California since the late 70s and offers a variety of programs, such as Guitar Craft, Music Industry and Audio Engineering, where the 1608 will be used. Approximately two hundred students are currently enrolled in the Audio Engineering program.

The console was sold and installed by Westlake Pro, an API dealer located in North Hollywood. The 1608 was selected to replace the aging large format console in Studio C after a complete rework of the patch bay. “The API was chosen based on recommendations. When we decided to get a new console, many of the instructors requested an API. The final decision was made by our previous program chair after discussing the options with Westlake,” said Krystal Schafer, studio manager.

“The API 1608 is perfect for teaching classic, all-analog, signal chain theory, operation and patch bay to MI’s beginning audio engineering students,” says instructor Barry Rudolph. “The Practical Recording Class is one of the first exposures they have to professional recording consoles.”

Audio Engineering students will learn the basics of the 1608 console in the Practical Recording course during their first quarter and will dive deeper into recording during their second quarter in the Mixing and Mastering course. Students are also able to book studio time on weekends to practice and work on projects.

“API was the overwhelming choice, as everyone involved knew of the API 1608’s value as a high-quality, easy-to-use, great-sounding, traditional recording console,” said Gadget Hopkins of Westlake Pro. “The API 1608’s rich heritage, based off the renowned vintage 1604, is classic API sound and quality, while adding new modern features that are valuable for today’s engineers, producers and musicians. These features fit the schools requirements for their curriculum perfectly.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

API 1608 CONSOLE INSTALLED AT UPSTATE NEW YORK’S SOUNDSCAPE STUDIO

BUFFALO, NEW YORK – APRIL 2013: James Calabrese, owner of Soundscape in Buffalo, New York has purchased a 32-channel 1608 with an expander. The veteran composer, engineer and studio-owner chose the 1608 console as the prized piece of his upstate New York dwelling.

“I first heard an API when I was in New York helping to cut tracks for Miki Howard’s debut album Come Share My Love and the engineer used a Lunchbox to EQ the massive electric piano part,” says Calabrese. He has been in the market ever since.

His studio also features other API gear such as the 3124 four-channel mic pre, a 500V rack, and four 550 EQ’s, as well as two 525 compressors, now in the console. The console was purchased from API rep, Vintage King of Detroit.

James started as a composer, where he recorded original music for commercials, corporate and broadcast video scoring, in pop, rock, jazz, and classical styles. Some clients include Fisher Price, Hasbro, Xerox, Kodak, Phillips Electronics, and artists like Pointer Sisters, Ray Charles, and the Goo Goo Dolls. He even co-wrote the track, Where You Are on Whitney Houston’s multi-platinum second album, Whitney. “I’ve collaborated with New York composer Ken Higgins to score a few films and documentaries along with the globally-syndicated miniseries Hemmingway for Daniel Wilson Productions,” he says of his experiences.

As of late, he has completed sessions on his new 1608 with pianist arranger transcriber Krista Seddon, remixed a tune for LA-based guitarist Michael Campagna for a Varese Sarabande library, and has also mixed an Old Navy commercial.

“There really wasn’t any other choice,” says Calabrese. “I’m still only at the beginning of my knowledge of the 1608; still learning the center section, love the sound, love the build quality and I’m looking forward to some larger tracking sessions in the next few months. I liked the fact that API was going to be around a while. I wanted a desk that I’d probably keep the rest of my career.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

RTW TM7 TOUCHMONITOR WINS 2013 iF PRODUCT DESIGN AWARD

International Forum Design Honors Plug-In Module Version of RTW’s TM7 TouchMonitor

COLOGNE, GERMANY, 22, APRIL, 2013 – RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, is happy to announce that the half 19-inch 20700VID plug-in module version of RTW’s TM7 TouchMonitor has won an iF Product Design Award. The iF (International Forum Design) jury, judging on behalf of a global organization dedicated to strengthening public awareness of design through awards, publications and exhibitions, chose the 19-inch model as a standout product in the audio and video category. This is the second iF Product Design Award for RTW. The company also won in 2011 for the TM7 and TM9 TouchMonitor series.

Known the world over as a “seal of outstanding design,” the iF product design award honors outstanding achievements in design. It covers all areas of product design and serves as a platform for design-relevant innovations around the globe. All of the 2013 iF product design award winners are available at www.ifdesign.de.

The half 19-inch 20700VID plug-in module version of RTW’s TM7 TouchMonitor is specifically designed for installation in waveform-monitor racks typically used in video studios, which are often difficult to fit. This version of the TM7 is technologically identical to the original TM7 model, providing ports for eight analog, eight digital (AES3 or AES3id) and 3G-SDI signals in different combinations (I/O options). Both versions feature a USB port that allows for preset import and export, license updates, and firmware upgrades. Featuring a 7-inch touch screen combined with unprecedented flexibility and modularity with an intuitive user interface, the TM7 is part of RTW’s innovative range of products that marks the next generation in professional audio-signal metering.

The operating concept behind the entire line of TouchMonitor audio meters, based on 16:9 touch-sensitive screens, is unique. It offers not only a built-in online help function, but also allows for monitoring separate signal groups and using multiple instruments at the same time. This way, up to 16 analog or digital signals (with 3G-SDI interface up to 32) can all be displayed. In addition, the clear-cut surface layout of the product’s housing gives it a distinctive look, which can be consistently transferred to other RTW ranges of products and also allows for variations.

“We are very proud that the International Forum Design has once again chosen RTW, this time for the design of the half 19-inch plug-in module version of our TM7 TouchMonitor,” says Andreas Tweitmann, CEO, RTW. “RTW is committed to providing the professional audio industry with the solutions it needs: devices that are both technologically advanced and well-designed. A lot of time and effort went into the design of this version of our TM7 and we are very proud our efforts have been recognized.”

DPA Microphones Wins A Prestigious mipa Award

DPA Microphones d:facto™ II Vocal Microphone has been awarded a prestigious mipa (Musikmesse International Press Award) in the Live Microphone/IEM category.

The award was presented to DPA’s CEO Christian Poulsen at a special mipa Awards Ceremony held during Musikmesse/Prolight + Sound on Thursday, April 11th 2013.

Widely regarded as the “Grammys” of the Musical Instrument/Pro Audio industry, the mipa Awards are voted for by editors of over 100 magazines from around the world. The 2012/2013 Awards had over 40 categories covering musical instruments and audio equipment.

Commenting on the Award, Christian Poulsen says: “We are absolutely delighted that our d:facto II Vocal Microphone has been recognised as a ground-breaking product, and that we were able to beat off stiff competition from other well-known and respected microphone brands. We spent three years developing this microphone and we are very proud of our achievement. We always knew we were onto a winner and it is very satisfying to see that the cream of the world’s pro audio and musical instrument press agrees with us.”

DPA’s d:facto II Vocal Microphone brings true studio sound to the live stage by offering an extraordinarily natural sound, superior gain before feedback and extreme SPL handling. In addition to use with the new wired DPA handle, the d:facto II provides singers and engineers with the added benefit of a state-of-the-art adapter system that allows for seamless integration with many professional wireless systems such as Sony, Lectrosonics, Shure, Wisycom and Sennheiser.

Equally at home in sound reinforcement and recording applications, the d:facto II is the vocal microphone that the music industry has been waiting for. Its simple plug-and-play features allow it to reproduce an extraordinary natural sound, which reaches the extreme sound level handling of 160 dB. As with all DPA mics, the d:facto II is superbly linear in frequency and phase, both on- and off-axis, while its impressive definition and accuracy reproduces a singer’s voice effortlessly. It also sets new standards its robust three-stage pop protection grid that ensures the removal of unwanted noise.

During Prolight + Sound, folk pop band SHEL performed on the DPA booth using the new d:facto II Vocal Microphones in several wireless configurations. Already fans of DPA’s d:vote™ 4099 Instrument Mics, which they use, SHEL recently took the d:facto II Vocal Microphone on the road for concerts in Denver, Salt Lake City and Los Angeles and are now on tour in Europe visiting Ireland and the UK.

For more information about the 2013 MIPA Awards, please visit www.mipa-award.de/nominations_2013.php

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Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

Prism Sound Announces New Mic To Monitor Tour For 2013

Prism Sound’s popular Mic to Monitor educational tour is back with new dates and new venues confirmed to 2013.

Targeted primarily at music production students, hobbyists and professionals, Mic to Monitor aims to dispel the many myths surrounding the recording process. Each seminar will feature presentations from recording professionals who will answer audience questions on recording techniques. There will also be the opportunity to demo equipment and win recording equipment from Prism Sound and SADiE – and from PMC and DPA Microphones, which are supporting the tour.

Mic to Monitor 2013 begins on April 23rd at Pulse College, Windmill Lane Studios, Dublin. During May and June it will visit the University of the West of England (UWE), Bristol; Anglia Ruskin University, Cambridge; SAE, Glasgow; Alchemea College, London; LIPA, Liverpool; Futureworks, Manchester and City University, Birmingham.

Acclaimed mastering engineer Aidan Foley (Foo Fighters, Van Morrison, U2) will speak at the first session in Dublin, where he will reveal the tricks and techniques he used on the hugely successful Dead Can Dance album, Anastasis – a European No.1 hit that achieved over 250,000 in sales last year. Aidan will discuss his approach to the Vinyl, CD and other digital releases during the project and the challenges he had to overcome in and out of the studio.

Other confirmed speakers include Simon Little (Jessie Jay, Quantic), Jake Gosling, (Ed Sheeran, Paloma Faith, One Direction) and Award-winning mastering engineer Many Parnell, whose recent projects include Bjork, Feist and Frightened Rabbit.

Graham Boswell, Prism Sound’s Sales Director, says: “As a company, Prism Sound is dedicated to providing training initiatives to the producers and engineers of tomorrow. Music recording students need the opportunity to learn skills that are applicable to the industries in which they will ultimately work. They also need to know about the equipment they will regularly come into contact with. These seminars are all taking place at educational establishments that offer courses in music recording and broadcast engineering because we recognise that this is where the producers and engineers of the future are currently getting their grounding. The aim is to give them – and any industry professional who wants to brush up on their skills – the chance to discuss new techniques, demo cutting-edge equipment and software and learn first-hand from the experiences of our guest speakers.”

Full details of dates, venues and guest speakers will be posted on the Prism Sound website. Anyone wishing to attend Mic to Monitor can do so by registering their interest online at www.prismsound.com.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.prismsound.com

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