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METRIC HALO USER & DEALER AUDIOGUY EARNS SEVEN KOREAN MUSIC AWARDS NOMINATIONS AND ONE WIN!

SEOUL, SOUTH KOREA – MARCH 2013: South Korea’s Audioguy & Partners is an aptly named clearinghouse for all things related to great audio. Headed by the passionate (and terrifically busy!) Jung-Hoon Choi, Audioguy is a world-class recording studio, an audiophile record label for jazz, classical, and world music, and a dealer for high-end pro audio equipment. Choi proudly wears many hats at Audioguy, including CEO, producer, recording/mixing/mastering engineer, and sales manager. His hard work was recently rewarded by winning the 2013 Korean Music Award for “Best Jazz & Crossover – Performance Album” along with six other nominations in the Jazz and Crossover category. Consistent with a tireless pursuit of transparent sound, Audioguy is both a Metric Halo user and a Metric Halo dealer. Indeed, all seven of the KMA-nominated and winning works were recorded and mixed using Metric Halo ULN-8 and ULN-2 preamp/conversion interfaces.

Audioguy & Partners recently opened a state-of-the-art recording facility. Notably, it includes a Hamburg Steinway & Sons D piano, an SSL console, over seventy microphones (many vintage), and multiple Metric Halo interfaces. Although new to the scene, between 30% and 40% of South Korea’s jazz recordings already happen at Audioguy. “I always strive to make recordings that are timeless,” explained Choi. “I don’t want to be part of a trend. I want my recordings to be as engaging decades from now as they are today.” In addition to studio work, Audioguy provides location recording services throughout South Korea, as well as China, Japan, and even Europe. The portability and audiophile quality of the Metric Halo interfaces make them reliable travel companions.

“All of the Metric Halo hardware is great, but I especially love the ULN-8,” said Choi. “The ULN-8’s microphone preamplifiers are outstanding, and the conversion is pristine. I also love Metric Halo MIO Console, the software that controls the routing and DSP of all connected Metric Halo interfaces. It can do anything! Whatever a producer, engineer, or musician can dream up, MIO Console can do.”

Audioguy & Partners is also a record label that releases some of the most innovative and captivating classical, jazz, and world music of South Korea. “Our identity is strong because we handle all of our own planning, producing, recording, mixing, mastering, and promotion,” said Choi. “Metric Halo is a part of most of those stages, and all of our Korean Music Awards nominations and winning work were recorded, mixed, and mastered using the ULN-8 and ULN-2.” Those nominations include three for “Best Jazz & Crossover – Jazz” (Sorefa, Soar, and Ascetic) and four for “Best Jazz & Crossover – Performance Album” (Sorefa, Reverberation, Discover Myself, and Ascetic). To their excitement, Sorefa turned into a win for “Best Jazz & Crossover – Performance Album” during the evening’s awards ceremony.

Everything else that’s happening at Audioguy sets it apart as a pro audio equipment dealer. “All of our staff are recording engineers,” said Choi. “They understand the real-world performance of our products, and they accordingly offer our customers proper suggestions and service. They know more than the manual or the sales pitch; they know how our products operate in the field. Working with the people at Metric Halo is great. They are timely, competent, and always very friendly.”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

PURESOUND ENLISTS RF SPOTLIGHT ANTENNA TO FIGHT INTERFERENCE

HOUSTON, TEXAS – MARCH 2013: On any given Sunday, the only thing packed tighter than a Houston megachurch’s pews is the radio frequency spectrum surrounding them. Today’s worship services are high-tech and high stakes – with pastors, musicians, and support staff relying on an increasing number of wireless audio devices to ensure each service goes smoothly for thousands of the faithful – and a potential nightmare for sound professionals responsible for delivering crystal-clear wireless audio.

No one knows this better than Wes Matthew, owner of Houston’s Puresound, a large provider of church audio/visual installations, rentals and sales. “Churches are going wireless with everything now,” said Wes. “Wireless nursery pagers, walkies, in-ears, instruments, hearing assistance, parking lot aids, security, and, of course, microphones.”

Even thirty miles outside the city, Wes discovered his RF scans at the church were consistently full. “I could never find an open frequency,” he remembered. “So I ended up just picking the least crowded channel and hoped for the best.”

For his installation, each room had seven lavaliers and a handheld wireless microphone fed to Sennheiser ew 100 G3 receivers with basic whip antennas. “After extensive troubleshooting, no matter what we did, we were still getting signal dropouts and hit with interference,” Wes said. “We dropped the RF Spotlight on the stage, and the mics have been solid. I haven’t gotten a call in the six months since the installation.” Chris Regan of RF Venue commented, “More and more devices are competing for less and less spectrum, so we designed the RF Spotlight to deliver spectrum efficiency to any brand of wireless system. We’re happy to be working with Wes and his clients to enable reliable performance under the toughest RF conditions.”

The RF Spotlight is designed to be placed on the floor or under a stage to optimize reception for nearby wireless microphones or IEMs, but minimize reception of unwanted devices outside of its local field. In churches, hotels and convention centers where multiple wireless systems operate simultaneously, the RF Spotlight enables wireless operators to increase the number of open frequencies available, lower transmitter power for longer battery life, and dramatically improve signal-to-noise ratio at the receiver.

ABOUT RF VENUE RF Venue manufactures wireless audio equipment including remote antennas, RF distribution equipment, and cable assemblies. The company’s primary antenna products include the interference mitigating RF Spotlight, the lightweight foldable helical antenna CP Beam, and the polarization diversity antenna dubbed Diversity Fin. For more information visit: www.RFvenue.com

ABOUT PURESOUND Puresound provides high-quality audio/visual installation, rentals, and sales to the Houston, Texas area and beyond. The company provides turnkey services for an extensive list of worship, theater, and commercial clients. The company specializes in digital audio system design, video projection and distribution, as well as stage theatrical lighting and control trussing. For more information about Puresound, visit: www.puresoundusa.com

Audinate and Innovated Designs LLC Announce Licensing Agreement

Portland, OR March 18, 2013- Audinate is pleased to announce that Innovative Electronic Designs, LLC has licensed Audinate’s Dante™ digital-media networking technology and will incorporate Dante into several exciting new products.

Audinate’s patented Dante solution is a media networking solution suite designed to transport many channels of high-resolution, uncompressed, low-latency digital media over relatively long distances and to multiple locations, using a standard 100 Mbps or 1 Gb Ethernet network. It has become the solution of choice for a variety of professional applications because it delivers tightly synchronized, sample-accurate playback while simplifying installation and configuration of AV networks.

“IED has always been on the cutting edge of high quality networked audio solutions,” observes IED’s VP of Product Development Jody Green. “Audinate’s Dante technology will allow us to expand our line of announcement controller and networked amplifier offerings. IED currently has several products in development using Audinate’s Dante that will be available this year. Audinate is dedicated to the long term support and growth of Dante and with the addition of the Ultimo platform they are a natural fit for us.”

“We are delighted to be collaborating with Innovative Electronic Designs. IED has a substantial market presence in communication announcement systems” stated Lee Ellison, CEO of Audinate. “Incorporating Dante into their new solutions will simplify networked audio deployments in airports, train stations, convention centers and the health care facilities.”

About Innovative Electronic Designs
IED is in the business of connecting people. Its communication systems are used worldwide to bring people together, keep them safe, and make their lives easier. Whether they are connecting flights in the world’s busiest airports, paging the parents of a lost child, quickly evacuating a building during an emergency, or countless other situations, IED stands by its systems as the most reliable and trusted systems in the market today.
For more about IED, please visit www.iedaudio.com.

About Audinate
Audinate revolutionizes the way that AV systems are connected, by transporting high-quality media over standard IT networks. Audinate’s patented Dante media networking technology has been adopted by over 70 OEM manufacturers in the professional audio/visual industry. Dante is used extensively for live performance events, commercial installation, broadcast, recording and production, and communications systems. Audinate is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante are trademarks of Audinate Pty Ltd. Audinate is a registered trademark of Audinate Pty Ltd.

SYMETRIX JUPITER 8 APP BASED TURN-KEY DSP JOINS THE JACKSONVILLE JAGUARS

JACKSONVILLE, FLORIDA – MARCH 2013: When the new owner of the National Football League’s Jacksonville Jaguars sought to boost team morale and solidify team camaraderie, he focused on renovating the locker room – the place where the team members gear up, hang out, and let off steam. It’s a sign of the times that perhaps the most critical and appreciated improvement came in the form of a brand new, high-impact audio-visual system. Under the direction of Neil Cooper, senior project manager for Florida Sound Engineering, they designed and installed the Jaguar’s new A/V system, which relies on a dependable and cost effective Symetrix Jupiter 8 app based turn-key DSP for critical signal conditioning and routing.

“The team came to us with a simple request,” Cooper explained. “They wanted a rockin’ sound system with plenty of screens to go with it. They really wanted to give the players a place to associate with… a place to retreat to and enjoy. Because we pride ourselves on building long-lasting systems, I place a premium on reliability and quality. When I looked at my options for processing, the Symetrix Jupiter 8 DSP was an obvious choice. It’s powerful and easy to set up, and nothing else comes close to matching its feature set for the price. And since I’ve already used a number of Jupiters on other jobs, I know they’re reliably solid. I never have to go back.”

In addition to the literal locker room, the new system covers all of the more extensive facilities that go with it, including the showers, the drying area, the restaurant, the cool- and hot-tanks, the therapy room, the equipment room, the manager’s area, and more. All thirty-three of the inputs, only two of which are audio-only, are fully matrixed such that any input can be selected in any zone. Apart from the locker room itself, which uses a DBX Drive Rack processor, the rest of the system relies on the Symetrix Jupiter 8 DSP, which takes its inputs from a Crestron control and matrixing system. Its eight outputs feed separate zones. QSC amplifiers, loudspeakers, and subwoofers fill the audio portion of the new system.

“Despite the complexity of the Jaguar’s new A/V system, programming the Symetrix Jupiter 8 DSP was super easy,” said Cooper. “I used the Sound Reinforcement #6 App, which gave me great sounding equalization and dynamics. I know that there are other manufacturers who make 8 x 8 processors of good quality, but the price isn’t there. The Symetrix Jupiter DSP delivers the quality, flexibility, reliability, and affordability that makes my clients smile.”

The Jaguar’s new video system is comprised of two 80-inch, five 52-inch, four 46-inch, and seven 42-inch full-HD Sharp flat screens. Inputs include ten Comcast TV sources, a Blu-ray player, Apple TV, and two wall plate inputs. The Crestron DM system scales everything appropriately such that the full screen is filled for any input/output combination. A 15-inch Crestron interface in the equipment manager’s area provides total system control, and a smaller nine-inch Crestron interface in the locker room allows selection of presets, such as “pre-game,” “half-time,” and “post-game.”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

DPA Microphones Brings Unobtrusive Audio Quality to NRCU

The National Radio Company of Ukraine (NRCU) has expanded its stock of microphones by investing in six DPA Reference Standard 4011C compact cardioid microphones.

Vyacheslav Zhdanov, Head of Audio at NRCU, says “Buying these microphones was not a difficult decision to make. We had previously been renting DPA microphones so our engineers were familiar with them and knew they offered exceptional sound quality. We also knew that, coming from such a well-known Danish company, we would have no problems with their reliability and build quality.”

Zhdanov adds that the small size of DPA’s Reference Standard 4011C compact cardioid microphones was another attractive feature as they can be used discreetly, particularly on television broadcasts.

Designed for situations where unobtrusive miking is required, DPA’s 4011C microphones are ideally suited to television, film, theatre, concert and studio performances where they deliver a clean, natural sound while reducing the noticeable effect of lighting reflection and minimizing bleed from other instruments.

NRCU’s microphones were supplied by DPA’s Ukrainian distributor Realmusic and are now being used to record classical and folk music concerts for radio and television broadcast across all three of its national channels and one international channel. The majority of these recording are taking place at House Recording NCGR in Kiev.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

ORMOND BEACH PERFORMING ARTS CENTER GETS NEW DANLEY SOUND SYSTEM

ORMOND BEACH, FLORIDA – MARCH 2013: Over twenty years ago, the city of Ormond Beach, Florida purchased an old church building and had it retrofitted. In 1991, the gorgeous space opened as the Ormond Beach Performing Arts Center, with capacity for 600 in a fan-shaped auditorium. Today, it hosts national, regional, and local musicians, theatrical troupes, dancers, and other performing artists, as well as school groups, seminars, and other events. Since veteran pro audio designer and engineer Marc Schwartz became the center’s director several years ago, he longed to elevate the room’s sound reinforcement capabilities to equal its stellar acoustics. Recently, that wish came true as local integration firm and new Danley dealer Protechs installed a system comprised of Danley Sound Labs loudspeakers and subwoofers. Schwartz designed the system with input from Danley’s application engineers.

Schwartz owned his own sound production company for decades before settling down to direct the Performing Arts Center. “I was a regular on Pro Sound Web, and that’s where I first heard about Danley Sound Labs,” he explained. “Of course, I knew about Tom Danley through his ServoDrive subwoofer technology, which was a very advanced idea. I was impressed by that sort of innovative engineering. Then I heard that he and Mike Hedden got together to form Danley Sound Labs and would be introducing a range of new designs. I was intrigued, but I didn’t have the opportunity to hear Danley loudspeakers or subwoofers for a while.”

It was a few years later that Schwartz attended InfoComm with his supervisor from the city’s parks and recreation department. “Danley had a demo room that we checked out,” he said. “Of course it was a convention room, which was terrible, acoustically-speaking. Nevertheless, when they fired up, my supervisor turned to me and said, ‘we need some of these for the Performing Arts Center.’ I couldn’t have agreed more. What was really impressive was the pattern control – I felt like I was listening only to the loudspeakers; the room was out of the equation.”

In anticipation of the old sound reinforcement system’s eventual replacement, Schwartz had the room modeled in EASE five years ago. That proved useful because it allowed him to pick the ideal coverage patterns from Danley’s now-extensive catalog, patterns that would allow him to provide uniform coverage over the seating area without energizing the walls. Danley’s application engineers assisted, directing him to the right models and helping to keep the project on budget.

Most of the seating is covered by a stereo pair of Danley SH-60s, which are 60-degree versions of Danley’s flagship SH-50. Flanking them are two single-fifteen Danley TH-115 subwoofers, which Schwartz asserts deliver as much bass as most other manufacturer’s double-eighteens, but with far less distortion. Finally, two Danley SH-100s occupy the outside positions to provide front- and side-fill. An existing 40-channel Soundcraft console provides input to the system, and new QSC and Crown amplifiers power it.

A basic DBX unit handles straightforward processing. “We only really needed the processor to filter out subharmonic content for the subs,” explained Joseph Carpenter, principal at Protechs. “It’s a great sounding room by itself, and the Danley’s are naturally well-balanced. Of course, we’re still tweaking things here and there, but it doesn’t take much.”

Given the Ormond Beach Performing Arts Center’s busy schedule, Carpenter took advantage of the MLK holiday weekend to quickly pull the old system out and put the new system in. “I’m accustomed to having happy clients,” he said, “but this one’s special. Marc is a true audiophile, and he was certain that Danley was the way go. Indeed, the system sounds fantastic!” As a bonus, Carpenter gets to use the new system from time to time when the center hires him as a guest engineer.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

BROOKLYN HISTORICAL SOCIETY LEAPS FORWARD WITH ASHLY AMPS

BROOKLYN, NEW YORK – MARCH 2013: The Brooklyn Historical Society is dedicated to illuminating how the past has affected the present and how it will contribute to the course New Yorkers will chart in the future. To that end, it is part library, part museum, and part venue for lectures, meetings, and other events. Designed by architect George B. Post and completed in 1881, the Brooklyn Historical Society’s four-story building is in the U.S. National Register of Historic Places and is an example of living history in its own right. The society renovated the building a decade ago, and it continues to make improvements to ensure and enlarge its mission. Recently, it expanded the building’s event space to two hundred seats and overhauled its A/V system and that of an adjoining classroom and gallery space. A pair of eight-channel Ashly ne8250 amplifiers forms the electrified heart of the new system and – by dint of power, fidelity, and reliability – prepare the Brooklyn Historical Society for a bright future at the center of the borough’s cultural scene.

“The Brooklyn Historical Society wanted a high-performing A/V system with a lot of flexibility and simple, foolproof operation,” said Peter Starr, owner and chief designer at the Starr Entertainment Group, the firm contracted to design and install the new system. “That’s the trend these days. Not only will the society use the space for its own artists, lecturers, and musicians, but it plans to rent the space for any conceivable event type. It’s therefore competing with hotels and other venues with event spaces.” To succeed, the Brooklyn Historical Society must present its event space as a jack-of-all-trades – and a master at each.

“Because the building itself is so historic and architecturally stunning, we had to be very careful in our design so as not to damage or spoil the gorgeous columns, wood, and soffits,” said Starr. “That constrained us to placing the loudspeakers twenty-two feet in the air. Nevertheless, the society wanted the ability to provide small concert-volume sound reinforcement when needed. Their list of request was extensive, and we had to be ready for everything from a simple background music system for a gallery opening to a full-on rock show! In previous installations, the Ashly ne8250 amplifier has proven itself to be tremendously reliable and powerful. At 250Watts per channel, they have a lot of ‘oomph’ and stand up to scrutiny in demanding listening situations.” The Starr Entertainment Group worked very closely with architect Thomas Ryan of Christoff:Finio Architecture and the Brooklyn Historical Society’s Associate Director, Janice Monger.

Inputs to the system include a Blu-Ray player, a DVD player, iPod docks, and XM Satellite Radio together with a bevy of sound reinforcement and wireless microphones. A sixteen-channel Soundcraft FX16 mixer on a rolling rack helps with live music events and the performing arts. A Peavey Media Matrix NION N3 system handles all of the processing and routing. At the heart of the video system is a Crestron Digital Media DM-MD8x8 video matrix processor, two video projectors, and various flat screens. Crestron DM input panels provide auto switching between HDMI and VGA/PC. Video signal transport is accomplished digitally via CAT6 cable. A Listen Technologies assisted listening system exceeds ADA requirements. The stage floor monitor system featuring four JBL wedge floor monitors, dbx EQs and a QSC RMX2400 amplifier provides crisp, clear sound to stage performers. A second roll around rack with automated and manual mixers, and other facilities for tabletop conference style usage, allows setup of conference and lecture mics anywhere. The two eight-channel Ashly ne8250 amplifiers power fourteen JBL AC 1895 two-way loudspeakers and a pair of EAW UB82s. Four QSC RMX 2400 amplifiers power the four EAW SB180 subwoofers.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

ASHLY GETS THE MESSAGE AND MUSIC TO STUDENTS IN THE ROCHESTER HIGH SCHOOL CAFETERIA

ROCHESTER, NEW YORK – MARCH 2013: The principal at John Marshall High School in Rochester, New York had a simple request. He just wanted to be able to speak over the commotion of excited students that always seemed to overwhelm the school’s cafeteria at lunchtime. A sound reinforcement system with a simple microphone was the solution. But since a sound reinforcement system would also be capable of playing music – and perhaps because music might soothe the raw spirit of rambunctious youth – he also wanted the ability to play music over the system. Rochester’s AAA Sound stepped in to install a cost-effective, high-performance system centered on an Ashly Pema 4125 integrated processor/amplifier combo and an Ashly RD-8C remote fader user interface.

“The principle told our technician that the kids were simply too loud at lunchtime,” said Rich Petty, AAA Sound president. “It was a really straightforward request for a really straightforward sound reinforcement system. The ability to play music at lunchtime was a bonus.”

Inputs to the system include a pair of Mipro handheld wireless microphones, a wired microphone, a tuner, and a Tascam combination CD player and iPod dock. The inputs feed the Ashly Pema 4125, which has eight DSP inputs and outputs with full processing and matrixing capabilities, as well as four integrated amplifier channels rated at 125W each. Each amplifier channel drives a single Community MVP-12 loudspeaker, and the four loudspeakers are distributed around the room. An Ashly RD-8C provides nine software-assignable faders, one of which is separated in the style of a master fader. The system at John Marshall High School uses the simplest possible configuration: each of the eight faders controls an input volume and the master fader controls the output volume.

“The Ashly Pema is a cost-effective solution for a situation like this,” said Petty. “The pricing is very favorable and very competitive. Our company specs jobs with a number of different processors, and the feedback that I get from my techs is that Ashly processing is the easiest to work with. It doesn’t take a lot of training to become familiar with the operation… literally five minutes in the shop with a tech that’s not familiar with Ashly is all it takes for him to feel comfortable enough to go out and install it. Every now and then they run up against something that takes a minute; they either figure it out or a quick call to Ashly’s service department clears up the matter.”

“For a school cafeteria,” proclaimed Petty, “John Marshall High School has a really nice sound system.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

TANGLES TAMED AT OKLAHOMA CHURCH WITH SYMETRIX JUPITER 12 AND JUPITER 8 APP BASED TURN-KEY DSP

OKLAHOMA CITY, OKLAHOMA – MARCH 2013: Since its founding during the hard dustbowl years, Oklahoma City’s Southwest Church of Christ has grown steadily in membership. A series of buildings and sanctuaries of ever-growing capacity trace a path from the church’s first meeting, which took place in a member’s living room, to its modern 700-plus-seat sanctuary. Although only a decade old, Southwest Church of Christ’s latest building quickly amassed an ad hoc collection of sound reinforcement equipment that strained the capacity of the technician’s booth and often flummoxed the volunteer technicians who attempted to use it. Hoping to maintain its functionality while greatly simplifying the user interface, the church contacted Robert Rogers, senior design consultant with Audio Video Designs (AVD) of nearby Moore, Oklahoma. AVD used a cost-effective Symetrix Jupiter 12 app based turn-key DSP to replace all of the analog clutter. The church was so pleased with the improvement that they asked AVD to integrate their three fellowship halls, and AVD obliged using a Symetrix Jupiter 8 running the Sound Reinforcement #6 app configured to do room combining.

“The audio booth was cluttered with consoles, switches, and dials, with a few computers and screens thrown in for good measure,” explained Jeff Brocaw, design consultant with AVD. “They just kept adding on as new needs presented themselves. Not only was the sanctuary system controlled from the booth, so too were the more modest systems in the three fellowship halls.” Because the input sources and loudspeakers were all still in fine shape, AVD was able to leave them in place. However, new Crown and ElectroVoice four-channel amplifiers now power the system.

“Of course, money was a huge factor, and the Symetrix Jupiter 12 DSP was the logical choice,” said Brocaw. “We could eliminate all that clutter with the processing power in that single rack space unit, and they wouldn’t have to spend $20K on a digital console.” The twelve inputs of the Jupiter 12 collect outputs from all of the stage microphones, as well as from video playback devices and a pair of ambient microphones for use in recording. The Jupiter 12’s four outputs send signal to the main sanctuary system, the three fellowship halls, and a computer-based recorder, as well as hallways and other areas of the building. One of the outputs is currently unused and awaits future expansion.

Partly because there are a lot of open microphones on stage, Brocaw used the “Gating Automixer” app with the Jupiter 12. The gates effectively eliminate feedback problems that the church was having with the old system. For Sunday service, the system operator makes adjustments from a computer running the Symetrix Jupiter software. “Now it takes very little effort to run a service,” said Fred Lowery, with the church. “When needed, we mix from within the app. For the simpler Wednesday service, the pastor can make any necessary adjustments from a Symetrix ARC-2e wall panel remote. He doesn’t even have to turn on the computer! The church fell in love with the simplicity of the new Jupiter-based system.”

In fact, they were so pleased that they requested a similar transformation of the ad hoc room combining system that they had constructed. With eight inputs, eight outputs, and an app easily-made to perform room-combining (Sound Reinforcement #6) the Symetrix Jupiter 8 was the obvious cost-effective solution. “As with the Jupiter 12, the Jupiter 8’s interface is sufficiently simple that church staff and volunteers can use it reliably,” said Brocaw. “That simplicity, together with processing power and affordability, made the Jupiter 8 the right choice.”

The Symetrix Jupiter 8 takes its inputs from each of the fellowship halls, and sends outputs back to each of the fellowship halls. Additionally, three hard disc recorders stand ready to capture events that take place in the fellowship halls. Users execute room combining by opening the matrix from within the Jupiter software application. Any input can be sent to any output, and by incorporating input from and outputs to the main sanctuary system, all four rooms can be combined in any desired configuration.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

MONTREAL’S ANALOG RECORDING SCENE DEFINED BY STUDIO 270’S API LEGACY PLUS

MONTRÉAL, CANADA – MARCH 2013: Studio 270 has proven that the purest sound cannot be digitized with their 48-channel API Legacy Plus with API Vision automation. Nearly two years ago, François Hamel and Robert Langois decided to reconnect with recording’s analog roots by purchasing the Legacy Plus for their Montréal-based studio. They were the first to acquire an API Legacy Plus with API Vision automation, an investment that Hamel claims was the best they have ever made.

When Studio 270 set up shop in 1987, the digital tsunami had yet to make landfall. Now, twenty-six years later, it is thriving in a world where most of its clients regard inexpensive and omnipresent digital technology as an extension of their organic being. It is for precisely that reason that the studio decided to distinguish itself by committing to time-tested, analog technology. That decision has paid off in dividends as area musicians discover that the API sound far exceeds the limited capabilities of their digital gadgetry.

“We predicted that ‘mid-level’ recording studios would have a hard time surviving as more and more inexpensive digital technology became available, and we were right.” Hamel said of Studio 270. “But in addition, young musicians have no basis for understanding the difference between a $125 interface and a $125,000 digital console. To them, digital is digital, and if they can buy a digital product that promises them the moon for $600, then in their eyes, why should they book a digital studio for $600 a day?”

Hamel likened his younger clientele’s experience to that of fine dining. “The API Legacy Plus is like a five-star restaurant,” he said. “An inexpensive digital rig is like a microwave. You have a microwave at home, and you eat at home most of the time. But on special occasions, it’s good to get out and go to a five-star restaurant, where maybe you don’t exactly understand how the cook pulls it off, but the difference is obvious.”

“They’ve never seen moving faders before,” he said of the younger clientele. “It’s a revelation to them that they can – and should – mix with their eyes closed. They’re used to staring at screens. Apart from its immense functionality and stability (the software never crashes), API automation is worth it strictly from a marketing perspective.”

When his clients hear the API Legacy Plus, they’re often taken aback. Since Studio 270 installed it, many bands have booked a few days without making future plans to return. They have a remarkable experience, and then they’re back a few months later. “They want to relive the experience!” said Hamel. “It’s API’s headroom and separation. When you mix on an iPad or whatever, everything is smashed in. Once they hear the openness and liveliness of the Legacy Plus, they’re hooked. They’ll work jobs on the weekends to get back in here.”

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

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