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Archive of the AES Newslink Category

INTRODUCING THE ATC SCM20ASL PRO MKII: ATC IMPROVES ITS MOST POPULAR SMALL-FORMAT, 2-WAY ACTIVE REFERENCE MONITOR

LAS VEGAS, NEVADA – SEPTEMBER 2014:ATC_SCM20ASLPro_MkII TransAudio Group, U.S. rep for ATC and other boutique professional audio companies, introduces the ATC SCM20ASL Pro MkII near-field reference monitor. The ATC SCM20ASL Pro MkII improves upon the ATC SCM20ASL Pro. Like its predecessor, the MkII is a high-performance two-way active loudspeaker that is ideally suited for critical near-field applications or as surround channels in larger systems. Its exceptionally neutral output extends across the audible spectrum and is now improved by a new amplifier design, a new ATC-made dual suspension tweeter, and a new cabinet design.

“ATC is well-known for designing and building studio monitors that are unflinchingly truthful and that help engineers deliver mixes that translate everywhere,” said Brad Lunde, president of TransAudio Group. “ATC founder Billy Woodman and his team of R&D engineers never tire in the pursuit of perfection, and improvements to the passive SCM20PSL Pro MkII led to parallel improvements in the active the SCM20ASL Pro MkII.”

The new SCM20ASL Pro MkII is based around the ATC 6.5-inch “Super Linear” LF driver with integrated midrange, utilizing the same SL technology developed for the larger nine-, twelve- and fifteen-inch based monitors. Constructed with a 75mm/three-inch voice coil and a short-coil, long-gap topology, it combines the high-power handling and low-power compression usually only found in large, high-efficiency systems with the fine resolution and balance of modern high fidelity systems.

Five years in development, the new ATC dual-suspension 25mm tweeter offers lower distortion, higher output, and greater reliability. The electronics in the active design have also had considerable development time invested in them, resulting in reduced noise and distortion (a further -10dB @ 10kHz) and a reduced operating temperature for improved reliability. The amplifier design is a revised version of ATC’s discrete MOSFET Class A/B design with 200W and 50W continuous power available for the bass and high-frequency sections, respectively. The user controls have also been improved over the previous generation with more flexible input sensitivity controls and a revised low-frequency shelf control to help achieve good balance in difficult acoustic conditions. The amplifier includes protection circuits for both DC offset and thermal overload.

The new cabinet design maximizes linearity and minimizes size and weight. The cabinet has been restyled to more closely follow the larger monitors in ATC’s professional range and is constructed from heavily-braced MDF. Highly damped, elastomeric panels are bonded and stapled to the cabinet’s inner walls to suppress cabinet panel resonances, while the enclosure’s front panel is heavily radiused to reduce cabinet diffraction, improving the frequency response and imaging.

“Even given the excellence of the previous design, these new features lead to a substantive improvement,” Lunde concluded.

MSRP $6,695/pair

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

BE SURE TO STOP BY AND SEE US AT AES 2014 BOOTH #1110

NEW YORK CITY’S EXCLUSIVE UNION LEAGUE CLUB UPGRADES TO ASHLY

Union_League_Club_NYCNEW YORK, NEW YORK: The Union League Club of New York City was founded by Union loyalists during the Civil War and has grown since then to become one of the city’s most exclusive clubs, where the public-minded members of New York’s upper class meet away from the bustle of urban life. Its elegant clubhouse on East 32nd Street and Park Avenue in Manhattan thus serves as an oasis, and the Union League recently refurbished many of its rooms to add modern audio/visual technology where appropriate. Based on its functionality and rock-solid reliability, A/V integration firm Audio Production Services (Amawalk, New York) specified an Ashly ne24.24M Protea™ DSP Matrix Processor and an Ashly ne4250.70 Network Four-Channel Amplifier for the Union League Club’s new system.

Although most of the clubhouse areas provide a refuge from technology, club members requested video and audio in one of the large lounge spaces, the nearby coffee bar, and some ancillary lounge spaces. Inputs to the new system are many and include all manner of video feeds, wireless microphones for events, and iPod® connectivity. Those inputs feed into an Ashly ne24.24M matrix processor, which handles all of the routing, mixing and equalization. Audio Production Services biased the modular I/O of the ne24.24M to accommodate the huge number of inputs, reserving just four outputs to feed a four-channel Ashly ne4250.70 amplifier. Those four amplifier channels power 70-volt RCF ceiling speakers in four separate zones.

“I’ve used Ashly products on many previous installations,” said Simon Nathan, president of Audio Production Services. “They are very flexible and easy to work with. In addition, they are reliable, which was critical for the Union League clubhouse. Ashly’s Protea processing worked well with Key Digital’s user interface technology and allowed us to give the staff an iPad that could control the new A/V system. In all, it was a straightforward design and an easy installation, and the client is happy with its sound and performance.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

Yamaha Announces I/O Rack For Dante/MADI Conversion

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. will launch the fifth in a series of its Remote I/O (Rio) Racks at this year’s AES Convention. The new RMio64-D provides unprecedented capabilities for Yamaha CL and QL Series Consoles as well as NUAGE DAW systems that use Dante networking. The new product enables audio from a CL or QL live sound system to be converted to MADI and fed to an OB vehicle, for example, or a MADI based console can be easily integrated into a NUAGE system for post production.

Word clock synchronization can be an issue when converting between different audio formats, but now with the RMio64-D MADI inputs and outputs feature built-in, sample rate conversion sources with differing word clocks can be connected without causing noise or dropouts. In addition to redundant Dante network connections, the RMio64-D additionally supports MADI redundancy through simultaneous coaxial and optical connections. With the MADI Split (loopback) capability, a signal received at either the coaxial or optical input can now be retransmitted to the output.

On its own or in close integration with other Yamaha products, RMio64-D adds even greater value. The rack can be mounted via the CL or QL console touch screen displays with convenient remote control of Dante patching and sample rate converter settings (future update). Precision synchronization with the NUAGE system Direct Monitoring and VST System Link functions is also provided, as well as remote control from the NUAGE Workgroup Manager software.

“The RMio64-D allows smooth, simple connection between the MADI format and the Dante digital audio networking protocol that is rapidly gaining acceptance worldwide, states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. Built-in sample rate conversion effectively overcomes word clock synchronization issues that would otherwise limit system design freedom, and extensive compatibility with CL, QL and NUAGE systems, significantly enhancing the value of those products for use in a broad spectrum of sound systems. Tight integration is the key to complete systems solutions offered by Yamaha for our customers.”

A late 2014 availability is expected with a target MSRP of $3,800.

For more information on the RMio64-D, visit Yamaha Commercial Audio Systems, Inc. at AES 2014, Los Angeles Convention Center, booth #1401 or on the web www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Yamaha CL/QL V3.0 Boast New Features for Broadcast, Live Sound

BUENA PARK, Calif.—Announced during IBC in September, Yamaha CL and QL Digital Audio Consoles will release V3.0 updates available in early 2015.
Version 3.0 adds features and functionality that will increase the appeal of all CL and QL Series models for broadcast applications, including 5.1 panning and monitoring for surround broadcasts, and a newly developed buss compressor that is ideal for insertion in the stereo mix buss.

For live sound applications, V3.0 will add the benefit of a new 8-band parametric EQ and real time analyzer. There will not be a QL Series V2.0 so that the CL and QL Series Consoles will be at the same V3.0 level. CL and QL files are interchangeable, making it easy to choose and combine models to best accommodate live sound front of house and monitoring as well as broadcast relay and recording, from the most basic to large scale applications.

Notable new CL/QL V3.0 features for broadcast include 5.1 Surround Panning.
Pan positioning can be set via the touch panel or knobs. Mix to Matrix can be used for international feed production, and Mix to Stereo can be used for stereo mix down. In addition to surround mixing, CL/QL V3.0 adds basic surround monitoring. Monitor alignment capability is also provided, with adjustment of relative speaker levels and delays.

Also for broadcast applications, Dan Dugan Sound Design highly regarded automatic microphone mixers already included in QL Series is now included in CL Series consoles. Gain distribution for up to 16 speech microphone channels is automatically optimized in real time, achieving smooth, natural level control.

Yamaha R&D has created an accurate VCM (Virtual Circuitry Modeling) model of an acclaimed buss compressor that is relied on in broadcast and recording studios around the world. Buss Comp 369 is ideal for inserting on the stereo mix buss for increased loudness, more uniform levels, and warm overall sound. It is an excellent choice for live sound as well as broadcast applications.

Mix minus, considered important for relay broadcast applications, previously available for CL consoles is now available in the QL consoles. The signal from a specified channel can be easily omitted from a specific bus, making it easy to quickly create a mix for the location reporter, for example, that may not include his/her own mic feed. The new Frame Delay capability enables the audio engineer to delay the audio at the console in order to achieve proper synchronization, a necessity in broadcast and in live applications where video is being used. The feature makes it possible to set that delay in frame increments for easy sync with a wide variety of video formats.

Additional live sound features include an 8-band PEQ in the GEQ Rack and Effect Rack making it possible to select 8-band Parametric EQ in the GEQ RACK and EFFECT RACK. With the real time analyzer (RTA) to support room tuning and other operations, the frequency spectrum of cued channels can be shown in the new RTA display as well as in the PEQ or GEQ display to provide visual feedback while adjusting EQ.

Also of note for the live sound market, V3.0 will now provide four banks of enhanced User Defined Keys, not only reducing the possibility of running out of keys, but it also allows keys to be grouped by function for improved efficiency. DCA Assignment Selection for Scene Management has been added to the parameters for Recall Safe, Focus Recall, and Global Paste. Rather than only being selectable with ALL parameters during scene memory management, DCA assignment is now an independent setting. This allows more refined control, such as specifying only Channel Name, Fader, and DCA Assign to be Recall Safe, for example.

We’re very pleased to brings these additional upgrades that have been requested by our users, states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. Our loyal sound reinforcement engineers will benefit from several great tools whether they are mixing on CL or the new QL Series as well as a whole new set of amazing features for our broadcast users. In addition to the new features in V3.0, we are currently working on a number of additional refinements that will provide even greater operability and stability and will continue to deliver products and updates that contribute to the most efficient and comfortable working environment for our customers.”

CL/QL V3.0 firmware will be available as a free download from the Yamaha Commercial Audio Systems, Inc. web site, www.yamahaca.com, in early 2015.

For more information, visit Yamaha Commercial Audio Systems, Inc. at AES 2014, Los Angeles Convention Center, booth #1401 or on the web www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

THE API BOX BREAKS INTO AUSTRALIAN MUSIC SCENE THROUGH FAMED SONGWRITER/PRODUCER STUART CRICHTON

Crichton_Sloss_1VICTORIA, AUSTRALIA: As the API BOX makes its way to recording studios around the world, it has now found its first home in Australia through world-renowned songwriter/ producer, Stuart Crichton. Crichton has been a contributing factor in numerous top ten hits internationally, primarily in the U.K. He consulted Deb Sloss at Studio Connections Australia, API’s Australian distributor, when looking to make the addition to his home studio.

In just a short period of time, the BOX has already made a difference for Stuart. “The API BOX has totally changed the quality of my mixes, adding the warmth and width of a large room console,” Stuart shares. “The ease of set up and use is amazing – so straight-forward.”

Quality of sound is the most important feature for Stuart, who works with major artists including Kylie Minogue, Guy Sebastian, and Pet Shop Boys. “The mic pres and EQs are that beautiful API sound that many crave. The bus compressor is also now a major part of my mixes. Once I’m done mixing, I put it over the whole mix and BANG! There it is – a real vintage sound for what are usually digital-sounding mixes.”

Stuart relocated from the U.K. to Australia in late 2009, where he continues to make his footprint in the Australian recording scene, as well as work with top artists from around the world. He’s finding that his new console is the perfect tool to achieve a big studio sound in a relatively small space. “The BOX is an affordable way for a home studio to get that big room sound, which usually costs a lot of money per day.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com
(PHOTO CAPTION) Stuart Crichton with Deb Sloss of Studio Connections Australia. (PHOTO CREDIT: © 2014 SCA)

Fairlight Launches Affordable QUANTUM.Live Table-Top Console

IBC 2014 will see the launch of QUANTUM.Live Table-Top (TT), the newest addition to Fairlight’s live console family that includes the award winning EVO.Live digital audio mixing system.

Based on Fairlight’s leading edge audio processing and control surface hardware, their groundbreaking range of live consoles can switch between live and post production at the touch of a button, delivering an exceptional return on investment as customers are effectively getting two consoles in one.

Designed for the most demanding on-air and live productions, Fairlight’s Live family is a highly flexible console range, available from 12 to 60 faders, as standalone chassis, In-Surface modules and Table-Top configurations.

The entry level QUANTUM.Live TT is the smallest console in Fairlight’s Live line-up. It comes with faders accommodating 144 signal paths over 12 layers. It delivers fast tactile access and full command over two monitor systems. A second TT frame can be added, increasing the system to 24 faders.
At the core of all Fairlight’s Live consoles is an incredibly powerful audio processing engine designed with FPGA (Field Programmable Gate Array) technology. The Audio Processor combines: Fairlight’s renowned Crystal Core engine; a redundant power supply; all interfaces for control screens, GPIOs, storage; local control room I/O; MADI connections for remote I/O; and other system hardware.

A QUANTUM.Live Table Top base configuration with 12 faders, a centre section, audio processing engine with 48 channels, 32 buses and a full complement of local audio I/O, starts at €30,000, US$40,000.

For more information about QUANTUM.Live TT and the full Fairlight Live console range, please visit us at IBC 2014 – Hall 7, Stand H17. Or visit the company’s website –www.fairlight.com.au

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About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications.
www.fairlight.com.au

DK-Technologies Appoints Anders Kjempff As New Sales and Marketing Director

DK-Technologies has announced the appointment of Anders Kjempff to the position of Sales and Marketing Director, with responsibility for promoting the company’s range of audio and video metering products including the award winning DK Meter. He will be based at DK-Technologies’ head office in Herlev, Denmark.

Kjempff brings extensive management experience to the role having previously run his own IT sales company, which he sold earlier this year. Prior to that he spent nine years with broadcast transmission company ProTeleVision Technologies (PTV) where he was Sales and Strategy Director.

Karsten Hansen, CEO of DK-Technologies, says: “There is a real sense of ‘Sliding Doors’ about Anders’ appointment because, in a parallel dimension, he should have joined the company in 2001 when DK bought the Studio Products Division of PTV. At that stage he was working for the part of the company that we didn’t buy, and that’s why he didn’t come across then. I am really delighted that our paths have finally come together. Anders has so much industry experience and is such a consummate sales and marketing professional that this is really great news for the future of DK-Technologies.”

Commenting on his appointment, Anders Kjempff adds: “I have known about DK-Technologies for many years and have always admired its approach to product design and development. DK products are conceived from a blank sheet of paper – there are no third party algorithms or components because everything is designed from scratch with no compromise. That is why the company has such a strong international reputation for quality. I am delighted that I am now part of this because I share the same values. Coming to DK really does feel like coming home.”

Under Kjempff’s guidance, DK-Technologies will be looking to promote its world class products and expand its sales network on a global scale.

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About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

Full Compass Hosts NUAGE Demo, Nuendo Master Class

BUENA PARK, Calif.—A Yamaha NUAGE Demo and Nuendo Master Class will be held by Yamaha Commercial Audio Systems and hosted by Full Compass on Tuesday, September 23rd at 9770 Silicon Prairie Parkway, Madison, WI. The event is free of charge. Product tours will begin promptly at 6:00pm, 7:00pm and 8:00pm.

A joint collaboration between Yamaha and Steinberg, the NUAGE Advanced Production System is the brainchild of workflow efficient hardware and Nuendo 6 software operating together in perfect harmony. Offering unprecedented productivity and flexibility as well as premium audio quality in an innovative design, NUAGE is making waves across the world.

David Lees and Marcel Mauceri from Yamaha Commercial Audio Systems, Inc. will be on hand to demonstrate the new Yamaha NUAGE production system along with Full Compass Systems staff and discuss the latest news, tips and tricks of Nuendo recording software.

For more information and to register, email rsvp@fullcompass.com.

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Fairlight Showcases 3D Audio Workspace at IBC 2014

At IBC 2014, Fairlight will showcase 3D Audio Workspace (3DAW), a new platform for immersive and object oriented 3D Sound Production.

Aimed at the film and television post production market, 3D Audio Workspace reinforces the industry’s drive for the ultimate in cinematic and immersive sound delivery by providing a comprehensive and diverse environment for 3D audio production.

“Fairlight has always had a reputation for pushing the boundaries of technology, but even by our high standards 3DAW is one of the most exciting products we have launched in many years,” says Tino Fibaek, Fairlight’s CTO.

One of the features that make 3DAW so unique is AirPan – a brand new concept that allows operators to use a Virtual Reality (VR) style input to position and control images in a 3D space.

“This feature is incredibly cool because you can literally reach out into the airspace monitored by the controller and by just moving your fingers in the air, you can pan, rotate, tilt and spread your sound in space,” Fibaek adds.

Fairlight’s 3DAW adds immersive sound capabilities to an existing digital audio workstation, whilst remaining fully compatible with an established workflow. This open platform configuration support VST® and RTAS® plugins, as well as ASIO® for I/O and sync sharing.

“The philosophy behind Fairlight’s 3DAW is to give sound mixers a post production solution that works with all platforms,” Tino Fibaek adds. “Different deliverables require different technologies, so Fairlight’s immersive platform provides the best of both worlds, supporting object orientated implementations such as Dolby’s Atmos and DTS’ MDA and fixed bus formats in 2D and 3D, from stereo through to 5.1 and all the way up to NHK’s impressive 22.2 format.”

Fairlight has ensured post production facilities can easily connect to their studio workspace. Integrated, user definable B-chain processing supports up to 34 discrete speaker outputs allowing sound mixers to switch instantly between different surround formats, different speaker sets, speaker muting and soloing and comprehensive metering.

For more information about Fairlight’s 3D Audio Workspace and other innovations in the Fairlight range, please visit us at IBC 2014 – Hall 7, Stand H17. Or visit the company’s website –www.fairlight.com.au

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About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications.
www.fairlight.com.au

Prism Sound Releases SADiE Version 6.1

Prism Sound has announced the release of SADiE Version 6.1, an update to its highly acclaimed SADiE Version 6.0.0 recording and editing software.

With no dedicated proprietary hardware requirements the SADiE v 6.1 software packs are application based and focus on the core SADiE expertise of Mastering, Radio Production, TV/Film Post, Archiving and Restoration, and high level Sound Design.

Prism Sound has also announced a new and exceptionally competitive pricing structure for its SADiE software packs. With the entry level SADiE PRO now starting at UK £445.00 (plus VAT), the product range is even more cost effective, taking the SADiE brand, reputation and advantages into new markets. The extended compatibility will also significantly reinforce its appeal to professional users around the world.

New SADiE Features

WAV Master
With many more consumers now choosing to buy their music via a download, record labels are increasingly asking mastering engineers to deliver mastered audio as digital WAV files so they can be easily supplied to audio download sites such as iTunes, Spotify and Amazon.
SADiE’s newly introduced WAV Master feature allows users to create WAV files for an entire album, using PQ marks to define the start and end of the WAV file for each album track. Track Titles, Artist Name and other information is automatically incorporated into these files. As a further extension of its WAV Master feature, SADiE has also introduced a new high quality Sample Rate conversion algorithm. This brings the sample rate conversion process in-line with the high quality processing standards for which SADiE’s parent company, Prism Sound, is famous.

This ultra-efficient workflow allows SADiE’s PQ list to be used as a single source to create the WAVs, DDP and CDs that are required by today’s mastering engineers.

ISRC in BWF Files
Prism Sound has also incorporated ISRC in BWF into SADiE’s new WAV Master option. This feature is included as part of the Mastering Suite and Sound Suite packs.

Created and standardised by the European Broadcasting Union, Broadcast WAV (BWF) is an extended WAV format that allows ISRC data to be embedded in the file. ISRC stands for International Standard Recording Code. Every song released, and every version of that song, is allocated a unique ISRC by the record label. ISRC is then used to ensure that the correct files are used for playback and replication. It also ensures that artists and recording professionals who stand to benefit financially from any playback or replication are identified and compensated.

The UK Music Producer’s Guild has led the initiative to get BWF adopted as standard, and in conjunction with the EBU it has produced a Recommended Practice document that lays out methods by which an ISRC can be embedded into a BWF.

Other updates

These include an extension to SADiE’s Wav Master functionality with support for reading and writing a WAV file’s LIST-INFO chunk, and for Track Name and Artist metadata (included in Mastering Suite and Sound Suite packs). Prism Sound has also incorporated 32bit floating point format for recording or bouncing to WAV or BWF, thus allowing engineers to work at the highest possible resolution throughout. There is also the option of creating a profile when making a DDP Image or importing one.
In addition to these upgrades, Prism Sound is now including SADIE MTR (Multi-Track Recorder) software in the SADIE6 installer. This will run without license when using an LRX2 or Prism Sound Lyra, Titan, and Atlas, interfaces, and requires a license for native operation.
Looking to the future, SADiE will soon be offering enhanced video support for BlackMagic Design Decklink cards, as well as timecode support on SADiE Native systems (where the ASIO audio hardware supports timecode functionality). These extended new features will be included in an imminent service update. The software element of this update will be available to all 6.1 users, although some users may require additional hardware.

To try out the software, please visit http://www.sadie.com/support/download_v6.php

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The range now includes SADiE digital audio workstations and location recorders. Prism Sound also manufactures audio test and measurement products such as the DSA-1 and the dScope Series III audio analyzer.

For more information please visit www.sadie.com or www.prismsound.com

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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