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Penn Elcom appoints David Logan sales manager FANE loudspeakers

Penn- Elcom (penn-elcom.com) renowned case and speaker cabinet parts manufacture announces the appointment of David Logan to North America Sales Manager for FANE Loudspeakers (fane-international.com). David Logan previously held management positions at Hollywood Sound Systems, Westlake Audio, Alpine Car Audio and brings over 40 years of Pro-Audio, MI and Music industry experience to Penn-Elcom. Fane has enjoyed an historic success in Europe with its hand-made in the UK  speakers since 1958, and now brings its full line of high end Pro-Audio and Musical instrument loudspeakers  to North America for the first time. “We’re truly excited about the new relationship between Penn-Elcom and FANE and anxious to provide domestic customers the opportunity to try the quality FANE product for the first time” says David Logan. Contact  David Logan at  david.logan@penn-elcom.com for further details.

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ACIR to Host Yamaha CL Demo at Trump Taj Mahal

EGG HARBOR TOWNSHIP, N.J.—ACIR Professional will host a demo of the new Yamaha CL Digital Console Series on Thursday, April 5th from 12 Noon – 4:00 pm at the Trump Taj Mahal (Atlantic City), Xanadu Theatre. Yamaha Systems Application Engineer, Kevin Kimmel, and Regional District Manager, Bob Quinones, will be on hand to demo the new CL console and will also present the new Rupert Neve Designs Portico 5045 Primary Source Enhancer and Dugan-MY16 card. All audio professionals are welcome. RSVP: to Lisa Young (young.lisa7@gmail.com) by April 2, 2012.

Yamaha CL Series Digital Console Series: The Yamaha CL Series is a Dante network-based console featuring remote I/O for a faster, more responsive Yamaha system solution. All three CL models in the Centralogic™ series, only differentiated by frame size and input capability, feature 24 mix buses, 8 matrix buses, plus stereo and mono outputs, and 16 DCAs. The footprint of all three CL consoles is small, yet powerful and has been developed specifically for sound reinforcement applications such as performing arts venues, theaters, houses of worship, touring, and remote broadcast. The high output bus count will be a great benefit to live broadcast and monitor applications.

Rupert Neve Designs Portico 5045: The new Rupert Neve Designs Portico 5045 Primary Source Enhancer has been developed for, and is distributed exclusively by, Yamaha Commercial Audio Systems, Inc. Primarily used in live sound applications, the RND 5045 is a 2-channel analog, 1RU device that not only enables up to 16dB of additional gain before feedback when conditions allow, but because it is a dynamics-only processor, the integrity of the original signal is preserved. The device reduces background sounds and enhances the main audio source, providing clarity and warmth to podium, lavaliere, and headset mics, as well as in extreme situations, such as referee mics.

Dugan-MY16 Card:
The Dugan-MY16 card is designed for current model Yamaha digital mixers and processors including Yamaha 01V96, DM1000, 02R96, DM2000, M7CL, LS9, DSP5D, PM5D, and DME24/64N. Dan Dugan Sound Design automatic mic mixing products eliminate cueing errors, reduce feedback and ambient noise pickup, allow for smooth transitions between talkers, and provide consistent system gain no matter how many mics are open. The card can handle up to 64 live microphones, and is remote controllable.

You may know the “how-to” of sound recording, but do you know the “why” behind it?

Just Published from Focal Press!

The Science of Sound Recording
By Jay Kadis
ISBN: 9780240821542 | $39.95

The Science of Sound Recording will provide you with more than just an introduction to sound and recording, it will allow you to dive right into some of the technical areas that often appear overwhelming to anyone without an electrical engineering or physics background.

Written by Jay Kadis, Lecturer and Audio Engineer for the Center for Computer Research in Music and Acoustics at Stanford University, The Science of Sound Recording helps you build a basic foundation of scientific principles, explaining how recording really works. Packed with valuable must know information, illustrations and examples of ‘worked through’ equations this book introduces the theory behind sound recording practices in a logical and practical way while placing an emphasis on the concepts of measurement as they relate to sound recording, physical principles of mechanics and acoustics, biophysics of hearing, introduction to electronics, analog and digital recording theory and how science determines mixing techniques.

KEY FEATURES:

• Provides you with a clear understanding of why we record sound as we do to develop your engineering skills
• Numerous illustrations, diagrams and ‘work though’ equations help unravel the science
• Explanations given in clear simple terms “from the ground up”

Read a recent blog post by Jay Kadis on Focal Press’ blog for everything audio –AudioUndone.com:
So why do we do it like that? Science explains audio practices.

Focal Press has been a leading publisher of Media Technology books for over 70 years. We provide essential resources for professionals and students in many areas including: audio, film and digital video production, photography & digital imaging, animation, broadcast, theatre and web design.

We are committed to publishing high quality books filled with practical hands-on information, dealing with cutting-edge and converging technologies from the experts in the field. You will find practical solutions to problems, examples you can apply to your work, and valuable insights that will help you keep up-to-date in these highly competitive fields.

Focal Press – learn, master, create.

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DANLEY LOUDSPEAKERS PROVIDE AFFORDABLE, EFFECTIVE COVERAGE AT UNIVERSITY OF NORTH CAROLINA’S TRASK COLISEUM

trask_coliseum.JPGWILMINGTON, NORTH CAROLINA – MARCH 2012: The University of North Carolina Wilmington (UNCW) is part of the state’s 17-school university system and currently enrolls over 14,000 undergraduate and postgraduate students. Basketball is big in the Tar Heel state, and UNCW’s Seahawks basketball team draws crowds composed of students and locals to the 6,100-seat Trask Coliseum. Constructed in 1977, Trask recently benefitted from a $2 million makeover that included new floors, seating, scoreboards, a new video board, and a new high-intelligibility sound reinforcement system. South Dakota-based Daktronics designed and installed the multi-purpose arena’s new A/V system, which includes Danley Sound Labs loudspeakers. Daktronics chose the Danley SH-100B and SH-100 boxes based on their exceptional intelligibility, pattern control, and value.

“We were on a very tight budget,” explained Mike Maloney, regional audio sales associate with Daktronics. “We always strive for high-efficiency systems, but at UNCW, more

Illinois St Matthew UMC Church Goes Fully Digital With DiGiCo

After years of research, St. Matthew United Methodist Church undertook a major renovation of its technology systems in 2009, including making the leap from analog to digital installing a DiGiCo SD8 as its main audio console. Continuing its digital progression, the house of worship recently added an SD9 with D-Rack (connected to the SD8 via DiGiCo’s Little Red Box), replacing an analog desk at the hub of its video production suite to handle the increased complexity of its productions. Church media consultant Phil Mahder of Training Resources and Ben Shipman, president of AVA Audio Video Associates again assisted in the transition, working with house broadcast engineer DJ Rockwell.

“St. Matthew has been pleased with their SD8 at FOH since they got it 2 years ago,” Mahder conveyed. “The production level for their large dramas has made the mixer a must—even their Sunday services have had so much complexity that they are using the potential of the SD8 routinely. Not only do they have a lot of sources on stage, but they also do a rapid and complete changeover between services as they switch music styles. The church has been on local cable for many years, producing a quality product in both content and production value. Since getting the SD8, they have realized that the analog console in the video control room has been a limitation. Although they have remote control over the SD8 from the video station, there were conflicts at times between the goals of the FOH operators and the video operators. When the SD9 was introduced, we all quickly realized that this would be the perfect replacement for the analog console in the video control room, making FOH and video independent and completely digital. With the SD9′s affordable price tag, everyone was in agreement.”

Ironically, the DiGiCo SD systems were Rockwell’s first foray into the digital mixing realm. Growing up at St. Matthew and actively involved in the media ministry for the past 10 years, he’s a third generation broadcast engineer with a keen interest in trending technology—particularly as it relates to video production. He found the DiGiCo desks to have a well-thought-out design offering an intuitive ease of use and fantastic sound quality.

“When we originally put the system in, back in 2009, we knew that there would be some more upgrades to come—especially for the video mix,” Rockwell said. “We started off mixing for video with an analog console, and then switched to a computer running the SD8 remotely. We were all in agreement that the new SD9 would be ideal for us, and were able to demo one prior to purchase. In fact, I was able to make a demo reel that showed how much it would improve the quality of our videos, which very much helped to convince the committees in charge of granting the funding. The SD9 proved to be the perfect solution for our problem and improved our productions greatly.”

Once the console was installed, Rockwell recalled, it was ready to run within an hour. “It sounded great and the processing was seamless. The snapshots were very smooth and easily customizable. St. Matthew is a house of worship that has been into technology for a long time, and we do our best to stay on the cutting edge. We started airing our services on cable more than 25 years ago, and now also stream live. On Sundays, we have three services back-to-back with no time for rehearsals in between and can be as simple as three mics and as extreme as 75-plus inputs. The SD8 and SD9 made these 15- and 20-minute switchovers—from Traditional to Contemporary to Blended with choir and orchestra—possible. Besides our normal worship services, we also put on two technically intensive productions each year, at Easter and Christmas, with a cast, crew, and orchestra of over 300. Having this kind of digital footprint—with all the bells and whistles it affords—is a must-have for what we do.”

DiGiCo’s Little Red Box (LRB) played an integral role in integrating the SD8 with the SD9. “It allowed us to take the second MADI I/O on the SD8, run it into the LRB—which is then sent to the SD9 over CAT5E. This enables us to send the local inputs on the SD8 to the SD9 using direct outs.”

From the crew to the congregation, everyone at the church has been extremely pleased with the SD9. “It’s really improved the audio quality of our worship services and productions,” Rockwell concluded. “We stream our services live and air them on cable, the quality of which has noticeably improved by our members who watch on line or at home.”

Clark Introduces New Ultra-Flexible HD/SDI Coaxial Cable

Clark Wire & Cable™, NAB Booth #C8137, is introducing its new ultra-flexible CD7559F high definition coaxial cable for digital and HD/SDI video. Built to the same standards as Clark’s installation grade CD Series coax, the CD7559F features a high flex-life stranded center conductor and ultra-flexible Mink™ PVC outer jacket for easy handling and durability in remote broadcast, portable staging and patching applications.

Designed for precision electrical performance and high-bandwidth, the CD7559F has the critical electrical characteristics required for 1.5 Gb/s and 3 Gb/s uncompressed video transmission, meeting or exceeding SMPTE 292M and 424M standards. Featuring a gas-injected, precision 75 Ohm dielectric and a 4.5 GHz bandwidth, the CD7559F is sweep-tested and 100% verified to guarantee consistent performance.

To deliver both ease of handling and high flex-life reliability, the CD7559F has a finely stranded, video-grade center conductor. This conductor has the tight tolerance, precision diameter specifications required for digital video applications, yet can withstand prolonged flexing and coiling. For exceptional flexibility and abrasion resistance, the outer jacket is extruded from Clark’s proprietary Mink PVC jacket that is ideal for both remote broadcast and studio applications.

“The CD7559F brings the performance of our CD Series HD/SDI coax into an ultra-flexible and field ready design for remote broadcast, staging and studio environments,” stated Scott Fehl, Product Manager for Clark Wire & Cable. “Built to the same standards as our CD Series, the CD7559F delivers the critical performance required for 1.5G and 3G SMPTE HD/SDI transmission formats in a design that is easy to handle and can withstand repeated flexing applications.”

About Clark Wire & Cable

Clark Wire & Cable, a leader in broadcast and professional AV interconnect technology, is celebrating over 23 years of business. With a focus on quality and innovation, Clark Wire & Cable delivers unique and reliable solutions dedicated to the markets it serves. From precision engineered bulk cable and cable assemblies to connectors, tools and custom panels, Clark Wire & Cable has remained committed to delivering comprehensive interconnect solutions. For additional information, please visit www.clarkwire.com.

METRIC HALO RELEASES PRODUCTION BUNDLE FOR AAX, CELEBRATES WITH SALE

channelstrip-3.JPGMUSIKMESSE, FRANKFURT – MARCH 21, 2012: Today at Musikmesse, Metric Halo announced the release of the Metric Halo Production Bundle for Pro Tools 10. The software will be available starting on March 26, 2012 and consists of seven AAX plug-ins compatible with both Native and HDX DSP systems: ChannelStrip 3, Character, Haloverb, Multiband Dynamics, Multiband Expander, Precision DeEsser, and TransientControl. The software may be seen at the Audiologistik booth – Hall 5.1, Stand A85.

This bundle provides the all the tools necessary to sculpt a mix. Four of the plug-ins contain audio analysis tools from SpectraFoo, giving the user visual feedback of the plug-in’s processing. “We’re thrilled to release the Production Bundle for AAX,” said Allen Rowand of Metric Halo. “We wanted to do more than simply port our existing ChannelStrip plug-in to the AAX format. We wanted to release a suite of more

GET THE SYMNET EDGE

symnet_edge.JPGSEATTLE, WASHINGTON – MARCH 2012: Symetrix announces SymNet Edge, a significant update to its long line of DSP solutions packed with incredible new features. DSP is deep in Symetrix’ DNA and Edge is their most exciting commercial audio product yet. Edge is scalable hardware configured with SymNet Composer open architecture software for total design synergy.

Symetrix designed Edge to meet the I/O capacity requirements of the bulk of commercial sound installations. Edge features four configurable I/O card slots, up to 16 channels total of local I/O plus 128 (64×64) channels of Dante network audio. Flexible I/O and plug-and-play networking enable multiple Edge units to scale to your projects’ demands.

Built for performance, Edge trumps the competition with DSP efficiency, consistently providing more processing per project. An internal gigabit switch provides the bandwidth that unleashes the power of Dante to deliver ultra-low latency more

Yamaha Commercial Audio Systems Launches CL Series Digital Consoles


BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced the launch of the new CL Series of digital consoles. The three consoles are making their official debut today at the ProLight+Sound Expo in Frankfurt, Germany. The Yamaha CL Series is a Dante network-based console featuring remote I/O for a faster, more responsive Yamaha system solution. All three CL models in the Centralogic™ series, only differentiated by frame size and input capability, feature 24 mix buses, 8 matrix buses, plus stereo and mono outputs, and 16 DCAs. The footprint of all three CL consoles is small, yet powerful and has been developed specifically for sound reinforcement applications such as performing arts venues, theaters, houses of worship, touring, and remote broadcast. The high output bus count will be a great benefit to live broadcast and monitor applications.

The Yamaha CL5 mix capacity is 72 mono + 8 stereo inputs (64 channels through Dante and 8 local), with 34 faders (16 on the left, 8 Centralogic, and 8 right plus stereo and mono masters). The CL5 also includes built-in output metering. The CL3 is a 64 mono input system, with 8 stereo inputs, and 26 faders (16 left, 8 Centralogic center, plus masters). The CL1 console is a 48-mono + 8 stereo inputs, and 16 faders plus two master faders (8 left and 8 Centralogic center, plus masters). All models feature 16 DCAs, channel encoders and support 48kHz and 44.1kHz sampling rates. An optional meter bridge is available for the CL3 and CL1 consoles. The CL5 and CL3 feature a built-in shelf for an iPad, and the CL1 has a shelf for an iPod.

All CL consoles are configured with a top panel center section with a comprehensive selected channel section, a new 16-bit color LED back-lit touch screen, four User-Defined Knobs, a built-in help system, 2-track USB recorder/player section, and much more. The CL Series features 16 31-band GEQs, an 8U effects rack and a new 8U Premium Rack including Rupert Neve Designs Portico 5043 Compressor and Portico 5033 EQ as well as new Yamaha VCM compressors and EQs. Rupert Neve, who approved the 5033 and 5043 in the Premium Rack during its initial evaluation, called it ‘very sweet sounding’ and ‘indistinguishable from its hardware equivalent’.

Up to eight external Rio (Remote I/O) boxes can be used for a total of 256 channels via the Dante digital network. The 5U rack space Rio3224-D includes 32 remote controlled mic/line inputs, 16 line outputs, and four AES-3 outs. The 3U Rio1608-D includes 16 remote controlled mic/line inputs and eight line outputs. Dante network I/O can easily be set up and patched utilizing familiar paradigms within the console user interface, with no external software required for network operations

Additional console features include simultaneous CL Editor/StageMix connection, multi-track recording via Dante Virtual Soundcard software, and File Converter Software for CL, PM5D, M7CL and LS9 consoles. A new recording software from Steinberg dubbed “Nuendo Live”, optimized for live recording and playback transport, will also be bundled with the console. CL Editor for Mac and PC as well as StageMix for iPad will be available for the series free of charge.

“The CL Series sets a new standard in terms of sound quality, flexibility and usability for mixing professionals,” states Larry Italia, Vice President/General Manager, Yamaha Commercial Audio Systems, Inc. “We appreciate the loyalty of our customers and are excited by the possibilities the CL Series will afford mixing engineers.”

The fader sections of all CL consoles features new self-lit key tops, channel name and color bar visible in sunlight, new fader caps and a smoother drive circuit. The Centralogic section also features Undo and Preview keys for Scene Memory, fader bank select, and 16 user defined keys.

The CL console’s back panel consists of dual Dante ports, 3 MY card slots, work clock I/O, MIDI I/O, AES/EBU digital out, 8 Analog Omni ins/outs, 5-in/5-out GPI, and an external PW800W PSU connection.

Targeted MSRP for the Yamaha CL5, CL3, and CL1 is $27,499, $21,999 and $14,999, respectively. The Rio3224-D has a targeted MSRP of $8,499 and the Rio1608-D has a targeted MSRP of $4,799. The optional meter bridge for the CL3 and CL1 has a targeted MSRP $1,199.

The Yamaha CL5 and Rio3224-D will be available in late Spring 2012, and the CL3, CL1, and Rio1608-D will be available in late summer 2012.

To see the new Yamaha CL Series Digital Consoles and for more information, visit Yamaha Commercial Audio Systems, Inc. at the 2012 NAB Convention April 16 in Las Vegas, booth #C2239, or on the web at www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Yamaha StageMix Version 3 Takes a Bow


BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced a major update for the StageMix iPad App available for Yamaha M7CL and LS9 digital consoles. StageMix Version 3 enables even greater control and ease-of-use in live sound and sound reinforcement applications such as houses of worship and performing arts centers. StageMix Version 3 makes its official debut today at ProLight+Sound in Frankfurt.

In 2010, Yamaha released the first application of the StageMix iPad App for the M7CL console, allowing engineers to quickly adjust monitor mixes from the performance position onstage or anywhere in the audience immediately hearing the effects of the adjustments. In 2011, the Company released a similar StageMix iPad App for use with the LS9 console. The StageMix App provides greater control and flexibility for both digital mixing consoles and enables the mixing engineer to freely adjust console parameters and sound levels by wireless control, rather than at the mix position.

New functions for StageMix V3 include: Mute Group Masters; Channel Naming;
Channel Pan; Send Levels in Meter Bridge; Tap Tempo; Edit Mixer Setting (i.e. IP and MAC Addresses); Bank Navigation in Long Faders mode; Selectable Input and Output Meter Positions; EQ Type I / II button in EQ screen; HPF ON button is always available in EQ screen; and DCA Faders (M7CL only).

“As we celebrate our 25th year in providing high-quality digital technology products, we continue to be at the forefront of developing high-performance products for our customers and end users,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “With input from our customers based on their needs and feedback, the combination of StageMix Version 3 with an M7CL or LS9 will provide even greater flexibility and convenience when making important and necessary mix adjustments.”

StageMix Version 3 for the M7CL or LS9 will be available in April 2012 and can be downloaded free of charge via the Apple iTunes Store.

For more information on StageMix Version 3, visit Yamaha Commercial Audio Systems, Inc. at the NAB 2012 Show on April 16, booth #C2239 or via the web at www.yamahaca.com.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated
professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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