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Archive of the AES Newslink Category

New Yamaha Amplifiers Added to CIS Product Line

LAS VEGAS—Yamaha Commercial Audio Systems, Inc. will launch two new amplifiers at InfoComm 2014 that will add to the growing number of Commercial Installations Solutions (CIS) products. The user-friendly UI of the MA2030/PA2030 are based on years of experience developing AV products and musical instruments.

At a targeted MSRP of $399, the MA2030 mixer amplifier, available in the summer of 2014, provides functionality not normally seen in products at this price point. World-renowned DSP technology allows product features such as Priority Ducking, Feedback Reduction, Auto Leveling, Speaker Processing, and simple remote connectivity. The MA2030 is the only mixer amp in its class that provides a low-cost optional DCP1V1S wall controller panel connected over a common Cat5 cable for simple user control without having to access the amplifier. The DCP mounts in a standard single gang wall box and provides one knob and four switches.

The PA2030 can easily provide more power by adding two more 30-watt channels to the MA2030 and also works great as a low-cost, high or low impedance amplifier. Reliable Yamaha quality and a “green” and silent design equipped with a highly efficient class-D circuit with a fan-less cooling design, the PA2030 will be available at an MSRP of $299 in the summer of 2014.

“When we originally introduced the CIS product line, we knew it was only a first step in bringing great value, Yamaha reliability, and technology features to the market, states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems. Inc. The tradition continues with the addition of these two new products.”

The MA2030 mixer amp features three stereo line inputs (two RCA, one Mini-Stereo plug), two mic inputs (one Euro Block, one combination XLR/phone jack), one Stereo output (RCA), two amplifier outputs (2×30 watts at high impedance, 70v or 100v, or low impedance from 3 to 8 ohms), and one DCP control port (RJ45 supports one DCP1V4S with power and control).

The PA2030 power amp has two stereo line input options (RCA and Euro Block), two amplifier outputs (2×30 watts at high impedance, 70v or 100v, or low impedance from 3 to 8 ohms).

For more information on the new Yamaha MA2030 mixer amp and PA2030 power amp, visit Yamaha Commercial Audio Systems, Inc. in booth #C10716 at InfoComm 2014 or visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

LATEST ALBUM FROM JAMES HOUSE RECORDED WITH API’s THE BOX

NASHVILLE, TENNESSEE – MAY 2014: With a resurgence of his country music hits from the 1990s, singer/songwriter/producer James House is keeping busy with a new album which was just released, and a sold-out sixteen-show tour throughout the UK. While recording tracks for Broken Glass/Twisted Steel, James wanted to achieve the classic “API sound” from the comfort of his home studio in Nashville – Dream On Studios. To attain the specific sound he had in mind, James rented API’s THE BOX from Blackbird Rentals for the summing of the album’s final mixes.

The project began at Ben’s Studio in Nashville, where each of the tracks was recorded on two-inch tape through a classic API 3232 console. The tape was then sent to James’ home studio, where he recorded the vocals, guitar overdubs, and mixing. While he was at Ben’s Studio, James heard tracks that were cut for an early demonstration of THE BOX. “It sounded like classic, warm API,” recalls James. “I’m a big fan of API in the first place, which is one of the reasons why we cut at Ben’s Studio.”

Noting the design and layout of THE BOX, James appreciates how the small-format console is portable, yet creates a classic API sound. “Without it, I would have had to rent a studio with an API console to sum the record. With THE BOX, I was able to rent it for two or three days and take my time summing and getting all the versions of the mixes. The size and design fills a gap between tracking in a commercial studio and in a smaller home studio.”

James recalls that the sixteen summing channels were a key factor that drew him to the console, as well as the overall quality and clarity it helped him achieve. “I just A/B’d the record with one of my earlier records, and it has a punch and presence that I love.” The first single off the album, titled “Every Time It Rains,” has already earned airtime on top country stations, and the song’s presence is growing with the release of its music video.

“I knew THE BOX was a smart idea,” said James. “The mixes gelled exactly like we hoped they would.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and THE BOX recording consoles, as well as its classic line of modular signal processing equipment.
www.apiaudio.com

Mid-America Sound Holds Yamaha QL Demo

BUENA PARK, Calif.—Mid-America Sound Corp. (Greenfield, IN) will host a demo on the new Yamaha QL Series Digital Audio Console, Tuesday June 3 between 12 noon and 4:00 pm at their 6643 West 400 North location, Greenfield, IN. Yamaha Commercial Audio Systems District Manager, Mike Eiseman, will be on hand to present and answer questions.

The new Yamaha QL Series inherits CL console features such as all-in-one mixing, processing, and routing capability for small to medium scale live tour sound, house of worship installations, corporate A/V, and speech applications.

RSVP is encouraged. E-mail Jason Wells Jason@midamericasound.com or call
(317) 947-9980 for more details.

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DPA Miniature Microphones Chosen For The Bodyguard

The hit stage musical of The Bodyguard, currently playing at the Adelphi Theatre in London, is relying on DPA’s d:screet™ 4060 Omnidirectional Miniature Microphones to provide amplification for all members of the cast who have spoken lines.

Written by Alexander Dinelaris and based on the 1992 film starring Whitney Houston and Kevin Costner, the stage version of The Bodyguard features Beverley Knight in the role of Rachel Marron, with former X Factor winner Alexandra Burke taking over from June 2nd 2014.

DPA microphones have long been popular with the sound teams working on theatre productions, particularly those in the West End and on Broadway. The rugged nature of the company’s miniature microphones, combined with their ability to deliver great quality audio even when hidden in wigs and costumes, have made them enduring favourites.

Ania Klimowicz, Deputy Head of Sound for The Bodyguard, says DPA’s d:screet 4060s were chosen because sound designer Richard Brooker and director Thea Sharrock didn’t want any microphones to be visible to the audience. The microphones were supplied by Autograph.

“We use paint, tape and make-up on the mics to make them look as invisible in the actors’ hair or wig as possible,” Klimowicz explains. “We mainly use ‘mic clips’ and occasionally elastic to fix the mics to the performer’s head. Male actors with shaved heads are probably our biggest challenge – in those cases we abandon the usual centre top of forehead fitting and fit the mic over the ear.”

There are 32 actors involved in this current production of The Bodyguard, with 22 performing in each show. There is also a 10-piece band, a three person sound crew and a backstage cast of 45. When it comes to sound, the show is operated by one person who live mixes the band and vocals, as well as firing the sound effects.

“Three members of the cast are ‘double mic-ed’ meaning they wear a main and backup DPA d:screet 4060 head microphone,” Klimowicz says. “Some of the girls wear a headset, a head-mic and use a handheld microphone at various points during the show. Generally the sound for the spoken parts of the show is reinforced but remains naturalistic. This contrasts with numbers such as Queen of the Night or So Emotional, which are set during concerts and therefore need to feel big and more rock ‘n’ roll.”

Klimowicz adds that most of the show jumps in dynamics, except for a couple of numbers such as Run to You which is mixed more like a musical theatre number.

“We use the head-mics here as the song moves as part of the story and a hand-held would somewhat break with the audiences’ suspension of disbelief,” she explains.

Although sweat and make-up can be an issue for some stage productions, Klimowicz says they are not really a problem on The Bodyguard. None the less, the entire sound system including all the microphones are carefully checked before each performance to make sure everything works.

“The DPA d:screet 4060 microphones sound great and are also very reliable. We rarely have an issue with them,” she says. “Given the amount of wear and tear they face on a daily basis, they are incredibly rugged. They are also very small, which makes them much easier to hide in hair and wigs.”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Prism Sound Assists With Gavin Harrison’s Drum Masterclass

Internationally acclaimed drummer Gavin Harrison who has worked with a wide range of artists including Iggy Pop, Sam Brown and King Crimson, recently held a drum workshop at Ananda Studios in Cambridge, during which he revealed the secrets of creating a great drum take.

Hailed as a unique and inspiring event by those who attended, the workshop focused on the demands of being a session player and how to deliver a great performance, even when under pressure.

After starting the session with some basic coordination exercises, Harrison, explained the drum part in a specific song and described the techniques he would employ to deliver and capture the sound. Afterward, those taking part were given the opportunity to play the drum part on his kit and have it recorded in Logic by Ananda Studio’s engineer Neil Cowlan so that they could review their performance with Harrison.

“The opportunity to play along with Gavin and then have him critique my performance was great,” said drummer Russ Tarly, one of the 24 people who attended. “This is the first time I’ve come across such a hands-on event and it worked really well. I knew I wanted to do it because it was so specialized. I’d love to see more events like this because I’m sure there are plenty of other drummers who would enjoy going through this experience.”

To ensure the highest possible audio quality throughout the recording chain, Ananda’s Neil Cowlan deployed two recently acquired Prism Sound Atlas audio interfaces, which were used to track 9 microphones from the drum kit into Logic.

As the latest addition to Prism Sound’s professional USB interface family, Atlas is aimed squarely at multitrack recording applications. Atlas benefits from Prism Sound’s 27 year history in digital audio processing and interface design and incorporates the company’s latest award-winning CleverClox dual hybrid clocking technology as well as eight of the company’s acclaimed microphone preamplifiers as standard. The Prism sound mic preamps are based on the very successful Orpheus preamps, but are upgraded with 20dB pads now available for all inputs. Atlas offers recording professionals ultimate quality analogue and digital I/O for Mac or Windows PC at sample rates up to 192kHz. In addition to the USB host interface, Atlas also features Prism Sound’s new MDIO interface expansion slot, which was first incorporated into Titan and announced at AES New York in October 2013. Using this miniature expansion slot users can, for example, directly connect to Pro Tools|HDX systems and can also run with Apple and Windows native applications over USB. Other expansion cards are slated for future expansion of computer interface options.

For Gavin Harrison’s workshop, Prism Sound also loaned Ananda Studios a Lyra audio interface for additional monitoring. The microphones used for this project included a Shure SM91 and AKG D12VR for the kick drum; a Shure SM57 (top) and a Beta 57 (bottom) on the snare, an AKG C451 on rack toms and a Shure SM57 on floor toms.

Cowlan says: “The Prism Sound Atlas interfaces performed flawlessly, both during the Gavin Harrison workshop and at a private seven hour session that took place the day before. They are truly amazing AD converters and mic-pre’s that sound fantastic. It is no surprise that Prism Sound units are found in some of the finest recording studios in the world and the fact that we can now offer them, too, gives people another great reason for coming to record here.”

Located in the Cambridgeshire village of Littlington, Ananda Studios is a purpose built facility housed in the old Neve factory. Originally designed by Andy Munro, the studio was once used for R&D purposes and to demonstrate Neve consoles. Today, it is popular with a variety of artists who appreciate the combination of tranquil surroundings, great room acoustics and an extensive equipment list.

“The live room is a fully acoustically designed space that sounds wonderful for anything you can imagine recording. Drums, string quartets, guitars, vocals, percussion – it all sounds great,” Neil Cowlan says. “We also have a large range of microphones, pre-amps, EQ’s and other equipment to cater for almost any project, along with a huge collection of guitar and bass amplifiers including Marshall, Fender, PRS, Orange and Matamp.”

Following on from the success of the drum workshop, Cowlan plans to host similar events at the studio and will be announcing these very soon.

Prism Sound’s sales director Graham Boswell, who attended the workshop with Bernhard Nocker from the company’s sales and marketing team, adds: “We were delighted to be able to support this event by loaning the studio equipment and look forward to working with Neil again in the future.”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

ACIR Professional Celebrates Moms at Annual Music Fest

Mays Landing, N.J.—Held Saturday, May 10th in celebration of Mother’s Day, the annual Mother’s Day Festival took place at Boardwalk Hall in Atlantic City, NJ and for the third year, ACIR Professional (Mays Landing, NJ) provided audio production services for the 14,500 attendees. This year’s line up included Charlie Wilson, Gladys Knight, and Heads of State featuring Bobby Brown, Ralph Tresvant, and Johnny Gill. The Mother’s Day Music Fest is always the biggest holiday event at the newly renovated, historic Boardwalk Hall, drawing sell-out crowds.

ACIR provided two Yamaha PM5Ds digital audio consoles, one at front of house and one at monitors. The main PA consisted of 16 d&b J8s, four J12s, 16 B2 subs, and D12 amplifiers. The monitor system included 12 d&B Q1s used for side fills along with Q subs, ACIR 115 wedges, and 12 Yamaha T3N amplifiers.

“The system sounded incredible,” states John Grasso, ACIR Professional co-owner who functioned as front of house engineer. The changeover provided festival-like challenges so we treated it as a festival style in that we had three changeovers with only 10 minutes in between to re-set. This was accomplished by great pre-planning on the part of our crew.” In addition to Grasso, the ACIR crew included Dave Lefko, ME; Bobby Harper, systems engineer; Mike Nugent, systems tech; and Dominick Friia as crew chief. ACIR also provided the entire backline.

For more information on ACIR Professional, visit www.acirpro.com.

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Mandy Parnell Goes Green

Black Saloon Studios in East London is flying the flag for environmental awareness by using solar power to fulfil all of its electricity needs.

Award-winning mastering engineer Mandy Parnell, owner of internationally acclaimed facility, says: “We are using solar panels to power the entire studio and part of the attached living space. This is quite an achievement, considering we operate on a 24/7 basis and run an assortment of amplifiers, electronic instruments, microphones and studio hardware. If we can do it, I don’t see why other music industry companies shouldn’t follow suit – everyone should be looking at ways to reduce their carbon footprint and for businesses like ours solar energy also makes economic sense.”

Parnell says the transition to greener energy was very smooth and the panels are now providing enough power to sell a surplus back to the National Grid.

Based in Walthamstow village where Parnell has been a resident and business owner for 13 year, Black Saloon Studios hosts projects for a wide variety of artist including The XX, Feist, Sigur Ros, Bjork, The Knife, Frightened Rabbit, Brian Eno. Current projects being mastered at Black saloon include Glass Animals, Jungle, Bjork and Philip Selway.

Mandy Parnell’s presence in the Walthamstow Village has contributed to the ever-expanding creative and artistic community, by introducing a diverse range of artists to the area. “We are becoming a greener borough and my neighbours have really embraced our solar panel initiative,” she says. “The artists love it, too. I think everyone should be doing it.”

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For more information please visit www.blacksaloonstudios.com

Will Holland Invests in Prism Sound Titan Audio Interface

Globally itinerant musician and producer Will Holland is the latest high-profile buyer of Prism Sound’s increasingly well-regarded Titan USB multi-track audio interface.

Holland, aka Quantic, is currently setting up his latest studio in New York, after spells on the UK’s south coast in Brighton and seven years spent in Bogota, Columbia. His background encompasses a wide range of music styles – he started his career in instrumental hiphop and electronic music before expanding into producing soul, jazz and Latin music.

“Over the last couple of years I’ve been trying to centre on the concept of clarity and quality in the mixing setting,” he says. “My recordings comprise of different elements, often from a variety of sources. These may be recordings from tape, record and various sounds recorded on location, so it’s important to maintain a noise free, clear and undistorted sound at all times. I’m also doing a lot of work with very tonally rich sounds, acoustic instruments and percussion with a lot of upper register harmonics. It’s important to have a soundcard that makes the musicality shine and not have harsh digital edges or muddy sound.”

This, says Holland, is precisely where the Titan comes in. The interface is ideal for music and sound recording, mixing, multi-tracking, overdubbing, stem-based mastering, analogue summing and all critical listening applications. It provides Prism Sound’s renowned performance, sound quality and state-of-the-art clock technology in a dedicated unit compatible with both Windows and Apple platforms (Apple in Holland’s case) and once configured with a computer, Titan can also operate as a stand-alone interface.

Holland has used Prism Sound converters in various mastering sessions before, but this is the first time it has appeared in his own studio set up.

“What really appealed to me was the software management and the fact that all of the mic and input pres were software controllable,” says Holland. “This makes the unit very attractive to travel with because it is so quick and easy to set up. I find everything works instantly and the setup is quick and without glitches or tech issues. In my studio, space is also important, so the fact that Titan comes in a 1U package is very important.”

Holland’s most recent large-scale recording and music production was for a group called Ondatropica, a collaboration between himself and Mario Galeano, a fellow musician and arranger from Bogota. The initial album was recorded in Medellin at the legendary Colombian studio Discos Fuentes and has since been toured for two years. He also has his fifth solo record, Magnetica, about to be released on the Tru Thoughts label and is currently touring with various European gigs scheduled during May (www.quantic.org for full details).

“I believe the Titan will add a new dimension to my work,” he says. “I mixed a song with it last night and the whole mixdown process was infinitely easier than normal. The clarity in sound was excellent. It made the whole process much easier and quicker. I’m very satisfied with my Titan and am now looking forward to trying it out in some live sessions.”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

DPA helps Joel Compass Perfect His Microphone Technique

Emerging UK artist Joel Compass has become the latest in a long line of singers to join the DPA Microphones’ fan club.

Compass, a 21 year old from South London who is rapidly making a name for himself as an up and coming R&B star, was switched on to DPA’s award-winning d:facto™ Vocal Microphone by his tour manager Mark Portlock and his engineer Liam Halpin.

“DPA microphones are renowned for their audio quality and very low noise floor, so I initially considered the d:facto Vocal Microphone for another artist I am working with who has a particularly quiet voice,” Portlock says. “However, once Liam and I demo-ed it we realised it would also work really well for Joel’s voice, which has a great dynamic range. We introduced him to the microphone and he absolutely loved it. He is now using d:facto for all his live vocal performances.”

Liam Halpin adds that DPA’s d:facto Vocal Microphone has made his life as an engineer much easier because he can use it with any professional wireless microphone system.

“DPA’s UK distributor Sound Network supplied us with an adapter that gives us seamless integration with all of the professional wireless systems we usually encounter,” Halpin says. “I am a big fan of Shure’s wireless system but that doesn’t preclude me from using other brands of microphone. There is a correct microphone for every situation and in Joel’s case, when it comes to live vocals, it’s the DPA d:facto. With this microphone all I need is an adapter, a capsule and a grill and I can walk into any venue and use any wireless system – I don’t have to take in my own. That saves us having to rent in a wireless system and allows us to use the right microphone for the artist and the performance space.”

Joel Compass has been making waves in the UK after getting an early buzz from media outlets such as MTV and Digital Spy. As well as performing his own material, Compass also writes for other artists and is making a name for himself as a producer – indeed his ballad, Run, was written with Rihanna in mind. His latest single Forgive Me is currently climbing the UK Top 50 and he has been making high profile appearances at the MTV Brand New awards, at London’s Red Bull Studios and live support shows with Rudimental and US star J Cole. He is also working on projects with established artists and his own debut album Science. A busy summer including live shows at Glastonbury and Wireless and secret garden festivals awaits.

Mark Portlock and Liam Halpin believe that introducing Compass to the d:facto has had a number of hidden benefits, not least helping him redefine his microphone technique.

“DPA’s d:facto Vocal Microphone seems to work best when artists use In Ear Monitors, because that’s when they can really hear the difference it makes to their voice,” Halpin says. “With Joel, we started out using wedges but this was a real pain because he would sing right off the mic, often with his hands covering parts of the grill. Eventually, when we switched to d:facto, we persuaded him to move to IEMs, which he now has in both ear. The change this made to his mic technique was dramatic. Suddenly he could hear his own voice properly and he got right on the microphone because he was enjoying the improved sound so much. It’s made a huge difference to his performance and to the consistency of his sound – in fact I would go so far as to say that this microphone has done more than anything else to get his live performance to where it is now.”

DPA’s d;facto Vocal Microphone now features on the equipment rider for every gig that Joel Compass does and as a result Portlock and Halpin’s favoured rental company, Encore, has invested in its own stock. The microphone is also proving popular with the studio and broadcast engineers the team have encountered during the filming of some of Joel Compass’ gigs.

“It’s really funny how their faces light up when you tell them your artist is using a DPA microphone,” Halpin laughs. “Studio and broadcast engineers are usually pretty disdainful about live mics but with this one they are more than happy. They know all about the audio quality of DPA so the d:facto gives us credibility.”

Portlock adds that the d:facto Vocal Microphone also gives Joel Compass credibility, especially among other artists who recognise that it is a significant investment. He gives DPA’s UK distributor Sound Network much of the credit for making it possible to move Compass onto a d:facto – and for supporting the team while they made the switch.

“The d:facto is not cheap and there is no way we would have committed a developing artist to such an expensive microphone if we hadn’t had fantastic distributor support,” he says. “The fact that Sound Network was able to lend us the d:facto Vocal Microphone in various forms so that we could try them all out – with cable bodies, adapters, different coloured grills etc – made a huge amount of difference. It gave us the confidence to go with the microphone and it also inspired our rental company to buy stock of its own so we now have access to mics that we can rent through them.”

To see Joel Compass in action at Transmitter Live using DPA’s d:facto Vocal Microphone, please follow this link: https://www.youtube.com/watch?v=F7stBS5lYtI

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

DPA Microphones Fly The Flag For Denmark At Eurovision

As Europe braces itself for the annual spectacle that is Eurovision, DPA is already playing a key part in this musical extravaganza by providing the podium microphones in the official press room.

The venue for this year’s Eurovision Song contest is the B&W Halls in Copenhagen and all of the press conferences are taking place in a separate auditorium that has been specially equipped for this purpose.

Bent Iversen, Key Account Manager for leading Scandinavian PA company DPA Soundco (which, despite the similar name, is not affiliated with DPA Microphones) is the main sound technician for the press room. He says: “We have installed 20 d:screet™ Supercardioid Miniature Podium Microphones, which were specified by broadcast rental company Best Broadcast Hire (BBH). These are positioned on the press table where they are mounted on K&M Table Bases.

Iversen adds that DPA Microphone’s new podium microphones are ideally suited for the job and for the room acoustics.

“Most of the people taking part in the press panels are musicians and they have a tendency to be quite loud,” he explains. “We needed a microphone that could cope with a loud monitor system and with sudden changes in volume. We also wanted microphones that could handle a situation where singers decide to sing as well as speak, which does sometimes happen with Eurovision press conference.”

Introduced last year, DPA’s new podium microphones give AV installers and conference organisers the clear, transparent and precise sound for which the company is famous.

Christian Poulsen, CEO of DPA Microphones, says: “As a Danish company, we are naturally delighted that our new podium microphones are playing an important part in this year’s Eurovision Song Contest. Of course we would have loved to see the artists also using our d:facto™ Vocal Microphones or d:fine™ Headset Microphones on stage, but sadly this isn’t possible due to contractual reasons. However, we can guarantee that the sound coming from the press room will live up to DPA’s – and Denmark’s – high standards.”

Iversen adds that DPA Soundco has an extensive stock of DPA products that are used for music festivals, band tour production and corporate events.

“The main Eurovision show won’t be using any instrument microphones because 99% of what the audience hears is playback,” he explains. “The hand held artist mics are specified by Eurovision as part of a deal they have with another manufacturer but if it was my choice I’d be using the new DPA d:facto Vocal Microphones on a Wisycom wireless system.”

The Danish Broadcasting Corporation, Danish Radio, which is hosting the event, already owns more than 200 wireless Wisycom systems, so it would have been the natural choice if contractual circumstances hadn’t made this impossible.

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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