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API ADDS TWO NEW 500-SERIES MODULES: THE 505 DI (DIRECT INPUT) AND THE 565 FILTER BANK

JESSUP, MARYLAND – JANUARY 2014: API will introduce two new members of its acclaimed 500-series modular signal processing line at the 2014 NAMM Show: the 505 DI direct input and the 565 filter bank. Both modules possess API’s legendary sound and fit all 500-series chassis, including the API Lunchbox® and the API 1608 small-format analog console.

The 505 DI includes gain control, adjustable tone control, a bright switch, a 20dB pad, switchable 100/400k Ohm load impedance, and Thru connectivity. Like the console-based API 205L, the 505 DI is specifically designed to accept a guitar, bass or keyboard direct input while minimizing any loading effect on Hi-Z instrument pickups

The 565 Filter Bank includes a sweepable low-pass filter (500Hz to 20kHz, -12 or -18dB slope), a sweepable high-pass filter (20Hz to 400Hz, -6 or -12dB slope), and a variable notch filter (fully sweepable between 20Hz and 20kHz). The 565 circuits are true to the musical filters of the famed 215 module found in large format API consoles.

Noted Larry Droppa, president of API Audio, “Since it’s inception, the API 500 Series has dominated the ever-growing group of 500 Series products. At API, we innovate by design and keep delivering modules that outperform the competition and continue to give our end users the sound and performance they’ve come to expect from API. Both of these new modules address a specific need while keeping the integrity of the API module product line.”

MSRPs: 505 DI and the 565 Filter Bank $595.00 each

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

STOP BY AND SEE US AT NAMM 2014 BOOTH #6204

Audinate Enhances Dante Controller 3.5 with New Advanced Capabilities

Portland, OR January 23, 2014- Audinate, the inventors of Dante, have released Dante Controller version 3.5, a updated release of their free networking management configuration and monitoring application. Several powerful new features have been added providing advanced real-time network monitoring functionality, including multicast bandwidth usage, clock health monitoring and latency management statistical information. These enhancements enable you to quickly identify and fix potential issues on the network, while preserving Dante Controller’s hallmark ease-of-use characteristics.

Dante has become the defacto standard and dominant networking technology in the professional audio industry. Built on existing networking protocols and standards, Audinate’s Dante is a plug-and-play networking solution which delivers ultra-low latency and tightly synchronized media, while simplifying installation and configuration of digital media networks. Dante is the most interoperable digital media networking solution available and has become the most specified technology by system designers, installation contractors and end-users.

“Many of the new features in Dante Controller 3.5 were implemented to directly meet specific customer requirements”, says Gary Southwell, VP of Product Management at Audinate. Southwell adds, “Dante has rapidly become the market leader and the dominant media networking solution for audio networking. Dante Controller 3.5 includes many features that AV and IT professionals could only dream of a few short years ago.”

What’s New in Dante Controller 3.5

Significantly Enhanced Latency Reporting
•New histogram-based reporting and tracking of transmitter latencies – provides at-a-glance information about the latency performance of audio flows for supported devices.
•Latency histograms indicate if latency play-out settings are properly configured, and also provide an overall view of the health of the network.
•This feature helps solve one of the biggest challenges in the industry: It allows an operator to quickly see if an audio flow has been properly configured, and also indicates if underlying network issues could potentially develop into an audio quality problem.

Improved Clock Health Monitoring
•Clock health is now tracked on a per-device basis via dedicated performance histograms. This enables the quick and easy detection of difficult-to-diagnose network issues which are impacting clock accuracy – such as clock traffic bottlenecks, and low-performance external word clocks.

New Preset Tool Suite
•New preset system exposes XML-based network configuration presets for use in off-line configuration tools. This simplifies the setting up of new networks, and the reconfiguration of existing networks. Ideal for integrators, and large multi-use end-user networks.
•Presets are further enhanced to enable simpler switching between standard configurations and special event configurations. Provides greater confidence in the ability to share audio network configurations for multiple uses and/or user groups.

Redundant Network Connection
•Enables visibility of primary and secondary networks at all times. Redundant devices can still be seen and managed via the secondary network in the event of a problem with primary network connectivity.
•Simplifies redundant network set-up, and allows the operator to easily verify that both networks are properly configured.
•Provides real-time notifications about connectivity status on both primary and secondary networks.

New Channel Grouping Capability
•Allows simple viewing and configuring of large numbers of device channels, in groups of 16.
•Each group can be expanded then collapsed when set-up is complete.

Improved Network and Device Status Information
•Network and device information has been enhanced and restructured across two tabs (including a new Network Status tab) to provide a clearer and more useful overall picture of the network.
•New notification icons provide up-front, real-time information about a range of network and device events.

Click link to download Dante Controller 3.5 http://goo.gl/IjDQ6D

Click links to view Dante Controller 3.5 videos
Latency Monitoring http://youtu.be/FLQDwDXXoxc | Clock Status http://youtu.be/Sgnx0-TwDjE
Pre-sets http://youtu.be/AQZGShVW0MA | Connection to Secondary Network http://youtu.be/ZTsLFzQ262k

About Audinate
Audinate revolutionizes AV systems to enable our customers to thrive in a networked world. Dante has become the defacto standard and dominant networking technology in the professional audio industry. Audinate’s patented Dante media networking technology has been adopted by leading OEM manufacturers in the professional audio/visual industry. Dante is used extensively for live performance events, commercial installation, broadcast, recording and production, and communications systems. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd, Audinate is a registered trademark of Audinate Pty Ltd.

MORE SLOTS, MORE POWER, BETTER PERFORMANCE API TAKES THE 500 SERIES LUNCHBOX® TO A NEW LEVEL

JESSUP, MARYLAND – JANUARY 2014: API will introduce its new eight-slot 500-8 lunchbox at the 2014 NAMM Show. The new eight-slot model is priced the same as the six-slot 500-6 lunchbox, effectively giving new purchasers two free slots! Moreover, the new 500-8B includes all of the features that have made the 500-6B so well regarded in the industry, including DB-25 (D-Sub) connectors for easy I/O, universal power supply (100 or 250V, 47 to 63Hz), phantom power, and easy rack-mounting with optional rack-ear kit for robust performance, and new toggle switches for channel linking.

Noted Larry Droppa, president of API, “Listening to our end users is key to our product development. As we add new 500 series modules to our line, including the new 505-DI and 565 Filter Bank, it was only natural to add two more slots to the 500-6 lunchbox. And to make it even sweeter, we decided to offer the 500-8 lunchbox at the same price as the 6.

The 500-8 lunchbox is now shipping MSRP: $499.00

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

STOP BY AND SEE US AT NAMM 2014 BOOTH #6204

NEW AT NAMM! SONODYNE LAUNCHES NEW SRP SERIES OF HIGHLY-ARTICULATE COMPETITIVELY-PRICED STUDIO MONITORS

LAS VEGAS, NEVADA – JANUARY 2014: Based in India, Sonodyne is well known for designing and manufacturing studio monitors that deliver big-ticket performance without the big ticket. Company founder Ashoke Mukherjee and his research team have yet again smashed the performance/price barrier with the SRP series of bi-amplified, die-cast aluminum studio reference monitors, and TransAudio Group, Sonodyne’s U.S. distributor, will be showcasing them at Booth #6945 at NAMM 2014. Five models span the series to meet different needs and budgets, from the small SRP 350, through the SRP 400, 500, and 600, to the large SRP 800. A sensible collection of back panel controls adapt the SRP series loudspeakers to a wide range of room conditions, and tapped inserts at the bottom and rear allow for a variety of mounting options. Clean self-power ranging from 20+20W in the SRP 350 to 175+100W in the SRP 800 is perfectly matched to the acoustics of the drivers and enclosures.

“We’re pleased to demo Ashoke’s latest creation at NAMM,” said Brad Lunde, president of TransAudio Group. “The Sonodyne SRP series studio reference monitors deliver the sort of clear, honest reproduction that is normally available only from manufacturers that charge many times the price. The range of sizes available in the SRP series will suit a variety of needs, from small-driver references, to surround channels, to primary near-fields.” The aesthetically-pleasing Sonodyne SRP series studio monitors are available in rich black, charcoal grey, and snow white.

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm. www.transaudiogroup.com

STOP BY AND SEE US AT NAMM 2014, BOOTH #6945

Prism Sound Unveils Atlas – Another New Audio Interface

Internationally renowned manufacturer Prism Sound will score a hat trick at NAMM 2014 when it unveils Atlas – its third new interface product to be launched in just eight months (Booth 7123).

Complementing the company’s existing Orpheus, Lyra and Titan interfaces, Atlas offers the same no-compromise design and acclaimed converter performance that users have long come to expect from Prism Sound’s high quality audio products.

Designed with Prism Sound’s latest and award-winning CleverClox clocking technology and incorporating eight of the company’s popular mic pre’s as standard, this latest addition to the USB interface family is aimed squarely at multitrack recording applications. Atlas offers recording professionals ultimate quality analogue and digital I/O for Mac or Windows PC at sample rates up to 192kHz via a simple USB interface. In addition to the USB host interface, Atlas also features Prism Sound’s new MDIO interface expansion slot, which was first incorporated into Titan and announced at AES New York in October 2013. Using this miniature expansion slot users can, for example, directly connect to Pro Tools|HDX systems. A range of other MDIO interfaces is planned for later introduction. Atlas will also run with Apple and Windows native applications over USB.

Graham Boswell, Sales Director of Prism Sound, says: “The biggest news for Prism Sound customers is that now Atlas, Titan and Lyra all will be capable of aggregated operation in both MAC and Windows PC environments. This makes it possible to link up a number of different units for multichannel applications – for example 24 track, 32 track – or even bigger set-ups – while retaining a USB connection for each unit. In the Windows environment, Prism Sound provide a new driver that aggregates the units and presents a single multitrack interface to your DAW application for I/O routing. This gives our customers enormous choice and flexibility and we are confident that countless more hit records and blockbuster film scores will benefit from Prism Sound’s acclaimed converter performance thanks to the ongoing development of our interface range.”

As with all Prism Sound audio interface products, Atlas has been specifically designed to meet customer demand. The unit draws on Prism Sound’s conversion and clocking expertise developed over many years in products ranging from the AD-2 and DA-2 and the popular ADA-8XR modular converter to Orpheus and the latest releases, Lyra and Titan. It offers eight analogue inputs, eight analogue outputs plus S/PDIF and TOSLINK optical digital I/O ports. The optical ports can also be used for ADAT, giving a single Atlas unit a maximum capability of 18 concurrent input and output channels plus dual stereo headphones.

Atlas also features high quality digitally-controlled preamplifiers – eight for microphones and two for instruments, which are automatically selected when the respective sources are plugged in. An assignable rotary control is provided for monitoring or output level control, which can be applied to any desired set of output channels. In addition, dual stereo headphone outputs are provided, each with its own volume control.

Building on the versatile DSP features of the Prism Sound Orpheus and Titan interfaces, Atlas has a powerful built-in DSP engine which provides high precision input and output conditioning functions, as well as a fully-featured mixer for every Atlas output channel, including ADAT channels. Each output can be driven with its own zero-latency mix of input channels and DAW feeds, allowing flexible performers’ foldback feeds to be created, as well as stereo or 5.1/7.1 surround monitoring feeds, controlled by the front-panel rotary control if desired. Titan’s high quality analogue outputs are ideally suited for use with analogue summing boxes.

All of Atlas’ functions, aside from the front panel monitor and headphone level controls, are controlled from a dedicated Control Panel app, which opens on-screen as a separate panel alongside the user’s existing editing software.

“Launching three new products in less than a year is a record for Prism Sound and indicates our determination to offer recording professionals a wide choice of the high quality, richly featured and competitive tools that they want and need,” Graham Boswell adds. “We are on a roll now, so watch this space because we have even more exciting new products scheduled for 2014.”
Atlas will be officially unveiled at NAMM 2014, which runs from January 23rd – 26th in Los Angeles, USA. For more information please visit www.prismsound.com or visit Prism Sound’s NAMM Booth 7123 for a demo.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

DRAWMER’S TEC AWARD-NOMINATED MC2.1 MONITOR CONTROLLER SHOWCASED AT WINTER NAMM

LAS VEGAS, NEVADA – JANUARY 2014: Whether it’s at the recording stage, the mixing stage, or the mastering stage, Drawmer MC2.1 Monitor Controller gives engineers all of the tools they need to deliver great recordings that will translate anywhere. It has two essential assets that are rarely found together. First, the MC2.1 Monitor Controller is designed and quality-controlled to provide a pristine, ultra-low distortion signal path and amplification stage that transparently conveys the signal at its selected input from 20Hz to 40kHz, +/- 0.2dB. Second, it provides comprehensive I/O selection to permit quick, benchmarked comparisons across four inputs, three loudspeaker outputs (with an additional mono output), and two headphone outputs. All outputs have individual left/right trims to permit perfect volume matching. A talkback microphone and comprehensive mix-checking controls (left/right cut, phase reverse, mono, dim, and mute) complete the MC2.1 Monitor Controller’s feature set.

“Everyone knows that if you can’t properly hear what you’re recording, mixing, or mastering, you can’t be sure that the end result will hold up,” said Brad Lunde, president of TransAudio Group, the U.S. distributor of Drawmer’s legendary and growing line of signal processors. “The new Drawmer MC2.1 Monitor Controller was painstakingly designed by Ivor Drawmer and his team of engineers to possess brutally honest circuitry that will reveal every nuance at its input, both the good and the bad. Moreover, its comprehensive collection of inputs, outputs, and mix-checking features will speed an engineer’s workflow and make referencing different loudspeakers and headphones easy. This is a significant advancement over the status quo of comparable products.”
US-MSRP $650.00

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.www.transaudiogroup.com

STOP BY AND SEE US AT NAMM 2014, BOOTH #6945

API ANNOUNCES THE WEST COAST DEBUT OF “THE BOX” AT NAMM – PLUS THREE NEW 500 SERIES MODULES

JESSUP, MARYLAND – JANUARY 2014: API’s professional project studio console, THE BOX, was the hit of AES in New York City, and now API showcases it at NAMM 2014 in Anaheim, California to the west coast recordists. THE BOX is the ideal analog console for small studios that are centered on DAWs, providing four input channels with preamps and processing; sixteen channels of classic analog summing (twenty at mixdown); cue sends with talkback; and monitor control. Most importantly, THE BOX uses the classic discrete analog circuitry that is found in all of its products, including the 1608 small format console and the Legacy Plus and Vision large-format consoles.

API also debuts three new 500 Series products at NAMM: the new eight-slot 500-8 lunchbox®; the 505 DI direct input, which like the module-based API 205, accepts a guitar, bass or keyboard direct input while minimizing any loading effect on Hi-Z instrument pickups; and the 565 Filter Bank module with circuits that are true to the musical filters of the famed 215 module found in large format API consoles.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment. www.apiaudio.com

STOP BY AND SEE US AT NAMM 2014 BOOTH #6204

Media Group International Introduces SIENNA to Its Broadcast Customers

Leading systems integrator Media Group International can now offer its broadcast customers seamless integration and next generation workflow after becoming an Approved SIENNA Systems integration partner.

The new partnership brings enormous benefit to MGI’s customers by giving them easy access to SIENNA’s cutting edge systems for News, Sport, Live Event and Mutli-Camera Television Production.

MGI recently sent its Senior Solutions Architects Jim White and Tyrone Donnelly on a weeklong intensive Sienna training program in London, England. The program is designed to give MGI self-sufficiency in implementing and supporting Sienna Systems and affords MGI the coveted Approved Sienna Systems Integrator status.

Founded in 1992, Gallery offers the Post Production, Film, Music, TV and Broadcast industries a portfolio of more than 50 sophisticated software and hardware products that are sold to more than 12,000 customers across 50 countries. The company’s SIENNA software family, which was launched in 2007, has revolutionised News and Sports broadcasting and has an international reputation for delivering cutting edge results in highly demanding environments.

Some of the world’s leading broadcasters have built their news and sports workflow around SIENNA, including the BBC, the Associated Press, Turner and Televisa. SIENNA products have been responsible for coverage of major global events such as the US Presidential election, and the Beijing and London Olympics. With a worldwide integration channel, Sienna delivers functionality, performance and reliability without compromise.

Roger Barton, MGI’s Sales Manager, says: “As always at MGI, we’re committed to bringing the very latest technology and products to our customers and Gallery’s SIENNA products absolutely fit this brief. It is also extremely important nowadays that you’re able to back up your sales with integration services and after sales support locally. This is why we always invest in training prior to signing partnership agreements, so that we can confidently support our partners.”

Mark Gilbert, Gallery SIENNA’s CTO, adds: “We are delighted that MGI has made a strong commitment to Sienna, and MGI’s experience and reach will make Sienna accessible to a new audience in the Gulf region. Local support is fundamental to our vision, so MGI’s formally trained Sienna engineers are a welcome addition.”

Media Group International has over 35 years’ experience of systems integration in the Gulf region and represents many worldwide manufacturers. These include Avid Technology, Quantel, SeaChange,, Vinten Broadcast Ltd, Telestream, Vizrt and EVS Broadcasting. It also serves TV channels and networks, movie studios and network operators in the region, providing telecommunications, broadcasting, integrated systems and state-of-the-art security.

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Notes to the editor:

About Ghanim bin Saad Al Saad & Sons Group Holdings
Ghanim bin Saad Al Saad & Sons Group Holdings (GSSG) was founded by Ghanim bin Saad Al Saad in 1993 and incorporated in 2007. Today it is one of Qatar’s most successful private sector business groups, making a major contribution to the country’s economic growth.
GSSG has enjoyed steady growth and success in many fields and industries locally and internationally. GSSG’s diverse portfolio gives it strength and enables its companies within the group to maximise global business opportunities wherever and whenever they arise.
The founder, Mr. Ghanim bin Saad al Saad, has enabled the group to grow to over 40 companies around the world. As an inspirational business leader, he has steered the group to achieve its success in industries that include aviation, maritime, automobiles, oil & gas, real estate, manufacturing, contracting and trading, finance & asset management, engineering, education, fitness, hotels, hospitality and fashion, information technology and telecommunications.
In addition to its corporate headquarters in Doha, GSSG also has five international offices located in London, Zurich, Cairo, Singapore and Dubai.
www.gssg.com

Media Group International
Media Group International (MGI) is a proven media broadcast and communications systems integrator, serving the media, telecommunications, security, education, hospitality and advertising industries in the Gulf region for more than 35 years. Formerly known as Salam Media Cast (SMC), the company joined GSSG Holdings in 2010, with offices in Qatar, UAE, Oman, Bahrain, Saudi Arabia and the UK.
Media Group International is diversifying its business into new technologies. As well as equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, the company also equips whole multivendor and multisensory environments. MGI provides solutions from safeguarding national security, such as in government operations, to creating the best educational venues in museums and classrooms, enhancing sports environments and revolutionising health facilities and satellite telecommunications.
Media Group International is ISO 9001:2008 certified, the world’s most recognised quality management standard. It is the first company of its kind to receive the prestigious accolade within the Middle East region, guaranteeing customers world-class quality assured products.
Media Group International recently launched their new website to give customers a better experience online.
www.mgi.tv

Gallery SIENNA
Based in London, England, and with a global reach, Gallery SIENNA has been serving the Post Production, Film, Music, TV and Broadcast industries since 1992, with more than 50 software and hardware products sold to more than 12,000 customers in 50 countries. Some of the world’s leading broadcasters have built their news and sports workflow around Sienna, including the BBC, the Associated Press,Turner and Televisa. Sienna products have been responsible for coverage of major global events such as the US Presidential election, and the Beijing and London Olympics. With a worldwide integration channel, Sienna delivers functionality, performance and reliability without compromise.

The Music Producers Guild Gives Special Recognition To Sean Davies

The Music Producers Guild is delighted to announce that Sean Davies, an internationally acclaimed studio designer, technical engineer and authority on disc cutting lathes, will be presented with a Special Recognition Award at the MPG Awards 2014, which take place in London next month.

Renowned as an audio consultant, Davies is also at the heart of the UK and European disc cutting business thanks to his extensive knowledge of cutting techniques, lacquers and the ins and outs of the equipment needed to cut a vinyl record.

He first became interested in audio at the age of 13 when he began repairing broken radios and cutting discs at home. His hobby developed into a career when he was offered a job at IBC Studios, initially in the maintenance department and then in the disc cutting operation. Davies’ reputation as an expert soon spread, securing him other key technical positions until he eventually founded his own company, SW Davies Ltd, which specialises in maintaining high quality disc-cutting lathes and supporting cutting facilities around the world.

Although he recently announced his retirement after 53 years in the professional audio industry, Davies is still acting as a consultant – most notably for the recently launched Art of Vinyl (AoV), a new maintenance business headed by the former-Metropolis Mastering engineer Crispin Murray and audio/video equipment repair specialist Duncan Crimmins.

Ray Staff, of the MPG’s Mastering Group which nominated Sean Davies for a prestigious Special Recognition Award, says: “I am so pleased Sean is receiving this acknowledgment. He has been my mentor for over 40 years. Sean is a generous educator, gifted with the ability to explain often complex theories, simply and clearly. His skills and knowledge have benefited every aspect of recording, mastering, manufacturing and design. He is a truly unique man in our industry.”

Sean Davies will be presented with his award at the MPG 2014 Awards ceremony, which takes place on February 13th at the at the Park Plaza Riverbank Hotel in London.

Now firmly established as a must-attend industry event, the MPG Awards attract music industry stars and VIPs who turn out in force to celebrate the enormous contribution that recording professionals make to the success of the UK’s music industry. In 2014, the MPG is once again collaborating with the BRITS to present the winner of its Producer of the Year Award with a BRIT Award for Best Producer.

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About Music Producers Guild (UK):
The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk or www.mpgawards.com

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Related Topics: AES Newslink, News |

DPA Microphones Capture the Sound of Andrea Bocelli’s Orchestra

Andrea Taglia, live sound engineer for the famous Italian tenor Andrea Bocelli, is a huge fan of DPA microphones and rates them as the most technically advanced and sonically transparent microphones on the market.

It is therefore no surprise that Taglia personally owns a selection of DPA microphones and regularly sources additional units whenever he is on tour with Bocelli.

“I’ve been using DPA microphones for many years and bought my first stereo d:dicate™ 4006 Recording Microphone when it was still known by the old Bruel & Kjaer name,” Taglia says. “I first became familiar with the DPA brand when I was using DPA miniature microphones on singers in musical productions. Eventually I began experimenting and started using them on instruments as well, which gave me great results. I’m now a huge fan and have bought quite a few for my own microphone collection, including d:dicate 4006 and 4011 Recording microphones and a selection of d:screet™ 4090 and 4061 Miniature microphones.”

Andrea Taglia began his career in the theatre, mixing audio for plays and musicals and working with directors such as Peter Stein, Bob Wilson, Massimo Castri. He also worked with classical orchestras and jazz musicians and acted as a live sound consultant designing sound systems for touring and fixed installations such as cruise ships.

“I made a conscious decision to stop touring in 2003 when my second son was born, but when I met Andrea in 2006 he persuaded me to go back on the road – although these days I only go on tour with him,” Taglia says.

Bocelli’s most recent concerts have taken place all over the world and in each venue Taglia has supplemented his own DPA collection with additional microphones supplied by DPA’s Italian distributor M. Casale Bauer.

“We used DPA d:screet 4061 Miniature microphones as close proximity mics for the strings – four on first violins, three on second violins, three on violas and three on cellos,” he explains. “We have also been using them for our guest violin soloists and for our guitar duo CARisMA, who usually play at Bocelli’s concerts.

“In large and reverberant venues where the noise floor can be pretty high, it is important to have good close proximity microphones to help reduce feedback and deliver more attack and a more present and detailed sound. This is especially important when the orchestra is playing over pre-recorded tracks.”

Taglia adds that DPA’s wide range of instrument clips and accessories adds an extra dimension to the versatility of the company’s products.

“DPA has always been very careful about providing the correct accessories so that users can get the best from their products,” he says. “For example, the DPA MHS6001 rubber suspension, which we use on strings with the 4061, is a real problem solver as it is universally accepted by every musician, even on very expensive instruments. They are happy to use it because it doesn’t actually touch the instrument. Instead it allows the microphone to float under the strings on the rubber mount.

“I’m also a big fan of the DMM0007 rubber holder as it allows me to position a 4061 miniature microphone very close to the strings on an acoustic guitar without annoying the musician playing it. With this solution I can get the full sound of the instrument in a way that wouldn’t be possible with a pick-up.”

Taglia adds that he uses his own DPA microphones on a daily basis as they are invaluable for live recording work and for aligning sound systems, which is what he does when he isn’t on tour.

“Over the years I have used literally tons of DPA miniature microphones on singers in the theatre and I’ve also used my fair share of d:vote™ 4099 Instrument Microphones on double basses and cellos,” he says. “Every time I need a linear, true microphone that is capable of handling high SPL, I always choose DPA.”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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