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API 1608 STARS IN ONE-OF-A-KIND STUDIO IN MILAN

MILAN, ITALY – MAY 2013: A new studio in Italy features a 16-channel API 1608 as the main attraction for a one-of-a-kind studio experience. INDIEHUB, located in Milan, is a “co-working” facility with a primary focus on creating music. Here, engineers, producers and musicians can rent space using either their own equipment (such as a laptop, audio interface, etc.) or supplied equipment and the recently installed 1608.

It all started with the idea that people in the music industry should have access to quality equipment in order to create quality music. Giving them the opportunity to meet each other and encouraging the comparison in a professional workflow is the goal of the INDIEHUB.

Owner Andrea Dolcino was introduced to a similar idea in a different type of facility, and thus the idea for INDIEHUB was born. “Before starting INDIEHUB, I’d been working for ten years as an audio engineer, specializing in post-production for advertising jingles. Three years ago, a customer took me to a co-working facility for a job,” says Dolcino. “So I decided to start the first co-working facility dedicated to music production.”

When it came time to choose a console, INDIEHUB worked with Paolo Orizio of Funky Junk in Italy. The API was the clear choice. “For our budget, the 1608 was the only console with a strong personality and a comfortable and modern routing,” says Dolcino. “It’s modern and vintage at the same time. The routing is perfect for HD recording and the 1608 preamplifiers are really attractive, especially for their response to the bass frequencies. For that money, it’s the best choice.”

The INDIEHUB facility invites clients to rent space for as little or as long as they like and can also host concerts and showcases, making this a unique experience – not only because of the facility, but also because this is the first 1608 console in Milan. “We are excited to spread our wings in Italy,” said Mark Seman, API sales. “This is a great endeavor for both API and INDIEHUB.”

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

ASHLY AUDIO INTRODUCES THE nX AMPLIFIERS: A WAVE OF TREMENDOUS POWER, EFFICIENCY, AND FLEXIBILITY FOR THE PRICE OF A MODEST SPLASH

WEBSTER, NEW YORK – MAY 2013: With founder Billy Thompson’s invention of the “Loud Amp” in the early 1970s and the introduction of its path-breaking MOS-FET amplifier technology in the early 1980s, Ashly Audio established itself as a company that would lead the industry in technological innovations. It continues that tradition with the new Ashly nX family of Class D amplifiers, which deliver up to 12,000W of clean power while drawing less than 1W in sleep mode. nX amplifiers are offered in four- or two-channel versions with selectable high-Z (70/100V) or low-Z output on each channel. nX model variants include the addition of Ethernet control, and onboard Protea™ DSP with load monitoring, to meet the many and varied requirements of modern fixed installation and live sound applications. True to the craftsmanship that launched the company, Ashly hand-builds nX amplifiers in the United States and backs their performance with a five-year warranty.

“nX amplifiers are lightweight and efficient, yet pack a tremendous amount of power and flexibility into a 2U chassis” said Anthony Errigo, director of communications for Ashly. “We have designed them to meet the demanding requirements of stadiums, arenas, performance venues, worship spaces, and convention centers – anywhere big sound and modern performance requirements are needed. nX amplifiers are especially appealing for value-engineered installs because they offer features, performance, and reliability that Ashly is known to deliver.”

Ashly is offering three series of nX amps with feature sets that build upon each other. The base nX amplifiers are available in four- or two-channel models at 3000W or 1500W per channel (@ 2 Ohms) and feature a defeatable automatic sleep mode. nXe series amps add Ethernet control, serial data control, aux preamp outputs, programmable standby mode, preset recall, fault condition logic outputs, event scheduling, and optional network audio and digital audio capability (CobraNet® or AES3). Finally, nXp series amps feature everything in nXe plus onboard 32-bit SHARC Protea DSP processing (48 or 96kHz sampling rate) and precision swept load-impedance monitoring.

Additional features include multiple independent power supplies for increased channel separation and reliability; front panel power switch and level controls (defeatable in nXe and nXp models); front panel LEDs for temperature, current, signal, clip, mute, bridge mode, protect, sleep, and more; Neutrik® Combo XLR – 1/4” TRS jack plus Euroblock input connectors; Neutrik speakON® twist locking loudspeaker connectors for security, safety, and reliability; rear panel DIP switches per channel for selection of high pass filter, limiter, input gain, and High-Z or Low-Z speaker output configuration; remote DC level control on each input channel; switch mode power supply automatically detects 120V or 240V AC operation; and extensive protection circuitry, including continuously variable cooling fans.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

PLEASE STOP BY AND SEE US AT INFOCOMM BOOTH #335

SE Systems Uses New NEXO STM System and Yamaha CL5s at MerleFest

BUENA PARK, Calif.—Held the last weekend of April in Wilkesboro, N.C., this year’s MerleFest included a roster of longtime roots artists like Leon Russell, The Charlie Daniels Band, Avett Brothers, Del McCoury Band, Donna the Buffalo, Jim Lauderdale, Michael Martin Murphey, Peter Rowan, Jerry Douglas, Sam Bush, and the Nitty Gritty Dirt Band. As locals know, the festival is named for famed guitarist Doc Watson’s late son, Merle, a gifted musician in his own right. Doc passed away in May 2012, so this is the first year he hasn’t graced the stage himself.

For the past 26 years, SE Systems of Greensboro, N.C. has provided audio production for MerleFest, and this year included a new NEXO STM rig shared and alternating between the main Watson Stage and the side Cabin Stage. The system consisted of 15 M46/B112 per side for mains, 16 S118 subs in cardioid mode per side, two M46 for front fills, and a three-stack of M46/B112s were used for out fills in the VIP area. A Yamaha DME64 digital mixing engine functioned as a converter from analog to Dante that was networked to all NXAMPs. 20 NEXO 45 N-12 line monitors were also used on the main stage.

“The NEXO STM system was very musical and even horizontally and vertically, states Chris West, front of house engineer at the Watson Stage. “The mix sounded the same on the ground and at FOH. The throw was incredible; we hardly used the delays.”

“The NEXO STM system sounded natural, even at high volume,” states Haley Miller, monitor engineer at the Watson Stage. “When dealing with acoustic music, the environment plays a large part, so a natural sounding system is always a plus. On stage it was quiet, and sometimes we couldn’t tell if the PA was on; the system allowed great isolation from stage to FOH with no bleed.”

Four new Yamaha CL5 digital audio consoles with Rio 3224 input/output boxes all connected with Dante were used on the Americana Stage for mains and monitors and at the Dance Stage for mains and monitors. “The overall impression was they sounded great,” states Myron Surber, Sales Associate, SE Systems. “The preamps were warm and the Premium Rack was a real plus with delays on the input channels and the additional 1/3 octave EQs.”

“The Yamaha CL5 is a great improvement on previous Yamaha consoles having mixed on both the PM5D and M7CL in festival situations,” states Josh Berneking, who mixed front of house for all the acts on the Americana Stage. “The CL5 is much better in that situation. The new premium rack plug-ins, especially the Rupert Neve EQ and Compressor, sound great. I also like the increased naming and labeling capabilities; and color-coding my channels was a huge help at the festival. I also found that it was similar enough in navigation to the M7s that guest engineers walking up to the consoles having no experience were able to jump right in on the desk and mix on the fly with very little help from me. The Dante network and stage boxes worked great; they were very easy to patch on, and setup. We were also able to connect my talkback mic to the monitor console through Dante.” Jeff Neubauer mixed monitors on the Americana Stage.

“The console sounded great and was sonically very clean,” states Todd Dupree who mixed monitors on the Dance Stage. “We had two Rio boxes on our stage; they are great devices, well made, and solid. The indicator lights for signal, peaking, 48v, and the Ping feature worked great in the frantic festival setting.” John Adair mixed front of house at Dance Stage.

For more information on SE Systems, visit www.sesystems.com.

For more information on NEXO and Yamaha products, visit www.yamahaca.com.

-END-

Photo ID: L to R SE Systems Chris West, Yamaha’s Joe Rimstidt, Doug Staab and Mark Rush, and SE Systems Thomas Dameron. Avett Brothers are on stage.

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Gand Moves and Takes On Fifth GEO T System

BUENA PARK, Calif.—Gand Concert Sound (GCS) has moved to new digs in Elk Grove Village, Illinois. After 18 years at their Glenview stronghold, GCS has relocated to a new warehouse that quadruples their space, doubles their docks, and adds a rail spur.

“We have been busting at the seams for the last few years and started looking for more space closer to O’Hare International Airport,” states Gary Gand, President. “Real estate being in a slump allowed us to scale up square footage without taking on more financially.”

The new Gand space features a 25’ ceiling allowing full size rigs to be flown for testing, and the layout allows for a concert-sized stage to be erected for full rehearsals of touring shows.
“We can now turn trucks around in a matter of hours without having to play Rubik’s Cube with the gear,” says VP Tim Swan. “GCS intends to expand their backline presence and may team up with other production vendors, all under one roof.”

In the timeliness of the move to the larger space, the company, also known as ‘the NEXO guys’, just took delivery of another 28-box NEXO GEO T speaker system, bringing their inventory up to five arena-sized rigs. The company already owns quite a stash of NEXO GEO S12, S8, Alpha, and PS series speakers and 4X4 NXAmps, making them one of the largest NEXO houses in the USA. GCS began their stable of GEO T systems with the first concert rig in the USA used at the Georgia Dome in Atlanta in 2003.

For more information on Gand Concert Sound, visit www.gandconcertsound.com.

For more information on NEXO products, visit www.yamahaca.com.

-END-

Photo ID: L to R: GCS Nick Dahl, Austin Swan, Tim Swan, Gary Gand, and Adam Rosenthal toast fifth NEXO GEO T System

About Yamaha Commercial Audio Systems, Inc.:
Celebrating 125 years of Passion and Performance, and 25 years in the manufacturer of high quality digital audio consoles, Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

DANLEY’S PRECISE AUDIO FIDELITY ANCHORS THE NEW PERFORMING ARTS CENTER AT FINGER LAKES COMMUNITY COLLEGE

CANANDAIGUA, NEW YORK – APRIL 2013: Given its exceptional faculty and its extensive facilities for Music and Music Recording Technology, the Finger Lakes Community College in Canandaigua, New York is rare among community colleges. The résumés of its faculty include some of the best-known commercial recording studios in the world, and the campus is home to the Constellation Brands-Marvin Sands Performing Arts Center (CMAC), a popular outdoor venue that seats 5,000, and a John Storyk-designed recording studio. Recently, the school committed to building a new Student Life Center building, which, among many other amenities, includes a 410-seat Performing Arts Center and a smaller multipurpose room with flexible seating. The performing arts center is acoustically- and technologically-flexible and capable of effectively delivering acoustic music, high-SPL rock, and everything in-between. Both rooms rely on Danley Sound Labs loudspeakers and subwoofers to convey high-fidelity sound reinforcement with precise pattern control.

“It was only after we had designed the room for acoustic music that the school added high SPL amplified music to the list of requirements,” explained Seth Waltz, principal of AVL Designs (Penfield, New York). “It was originally designed as a classic recital hall, and we did all of the acoustic work with that in mind. Our initial plan called for a small central cluster of loudspeakers that would be used strictly for voice reinforcement. But then they changed things and wanted to be able to accommodate rock bands and dramatic theater. So we had to move backwards, working around the acoustics and the lighting positions that were already in place.” JMZ Architects (Glens Falls, New York) led the project, and AVL Designs designed the acoustics, rigging, lighting, video, and sound reinforcement for both rooms. Platinum Sound (Victor, New York) installed the audio and video systems, and BMI Supply installed the rigging and lighting.

“Given the new requirements, we had to find a very well-controlled loudspeaker that would keep energy off the walls and ceiling, yet deliver tremendous SPL with audiophile fidelity,” said Waltz. “Because of sight lines, lighting positions, and the geometry of the room, a line array was out of the question. Danley Sound Labs’ Synergy Horn technology was the obvious, and perhaps only choice.” AVL designed stereo clusters mounted at either edge of the proscenium, each composed of a Danley SH-64 with a Danley SH-95 for downfill. Four Danley TH-112 subwoofers support the low end from below the stage.

A Digidesign Venue SC48 sits at FOH and feeds an Ashly ne24.24M modular I/O processor configured four eight inputs and sixteen outputs. “In terms of sound quality for the dollar, I love the Ashly processors,” said Waltz. “The Ashly ne24.24M is the perfect FOH processor.” A pair of four-channel Lab.gruppen c48:4s power the Danley TH-112 subwoofers and the Danley SH-64 loudspeakers, and a c28:4 powers the SH-95s. Crestron control integrates all of the A/V system functionality and lights. A high-definition Christie Digital LX1500 projector illuminates a Da-Lite 270-inch screen for cinema-quality video, and ETC lighting with 192 channels of dimming allow for flexible and dramatic staging.

The design goal was not merely to make the Performing Arts Center acceptable for a wide range of music and performances, but to make it excellent across that range. Because they have such low distortion and because it is largely independent of the output volume, the Danley loudspeakers and subwoofers contribute significantly toward that goal. Going further, AVL Designs incorporated a Yamaha AFC electronic reverberation system for the room. A series of sixteen hidden microphones feed a processing engine that outputs to approximately forty hidden loudspeakers with small subwoofers built in. Using the Yamaha system, the room’s reverb can be adjusted between 1 and 2.5 seconds.

Although much smaller in scope, the multipurpose room was the first space in which the college’s discriminating faculty had an opportunity to hear Danley loudspeakers installed. A pair of Danley SH-100Bs provide stereo output with integrated subwoofer support. “The faculty – and these are all veteran recording engineers – were blown away by the Danley SH-100Bs,” said Waltz. “And when these people say that they like the way a loudspeaker sounds, it really means something!” A Yamaha 24-channel digital console feeds another Ashly ne24.24M, this time configured as 8×12. A QSC PLX 3102 amplifier powers the system.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

STOP BY AND SEE US AT INFOCOMM BOOTH #143, DEMO ROOM #W203B

SYMETRIX INTRODUCES EXTERNAL CONTROL EXPANDER FOR SYMNET

SEATTLE, WASHINGTON – APRIL 2013: Symetrix announces release of the SymNet xControl, an external control expander for use with the SymNet Edge and Radius family of DSP products useful in conferencing and paging applications. For those installations where Edge and Radius’s eight onboard control inputs and eight logic outputs require expansion, xControl provides an additional sixteen inputs, sixteen outputs and two RS-232 ports.

In typical conferencing and paging applications, external control inputs accommodate closures from push to talk (PTT) microphone switches while control outputs directly drive LED indicators associated with the PTT mics. Additional output applications may include the triggering of external relays or camera switching devices.The xControl’s flexibility lends support to both everyday and ‘outside-the-box’ applications.

For serial communications with third party projectors, camera controls, routers, and lighting either of xControl’s two RS-232 ports may be configured to receive or transmit commands. An added bonus is Power over Ethernet (PoE) which means xControl may be mounted outside of a rack room and connected to the system with a single CAT5/6 cable via a PoE network switch. Occupying only a 1U, two of the half-rack devices can be mounted side-by-side or xControl may be surface mounted. For either type of mounting, all hardware is included. For direct powering, a PoE injector is included. SymNet Composer open architecture software provides comprehensive set-up and management of xControl.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

PLEASE STOP AND SEE US AT INFOCOMM BOOTH #922

SYMETRIX LAUNCHES SYMNET TELEPHONE INTERFACE CARD

SEATTLE, WASHINGTON – APRIL 2013: Symetrix announces the release of the 2 Line Analog Telephone Interface Card for SymNet. The card integrates a complete set of PSTN telephony functions into SymNet Edge and Radius AEC systems configured for teleconferencing. The initial rollout includes US FCC Part 68 certification and Industry Canada CS-03 Part I.

The telephone card’s robust feature set includes incoming call detection and answering, DTMF-dialing, speed-dialing, re-dialing, DTMF decoding, do not disturb, caller-ID reception, call progress detection, and continuous line status and fault monitoring.

Telco connections use standard RJ-11 jacks with parallel set connections per line for a physical handset, a dialer, or an ADA-compliant visual or audible device. As with all SymNet modular cards, the 2 Line Analog Telephone Interface Card may be installed in the field by a certified technician.

Beyond teleconferencing, the card is also intended for use in paging, broadcast feed, and remote system monitoring applications.

Paul Roberts, Symetrix CEO, noted, “The 2 Line Analog Telephone Interface Card is the nextstep in our audio teleconferencing product developments. Integrators and consultants in North America can now design and deliver teleconferencing systems using SymNet AEC and analog telephone interface technology deployed on our Edge and Radius AEC hardware platforms.”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

PLEASE STOP AND SEE US AT INFOCOMM BOOTH #922

SYMETRIX DEBUTS DEDICATED AEC PROCESSOR

SEATTLE, WASHINGTON – APRIL 2013: Symetrix announces delivery of the SymNet Radius AEC, a core acoustic echo-cancelling device for deployment in teleconferencing installations of any size. The 1U rack unit contains eight mic/line wideband echo cancellers, eight line outputs, and four auxiliary line inputs. Application specific input or output expansion of a single Radius AEC is facilitated with a configurable slot supporting any SymNet I/O card including the recently released 2 Line Analog Telephone Interface.

As a building block in larger systems Radius AEC uses Dante for network audio connections to additional Radius or SymNet Edge DSPs, and to the cost-effective SymNet 12-channel I/O expanders.

Paul Roberts, Symetrix CEO was quick to point out, “We designed mega DSP into this box. In addition to the eight full-band, low-latency channels with direct outputs, we have a flexible general purpose DSP to handle all the other processing that is truly required to support high-intelligibility speech and effective communications. Corporate and educational end users are raising the bar every day. We purposefully designed Radius AEC to stay ahead of the curve.”

As with all SymNet DSP products using Composer open architecture software, Radius AEC supports an array of user controls including the ARC-WEB browser, ARC wall panels, SymVue custom user screens, and third party touchscreens.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

STOP BY AND SEE US AT INFOCOMM BOOTH #922

POST KATRINA, JOE BROWN MEMORIAL PARK RE-OPENS WITH SR SYSTEMS CENTERED ON ASHLY

NEW ORLEANS, LOUISIANA – APRIL 2013: Hurricane Katrina and the levee failures it caused left Joe W. Brown Memorial Park in east New Orleans under seven feet of water. The water sat for weeks, leaving everything below its depths to rust and rot. The march toward full recovery has advanced slowly but steadily, and now Joe Brown Park is not only back, it’s better than it was in the summer of 2005, before the fateful hurricane made landfall. Nike, the Allstate Sugar Bowl, and the Drew Brees Foundation joined the city to help fund the $23 million rehab, which includes a new football field and a new track and soccer field. Local A/V integration firm Technical Services Group (TSG) designed and installed sound reinforcement systems for both areas, relying on Ashly Audio processing, amplification, and user control to provide a pair of complementary system that – although different “under the hood” – function identically from the user’s perspective.

“I grew up in New Orleans, and I played high school baseball at Joe Brown Park,” said Patrick Meek, vice president of sales and marketing at TSG, who, together with A/V designer, Scott Richard won the bid and saw the project through to completion. “Being a part of this project was important to me personally. Moreover, it’s a high-profile job that’s being funded by some very big organizations. We worked hard to create a powerful, reliable system on budget, and Ashly’s performance per dollar, for processing, amplification, and user control, was a significant part of our success.”

Because an endless parade of different, non-technically-inclined teachers, park officials, parents, and others would need to be able to reliably use the systems, they had to be completely intuitive. TSG therefore led with the Ashly RW-8C, a four-gang wall plate with eight programmable channel faders and a programmable master fader, each with an on/off button. “The two systems operate as equals from the user’s perspective,” said Meek. “They can walk into either one and understand that the various available microphones and input sources, all labeled on the RW-8C, can be turned on or off and turned up or turned down. Behind the scenes, the processing, amplification, and loudspeakers are different between the two systems, but that’s invisible to them.”

The football field uses an Ashly ne24.24M processor configured with twelve inputs and eight outputs. A Denon CD player joins two Sennheiser HMD-Series headset microphones, a handheld Sennheiser e 935 microphone for vocals, and two Lectrosonics Venue-Series wireless microphones (a belt-pack transmitter lavalier system) and a handheld microphone transmitter at the inputs. Three QSC ISA-Series amplifiers power a Community array composed of two R2-77z, two R2-94z, and two R2-52z loudspeakers. In contrast, the track and field uses an Ashly Pema 8250.70 combination amplifier/processor together with a Protea processing-equipped Ashly ne2400.pe for both signal conditioning, mixing, and power. Again, a Denon CD player allows for music playback, a Sennheiser HMD-Series headset, and a wired Sennheiser e935 microphone provides input for vocals, but this time those inputs are joined by Sennheiser ew-Series wireless lavalier and handheld microphones. Two Community R.5-66TZ and two Community R.5-94TZ loudspeakers complete the system.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #335

MUSICIANS INSTITUTE OF LOS ANGELES INSTALLS API 1608 FOR AUDIO ENGINEERING EDUCATION PROGRAM

LOS ANGELES, CALIFORNIA – APRIL 2013: A 32-channel 1608 console will contribute to the education of many audio engineering students at the Musicians Institute College of Contemporary Music for years to come. The 1608 console can be found in Studio C of the college and was installed in the beginning of January, just in time for the spring semester.

The school, located in Los Angeles, has been an important part of music education in southern California since the late 70s and offers a variety of programs, such as Guitar Craft, Music Industry and Audio Engineering, where the 1608 will be used. Approximately two hundred students are currently enrolled in the Audio Engineering program.

The console was sold and installed by Westlake Pro, an API dealer located in North Hollywood. The 1608 was selected to replace the aging large format console in Studio C after a complete rework of the patch bay. “The API was chosen based on recommendations. When we decided to get a new console, many of the instructors requested an API. The final decision was made by our previous program chair after discussing the options with Westlake,” said Krystal Schafer, studio manager.

“The API 1608 is perfect for teaching classic, all-analog, signal chain theory, operation and patch bay to MI’s beginning audio engineering students,” says instructor Barry Rudolph. “The Practical Recording Class is one of the first exposures they have to professional recording consoles.”

Audio Engineering students will learn the basics of the 1608 console in the Practical Recording course during their first quarter and will dive deeper into recording during their second quarter in the Mixing and Mastering course. Students are also able to book studio time on weekends to practice and work on projects.

“API was the overwhelming choice, as everyone involved knew of the API 1608’s value as a high-quality, easy-to-use, great-sounding, traditional recording console,” said Gadget Hopkins of Westlake Pro. “The API 1608’s rich heritage, based off the renowned vintage 1604, is classic API sound and quality, while adding new modern features that are valuable for today’s engineers, producers and musicians. These features fit the schools requirements for their curriculum perfectly.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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