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DANLEY SOUND LABS HIRES JONATHAN PARKER AS NATIONAL SALES MANAGER

GAINESVILLE, GEORGIA: Danley Sound Labs announces that it has hired pro audio manufacturing veteran Jonathan “JP” Parker to the role of National Sales Manager. Parker brings to the position over 25 years of sales and marketing experience working with industry powerhouses such as Bose, Crown, TOA, and Martin Audio. Although he will focus on the domestic market with Danley, Parker’s background provides him with a global perspective. Reporting to company president Mike Hedden, Parker will be responsible for growing domestic sales of Danley’s unique loudspeakers, subwoofers, and supporting processors and amplifiers.

“JP’s qualifications and industry experience perfectly position him to elevate Danley’s domestic sales at a time when our products are gaining critical momentum in multiple segments of the installed sound market,” said Hedden. “Beyond his obvious talents, JP is a great guy. As an active member of his church’s praise team – JP plays keyboards and bass and also runs the sound – he’s in touch with the end user’s needs.”

“Danley is one of the few pro audio companies that not only offers unique solutions to longstanding problems,” said Parker, “but also commits itself to providing an ethical and healthy environment for all of its employees. Danley has a great product and a great story to tell. I’m excited to be part of the team and to help spread the word!” Parker will focus the Danley sales team’s efforts where they can have the most impact, and he will support those efforts with effective sales and marketing tools.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

SYMETRIX INTRODUCES COST-EFFECTIVE AUDIO INPUT/OUTPUT EXPANSION DEVICES FOR USE WITH SYMNET EDGE AND RADIUS DANTE NETWORK AUDIO DSP

SEATTLE, WASHINGTON – JANUARY 2013: Symetrix announces today the release of the cost-effective SymNet xIn 12 and xOut 12. These products increase a system’s analog input or output channel capacity resulting in a reduction in overall price per channel.

Designed exclusively for use with SymNet Edge and Radius DSP units, each of the twelve studio-grade analog inputs’ and each of the twelve studio-grade outputs, along with bus assignments, are configured using SymNet Composer open architecture software. The xIn 12 and xOut 12 set-up is logical and fast with no requirement to use third party software. There are no mechanical switches or circuit board jumpers to set. Systems are simpler, cost less, and have fewer potential points of failure.

Noted CEO, Paul Roberts, “Whether you are scaling up a SymNet Edge system, a SymNet Radius system, or one that combines the two, the xIn 12 and xOut 12 create larger systems with smaller price tags.”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

DANLEY LOUDSPEAKERS REMEDY NEIGHBORHOOD NOISE COMPLAINTS AT ATLANTA’S 24/7 IHOP CHURCH

ATLANTA, GEORGIA – JANUARY 2013: IHOP Atlanta is a 24/7 church that spans the time between its frequent services with continuous prayer meetings, a fact that lends sincerity to its full name: International House of Prayer Atlanta. In the year that followed after its October 2004 founding, IHOP rapidly transitioned to the 24/7 cycle, and the prayer meeting that convened on February 12, 2006 is still going without interruption! However, noise complaints from neighbors, engendered primarily by the high-energy rock bands that play a few times a week, threatened the church’s M.O. To correct the problem, IHOP Atlanta hired Pensacola-based A/V integration firm Soundscapes. Now, Danley Sound Labs loudspeakers, which have tremendous pattern control even at low frequencies, focus energy on the congregants and away from the walls. As a result, the “listen-to-leak” ratio is greatly improved, and the church is enjoying Danley’s clean, transparent sound as a bonus.

“Danley’s pattern control is the key to this installation,” said Langston Holland, owner and chief designer with Soundscapes. “I flew three rows of three Danley SH-100s. The patterns hit the sidewalls at about four feet, which puts church members in the coverage as they walk the aisles praying, but deflects excess energy down to the carpeted floor. Moreover, the coverage patterns from each row just kiss the patterns of the rows before or after, so you primarily hear sound from a single loudspeaker, no matter where you are.” To make that work, the first row is facing almost straight down, the last row is at 45 degrees, and the middle row is intermediate. Holland hung them as low as possible without threatening sight lines, thereby increasing perceived SPLs according to the inverse square law.

Because music is such an important component of IHOP Atlanta’s services and prayer meetings, Holland avoided “over-delaying” the middle and rear speakers, a trick that helps locate sounds to the stage via the precedence effect but that also tends to smear them out, which is most noticeable on staccato elements like rim shots. Instead, each row of Danley SH-100s is delayed per its actual distance from the stage. A Peavey Media Matrix delivers the processing, including a 95Hz crossover for the church’s existing subwoofer array. Three new QSC amplifiers join three existing QSC amplifiers to power the system.

To add excitement and dimension to their mixes, Holland installed the new Danley SH-100s with stereo output. But to avoid unintended consequences of operator error, he blended the center loudspeaker so that everybody gets at least some left and right coverage. “They’re grinning ear to ear,” he reported. “They’ve never actually heard their stereo effects before, and now they’re hearing delays ping back and forth and the subtle tails of reverbs. With the old system, their console was a total mess of radical EQ adjustments, but with the Danley speakers, everything is basically flat. The few minor adjustments are for aesthetics and impact, not to fix problems.”

The new Danley system also gives IHOP Atlanta more clean headroom than it had previously. “That was initially a problem,” Holland said. “It sounded so good that they didn’t realize they were pushing louder than ever!” He inserted some limiting to curb their exuberance. Measurements taken at the neighbor’s house before and after the new Danley system was installed demonstrate that everything above the subwoofers is completely fixed and there is no perceptible or measureable energy there. “The band runs 104dB SPL C-Slow for their Thursday night youth services, and it’s pristine in the auditorium,” said Holland. “Inside the neighbor’s house it measures 50dB SPL unweighted at about 60Hz for about four minutes before and after the preaching, which is the loudest portion of their set.”

ABOUT DANLEY SOUND LABS
Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

SAN ANTONIO’S FAMOUS HILTON PALACIO DEL RIO SIMPLIFIES MEETING ROOM FUNCTIONALITY VIA SYMNET SOLUS 8 STANDALONE FIXED I/O DSP

SAN ANTONIO, TEXAS – JANUARY 2013: With San Antonio’s gorgeous downtown River Walk just steps to the west, the city’s well-booked convention center across the street to the east, and the Alamo historic site a block away to the north, the Hilton Palacio del Rio is at the center of a fabulous Texas experience. It delivers the perfect mix of luxury, location, and event support and wins over first-time visitors, earning their repeat business. The hotel possesses over 27,000 square-feet of flexible meeting space split between the 4th floor and the 22nd floor. Recently, the hotel gutted those areas to modernize both their aesthetic and their functionality. Audio/video integrator Good Thunder Provisioning of Montgomery, Texas designed and installed the new system, centering it on four Symetrix SymNet Solus 8 open-architecture DSP units.

“The renovation of the 4th & 22nd floor Meeting Rooms & Ballrooms was undertaken on very fast track – you might call it a hyper track,” said Robert Slaughter, proprietor of Good Thunder Provisioning. “The start date for the demolition of the existing building interior & audio system was July 15, and the first use of the new system was September 27th.” The incredibly short timeframe required advanced planning on the part of everyone involved and tight coordination with the general contractor, the architect, the in-house audio/visual provider (Swank Audio Visual), and the hotel. Slaughter’s sound reinforcement design focused on reproducing high-quality, intelligible speech and engaging foreground music.

Importantly, he kept the interests of the in-house A/V provider in mind. “Too many times we see very high-end, super-technical systems installed in hotels that end up limiting the revenue of the in-house A/V provider,” said Slaughter. “That ultimately limits the commissions paid to the hotel.” The new system exceeds the standards of the International Association of Conference Centers.

With potentially dozens of subdivided rooms, the Hilton Palacio del Rio can take on serious overflow from the nearby conference center or can host sizable conferences or other events all on its own. Input plates in each divisible space provide an XLR input for line-level signals, a CAT6 connection that links to a projector and the rack locations, and HDMI & VGA for connection to a projector or wall-mounted LED monitors. Wireless microphone systems provide the principle audio input for conferences. House music, which is processed by an Aphex Aural Exciter, provides an additional input option. TOA DA-250DH multi-channel digital amplifiers power scores of TOA F-122CU2 full-range ceiling speakers.

Four Symetrix SymNet Solus 8 standalone fixed I/O DSP, each with eight inputs and eight outputs, handle all of the input conditioning, routing logic, and loudspeaker conditioning for the system. As one might imagine, the routing is complex, with numerous zones adding or subtracting speakers in different locations. “Our staff has had a very long and positive history with Symetrix, starting with the Express Cobra series,” said Slaughter. “The Solus is a great product. It’s flexible, easy to program, and great sounding. Adding the Symetrix ARC-2e and the Axiomtek Touch Panel for user control makes the choice of Symetrix a no-brainier. Cost was also a factor, and by using these products we were able to come out better than we had budgeted.”

The user control is made available in two layers. First, twenty Symetrix ARC-2e remote wall panels allow for the line level control of each room section, music level control of each room section, and selection of optional high-pass filtering for improved voice intelligibility. Second, a pair of Axiomtek GOT-5100T-830 touch panels at each rack location duplicate those controls and add room combining, auxiliary input/output routing, and selection of additional music sources. Lighting control will be included in the near future. “The Symetrix ARCs offer a wide range of control features and functions that are flexible and easy to install,” said Slaughter. “They are an excellent choice. Axiomtek Touch Panels are rugged and always work right out of the box. Their reputation is great.”

Once Hotel management heard and controlled the new system, they asked Good Thunder Provisioning to provide new sound reinforcement systems for the hotel’s restaurant and bar areas in the near term and for the lobby next year. The new restaurant/bar system will use a single Symetrix SymNet Solus 8 DSP to deliver two zones with multiple music, cable TV, and iPod inputs. Four Symetrix ARC-2e remote wall panels provide source selection and level control for both zones. Slaughter will use the same TOA loudspeakers and amplifiers to maintain consistency.

Robert Slaughter is the senior project manager for Hairel Enterprises in Conroe, Texas and owns Good Thunder Provisioning.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

HIGH-FIDELITY RECORD LABEL, SONO LUMINUS, GARNERS SEVEN GRAMMY NOMINATIONS – ALL RECORDED AND MIXED WITH METRIC HALO’S ULN-8

SAFETY HARBOR, FLORIDA: Sono Luminus, a Virginia-based record label dedicated to ultra-high-fidelity recordings of acoustic, classical, and early music, recently earned seven Grammy nominations. The Los Angeles Percussion Quartet’s R?pa-khandha is nominated for “Best Surround Sound Album” and Modern Mandolin Quartet’s Americana is nominated for “Best Engineered Classical Album.” R?pa-khandha and Americana were both engineered by Sono Luminus’ Managing Director and Head Engineer, Daniel Shores. The label’s in-house producer Dan Merceruio is nominated for “Classical Producer of the Year.” Jory Vinikour’s The Complete Harpsichord Works of Rameau is contending for “Best Classical Instrumental Solo.” Finally, Americana, R?pa-khandha, and ZOFO Duet’s Mind Meld: Works for One Piano, Four Hands are all nominated for “Best Chamber Music/Small Ensemble.” All the work represented by these seven nominations was recorded and mixed using the ULN-8, Metric Halo’s flagship eight-channel combination preamp, converter, and DSP.

“We bring a very minimal philosophy to our recording process,” explained Shores. “While some engineers build fabulous recordings using a lot of excellent gear – much like a painter creates with a palette of vibrant colors, I prefer to track everything in a nearly complete form on the front end. I work hard to get the right setting and the correct microphone placement – much as a photographer sets the scene and gets the right lighting to faithfully capture a moment in time.”

Shores first heard the Metric Halo ULN-8 when a friend was serving as a ULN-8 beta-tester. “I immediately noticed a transparency that’s lacking in other preamps and converters,” he said. “What goes in is what comes out – without any color or degradation. Often, we record very fine instruments played by master musicians in gorgeous acoustical spaces. I don’t want to hear the microphones or the preamp or the converters in the recording. I want to hear what my ears heard when I was standing next to the microphones. The Metric Halo ULN-8 has that level of clarity and transparency.”

Shores typically uses some combination of Schoeps and DPA microphones at the front end of a Metric Halo ULN-8. Sono Luminus’ recording room, mixing room, and mastering room all possess dedicated ULN-8s, and Shores travels with an additional pair for remote recordings. He typically records to Pro Tools HD at 24-bit, 192kHz and mixes using Pro Tools and Metric Halo’s MIO Console. He also uses Metric Halo’s +DSP resources judiciously. “We sometimes have to record in rooms with slight acoustical oddities,” he said. “I’ve found that Metric Halo’s preamp modeling software, Character, can often compensate on the back end to restore the recording.” Continuing Shores’ photography analogy, the Character effectively corrects for imperfect “lighting” at the time of recording, much like a darkroom adjustment.

Ironically, Americana, R?pa-khandha, and Mind Meld: Works for One Piano, Four Hands were all recorded within six days of each other at a remote session at Skywalker Studios. The marathon engagement flip-flopped between night and day shifts, with each group coming in for a few days. Shores, of course, worked from beginning to end, and if seven Grammy nominations is any indication, somehow managed to keep his focus throughout!

Tune in to the 55th Grammy Awards ceremony, which will take place on February 10, 2013, to see the results.

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

ASHLY PROCESSING AND AMPLIFIERS JOIN DANLEY LOUDSPEAKERS AND SUBWOOFERS AT HOPE UNITED METHODIST

TRINITY, FLORIDA – JANUARY 2013: Like many churches, Hope United Methodist Church in Trinity, Florida limped along for many years with an aging sound reinforcement system. As components died, well-intentioned church members replaced them with purchases from the music shop, and things slowly drifted toward poor intelligibility and dissatisfying musical impact. The straw that broke the camel’s back was a series of channel failures on the old analog FOH mixer. They could no longer deal with all of their inputs, never mind the quality of everything downstream from the mixer! Hope United hired Christian Sound Installations (CSI) to start from scratch, and the integrator designed and installed a first-rate sound system that includes Ashly Audio processing and amplification and Danley Sound Labs loudspeakers, subwoofers, and stage monitors.

“Like most mid-sized churches in the current economic climate, Hope United needed to stick to a strict budget,” said Paul Garner, CSI’s owner and chief designer. “Of course, it’s my job to bring the system in at or under budget, but I’m not willing to do that by sacrificing quality, performance, or reliability. Because ultimately, the work reflects on CSI, and no one makes allowances for the budgetary constraints we were working under. They either hear a good system, or they hear a bad system.” Part of CSI’s cost-saving plan for the 450-seat sanctuary was to forgo the acoustical treatments that the church thought was necessary to increase intelligibility. With conventional loudspeakers, they would have been correct, but by using the exceptionally tight pattern control of Danley loudspeakers, Garner was able to keep energy off the walls.

Everything in Hope United’s sound reinforcement system is new. The stage has six Sennheiser G3 wireless microphone systems, a ClearSonic drum shield, and an Aviom personal monitoring system for the drummer. A cutting edge Allen & Heath GLD-series digital console gives the operator the flexibility of a modern digital system with the intuitive feel of a classic analog console. CSI recessed the equipment rack into the wall adjacent to the mixer, and the back of the rack is accessible from a nearby closet. A Tascam hard drive recorder lets the church easily record all of the sermons for easy uploading to the church website.

An Ashly Protea 3.6SP processor provides all input and output conditioning for the new sound system. “I’ve had great success with the entire Ashly processor line,” said Garner. “The bang for the buck I get with the 3.6SP and 4.8SP can’t be beat. For a straightforward installation, they have everything I need, without heaps of stuff I don’t need. Importantly, the audio path and algorithms are clean and natural sounding.” In addition to providing crossovers, limiting, and overall EQ, Garner used the Ashly 3.6SP to signal align the house system with the stage monitors.

Two Danley SH-100s are arrayed roughly twelve feet off the center of the church angled slightly down and out, with a single Danley TH-212 subwoofer covering all of the seats. Two Danley SM-100M low-profile loudspeakers serve as ultra-high-fidelity stage monitors. With an EASE model, Garner determined that the Danley pattern control would yield the most even coverage of all the viable alternatives, but hearing a Danley system sealed the deal. “I brought the client down to my church, where we run a Danley system,” said Garner. “The clarity and impact is so obviously beyond what a conventional system can deliver. They were convinced.”

Three Ashly KLR-2000 amplifiers power the Danley boxes. “The Ashly KLR-Series sounds excellent and has proven to be perfectly reliable,” said Garner. “We’ve put a lot of them in and had zero failures, zero callbacks, and no issues whatsoever. That means a lot in today’s market. It’s nice to deal with companies like Ashly and Danley that recognize that there’s still something to be said for quality while still working hard to keep costs in line.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

API 1608 PURCHASED FOR RECORDING SCHOOL IN MEXICO CITY

MEXICO CITY, MEXICO – JANUARY 2013: A 48-channel 1608 console with API’s proprietary P-Mix automation has been purchased and installed at the prestigious G Martell College of Music Technology and Audio in Mexico City. The school has been teaching music-focused courses for over 130 years, and has recently expanded into music technology.

The college’s 1608 was purchased from Vari Internacional, API’s exclusive dealer in Mexico City. The console will be used to teach the art of tracking and mixing to students who are enrolled in the Audio Engineering and Production Program. The installation of this 1608 aligns with API’s dedication and support of music education through its products.

The response from G Martell College has been very positive. “They are so happy with the console,” says Vari Internacional’s Gustavo Martinez. “It has been a complete success for them.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

JDK EXPANDS DEALER NETWORK

JESSUP, MARYLAND – JANUARY 2013: JDK Audio is expanding their dealer network to include Zen Pro Audio of South Carolina and Parsons Audio of Massachusetts and Florida. These dealers will provide JDK products to customers in their regions, as well as online, increasing the ever-growing JDK customer-base.

Zen Pro Audio, which joined as a dealer in November, is a boutique-style dealer owned by Warren Dent. Located in Orangeburg, South Carolina, with select products and a large portion of them online, their site proudly touts, “We serve the world, and if you’re in it we can help.” Zen Pro also features an in-house studio and the ability to listen to any piece of equipment on their web-tool, the “Clipalator.”

Also joining JDK in November as an authorized dealer is Parsons Audio. Parsons has two locations, Florida and Massachusetts and specializes in mid- to high-end product lines, as well as new, used and rented equipment.

“All of us at Parsons audio are very excited about our new relationship as a dealer for JDK Audio. The high quality and the sound of this gear is second to none and since it comes from a company who is legendary for standing behind everything they build, we couldn’t possibly be happier to offer these components to our clients,” says Vice President of Sales, Dave McLaughlin.

ABOUT JDK JDK Audio is a brand developed and engineered by API (Automated Processes, Inc.), a company that was established in the late 1960′s and is a leader in analog recording gear.

www.jdkaudio.com

MASTERING AND RECORDING ENGINEER PIPER PAYNE STARTS AND FINISHES WITH METRIC HALO

SAN FRANCISCO, CALIFORNIA – JANUARY 2013: Piper Payne is an accomplished mastering engineer, recording engineer, and audio archivist who is currently working out of Michael Romanowski’s mastering studios in San Francisco, California. With an undergraduate degree from the University of Michigan, a graduate studies certificate from the University of Stavanger in Norway, a coveted position with Bob Katz at Digital Domain in Orlando, Florida, and a residency as Senior Audio Associate at the Banff Centre in Alberta, Canada, Payne has not only lived throughout the country, continent, and world, but has internalized a diversity of audio technologies, philosophies, and techniques. While in Norway, she became a member of the beta team for Metric Halo’s flagship ULN-8 interface, and it has remained an irreplaceable fixture in both her recording and mastering work ever since. An audio evangelist, Payne has turned other professionals on to the Metric Halo ULN-8; Michael Romanowski’s studios are now home to seven for recording, mixing, and mastering!

“I went to work with Bob Katz after my graduate studies, and he and I held our own interface shoot-out shortly after I arrived,” Payne said. “The Metric Halo ULN-8 held its own against everything. Only one other converter [at nearly three times the price per channel] sounded as good as the ULN-8. For my mastering work, the ULN-8’s transparency is paramount. Whatever I’m doing, I never want to hurt the audio – I never want to put a sound on the sound. Other converters have a ‘digital sound’ that Metric Halo avoids.” Although Payne regularly scrutinizes all new products and technologies, including interfaces, the Metric Halo ULN-8 remains at the heart of her rig.

Payne’s mastering work relies heavily on both analog and digital technologies. Sonic Studio’s soundBlade HD is her preferred digital playback, editing, and recording software. SoundBlade integrates seamlessly with Metric Halo’s MIO Console, which provides 80-bit summing and comprehensive routing facilities between all of her virtual software inputs and outputs and the hardware inputs and outputs of the ULN-8. “I always use MIO Console for summing,” Payne said. “I prefer its sound to everything else.” The outboard gear that she regularly uses includes a Manley Langevin Mini Massive EQ, a Neve Portico II Master Bus Processor, an EAR 822 EQ, a GML 8900 compressor, a Weiss digital EQ1, and a Weiss digital DS1 dynamics unit.

“Metric Halo’s MIO Console is tremendously flexible,” Payne added. “Not only can I easily reroute my mastering chain, but I can check and calibrate each piece of gear as I go. And of course the fidelity of the ULN-8 is critical. I’m using the analog components at line level and the converters in both directions. It’s a lot of sound and conversion all going through one box, and the ULN-8 introduces no noise and no artifacts.” Payne always uses the highest possible resolution, and the ULN-8 accommodates that preference with up to 24-bit/192kHz performance and a flat 3Hz to 64kHz frequency response.

Payne views each project with fresh eyes, taking the open-ended goal of best serving the project in whatever way is needed. “If the mix comes to me perfectly balanced, then I’m happy to simply do some level matching and sequencing,” she said. “But the truth is, that rarely happens. On the other end, if a project arrives with so many problems that I can’t fix them without messing up other aspects of the work, then I’ll send it back to the mix engineer to request a remix. If I can’t help the project, I try not to hurt it. Ultimately, communication is key. It’s important that everybody involved is on board with exactly how far a project can go – no one can turn a ‘C-grade’ mix into an ‘A+’ master.”

Payne also regularly records on location throughout the Bay Area, using a collection of Metric Halo ULN-8s for a compact, high-fidelity front end. In addition to classical concerts, she records rock acts, which have included Edward Sharpe and the Magnetic Zeros, Death Cab for Cutie, Mumford & Sons, Matt Nathanson, and The Airborne Toxic Event. “Ultimately, what amazes me about the ULN-8 is that it does so many things, and it does them all so well,” she said. “There are great preamps, converters, and signal processors out there. But to have all of that inside a single box that’s rock-solid reliable,” she concluded, “that’s amazing!”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

SYMETRIX EXPANDS GLOBAL REACH IN THE MIDDLE EAST

SEATTLE, WASHINGTON – JANUARY 2013: In response to growing global demand, Symetrix announced an expanded partnership with World Representation Inc. for direct-to-dealer sales in the Middle East. The arrangement was launched at a very successful InfoComm MEA in October. World Representation Inc. is partnering with Symetrix to facilitate sales and help distribute the entire range of Symetrix digital signal processors and control interfaces in the region. The new initiative will guarantee that A/V integrators and other audio professionals in the Middle East will have ready and reliable access to the dynamic range of Symetrix high-end professional audio solutions, including SymNet Edge and Radius Dante network audio DSP, ARC-WEB browser-based control technology, and comprehensive teleconferencing DSP hardware and software.

“This is the next step in our steady growth worldwide,” said Mark Ullrich, international sales manager at Symetrix, who met with interested dealers and integrators at InfoComm MEA in Dubai. “From the numerous meetings I had at the show, it’s clear that there is a lot of excitement for Symetrix products in the Middle East, especially SymNet Edge and Radius Dante network audio DSP. The fact that the SymNet platform features the hugely popular Dante technology for networked audio, as well as a suite of conferencing solutions, all of which can be controlled from your iPhone via ARC-WEB, makes SymNet DSP hardware and software very appealing and competitive.”

“Over past years Symetrix has been enjoying phenomenal success globally as a market leader in DSP,” said Iain Cameron, technical sales manager at World Representation Inc. “Following the introduction of SymNet Express and SymLink, the Integrator Series broke the already well-established Seattle-based signal processing company into the then nascent DSP market. Since that time Jupiter (app based turn-key DSP), Solus (standalone fixed I/O DSP) and the recently introduced Edge and Radius (Dante network audio DSP) have joined this comprehensive portfolio of solutions. Symetrix decision to offer direct-to-dealer sales though World Representation will allow us to offer much closer support to the Middle Eastern and African markets. We look forward to meeting users, integrators and consultants to discuss how Symetrix can provide elegant and cost-effective solutions from the smallest to the largest of installations.”

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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